#just last night I started 2 things

[nina-ya]

GOOD MORNING HAPPY THURSDAY EVERYONE!!!!! I hope you guys have an AMAZING day!!!!!! I’m sending love to each and every one of you 💕💕💕

[munsonfamilyband]

I’ve been on a Soulmates kick today and just saw a fic where Steve has two marks - one for Robin and one for Eddie. And it’s got me thinking.

Of course, he doesn’t know who his marks are for. He only knows that they’re two people because they look so different. Soulmarks show up where you and your soulmate will have the first skin-skin contact, and they have the words they will say when that happens written in their handwriting.

Steve has one covering his palm, the handwriting is small and sharp, all angles and no rounded edges. That one says “Steve, we need to run”. It seems scared, the wording, but he refuses to think about it. The other mark he has is covering his left hip, curling like someone was holding him from the side. This handwriting is completely different from the other one and is best described as chicken scratch. It’s big and messy, letters flowing into each other like the writer didn’t even pick up their pen between each stroke. That one says “I got you, just lean on me”. It seems less scared but there’s concern laced in the words that helps Steve feel less alone when he’s laying in bed late at night. That’s the only time he ever lets himself think about his soulmates, during the day he avoids it like the plague. His parents are soulmates and they barely speak, so soulmates can’t be all they’re cracked up to be. After Nancy never makes one of his marks tingle and burn he tries to give up on the idea entirely, figuring he can go on without a soulmate and be with Nancy - but then she breaks his heart and those late nights are all he has.

His first soulmark changes when he’s stuck underneath Starcourt mall the summer after he graduated. He had been working with a girl, Robin, who barely tolerated him on a good day and now she’s been sucked into his shitty world. When the alarms go off in the bunker he barely has a second to react before Robin is grabbing his hand and yelling at him, “Steve, we need to run!” His feet start moving and he yells back for her to be careful with his arm, even as he feels the tingling burn cover his palm and in that supply closet, leaning against the door next to Robin they make eye contact. In that short second of connection he knows that she felt it to, that he’s just found his soulmate and despite his fear he’s so happy that it’s her. Later, after they had both puked up their guts and he had confessed to having a crush on her, Robin told him about Mrs. Click’s class and Tammy Thompson and how she’s sorry that he’s stuck with a soulmate who can never love him back. Steve blinks and suddenly his two soulmarks make so much more sense.

“Robin, I have another soulmark. I don’t… I don’t think you were ever a romantic soulmate for me.” He watches the relief and, maybe even, joy cover her face and she launches herself at him in a hug, squeezing him tight and he returns the favor completely ignoring his own pain.

The other soulmate comes over 8 months after meeting Robin. He was so grateful for having her in his life but he still wanted that other piece, he loved Robin and she loved him but he wanted romantic love too. Unfortunately for Steve, just like with Robin, his other soulmark was triggered when he was fearing for his life. He had just been dragged through Watergate and made into a chew toy for a bunch of demobats. Steve was just trying to catch his breath when they all heard the bigger hoard approaching and he knew he had to run. He made it surprisingly far before the pain of each step started to settle in, his feet dragging more and more and his pace slowing when someone moved in beside him, wrapping one arm around his back to settle his hand on his hip. Eddie grabbed the arm closest to him and dragged it over his shoulders, giving Steve a grin. “I got you, you can lean on me.” This only made Steve completely trip; the sudden onset of tingling burning at his side so close to his currently bleeding wounds had his left leg collapsing under his weight.

“Why does this always happen when I’m in danger?” Eddie froze and then a laugh burst forward.

“That makes so much sense with context. C’mon let’s get you somewhere to sit and we can talk more when you’re not bleeding over me.”

When he and Eddie got to Skull Rock, he and Robin made eye contact and he watched her eyes flit down to where Eddie’s hand was on his side. Her eyes grew about three sizes and he just shot her the best grin he could. He didn’t care that he had been bleeding all over his soulmate for the past few minutes - he had gotten blood on Robin when they found out that they were soulmates, so it seemed fitting for him to be doing the same to Eddie.

Years down the road he would look back and laugh at the drama surrounding him finding both of his soulmates. Eddie even joked that the universe gave him two to make up for his shitty parents, and Steve wasn’t going to argue.

