#just realized i had asks off

[my-mind-is-now-hers-au]

:p

[royalarchivist]

Pac: I can't keep doing this, I can't do this– [Laughs] I can't do this anymore— What is this, man?!

If you didn't see Pac suffering in Sims earlier today, here's a (translated & subtitled) compilation of some silly Sims Hideduo moments that made poor Pac look like he was questioning all his life choices.

[kit-screams-into-the-future]

was having trans marty thoughts again and i came to a realization about this scene

[inumbrapugnabimus-maybe]

I read Howl’s Moving Castle and it is officially a comfort book now so here is Sophie :D

[tropicalcontinental]

Human fear is the window to the soul or whatever ://

[chilfucked]

I'm thinkin abt when chilchuck does that cat thing where he looks up at you, like in your header, how he bares his neck by doin that, and how awesome it is that he feels safe enough with the touden party to do that so casually- rghhrgrhhr

dude i think about this all the fucking time. he’s such an expressive character it’s awesome. you can always tell what’s going on with him just by observing his body language

beginning of the series? before everything goes down? he’s open, relaxed. he’s really started to trust the people around again after years of not letting himself

you have him closing himself off after The Incident™️, his anger and frustration, and generally not feeling safe being on full display without needing to say anything

he closes off when he’s worried, scared, or being protective of the people around him

and he opens back up again once he starts getting comfortable with everyone again

i just. i love him so much, i love how no matter how hard he tries to keep people at bay. keep things to himself. he just. can’t. he’s an open book and boy howdy am i reading it

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[starry-bi-sky]

Oh man, I binged the first 20 episodes of The Princess's Jewels a few days ago after watching a few review videos on it because I had to see just how bad it actually was, and I've decided to talk more about it here.

For the entire spite-fueled four hours of reading, i kept stopping to take screenshots to send them to @the-navistar-carol and then talk about how stupid a lot of the plot points were. I jokingly called Ariana a jellyfish based on her hairstyle, and the nickname stuck after Gen said "yeah and she's like an actual jellyfish by how the trick you into getting closer because they're so pretty before paralyzing you with their stingers."

I'm putting this under a read more because, as normal, I write a lot.

We all know Jellyfish sucks, but what gets me the most is the wasted potential of the guys (among other things). They are all so! Interesting! And they befall the same fate as female harem members in that their backgrounds and personalities all get set to the wayside in favor of fawning over the MC. They all come from unique, diverse backgrounds that don't get touched up on at all. For example:

Why did Efrit wear a mask all the time when his older brother didn't? Why did he say that "he finally found the woman he was going to reveal his face to" to Abal after he met Jellyfish? Is it some kind of cultural thing for the soldiers and warriors of Xek to wear masks until they fall in love? That would explain why his brother has his face revealed, cuz he's not a warrior! Why is the second prince in charge of the country's army and not the king himself? Why did he STAY the general of the army after he fucked off to another kingdom to become the lover of a foreign state?

Why was Haun Baek taken in by the royal family? The flashback of the queen giving him a new name implies to me that he may have been a slave of some kind, which puts a lot of perspective on why so many people were against his rise to power and disliked him. He was mentioned to be a general and head of the security division of the king, but as far as chapter 21 goes, this has never been brought up again. He's the Harem Pretty Boy who does all the work in high society for Jellyfish.

Speaking of fighting -- when did Jellyfish get a thigh tattoo to summon her sword? What's the backstory behind that? It probably has something to do with the 'swordmaster' thing (which is ANOTHER thing) but when did she get it? Why was she even allowed to learn swordfighting if she came from a seemingly implied patriarchal society? More importantly -- why was everyone okay with this? Why is it only the off-screen "evil old advisors" that hate her doing this.

Are these evil old advisors in the room with us right now?

Why are Nell and his family werewolves? Where did their magic recorder ability come from? This was just seemingly a power that he had that came out of nowhere when they were looking into Benela and her family. From the videos I had assumed he was a poor family that rose into dukedom after the war, but apparently they've always been? Dukes? And the other advisors still see the family as a threat? On one hand I can see where they're coming from, but on the other I don't think the comic is portraying them as "threats" the way I think they are. Nell and his family are seemingly treated like they were commoners who suddenly rose into nobility, rather than pre-existing nobility that fell onto hard times.

