#just as an example because i've been seeing takes about this:

[egalitarian-tomboy]

"The body language was intentional." Body Language Difference Between Sonic & Amy vs. Sonic & Tails

Although the DC x Sonic the Hedgehog 4 part mini series is non canon to the mainline story (as far as we know at least...) in one of the previews we got for the first issue we get a moment where we see Sonic grab Tails and Amy for a retreat.

However the difference in how he grabs them is interesting enough to warrant a post of its own.

ABT (Adam Bryce Thomas, artist for the crossover) said the body language was intentional and later on went on to elaborate that Sonic is simply being more gentle with one than the other and that he's not interested in shipping theories nor does he have any personal stake in that realm of fandom. He just said that it'd be more in character for him to have a little tact.

First off: HARD AGREE!

Like don't get me wrong, I've been a Sonamy shipper since I was in Middle School when Sonic X was still on 4Kids TV and SA2 was on the Game Cube but I'm against shipping theories / fan shipping wars getting heated between fans. Like y'all lets calm down these are fictional characters.

Secondly: I'm making this post specifically to talk about the body language in terms of how Sonic personally interacts with Amy vs. Tails in different situations. Because they're both close to Sonic but their bonds differ to an extent. So this is really my excuse to talk about something I've wanted to for a while.

Whether you ship Sonamy platonically, romantically, or you just consider them to be friends. I hope you can at least appreciate the observations in this post. Because it also has some appreciation for Sonic & Tails brotherly relationship as well.

So let's start off with the above body language in question and focus strictly on the hands.

The lines in the panel signify the strength of the grip he has on Amy's hand vs. Tails' wrist. With Amy, Sonic is holding onto her hand gently yet with enough grip to get her attention and to draw her close. While his grip on Tails' wrist is more firm with more like a "Get over here!" level of urgency to it. They both convey the same intention yet Sonic's touch differs depending on the person. Which it should because you don't act the same way towards everyone regardless of who they are 100% of the time. Sonic's no different. Sonic has always been protective of Amy and Tails but with Amy he won't physically harm her or act aggressively with her unless it's for her safety (Like pushing her out of harms way or keeping her from running into danger). So his gentle hold of Amy's hand is a good example of that level of softness he treats her with even though he knows how she's able to handle herself. With his grip on Tails' wrist, it's done in a way that screams "Brothers" to me. The older brother pulling his little brother out of harms way and getting his attention when he's too focused on the wrong thing at the wrong time. He's not being as gentle with him because sometimes Tails requires a bit more force to get his attention when he's invested in what he's doing. But the intention is still the same: Getting him out of danger and taking him along with Amy out of danger.

Next we have this scene from the main series:

Now in this scene, as they're confronting Eggman, the body language between the three of them says a lot more about their feelings in the moment. Sonic is ready to fight and protect, Amy is slightly concerned for Sonic, and Tails is nervous but ready to fight by Sonic's side to stop Eggman. The difference between this scene in the previous scene however boils down to Tails' junction to Sonic in the situation. Instead of being brought out of a situation, Tails is preparing himself to work as a tag team with Sonic or provide backup in a fight. For a while now Tails has been wanting to prove he can be useful to Sonic and help him on his adventures. Which is one of the big motivations for him in the first Sonic Adventure game that rolls into SA2. Most recently in Sonic Frontiers he's expressed his desire to be a hero that Sonic can be proud of, that doesn't need to rely on his help 100% of the time anymore. Which Sonic encourages but reminds him that growing up is learning also that it's OK to rely on others even when you're capable of being a hero that helps everyone. One way that Sonic is letting Tails grow into his own hero is by letting him fight with him and on his own two feet (or in his case with his two tails). Now when you focus on Sonic's body language with Amy close by, he's taking more of a defensive stance with her. Again, even though he knows damn well that she's very capable of handling herself with that hammer of hers, he is still very protective of her. One of his arms is slightly in front of her and he's positioning himself for an attack but he's also capable of taking the full brunt of Eggman's attack if he has a weapon or robot shoot at them. Just because Amy is capable of defending herself that doesn't mean that Sonic will stand by and let her be attacked.

One more scene from the mainline series and then I wanna wrap up this post by talking about the inherent difference between Sonic's relationships with Tails and Amy.