[ahollowgrave]

-- all saints' wake.

[feroluce]

Lucid Dreamer (1/2)

part 2

Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!

But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.

He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.

And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.

…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.

Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-

Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.

Gepard goes back home. He waits.

The uneasiness doesn't leave him.

"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.

"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.

"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.

Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."

Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.

"…I'll be back in one more week."

Gepard jolts awake in his cot, mouth dry and eyes bleary.

The hell.

The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.

Gepard doesn't know if he wants to dream more, or less.

He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!

Gepard falls asleep late that night, unable to settle. He dreams again.

He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.

He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.

He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.

"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.

"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.

"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.

Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."

Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.

Something is wrong, something is really really wrong.

Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-

"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."

Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.

"Wake up."

Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.

He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.

And he waits and he waits and he waits.

No one he recognizes appears.

[insomnya777]

joel etho single dads au .........

[lemongogo]

college … wasted on the youth (me)

[gemini-queen42]

Batb: Other Than Human - Themes stuff (& why I Called It That)

That's right folks, the self-indulgent "throwing any concept I like at the wall and haphazardly mixing together what sticks" au rewrite Thing has Actual Themes! That kind of happened accidentally but they are so real for that so let's get into it.

The Main Narratives Themes Trio of the story now all also embody expanded themes about being an "Other", when being a person is not enough to be properly considered human- more specifically of a neurodivergent/queer girlhood type flavor.

Summary is that it's called "Other Than Human" because the prominent theming is about being considered something other than human due to not fitting the mold of the 'norm'.

[This is a long one so details & specific character stuff are under the cut<3]

Amalure has the greatest departure from her original counterparts thematic placing, so we'll start with her. Amalure retains Gaston's social standing, reputation, etc. But it's of course not quite the same- because she is a woman, and she is not revered for being the picture of ideal womanhood/femininity. Instead, she excels in masculinity, but remains firm that she is and always will be a woman. So, to justify the desire & awe people have for her, they dehumanize her: She doesn't need to follow the Rules because she is outside of them. Amalure is not a person: she is a symbol, a figure, an object. A legend, a folksong, a modern myth. Her skills are not skills they are blessings, inherent, a mundane magic or supernatural. Despite having grown up in Villeneuve for her entire life, she is considered exotic, and is practically, if not actually, fetishized. And through all of this, the status quo and social order gets to be retained without question, and she gets to exist as the exception that proves the rule, rather than the Undesirable that she'd be marked as otherwise.

Amalure is fine with this, because this dehumanization is her status quo: She doesn't really view herself as a person either, she is defined by her relationship to other people, by who she is to them. Amalure has never been a person to anybody: Growing up she was never just a girl, never just Amalure: She was a girl with a mans brain, an embodiment of her fathers greatest achievements, an embodiment of her mothers worst mistakes, she is her fathers daughter or her mothers daughter, but not her own. (and she never both, it is either or, mother or father, never both, never parents.)

Princess Eve/The Beast is the other end of this, of operating through her dehumanization. Upon being cursed, she adheres to what societies have oft wanted to happen to their Undesirables: Hide away and never be seen by the public again. It is entirely self-inflicted, as most of her suffering truly is. She operates not through others dehumanizing view of her, but her dehumanizing view of herself and its warping of how she believes others view her. Because, well, the servants still view her as a person. I mean, they're still human- under the new object forms. And the separation of humanity that is easy to slip into on matters of royalty is awfully minimal as well; they watched her grow up, and she grew up among them.

The girl's bratty, spoiled, temperamental, and is a ball of horrid consequences of the shallow views and ideals learned from surrounding nobility. But she's also the girl that fell asleep listening to Cogsworth explain the many technicalities to managing servants; because she was stubborn in asserting her authority as the mistress of the castle, and thus she Must have say over its goings ons. But the majordomo's voice can be awfully soothing when he's not high-strung on anxiety, and it's hard to pay attention when you don't understand what's being discussed, so its all going in one ear and out the other. And She's Lumiere's 'Evie', who was so amused when Lumiere would draw on a little mustache when dancing the male roles so the princess could learn some duo dances, or because she didn't look very "waiter-like" (because Eve wasn't entirely sure what a maître d' did, but it seemed to have something to do with waiters), and who got annoyed every time the dance teacher/maître d' would warn her not to hurt her body in her pursuits, because it seemed so silly, why would anyone do that? And she's the girl who dragged Mrs. Potts to have tea with her, because she made the best tea and as princess she would have only the best; and if you're going to have tea you may as well have a tea party, and you can't really have a party of one, but two isn't much of a party either so she's going to drag Babette away from her duties too, since the maid was so elegant and thus would be perfect.