I want to know more about Jade and the fact that he's from a holy house from an entirely different country -- i cannot believe Ariana got away with that btw. Like im not even touching the gross overreach of power that is her demanding a noble not of her kingdom to be castrated, but more so on the fact that she practically coerced and stole a descendant of a saint and faced?? No backlash from this? None whatsoever? The gods and the people just let her get away with it because oh, it's an honor for this snobby empirical princess to come in and steal one of their chosen saintly descendants all because his dad pissed her off?

Like I agree that the dad was a scumbag, but Ariana calling him out on it is like the pot calling the kettle black.

Also, I wish Benela and her family were a bigger threat than TJP claims they are. Like, this is apparently the emperor's favored concubine who stole the love of the emperor away from the empress and successfully murdered the crown prince without getting caught. She's apparently some master manipulator but Jellyfish faces no trouble thwarting her at every turn. So what is it? Is she a master manipulator or is she a dunce? Or is the emperor just an idiot who doesn't care about his sons because with the way he treats them, you'd think they were bastard children.

The banquet "queen heel syndrome" scene gets me especially so because that was a good fucking plan!

Benela's plan to reveal and shine a light on Jellyfish's harem and how it was negatively impacting her image and high society was a good plan! That was brilliant! Because it had basis of truth in it. I don't know if the queen heel syndrome thing was a false rumor, or something she deliberately fabricated -- the comic never actually goes out of it's way to disprove it. In fact, I'd argue the QHS thing is *backed* by it, because just a few chapters prior when we first meet Benela, there's a side comment made by a noble woman about how her daughter was chasing after some man she was infatuated with.

But what I do know is that Jellyfish has been disgraceful towards her fiancé and that she has been indulging in her harem. By all accounts, by the implied societal standards of Arbezela or Azkaban, Jellyfish is being a whore. I am not one for mindlessly slut-shaming, but sometimes slut-shaming IS okay if it has a narrative purpose. And it does here. And Jellyfish doesnt even disprove any of their arguments, in fact she does a 1st grade level deflection and instead goes right for insulting Bavilo's lack of marriage prospects, which wasn't what they were talking about at all.

I'd applaud the deflection if it wasn't Ariana doing it, and if it wasn't such a serious and valid accusation that Benela and her family were making.In any other manhwa, this would have worked. This would have damaged Ariana's reputation, and it should've had some actual consequences to it. Instead they completely skip over this plot because the author knows that Ariana has no defense, she can't talk or excuse her way out because regardless of the truth behind the Queen Heel Syndrome, the fact remains what she is doing is inherently shameful.

Like! I am so mad that their scheme didn't work, because it! Was! A! Good scheme! All the best lies have some part of the truth in it, and Ariana should not have been able to weasel herself out of that so easily. In fact, the fact that she did just makes the emperor look like an even bigger incompetent.

Wanna know how this ended? It ended with the emperor blowing up at Bavilo because Bavilo said that he "could make it to the top on his own without the help of talented subordinates" and the emperor perceived that as a slight against him because, apparently, Bavilo was claiming to be heir to the throne? When nowhere in that sentence did Bavilo even so much as say or imply such a thing?

and also--- WHY is it such a bad thing that he's claiming to be vying for the heir seat? It's empty! The Emperor hasn't announced a new successor yet, of course Bavilo would say he wanted to be the crown prince. Nothing that Bavilo said was insulting towards anyone, and was actually quite admirable.

What gets me too is that right after this chapter, the empress claims that the princes are "illegitimate children" because they're the sons of concubines, and that if they were chosen for the role of "carrier of the light" people would question their parentage-- ???

First of all, not at all how concubines work. Concubines are a legitimate role in a harem structure and quite literally their job is to produce more heirs for the throne as back-ups in case something happens to the Heir Apparent. Like that's literally their job. They are official members of the royal palace, to claim that their children aren't legitimate is to claim that they're merely mistresses, not concubines. This was both an insult to the concubines AND the emperor.

Like my god I do not have the time to go into all of the plot holes of this webtoon. I haven't even gone into the total lack of consequences Ariana experiences both politically and socially, and how all of the interesting conflict happens off screen, nor the blatant racism and misogyny present throughout the webtoon, NOR the absolute SHIT worldbuilding.