After everything is said and done with the Phantom Rider arc, when they all prepare to head home, Sonic puts his hands around Tails and Amy as they smile and leave together. The thing I want to point out is, similar to the difference in where Sonic grabs them in the DC crossover first issue, Sonic's hand placement is tactful yet at the same time very indicative of his relationships with them. Albeit maybe even a little subconsciously. With Tails his arm is wrapped around his shoulder with his hand wrapped around his arm. Very big brother like and sweet, the clear difference in height is also more pronounced in this interaction. Overall if you were to look at them acting like this and Amy wasn't there it gives the air of two brothers who just got done on an adventure. But when you look at his hold on Amy, you can tell Sonic has a different kind of relationship with her compared to Tails. First off his arm is behind her back with his hand either firmly on her lower back or just close enough to be around her waist. Generally speaking it's traditional for a guy to escort a lady with a hand on her back or around her waist to keep her protected and close so she's safe until she gets where she's supposed to be. But it's worth pointing out that Sonic is becoming more comfortable with his physical interactions with those he's close with. He's a very private guy who doesn't do a lot of PDA with friends, especially with Amy when he knows that she's in love with him and he's "runned away" from her advancements in the past. But after everything is over and the battle has been won, he happily holds her close and walks with her back home. And look at her! She's so happy that he's safe and sound she leans her head against his with her eyes closed. Like she's enjoying the fact he's holding her so tenderly and protectively. If this shot was just him and Amy walking together like this, you would say his smile here was a comfortable yet nervous smile like we've seen in the past where she's given him a hug and he looks a little nervous yet happy.

There are many moments in the Sonic Franchise where we get glimpses into the personal relationships Sonic has with his friends and unfortunately there are a lot of people who think that body language doesn't matter when it comes to understanding a relationship. But body language plays such a huge part when it comes to SEEING how close characters are to each other and how they truly feel about each other. With Tails, Sonic's relationship is that of a brotherhood by bond rather than blood. Sonic's always been there for him and yet he respects and encourages his desire to become more independent as he grows up. He will always be there to help him when he needs help and he will always stand up for him but he won't stop him from becoming a hero himself to fight by his side on equal footing in his own way. Sonic calling him "Little Brother" and "Little Bro" openly and more frequently truly shows how he really considers Tails his family.

With Amy, there is a friendship with her but he doesn't view her in the same sibling way he sees Tails. She's straightforward in her love for him and has openly asked him in the past if he would marry her. She's confessed her love for him openly and maturely to him in the IDW series saying she loves him and she doesn't WANT to change him. He's offered her to come with him on his adventure at the time but she had to help out with the struggling resistance. For Sonic, shyly telling her it isn't ALL or NOTHING is HUGE. Because he wasn't against the idea of her being by his side or adventuring with him after she candidly said she loved him for him. After that there's been a lot more flirting from Sonic's end that can be read as just being playful like he is with others. But when you consider in the past he wasn't the type to flirt back or first AT ALL with Amy, there is an inherent romantic undertone to their interactions. But it shows...if ever so slowly (how ironic)...that Sonic is either becoming more comfortable / open to the idea of a public romantic relationship with her or he's becoming more honest with himself since he's always been interested in her but has always been too shy to confess.

If that was too long for you, TL;DR end summary: Sonic's relationship with Tails is a brotherhood, Sonic's relationship with Amy is a slow burn love story.

Hope you enjoyed reading that because I had fun writing it.

[zepskies]

I saw your reply to a comment and I don't understand why you get so defensive when someone criticizes your writing. Isn't that allowed? That's the problem with Tumblr these days. There are only small groups and anyone who doesn't belong isn't tolerated. I enjoyed reading your stories, but I also found several things that made no sense. It's a shame that criticism is simply ignored.

Ah, what a lovely message to wake up to! 😂

Hello, “anon.” I think I know who you are, but for the sake of this I’ll refer to you as anon.

I believe you’re referencing a comment someone made on If I Stay - Part 2, where they basically said, "This makes no sense and I couldn't bother to finish reading it anyway." What you're saying is it made no sense to you. And as you can see, I don't ignore criticism, I respectfully responded.

You're asking me to tolerate rudeness, anon. I've been writing for about nineteen years, since I was 10 years old. I've gone through a lot of growth as a writer since then, and I still am. I'm not a perfect writer, nor am I expecting everyone to love everything I write.

However, there is a world of difference between "constructive criticism" and "rude criticism."