Honestly, the girl probably would've turned out fine if she was raised by just the servants. But they weren't the only forces in her life: she's a princess, so she's got to host and interact with important people and learn how to Be noble which isn't something any of the servants can teach her. And it is under the pressures and eyes of nobility, is in mixing and learning their social rules, that learns the lessons that will lead to her curse: That to be considered human and treated as such, one must look human. And to be such as a woman meant to look beautiful, like the ideal. As a woman, to be worthy is to be beautiful and vice versa. And even if she does not, she must have some way to serve men. Otherwise, she is nothing. Eve met these requirements well, and where she did not yet her authority as princess covered. So when a beggar woman is at her doorstep, the princess turns her away: because she is old, ugly, so long past her 'prime'- there is no worth to her anymore. There is no point caring for her future.

Helene stands as both the middle ground and inverse to the other two. She is an Other by virtue of her mind, she is Objectifiable by virtue of her beauty. She sits on the precipice between Undesirable and Desired, seeming nearly apathetic to where she lands despite popular encouragement to embrace or smother aspects of herself. Helene is quite sure she's a person like anyone else, thank you, and is frankly frustrated and a bit weirded out that others seem to have a hard time getting the memo- she doesn't like or want to assume the worst, though, so maybe she just missed another confusing untold social rule or something. I mean, the local triplets really do seem to be advising in good faith- they really do think of her as one of them to an extent (for reasons Helene is yet to know); they just don't understand her.

When Amalure pursues her, there's an unspoken aspect to the deal of marriage she proposes: Helene will get a secured place on the in of the community, a secure standing the promises people no longer questioning or trying to encourage her to no longer be herself. But Helene just isn't interested in Amalure like that, and she also sees what the real trade-off of that security is; that uncomfortable dehumanization that is exactly what Helene doesn't want to deal with anymore. If Amalure is fine living with it than she is free to do as she pleases, but the huntress doesn't seem to understand what Helene could possibly have a problem with- and it's not like they can discuss it, because it's unspoken, and you're not supposed to speak the unspoken things, because they're unspoken for a reason- even if you don't know what that reason is. Helene knows that rule, at least.

When Helene meets the Beast, she regards her as she does any other. It's plain as day that the Beast has a humanity to her, whether she's really "human" or not- she thinks and she feels, and that's enough for Helene.

Because Helene grew up raised by a single dad who she got most of her brain workings from, and he is a man of compassion and science. Off he'd send his beloved daughter to go and question and figure out the world for herself, to experiment and learn and become whatever she desires. Off to bed he'd send her to tell her fairy tales and have their lessons of love and compassion and humanity understood as she drifted off to sleep. Helene was never Odd with her father, never Other, in fact they were so easily two of a kind. It was so jarring, hearing people imply Tyndare less than sane; his logic paths were so easy to follow- but apparently his voice gruffs enough that others have a hard time understanding what he's saying sometimes, so that's where things seem to get lost in translation she guesses. People became jarring in other ways as she grew up too, because suddenly there seemed to be lots of social things she was supposed to know or be but didn't and wasn't, and it became very apparent very quickly that she was an Other among her village.

Overall: Eve & Helene get to go through these themes through the main plot, and post curse-breaking is when Eve gets to properly deal with the internalized issues and whatnot. Like she's learned beauty doesn't matter when it comes to love, and shouldn't decide whether or not someone should be cared about, and Helene loves her despite her having been beastly and despite her being a failure of a woman- (because she no longer fits the feminine ideal after the curse is broken, and frankly she never will again.) But she's still a Failure Of A Woman and Helene deserves Better Than That! So there's still work to do.

