#just as he becomes for N

[lyricalchrysanthemum]

I can’t stop thinking about Moonlight Cheren.

Specifically with the line bottom three lines

Someone who desires to make a mark on the world, be remembered, chasing after the back of people so much more remarkable such as Hilbert. He wants to feel desired, he wants to write his name down in history books, and team plasma, Zinzolin specifically, extends that branch to him and takes advantage of his imposter syndrome, gaslighting him into thinking Hilda and Bianca are working against him specifically.

He wants to be a part of the modern legend, he wants to be the one to write down what he sees, and eventually get involved first hand. He wanted to be champion at first but when that feels out of reach he tries something that seems more feasible via that extended reach by Plasma and Zinzolin. He resorts to extreme measures to just get a TASTE of that mark. And when Hilbert steps in he takes it against an attack against him, and betrays him so he can continue tasting this success, assisting Team Plasma in keeping him locked away so he can’t interfere with fate.

He feels like he’s burning bright and alive like this, in this legend, and doesn’t want it taken away from him, going back to being freezing solid cold, empty.

And yet he does.

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[brainrotcharacters]

the man trained by the shimotsuki since childhood, the mind behind the three sword style, the demon pirate hunter, vice captain of the Strawhat Pirates,

easily stopped with a hand on his shoulder by his captain (currently in a silly hungry vibe)

[feeltheillinois]

adam parrish + the potential for villainy

maggie stiefvater, the dream thieves⎮interview with bugs by @nutnoce⎮unknown source⎮maggie stiefvater, the raven boys⎮@veniennes on tiktok⎮maggie stiefvater, call down the hawk⎮warsan shire, souvenir⎮unknown source⎮art by @gender0bender⎮maggie stiefvater, blue lily, lily blue⎮clarice lispector, the hour of the star⎮art by @heavensghost⎮maggie stiefvater, call down the hawk

[toshidou]

don't mind me, i'll just be sat here crying into my hands about girl dad!simon "ghost" riley who would do absolutely anything for his daughters.

girl dad!simon who watches with a fond smile as his children fail to mask their giggles from underneath the sofa, their little legs sticking out very obviously from their "hiding place" but acting as though they're nowhere to be found.

girl dad!simon who lets them apply the black smudging around his eyes, praising them with how gentle they're being, and only huffing out a laugh when he feels his youngest smear charcoal fingerprints down his cheeks.

girl dad!simon who always has time to play with his girls, going along with whatever game their imaginative minds conjure with not a single complaint. over the years, you've walking in on simon as a horse, a robot, a fairy godmother (you will never get the imagine of simon with one of your elasticated waist dresses on out of your head, the material fighting for its life to stay in one piece as simon merely stares at you, silently pleading you to not take any photos), there is nothing he won't do to make them happy.

girl dad!simon who never once hesitates to scoop them into his arms at the first sign of tears, battled scared and inked hands holding his daughter so carefully, though she was made of porcelain, rough fingers gently swiping across ruddy cheeks, "you're okay, sweetpea, it's just a little scrape, yeah? my brave girl can handle a tiny scratch like that no problem, ain't that right?"

girl dad!simon who has a photo of you and your daughters tucked safely in his pocket at all times, all his favourite people on one small piece of paper he keeps safe over his heart whenever he has to leave, making sure it never leaves his mind that 'this is who he's fighting for, this is who he's working so hard to get back to'

girl dad!simon who try as he might, always tears up when he finally arrives back, and hears his little worlds sprinting at him as fast as their stubby legs can carry them, screeching cries of "daddy, daddy, daddy's home!" echoing through the walls of his home, arms wide as he crouches on the floor and feels their small but mighty weight crash into him, finally whole, finally complete, watery eyes meeting yours where you lean against the wall, similarly emotional.

"welcome home, si."

finally, home.

[smokbeast]

Papyrus sketches from my book the other day!

I like to think papyrus is serious and can become angry when he wants to be, but he’s such a nice and genuine sweet character he wouldn’t want to show that to the character or others.

