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#just ordered the box set so i can rewatch the whole thing
cherumie · 2 years
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ugh revisiting steven universe as an adult is making me realize how much potential was wasted bc of cartoon network executives & their bullshit. There were so many storylines and plot points that deserved to be played out as Rebecca Sugar intended, but everything ended up so incredibly rushed that they barely had time for any of them :(
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neon-green-reagent · 9 months
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Buyer Beware: Cushing Curiosities
I don't normally do this. My aim is to keep things positive in this space, as much as possible. But I need to talk about the new Severin Films box set dedicated to Peter Cushing and basically beg anyone who loves Peter Cushing to not waste their money on this. When I saw they were, after multiple Christopher Lee sets, finally doing one for Cushing, I admit I got too excited and impulsively pre-ordered it. I have regretted it ever since. Okay, that's too strong. It was way too much money and time wasted on something that's about one-third good. One third is not enough, and even then I'm probably being too generous. 
The box art and presentation are beautiful. If that's all that matters to you, then you'll be delighted. The GIANT book that comes with it is also really awesome. It's informative and thorough with a lot of really cool images. I can't deny that they really went above and beyond, turning a booklet into an actual book that is well worth owning. These are a couple of the highest points you're going to experience with this set. Let's dig into the movies. 
Cone of Silence. Jesus, what a waste of fucking time. This thing was a slog. An absolute bore. If you care a whole lot about planes... Fuck, even then, you probably won't be able to sit through this, because it's so old-fashioned and drags its feet. Is this what thrillers used to be? I shudder to think. Cushing's role is small and that of a misguided villain character. He shows up to accuse a pilot of being bad at his job, gets put in his place at the end, and that's really it. I'll go ahead and make a blanket statement now that he's always good, always worth watching, but that doesn't make most of these movies worth sitting through. 
Suspect. Here's a movie that goes around and around, struggling to get to the point, trying to imitate Hitchcock but without any of the style that goes along with that. Just stationary middle shots of people talking. But don't you worry, it's not just boring! Multiple characters make cracks about how women shouldn't be working in science (Cushing's character included, which makes this an utter loser of a movie to watch for his role). The "villain" is a man with a disability who eventually kills himself, and that's treated like a GOOD OUTCOME. Some movies are old. This movie is old-minded, and it brought what was already not very engaging down to a pile of shit for me. And again, a theme you'll notice, Cushing is a side character who isn't given hardly anything to do and little screen time. Oh, and Donald Pleasence shows up and makes this face: O.O
The Man Who Finally Died. So this was at least engaging. Maybe by this point the bar was just VERY low for me, but I actually enjoyed this. It had lots of twists and turns. Despite being pre-giallo, it had a lot of those storytelling conventions, so I found myself, you know... actually watching the movie instead of struggling to stay awake. The rewatch value feels low, because once you've experienced those twists and turns, they won't shock you next time. But at least it wasn't a total wash. AND ONCE MORE CUSHING WAS BARELY IN IT, SO REGARDLESS OF THE QUALITY OF THE FILM IT WASN'T REALLY A CUSHING FILM, WAS IT? 
Sherlock Holmes. Ohhhhh God. This was not good. I managed one and a half episodes before shutting it off. I couldn't believe how shoddy everything about this was. It's a BBC Sherlock Holmes show! What happened!? I mean, I'm still not clear, but after some googling I did find out that Cushing was a fast replacement for another actor who was leaving in a huff. And the reason he left in a huff was because everything about the production truly sucked ass. It shows. And it didn't improve when Cushing came on. Everything was so clearly rushed. You can feel how everyone's just trying to remember their lines and where to stand, because they were given zero time to rehearse and prepare. I thought this would be a highlight of the set, but it's probably one of the worst aspects. At least Cushing is the main character? 
Bloodsuckers. This was great. I can finally say something was GREAT. What a relief. Cushing is still barely in it, but at least it was entertaining. It's your standard, early seventies, vampire romp. With some psychedelic weirdness thrown in toward the beginning and lots of overly sexual shenanigans. In particular, Johnny Sekka gives a great performance, and in a more modern movie, they would have made the character gay as he should have been. Also, Edward Woodward shows up for a single scene and steals the entire movie. Definitely worth watching, regardless of Cushing's ten minutes of screen time. Even though I thought the point was for it to be a CUSHING box set... 
Tender Dracula. Last but actually the best. This is an absolute ride of a movie. I loved it. My problem is this is such a crazy film, with tonal shifts galore and an unsensible plot, that I could actually see people hating it. It's a movie that is not for everyone, not by a long shot. It breaks the fourth wall, plays with stereotypes and tropes, throws out humor that sometimes lands and sometimes doesn't, and leaves your head spinning. Plenty of viewers might find the experience frustrating and not rewarding. I happened to love it and got a lot out of it, but it feels very poor for a movie like this to be probably the best thing about a shoddy box set. That's not exactly promising your customers the best they could get. BUT CUSHING IS THE STAR! Finally! One (arguably) good movie where he's the main attraction. Christ, that took long enough. 
So what do we have after all that? A set of movies that, for the most part, only tangentially involve Cushing, with his name slapped on the side of the box. Trotting out a beloved actor who isn't here to approve of what's being done for a quick buck feels pretty damn gross. Severin has made a multitude of mistakes over the years in how they've conducted their business, but this is by far the worst of them. Even with the compliments I've given this set, do not buy it. It isn't even close to being worth the price point. The fact that I spent as much as I did on this leaves me shamefaced. 
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dont-justdont · 2 years
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im writing this as i rewatch the episode again with much more attention and i give yall all the little details to look for (in chronological order, im literally pausing the episode as i go to write this down)
- on lestats first appearance, he holds a blue book (from what i read basically a register of all the prostitutes in the district)
- when paul arrives he tells louis the birds told him to come "but also one voice" and then louis cuts him off, i believe that voice is lestat (he appears on screan a few seconds later
- the mayfair reference at the diner table during breakfast
- he refers to his homosexuality before we even see lestat (when he arrives after going to church with his brother)
- the sazerac (the drink louis orders) is a classic new orleans' cocktail and is said to embody it's richness very well, started getting popular in the 1800's and then some more in the beginning of the 1900's
- the whole "your name is louis, of course it's louis" because lestat is french (although there might be something deeper than that but idk, im thinking it's because it's the name of the king from the time lestat was around in france (louis xvi) but it seems far-fetched, any thoughts?)
- when he talks about settling there, he looks at miss lily and goes "but there's the food" aka im a vampire (not very hard to tell but i thought id add it to the list) also can we appreciate louis' face during that interaction he seems so done
- lestat wanted to go to st louis at first (maybe thats way the whole name thing) which was one of the most developed cities in america at that time
- i cannot find the name of the song that the man is singing (the one who puts out the lights) and its driving me crazy. if anyone wants to search, it goes something like (on parlait raymond, raymond... aller simon, simon... lui parlait titi, titi... tomber dans le chagrin... elle lui parlait titi, titi... elle est tombée dans le chagrin... and i cant for the life of me comprehend what he says during the last line sorry) im not 100% sure about those because of the english accent (french is my first language) but yeah if you find it please tell me im dying to know
- at the poker table they mention the murders take place near decatur, which is a street where there was a shooting (in 1910). from what i read the whole thing was discriminatory and there was like a strong anti-immigrant sentiment and everything
- the black star line (the company on the tickets louis gives his sister) is a black led company that was made to encourage black people to participate in the economy as they were often left out (from what im reading it was mostly a shipping company so im confused about that one but yeah), apparently it started in 1919 so im also confused about that
- the sister's husband is levi freniere, referencing the freniere family in the book (babette's family)
- lestat's past being referenced at diner (although that's not really a detail)
- THE SAVAGE GARDEN REFERENCE
- the song he composed for nicolas:( "infinite beauty and sensitivity" yes yes yes yes yes
- SOMEONE TELL ME WHY LOUIS LEGS ARE CLEAN SHAVED IN DYING OVER HERE
- when tap dancing louis and paul set the rhythm before the musicians play (which is normal i guess but a nice touch)
- before louis and paul watch the sunset, we see two glasses : one full and standing, one on the side that seems shattered (foreshadowing hehe)
- louis didnt grow up in the house he lives in, they moved in when he was 7 (i just did a little math on the number of days they had been in the house), im wondering where he grew up
- im so so glad paul didnt die after an argument and instead sort of made peace with louis (although it took me by surprise since i was expecting a fight)
- "lily was a poor substitute" aka he killed her
- not a detail but can we talk about jacob anderson's acting in little confession box thingy (i dont know the term) because DAMN that man is talented
- "i give death to those deserving" aka lestat being lestat and only killing the bad people (although i dont believe lily deserved it)
- lestat's pupils stop being dilated when he gives his little speech to louis meaning he doesnt talk like that out of hunger/arousal but out of desperation/love
- louis' complexion goes grayish when he's drained of blood but it comes back
- lestat is missing a nail when he's down on the floor with his hand on his stomach (that's not important for the plot i just found it funny)
- THE BLOOD TEAR
okay now that was a terribly long post and im sorry about it, i just enjoy seeing all the work put into this show and thought id share the little things i notice, i hope yall are doing well byyye
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sleepymoppet · 2 years
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An ode to Laurance Zvahl
Notes: I’ve been rewatching some of the Aphmau RP content recently for nostalgia purposes. And currently it’s been the My Inner Demons Series, but I want to start with the first set of pixels I had a crush on.
Please keep in mind that these are all my own headcanons and may not be entirely accurate to the lore due to not watching all of the Aphmau RP series. There is honestly too many for me to catch up on. For example, with the MCD version I am imagining it as the time before he got a lot of trauma story stuff. 
Genre: Fluff and a little bit of angst
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𝓛𝓪𝓾𝓻𝓪𝓷𝓬𝓮 𝓩𝓿𝓪𝓱𝓵 𝓜𝓒𝓓
Very self sacrificing. He would die for someone he cares about without a second thought.
Tries to lighten the mood when things get rough or dark. Refers to joking or teasing others in order to get a small chuckle out of them.
A fantastic liar. Generally resorted to flirting as a way to cover up what he is truly feeling. He doesn’t want to let others see what he is feeling so easily in order to not worry them, and not show any weakness.
Laurance is very witty. He comes up with the best comebacks. It becomes difficult for him to lose a light hearted argument. 
Takes promises to his grave. He never forgets a single promise he makes. Which means he rarely makes a promise for he knows the weight it will have upon him.
Has become a very light sleeper due to his training to become a guard. Can be woken up simply by someone turning in their sleep too much.
Loves his family and is all around very big on the whole “blood is thicker than water” saying. Would often request a few days off to go visit his family in Meteli and just enjoy their company. 
Due to this he will consider those close to him like siblings.
Spoiled Ungrth, his Wyvern, a number of times with many treats. Such as spending hours taking care of his scales and wings after Ungrth had his armor on. 
When Laurance needs a breather, he’s frequently found sitting on a hill overlooking the ocean of Phoenix Drop. He doesn’t even know why but the sound of the waves lapping against the shore just soothes him. With the smell of the salt in the sea wisping past him aiding with his lull into relaxation.
Compares himself to others and often feels he is lesser due to this. In response he becomes much harder on himself when it comes to training or doing his duties in order to improve upon himself.
His old green scarf has grown worn and is a little torn, but he continues to keep it in his bedroom. He just doesn’t have the heart to ever get rid of it since Cadenza was the one who made it for him.
Writes a lot of letters. Some filled with love, others poetry, and even some full of what simply happened that day. It is similar to a journal for him in a way, but he often addresses them to someone he trusts deeply. Even if he never sends most of them. Some are addressed to his deceased adoptive father and he keeps them sealed in a box in a dresser drawer. 
𝓛𝓪𝓾𝓻𝓪𝓷𝓬𝓮 𝓩𝓿𝓪𝓱𝓵 𝓜𝔂𝓼𝓽𝓻𝓮𝓮𝓽
Laurance is one of the best cooks out of everyone. He enjoys watching cooking shows and attempts to make some of the dishes himself. He is often referred to as a master chef in his house.
He has a bit of a short temper. He often has to remind himself to step away from a situation that is angering him. He takes his time to calm himself down before addressing the issue once again with a clearer mind.
Has most certainly cried over multiple Disney movies. His favorite, and the ones he’s cried the most frequently to, being the Fox and the Hound and  Up.
While he might have the looks, he doesn’t have the greatest sense of style. He prefers simple patterns, such as stripes, solid colors, or plaids paired with a nice pair of jeans. Cadenza, on numerous occasions, has chosen or made Laurance some clothes that would give his style a little bit more flare.
To accommodate Laurance’s attraction towards darker colors, Cadenza often gives him pieces that suit the Dark Academia aesthetic. Plenty of browns, blacks, grays, whites, dark greens, and dark blues. 
Is a sucker for a good novel. He has his own large book shelf in his room and must constantly be dragged away from book stores before he drops a large amount of money on new novels.
A very big John Green fan, one of his favorites is Looking for Alaska
He hid his love for literature and anime in high school. He wanted to keep up his appearance for the sake of his ego.
Currently he openly shares his interest of literature and anime to close friends, but doesn’t make it his whole personality.
Enjoys watching soccer as it reminds him of the time he used to play it during high school.
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feelingofcontent · 2 years
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DNP Rewatch: Moving Out - Keep it or YEET IT
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Date video was published: 02/05/2021 (X)
DNP Main Channel Rewatch: 436
A sequel to the KEEP IT OR YEET IT video from Fall 2020, but this time with the knowledge that they were going to be moving.
0:00 - he brought back the “coming up” teaser that he used for all the Stereo show videos. and Dan voice! he’s wearing the brown jacket he said he didn’t like from VPMO 2
0:12 - that is...a mess. haha. so much of their stuff! love that the giant Dil head is still just balanced on that cabinet. and the DAPG board 😭
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0:35 - is that bathroom to his left even usable at this point with all the stuff in the hall? lol at Dan just shutting the door
1:00 - you can see the sequined black fedora there that Dan got him, but he doesn’t discuss it in this. 🙁 but they kept it!
1:09 - good use of the cricket noises
1:23 - when did they even buy or get this? and why? he started to say “I got this...” before clarifying “for innocent reasons” (😳) but he doesn’t finish that thought
1:49 - the naked man apron! he has had that for YEARS. iconic piece of history indeed
2:09 - clearly he never sent that to Kath like he said he was going to in the video
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2:23 - he really can’t get rid of anything with memories attached
2:27 - consistent! Phil said Sky High was ‘kind of the best thing ever’ back in 2012
2:35 - I always forget this is a spon video
2:54 - the running VPN joke, of course
3:39 - feel like this is a voice-over add-in he did during editing
3:44 - there’s a calendar in that basket he doesn’t show either
3:48 - so many! 
4:00 - king of comedy Phil in that photo set
4:06 - that is awkward
4:20 - “mostly of the pictures of Dan” I still can’t believe Phil said/specified that 👀
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4:38 - maybe too much of the British politeness
4:43 - ...and then that’s just creepy
4:59 - another whole stack of memories for him. they did give some away as part of the Stereo show give-away later on
5:09 - the deadpan “as you do” gets me. 😂 the green color they actually were was definitely better
5:36 - they had announced that Norman had died (1, 2) earlier in January but this was the first mention in a video
5:45 - random intermission there
5:55 - no wonder Phil has issues with his glasses breaking...
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6:10 - why did they have a huge hard drive with just those files from years ago on it
6:17 - smart of them to film the flats they were looking at at the time! Phil has no idea what it is though
6:25 - immediately recognizes past-Dan though
6:40 - past-Phil doing the awkward hand thing in his pockets
6:52 - the one they ended up with definitely seemed much bigger than this
7:08 - “person juice” Phil...Phil why
7:16 - I think those chopsticks were left over from back in 2017 when they did the The CHOPSTICK CHALLENGE! on the gaming channel
7:22 - hearing Phil reading “Phan” out-loud at the time was a lot...we had no idea what the rest of the spring would bring. love that they kept this from the TATINOF era though
7:34 - Phil when he realized what that full card said 😂
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7:55 - I love that he’s laughing at the “meaty legs” card
8:04 - the ‘chicken breast’ crystal first appeared in Coming Out - 1 Year Later and was gone by Why I Went To Hospital (again)
8:08 - I’m sorry but I’m just laughing at him getting so annoyed by the comments he moved it...it really does look like a chicken breast though 
8:23 - poor Kath...Phil’s present-buying skills seem...questionable 😂
8:42 - he knew this would be chaotic and hilarious
8:44 - I really want to know what order he filmed these bits in...he had his glasses for both the sitting/talking bit and the box room bit at the start and some of the post-it notes part, but not here or for the last clip where he yeets the post-it notes into the gaming room. did he film this part first, maybe?
