#just pretend this is in english
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Ich habe 5.773 Mal im Jahr 2022 etwas gepostet
Das sind 299 more posts als 2021!
25 Einträge erstellt (0%)
5.748 Einträge gerebloggt (100%)
Blogs, die ich am häufigsten gerebloggt habe:
@66dataa
@anemoianomaly
@anchorichor
@rottingappleheart
@ahalliance
Ich habe 2.336 meiner Einträge im Jahr 2022 getaggt
#hermitcraft – 320 Einträge
#splatoon – 270 Einträge
#grian – 239 Einträge
#goodtimeswithscar – 217 Einträge
#double life smp – 141 Einträge
#toh spoilers – 132 Einträge
#fav – 126 Einträge
#mumbo jumbo – 74 Einträge
#bdouble0100 – 65 Einträge
#pearlescentmoon – 64 Einträge
Longest Tag: 136 characters
#miss me with that 'haha my gender identity is male. i know i'm a biological she/her girl female woman 🥺 i'd never deny biology 🥺' shit
Meine Top-Einträge im Jahr 2022:
#5
shoutout to autism yaoi
11 Anmerkungen – Gepostet 28. August 2022
#4
We already figured that king might be a titan, yet I'm still surprised it was ACTUALLY confirmed. Poor little guy is traumatised for sure now :(
24 Anmerkungen – Gepostet 30. April 2022
#3
26 Anmerkungen – Gepostet 26. März 2022
#2
NOBODY TALK TO ME
Of course Darius would want Hunter to rebel, the previous Golden Guard was his mentor and he went against Belos too. He knows what happened to his mentor and he knows the same fate might await Hunter as well. No wonder he was upset when Hunter became the new Golden Guard, I'd be upset too if I knew that this child was bound to betray the emperor and die just like the last one.
I just...Darius man :(
65 Anmerkungen – Gepostet 23. April 2022
Meine #1 des Jahres 2022
The titan hunter's skulls are hardly any bigger than King's. How many titan kids did they murder?
73 Anmerkungen – Gepostet 30. April 2022
Hol dir deinen Tumblr-Jahresrückblick 2022 →
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Jon he's really trying here cut him a break
(tumblr crunched the resolution of this comic a lot rip)
#dracula daily#hello im back from the void with shitty dracula doodles#i actually drew this last year but never posted it#here it is now though#count dracula#jonathan harker#Drac reading the english bradshaw guide is still one of the funniest moments in Dracula to me#i know it is supposed to show how he's planning to infiltrate england and appear local#but it really does just come across like he picked it up in a panic and pretended to be reading it when Jonathan came back into the room#and being the weird guy he is thought reading train schedules was really normal behaviour#bram stoker's dracula is a romcom#re: dracula
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And I just have to tell you that I
Love you so much these days,
#homestuck#dirk strider#bgd#brain ghost dirk#jake english#dirkjake#hs2#homestuck^2#homestuck 2#hsbc#homestuck beyond canon#homestuck epilogues#candy epilogue#admin draws#fanart#i cant even pretend im normal about my own art or this song im sorry#im tryna think of something to say abour this and i keep thinking about the lyrics and i GRGRHHHHFHFJG#i dunno man. i love plastic beach. i cant say anything here that is not gallbladder-achingly cheesy#but just. i dont know.#jake keeping a little bit of dirk in his heart all those years. even if bgd is 'all' jake hes still in the memory he carries#when i listen i find myself stuck between which singer/verse should be jake and which should be dirk. but the answer is simple#theyre both both.#jake thinks hes the one singing abour getting abandoned. but really hes the one losing himself in the substance#and dirk. dirk is the one watching him lose himself. but since hes just a part of jake. yeah.#'i have to tell you that i love you so much these days' both as something jake is saying to dirk and what jake wishes dirk was there to say#hes so alone in that reality. even if he might not admit and go so far as to imagine dirk saying it. its something that deep down#he aches to hear. the man who has deemed himself unlovable and incapable of love. he still wants to hear it despite himself#he still wants to say it despite nnot being able to bring himself to even process that emotion#sigh. see what happens. i cant talk aboht it bc a single line turns intoTHIS
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in less than a year and a half the italian government has: worsened the living conditions for immigrants (which were dire already) with new "reception centers" that is really just a fancy word for a place that is worse than a jail; continued to let hundreds of people die at sea or deport them back to libya; cut the funds for public healthcare and education; favored the gentrification of historical city centers; suppressed and silenced protests for palestine all around the country; called for the arrest of peace activists; turned a blind eye on the inhumane conditions of an italian antifascist activist detained in hungary; called for a daspo to all singers (lmao???) who express their dissent (or literally anything even vaguely political that doesnt align with their ideology) on live, PUBLIC state tv; put forward their plan to leave the south in utter subservience to the north and made the police beat up the southern mayors and governors who protested against it; made the police beat up the students and activists who protested outside RAI (state tv) buildings in several cities against its shameless censorship of those that speak up about palestine, as well as its continued support of the zionist narrative through which the news are filtered; done absolutely nothing to mitigate the embarrassingly high percentage of deaths in the workplace or the even more absurdly high percentage of femicide.
and now they're trying to pass a law that criminalizes any critique of israel by lumping up antisemitism and antizionism in the same category so that if you even dare say hey maybe we should stop killing palestinians you could be legally prosecuted.
but they opened a few parks so i guess they also did good things
#im so tired and angry and i wish i could articulate just how much#but there arent enough words in the english vocabulary#they dont even pretend anymore#its all out in the open for everyone to see. and it doesnt matter how many people protest. and A LOT of people are protesting#they just beat them down and pretend like its not happening#italy tag
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thrifted romance | megumi fushiguro x reader
synopsis: you’ve never really spoken with megumi before, so when your friends leave the two of you behind on a snowy night, you take the opportunity to get to know him.
wc: 6.2k... SO SORRY I GOT CARRIED AWAY cw: swearing, college au, noncurse au, i don’t thjnk there’s anything else ??
this got way longer than i intended it to be and i rushed to grind it out so it may not be coherent.. if so i apologize :’3 and this one’s late but i hope the content makes up for it ! enjoy meemow barely proofread!
it's a late winter evening when you meet up with megumi and your friends on the side of the street— cozied up in puffy layers and a long blazer stained with coffee splashes and a few hot chocolate smudges here and there.
fall had melted away with the slow gradient of leaves from the trees, sinking into fluffy piles on the sidewalk that soon became coated and replaced with light snowfall; the first of many problematic inches. midterms were just around the corner, and with it meant late hours spent pulling all-nighters that left you exhausted, eyes dark around the edges with a lack of sleep; breaths of minty hot chocolate and coffee from the amalgamation you'd concocted to at least pretend to get into the holiday spirit.