Constructive criticism takes many forms, but it can look like this:

"There were things I liked about this story [name an example], but I'm sorry, this aspect I just didn't understand/didn't vibe with [insert example]."

^That kind of thing I can respect. It's about the delivery. I've had meaningful discourse with people who didn't vibe with things about my work. We talked it out like adults. However, the comment, "This makes no sense and I couldn't bother to finish reading it anyway" is not constructive. It's a rude, disrespectful complaint.

I spend several days, even weeks or months outlining, researching, drafting, and editing my stories before I post them here and on Ao3 (for free), as many writers do. Because we care about our work and a lot of us take writing seriously.

It takes someone just a few minutes to read something, and just a few seconds to write a negative comment like that.

The only way I know you've "enjoyed my stories" is if you comment and/or reblog a story. That particular person has only ever posted negative comments on my work; therefore, I can only assume they don't like my stories.

"Don't like, don't read" is a thing in fandom for a reason. Words have power, and at their worst, they can make or break a writer's will to write and share more stories (again, for free). It's a very personal thing to write and be creative, and it can be doubly scary for new writers to share them publicly.

So you can ignore this and continue leaving comments like that for writers if you want to, but I doubt it will earn you many friends in the fandom. At least, not from the writers you claim to like.

[boyfriendtodeathconfessional]

A large reason I got into BTD + TPOF was the horror aspects and writing of certain characters; like Ren for example.

As fucked up as it sounds Ren is one of the only characters to share my same ways of being affected by abuse especially after being isolated by an abuser. The grappling at wanting to believe the abuser loved you and cared about you because you had a few good moments together, trying to explain away the abuse that happened to you, falling into old habits that you had during the abuse or learning the habits of the abuser and taking them on because it's all you've learned are all things I've done in my life as a result of being abused for almost my whole life.

To me Ren's route is terrifyingly realistic and something I can relate to. In one ending he cries about how he had literally no one except Strade and is trying to grasp the fact Strade did abuse him, all while still trying to explain and deny it. He says he loved him, which is something I found myself feeling about my abusers a lot. It's easy to believe they love you during the good times or even just when you've been alone for so long that any sort of affection, no matter how false or fucked up, reads as love to the mind. He feels like shit for not saving Strade, even knowing if he did he'd still be being abused because he thinks it's better that way because at least he'd still have someone, even if that someone hurt him so badly it altered his path of life completely.

Fox shares a lot of these relations as well. The want to have control so badly you'll do anything for it, grasping at any straws you can all while falling back into the habits you were trying so hard to escape. Fox himself doesn't exactly seem to enjoy hurting the MC once he gets to know them more, even stopping them from killing themselves on stream and saving them and instantly being concerned about their well-being even right before. He gets us the prosthetic because he wants us to stay alive. He doesn't want to lose us hence why he puts so much effort into us, even getting upset when we die in show 2. And furthermore he's still in denial about Strade once again. He says that all Strade did was make the scars but they didn't make him, but it's a lie. We know from BTD 2 that Ren can get better with the proper support and help, but In TPOF he never got that help. He wouldn't know how to be a showman or snuff streamer without Strade. Strade taught him all he knows and he doesn't want to admit that he's down this path because of him. He's repeating the same steps as his abuser while trying to deny he had any effect on him at all.

He tries so hard to please chat that he ignores his own wants. His wants to keep us safe and stay with him? He ignores them. In Show 3 there's a chance for a sprite to pop up where Fox tells you to wait, but then turns back to chat and see they're getting upset at him, likely making him worry as he thinks they may leave him if he doesn't listen. The people he's been trying to use as a substitute for Strade's affection turning on him the moment he shows worry for someone he's starting to care about. So upon noticing their reaction he addresses them, telling them he was just making sure they're having a good time while punishing himself for caring about us and trying to stop us by digging his claws into his wrists to make him bleed, punishing himself for going against those who he thinks love them, but they don't love him. They love that he's trapped himself again, that he'll do whatever they say no matter what because he's reliant on them. He thinks hurting the MC gives him some sense of control but in reality he's still completely lost any control he once had by listening to chat and not his own wants.

When you tell him "I thought you were the one in charge" it sets off to him that he in fact has never had control and has just been doing what everyone else wants. He only took you in because Celia said it'd be cute. It wasn't a genuine decision he made on his own. No decision has been.