8:58 - Dan doing a lot of zoom work there
9:00 - this whole bit... “remember going on holiday?” and making Dan sniff it too
9:10 - ...and then the “I’m about to blow a beach ball” that wasn’t even for the camera at all, that was just for Dan
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9:15 - immediate failure
9:24 - Dan’s background commentary...I love it
9:39 - more talking just to Dan...you can see where Phil would just say ‘fuck’ naturally in every day if he wasn’t filming
9:48 - “well I’m glad one of us is relaxed” might be the funniest line in this whole video 😂
9:58 - and his look at Dan when he’s reading about getting a friend to pamper...I love this whole section of this video
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10:06 - and the giant vase glass running gag!
10:16 - opening things with his mouth that he shouldn’t as always
10:25 - jesus christ Phil 👀 and the eye contact
10:44 - I’m always scared when they casually reference a fanfic...especially a cursed one
11:02 - that does not look pleasant
11:05 -  I wonder if Dan made Phil blur the feet like he made him blur things in VPMO 2. 😂 Dan claimed he would never show his feet on the internet...but it was way too late. also the feet thing became a bit of a running joke for 2021
11:41 - both of them are just saying things
11:52 - wtf is this look as he’s filing with the heart-shaped file
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12:10 - they just keep laughing. god I missed them laughing together before these 2021 videos
12:41 - post-it note system! this is still so far ahead of them actually getting to move though
12:43 - yeah, still not over these soft polaroids they had displayed 😭 Steve! Phil in the cat nightie with Norman. and at least one we didn’t get to see. 😭😭 they’d been taking polaroids of their ‘pets’ for a long time
12:53 - they gave the pixel mirror to Freja 🥺
13:01 - and those they gave away for the Stereo shows too
13:06 - zen garden from the last Keep or Yeet video! and it made it all the way to the new house and on display in the entryway
13:11 - that’s the plant Dan licked in PINOF 10...not poisonous after all. how did he not know it was fake?
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13:57 - I would want to throw that towel away after that too. ew.
14:10 - great ending
A perfect amount of Phil-chaos in this video, with more openness and personal stuff mixed in. I still agree with my original thought on this video. Chaotic 2021 Phil was here to stay for a bit.
Phil celebrated his birthday (1, 2) in lockdown a few days before this with a red velvet cake Kath sent. And these (slightly disappointing) piñata cupcakes (1, 2) a couple days later. Good to know Phil still had several days of celebrating/cake, even in lockdown.
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capsicletho · 4 years
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Sledding Away
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a reader x tony stark and morgan stark one shot by @beaubatns
gif credit: @marvelgifs​
trigger warning: Get ready for a whole bunch of fluff!
word count: 1.3k
summary: It’s snowing at the cabin and Tony and Morgan loved spending time in the snow, but when dad has to help mom prepare for dinner, Morgan has other mischievous ideas.
author’s note: This my first time rewatching Endgame after I first watched it in theatres and I choose to focus on Tony’s happy domestic life instead of the sad ending. I don’t know if this has been done before, but here’s my take on this little headcanon! 
“Alright, Little Miss, Daddy’s gotta go help Mommy make dinner,” Tony groaned, his own weight straining him as he pushed himself off the ground. “Are you gonna be okay here for a while?”
“Yeah,” Morgan grinned, comfortably sitting on the little bean bag chair Tony had fit inside the igloo they built while watching an episode of Doc McStuffins that was projected on the wall.
“Okay. Don’t go anywhere, okay?” Tony reminded her before hunching out of the cramped igloo.
From the kitchen, you could see Tony crawl out of the igloo he had made with Morgan. Well, Tony did all of the work with the help of Dum-E and U; Morgan mostly just sat on her little chair for moral support with some snickerdoodles and the hot cocoa that Tony had poured into a small thermos cup lid. Then again, Dum-E mostly knocks holes into the walls while U records the whole thing, so really it’s just Tony.
You smiled as he spotted you staring out into the playground from the kitchen. Tony glanced back one more time into the igloo to make sure Morgan is safe before heading into the house.
“She’s having fun,” he chuckled, immediately washing his hands and then checking the oven where a pie crust was blind baking.
“Is she gonna be okay there alone?” You asked, placing sliced Granny Smith apples into a bowl to start the pie filling. 
“Yeah, Dum-E’s feeding her snickerdoodles as we speak,” Tony eased your worries by placing his phone on the countertop which displayed your daughter lounging on her tiny bean bag chair with blankets and dolls watching her favourite show and drinking some cocoa while Dum-E held a small plate of snickerdoodles right next to her.
You smiled, your worries assuaged because of course Tony knew to put his surveillance cameras as baby monitors inside the igloo before leaving his daughter alone there to help you out in the kitchen. 
“Where do you want me?” He asked.
“Get started on the pasta for me,” you said. Tony was not exactly the best cook, but the chances of burning pasta is minimal and all he has to do was get them out of the box and wait for 8 minutes, so you knew it was a task you could trust him with. 
“Alright,” Tony obeyed and began to work. Once a while, he glanced at the monitor displaying Morgan and then out the window at the igloo.
You continued with the apple pie filling, combining all the ingredients in a pot. “Oh, I walked by the tower the other day,” you told him. Although you were living the quiet life now, you still come to work every now and again just to make sure things are in order and you happened to walk past the Stark Tower. “People were coming out dressed as Elvis Presley, I think they’re having a contest or something,” you laughed.
“What?” Tony looked at you, incredulous. 
“Maybe there’s a lookalike contest or something,” you giggled.
“Jesus Christ,” Tony shook his head. “That tower used to be where a puny deity from outer space gets his face bashed in, but sure, Elvis Presley is a legend,” he remarked sarcastically.
You and Tony very invested in the Elvis Presley lookalike contest and laughters that the two of you missed the scurry of little snow-boots-clad feet leaving the igloo and making its way into the garage. You turned around as the oven dinged, signalling that your pie crust was done and took them out, placing them on the counter when you noticed the flash of a familiar red and blue against the white snow.
You looked up to see Captain America’s vibranium shield floating on tiny little legs. The scene did not register to you until Morgan set the shield down on the snowy ground, star spangled-side down.
“Oh my God, Tony. Babe!” your right arm flailed around to catch Tony’s attention from across the room and pointed out the window. Abandoning the strained pasta on the countertop, Tony looked out the window with you to see Morgan sitting on the concave of the shield and pushed herself down the little hill of your cabin.
You yelled her name and Tony cursed, immediately running to the door and ignoring the fact that neither of you were wearing anything thick enough to keep you warm against the freezing weather. It was too late, however, because the little Stark spawn was already zooming past you and Tony with her gleeful giggles echoing across the property. U was right across from the two of you, recording everything as the two of you ran after Morgan. It would have been comical if it was not for the fact that you are getting a heart attack over your daughter’s antics.
“Tony, do something!” You pleaded in panic, but he was already one step ahead of you. Red and gold flashed right next to you, enveloping Tony’s form and he flew off in high speed to catch Morgan before she could make it to the barriers of the property.
You slowed down and stopped running as soon as Tony caught up to Morgan, floating right in front of her and putting his hands on the rim of the shield to overcome the inertia as smoothly as he could.
“Where do you think you’re going? Didn’t I tell you to wait in the igloo?” Tony reprimanded her with the gentlest warning tone a parent would ever use. It is part of the reason why Morgan was as mischievous as he was, because not only did she inherit the trait from him, but she also knew that her Daddy did not have the heart to be stern with her.
“Hehehe, hi, Daddy,” Morgan giggled as Tony lifted the shield off the ground, carrying her back towards you in it. 
Tony landed in front of you as you put two hands on your hips. God, you were turning into your mother; you always hated when she did that because you knew what was coming, and Morgan did too. She put on the best puppy eyes and little pout that she could muster to get into your good graces.
“Morgan H. Stark, what did you think you were doing?” You lifted her off the shield and onto your hips.
“I’m sorry, Mommy,” she hid her face in the crook of your neck. Tony’s suit disappeared to reveal a smirking and proud father as he brushed the snow off the shield. You shot a look at him, not wanting his proud smile to encourage the behaviour.
“Do not do that again, okay? Not when there’s no one to watch you, because you might have been hurt,” you told her, brushing her hair back in order to look her in the eye.
“Does that mean I can do it again now?” Morgan reasoned now that the two of you are there to supervise her.
It took all your strength not to laugh. “No, because dinner is almost ready,” you said and Morgan pouted, leaning her head on your chest to look away from you. No matter how hard it was, you had to let her know that what she did was not okay and letting her do it again would only encourage her more. 
You turned around and trudged back into the house, Tony right next to you, gently poking on the girl’s waist to catch her attention. Morgan’s head did not move, but her eyes were trained at him.
“Tomorrow,” Tony mouthed quietly and Morgan’s face lit up with a smile. You looked at the two of them and shot them a warning look, but your lips could not hide the smile you have been holding any longer. Tony pressed his index finger to his lips and Morgan stifled a giggle as the two of you entered the house.
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canary3d-obsessed · 4 years
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Restless Rewatch: The Untamed Episode 16, part two
(Masterpost of All the Rewatches) (Previous Post) (Canary’s Pinboard of Stuff)
Warning: Spoilers for All 50 Episodes
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Just A Box of Rain
The brothers find Jiang Yanli and tell her what happened. Pro Tip: a good way to deliver bad news is like this. 1. say "I have bad news" so the person can be prepared for a shock 2. clearly state the bad news. 
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Standing in front of the person with tears streaming down your face and looking away when they try to meet your eyes is not, actually, a super effective method for delivering bad news. 
This episode continues to be punctuated by closeups of characters' hands as they respond to events. 
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Yanli clutches her broken lotus pendant, cutting her palm and bleeding as she weeps.
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Not-at-all symbolic rain drenches the three of them while they cry, standing apart and not comforting each other.
Sometimes a hurt is so deep deep deep You think that you're gonna drown Sometimes all I can do is weep weep weep With all this rain falling down
(more after the cut)
They upgrade their boat with repaired seats and a real oar, and move along toward a hopefully-safer location. 
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The scenery continues to be gorgeous, and it appears to be actually really raining on this river or lake. We see Wei Wuxian's hand on the boat's oar as he takes his siblings to what he hopes will be safety.
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Maybe you're tired and broken Your tongue is twisted with words half spoken
OP is valiantly resisting dropping a chunk of "Don't Pay the Ferryman" lyrics in here, because projecting European symbolism onto Chinese media is not my bag. This scene does carry a lot of weight, though, showing Wei Wuxian’s sadness and isolation, his ever-growing distance from his siblings and reminding us of his servant status. While his siblings sit under shelter with tears falling down their faces, Wei Wuxian stands in the rain, laboring to protect them and not letting his own tears fall.
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It's totally reasonable that Wei Wuxian is the one to man the oar, right? I'm sure Jiang Cheng is the more exhausted of the two of them even though Wei Wuxian started off his day yesterday getting whipped FIVE times by the Zidian and ended it by being choked for 45 seconds.  
Self-Isolation
They reach an inn, where Yanli has a fever, maybe from being left outside all night while her brothers failed to work out any of their interpersonal shit, followed by getting extremely rained on for hours and hours. 
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Wei Wuxian carefully puts on a bright, optimistic face for her, practicing for his future fake happiness after the Burial Mounds.
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Jiang Cheng sits and has a lot of feelings, totally not helping while Wei Wuxian tends to Yanli. This is not typical of him and just shows how deeply shocked he is by what's happened; usually he is extremely attentive to Yanli and careful with her health.
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Wei Wuxian tries to get Jiang Cheng's attention, so that Jiang Cheng can take over caring for Yanli while Wei Wuxian gets medicine. Jiang Cheng is busy staring into the middle distance, and won't respond.
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This is Wei Wuxian realizing that absolutely nobody is going to help him.  
Wei Wuxian goes out in his distinctive robes with no hood or anything, to buy some fever medicine, and is quickly surrounded by guards.  They hear "we caught him" and run off, leaving him be.  
What Wei Wuxian doesn't know, that we learn in Episode 50, is that Jiang Cheng and his death wish decided to take a stroll, and seeing the Wen soldiers approach Wei Wuxian finally snapped him out of his reverie.  So he let himself be caught in order to draw them away from Wei Wuxian. 
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Let's talk about this choice. In terms of clan roles, Wei Wuxian is absolutely the expendable one. Jiang Cheng became the clan leader when his father died, and knew it from the moment he saw his father's body. 
So far he's 1. Tried to go back to fight and die, against his parents' express instructions 2. left his sister alone in an inn with a fever 3. given himself up to be killed in place of his chief disciple, when it's his disciples' job to die for him, if it comes to that. All but two of Clan Yao's disciples died to protect fucking Captain Blowhard, for goodness sake.  
All of these actions are emotionally super understandable; he's young, he's had a terrible shock, and he's an emotional guy who's never heard of Dialectical Behavior Therapy. And I'm not here to defend feudal power structures. But perhaps Jiang Cheng shouldn't ring the "YOU PROMISED" bell quite so loud in the future, considering his own relationship to his obligations. 
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Wei Wuxian begs Yanli to stay put and stay safe while he goes to find Jiang Cheng, and he promises to take Jiang Cheng back from the Wens. Yanli clutches his hands and asks him to promise again that he will rescue their brother, and that they will all go to Meishan together. But for once Wei Wuxian is completely honest, and disentangles his hands and sets off without another word.  
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More running ensues, this time in the rain. To quote Adam in Season 7 Episode 1 of Spooks, "all this traumatized running is starting to really annoy me." (Spooks is the shit. Don't watch it if you like characters to have a lifespan longer than a mayfly's)
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Camera Operator: Finally, a little appreciation
Wei Wuxian arrives in Lotus Pier, and can we just take a second to appreciate the decor of this place? Look at that tile floor with the cobblestone border, and the bamboo wall panel behind him.
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He grabs the first Wen he finds, who turns out to be a much-needed friend.
Rescue Me
The Untamed is the tale of a man’s devotion; devotion so strong it transcends clan allegiance and even death. And that man’s name is Wen Ning.
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Initially Wei Wuxian chokes him, like bros do, until he recognizes him and lets him go...
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...only to immediately grab him and demand to know if he had a part in the massacre. Wen Ning stays pretty calm, seeing the angry side of Wei Wuxian for the first time, and explains that he heard about what happened, and is there to help.
Wei Wuxian absorbs this and lets him go, giving us a closeup of their hands together, with Wen Ning not so much resisting Wei Wuxian's grip as giving a steadying grip of his own to his best friend.
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Wen Ning, who Wei Wuxian saved from one water demon, has already saved Wei Wuxian from one horrifying animatronic dog, and does not actually owe him a life debt at this point. Wen Ning has defied his sister and his entire clan and flown to Lotus Pier with a team of minions, with the specific intent of fucking things up for Wen Chao to the best of his abilities, simply because "Wei Wuxian is a nice person." 
Wei Wuxian isn't feeling like a nice person just now, however, thinking that he can use Wen Ning as a hostage to...what, trade for his brother? Wen Chao would probably be happy to kill Wen Ning himself, but his dad needs Wen Ning as a way to control Wen Qing, so maybe that plan would work.
Then Wei Wuxian sees this small pouch hanging from Wen Ning's belt, and it stops him in his tracks.
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For once we are not given a flashback to explain his thinking, so I’ll provide one
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The talisman he gave Wen Ning to protect him, now protects him from Wei Wuxian himself. He lets Wen Ning's arm go, and tries to think of another plan. 
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Wen Ning already has another plan, and has come to Lotus Pier prepared to enact it. 
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Wei Wuxian can't believe he's found someone to help him. In a moment of wrenching vulnerability, he asks Wen Ning to save Jiang Cheng and to retrieve the bodies of Jiang Fengmian and Yu Ziyuan. Wen Ning immediately agrees. 
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Wen Ning then embarks upon the least sneaky sabotage campaign of all time, chatting to the guards while messing with the wine, and generally acting like a person who is up to something. 
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Nobody respects him enough to worry about it, though, and the party proceeds as planned.
The banquet is set up in the cleaned-up courtyard of Lotus Pier The Yunmeng Supervisory Office, and features dancing girls performing in the center of the beautiful carved paving, and corpses hanging in the doorway. 
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I bet Jin Guangyao hires this same dance troupe for his future parties.
Wen Chao and Wang Lingjiao sit at the main table, snuggling and being gross, but mercifully not necking on-camera because this is a 100% no-necking show. The drinks are sent around and Wen Chao tells Wen Zhuliu to drink up. 
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Wen Zhuliu is busy gazing wistfully at Yu Ziyuan's corpse.
Let's face it, Wen Zhuliu is the only dangerous person in this place at the moment, so what he does next is the make-or-break for Wen Ning’s plan. 
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Wen Zhuliu smells his wine and immediately can tell something is wrong. He takes a long moment to consider the situation, eyes on Yu Ziyuan, and then downs it, letting his emotions--perhaps something in the neighborhood of remorse, perhaps simple disgust at his craven supervisor--get the better of him.  
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In the morning he will be able to tell Wen Chao with 100% precision exactly what the drug is, probably from smelling it right here. This is the only miscalculation Wen Zhuliu makes in the whole show, and it eventually costs him his life.