(a fruitless effort, though— if not for your failure that warned you to stay out of mixology, but the way your roommate's cat had knocked over your mug and ruined the flashcards you'd been wrestling with and looked completely smug with itself.)
really, though, there was absolutely nothing jolly about school, or exams. so when your favorite inefficient, sidetracking study buddy had offered to spend the weekend out, who were you to say no? nobara had offered to go find a club, but it was far too cold out to frolic around in skimpy clothing and your expensive winter coats were much too valuable to risk being stolen in the haze of drunken students and sweaty bodies. so, you'd decided to go shopping, because what else is there to do with her? besides the usual karaoke session with the upperclassmen she seems to like so much, of course.
turns out, it'd had been a group endeavor. or, more accurately— a group of four, unlike the duo you had previously thought you'd be going out in. yuji and megumi were there too— friends from separate majors; you'd heard that yuji was involved in the uprising surge of software engineers and computer science majors clambering for a shot in the world of big AI tech companies, even though he supposedly was about as computer-smart as your teetering old grandma ripe with age, permanently stuck in her rocking chair crocheting the days away.
megumi, on the other hand, was a mystery. you'd shared a few classes together; his chipped dark nails that shone the same blue as his esoteric eyes beneath the warmth of the glowing sun, and his inky black hair that spilled over the collars of his simple gray sweatshirts like effortlessly graceful calligraphy on paper had captured your attention as smooth and seamless as the daylight turned to darkness, days cut short by the onslaught of cold. even so, you'd never brought yourself to interact much— he seemed like he'd prefer to keep to himself, if the way he'd disdainfully scoot away from anyone who tried to approach him and turn up the volume of his headphones indicated anything. you had laughed to your friend and called it introversion to its finest, only to promptly shut up when his unmoving gaze landed on you, leaving you feeling like a clown on the stage, rimmed by rich dark red curtains and a wooden floorboard as the beaming spotlight shines upon you imaginary button nose, hot and glaring under his gaze.
even though you'd approved of his music taste once you snagged a few notes by the ear, you'd really thought his taste in fashion was too bland to be the type of person to shop with nobara— her meticulous style and image were much brighter and more flamboyant than megumi's jaded attempts at a splash of color through the occasional blue argyle or layered turtleneck. still, those were better than yuji's paltry attempts at fashion; at least the myriads of color on nobara's figure were coordinated. the pink-haired boy with funny scars on his face would probably have been better off learning graphic design or art, with the disasters of clashing colors on his person.
and he'd gotten the opportunity to demonstrate his questionable tastes on the chilly evening, when black ice had begun to form on the roads and the soft light of boutiques with slow jazz flowing from the speakers filled your frost-bitten red ears as you walked up to the shade of a nearby lamppost. once you'd all met up, nobara had hooked an arm around your elbow and dragged you off, leaving the boys to follow along like it was walking dogs.
honestly, you wouldn't be surprised if you were— at least, with yuji. he carried nobara's bags like she was the next princess in line, without complaint and with the little fearful quivers that dogs get in their legs whenever their owners scold them for barking or misbehaving, much like how nobara would yell at yuji if he dropped a single cream linen sweater or ruffled pink cami.
megumi, on the other hand, was far too lethargic and quiet to be considered any kind of canine. although the weaved bracelet on his left wrist with a cute little puppy charm you caught sight of when he'd rolled his sleeve up implied otherwise. the only reason he'd even had to do that was to rub the sickeningly sweet orange blossom hand sanitizer nobara had spritzed on each of your palms after you took turns petting a stray cat, one that seemed to take a great liking to you and megumi in particular.
the night seemed to drag on forever; pale yellow lights and holiday decorations blurred into swathes and bubbles of color in your vision as the hours passed and the caffeine from the cute little coffeeshop you'd stopped at earlier began to wear off.
but there had just been something magical about that evening; spending time with friends (albeit, more like acquaintances) had granted you a much-needed break from cramming your mind with an overflow of information that was sure to spill out the moment you answered the last exam question. so, when it was almost midnight and it was time to retire to your bed, you'd insisted on staying out for just a little longer while nobara and the rest returned to their dorms to catch some sleep. yuji had complained something about his legs cramping, but you were feeling giddy, and the stars were twinkling just as bright as the light in nobara's eyes were when you told her you had to soak in the fresh air for as long as you could before being locked in to study again as she laughed and headed home with her pink dog-boy escort in tow.
megumi had mumbled something about staying with you since it was late and he wanted to make sure you were safe. you didn't think too much about it, because if you did, you were sure you'd end up with a faced even more flushed than it was frostbitten from the cold.
so, here you were, strolling down the quieter side of town, a brooding boy with inky dark hair and hands pale with blue veins shoved into the pockets of his jacket trailing behind you. he had one airpod tucked into his pierced ear; you assumed he hadn't brought his headphones because yuji would be there to prattle and babble. even so, you were content not to say anything, so there was plenty of opportunity for him to wear both. but he wasn't. you decided not to linger on it.
you'd just finished writing a silly little note out of the crisp snow gathered on the windshield of some stranger's car; the flakes were cold and biting on your skin, leaving it feeling numb with little droplets of icy water when you pulled away to admire your handiwork.
"actually, maybe i shouldn't be doing that." you decided after a moment, mumbling under your breath. it was just a little message with a whiskered smiley face, but the headlights on the car and the bumper seemed to form a frown at you when you stepped back, shaking its motorized head at your vandalism.
"you think?"
megumi's voice sounded from behind you, a little weighed down by the cold with a wisp of warmth leaving his lips like a powdery exhale, curling into the prickly night air. he was standing on the sidewalk, observing you all prickly-like as if you were some flagrant toddler he was babysitting. you still had to get used to the way his voice sounded after rarely hearing it; the few crumbs you got when your professors forced obligatory presentations onto struggling students had sent this warm, fuzzy feeling collecting in your stomach at the rich tone of velvet it held. not rough or overly deep, but smooth and reassuring. the kind you could fall asleep to; like there was a lullaby just waiting to be poured from his tongue with little scratches in the indent of his tone.
of course, you hadn't heard enough of it to make such an assumption, so when you heard the little quip framed with irritation at the edges, it wasn't all sugary sweetness like you imagined.
"yeah, well, sorry i like to live a little," you huffed, rubbing your hands together in an attempt to resuscitate some warmth back into them with a small little sigh.