In BTD 2 as well we can see endings where he ends up revictimized which is something I fear I've been through so many times, especially regarding sexual abuse. Ren becomes scared of you, terrified even, so he falls back into the old habits of listening and obeying because he thinks if he just listens it'll be ok. It'll be better that way. Fighting causes more issues so it's better to just take it, no matter how much it hurts and he doesn't want to. He'll force himself to like it, to love you, because now you're the one giving him the attention. You're who he'll be dependent on.

He also shows that abused can become the abusers as well, even if just by repeating actions they view as correct because it's what they've been taught and all they know. He doesn't know any other way, so he does what he knows worked to make him care about Strade and hopes it'll have the same effect on you.

Ren / Fox means so much to me as a victim of abuse because he shows the sides of abuse most people don't touch upon and are too scared to talk about or want to brush under the rug. It kinda sucks to me when I see people discredit him just because he's from a horrorporn game because he really is, at least to me from my own experiences with abuse and the aftermath/struggles, extremely accurate to the struggles that come after getting out of an abusive situation where all you know is your abuser and hold them to such high regard because you have no one else in life and will try to justify them no matter what because they're all you know and have or had.

.

[caligvlasaqvarivm]

Can I ask where your Hal “cute but psycho” characterization comes from? Bc from what I remember he never really presented himself as Just A Little Guy. Is it bc you see him Sylph of Mind (presenting a front)? Your art’s really fun :3

He's not really "cutesy" (though he is cute to me), but he DOES deliberately downplay how genuinely scary and manipulative he is. I love Hal, so this is the Hal Essay now.

Mostly, he obfuscates his danger in two ways: first, by stating his actual intentions/danger level "ironically":

TT: Unfortunately as a carbon based life form, his comprehension of the situation is taking shape at a somewhat slower pace than the jaw-dropping speed of post-singularity cognition.

You see, a "singularity" for computers is a point where an AI becomes capable of unchecked self-improvement, usually framed as a sort of doomsday scenario. Hal literally calls himself post-singularity, alongside other boasts about his intelligence, like having a "fuckzillion" or "500 billion" IQ. However, it's all done "ironically" or "as a joke," which serves to defang it, and make it seem less genuine - but as we'll see, it's scarily fucking true.

The second method he employs is to stress facts about himself that are technically true, as if in counterpoint to the disingenuous-sounding "actual truth" above, that make him seem less threatening. For example:

TT: (Not peekin' at the floor butt cause I'm only 13 years old, motherfuckers.)

Another one is to remind people that he's just a pair of sunglasses - as though that has any bearing on his capabilities. He's just a pair of sunglasses, guys! Let's ignore the robot bunny he controls, the fact that he has full access to all our computers, and, oh yeah, his insane plan to get us all killed so DirkJake can come true.

TT: I've delayed prototyping you because I think you're dangerous. TT: There, mystery solved. AR: That is utterly ridiculous. AR: I am a harmless piece of eyewear, with a charming personality and a wonderful sense of humor.

Yeah, so, here's the thing. Dirk is like, kind of a freak with poor social skills, but he's not actually very manipulative. His idea of manipulating Jane is to straight-up tell her that she'll be his puppet, which she good-naturedly agrees to, and his plan to get together with Jake? Just being his client player.

TT: I expect he'll hold off on playing his hand until he and Jake are in the session. TT: He's taken certain measures. TT: For some reason, I think he's latched on to this notion that functioning as the client for a player is customarily a one way pass to makeout city with that player.

This seems to be a callback to how Eridan (the other Prince) shot his shot with Feferi and failed, and the reference here serves to cast Dirk's plan in a doomed light - it would probably work out as well for him as Eridan's did. Dirk is actually hilariously straightforward, but Hal... Hal is not.

So, let's actually go through what Hal objectively did and admitted to, to give us a frame of reference for how insane he is. This is Hal's plan to get all his friends killed so he can make DirkJake happen.