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Wen Zhuliu has no reason to think this decision will hurt him. It's definitely impossible for Jiang Cheng, whipped and crushed, to avenge himself and his parents. But Jiang Cheng, with Wei Wuxian’s help, is going to achieve the impossible. 
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We end with Wei Wuxian hiding while he waits for Wen Ning, as strung out as we have seen him so far, although he's got worse mental states ahead of him on his journey.  He doesn't know yet if he was right to trust Wen Ning, and the episode ends with him, cold, wet, and miserable, waiting to find out. 
Next Episode: Still miserable, but with a cape! Soundtrack: 1. Patty Griffin, Rain  2. Grateful Dead, Box of Rain
214 notes · View notes
realcube · 4 years
Text
karasuno boys spending christmas with you 🎄
;tw// christmas (?), santa ig, extreme fluff, shoplifting, underage drinking, violence, ennoshita, kinoshita and narita exclusion 😞
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(a/n): ik the gif isn’t hq but look how cute it is (○` 3′○). also i’m aware that i wrote a rather western-washed version of Christmas (despite the characters in question not being western) but as someone of an asian ethnicity, imo western traditions surrounding Christmas are a lot more..festive (?) which i hope that isn’t offensive considering that Christmas was popularised by the west. so, in short, sorry the traditions aren’t those that are celebrated in japan (or asia) but i just found it i had a lot more inspiration to write it this way. :) perhaps i’ll make a part 2 with aoba johsai or nekoma celebrating Christmas with japanese traditions
Shōyō Hinata
you spend christmas at his house bc he wants to be with his sister on the day
and any sibling that you live with, he insists that they stay over too 
but if you don’t have any younger siblings then y’all just spend the whole day spoiling natsu
hinata absolutely adores how well you get on with his sister, it just makes him so happy seeing his two favourite people having fun together 
although, it did make him a bitter when he asked natsu if she likes the doll he bought her and she said,
“Yeah, thank you. But look at the Furby (L/N) got me! It’s pink and so fluffy, feel it! And it talks, it’s eyes move and-” Then she continues to rave on about how amazing your gift was.
honestly, y’all spend the whole day pampering natsu; making sure she has the best christmas possible
y’all made gingerbread cookies with her, helped her built a snowman (or rather, a snowwoman because she insisted that it was a lady), snowangels, opening presents, christmas crackers, watching movies - the whole shabang.
probably the only time in the day were she was sad was at 10PM when hinata insisted that she goes to bed
natsu looked at you to back her up in her argument that she should be allowed to stay up late on christmas but you kinda just stood there like 🧍‍♀️/🧍‍♂️
not wanting to get involved in their family drama (unproblematic liege 😍😩)
eventually though, natsu did go to bed and as soon as she was sound asleep, you and hinata spent the night cuddling while watching more christmas movies as you were both too tired to do anything else
you ended up falling asleep in his arms and it was a christmas miracle that his arm didn’t get pins and needles like it usually did while cuddling for a long period of time
Tobio Kageyama 
i’m a firm believer that he doesn’t celebrate christmas
not that he doesn’t like the concept, it’s just doesn’t understand the hype
plus - other than going to nationals - there isn’t much he wants and from what he knows, santa can’t make that happen
but as soon as you come over to his house on christmas day with a tub filled with cookies shaped and decorated like volleyballs, suddenly christmas is his favourite holiday
he invites you inside to eat the cookies with him and you notice that he’s watching a volleyball match on the TV
you giggle at how passionate he is about about the sport and offer to cast a Christmas movie from your phone onto the TV
he says yes since this is probably the 10th time he’s rewatched the same match 
you scroll through the list of christmas movies available on Netflix, “Wanna watch Arthur Christmas?”
“No.”
“How about the Grinch?”
“Eh, no.”
“Ooh! What about the Nativity? I love that movie-”
“No thanks.”
So you ended up watching Frozen and Frozen 2 (on a different streaming site) because Kageyama didn’t like any of the Christmas movies available on Netflix
You figured that Frozen kinda counted as a Christmas movie because..there was snow :) 
anyway, you already knew Kageyama tolerated Disney Movies so Frozen was your best bet
and as it turns out, he was oddly engaged by the movie which gave you an opening to slip into his arms, stifling an evil snicker the whole time
as we all know, when Kageyama is into something he is into it.
so whenever the climax of the movie comes up (or any part with high suspense) you feel him squeeze you slightly and tense up 
AND IT IS THE MOST ADORABLE THING PERIODT 🥺😩
so yeah your christmas with him is not overly Praise The Lord but it very fun and cute since it mostly consists of Disney movies
(also Barbie: A Christmas Carol because it gave you both overwhelming nostalgia since he has a big sister who i now headcanon to be a barbie movie addict ✋)
Kei Tsukishima 
the biggest grinch™
mostly bc every year he drops hints to both his mum and brother that he wants new headphones but every year he still gets a snowglobe from his mum and something dinosaur related from his brother
even though his brother is aware that he is ‘too old for that shit’ now 
but Akiteru just loves seeing his brother’s pissed off face whenever he opens his gift (which is a similar size to a headphones box) to find something like a Jurassic Park Lego set
anyway, backstory over - in short, Tsukishima very much dislikes Christmas
So when you appear at his door with a gift, he slams the door closed
“Tsukishima!” You roar as that was quite rude - even for Tsukishima - since it was snowing and you were clearly freezing, “Let me in! I’m freezing my tits off out here!”
Eventually, he did let you in and gave you a hot chocolate as an apology but as soon as you tried to hand him the give, he refused to take it
“No.”
“Why not?” You whined, clearly upset that he wouldn’t take the gift you went through so much effort to get your hands on.
“Because I didn’t get you anything.”
You rolled your eyes, “You got me this hot chocolate - now, take it. It’s seriously not much.”
Upon eyeing the wrapped box in your hand, he realised it was about 9x9″ - the same size as the tub you usually deliver food in, meaning that the gift was probably some sweet treats
“Alright.” He sighed, accepting he gift as he figured that he could easily pay you back by making Christmas cookies with you or something
He hummed, delicately unwrapping the gift and his heart skipped a beat as he noticed the present inside was in a black box rather than a clear tub which you normally gave homemade treats in
nevertheless, he persevered in unwrapping the box 
when he finally finished, his heart dropped yet he couldn’t help but feel overwhelmed with joy
“Wireless headphones.” He muttered to himself, doing everything in his power to resist the smile tugging on the corner of his lips but it was challenging, to say the least
“Yeah!” You chirped, “Don’t worry about the price though, I got them on a Black Friday sale.” You lied, aware that it was usually considered rude to talk about the price of a gift you’ve given but knowing if you didn’t say anything, Tsukishima would assume you paid full price (which you did smh) and immediately empty his bank account in order to pay you back
You could almost envision the situation already; “Would you like it in cash or cheque?”
“Neither, Kei!” 
“You seriously got me branded headphones?” Non-imaginary Tsukishima asked, unable to pry his eyes off the long-awaited gift in his hands
“Y-Yeah.” You stuttered at his unusually sinister voice. “I wanted to buy you noise-cancelling headphones and Google said these were the best ones available that weren’t selling for millions of y--”
“I love you.”
You did a double-take, “Huh?”
“I love you.”
You did a..triple-take.. “I-I don’t think I heard you correctly.”
“I’m not saying it again, dumbass.”
now, tsukishima wasn’t a very affectionate person but considering you paid full price for headphones (yes, he knows. you’re not a very good liar 😐) for him, the least you deserved was forehead kisses 
plus, he was determined to make you as happy as you made him that day
so can get all the kisses you want, all the hugs, all the cuddles, all the smiles, all the cookies-  everything!
but that’s not to say that he’s not going to get you anything in return as subtly through the day he was gathering info on what to get you 
by the end of it, he had a whole list but unfortunately - after looking at his bank account - he realised that the only thing he could afford was an easy-bake oven (┬┬﹏┬┬)
Tadashi Yamaguchi
y’all spent Christmas at your house because Yamaguchi was absolutely entranced by your massive Christmas tree
he also slept over because you both wanted experience the Christmas morning buzz together 
also because your parents were working on Christmas day and Yamaguchi didn’t want you to be alone 🥺
(he didn’t tell you that though as he didn’t want you to think that he felt bad for you or anything)
after you both completed you morning routines, you raced downstairs (quite literally raced; you won.) to open the presents
the milk and cookies you both hand left out for ‘Santa’ was gone because your parents chugged the milk and scarfed the cookies before they left for work
“Open the presents I got you first!” You urged Yamaguchi, pointing to the two presents wrapped in Sanrio wrapping paper
 Yamaguchi did so; sitting on the floor cross-legged to open the larger, box-shaped gift first
“Candy!” He chirped with a smile, gently shifting through the selection of sweets you got him, his grin stretching as he did so and once he was finished, it was beaming ear-to-ear. “You know me so well, thank you so much, (L/N).” 
You giggled, a light blush crossing your features at the praise - then motioning to the second, smaller, thinner gift.
Yamaguchi accidently tore the wrapping paper off to reveal basic, charcoal face masks.
You quickly interjected to explain, “You said that you were embarrassed about how the animal-themed face masks your mum bought you were too childish and that they just made your skin more oily so bought you those; less embarrassing and supposedly good for oily skin.”
Yamaguchi’s heart fluttered upon hearing how much attention you paid during his random rants, “Thank you, babe!” He enthused, hugging the mask to his chest.
After that, you opened the gift he bought you and were over the moon when you realised that it was a box full of adorable stationary 
“I noticed how you kept complaining about your pens running out of ink during class and..yeah..I hope you like it..”
You obviously loved it and expressed that by giving him a big bear hug and many kisses (づ ̄ 3 ̄)づ (*≧︶≦))
By then, it was around Midday so you had time to play in the snow for a bit before Yamaguchi had to go home to spend the rest of Christmas with his family
but of course he came back on Boxing Day to binge watch movies and cuddle with you 🥰
Daichi Sawamura
okay; I am going to say this and you aren’t going to argue with me bc I know that I’m right:
if you have any younger siblings or cousins staying in your house for Christmas (and I mean younger like 5 or less) and the kid isn’t a little shit
daichi (with your assistance) will dress up as Santa and you will dress up as an elf to surprise the child with a visit 
daichi would be like ‘ho ho ho!’ and you’d be like ‘shut up, santa, you fatass.’ 
and the kid would be like ✪ ω ✪
y’all would take pictures and shit before santa dips 🚶‍♂️🛷
after that, you both would head back to his place to celebrate a kid-free christmas 
you don’t open gifts because you both mutually agreed not to get anything for each other this year since you had ‘grown out of presents’ (tsk).
but you did get a RingFit Adventure from one for your relatives for Christmas so you and Daichi spend an hour or two playing that 
it’s surprisingly taxing though so you’re both puffed afterwards
so you decided to make spaghetti for yourself and Daichi and a Christmas miracle occurred..he got off of his ass to help you cook 🤩
usually he’d hide his fear off fucking up under toxic masculinity but today he actually let you teach him how to make food and he was a natural chef tbh
however, his habit of grabbing your ass or holding your lower back wasn’t especially helpful while he had tomato sauce all over his hands
you changed into a different pair of bottoms as the spaghetti cooled down
then, a second Christmas miracle occurred
Daichi gave you both permission to eat in the living room, on the couch, so y’all could watch a movie or something as you ate
every other day of the year, daichi would have to be killed before he let anybody eat in the living room - forget on his new couch 
but today was a special so he let it slide
originally, the plan was to watch a Christmas movie but then you noticed that a new episode of y’alls favourite show was out - House Hunters - so you just watched that instead 
hey, it made you both happy so why not?
especially with daichi’s running commentary which you outwardly expressed annoyance to but internally loved
“Andromeda will never be Suzanne, rest easy.”
“That house is so ugly, next.”
“Why’s their budget so low? May as well just buy a caravan.”
“They are so fucking picky.”
“Her face annoys me.”
IT LIKE HIS ALTER-EGO IT’S AMAZING
anyway, merry christmas to the daichi stans and that is from me, not daichi - he actually forgot it was Christmas at noon
Kōshi Sugawara
SUGA IS DOMESTIC LIKE DAICHI BUT MAKE IT ❄ FESTIVE❄
y’all bake christmas cookies together, exchanges small gifts, bake carrot cake, watch The Polar Express, bake pudding, kiss under the mistletoe, bake-- yeah, there was a lot of baking
get ready to work out twice as much and start dieting if you don’t want to develop an illness due to the amount of sugar you consumed
to be honest, Suga was kinda lost for things to do on the actual day of Christmas bc y’all were so hyped preparing for it so he had no idea how to top that
I mean, you both went on romantic, late night car drives to buy a tree
cute couple trips to the store to purchase decorations 
planning out and putting the decorations around the house (and with both of your keen eyes for design, the house ends up looking gorgeous ofc)
you ornamented the tree in his living room but it was so tall that he couldn’t reach the very tip to put the final decoration on top
so you hopped onto his shoulders and stuck the star on top with a smile
but he wasn’t done with you yet, he rushed around the house with you on his shoulders while you clung onto his hair as if your life depended on it 
he did most of the festivities with you before Christmas but he saved one special one for the day
“(Y/N), let’s bake something.” 
You sighed, shooting him a weary smile, “Suga, we’ve been baking all day.”
“Just one last thing! It’s not even baking actually, more like assembling.”
You quirked an eyebrow at his statement, “Hm? What is it?”
“Let’s make our dream houses with gingerbread!”
Of course you agreed. Not just because he is the cutest thing you’ve ever laid your eyes on but also since it sounded rather fun
“What are those?” You pointed to the weird rectangular designs on the roof of his house
“Solar panels.” He hummed, elegantly icing the sides of his house, “I want my future house run on that energy.”
“Anyway, what’ve you got on your house?” Finishing off the final swirl on his door, he turned to look at your gingerbread home and deadpanned 
A sheepish grin formed on your lips as you noticed his blank expression towards your ‘dream home’ which has walls garnished with golden, edible glitter and sugar paper sanrio characters on the roof along with many other extremely unconventional things 
“Hey,” you shrugged, “Let me have my dreams.”
“Of course,” Suga agreed, his usual sweet smile returning, “Although, in an ideal world, I thought we’d end up living together and starting a family. However, I don’t think we can do that if you planning on putting a horse head on our front door.”
“IT WAS JUST LYING THERE, KŌSHI! IF ANYTHING IT’S YOUR FAULT FOR GIVING ME ACCESS TO A MARZIPAN HORSE!”
“I DIDN’T THINK THAT YOU’D DECAPITATE IT, (Y/N)! I THOUGHT YOU’D USE IT FOR A STABLE OR FARM OR SOMETHING!”
“YOU SHOULD KNOW ME BETTER THAN THAT!”
Asahi Azumane 
you both spent christmas day in your respective households, promising each other that you’d spend boxing day together 
until around 7PM when you had to come over to his house bc he called you, extremely puzzled at the fact that random mutuals from school (and the whole volleyball team) were on his instagram page, facebook, snapchat and any/every other social media platform wishing him a happy birthday
“I don’t get it.” He spoke through the phone, confusion and anxiety apparent in his voice, “My birthday isn’t for another six days. Why do they think it is today? Is this a joke?” 
“Uh, can I come over? I’d love to see you.” 
“Um, sure.” He replied, even more confused that you didn’t answer his question and instead asking one yourself
you spent the rest of the day with him, trying your very best to distract him from social media by doing various activities 
you both baked, watched movies, played board games (he’s a beast at battleships) then you moved on to other games like charades - basically every bs excuse you could come up with to get him to stay away from his phone
but that’s not to say you didn’t enjoy every second of it bc you did
he is so cute like whenever you are doing an action which he can’t interpret, his automatic guess is ‘are my beautiful gf (Y/N) (L/N) who i love very much? (= ❛ ᴗ ❛=)’
PRECIOUS 💓 
and then you are just like, ‘yes, i am, baby. but i am also optimum prime. your turn.’
anyway, by the end of the day there was no way you were able to prevent him from finding out about the joke now
so you just decided to tell him - figuring that it’d be better for him to hear it from you rather than someone else
“See.. y’know how jesus was allegedly born on christmas day? well, the joke is that..you kinda look like what people assume jesus would’ve looked like..”
Asahi had to do a double-take at what you just said, “Th-they..think I look like jesus?”
“yeah.”
Ryūnosuke Tanaka
you’re both broke af so you spend Christmas day pretending you are a rich couple
you slept over at his house too so you could start early in the morning and by that I mean 10:30AM
firstly, you and tanaka flick through an Argos catalogue (which you found on the ground, so there were a few mud stains on it 😶) to select the gift(s) you were going to buy for your ‘children’
but really it was just you and him going through it and circling all the toys y’all wanted as kids but couldn’t afford/didn’t get
“I super badly wanted one of those kiddie monster trucks that you could control with a remote as a child so my son is going to need one of those.” Tanaka said, circling the monster truck with a marker
“Yes, of course. And I asked for Monster High dolls every year as a kid but my parents said they were everything god hates so let’s buy that because we stan satan in this house, apparently .”