"you call that living?" he scoffs a little, cocking an eyebrow at the vandalized toyota behind you. now, it just looked a little sad; imaginary eyebrows over the red lights droopy in disappointment. you followed his gaze, before looking back at him and making a sour face as you stepped onto the sidewalk.
"maybe we just have different tastes, y'know? doesn't mean we don't have to get along like this," you mumbled, shaking your hands out a little to get the remaining snow droplets off before stuffing them back in your blazer pockets. "just like itadori and nobara. one has terrible taste in fashion and the other doesn't, but they both like their bright colors." you feel satisfied with yourself for that one, but clearly, megumi doesn't feel the same. but the corner of his pink lips seem to quirk up just a tiny bit, and you feel pride blooming in your chest.
there's just something about the way it looks— an almost implausible smile coaxed onto his lips by something particularly amusing, reaching his dull blue eyes in a way that made their usual tedious apathy morph into something like fondness, or appreciation. adding a shine to his navy irises the lamp light overhead could only hope to mimic. then again, you didn't let your mind linger on it for too long like usual— so instead you chalked it up to the one other thing that had caught your eye besides the sharpness of his jaw and the handsome slimness of his face: his jacket.
you take back what you said about his style and its blandness before— it would be unfair to what he was wearing right now. just a simple black turtleneck (one that you were sure he'd worn to the early morning wednesday lecture you had a few days ago, when the sun was still bright enough to catch on the condensation of the cup of lemonade your white-haired, oddly sweet-toothed professor had), and black jeans, but the vintage racing windbreaker hanging from his shoulders brought it together in a way that was unfairly seamless; all dark blues and stripes of checker; a neutral grayblue that reminded you of the sky on rainy afternoons, trudging about the shopping districts in tokyo. there were a few brand patches here and there, some red bubble lettering of names you didn't recognize in patches of color that brought out the shade of his eyes. maybe the labels of those energy drink brands you often caught him running on when the shadows beneath his long dark lashes seemed heavier than usual.
all that to say he looked good. like, seriously good. you didn't know how you hadn't noticed all night— but now that you had, it was hard to keep your eyes from his slim and tall silhouette (not that he minded). the jacket really complimented it.
"that's a neat jacket. where'd you get it?" you asked after a moment of chilling silence; he'd probably noticed you looking, and you prayed he didn't think you were checking him out. although, if that meant getting your hands on one of those windbreakers, you wouldn't really mind. he glanced up at you, tearing his attention from the sad snowy toyota camry that seemed worn past its years at the newfound attention on megumi's racing jacket. he blinked a little, and you didn't miss the little flake of frost on his eyelash; probably caught from brushing past a windowsill earlier. by now, most shops were closed; even so, the street still felt warm and safe. well, maybe it was to be credited to a person rather than the concrete— but like you had been all night, you ignored it.
"oh, this?" as if he was wearing more than one jacket (it was cute), "i thrifted it." and for some reason, you didn't expect to be surprised, but you were. him? thrifting? the few western-fashion tailored thrift stores you'd been to with nobara had been lacking— not like you'd been able to stay in them long; the artificial ginger had this... beef with reused clothes. she liked her clothes clean and fresh from the press, even if you reminded her they could just be fresh from someone else's press. megumi must be familiar with the antiquated racks of varied worn graphic tees and frayed pants if he could fish something that classy from a thrift store.
then again, it's not like you had any experience to go off of at all.
"really? y'know, i've always wanted to go thrifting," you sighed, stretching your arms out, watching the fabric of your blazer wrinkle and curve to follow the movement of your muscles. a light dusting of snow coated the surface, like powdered sugar on tiramisu. that makes the coffee stains fitting. "but i feel like i'm bad at it." you said, stepping over a crack in the sidewalk, the rubber bottom of your sneakers brushing against a little clump of pine green weeds.
"bad at it?" megumi echoes, following you with a faint ruffle of smooth fabric, like the sound of a zipper sliding down. before, the world had been a cool shade of gray, like smoke rising from a cigarette or the blurry blue of the sky from the window of a speeding bullet train. but now, you let yourself soak in the sound of his voice, like grinded coffee beans and a smooth, soothing honey medicine for your throat on a sick day when you get to cozy up in your bunk bed and watch the clouds drift by.
it's nice.
"yeah. like, i wouldn't know where to go, or what to find, or what to look for..." you trailed off, rubbing your cold fingers together again as your breaths leave in little exhales of coagulating mist in the cold night air. now that it was late, it the temperature would only continue to drop.
you walked in silence for a little longer, listening to the scuffles of shoes against concrete, glassy with ice that had begun to creep up on the roads like a steady stream of seafoam from the tides.
"why don't we go thrifting now, then?" he asks out of the snowy blue.
you paused, and you almost smacked straight into a pole. "now?" you spluttered, turning around to face him. the look on his face was unreadable; a mix between exasperation, amusement, an attempt at stoicism, and something like affection in the corner of his lips as they curved upward. it was like a CPR compression; the smile that sent fuzzy electricity through your veins and reinvigorated your heart.
"yes, now." he said it like you were stupid, which you might just be, the way you stared dumbly at his face. "the place i got this jacket from is just over there," he said, jutting a ring-adorned thumb behind him. you had to lean up and peek around his shoulder to see it; you wouldn't've noticed if he didn't point it out. it was tucked between two buildings, a stairway downward into the store. the only thing indicating its status as a retail and thrifting store was the broken neon sign and painted red arrow that gestured towards the staircase.
"looks really shady. and it's late." you grumbled after you got over yourself, and he shot you an irritated look. that was all he really seemed to be doing tonight; that downward knit of his dark eyebrows and the slight pout weighing his lips down. not very suave, you think.
he swallows hard, and you aimlessly watch the bob of his adam's apple. "well?" he prompts, a hard edge to his voice despite the situation. you stand there for a little while, marinating in the growing cold until you cant feel the tips of your fingers.
"fine."
one accidental slip on the crosswalk and a few minutes later, you're stepping down the last wooden stair of the thrift store and into the building's basement; it's much bigger than you would've thought, with an expanse of layered clothing racks that obscure your vision, the corners of the walls clogged with cobwebs and years of dust build up. there's a faint lingering scent of cigarette smoke and cologne; something vanilla that you've caught clinging to megumi's wrists and neck on the rare occasion you brush past him. faint jazz spills from the speakers, something in a swing rhythm with the signature lilt of saxophone that makes you think you should be out enjoying a romantic fancy dinner instead of being cooped up between old wrinkly moth-bitten clothes. but you're here with megumi, so you convince yourself you don't mind either way.
"you sure this is the right place?" you asked, trying (and failing) to keep the obvious distain from your voice as you kick a folded 'floor-is-wet' sign from your path and step into the store. you can't even see the cash register from where you're standing.