[dangans-ur-ronpas]

was suddenly possessed to draw this future foundation togiri from my post

(shoutout @to-nae-giri for their character style exploration sketches which really inspired how i drew these two lol)

meanwhile, makoto:

[melissa-titanium]

REFERENCING THIS POST

[habken]

Yo, saw that you answered an ask a while ago, saying that you couldn't count how many times you've drawn Deku. Well, I was bored at 1am and, what the hell.

On this Tumblr account, you've drawn Deku 657 times.

(This is not including reposts, wips, or copy and pasting your artwork into memes and such. Also, what I counted as "A Deku" is if either he or any of his body parts are in the frame. Even if his face wasn't visible, so long as I knew the shoulder or set of arms belonged to him, I counted it.)

You've also drawn Bakugou 393 times.

(Random thing I noticed: You typically draw 4 Dekus per canvas. 4 and 6 were the two most reoccurring amounts of Dekus per canvas, but i think 4 was more common. This isn't always the case at all, and theres nothing wrong with it, but it's just a fun little pattern I found.)

Love your art btw!! Keep drawing Dekus!

Oh my god that’s so crazy ??! Just yesterday I was trying to figure out in my head how many Dekus I’ve drawn lol. If that’s how many I’ve posted just on here, then real numbers gotta be at least a thousand times and probably way more

Genuinely thank you for counting LMAO that's so interesting to me :0 poor bakugou I'm slackin on him </3

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[clementine-thedestroyer]

Now, back to your regularly scheduled programming with college professors Ghost and Price x TA!reader

This is just my typical brand of shameless bullshit- you’ve been warned. There’s a wee bit of angst and a hint of smut at the end, but it should be safe besides that.

You were a graduate student, working on your masters degree while working part time as teaching assistant to try and make ends meet. And somehow, you’d managed to fall into bed with two of the best looking men on the entire campus.

The conflict of interest is minimal- the two of them work in a completely different department than you (probably history or math, if we’re being honest) and you know that they’re both mature enough men that if something did happen between the three of you, they’d be able to stay professional afterwards.

And even if did work in your department, christ- you may gone for it anyways.

John was tall and strong, always wearing some variation of the same slacks, dress shirt, and tie with a dark brown linen jacket on hand for colder days. The shirts he wore always seemed to fit him perfectly, tucking into his slacks with just the right amount of fabric left over to emphasize his figure without being too tight. There’d been a week where the A/C had been on the fritz- in the middle of a heat wave, naturally- and you were blessed with an entire week of watching John lecture from the chair behind his desk- rolled-up sleeves straining around his thick arms as he gradually gets more and more red in the face as class goes on.

And Simon- he was taller than John, but just barely- no more than a few inches. He was quiet at first, avoiding speaking directly to you until Price had made his interest clear.

You’d always been intrigued by the both of them, really. But with the mask Simon wore- both the figurative, and literal one- on a day to day basis, it made sense that you found John easier to approach.

Your first date with him had been nice- pleasant. It was everything you expected of a typical first date while still being the best one you’d ever had, by far. It wasn’t until a few days later that you learned about Simon’s place in the whole thing.

Of course, you’d known what an open relationship was before then, but you hadn’t really had much experience with them, and you certainly hadn’t been expecting to learn that John was in any sort of relationship at all.

It had been a point of uncertainty for you, at first. You’d be going into a situation where these two had been together for years- would it even be possible to be involved with them without being left feeling like an awkward 3rd wheel? There were so many possible points of contention- of conflict. You were just… worried.

John had told you that he’d understand if you decided you weren’t interested anymore- but he’d also told you that both he and Simon were interested in at least getting to know you.

So you’d agreed to give it a try.

At first, it was a bit difficult- you’d tried talking to Simon a few times- getting to know him, ect- but he’s always seemed so cold towards you. All of your attempts at small talk or asking questions about him were met with grunts or sharp, one word awnsers that sometimes didn’t even awnser your questions in the first place.

You’d taken the hint- slinking off back to John with your tail tucked between your legs like a scolded puppy.

John had laughed when you confided in him your suspicions that Simon did, in fact, hate you and everything you stood for. He’d laughed, patting you on the back as he told you that no, Simon didn’t hate you. In fact- he’d been the deciding factor in involving you with their relationship in the first place.

But try as you might, you just couldn’t reconcile the way Simon seemed to loath your very presence with the idea that he wanted anything at all to do with you.