“Of course, of course.” He said in his best ‘rich person’ voice which was actually just an english accent
After resenting your parents for around an hour, you both moved onto the next activity of your rich person Christmas which included reading your horoscope in an english accent
that only lasted a few minutes though because both of you couldn’t be bothered to read
you also planned to look at the stock market (just like all rich people do on christmas day, obvs) but it was so boring
you took a glance then just went ‘okay, bye.’
next, you had caviar - just like rich people eat for every meal of the day, i think.
except it was actually black pop rocks  
“ah, yes. scrumptious.” “the flavour is immaculate.” 
then, as dawn drew close, you and tanaka preformed your final rich person activity 
no, it wasn’t being rude to minimum wage workers
no, it wasn’t being ungrateful
no, it wasn’t exploiting the working class under capitalism
no, it wasn’t being generally stuck-up and cocky
instead, it was going to the grocery shop and buying everything rather than shoplifting :)
“what should we get, babe?” you asked tanaka, in awe at how many different brands of toilet paper were on the shelves. “Have you ever noticed how spoiled we are for choice when it comes to toilet paper?”
“uh, no.” he replied in reference to the toilet paper question, “Hm, how about some gingerbread men or something?”
his suggestion was just met by a blank stare and silence
“JUST KIDDING! WE’RE TOTALLY BUYING BOOZE!”
“Hell yeah!” 
luckily, because tanaka looked a lot older than 17 and also since the cashier was too tired to check his ID, you both managed to buy the drinks without getting caught
“Merry Christmas, Ryū.” You hummed, fidgeting with his hand which was interlocked with yours as you walked through a rather prestigious neighbourhood and admired all the extravagant christmas lights
“Merry Christmas, (Y/N). Love you.”
Yū Nishinoya 
you and noya spent the whole day in his backyard and since it was a white christmas, you were able to spend the 90% playing in the snow
at first, you both went outside with the intention of making snowangels and taking cute couple photos in the snow 
but the weather was just so inviting that you had to stay for a little longer even when you did finish taking pictures; so you made the ‘ultimate’ snowman  
by that, it was just the biggest snowman y’all could make without it falling apart with stones for eyes, spiking out twigs for hair and an empty Monster Energy can for a nose 
once you had completed the snowman and basked in it’s glory for a moment, you went to head inside - but then you felt something hit your back
you turned around to see noya snickering, a mischievous grin on his face which you couldn’t stand
so what started out as him playfully throwing a snowball at your back, eventually turned into a full-on snowball battle to the death
there were snow forts, piles of snow ammunition, mini snow-warriors guarding the edges of your fort, a snow-princess which you were trying to steal from each other’s fort to win (basically like capture the flag but colder..) and a few brunch bars in the middle of the battle field for snack breaks 
it was all going smoothly until Noya ran up to your base, obviously with the intention to steal your princess 
“stay away from her, you fiend!” You yelled, jumping into an offensive stance - your neighbours must hate you bc of all the noise you and Noya made.
Noya screaming his battle cry as he rushed towards your fort, batista bombing you to the ground before you had a chance to attack him with a snowball
now that you were out of the equation, he scurried over to your princess which was perches on a little snow podium you made for her
he grabbed it, lifting it above his head like a trophy and letting out a loud victory cry “I win!”
he then turned to you and laughed upon noticing that you had your face buried into the snow in shame, “You have been defeated, (L/N)! And the great Rolling Thunder prospers!” 
“That’s a stupid nickname.” You groaned, outstretching your arms to allow him to pick you up, “Now take me inside, I’m tired.”
“Alright, babe.” He spoke softly, seemingly coming down from his adrenaline high. 
He strolled towards you, scooping you up into his arms - off the snow - and carrying you inside
unbeknownst to him, you had fallen asleep as he held you and once he put you down on the couch and noticed- i- my man almost died of happiness
“Oh my god, (Y/N)! You’re so fucking cute! (❤´艸`❤)” he hollered, peppering your face in kisses
“Shhh..” you hushed Noya, sticking your bottom lip out to form a pout 
Noya nodded understandingly before hopping onto the couch beside you and snuggling up 
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dtrhwithalex · 3 years
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TV | Leverage (Season 1, Rewatch)
Rewatch of the first season of TNT's LEVERAGE (2008-2012), created by John Rogers and Chris Downey together with Dean Devlin and his production company Electric Entertainment.
In anticipation of the show's reboot / revival / sequel LEVERAGE: REDEMPTION coming to IMDbTV on 09 July this year, I am rewatching the original 77 episodes and writing about my favourite moments and things from each episode, season by season.
(Just a note, this first season was aired out of order, so the dates won't actually form a chronology, since I'm going with the intended order rather than the one they were aired in.)
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101: THE NIGERIAN JOB
D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 07 December 2008.
I have lost count of how many times I have seen this episode (or any episodes of this show to be completely honest), but it holds up every single time. It is one of my favourite, if not the favourite TV pilot episode I have ever seen.
The way this pilot sets up who the main characters are and what the core of this show is, is simply perfect. The introduction of Nate at the bar being approached by Dubenich, then the intercut between him convincing Nate to do the job and the actual job happening -- just wonderful. The same goes for the individual introductions of the other players. Nate's comment about Parker ("no, but Parker is insane") which plants a thread for the rest of the show already, the flashbacks of each character to exemplify who they and what their talents are, combined with the episode then showing you those talents and what Nate can do with them -- which is, of course, his talent -- sets up this whole show so well.
So many seeds that come to fruition throughout the show are already planted right here. Nate's mentoring of Parker to become his eventual successor as Mastermind ("Haircuts, Parker, count the haircuts" -- "I would've missed that"), Eliot's role as protector, the iconic overhead shots and the gloating, the alternate revenue streams, "Hardison dies in Plan M" -- it's all already right here in this episode. A brilliant piece of writing. Hats off to Rogers and Downey, no questions asked.
Rewatching this episode made me think of what this show is about, in its essence. Yes, it is about standing up for those who can't do so themselves, taking on the bigger bad, showing how corrupt and terrible the world can be, but also how much good there is to still find in the world. But also, this show is about a lonely man being actively bullied into the family he didn't know he needed or wanted, but will eventually come to realise is the one thing, the only thing that is keeping him alive. LEVERAGE is the story of a man and his crusade to avenge the death of his child, but is is very much also the story of a man who finds a reason to keep getting up every morning in the four people who are on this crusade with him. And this pilot episode already holds the seed and the potential of all of that. And that is why this show is to this day still my favourite show of all time, because it is utterly perfect in every way.
102: THE HOMECOMING JOB
D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 09 December 2008.
I absolutely love how John Rogers was like okay first episode, some greedy asshole who does whatever he wants for his own gain, we'll take him down a notch. Episode two? Hmm, oh yeah, the government is completely corrupt, filled with rich greedy assholes who do whatever they want for their own gain and always get away with it. Not on my watch (I love him very much, thank you).
This episode, once again, so good. The re-introduction of every character in this new reality of Nate's crusade is just as brilliantly done as the original introduction of them all. Sophie at an audition (love the John Rogers cameo here) completely butchering it once again, Eliot beating up some thug, Parker stealing valuable art, and Hardison doing what he does best: creating a beautiful office-slash-home space for the team, putting his all into their backstories, the equipment, the behind-the-scenes workings of what they need to get the job done. My man.
The message of this particular episode is also just something I am very fond of. The rehab facility doctor's words in the beginning, and then in the end again -- "people don't just show up to help. that's not the way the world works" -- as well as Nate's ultimate answer to her, "so change the world." That right here is the message of this show. It's already right here, all up in your face, episode two.
I completely adore what this episode does for the character dynamics already. The detail Hardison puts into the other's backstories, the interactions around the conference table, Eliot sharing his knowledge, Nate explaining the money laundering scam, the whole thing about laws being in a wooden box, Sophie elaborating why she knew Congressman Jenkins was lying to her -- they don't just work together, they already start giving the others insight into their talents and their knowledge and share that. It's beautiful. I especially adore the shot of them at the end, everyone leaning against the car while watching Corporal Perry and the other veterans debating what to do with the money. They are already so comfortable and at ease with each other, leaning into each other's spaces. They're family. You can see it here already.
Absolutely fantastic episode. For a long time, whenever I thought about The Homecoming Job, I somehow associated a more negative emotion with it than with other episodes, but I don't quite know why, because this is a brilliant episode and I love watching it.
103: THE WEDDING JOB
D: JONATHAN FRAKES. W: CHRIS DOWNEY. Original Air Date: 13 January 2009.
We love Jonathan Frakes in this house and every single time his name shows up with the director tag on this show, I know that I will enjoy every last second of the episode I am about to watch. Frakes directed the hell outta this thing. The Wedding Job is an absolutely excellent episode. Dan Lauria as our main baddie Nicky Moscone is perfect casting and there are so many great comedic beats in the scenes with him and Nate. Everyone, generally, is so weirded out by Priest!Nate, but Moscone just takes the weirdness in stride. This episode holds a very special place in my heart because it contains the introduction of my favourite FBI duo -- McSweeten (McSweetheart, as we call him) and Taggert. I adore these two bumbling fools so much, and I am so glad they kept being brought back, because they are both just so lovely. McSweetheart especially is very dear to me because of the D.B. Cooper Job from the last season (where, I ask, do I start my McSweetheart for Leverage: Redemption campaign?). Overall just such an excellent episode, really. So many great moments between our main characters--Sophie and Nate and their little "relationship" problem, Hardison and Eliot talking about marriage, Parker pretending she was waiting in the screening room to have sex with Hardison, Hardison appreciating Eliot's cooking. I also absolutely adore the beginning, the four of them convincing Nate that Teresa is definitely the type of client they take on. And Nate's resigned "Yeah, okay, yeah. Let's go rob Nicky Moscone. A guy who kills people and lives in our city. Yeah, let's go do that" as if they weren't going to go above and beyond any of that in the five years they will spend together on this crusade of his. You're so precious, Nathan. Of course, the ending of this episode is beyond brilliant, and lives both in my heart and my head rent free. It is such a magnificent found family moment. Getting Teresa the restaurant back, the news footage regarding Ray's appeal, and of course, Eliot cooking for them all, and them celebrating together, all of them. It is such a beautiful moment.
104: THE SNOW JOB
D: TONY BILL. W: ALBERT KIM. Original Air Date: 27 January 2009.
I adore what the client says to Nate in the beginning of the episode: "You work hard, you play by the rules, but when you need help, you really need help? They let you hang. They let you hang and it's your kid who pays the price." This show hammers home its message so many times in such great character moments and it makes watching these brilliant people take on these greedy bastards and robbing them for all they've got that much sweeter. It is such a satisfying thing to watch. Especially because they're all so damn good at this.
This is a great episode but it is infinitely funnier if you know and speak German, because it makes the scenes between Sophie and Eliot absolutely hysterical. And the delivery of the line that Ute Ausgartner says when she discovers they replaced her with Sophie is just wrong enough to crack you up.
Again some wonderfully brilliant comedic beats -- the Frakes cameo in the hospital waiting room, Parker casually hanging off the ski lift, Hardison and Eliot arguing over who puts dye in the dead body, Eliot carrying off a pissed of Parker, and so many more.
This episode also, for the first time, really gives insight into Nate's drinking problem. We had the one moment in The Homecoming Job, but this episode starts to explore it more in depths. And something that I've always appreciated about this show is that it never glorifies the drinking, but Nate is also never vilified for it. It is a fact of Nate's life and they explore different aspects of it, and everything is done with such care (which does not surprise me one bit since this is John Rogers' show).
The ending of this episode is also, once again, so beautiful and nicely done. It is just so incredibly satisfying to watch these greedy bastards get what's coming to them, and to see the clients be compensated beyond anything they'd ask for.
105: THE MILE HIGH JOB
D: ROB MINKOFF. W: AMY BERG. Original Air Date: 20 January 2009.
Another fantastic episode (you will realise that I will say this about every single of the 77 episodes this show has)! Amy Berg wrote some excellent stuff for this show, and this episode is one of them. Always a lot of great character relationship moments, and absolutely brilliant comedic beats.
I am very fond of the fact that here, in the early days, we have the whole team present around the table during the client meeting. We see all their reactions and inputs here already, and not later when Nate or Hardison (usually) relays the information of their next job to the rest of the gang. It's a very lovely moment.
I am also very fond of the entire recon bit at the GenoGrow office. Sophie's French rave-girl act, the others having to climb stairs, Hardison's absence, the cut from Parker's bomb to the microwave at the HQ, Nate, Eliot and Parker yelling "Oh it's right behind us, it's chasing us!" and grabbing Sophie on the way out, meanwhile the security guys completely buying it. Absolutely brilliant, all the way through.
Both Hardison's adventure at GenoGrow as well as the others on the plane contain so many great comedic moments. Hardison's Spanish maintenance guy act, his interactions with both Cheryl and Steve (talking into the cupboard? His fake meeting and getting Steve to take a dive? The whole birthday thing? A+ all around. Amy Berg, everyone) and of course the reaction he has to the plane safely landing on the highway ("lord I was so scared, I wanna cry and call my momma" I love him so much, y'all). I also have big feelings about Nate's pep talk to Hardison, "you can do this, I trust you ... the only guy I can count on in a situation like this." Sir, I am experiencing an emotion alright.
The sequences on the plane are of course also absolutely fantastic. Nate and Sophie's domestic, Parker's day job and her interactions with Marissa, Eliot being a big softie who holds Marissa's hand all the way up to the in-flight bar and hugs the woman he sat down next to when they safely land (womaniser, big softie. tomayto, tomahto). Also big shoutout to the fake names Nate and Sophie have. We love our DOCTOR WHO references in this show. I love these nerds very much, thank you.
106: THE TWO HORSE JOB
D: CRAIG R. BAXLEY. W: MELISSA GLENN & JESSICA RIEDER (GRASL). Original Air Date: 16 December 2008.
This episode also holds a very special place in my heart because it contains the introduction of our dearly beloved antagonist, Mr Jim Sterling, the absolutely amazing Mark Sheppard. We love Sterling in this house, yessir (again, where do I have to address my Jim Sterling For Leverage: Redemption campaign to?). Every moment he is in is fantastic, but I especially adore the conversation he has with Nate at the race track (especially the "Nathan Ford is a common criminal" -- "Common. That's just hurtful" bit of it).
This, of course, is an episode by our wonder twins, Glenn and Rieder (now Grasl), which they ended up naming the in-universe safe company after. Always fantastic work when the two of them are involved. Some amazing character moments again here.
We get to see some of Eliot's backstory with Aimee which in turn gives us two fantastic moments with him and the women of the team. I love his interaction with Sophie at the racetrack: "I like Aimee, I do. I mean it, I like you both, Eliot. I just, I don't know what comes of chasing the past, you know." -- "Well Sophie, sweetie, I don't think you and Nate get to serve me that particular meal." Just fantastic moment between these two, who I like to call The Conference of Mom Friends whenever they are in scenes together. The other interaction is with Parker in the car: "We need you to do this. I need you to do this." I adore Eliot and Parker's relationship and this already is a very early glimpse at the dynamic they develop which will eventually lead to beautiful moments like that in the ice cave in The Long Way Down Job in season four.
I also love how it is Hardison and Parker's discussion about horses that ultimately reminds Nate of the Lost Heir con. Aldis' delivery of "Wilbur loved Mr Ed! He loved him like a second cousin twice removed" is absolutely brilliant. Unsurprisingly, however, my favourite interaction of this episode is the one Eliot has with Aimee at the end: "You're never gonna be the kind to settle down, but I'm glad you found a family." -- "Th-those guys?" Yes, Eliot, those guys. You might not know it just yet, but that is absolutely your family, and the fact that an outsider already comments on it this early is simply perfect. My deepest gratitude to you, wonder twins.
107: THE BANK SHOT JOB
D: DEAN DEVLIN. W: AMY BERG. Original Air Date: 30 December 2008.
Amy Berg on the typewriter once again (typewriter? Alex what are you talking about this was 2008...)! I really like this episode a whole lot. An excellent one for Nate/Sophie, as well as Hardison/Parker. I have a huge soft spot for my crime children pretending to be law enforcement. Any combination of them is good, but Parker and Hardison as FBI agents especially is just exquisite.
This episode is also just fantastic for illustrating some of the small town criminal activity that happens from the top down. Judge Roy's entire bit about how "these little people" will do and say whatever he tells them to do and that, because he is the law in the town, he gets to decide what is actually true and what is not. To then have Hardison fake security footage and them turning the story against Judge Roy is of course poetic justice. I adore the moment when the bank manager Frank decides that sticking with the false facts these random people have come up with is the better choice than having the judge remain in charge.