"yes, i'm sure. can you stop complaining?" you can practically hear the eyeroll in his voice, and you're sure you could see it too if you just turned around. "trust me. it's not all shit." his voice softens, and you freeze up a little as he brushes past you; the corridors and margins are tight, so he has to turn sideways to fit. even so, a tag on your coat manages to snag on his jacket, and you hasten to unhook it before he can notice. he almost disappears into the racks, and you have to follow him, pushing your way through thick coats and worn graphic tees that have cracked logos and balls of lints clinging to them.
you're no thrifting expert, but you're pretty sure the store's supposed to be in better condition than this.
"hey." megumi's voice soon snaps you back into reality, and you look up from the mustard yellow top you were eyeing warily to meet his sedate gaze. "the good stuff's in the back. c'mon." he doesn't give you much room to argue even though it sounds like you're here to do drugs rather than find clothing, and before you can react he's reached forward to grab your wrist and tug you along. a yelp of protest almost spills from your lips, but you bite your tongue and let him drag you along, trying to extinguish the hue of cherry you know is making a home on the tips of your ears.
you brush past patchwork coats and a few leather belts that've tangled with the lace from the silk shirts next to them, but nothing really catches your eye, until you realize that he's let go of you only because of the lack of warmth around your skin and you focus yourself on the current again. you glance up at him, but he already has his back turned to you, sifting through a rack of black shirts that all look the exact same. maybe you have an untrained eye, though.
still, you can't help it when your gaze lingers over the back of his neck; one strand of dark hair has caught itself beneath the collar of his turtleneck, and it irks you. and you decide to do something about it because you'll know it'll bother you if you don't.
time seems to move in a liquid slow; things are blurring and there's no mothballs or ugly recycled coats to get in your way as you reach over and swipe your hand across his neck, hooking a finger beneath the strand and pulling it out of his collar. it takes you a moment to realize what you just did, and when you do, it's like there's a permanent mark seared into your index finger just from the touch of his skin against your own. you think he might have whiplash because he turns his head around so fast to catch your gaze before you can slink away, eyes wide and eyebrows knit, and you notice his bottom lip is snagged between his teeth.
he raises an eyebrow, but before he can utter a shaming word that'll only make you feel more embarrassed you shake your head vigorously, apologetically.
"sorry— it was bothering me. i hope you don't mind." you managed to say, the words spilling out in a rush before you turned away and slipped past him, disappearing into an aisle of dresses. you can feel his gaze burning cold holes into your back as you distract yourself.
you don't let yourself linger on what you just did— you seem to be doing a lot of that, lately, especially with him as you go through a few batches of clothing. by now, it's far past midnight, and you're feeling much more sluggish than you'd like to admit. you haven't seen megumi in a good twenty minutes save for the few times you picked up a few shirts and a cute diner jacket you thought would look good on him. he just thanked you bluntly, taking the bundle of clothing from your arms before walking away to the fitting rooms. you wished he'd stay to let you see the jacket.
you'd tried on a few things, discarding your blazer in favor of a cute knitted cardigan you grabbed, but nothing seemed to stick the way you'd like them to. it would be a great help if you had nobara to assist, but you were sure she was snoring away at home right now, and at the thought of your warm, inviting bed, your knees wobbled a little and you balanced yourself on the wall.
"hey— oh, you alright?" it's an unfamiliar voice; you lift your head up, looking for the source. it's a young boy— he looks to be about your age, maybe a little younger. there's a blue lanyard around his neck, and he's got a spattering of freckles on his hands, which are curled around the collar of a white linen shirt. he must be the one who's tending to the store.
"yeah, i'm okay. sorry," you said hastily, pushing away and rubbing the back of your neck. how embarrassing— he didn't seem to mind, though. he just smiled, big and bright and toothy. cute. reminded you of how toddlers would grin up at parents with those huge red lollipops in hand.
"no worries. i just thought i'd let you know that we're closing soon, since it's almost 2am." he said, shifting his weight on his sneakers. you nodded, about to give a hum of confirmation before another voice cuts through the slow jazz filling the stifling air above, all familiar in its smoothness.
before you could respond, though— "[name]?" megumi's voice rang out in the quaint little store, calling for you, and so you give the employee an apologetic nod before you turn and start toward the noise. you pass a mirror with a coat draped over the top, peeking your head around a tall rack of long skirts to catch sight of the raven head, in all of his glory. you notice that he's taken off his windbreaker.
"what’s up? we have to go soon," you reminded him, yawning a little and rubbing your eyes as you straightened up and stepped over to his side. there was another mirror in front of him, you noticed, with fading stickers pale in the dim yellow light stuck to the wooden rim. even so, with the smudges and the bare sheen of the silver, he looked good. that black turtleneck really suits him.
"i know. i just wanted to ask for your opinion." he said, glancing at you from the corner of his eye. you tilted your head curiously, and he held up a deep mauve sweatshirt, with some varsity logo branded on the fabric. it had a nice touch to it; a warm color that reminded you of red wine and slow evenings. you were sure it had been one of the pieces you'd picked out for him, but you were too sleepy to recall. "you should try it on. i think it'd look good," you said, gesturing toward the mirror.
you think you must've said something wrong, because he looks at you for a moment too long before he seems to catch himself staring and he nods, a choked little sound leaving his throat which he hides by ducking his head down and covering his face with his long bangs. you think you're hallucinating the pink on his cheeks.
after a moment, he glances at you. "hold this," he shoves his jacket towards you, and you have no choice but to take it. doesn't seem like he's used to taking no for an answer, but you're certainly not the one complaining when he tugs the sweater over his head, ruffling his soft black hair as he steps a little closer to you, observing himself in the mirror while straightening out the folds and fixing his turtleneck. you were right— it does look good on him. almost unfairly so— you don't know how he manages to rock granny clothes so well, like he was born a retirement home's runway model.
unlike him, you're not a reticent shut in— and although you'd like to say you have no problem telling him how good he looks, it's still a little difficult when the words feel like they're lodged in your throat in order to prevent you from making a fool of yourself again. but you ignore it and push on.