So you’d started avoiding him. Nothing much- just not going out of your way to talk to him unless he noticed you.

In the mean time, your relationship with John progressed. After about a month or so, you’d had sex with him for the first time, and things were good between you- even if you felt a pang of guilt, feeling that you were keeping John from Simon whenever you were with him. That must be why Simon hates you, right? You’re keeping his partner away from him. Sure, you knew that he was okay with it, and that it was something they both agreed on, but there was no way he didn’t resent you the slightest bit for taking up John’s time.

It was for nearly three months that you believed that, at least until the first time the three of you had fallen into bed together all at once.

You’d been sitting with John in his office, waiting for him to finish up some work. At some point, your impatience and borderline bratting must’ve worn too hard on John’s nerves, because he’d given you a final warning: if you didn’t quit with the attitude, you wouldn’t like what happened.

Of course, with him saying that, you couldn’t just stop.

One more taunting line was what it took to make him snap. He’d stood up and grabbed you by the wrist, practically dragging you to his desk before bending you over his lap- yanking down your bottoms and shoving two thick fingers into your cunt.

He’d let you rut your clit desperately against the leg of his pants as he tried to get some work done, but every time you got close to cumming, he’d withdraw his fingers and force you to still with a heavy hand on your hip.

You’d been acting pathetic, really- whining and whimpering like a little bitch as you desperately tried to wiggle your hips enough to get off. You don’t remember how long you’d been doing that, but at some point, Simon had walked in.

Heat immediately flodded your face at your state of undress. You try to sit up, only for John’s free hand to catch you and push you back into place. Being effectively pinned in such an embarrassing position by John triggered a different kind of heat in you.

John had three fingers stretching you open by now, pistoning in and out of you at a lazy pace without a care in the world.

Simon is staring- standing in front of the door, teeth clenched and eyes fixed on where John’s hand is disappearing into you, transfixed on how your hole stretches and swallows the intrusion and by the shine and sheer amount of your slick on John’s fingers.

You try and call out for him- pleading for him to save you from your embarrassment- but it just comes out as a pitiful, garbled moan. Simon’s hand forms a fist, and you watch as he digs his nails into the skin of his palm. It was a reaction you’d easily mistake for anger, had you not just watched the rapidly growing bulge in his pants fill out further at your cry.

You’re sure you look absolutely pathetic right now- your cheek is smushed against John’s thigh, and your face is mess of smeared tears and drool.

But that doesn’t stop Simon from dropping to his knees and eating you out, keeping with John’s goal of edging you until the brattiness is well and good out of your system.

After that, Simon’s behavior towards you had completely changed.

He would touch you, for one, and seemed to enjoy when you would do the same to him. He spoke with you more too- cracking horrible jokes, poking fun at your quirks, ect.

Or maybe you’d just become better at interpreting his actions. After all, he was still often quiet- you’d just come to see it as him preferring to listen, rather than as a sign of dislike. Same with his responses, the curt, one word awnsers that you used to take as a sign of annoyance, you now see simply as how Simon speaks.

Either way, whether it was Simon’s attitude that had changed or your own, there’d been no more painfully awkward moments or feelings of guilt for you. The three of you got on together like you’d known them for years, and you couldn’t be happier.

[luck-of-the-drawings]

ANCIENT wip that i finally got around to splashin color onto. NO idea where this colorin style came from n it WONT happen again!! anyway i LOOOVE the general dynamic between arthur n emizel. both are so cool and so awesome and yet SO silly...

[lil-lemon-snails]

✨ Mid-day Nap ✨

Pastel boy is bouncing around in my brain like an errant chew toy. I am weak (and also sleepy), so here are some fluffy cuddles :3

[i-am-not-a-who-i-am-a-what]

so about the header that proceeded today's statement:

Viability as agent: Low

Viability as subject: None

Viability as catalyst: Medium

i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?

the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."

the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."

the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."

so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.

imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?

it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.

and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?

[rochenn]

Getting Obi-Wan anywhere near the Dark Side challenge impossible. Local fanfic writer and Count Dooku are seething

[somewhereincairparavel]

I'm so immersed in my jason grace new rome uni fic that I'm studying ancient roman law terms using this as an excuse. help.