I also really love the interaction Derrick has with Sophie and then later with Parker, as well as the moment of uncertainty in-between. His "I don't know what to do with that" when Sophie tells him she's a thief is so funny and so good. The turn of "but they're criminals....then again" when he looks out of the window on the way to Parker is also just a nice moment to illustrate exactly what Parker then later says, "sometimes bad guys are the only good guys you get." Ethics and justice are such muddy concepts and especially in situations like Derrick is currently in, there is no way of knowing who is actually good, who is bad, and who is just trying their best. It is a lovely moment and once again, one of those great instances of "important message within character moment" that this show does so well.
Of course, I am also very fond of Hardison's mention of DOCTOR WHO, his "Geek power baby, stay strong" line, Eliot's fight scene with the crack dealers ("stay in the car!"), Hardison's bullshitting the demands at the bank (Hall & Oates!) and, of course, last but not least, the return of my favourite FBI fools, McSweetheart and Taggert, getting yet another win laid in their lap by the Leverage crew. This episode is filled to the brim with greatness.
108: THE MIRACLE JOB
D: ARVIN BROWN. W: CHRISTINE BOYLAN. Original Air Date: 23 December 2008.
An absolutely excellent Nate-centric episode! We finally get a bit more of a view into Nate's past, aside from the ever-present flashback to Sam's death at the hospital. I really like the relationship of Nate and Father Paul, which I think is very interesting and so well done. Through Paul we get another side of Nate, which may have stayed hidden otherwise. I am also very fond of how Maggie is introduced here. She doesn't get a voice yet, but we learn about her through Nate, Sophie and also Paul, and I quite like that. It sets up expectations for her appearance in the finale, which is really intriguing.
This episode has so many great comedic beats as well, and I barely even know where to begin. From the team's inability to deal with Sophie's acting talents (or lack thereof) to the whole "It's not Santa" gag, the amazing faces Sophie pulls when the mark tells her about Bibletopia, Hardison's "God will smite us" thing -- there is just too much good stuff in this episode.
One of my favourite interactions in this episode was on the construction site, after Grant takes what he thinks are his meds.
Sophie: What is that you just took? Grant: Xanax. For my nerves. Parker: Actually caffeine. With a dash of dextroamphetamine. Eliot: You have him speed? Hardison, shrugging: He beat up a priest!
The look Eliot gives them then with a half-shrug, an expression which cannot be described as anything but "aight, fair enough" -- just absolutely excellent.
What I also really loved about this episode, is that we get to see more of the HQ than just the conference room. We have the team meeting in Nate's office, we see Sophie picking through her mail, Hardison making space so he can build fake Saint Nick statues. Added to that, the team is setting into such a nice familiarity with each other. Eliot brings Sophie a cup of coffee to the meeting in Nate's office. The fact that they all do get mail at the office. This is their space. I love it so much.
What this episode also gives us, is a first instance of the con possibly going side-ways because of how convincing it is. I adore that their possible downfall will never be incompetence, but rather over-competence. They are so good at what they do that sometimes their talent comes to bite them in the ass. We see this again, a bit different, in The Juror #6 Job.
The ending of this episode is very dear to me. It is a very lovely moment between Nate and Paul, but also Nate and the team. It creates such a beautiful moment of intimacy between these characters, which I think is done with extreme care, and it shows. This episode also very nicely sets up a nice sort of grounded-ness for the next episode, which I think the subject matter really deserves and needs.
109: THE STORK JOB
D: MARC ROSKIN. W: ALBERT KIM. Original Air Date: 06 January 2009.
This one and the next episode are excellent Parker-centric plots and this one in particular also has some wonderful Parker/Hardison content. Nate, also, is just very good in this episode as well. Keeping the tone the last episode established especially toward the end, this episode has such a nice grounded-ness to it. Nate's first meeting with the client is so careful in a way, and we don't always see that. Generally, Nate is careful and considerate in this episode, I think. Even when Parker goes rogue, he is so good with Parker (I attribute the brashness entirely to his director role here). It meant so much that he doesn't shoot down the idea of coming back for the other orphans, he knows how important this is to Parker (and Hardison).
With this episode we learn that both Parker and Hardison have grown up in the foster system. I really adore the conversation they have at the van after they find out about the orphanage -- Hardison telling Parker about his Nana, Parker's fear that foster system will be cruel to those children, Hardison's "I like how you turned out" -- it is such a lovely and meaningful moment. This and the "we're a team" / "a little more than a team" moments are such great instances that highlight the importance of these characters and their relationships in this show. It isn't just some crime procedural where every characters is replaceable at any given moment -- this show is about people, and about these specific people.
On a lighter note, I also really adore Nate and Sophie's dynamic in this. How they coach Parker and Eliot individually but at the same time, while also arguing about Sophie conning Nate back in the day, is just brilliant. Their "delightful banter" as Hardison calls it, is so good, and I absolutely love that Nate figures out the way to con Irina is the same way he would have to con Sophie. It's just too good.
David S. Lee as Nicholas is also incredibly good, although since watching THE LIBRARIANS I always expect him to swoon over a blonde and call her Duchess any minute.
110: THE JUROR #6 JOB
D: JONATHAN FRAKES. W: REBECCA KIRSCH. Original Air Date: 10 February 2009.
The lighter of the two Parker-centric episodes, but a brilliant one nonetheless. This episode also brings us the introduction of Peggy played by the lovely Lisa Schurga. We love Peggy in this house and, once again, I ask: where do I address my Peggy For Leverage: Redemption campaign to?
This episode is great for many different reasons, one of course being that Hardison is so good at what he does, that Parker's alias has to go to jury duty. What a talent, we absolutely have no choice but to stan. I love him so much. Other fantastic things that make this episode absolutely excellent are
- Nate's "there is not some evil conspiracy lurking behind the curtain of every routine civic activity" speech which he then has to retract,
- Sophie teaching Parker about persuasion with the help of Eliot who is absolutely precious in this interaction,
- Eliot's friend Donnie, who poses as another employee from the company Sophie pretends to be from, who then turns out to be Scottish,
- Nate and Sophie sending the kids off to work at the door, with a briefcase and handshake for Hardison and a snack and high-five for Parker,
and Hardison's entire act as a lawyer. He is so good. Of course his stalling is brilliant, but the turn-around once he has to actually try and win the trial? A masterpiece. I love how he tears the doctor apart for his drunken airplane misconducts, but what takes the cake by miles is of course his closing statement. He is just, so good, and such a goodhearted, wonderful person. I love how he directly addressed Parker. Hardison is full of sunshine and I love. him. so. much.
And I would be remiss not to mention how incredibly fond I am of the rest of the team watching the feed of the jury room from the HQ with such proud looks on their faces as Parker leads the other jury members and they vote in favour of the plaintiff. This is their girl and she's done so well. What a brilliant episode. My love to Becky Kirsch, honestly.
111: THE 12-STEP JOB
D: ROD HARDY. W: AMY BERG & CHRIS DOWNEY. Original Air Date: 03 February 2009.
Another episode, another instance of me asking the question: Where do I address my Hurley for Leverage: Redemption campaign to? We love Hurley! Drew Powell is absolutely fantastic, I adore him. Also huge shoutout to Joseph LoDuca for that absolute banger of a song that plays during the intro and the credits.
This episode has some fantastic Eliot/Hardison moments that are very dear to me. The two of them looking for Hurley and fighting over Hardison's slushy spill is just lovely. The whole car bomb sequence is also just completely brilliant. It's such a step in their relationship and I love it so much. The moment of "D'you want me to kick it?" / "God, I'm gon' die" is a wonderful comedic beat in this tense situation, but it is the bit after that I really adore. Hardison figuring out how to trick the bomb and then,
Eliot: What's our margin of error here? Hardison: 'bout half a second. Eliot: Run the ba-bag of bricks by me again? Hardison: Are you ready? Eliot: No.
I am just, so fond of these two. Also the fact that Eliot's hand shakes when he reaches for the cables and waits for Hardison's signal always puts me all up in my feelings about him. I also of course adore the scene at the rehab facility with Hardison's "I'm with him. No, I am with him. See, he thinks the flirting makes me jealous, but it doesn't. But if you was like Brad Pitt or Denzel or somebody, oh girl it would be on." It love it so much.
Nate, of course, is also just great in this episode. His entire experience in rehab is another wonderful insight into his character, his issues, how he sees himself and so on. The hallucination of Sterling says so much about him. I think this also very nicely sets up how Nate behaves in the finale double episode.
I also really want to mention Parker here, because Parker in rehab is also something I am very fond of. I love the moment where she pickpockets the Koreans searching for Hurley and then so innocently comes to Nate to confess what she's done and tells him in this tiny voice "I didn't meant to, it was just instinct." I love her so much. And her, at the end of the episode, skipping along and then running toward her people, jumping on Eliot while tossing her stuff at Nate, and then going to hug Hardison, is such a lovely moment. I love how the three of them then walk toward the car arm in arm, too. I love these kids.
112: THE FIRST DAVID JOB
D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 17 February 2009.
First half of the first finale! I gotta say I really love the David Jobs very much. It is such a fantastic first finale. I really adore how the opening of this episode is mirrored in the opening of the second half.
Given the set-up of the previous episode, I really like how for a first time watcher, this opening sequence very much looks like Nate is completely off the rails doing his own thing getting revenge on the man who, basically, killed his son. It isn't until Blackpoole introduces Nate to 'Portia' and we see Sophie turn around that it becomes clear that we're on the con, which I think is done very nicely. Only then giving the viewer the "how we got here" part is just great.
This episode of course also brings us, finally, Maggie (yes, I'll ask again: where do I address my Maggie For Leverage: Redemption campaign to?). I absolutely love how she is introduced here as Eliot's date. I also love how absolutely terrified Eliot looks once he realises that she isn't just anyone, but Nate's ex-wife. Maggie is such an excellent character, and I adore her. I also am very appreciative that this episode holds the singular moment of jealousy Sophie has toward Maggie. After her momentary outburst as Maggie tells Nate she hasn't stopped caring about him, we never see it again. Even better, once Maggie learns about Nate's crew, Sophie and her even become friends. And it is lovely.
We also have some great Parker/Hardison moments in this episode as well. I adore Parker and her enthusiasm for their "little naked man" and Hardison being weirded out about it (and turning the little David around so Parker can change in private). I, of course, absolutely love the kiss (and Eliot's grinning question at Sophie who of the two of them Parker had kissed) and then the theft of the First David. Hardison is so in awe of Parker and it is a sight to behold.
I also quite enjoy the "downfall" in this episode. Sterling showing up (we love the bastard), the fight between Eliot and Mr Quinn, the conversation about Sophie conning them on the roof, and then of course the final confrontations on that same roof as well as the HQ. This whole thing of "and then I asked myself, what would Parker do?" / "but then I thought, what would Hardison do?" is just brilliant and lovely. It shows how far they have all come throughout this first season and how much they have learned from each other already. I am very fond of it.
I am sad about the offices being blown up, though. As much as I love both McRory's pub and Nate's apartment in Boston, as well as the Brewpub in Portland, I've always really liked the LA offices as well. It was their first home and it was lovely. I am however very happy that Old Nate made it out unscathed.
113: THE SECOND DAVID JOB
D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 24 February 2009.
And the last episode! As I've said above, I adore how this opening sequence mirrors that of The First David Job. Similarly, I also love how until Sophie notices Parker's laser pointer and Eliot sees Hardison, as a viewer you assume they are on the job together, which is again the reversal of the first half of the finale. Just lovely storytelling, I adore it. Speaking of mirrors, the scene in the MC Hammer mansion where Nate inconspicuously manages to get them all thinking about the con together and putting their differences aside once more, also mirrors one of my favourite scenes from the first episode of season two, where the team does the same to Nate.
This episode on the whole I also just marvellous. Eliot's awkward date with Maggie, Nate finally telling Maggie about Blackpoole's involvement (or lack thereof) in Sam's death, the team involving Maggie in the planning of the con and her, precious as she is, questioning Nate's ability to just get people to do what he wants -- it is all just so good. I love Maggie on the con, too. Sophie coaching her, how good Maggie is at it immediately. Just lovely.
Then, of course, the entirety of the con from the moment Nate shows up at the museum. Sterling hurrying all over the place trying to figure out what Nate's plan is, finding out about the mummy, the release of the gas, the evacuation, the David statue replicas, them finally getting in and finding Nate alone in the exhibit room. I adore that shot of him leaning against the display case with the two Davids still inside, only highlighted from the open hatch in the roof. It is such a beautiful shot. I really enjoy Nate and Sterling's dynamic here, too. And I am very happy that Maggie gets to punch Blackpoole just like Nate got to in the episode before. They both deserve to give this man hell.
The ending of this episode and therefore this season always has me in all of my emotions. If I didn't know there would be more after this, I would just go lie down and weep for a while after watching it. The trademark overhead walkaway shot is of course a must, but the fact that they stop, that all of them hesitate, thinking about turning around, thinking about changing their minds. And then it cuts to black, and if this had been it, we would've never known! Ah, what a show, what a first season. I am completely in love with this show, as pretty much everyone knows, but I just -- this show is so damn good. It gets me every single time. Every time.
[image taken from the electricnow website]
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So since I went back and rewatched/watched the Sahara opening from all three perspectives, I gotta just make a list of my favorite parts because it was so good. Some of these can only be found specific to one POV or two POVs so I highly recommend watching all of them because it’s so worth it.
Episodes: Grian’s 71 Mumbo’s 105 Iskall’s 111
Pre-Opening:
-Mumbo and Iskall trying last minute to make all the redstone work before Grian finds out that it isn’t done -Mumbo having a Grian head in his inventory while he is working on Sahara for seemingly no reason -Mumbo’s “YES!” when the stocking (i think) works and how excited he gets -Mumbo just completely gushing over how much he loves the project
-Iskall pro-speed-slick-recording of Mumbo’s ice confession (as well as Grian in the background “He’s totally recording. Don’t fall for it.”) and then saying that Mumbo went on to say he loves ice -Iskall: I’m gonna meet up with the boys. *opens a chest full of stuff and deeply sighs* I’m gonna clear this up then I’m gonna meet up with the boys.
Opening (under a read more cause it got long):
-The fact that Grian didn’t put on any sort of skin to begin with. I know he put on the Steve Jobs skin, but idk I find it amusing he didn’t put on his business suit for the actual opening part -Mumbo’s “Oh this is a nice tent” as he hides behind it because you can clearly tell by the other two’s laughter that that hadn’t been apart of their original skit -The failed first launch -Ren. Just... Ren. -How Mumbo mentions that the exploded door matches the one in the warehouse and immediately telling Iskall that no, he hasn’t fixed it and that it’s staying forever -Iskall and Mumbo (of all people) questioning why Grian killed a wandering trader and Grian innocently responding “I found him like that.” -The entire “It’s glasses!” interaction in response to Grian’s Steve Jobs skin -Iskall trying to keep a straight face even though you hear him quietly laughing -Violent Mumbo 1: hitting Ren towards the ordering part of Sahara -Mumbo barely being able to prevent himself from directly telling Ren how the system works and how to work it -Grian responding to Ren’s comment of a long wait with “But look at the lights go on! Ding, ding? We’re on two lights now, how exciting is this Ren? -Grian: ...thats it i’m closing the company, Sahara is over- -Iskall: NO WAIT! HAVE SOME FAITH! -”I got a beacon... receipt.” ”That’s Sahara in a nutshell. You get charged for things that don’t actually arrive.” -Grian and Iskall’s laughter sounding like they’re crying -Grian hitting all the armor stands out the door -Violent Mumbo 2: “So here’s my idea... we kill him.” -All three of them clearly having an idea of how that huddle should go and then not agreeing on it. Grian trying to have this act of employer to employees, Mumbo just saying they should kill Ren and start again, and then Iskall trying to work off that  -Iskall trying to think of something that might be near and dear to Ren without mentioning family and only managing to come up with his sunglasses -Iskall: Think about his sunglasses. -Mumbo: I haven’t been able to think about anything else since he’s arrived. -Iskall managing to keep a straight face when talking about mispricing the beacons and that finally cracking Mumbo’s facade while Grian is just in disbelief -Honestly this whole huddle is the best thing -”Where did we put the payment chest? We forgot about the payment chest.” “Are you kidding me????” -Mumbo: I only put one minecart in I wasn’t expecting him to order this much *cue them all breaking down even further* -”He ordered rockets... And they arrived! I don’t know how! How have they arrived?” “Don’t question it!” “No- why has he just broken the shulker box? Ren stop yourself!” “Because there’s no instructions!”  -Mumbo: Oh gosh! I’m setting myself on fire. Where’s my flint and steel? *looks at Grian* You took it. I hate my life- bye. *disconnecting* -Grian actually checking to see if he took Mumbo’s flint and steel because that’s something he would do -Violent Mumbo 3: hitting Grian and basically threatening him not to ever touch the system again -Iskall clearly not seeing the Beta sign on Sahara if his laugh is anything to go by while Mumbo and Grian already knew about it -All of them doing this zoom in on Ren as he stands on a chimney (which by itself is hilarious) -How the second-first opening fails and Grian is exasperated, Iskall is dying of laughter, and Mumbo is hopelessly embarrassed -”For goodness SAKE! I hate this! I don’t want to be part of this group anymore! Bunch of useless people!” -Ren witnessing all of this and inviting Mumbo to come chill on the chimney with him (”Yeah I’m going up on the chimney.”) -Mumbo having to stop himself from saying anything to Ren during the ordering process -Mumbo forgetting he doesn’t have an elytra on and trying to fly (this seems to be a common occurrence with him in S6) -Mumbo’s EEEEEEEE when he sees the minecart working -Ren’s carrots going into the machine and Grian just going “Now it’s not my fault!” -Grian: This is the most complicated thing I’ve ever been apart of and I didn’t do anything complicated so I feel great. -Violent Mumbo 4: “Did Ren ever pay?” *before even checking* “No. Should we beat him up?”  (Bonus: Mumbo cutting to the next part with a transition of him saying “One serious beating later”) -Ren: Do I get a discount for being the first customer? “No.” “No.” “Absolutely not, we’re a business.”