"you look great. i think it really suits you," you breathed, shaking your head as your hands tighten around his jacket in your arms. he blinks, adjusting the collar before glancing down at you. you take a moment to really appreciate the sight— him, bathed in the soft yellow glow of the chipped lights overhead. despite the dilapidated store and the antiquated, worn clothing surrounding him, he still manages to look like some ethereal angel boy you'd stumble upon in a bookstore on a dreary winter's afternoon and never be able to get out of your mind again.
ink black eyelashes flutter when he blinks, framing his eyes like the bangs falling over his face when he turns around again to observe himself in the mirror once more before he takes the sweatshirt off. it catches on his turtleneck, which rides up when he slips the mauve sweater over his head, tussling his hair and exposing the dip of his pale hips, all muscle and flesh and bone, and you pray he chalks up the red on your face to the cold. the end of his belt dangles from the buckle as you hand his jacket back to him, fingers almost brushing— just barely out of reach.
a meager conversation flows between the two of you; you follow him through the endless maze of used clothing until you somehow stumble upon the cash register and he buys his sweater; the only thing he manages to buy after all this time spent milling about in a dusty, dinky little retail store. the boy from earlier helps check him out, and the icy glare he receives from megumi when he glances at you seems to fly straight past your head as you pick at your cuticles. the tips of your fingers are still red from messing with the frosty snow earlier. you wonder when the car owner will find your message.
it's almost freezing when you get out of the dusty shop, emerging from the smoke-stained alleyway stairs and into the cold night air. your breaths almost seem to form a precipitate, and the thought reminds you of the chemistry conversions waiting for you on your desk beneath the lamp, and you cringe internally. staying out for a few hours longer seems way better than succumbing to the never ending stream of worksheets and documents calling your name. you wonder if your charismatic professor will let you get away with a few assignments if you call in sick. are papercuts excuse enough?
the click of a lock behind you signifies the store's closing— the employee left through a back exit, it seems. and you realize too late that you left your blazer in the dressing room when you turn around and a sigh falls from your lips. megumi, paper bag in hand, glances over at you.
"you okay?"
you almost forgot he was there, in his brooding vintage racing jacket glory. you shake your head, before sighing forlornly again. he notices this, making a little face; his lips press together and his pretty eyes narrow. he thinks you sigh far too much. you'd look prettier if you smiled some more. he likes it when you do.
"i left my blazer in there, but he just closed it and it's so fucking cold out," you whined, bringing your hands to your face and rubbing your eyes tiredly. you're cold and your fingers are going numb again, and there's light snowfall. so much for not losing your coat at a club. you can't tell which one's worse. "sorry to complain so much, but do you mind if we—"
you're promptly cut off; the words on your tongue left unsaid, burning with the taste of bitter black coffee. your gaze trails from megumi's hand, the clink of his silver ring against the zipper rail of his jacket as his fingers curl around the fabric, up his arm to the sleeves of his dark turtleneck, rounding the curve of his shoulders and up his neck to his face. he's not looking at you.
the words that leave his wet lips are so small and hurried that you think you're hallucinating them; when you inevitably looked back at this moment later, you'd realize that he was being shy. he mumbles something under his sweet breath, and you ask him to speak up.
"i said, you can use mine." he repeats, louder than necessary as he finally brings himself to look down at you from under his lashes, biting the inside of his cheek. his voice is a little strained, and a soft breeze carrying the smell of cinnamon and fresh ice rustles his hair. you blinked, feeling like a deer caught in headlights over a layer of thin ice, ready to shatter at a moment's notice.
"oh— okay. um, do you have anywhere else you need to go..?" you said tentatively, reaching forward to take his jacket again. it was exactly like how you'd done back in the thrift store, but the vague sense of deja vu you get is accompanied by an endless fluttering of warmth in your stomach that melts away the winters and tiring exams, and the night seems to become a soft warm orange, as if someone's drained the cool hues from the landscape.
megumi just shook his head, reaching into his bag and taking out the sweater he'd bought earlier. he slips it on again, adjusting it over his shoulders and refusing to meet your eyes as he crumples the paper bag in his hands. you notice they're slightly trembling as he does it, fingers digging into the material with much more force than is really needed. his hair follows each movement of his head; the strain of the muscles in his neck when he swallows again and gestures for you to follow him back down the empty street, past cars coated in melting snow and jaunty yellow lights twinkling over the awnings of closed store windows, shut down for the night. the sweater suits him really well, you think; not too loose, but tight enough in the right places to send your heart racing a mile a minute.
you pull his jacket over your arms, tucking your sleeves in and zipping it up. it's big on you— that's no surprise, and you can almost taste the vanilla on your tongue, his cologne lingering on every fold of the insulated fabric. it's warm, and it feels like being enveloped in a tight hug. in megumi's head, he hopes— prays its him you think of if you ever feel that way again.
you walk in a stiff silence; both of you want to say something, but you're dancing around it, letting your words linger unsaid until the other breaks the ice first. it's only ever cracked once you reach the dorms, where you part ways. there's light snowfall, and a thin layer of white has coated his hair when you turn to face him. you reach forward, learning onto the tips of your toes to brush off the ice. his hair feels unimaginably soft beneath your fingers, slightly damp from the snow. but he's the furthest from cold when you pull away; his face is burning up.
by now, you can't bring yourself to mind.
"thank you," you said softly, sighing contentedly. you move to take his jacket off your shoulders and return it, but he stops you, holding a hand up. the expression on his face is unreadable, but his lips are pursed together in a way that makes you think he's pouting.
"don't worry—" a pause. " you can, uh. keep it. i know you wanted one. just... give it back when you want, yeah?" he says, curt. almost prude, if it weren't for the way he was avoiding your gaze out of embarrassment. it was like trying to play the world's most difficult game of whack-a'mole, attempting to catch his eyes and see the iceberg that's melted into pools of warm glittering affection in his blue irises. at the thought, you wonder if he likes arcades, and you make a mental note to suggest an activity to nobara the next time she has the urge for an escapade.
you don't bother asking him whether he's sure, because you don't want him to take his words back. so you linger there in a moment of silence, letting it hang over your heads like a warm throw blanket, cozied in front of a fireplace with a mug of hot chocolate in your hands. maybe a coffee mix like you'd attempted before.
angel boy clears his throat first to speak, all honey that links the syllables together like christmas ribbon; rich like orange flavored dark chocolate. "i'll see you later, then." it's short and sweet, but your heart is already flying so high on euphoria you can barely bring yourself to care, or suppress the giddy grin that's spreading across your lips.
yeah, you're tired. yeah, you're still a little cold and you think you need to thaw at your desk for a week until exams, but at least you've got his jacket to accompany you when your study buddy passes out first and you're alone on all nighters. frankly, you can't bring yourself to care— your head is spinning with the events of the chilly night, from crude messages in the snow to thrift store mothballs and lanyards, to one checkered racing jacket. but you don’t think it’s so bad when it threatens to stick to your memory, like chewed up gum under your professor’s desk. whether it’s from the students or the professor, that’s a mystery you’ll never solve.