[swan2swan]

Jurassic World: Camp Cretaceous

Running Gag: "What Are You Doing?"

[kit-screams-into-the-future]

Is it bad that I want to see more of that Were-Doc Au?

the people love mad scientist turned big wet dog

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[qoldenskies]

Thinking the awful thought of how much worse the curse could have potentially gotten if April and Splinter had been affected somehow.....or even just. If Donnie had decided to stay at April's for a while out of the belief that maybe if he was out of the lair things would calm down. Like, would they have eventually gone looking for him because the "dying" part of the curse wasn't fulfilled yet? Would they have eventually been willing to put APRIL in harm's way because the curse made them think she was trying to protect him or something? Like the fact that this could have easily been made EVEN WORSE by just a few small things is what's gonna keep me up at night OP (pos) (Also I'm so so curious to know what the trigger to the curse starting even was, if it was a spell that was cast or something that was a small detail in the fic that nobody's picked up on yet, and if Raph Leo and Mikey even noticed anything was off or not until it was far too late. I am connecting dots that haven't even been fully connected)

dude dude dude i think about it a lot. how if donnie had stayed with april, it would have been worse (and there's a very good chance they could've lost april in the line of fire, too, if he was safe with her for a long while. the curse doesn't change their feelings on each other, it'd just have to get bad to a point where they would GENUINELY put their murderous hatred for someone above her life). how if he'd actually gotten out instead of running for his dad, it would have been worse. the curse would get worse and worse and worse until he died, and the longer it was held off, the more aggressive the treatment. the exact situation he was in saved his fucking life. raph putting his hands around his throat saved his life. that was the best possible outcome short of him being consciously aware of there BEING a curse, and he was too far gone for that to happen.

its sososososo tragic. like they're more grateful than ANYTHING with april doing what she could while they couldn't, even if she was stumbling in the dark, but that had the potential to have been dangerous and i dont even think they'll ever realize that.

[dykedvonte]

So I've been turning over this detail of the game over and over and I think I've found a good reason and wanted to share. During the guilt sequence, when Jimmy enters the ID hallway his ID covers up both Anya's and Curly's.

And for a long time I've always wondered why those two in particular. And I think the reason why is because even at this point of the game he's still dehumanizing them and ignoring who they really are as people.

During the entire guilt sequence he never acknowledges Anya and the pain he caused her by the rape and forceful impregnation to her, instead only focusing on the fetus and how it would ruin HIM. And even his subconscious that's calling him out for Anya has to take on the form of Polle, and he still refuses to even reference her.

And even though he apologizes to Curly, it's really only for taking away his role as captain. He's not sorry for causing the crash that made Curly in perpetual horrific pain, for abusing him before the crash, or for even the cannibalism. And as you pointed out, throughout the entire guilt sequences he's had of Curly it's only in his post-crash state. Also throughout each guilt sequence with Curly he still imagines Curly as his perfect victim friend who would gladly take on the role of a villain for Jimmy to be a hero.

The ID hallway shows the players that even when he feels guilty he still refuses to see who they really are. Throughout the game he steals from both Anya and Curly their bodies and their voices, and this scene is symbolic of that. Even when he's feeling guilty, Jimmy is still doing just that to them.

ITS LITERALLY ALL THIS.

My biggest gripe with any interpretation of Jimmy and his abuse of Anya and Curly is that he actually respected Curly more. He didn’t even care enough to see the person he was before the crash in his moment of penitence. He couldn’t even give him a name in the end. Curly was always a space for him to take, to project his worst qualities onto. Anya became that space due to the position of power Curly specifically had, he’s his boss and he can’t just do whatever, hence why his actions were always behind Curly’s back. The tragedy of this is that he realized how much power he had over Anya, his subordinate, practically the same in the societal pecking order outside of this one instance. An opportunistic chance for him, similar to how he exerts physical power over a post-crash Curly.

He sees Anya as a nuisance, a thing he can’t get out of the recesses of his mind but he still sees her, in a fucked up way, she’s his dead pixel. Something that slowly destroys the perception of his screen the longer he ignores it until it goes black. But Curly? He’s an escape, he’s not anything real because the Curly in Jimmy’s head is also not a person but a place holder for him specifically. He wants to be that man and his only true regret is the destroying the thing he wanted to be and thus making that role inaccessible to him.