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doctormomwriter · 2 years
Text
Smokin' pt 5
Rebekah's POV again
I shut my door and frantically went to take a shower. I pulled my hair up in a bun so it would not get wet and quickly scrubbed, shaved, moisturized, took off my make up and found a pair of shorts and a tshirt to wear. I did not even bother to put on a bra or panties under, I had no time to think. Dinner was fun, even though I was the butt of a lot of jokes. Joe paid for my dinner again and not to mention the whole uber right home I was trying not to make an ass of myself or say anything weird. Oh god, I probably said so many weird things and I don't even remember. I would have even tried the damn raw steak if it meant having him feed me. Gross, why am I being weird. He just wants to be friends. He basically said that already. Plus, he knows that I find him attractive and he has avoided that conversaion completely since before dinner. I made the bed and added my favorite king sized green blanket, a put the popcorn in the kitchenette microwave. I had everything almost set as he knocked on the door.
I walked to open it, trying to ease my tachycardia. Joe had on fitted grey sweats, a tight fitted white tee, and slip on shoes, He was holding an armfull of candy. The boxes like you would get at a movies theatre. I felt like we were about to have a slumber party and I should have put that out of my mind as Colt walked by and immediately came in behind Joe.
"What are you two up to?" He was being nosey.
"Movie night." Joe answered. He was so cut and dry.
"Oh sweet! I'm in, I ordered a pizza to soak up the beer, I am about to go down and grab it. I will share!" Before either of us could answer he ran down the hall. He must have had A LOT to drink.
"I don't even know how to respond to that, but he is NOT changing the movie selection. I just finished rewatching The Sopranos for the 4th time and I want to see this movie." Joe turned to me and I helped take the boxes over to the bed. The way the room laid out the bed and couch were really close to each other and framed around the TV.
"Should I get a bunch of pillows and we can all lay in the floor or on the couch. Colt is not getting in my bed." I gave him the side eye.
"but am I allowed in the bed? Yours looks more comfy than mine.." Joe was smooth talking with that line.
"Oh well, I uhm, yes, thats fine. I just bring my blankets and pillows from home because I don't trust hotel sheets.." I was stuttering horribly.
Colt came in, bursting through the door with two huge pizzas.
The plot thickens...
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leesh · 4 years
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because i have zero self control when it comes to christmas films and, well, cheesy christmas films are #life. 
basically, i have developed a collection of favourites over the years, including both classic christmas films that are fun for the whole family and terrible, dripping with all our favourite favourite cliches hallmark christmas films, and yet i am still always on the hunt for more. so, i thought i would try a little thing to share them with everyone else as well (and actually remember them for future reference)!
check out the tag here i will try and remember to use as i live blog some of these movies or head on down below the cut to see all of the christmas films i’ve watched in 2020. thoughts and star ratings included! as expected, i will also be updating this as i watch more and more this holiday season (follow along on twitter too if you want).
note: since i LOVE terrible hallmark films, some that i give a higher rating will not actually be......critically acclaimed. i am just #obsessed and have my reasons as stated, i’m sure.
holidate (2020) 
⭐️⭐️| first time watch | someone on letterboxd compared this movie to when you watch a rom com in sims and it’s just a bunch of random scenes that make no sense and they’re absolutely right. its only saviour is an australian dude and the line “so you know me well enough to cum in my mouth, but you don’t know me well enough to get me a christmas present?”
my christmas inn (2018) 
⭐️⭐️| first time watch | i’ll be honest, this film was pretty forgetful. i watched it over a month ago and don’t really remember what happened. however, i do remember being impressed that the leading lady wasn’t a stereotypical thin white woman. so i guess at least it has that going for it.
christmas made to order (2018) 
⭐️⭐️⭐️| first time watch | i actually thought this was pretty cute. it’s not the best, but also not the worst, so a decent medium if you need to fill up those figurative christmas stockings. the concept of hiring someone to decorate your entire house with no budget sounds pretty cool, but when the guy is aaron samuels and looks far from straight, it becomes a little questionable. 
last christmas (2019) 
⭐️⭐️⭐️⭐️| rewatch | now this is not a cheesy hallmark film. in fact, i LOVE this film a lot and think i saw it twice at the cinema. last christmas is a top tier christmas song and i remember theorising about it when the trailer first came out, but i will say tissues may be a requirement to watch this. AND henry golding is my husband thank u and goodbye.
operation christmas drop (2020) 
⭐️| first time watch | interesting concept in theory, but this is nothing more than US military propaganda and a cgi lizard. bonus: white saviourism. 
the knight before christmas (2019) 
⭐️⭐️⭐️| rewatch | a medieval knight transported into today’s world and has never seen a car before can drive better than me. that’s it. that’s the movie. also, he literally says the words “modern technology is lit af” at one point. solid christmas film if you ask me. 
the princess switch (2018) 
⭐️⭐️⭐️| rewatch | i strongly believe in the vhcncu (vanessa hudgens christmas netflix cinematic universe). i also have so many questions, like how did they afford the flights or solid conversation or was it all expenses paid? how did they finish a bulk of the cake without a mixer? why does everyone always speak english with a posh english accent even though it’s a non-english european country?
the princess switch: switched again (2020) 
⭐️⭐️| if we learnt anything from a christmas prince, it’s that sequels are generally never better than their predecessor. that being said, this was much less cute body swapping christmas fluff and a little more literal kidnapping and saving the day. either way, blonde vanessa was hot and i appreciated the amber/richard cameo that insinuates a christmas prince is actually a dramatic documentary.
midnight at the magnolia (2020) 
⭐️⭐️| now if you’re after an absolute cheesefest that ticks the boxes on best friends meets fake dating over the holidays, then this is the movie for you! albeit it takes place between christmas and new year’s, it’s still filled with their families knowing they were soulmates the whole time and two people who are a literal too comfortable on the radio. also, the dad’s totally should’ve been gay. they had more chemistry.
christmas wonderland (2018) 
⭐️⭐️⭐️| tbh, i genuinely enjoyed this one. post breakup/high school sweethearts is a personal favourite trope of mine, so throw christmas & being forced to spend time together when she goes back home into the mix and i’ll have a serotonin explosion. bonus points for the guy telling the girl to go back to nyc to follow her dreams without being a dick. OH and the scene when he points a fuck load of sugar in his hot beverage.
a wish for christmas (2016) 
⭐️⭐️| who doesn’t love a good office romance between a boss and an employee at christmastime? especially when you throw in a little christmas magic that makes her more confident that results in her finally getting what she deserves and having to travel and rekindle with his family? also, fuck them rich white dudes, but props to her for the significant job promotion.
christmas with a prince (2018) 
⭐️| this was TERRIBLE and not in the good way. it featured: an entitled prince who suddenly had growth even though he did nothing to achieve it, majority of the film set in one hospital room, and the fact that she’s the only one with a tiara at the party filled with people who actually have titles. also, thought there was a decent ending but turns out there was still another 30 mins to go. ugh.
a royal christmas engagement (2020) 
⭐️| don’t be fooled by the title. the engagement doesn’t happen til the last two minutes. it’s actually about a prince (bet you didn’t see that one coming) who travels to america, pretending to be his best friend who works for this major marketing firm because he’s tired of being the spare. this gets one star purely for the line “she’s not a commoner, patrick. she’s an american.”
christmas wedding planning (2017)
⭐️⭐️| it looked like it would be half decent, and while it’s definitely better than the last two, it was still pretty eh. i could get on board with her texting her dead mother’s number as a way to talk to her still, and i understand we all experience grief differently, but.....actively paying your mums phone bill 3 years later? girl. also, the end made me SCREAM. WHY DID THEY DO THAT!!!!
santa girl (2019)
⭐️| this was just painful to watch. evil jack frost makes memes in his free time, santa has a fancy car and doesn’t eat sweets, and there’s an odd comparison between the elves, minimum age workers, and racism. however, one star purely for the entertaining (read: bloody awful) tooth fairy cgi that gave me a right laugh.
the christmas chronicles (2018)
⭐️⭐️⭐️| this was really cute and had the makings of what could be a christmas movie staple along with the likes of elf and the santa clause (but will never reach that standard, obvs). tbh, it’s just a nice heartwarming family christmas movie about two siblings who band together to help santa and save christmas. also, santa was a #dilf.
the christmas chronicles: part two (2020)
⭐️⭐️| one of these days i would love to see a sequel that’s better, or at least on par, with its predecessor, but that day is not today. sadly, this film lacked all the heart and magic the first one was filled with and some scenes were pretty redundant. kurt russell and goldie hawn, however... one star for each of them.
forever christmas / mr. 365 (2019)
⭐️⭐️| the title varies depending where you’re from, but that’s probably the most exciting part of this movie. a guy celebrates christmas 365 days a year and a reality show wants to invade his house? ok, sure. one star for the eye candy and one star for, surprisingly enough, their chemistry and all the kissing scenes that don’t usually make the mark in the hallmark world. 
noelle (2019)
⭐️⭐️⭐️⭐️| did i renew disney plus just so i could watch this (and a couple of others)? maybe so... this movie is so fun! and family friendly! and is actually funny! it gives me major elf vibes, but if elf was set in a more modern day setting. either way, i had a great time and have been holding out on this one after loving it a lot last year!
the nutcracker and the four realms (2018)
⭐️⭐️⭐️⭐️| anything nutcracker related is an instant win in my book because it’s my favourite ballet of all time (except for graeme murphy’s version, we don’t talk about that). does this movie actually deserve the four stars? maybe not. am i going to give them anyway purely for my love of the nutcracker and the soundtrack? absolutely!
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clumsyclifford · 4 years
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bella i’m just SAYING if you felt like writing boyfriend jalex in LA like they are rn why are they there just vibing together why is alex there i’m hella emo just saying i wouldn’t be MAD about it 😘
well PAIGE you may have been ONTO something here. alex is in LA because he loves his boy next question
read it here on ao3
-
Death By Hug is not a bad way to go, Jack thinks. It certainly beats Death By Loneliness.
The longer he and Alex stand here, the more Jack wonders if they really are going to die here, holding onto each other like Alex is a soldier returning from war and Jack is his lover who's been writing constantly to the front lines. Or something. It's also possible Jack has watched too many war movies lately.
"We gotta move," Alex finally mumbles. They’re at the gate and people are stepping around them.
"We don't have to."
"Well, I can't kiss you with a mask on."
That is a very good point. Jack squeezes Alex one last time and finally steps back.
Los Angeles looks good on Alex.
-
Supposedly, Alex is here to write. It's not like that's a lie; they are going to take advantage of Alex's presence and log as many studio hours as possible, but that still leaves a lot of early mornings and late nights unaccounted for. Well. For Jack it does. He knows Alex has been dying to get back in the studio, to put words to music in a way that sounds less like a kid messing around on his dad's guitar and more like a professional musician making demos. But if Jack has to pull Alex from the studio by force, he will. 
He will do his best. He is definitely not stronger than Alex but he will try.
For now, though, they have the evening to themselves.
Even with a suitcase, Alex looks right at home in Jack's place. "I'm gonna put my stuff in your room," he tells Jack, and Jack just nods.
"I'm gonna have some cereal," he decides, because he's in the mood for cereal and it is his right as a grown-ass man to eat cereal at all hours. Alex just laughs as he heads towards Jack's room, and Jack grins.
He heads for the kitchen and spends a minute deliberating over what cereal to have before yielding to the eternal power of Fruity Pebbles. They’re practically calling his name. Jack’s strong, but not that strong.
As he’s pouring the cereal into a cup, arms snake around his waist, squeezing tight.
“Hello, cereal boy,” says Alex, tucking his chin into Jack’s shoulder. “Mm, Fruity Pebbles for dinner. You’re the master of health.”
“Yes I am,” Jack says. “This is how they do it in L.A., Al.”
“Who exactly is ‘they’?”
“Me and Bree.”
Alex laughs. “Man, L.A. has really changed.”
“Maybe you should spend more time here.”
“I’ll keep that in mind,” Alex says. “Next global pandemic I’ll be sure to quarantine here with you.”
Jack shakes his head, smiling a little. “That’s all I want to hear. Do you want some cereal?”
“I was thinking we could order a pizza.”
“Oh, pizza,” Jack says, hesitating with his cup of cereal in hand. “Pizza sounds good.” He shrugs one shoulder. “I can have both.”
“You’re the weirdest person ever,” Alex says as Jack sets the cup down and turns around, forcing Alex to loosen his grip. The moment hits Jack full-force; it hadn’t really sunk in until now, but Alex is here. Here. In Los Angeles. With Jack.
Alex is here.
“I’m so fucking happy you’re here,” Jack says. Alex’s smile grows, the way it always does following any kind of emotion from Jack. It’s been weeks since Jack has seen that smile in person, weeks since Jack has seen Alex in person, and he’d forgotten how good it feels to be the reason for it.
FaceTime is good, but nothing is as good as the real thing.
“Well, I’m really fucking happy to be here,” Alex says, pulling Jack closer with the hands around his waist. “I’ve missed you.”
“Yes,” Jack says. “Same. Me too. I feel like I’m going to wake up any second.”
“What, and this will all be a dream?”
“Yes,” Jack says emphatically. It could be. He’s had similar dreams. Granted, he’s never eating Fruity Pebbles in any of them, but that doesn’t mean it’s impossible. 
“Me being here?” Alex asks, sliding his hands up Jack’s sides and chest to come to rest on his shoulders. “Or the whole pandemic?”
“I wish I could wake up and have the pandemic be a dream,” Jack huffs. “Or nightmare. Worst nightmare of my entire life.” He’s gotten a little bit off-track, but to be fair, Alex is being very distracting, what with the brushing noses and hands under the collar of his shirt and everything. Jack has yet to build up an immunity to Alex Gaskarth. This is something he has in common with the entire rest of the world.
Alex kisses him. Jack stops thinking about whatever it was he was thinking about. The important thing is that Alex is here and it’s not a dream, and Jack has Fruity Pebbles and his boyfriend and potentially pizza on the way and several hours of nothing at all, to occupy themselves however they choose. The possibilities are endless.
“Doesn’t feel like a dream to me,” Alex says sweetly, pulling back.
“You’re so mean,” Jack says. “Are you saying I’m not your dream guy?”
He gets an eyeroll for his troubles, but then Alex agrees to order the pizza, leaving Jack to eat his cereal in peace instead of having to deal with phones and Other People. Normally he’s a fan of Other People, but tonight it’s all Alex. 
(As far as Jack is concerned, as long as Alex is here, every night is all Alex.)
-
The pizza arrives as they’re half an hour into rewatching the first episode of The Mandalorian. This is the first and last time they pause until Alex yawns, and Jack realizes that midnight in L.A. is three in the morning in Maryland.
“Bedtime,” he declares. If Alex weren’t as nocturnal as he is, he probably wouldn’t have even made it to midnight. As it is, he drags his feet every step from the living room couch to Jack’s bedroom, including his detours to the bathroom to brush his teeth. Jack cleans up a little in the meantime, breaking down the pizza box to dispose of it and rinsing all the dishes for easier cleanup in the morning. The responsible thing would be to wash them now, but Jack can’t find any reason to be responsible. It’s his own home. He’ll wash dishes when he chooses.
By the time he’s turned all the apartment lights off and shuffled into his room, Alex is curled up under the blanket. His eyes are closed like he’s asleep but he’s breathing like he’s awake. Jack putters around, quietly putting on his own pajamas and brushing his teeth, before he, too, climbs into bed.
As predicted, Alex turns over. “Wh’time are we waking up?” he slurs.
Jack reaches blindly for his phone, plugged in on the side table. “Dunno. What time are we going to the studio?”
“Ten?”
Jack sets an alarm for nine, though it’s more for Alex’s sake than his own. “Okay. Done.”
“Love you,” Alex mumbles, burrowing into Jack’s chest. Jack smiles — he has his own stupid Alex smile for when Alex is being lovably, adorably, uniquely Alex — and pulls the blankets up over him. 