"yeah. see you around, fushiguro." you can’t say the same about the mystery that megumi is, though. in fact, you think you’re already one step closer when you turn around and part ways, catching sight of him in the reflection of a frosted window. he’s slipping both of his airpods back into his ears, crimson at the tips.
the sound of your shoes against the rug stairway fills your ears as you clamber back up to your dorm, eyelids heavy with drowsiness and face flushed a pleasant warmth. even when you finally get to bed, you can't stop your eyes from drifting over to the bundle of lapis blue fabric sitting on your desk, and your mind from the soft spoken boy with eyes like the night sky and inky hair like calligraphy.
you decide you don't think his style is too bad, after all. and when you tell him that the next morning when he's still sleepy and his lashes fall slow when he blinks the weariness from his eyes, you get to enjoy the steady flush that stains his cheeks and prompts a hoarse cough from his throat when he ducks his head away and grumbles something under his breath, probably about being offended you even thought he was boring in the first place.
and if you ever ask, the only reason he lent you his windbreaker that night was to replace the scent of mothballs and dust with your sweet-smelling perfume.
so, as it turns out, you're able to get your hands on one of those pretty vintage racing jackets— except, it wasn't a new one; it was his. nobara hasn't stopped pestering you with questions since you showed up to class the next day; the only thing you hear for the next week is how much she regrets leaving early.
apparently, it's all yuji's fault.
my (riaki) stuff. don’t repost and/or plagiarize !
#ahhh im really sorry this is late;; got busy with life like those ao3 authors but much less impressive#i really like jazz i feel like not enough people do#just listen to persona music sometime. its worth#sometimes i make up words but thats ok as long as people buy it. i speak english first language trust 👨🔬#i feel like reader is kokomi or whatever her name is from saiki k#at that one ramen place but its a thrift store.. pretending it’s not all that bad except reader doesn’t rlly try LMFAO#for megumi!!! everything we do is for him 💐#megumi fushiguro x reader#fushiguro megumi x reader#megumi fushiguro x you#fushiguro megumi x you#megumi x reader#megumi x you#jjk fluff#jjk x reader#jujutsu kaisen x reader#jjk#megumi fushiguro#megumi fushiguro x y/n#billet-doux#and via thinks her titles r bad#I CAN FINALLMY. WORK ON MY CHRISTMAS EVENT
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you can still have gender in a species that's monoecious, reproduces asexually, or even is just physically incapable of the normal means of reproduction, you people are just fucking obsessed with biological essentialism and the white supremacist ideal of gender.
#humans are space orcs#tagged with all due disprespect#so many people are so fucking lazy and uncreative and obsessed with white supremacism#writing tips#writing advice#aliens#robots#gender#science fiction#fantasy#scifi#scifantasy#even when they're pretending that's not what it is#despite all the ''human culture'' in their settings just being white christian crap#and of course everyone speaks English.
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
#valyrianscrolls#ned stark#sansa stark#getting on my soap box#there’s something here too about romanticism. like shelley and coleridge and whitman. the need to return to nature to undo society’s harm.#especially with the way various romance movements and romantic tropes are played with by their characters.#i can’t even remember who said it which just shows u how shitty an english major i am aksjd but about how.#like society is necessary but just as necessary is the ability to escape into nature. i *think* it was coleridge i’m probably wrong.#the gender war makes corpses of us all#gender politics in asoiaf#obviously you can point to several moments for both of them. sansa calling petyr father. ned’s relationship with theon. wherein they both#are clearly performing something for an audience.#there’s like 12 other branches of this in my head. jaime’s romanticism. being knighted bloody & the sacrilegious nature of the sept sex.#and his inability to escape his gender performance the way ned & sansa do. ned being willing to cry in front of others but robb only ever#crying in the dark with his baby brother after he loses ned. cat’s tower stuff & finding solace in sewing.#i’m gonna try to write up something about loras & renly here too. tomorrow.#also i wrote this at the train station after work so if there’s errors or it makes no sense just pretend u never saw it skskdj
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Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.
#elizabeth woodville#nobody was doing it like her#I wanted to add more things (eg: propaganda casting her as a transgressive figure and a threat to established orders; the way we'll never#truly Know her as she's been constantly rewritten across history) but ofc neither are unique to her or any other historical woman#my post#wars of the roses#don't reblog these tags but - the thing about Elizabeth is that she kept winning and losing at the same time#She rose higher and fell harder (in 1483-85) than anyone else in the late 15th century#From 1461 she was never ever at lasting peace - her widowhood and the crisis of 1469-71 and the actual terrible nightmare of 1483-85 and#Simnel's rebellion against her family and the fact that her birth family kept dying with her#and then she herself died right around the time yet another Pretender was stirring and threatening her children. That's...A Lot.#Imho Elizabeth was THE adaptor of the Wars of the Roses - she repeatedly found herself in highly anomalous and#unprecedented situations and just had to survive and adjust every single time#But that's just...never talked about when it comes to her#There are so many aspects of her life that are potentially fascinating yet completely unexplored in scholarship or media:#Her official appointment in royal councils; her position as the first Englishwoman post the Norman Conquest to be crowned queen#and what that actually MEANT for her; an actual examination of the propaganda against her; how she both foreshadowed and set a precedent#for Henry VIII's english queens; etc#There hasn't even been a proper reassessment of her role in 1483-85 TILL DATE despite it being one of the most wildly contested#periods in medieval England#lol I guess that's what drew me to Elizabeth in the first place - there's a fundamental lack of interest or acknowledgement in what was#actually happening with her and how it may have affected her. There's SO MUCH we can talk about but historians have repeatedly#stuck to the basics - and even then not well#I guess I have more things to write about on this blog then ((assuming I ever ever find the energy)#also to be clear while the Yorkists did 'eat themselves alive' they also Won - the crisis of 1483-85 was an internal conflict within#the dynasty that was not related to the events that ended in 1471 (which resulted in Edward IV's victory)#Henry Tudor was a figurehead for Edwardian Yorkists who specifically raised him as a claimant and were the ones who supported him#specifically as the husband of Elizabeth of York (swearing him as king only after he publicly swore to marry her)#Richard's defeat at Bosworth had *nothing* to do with 'York VS Lancaster' - it was the victory of one Yorkist faction against another#But yes the traditional line of succession was broken by Richard's betrayal and the male dynastic line was ultimately extinguished.
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since i was translating my old poem for the next chapter of turning pages (the narrow road to the deep north).