Amalure remains static on this aspect of the narrative until after the battle at the castle, where she does survive! .. barely. and it's later, in an argument with her mother that same night, bleeding out on the kitchen floor, when she asserts that she's her daughter too, not just her fathers. she has always been her daughter, always will be, she is the daughter of both of them, because that's not something that just switches or turns on and off- and it's an entire rant that I will not recite here, but the important part is the assertion that she is, always has been, always will be, the daughter of both her parents at once- that's the first little step for her arc of recognizing her own individual personhood and whatnot.

[faaun]

procrastination is starting to have its consequences finally

[michi-chelle-draws]

inktober 2024 - day 11

[belethlegwen]

The Stranding - Chp 73 - Hidden Duality

I was in emergency for 8 hours last night and never got seen by a Doctor, so have a chapter before I go get myself some more sleep to catch up <3

By the time 2am rolled around it had been over an hour and a half since the last person had been called in to be seen, and we had noticed that only the triage nurse and the registration nurse were still there. My province has a wildly concerning lack of Doctors and healthcare professionals right now, and I couldn't wait another 4-5 hours for the next shift change, so we left and went to bed out of it. Hoping I can stave off the worst of the discomfort with over-the-counter medicine until I see my family Doctor on Monday.

Meanwhile, the gang is experiencing some shifts in dynamics that none of them find particularly comfortable as they assess the wreckage of the Swift Landslide. I hope you all enjoy!

Much love and be kind to yourselves <3

~ Belle

[mellotronmkll]

Wverytime I sit down at a computer to make music I get so scared

[moonchild-in-blue]

Oh.

[canarydarity]

I can’t stop thinking about (mczu) etho and the ranch. He knows theres a tragedy there—likely more than one. He knows the occupants did not make it. He knows there’s a stain on the couch and the carpet too dark to be anything but blood.

But he doesn’t know that it was built by those boys whose lives he’d spared, the ones he found hiding in that closet. He doesn’t know the stain on the couch was SCAR. He doesn’t know it’s where Scar died!! Where grian had to— !!!!!!

He ends up there and he mourns its occupants, because he doesn’t need to know what happened to them to know that they didn’t make it. It’s displayed clearly in the used sheets on an unmade bed, the stack of firewood by the unfinished fireplace, the notebook with the torn out pages abandoned on the coffee table. There’s too much domesticity, not enough paranoia. He knows they weren’t the kind of people who make it in this world. But HE DOESNT KNOW HES THE REASON THEY GOT TO HAVE IT, EVEN IF ONLY FOR A LITTLE WHILE. EVEN IF THEY DIED ANYWAY.

GOD if the mczu is all about choices (if etho didn’t kill grian because it wouldn’t matter. Bdubs would still be dead.), about decisions and consequences, then THIS choice of his is just as important, no? The ones that lead to positives, to relief, to mercy, even if momentary?

When he’s inside the ranch he cannot help but be affected by the ranchers tragedy without even knowing who they were or why—it’s enough to know they didn’t make it and were never going to. And it’s enough to see what they had and be jealous he’d never been able to have it with bdubs—to wonder if that’s why he’s still here and they aren’t. But the fact stands that without THAT CHOICE he’d made—to let them go—they may not have made it long enough to have had it at ALL, HOWEVER SHORT IT DID INDEED LAST.

AND HE DOESNT EVEN KNOW IT!!!

CAN ANYONE HEAR ME?!?

[deus-ex-mona]

ngl i thought that zakenna was going to be an mv set some time in idol sengen s1 before the mv dropped. like, her frustrations could’ve been a reference to her post-first concert flop era, her rival mentions could’ve been referring to lxl and/or asuna, and all the underdog mentions could also have been a reference or two to how she was a complete nobody at the start of her career…

and there was also doromizu line no. 1 from the tv arc which sealed the misconcepton deal s o b s

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃

[teenagefeeling]

despite my allergies i have still considered getting a cat tbh. i love dogs but they kinda demand attention in a way that cats just don't. cats are slightly more self-sufficient creatures (like, emotionally) and crucially, you don't need to walk them outside every single day. also they're smaller and generally cost less and they're such cute lil guys and obviously they're very fun to play with but i would truly need to figure out some kind of allergy solution because my throat will close up if im exposed to too much Cat Essence 😔