“Love you,” he hums, pressing a kiss into Alex’s hair. The quiet moment swells around them both. Jack falls asleep fast. He’s holding Alex close in his dreams, too, like even his subconscious can’t come up with anything better than this.
-
It’s hour nine in the studio, and Jack is ready to call it.
They’ve gotten a lot done. It feels good to be back, or as “back” as this is, back in the studio, back to writing music. Alex has obviously been overflowing with ideas from being cooped up at his farm in Baltimore, which has led to an extremely productive studio day. Hardly half an hour has passed without someone picking up a guitar. 
For the first eight hours, Jack is totally invested. This is his lifeblood, too, and by now he probably has a hundred separate voice notes of guitar riffs and chord progressions that he hadn’t wanted to forget. Getting those off of his phone and into real recordings is a big sigh of relief. 
Also, he and Alex are really good together.
This has been pretty reliably true throughout their career, but somehow it never fails to give Jack a thrill. Watching Alex’s eyes light up as Jack plays through Lead Guitar Part #37; his rapid “waitwaitwait play that again” as he pulls out his phone to scroll through lyrics jotted down in transient moments of thought; the spark that catches when somehow Alex has the perfect line to sing over this four-note riff that’s been echoing around Jack’s empty apartment for weeks. It feels a little like fate every time. Alex can drive a lyrical stake through an elusive melody like no other.
The progress today has been sufficient, so Jack thinks now is a good time to bow out, before they run out of steam. Quit while they’re ahead. There’s always tomorrow and the next day. Nine hours is a respectable studio day, and if today is any indication, they could have a song or two tomorrow at this rate.
It’s just, Jack wants to go home. He’s not going to say it — at least not yet — because Alex is still operating at full capacity. But he’s thinking it. If anyone asks, he won’t hesitate.
When Alex glances over, Jack is pretty sure it’s written all over his face.
“You okay, JB?” Alex says. His eyes soften around the edges when he smiles. It’s completely unfair. Just like Jack to have the most irresistible boyfriend on the planet. Perfect for being in love with, but extremely difficult for saying no to.
“Tired,” Jack says, biting his lip. The guitar he’s holding has been idling on his lap for about twenty minutes, ignored by Jack, who’s been on Instagram instead. Finally he sets it aside. “Just think I’m done for today.” As a compromise, he adds, “If you guys have another half hour, I don’t mind.”
“No, that’s okay,” Alex says. He glances at Zakk, who’s fucking with the levels or something. “Yeah? You think? Good for today?”
“Yeah,” Zakk says. He tilts his head bizarrely to flash a grin at Jack. “Man, it feels good to be back here with you guys.”
“Dude, don’t even start,” Jack says. “I think if I had spent another day alone at my place I would’ve probably, I don’t know, started trying to learn Korean or something.”
“Why fucking Korean?”
“Exactly.” Jack points at him, then at Alex, who jumps out of the rolly chair he’s been occupying and grabs Jack’s finger. Jack shakes his head, smiling, as Alex laces their fingers together and ducks down to kiss his forehead. “Is that a yes, we can call it?”
“I can call it,” Alex says. “Cervini?”
“Yeah,” Zakk says. “Let’s call it.”
And that’s that for the day.
-
The stupid TikTok they’d made on the way to the studio has, predictably, blown up. 
Jack can’t stop watching it; it’s a little bit cringey but that’s the point, and also, Alex looks insanely good in the red flannel and that yellow beanie. Maybe their merch is designed specifically to look good on Alex. Probably. Not that that’s difficult. Basically everything looks good on Alex.
“Stop watching it, oh my God,” Alex says, crawling into bed on top of Jack and flattening him against the mattress. Jack makes varying noises of protest as Alex pries his phone out of his hand, turns it off, and tosses it aside, forcing Jack’s attention instead to Alex’s face.
If he looks good onscreen, it’s nothing compared to real life.
“Lose some weight,” Jack grunts, shifting to tip them both onto their sides. They’re forehead-to-forehead, one of Alex’s arms trapped under Jack’s side and the other slung over his waist. “You’re not twenty-one anymore.”
“Oh, I’m sorry, are you complaining?” Alex licks Jack’s cheek, and Jack’s protest of Alex, gross! is lost in Alex’s laugh. “Sorry. That was gross. I’ve just missed you.”
“Weird fuckin’ way of showing it,” Jack says, grinning. “I thought we kinda did this yesterday. We spent the entire day together. And I’ve missed you too.” He hesitates. “You could just stay here, you know.”
Except he couldn’t, and they both know that. Alex has a farm to tend to. He’ll be here as long as they’ve got time in the studio but then he’ll be gone, back to Baltimore. Growing up sucks sometimes. It means Jack has to be mature about Alex having a life of his own. If he expects Alex to respect his decision to stay in L.A., then Jack has to respect Alex’s decision to stay in Maryland. Which he does. He does.
But he also misses his boyfriend a hell of a lot. These days it’s worse than ever. They’ve never really been apart this long. 
“Come on,” Alex says, smile flickering. “Don’t.”
“I know. I’m sorry,” Jack says. He sighs. “I take it back. I don’t want you to stay anyway. I don’t even want you in L.A. at all. Who invited you here? What are you doing in my house?”
Alex laughs. He extracts his arm from underneath Jack and runs his hand through Jack’s hair, slotting their legs together. “Cheapest listing on Airbnb. I was told there would be free sexual services?”
“Uh, I don’t know about free,” Jack says. He smirks and steals a kiss off Alex’s lips. “You can repay me by doing household chores.”
“Then it’s just fucking prostitution.”
“That,” says Jack, “is true.” Alex scratches lightly against the side of his face, and the kiss he draws Jack into is so sweet that Jack contemplates never ever breaking it. This is all he needs in life, just Alex — anywhere, but especially here. Jack has never found his apartment to be bleak, but now that he knows how vibrant it can be, how warm and lively when inhabited by Alex, he suspects it will feel grim when he’s alone again.
Thinking about the future gets dangerous. He’d much rather stay in the now. Alex is still kissing him, drawing Jack nearer in such a familiar way that when Jack closes his eyes he can almost hear the rumbling of the tour bus and the low murmurs of conversation happening outside their bunk. They’ve found themselves in this position too many times to count over the years, using the excuse of a small bunk to press together like they didn’t do exactly the same in two-person hotel room beds. It’s been too long since Jack has had anyone to cling to in bed. Comfort settles like a talisman in his chest.
They’re not twenty-one anymore, but sometimes it still feels like they could be. It was easier for the years to blur together when they were spent largely chasing their way across the globe. These days, the contrast between then and now feels blindingly stark. It’s nice to sink into something this familiar. Almost like Alex is pulling him back in time, too.
Or maybe like Alex is pulling the past into the present. Jack doesn’t feel twenty-one. He feels thirty-two and still in love with Alex. Eleven years from now, he’ll probably feel just the same. The way that Alex kisses him, holding him close, has nothing to do with how old they are. It’s only familiar because nothing has changed; Alex loved him then and Alex loves him now. 
Their love grows, but it never wavers.
Alex doesn’t pull away so much as just tilt his head until they’re not kissing anymore, tucking his face into Jack’s chest. “I’m tired,” he announces. Jack could basically have guessed that. It’s only eleven, but in Maryland time it’s two in the morning. 
“I know,” says Jack. “That’s why we’re in bed. To sleep.”
“Really, you want to sleep now?” Alex sounds surprised. “It’s not even midnight.”
“I am capable of having a responsible sleep schedule sometimes, you know.”
“That doesn’t sound like the Jack I know.”
You haven’t been around for a while, Jack doesn’t say. “Shut up, you bully. I take care of myself.” He makes a face. “Also I want to sleep when you do. I don’t think that’s a crime.”
“I’d love that,” Alex says. His words come out muffled. “I love you. Have I told you today that I love you?”
“No,” Jack says, smiling.
“Liar. I’m sure I did. But I’m telling you again. I love you.” Somehow Alex’s grip on Jack becomes even tighter. Prying him off is going to be a difficult task, if Jack can muster up the willpower to do it. It won’t be easy. This is probably Jack’s favorite position to be in, tangled up with Alex. It doesn’t hurt to hear Alex repeating, “I love you, you’re my favorite, I’m so happy I’m here,” quietly, almost as if to himself.
“You need to put on your pajamas,” Jack says. 
“I don’t wanna,” Alex whines. “I can sleep like this. Tour life. Too busy for pajamas.”
“So rock ‘n’ roll,” Jack says dryly.
“Yes. Exactly. I’m too cool for school.”
“Yeah. Really badass of you to fall asleep in a flannel.” Jack kisses Alex’s shoulder over the plaid pattern. “Which, may I say, looks very good on you.”
Alex hums contentedly. “See, that’s why I love you. Ego boost.”
“You are the most lead singer to ever lead singer. Jesus Christ.”
“Damn right I am, baby! Own it. I gotta own it.”
“Everything you say just dates you more. You sound so old.”
“You’re exactly as old as I am, old man,” Alex says, trying and failing to kick Jack even though Jack has both of his legs trapped.
“Old men put pajamas on before sleeping,” Jack informs him. “The buttons on this thing will be so uncomfortable to sleep in.”
“Yeah, but consider this,” says Alex, in the tone of someone about to make an extremely good point. “I don’t care and I’m tired.”
Jack sighs. “Seriously, you really wanna sleep in your clothes?”
“Yes,” Alex says. He buries his face in Jack’s neck, softly humming. When he speaks, Jack’s skin buzzes. “Please? Just tonight? I’m sleepy. Being a grown-up is for losers.”
Jack smiles to himself. “You’re such a lazy boy.”
“Yes. I am a lazy boy. This sounds like you agreeing.”
“I can’t stop you, can I?”
“Nope,” Alex says cheerfully. “But you can support me.”
“I support you all the time. I am literally the lead guitarist of your band. How much more supportive can I get.”
Alex laughs. It’s a tired laugh, on the brink of falling asleep, and Jack likes that he’s managed to make it happen at all. “It’s our band.”
“Comrade.”
Alex snorts. “Comrade.” He kisses Jack’s neck. “I���m gonna fall asleep right here, if that’s cool.”
“Get under the covers at least,” Jack says. It takes a little bit of bitching and moaning, but eventually Alex concedes, unsticking himself from Jack like it’s a physical burden to do so and crawling under the blanket with Jack.
“Oh,” Alex says, fishing around on the mattress underneath him. He pulls out Jack’s phone. “This is yours.”
Jack plugs in his phone and sets the same alarm he used yesterday. Loudly announcing that “boy is asleep” cuts out the lights. In the dark and quiet of the room, Jack hugs Alex as close as he possibly can, pressing his nose into Alex’s neck. It’s easy when Alex is making the same effort. Jack wonders if Alex feels the same as he does, like he has to engrave this memory in his mind, the way he’d never gotten a chance to when lockdown first set in. It had never occurred to him, before, that they’d be separated. That there might once come a time when Jack would want to hug Alex and Alex wouldn’t be there to hug.
Now, the threat of knowing that their clock is already ticking down is enough to make him want to burn this sensation forever into his skin and bones.
“Goodnight, my love,” he whispers with a tight squeeze. “Did I tell you today that I love you?”
There’s a sleepy hum in response. “You tell me you love me every second of every day,” Alex murmurs. “But I never get tired of hearing it.”
Jack smiles. He breathes his own I-love-yous, softly enough that it’s almost white noise, and before Alex falls asleep he tilts his head towards Jack. His eyes are closed, so Jack closes the gap and brushes their lips together. 
Alex falls asleep soon after. Jack likes that, that neither of them have had the last word. The gentleness of the kiss soaks through his body and he drifts off with a smile, warm and content.
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FEMSLASH FEBRUARY 2021 #5: In which Donna’s wish is Cameron’s command
[CN: food, eating mentions, and descriptions of food displays]
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After Donna asked her if she might consider putting up Valentine’s Day decorations for February of 2021, Cameron went directly into research mode. She didn’t plan to admit it to Donna, but Cameron felt like a holiday decor project was exactly what she needed. From the comfort of the living room couch, Cameron began her hunt for useful information on her laptop.
She became frustrated much more quickly than she thought she would. Eyebrows scrunching behind the frames of her reading glasses, Cameron griped, “Okay so the first problem here, is that the origin of Valentine’s Day isn’t anywhere near as compelling as the origin of Halloween, or ghost stories. I mean, a Christian martyr? Really?” Wrinkling her nose skeptically, she scrolled further down the webpage she was on, and said, “Not only am I not moved by his story or his proselytizing, but none of this has anything to do with love or couples or even fertility or family!” Clicking back to the search engine page, she said, “The second problem is that doing research used to be satisfying, but now it sucks. And it’s all because of the internet. We ruined everything with the internet and search, Donna.”
Donna, sitting several feet away on their recliner, looked up from her crossword puzzle. “So, no decorations then?” 
Cameron sighed. “I didn’t say that. I just think that I’m gonna have to take a different approach. The literal origins of the holiday are not the angle for this particular project.” Quietly, she switched over to researching the origins of the commercial version of the holiday. “Maybe,” she said to herself, “a more aesthetic-based approach?” She looked up at Donna, and said, “Do you mind if I turn on the tv and stream something? I was thinking about putting on the more recent Picnic at Hanging Rock.”
“Oh, that’s perfect! That literally starts on Valentine’s Day!” Donna enthused. “We should sit down and rewatch it sometime in the next couple weeks!” Then, calming herself down, she added, “But sure, go ahead. Whatever your research requires,” Donna smiled at her. 
Cameron picked up the remote, turned on the television, searched for the show, found it, and started the first episode. She went back to looking at her computer, and searched for basic decor ideas. After a few minutes, she said, “The third problem is that traditional Valentine’s decorations are just, like, red. Like really, extremely red.”
“What’s wrong with red?” Donna pouted.
“Nothing, but I just don’t feel like it really goes with the whole ‘I throw stones and I live in glass houses because I’m a modern woman who has it all!’ thing you have going on in here?”
“Hey, it’s your house, too!” Donna chuckled. “You have a point, though.”
Defiantly, Cameron said, “That’s okay. I will figure something out. My wife asked me to decorate for Valentine’s Day, and I don’t plan to let her down.”
Cameron spent the next morning sorting through their collection of fall and winter holiday decorations, and pulled out items to be repurposed, and wound up looking through their other supplies for inspiration. In the afternoon, she was back on the computer, searching this time for items to buy. Sitting at the kitchen island, Cameron sighed heavily. “I wish…” she started. She sighed again, and said, “I really wish that we could just go to a craft store and wander through it for hours.”
Donna, who has sitting across from her, and scrolling through one of her social media feeds, looked up, and snorted, “What, so you could complain about how everything looks ugly and cheap under the fluorescent lights, only to then buy a ton of it, take it home, and then somehow make it look beautiful and amazing?”
“Yes,” Cameron replied. “Exactly.” It took over an hour, and much agonizing, but eventually, she made her selections, entered her billing information, and closed her browser. She managed to stay offline for the rest of the day.
Early the next morning, Cameron asked Donna, “A great big outdoor garden store, that should be like…relatively safe to go to, right? As long as we wear our masks and gloves? And we go early?” Donna didn’t have to be asked twice. They got dressed, and arrived at their favorite garden store a few minutes after it opened. Cameron hurriedly bought a large quantity of potted violets and a bunch of metal flower pots before hustling Donna back to the safety of their car. 
Over the next few days Cameron began to work on crafting, baking, and candymaking, as deliveries of her ordered craft supplies started to trickle in. (She compulsively wiped every new item down with disinfectant out of an abundance of anxiety and caution.) By the next weekend, she had everything she thought she needed. On the first Saturday of the month, a week before Valentine’s Day, she gathered everything that she’d amassed so far in the dining room. 
She set the last of several boxes down on the table, and Donna, who was drinking a second cup of coffee, looked up just in time to see Cameron tying her bandana around her head like a headband. The bandana, which had accompanied Cameron all the way from Tokyo, was white, and it had the red circle of the Japanese flag, or the Hinomaru, on it. On both sides of the red circle there was lettering, Japanese kanji. The first time Donna saw Cameron put the bandana on, just before they deep cleaned Donna’s house together for the first time, she had asked Cameron what the kanji said. Gravely, through gritted teeth, Cameron had replied, “Kamikaze.” Donna had laughed, and then realized that she was being serious. 
Putting down her mug, Donna exclaimed, “Daniel-san!” 
Cameron took a deep breath, and said, “I’m trying to center myself and focus, Donna. Please.”
“I’m flattered by all the work you’ve already put into honoring my request,” Donna said. “But I think I’m gonna go upstairs so you can decorate in peace. I’d like to be surprised when I see the final result!” She stood up, taking her mug and phone with her, and headed toward the den, stopping to kiss Cameron on the cheek on her way. 
When Donna returned to the kitchen several hours later to make lunch, the dining room table was covered in silk flowers, jars, doilies, and print outs and paper lace and all sorts of colorful paraphernalia. “How’s it going?” she called out.