#(to note: no one dies in this fic.)#ha. sometimes i go back to my old poems and realise i am just a [redacted] [redacted] [redacted] pretending to loathe springtimeㅋㅎ#which is why i do not write poetry anymore...#or why i only write in english despite knowing nothing about how writing works in english.#please ignore this.#i am having a lapse in judgement.#stsg#gojo satoru#geto suguru#suguru geto#satoru gojo#satosugu#jjk stsg
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Goodsir is trying to help Fitzjames transition and that involves a little bit of forgery and identity thief. And luckily, there's this one guy from the expedition who happen to be an expert on this. Surely this will go well, right ? Right ?
#the terror#cornelius hickey#harry goodsir#Ribbons and ties#<- My “Goodsir realizes they're trans while helping Fitzjames transition” AU#I have posted some art from this au already you can check it out :3#Hickey is not having a good time since they got rescued but hes not going to show it#also i know nothing of english currency so if the amount he's asking is weird just pretend it's Hickey being stupid thank you 👍#a bit scared/anxious/self concious to post this but im being brave about my little hcs#earl’s sketches and drawings
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I saw a poll about superior breakfast foods and this poll was so American i decided to make my own but Polish (if it's too regional or too personal I'm sorry in advance) so it's just as incomprehensible and unrelatable to people from other cultures as American-centric polls usually are to me LETS GO
A couple of disclaimers :
Disclaimer 1: most of these are elements of breakfast not full breakfast meals. Meats and eggs are usually paired with sourdough bread or rolls, and vegetables: most often fresh or pickled cucumbers, chives or green onion, radish, and tomatoes (usually in summer cause in winter they taste like cardboard).
Disclaimer 2: These are the foods me and my girlfriend from kinda poor families in the South of Poland remember eating growing up in early 2000s. So if your experiences of Polish breakfast are different uhhh I'm sorry?
Disclaimer 3: Never trust articles in English about Polish breakfast foods because they're either complete bullshit or just Polish dishes that would fit an American idea of breakfast: pancakes and potato pancakes or apple fritters are dinner foods here. So are zapiekanki, any kinds of soups (excluding zupa mleczna which was too weird for me to include cause no one ate it out of free will) and stews.
#Poland#whats the polish tumblr tag#polblr#this is dedicated to my polish mutuals and other Central/Eastern Europeans who will maybe relate#if you do pls tell me im curious!#we just poles just love talking to eachother in english and pretend other people will read it
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since i lowk dgaf abt what people in this fandom think of me for having basic media literacy and logical reasoning atp
i think quite a few of you pretend to be better people by making max's parents "good people" so you can fight off against early fandom's potrayal of white saviour esque dadvid [which isnt even the dynamic in canon, but i digress] but because people doing this were drawing an eye during literature class they just fight racism with more racism.
because tell me why i have seen "max's parents are poor people who cannot speak english" more than once. Why is it so impossible for people to see that max is a neglected child who acts out because he is neglected at home and his parents dont care about him.
Why do you need the writers and artists to establish something which is basically screamed at you by the narrative?
Literally why are you all insanely dense about a child acting mean to others due to the fact that they are neglected at home.
Like just say it dude is it because max is an indian immigrant child who doesnt act like a soft pure victim like you all want him to act like and thus just casual denial of max's canonical neglect is justified. I literally hate some of you people
#camp camp#camp camp discourse#havent even mentioned how as an indian person it is insanely dehumanising that people still think indian immigrants dont know how to speak#english something that is taught to several indians#and especially for an immigrant family in america for a camp like camp campbell which is stated to be expensive#like every context clue basically yells at you these people are rich and do not care for their child. Max is a victim of neglect#denying this is being at this point intentionally obtuse and honestly headcanoning shit like this is honestly actually racist#not even gonna add character tags. go figure#im just sick of people pretending to be anti racism and all this but then make up shit like this like it is hurtful. as a victim of abuse#and as an indian . it hurts dude#you are hurting more people than helping. hope this helps
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take me up / cast me away
so this is going to be a veritable word vomit but this is actually so exciting to me; we obviously affiliate aziraphale with the flaming sword and both its biblical and GO narrative implications, but the catch that @frog-person made on this particular shot has got every synapse firing.
(and therefore this is a meta for @frog-person and them only, mwah✨💕)
not only is the sword going through their hands, but it's one sword of many in a particularly fiendish magic trick (or at least an earlier version of one made popular by the morettis in the 70s), and the box itself with all of its swords is relatively prominent in most of the scene, as background props go (more on this later).
now, i don't know enough about magic tricks or illusions to understand the significance that this aspect may have, if any - possibly the element of trust, sure, but also the sheer ability to hoodwink the audience into accepting that there is no way that whatever is inside could possibly survive such a trick. however, i simply want to just talk about the sword in general.
let's start with connotations and symbolism behind the image of the sword. first of all, it's a phallic symbol and is largely used in the context of knighthood, chivalry, and sovereignty. it symbolises justice, and truth, and righteous and merciful power. to hold the meter of life and death in your hands, and to be trusted to use it in conscience and clemency.
in alchemy, the sword was shown as a symbol of purification, between life and death. similar connotations in other histories, literature, and customs read the sword as being the key to balance between truth and enlightenment. later into history, especially in the middle ages, swords of discernible quality were understandably resource-intensive to make and therefore came to symbolise wealth, but moreso in the context of strength and glory, and further then a symbol of protection and shelter. traditionally, oaths and pledges would be made to the sword (literally, sworn-sword), and in turn swords were - and continue to be - used to elevate you to a higher station (eg. use of a knighting sword).
the imagery of the sword in the box is evocative of the sword excalibur, probably one of the most famous swords in literature and legend. cliff notes: excalibur was the believed magical sword of king arthur, and was written in some accounts (specifically in this case in the poem Merlin by robert de boron) to have lodged in an anvil, sat atop a stone, and that whoever could pull it from the anvil would be proof of rightful lineage of uther pendragon - and therefore, by divine right, king of the britons. obviously, arthur was said to have pulled the sword from the stone.
excalibur's symbolism can be interpreted somewhat as being as i said above; tennyson wrote that the words inscribed on excalibur as being (paraphrased): "take me up" / "cast me away"; to indicate that the sword is a weapon that should be used sparingly, only when necessary, and never without mercy or fair judgement. it is a power that can destroy, and should be safeguarded from turning that power to insidiousness. a call-to-arms when taken up, and a grace and peace when cast away.
(im a whore for arthurian legend ok, im from southwest uk) (and have a tattoo on my arm of those words, im a basic cornish legend bitch)
now, i realise that excalibur is not literally a part of the GO story (that we know of, notwithstanding the flashback in s1), and the sword we know in GO has a rather different narrative importance (or does it?). so, we know that in genesis the flaming sword was given to the cherubim in eden to guard adam and eve, and this is pretty much transposed to GO right up until aziraphale does the Cool Thing and gives it away, meant as a means of protection.
however, given that it ends up in the hands of humanity's personification of war, it bears a rather vivid mirror to the intention of excalibur; that in casting it away, aziraphale inadvertently introduces the concept of destruction to humanity.
but im now going to move away from the symbolism of the sword itself (i promise im trying to organise this meta into some semblance of order), and instead look at it in terms of when aziraphale actually holds it. we start with him giving it to adam and eve:
and then when he takes it up at the airfield:
and in the time bubble with adam and crowley:
now this is really obvious, i realise, but it does have some bearing for me on the image we see in the 40s minisode. sword up: ready to fight. sword down: ready to rest. it's a reasonably common occurrence to see in heraldry (by extension in logos/emblems and even on gravestones) two crossed swords pointing up or pointing down. usually, for the former, that the prospective wielder is ready to battle, is prepared and willing, and is or always has been braced for the onslaught.
the latter however indicates that either the fighting is done, or that no threat is meant - and that this can be in death, in surrender or defeat, or out of conscientious choice. that the wielder may have chosen mercy, and to act with peace and without conflict. one step further - sheathed sword goes on to symbolise that a fight is not anticipated; not necessarily in the sense that the wielder is unprepared, but instead that they are not turning to violence as an option.
this is where i think the presence of the sword in the shots from the minisode, with all of the connotations of it from eden (and its similar, in my eyes, likeness to excalibur) come into play. as i said before, the sword/s are notable visually in the whole magic shop scene. its in primary focus along with the desk as they enter, its the first display aziraphale goes towards, and it oscillates in the background from to aziraphale's right, to between him and crowley, and latterly back again:
summarised thoughts on this, because it will otherwise be a truly garbled mess:
the sheer presence of it reminds the audience that a fight may be imminent, even if the scene/story is currently at peace
that whilst the narrative is not currently in full combat, it pays heed to not only the events of ep4 being somewhat of a fight, but the events that precipitate in ep5 and ep6, and leading into s3
that where it is currently cast in the figurative stone, it may be called upon to take up arms, and confer suggestions of sovereignty, divine power, and strength
that victory (however that may conclude) may only be possible with the right person in power; aziraphale as the new supreme archangel and prince of heaven
it also confers the necessity of protection, of justice, and of mercy, being elevated to a position where you have the power to make that judgement
all things which aziraphale intended by giving away his own sword, and is what he indicates in ep6 that he intends to deliver to heaven once he ascends
that this fight, whenever it may come, may literally divide him and crowley in the story that lies ahead
...you don't need me to explain this bit contextually, right?
the last thing that stumped me, however, is that there ought to have been something in ep6 that almost bookended all of this imagery (at least temporarily, until we have a s3), or at least indicated whether or not aziraphale chooses to take up the sword again like he does at the end of s1. that shows him prepared for a fight, to defend the weak, and uphold judgement in mercy... and then it hit me:
of course there bloody is.
#this is relatively unimportant and unneeded but this my shit#like do i believe that ive cracked a code and this was what neil intended to convey? no not necessarily#but do igaf and instead just like going full year 9 english teacher on this shit? absolutely#not proof read yet - pretend you do not Perceive The Errors#good omens#s2 meta#s1 meta#flashback meta#aziraphale meta#s3 narrative spec
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irish remus lupin calls sirius “paddy” cos it’s short for padfoot
#he does this jokingly and sirius secretly loves it#but pretends to be peeved and tries to mock remus’ accent#but he’s wayyyy to posh and english so his impression is shite#wolfstar#remus lupin#sirius black#marauders#i’ve had a long day sorry if this is not even slightly funny or entertaining#just something i thought about#wolfstar headcanon#irish remus you’re rare but u have my heart
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Every day I try not to be a hater to people in fandom who completely fall for a characters facade or false perception of themselves. Like girl the narrative device tricked you.
#homestuck#jake english#people for dome reason just. dont engage with their characters beyond surface level#the apha kids in general#june Egbert#john Egbert#people eho think june is well adjusted and normal LMFAO girl be so real#rose lalonde#jade too tbh#for the alpha trolls thats find most of them are obvious as shit with their personality and stuff#but the kids and the beta trolls? youre KIDDING ME#well not all of the beta trollsbut yk#it boggles my mind when people reduce a character to ttheir modt shallow interpretation#i.e himbo jake. cool smart put together rose. roxy being a perfect angel who can do no wrong. june bring well adjusted snd silly#etc etc#like you say you likr these characters but do you really?#anyone who calls jake a himbo im putting in yhe literal dirt. in the ground#SOCIALLY STUNTED AND PRETENDING TO BE INCAPABLE ≠ STUPID#auuughhh#looking at fandom posts like augh they misinterpreted my boy
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rotating the pub scene from 73 yards in my mind i think there is so much being said there about wales and welsh/english tension that is so interesting and is going so under discussed
#blahs#dw#dw spoilers#the whole thing about castles in wales being english torture centres. much to unpack#i think it's easy for most viewers to watch it and see that the characters are taking the piss and write it off#but what's interesting about it is i think rtd is basing that on real exaggerations of oppression by welsh people#most castles in wales WERE built by the english and they WERE designed to oppress the welsh. except that was like 800 years ago#and some people use this as an example of welsh oppression /now/ when it's like. not relevant to modern wales really#and 'torture chambers' is a wild exaggeration that dangerously tries to compare wales to much more recent human rights violations#i think rtd is trying to caution against a romanticised or sensationalised narrative of old wales that certain welsh nationalists have#this is also what he's doing with roger ap gwilliam#i keep seeing people say his character is 'just nukes' and i'm not gonna pretend it's The most complex politics ever#but it's also not just nukes. it's about specific political tensions and attitudes in wales.#rtd's viewpoint reminds me a lot of my dad#my dad's a proud welshman he's a native speaker he grew up in a welsh speaking community#but he doesn't really care about old welsh history about llewelyn ap gruffydd or owain glyndwr or anything like that#he doesn't see it as relevant. to him what's important is modern wales and the tensions of the 20th century#i'd wager rtd probably feels the same#and what with doctor who being produced in wales being rtd's doing i think he's enthusiastic about collaborating with england#rather than being like. isolationist about it. (that's the wrong word but i can't think of a better one)#WHICH INCIDENTALLY ties the political strand of the episode with the personal strand about ruby#who is also dealing with a self-fulfilling sense of isolation#anyway i think this episode is about wales in a very significant way. we need more welsh people writing think pieces about it#honest to god i don't think any analysis of it that doesn't talk about its welshness is quite Getting It
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