“Slowly,” Cameron answered, “but it’s going. And it’s not like I’ve got anywhere to be, so!”
She took a quick break to eat a sandwich with Donna, and then went back to the dining room, and Donna went up to the bedroom, where she checked in with Joanie and Haley and their families, sent text messages to Tonya, Risa, and Katie Herman, and then started reading about current tech and social media platform news. She was clicking out of an article on Section 230 reform when Cameron knocked on the door frame. 
Looking up from their bed, Donna asked, “Is it done? Can I see?” She jumped up from the bed and ran toward the door.
“I need you to adjust your expectations,” Cameron said, walking her down their hallway. Cameron stopped by the door to the den and switched on the light. Donna peered in, not seeing any difference at first, and then she noticed the faux ivy that Cameron had carefully attached to their bookcases. She stepped into the room, and then noticed the doilies on every surface, and the mason jars of high-quality pink and white silk peonies, which were surrounded by cards from a Victorian-themed tarot deck, which Cameron had stuck down to the doilies under them, to make them look as if they’d casually been left on the table. There were two sets of gloves by one jar, an aged-looking leather diary by another one, and a small framed print of a hand-drawn portrait of two Gibson girls by another. 
“It’s subtle, or subtle-ish,” Donna smiled back at Cameron, “but it’s really nice. It’s very Picnic at Hanging Rock, but with maybe a better adjusted headmistress, right? I love it.” 
They went down the hall and down the four steps to the ‘first’ floor, and then into the kitchen, where Donna’s eye was drawn to the centerpiece Cameron had arranged on the island. She’d repotted the violets into three of the metal pots, and had made and cut out a silhouette of two young women in full-length Victorian dresses, hand in hand, attached them to skewers, and stuck them into the flower pots. It looked almost as if the girls were walking through a field of purple-blue flowers.
Donna went to smell the flowers, only to be distracted by the display on the dining room table. Eyes wide, she instead walked toward the table. She turned to look back at Cameron and said, “Did you make all of this?”
“No, some if it I definitely ordered off the internet,” Cameron admitted. She’d set up an elegant silver multi-tiered pastry stand and loaded it with paper cups full of homemade white and milk chocolate truffles and squares of peppermint bark that had red and pink swirled into them, squares of milk, dark, and peanut butter fudge, bite sized anatomical hearts molded from red-tinged milk chocolate, and red cinnamon candies, cherry sours, and raspberry flavored hard candies. Next to the pastry stand was Donna’s trusty cake server, which was piled with red velvet crinkle cookies. Both were set up on top of large doilies, underneath their accompanying glass covers, and both were surrounded with red silk flower petals and an eye-catching design of heart and diamond and playing cards, all of which Cameron had somehow sewn down so that it would lay flat, but somehow still look slightly rumpled. 
“Remember a few years ago when we did Penny Dreadful Halloween for the trick-or-treaters? During our Vanessa Ives phase? A lot of that stuff came in handy for this,” Cameron helpfully explained.
“Did I miss anything?” Donna looked around. She turned toward the living room, couch, and then noticed a large heart-shaped box placed in the center of the coffee table, with Donna’s pair of good candlesticks and brand new red candles set up on both sides of it, yet another doily underneath it all The box was anchored by a large, white, ceramic anatomical heart, and surrounded by shells, smaller porcelain rabbits and birds, and dried flower petals. 
“It’s not much, but, it was fun to try?” Cameron shrugged.
“Oh, shush!” Donna threw her arms around Cameron’s neck, kissed her, and said, “It’s beautiful, and I love it. Thank you for trying to make things feel festive even though almost everything in the world totally sucks.” She kissed her again, and said, “Wanna go celebrate by making out?”
“Yes,” Cameron said, “but, I haven’t eaten in hours, can we have dinner first?” 
“Yes, absolutely! Whatever my doting wife wants!” Donna agreed. 
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end-of-pizza · 4 years
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WEIRD ANIME NIGHT
guys, I’m going to level with you. I am running out of weird anime’s I have watched. I want to do these guys every week I really do....and I have a stack of VHS tapes and DVD’s downstairs to dig through that MIGHT have some more gold in them, but it would be SUPER COOL of you if you would DM me some ideas or suggestions to look into in the coming weeks and months now I said I am RUNNING OUT, that doesnt mean I’m empty. Tonight I am going to go on a tangent, and talk about one anime you dudes have LIKELY seen already MOBILE FIGHTER G GUNDAM
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You might say to yourself, hey Brian, that show isn’t THAT weird, gundam is a big big robot show, and that is just another cookie cutter big big robo show
BUT YOU ARE WRONG
DEAD WRONG
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Mobile fighter g gundam was only the 9th gundam series ever made, and the series it follows Victory gundam is considered one of the darkest in gundams canon, where kill them all Tomino really showed that he earned that name, it wasn’t gifted to him. I mean the shows about a 12 year old who, in its final act fights a giant, moon sized ring full of psychics that try to reduce humanity to animal like stupidity so that they can rule the earth, and also like…..all of his friends die. All of them, most of them children. Victory gundam is dark as shit
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G Gundam though? Naw, this show is like two clicks away from being a gundam skin over top of a king of braves show. I mean let me break it down like this. G gundam is about a buncha people, hired by their countries to represent them in a martial arts tournament , with giant robots that used to be used for war, but that war destroyed earth real bad, so instead they still destroy earth real bad with giant robots, but instead of war, its just a boxing match and they make it clear that this ish is bad for the earth like EVERY city is fucked, and whoever wins the tournament, their government gets to be dictators of the world and space for 4 years.
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  and its played for laughs
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I also want to mention for people who are passingly familiar with Gundam through things like wing or seed etc, and know that gundam has different time lines, THIS is the first alternate timeline, this is the first non UC timeline in the whole of gundam. Imagine if the last few shows were, a war drama about a 14 year old being drafted and getting ptsd, then a sequal where a child psychic also gets drafted then his parents die, then the girl he loves tries to kill him and dies, then a sequal to that where again, a ton of main characters die, then a sequal movie where two of the main characters of the entire show both die, then a show about a boy making a new friend, who turns out to be a soldier, and introducing them to his next door neighbor who turns out to be a soldier, then while trying to help his new friend, his neighbor murders him, ON CHRISTMAS, then he has to just go back to normal life because he kept all of this a secret to everyone.
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AFTER THAT ALL WE GET THIS
youtube
I mean it took a show that for 20 years had been a dead ass serious war drama, and turned it into well......MMA with robots and dudes (and a few ladies) in latex cat suits using magic to destroy famous land marks
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THE WIKI SAYS Unlike previous series in the Gundam franchise which are set in the "Universal Century" timeline, Mobile Fighter G Gundam takes place in an alternate "Future Century" universe.[1][2] Within this timeline, much of mankind has abandoned a ruined Earth to live in space colonies. The countries on Earth have corresponding colonies just outside the planet's atmosphere. Rather than fight wars for political and social dominance, the colonies agree to hold a "Gundam Fight" tournament every four years. Each country sends to Earth a representative piloting a highly-advanced, humanoid mobile fighter called a Gundam. The Gundams compete with one another in one-on-one battles, under a strict set of rules, until only one fighter remains; the nation represented by the winner earns the right to rule all of space for that period.[2] Each Gundam is controlled directly by the user within the cockpit using the "Mobile Trace System", a gesture recognition and feedback mechanism whereby the Gundam mimics the pilot's own body motion, combat skills, and weapon-wielding capabilities.[1]G Gundam opens at the start of the 13th Gundam Fight in Future Century year 60 and follows Neo Japan's Domon Kasshu, fighter of his nation's Shining Gundam and bearer of the coveted "King of Hearts" martial arts crest.[1] Aside from winning the tournament, Domon's mission is to track down his fugitive, older brother Kyoji, who allegedly stole the experimental Dark Gundam from Neo Japan's government, leaving their mother dead and their father (Dr. Raizo Kasshu) to be arrested and placed in a cryogenic state.[3]
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Under orders from Major Ullube Ishikawa, Domon and his childhood friend and mechanic Rain Mikamura travel from country to country, challenging each one's Gundam while searching for clues to the whereabouts of Kyoji and the Dark Gundam.[3] Domon's initial matches with Neo America's Chibodee Crocket, Neo France's George DeSand, Neo China's Sai Sai Ci, and Neo Russia's Argo Gulskii end in draws, gaining mutual respect among the fighters.[1][2] As they encounter Gundam pilots who had come in contact with the Dark Gundam, Domon and Rain learn of its unique cellular properties to regenerate, multiply, and evolve by infecting organic matter and causing violent behavior in living things.[3] The duo then journey to Neo Tokyo, a city decimated by the Dark Gundam's army of mobile weapons. Domon reunites with his esteemed martial arts instructor Master Asia, who is also the champion of the last Gundam Fight, the former King of Hearts, and one-time leader of an elite group of Gundam fighters called the Shuffle Alliance. After Domon and Rain help the city's survivors defend their last outpost in Shinjuku, Master Asia reveals himself as a servant of the Dark Gundam, having also gained control over Chibodee, George, Sai Sai Ci, and Argo using Dark Gundam (DG) cells.[2][3] The four remaining members of the Shuffle Alliance intervene and vow to destroy their previous leader for his crimes. Ultimately, the Alliance members offer their lives in purging the DG cells from Domon's four comrades and bestow each of them with a Shuffle Alliance crest as their successors. Kyoji and the enormous Dark Gundam eventually appear from beneath the ground of Shinjuku, but shortly thereafter vanish alongside Master Asia. As the Shuffle Alliance trains in the Guiana Highlands for the Gundam Fight finals, Master Asia and the Dark Gundam reappear.[3] With the help of his friends and a new ally in Neo Germany's masked warrior Schwarz Bruder, Domon defeats the Dark Gundam. When the Shining Gundam becomes incapacitated during the battle, Domon desperately manages to activate a newly acquired God Gundam(AKA Burning Gundam outside Japan), escape Master Asia, and make his way to the finals set in Neo Hong Kong.[2][4]
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The Gundam Fight finals are presided over by Wong Yunfat, Neo Hong Kong's prime minister and the current ruler of the space colonies and Earth. Wong chooses to have the qualifying nations battle in one-on-one and tag team preliminary matches to reach a battle royale on Lantau Island, where the tournament is to end with the winner facing the defending champion Master Asia.[2][4] Having gained possession of the Dark Gundam, Wong secretly plots to revive and control it as his trump card to inevitably maintain his own power over space. Domon and his companions make their way to the battle royale while several truths concerning the Dark Gundam are unveiled. Rain's father, Dr. Mikamura, eventually explains that the Dark Gundam (originally called the Ultimate Gundam) was constructed by Dr. Kasshu to rejuvenate the dying Earth. Jealous of his genius colleague, Dr. Mikamura had Neo Japan's officials attempt to confiscate Kasshu's creation. To prevent the military from using his father's invention for its own agenda, Kyoji fled with and crash landed the Gundam on Earth, where its computer malfunctioned, triggering its malevolent activity. Ullube subsequently had Dr. Kasshu arrested, framed Kyoji as a criminal, and used Domon and Rain as pawns in recovering the Gundam.[4] In a separate confession, Master Asia discloses to Domon that, having been distressed by the utter destruction wrought by the Gundam Fights, he planned to use the Dark Gundam to wipe out humanity and allow Earth to heal naturally.[2] The battle on Lantau Island culminates with Domon fatally besting Master Asia in a final confrontation, while Kyoji and Schwarz sacrifice themselves so that Domon can attack the Dark Gundam's cockpit and disable it once again.[4] Though the schemes of both Wong and Master Asia are foiled, Ullube quietly claims the Dark Gundam and transports it to Neo Japan's space colony for his own purpose. Having been corrupted by DG cells with ambitions of supreme power, Ullube kidnaps Rain and places her into the Dark Gundam's core to act as its energy source. The hulking monstrosity then merges with the colony and begins absorbing Earth itself.[2] As the entire world's Gundams unite to assault the Dark Gundam from the outside, the Shuffle Alliance breaks inside the colony and destroys Ullube. Finally, Domon professes his love for Rain and releases her from the core. Invoking the power of the King of Hearts, the couple vanquishes the Dark Gundam once and for all
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I just rewatched it like a month ago, its real good, def go watch it
if you are the kind of person who was maybe put off by OG gundams TONE or wing gundams edgy-ness, give g gundam a watch its honestly a good anime, its about as shonen as a shonen can legally get. Also its spiritual successor, the Build series is really good too, really liked Build Fighters Try A LOT, and I guess like.....it might be canon to this reality? its weird. Gundams weird when it comes to canonisity, its sort of all canon kinda.
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Also the model kits for this show, and you knew I was going to bring up Gunpla at some point, well they come in two qualities
 AWESOME and brand new
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 or shit and 20 years old
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So if you collect these things like I do…..get both kinds of their kits
They’re good.
 Have a good one
~Hoover
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afreakingdork · 4 years
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Review: The Melancholy of Haruhi Suzumiya (2006 & 2009)
So I decided to rewatch Haruhi for the first time since my original watch in ‘07. I was taking @friendtired​ along for the ride as he’s never seen any Haruhi media before. I was a definite enigma during my early anime years. In another case of mysterious circumstances (one phenomena being that I somehow only watched the second season of Code Geass without ever realizing there was a first), I found that I only ever watched the 2006 series and never even realized another season or even a movie ever came out! I even cosplayed as Haruhi to my second or third convention, but I digress. Revisiting something so many years later is almost a new experience so I decided to jot down my thoughts: 
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The 2006 season holds up without question. After some deliberation (for the record, I originally watched it in broadcast order and then again in chronological order back in ‘07), we decided to tackle the chronological order for Mason’s sake. Minus a few sexual harassment suits that unquestionably should have been filed against Haruhi with Mikuru as the plaintiff, the season delightfully trounces from kooky hijinks to deep philosophical info-dumps giving the watcher a delicious case of whiplash like no other show can. I was really glad to find the show I once worshiped in my early days really holds up, but the praise ends there as we began to intersperse episodes from season 2: 
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Now, I lived in a bubble of my own design back in the day. I never interacted with communities and enigmatically only liked what I liked so as I’ve mentioned before, I’ve never heard of the 2009 season or subsequently the endless eight. I had a fun time hitting up search boxes during the watch to see the discourse years later removed from the subject all together. Overall I was pretty unaffected by the endless eight. I can’t say how I would have felt had I watched it coming out, it’s hard to remove your prior knowledge as opposed to going into something blind, but I thought it was an interesting concept. I like how they uniquely animated and dubbed every single episode and picking out the differences was amusing enough. For the non-neighsayers, that supposed huge pay-off after having to suffer through the eight didn’t really feel as big as I think it was touted to be. I guessed it was Kyon’s homework in the second of the eight and watched with increased boredom as my prediction came true. It’s really an arc that could have been condensed down to four clean episodes, but I digress because that is not my real issue here. 
My real issue is I absolutely loath The Sighs of Haruhi Suzumiya. They are a complete mockery of the series and a larger waste of time than watching the same episode 8 fucking times. Haruhi becomes an absolute demon hell spawn, losing all her character development she should have garnered from the first half of the series (chronologically, not just broadcast order). Kyon comes to his breaking point and there is absolute zero release on all this built up tension. It would be one thing if Kyon had followed Koizumi’s advice to apologize because that is a trope in anime that the ‘man’ should apologize even if the ‘woman’ is being unreasonable, but instead you have a fight where neither apologizes and they both just bury the hatchet and go back on as if nothing ever even happened. Haruhi fucking tricked Mikuru into drinking sake! She also physically abused her far worse than she ever has before and the scenes were so beautifully orchestrated that I could feel my chest winding into a painful wad as I watched this girl who is unknowningly a god throw her weight around. My rage ebbed with Kyon, even if I don’t agree that he should have smacked her. Even if I were to set aside my feelings on character development to instead applaud a wonderful manipulation of emotions, it makes you feel dirty inside when the whole thing just deflates like a leaking balloon. It didn’t feel good in the slightest. I can say I thought it was really creative to give an entire backstory to a single ‘movie’ episode from 2006, but that is basically where any good feelings end. After the bullshit fight, there is drivel trudged up in Koizumi’s idea on how they should handle Haruhi’s director god complex that is in direct contradiction to what he stated in the previous season. The 2009 episodes even go so far as to poke fun at the error, but I assure you that this is not in jest. It is some needless nonsense created so that they can create bad blood between Koizumi and Mikuru. It’s this kind of manufactured drama that happens when a good story gets conflated because an author continues to try to 1UP themselves in an attempt to heighten the stakes. I will never be able to repair the chip on my shoulder that I carry for every good story that collapsed under the weight of increased lore just because they were asked to continue a good series. Rule number 1 of writing should be remember your lore and don’t fucking break it. 
Though they should really take the 2009 opener and combine it with the 2006 closer cause that’s a combined bop. 
So anyway, watch season 1 of Haruhi, never watch season 2 and I’ll get back to you when I watch the movie, but don’t forget kids: 
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