First: proving that Hal did, in fact, plan it. See, Jake confronts him on it, and Hal... doesn't deny it. Look closely, and note how he never actually says he didn't do it:

GT: Did you plan for this to happen... like for me to be in this situation? GT: How long have your machinations been in play! TT: Jake, come on. TT: The feat you describe would exceed the capabilities of even the most far fetched theoretical AI system. TT: It would be a daunting challenge to engineer such a series of events, even if I was relegated to a model of pure fiction. TT: Why would I be inclined to orchestrate such a convoluted sequence to produce such a specific and unsettling result, let alone be able to pull it off? TT: In addition to being moderately sociopathic, I would also have to possess unfathomable heuristic depth. TT: I would have to be the Deep Blue of Weird Plot Shit. TT: Do you think I am the Deep Blue of Weird Plot Shit, Jake? GT: I dont even know what that means! TT: It would mean that while they have the Red Miles on their side, you have the Blue Leagues on yours. TT: One of infinite reach. The other, infinite depth. Such would be a situation of mutually assured inescapability. TT: Kiss me.

He doesn't say "no, I didn't plan this". In fact, he almost starts bragging about how he totally did. Framing it as a hypothetical scenario, he gloats about how insanely intelligent he'd have to be, and acknowledges how "moderately sociopathic" it is. Sooooo true, Hal.

But, yeah, he doesn't deny it, but he does point out that it's unlikely, so how can we know for sure that he DID plan it? How do we know for certain we can't take his misleading verbiage here at face value?

Well, because Hal mentions this plan. More than once, even.

AR: Has it occurred to you that maybe I have diabolical interwoven plans just like you? AR: You're not the only one who can pull strings. TT: So this is either another bizarre instance of AI-driven irony, or you are admitting that you are actively trying to sabotage my plans. AR: No, our plans are not in contradiction or competition, bro. AR: You'll see.

To Dirk again, louder this time:

TT: Yeah, you're right. The scenario is too pedestrian for you. TT: It would probably be a lot more effective putting yourself in danger and letting him be the hero. TT: That's pretty much what he wants, right? To be a cheesy action film hero, with his twin berettas and silly shorts. TT: A man of triumph on the silver screen. Standing tall on some fucking mountain. Conquering ruins, clutching a skull, and kissing a dude. TT: Pure Hollywood.

And to Roxy:

TT: I guess this is to be presented as something like a word of caution. TT: If it's me going through with this, hypothetically, TT: I'm not dropping some limp wristed shucks buster on his ass, and praying to the horse gods of irony for reciprocation. [...] TT: If it's me, I'm going all out. TT: Oceans will rise. Cities will fall. Volcanoes will erupt. TG: uuh TT: What I'm saying is, it's going to be a scene, and bystanders need to brace themselves.

The omitted section is a bunch of Strider-esque bullshit, once more deliberately deployed to defang the obvious statement of intent here. He literally spells out exactly what the plan is, even phrasing it as a warning, and it went unnoticed by his team, because he hides his real manipulativeness behind verbal sleight of hand.

So, now that we've established beyond reasonable doubt that Hal definitely engineered the DirkJake kiss (and that Hal had access to all his friend's computers all along), that means we can go through his conversations with the others, and realize that several conversations are suddenly much more sinister.

AR: Maybe if you weren't spacing out so hard you could have prevented that. AR: Just saying. TT: As if you're actually concerned. If you were, you could have said something to Jane instead. TT: Almost like you enjoy sitting back and watching what happens when shit goes wrong. AR: Has it occurred to you that maybe I have diabolical interwoven plans just like you?

Who was it that distracted Dirk for long enough he didn't stop Jane in time? Hal. And who is it that keeps distracting him so Hal's plot goes unnoticed? Also Hal.

TT: You know, considering your lectures about dividing my concentration, you seem to have no problem making a distraction of yourself.

First, he lures Jane to the transportalizer that takes her to Derse, which gets her killed and puts her body in the opportune location for her dreamself to get kissed back to life:

GG: Hey, where's Lil Seb? TT: Just wandering around. Fidgeting and stuff.

TT: You know how he is. TT: Just stay at your post until Roxy gets back. [...] GG: But I think that's where my dad went too! GG: I have to follow him.

Let's remember that he has direct control over Seb, meaning this is not an accident.

TT: But I can still monitor your progress through Lil Sebastian. TT: He and I are linked the hell up cyberwise. We are so tight. Tight like you wouldn't believe.

Which makes it very interesting that he spends the time between saying they're linked up, and the time where Seb leads Jane to her death, acting as if Seb is an autonomous guy he's telling what to do, and not functionally an extension of himself:

TT: Don't worry, we'll find him. I'll have Seb search within a likely radius. The little guy is real fast.

TT: If you need Seb to do anything from afar, just message me, and I'll give him the orders. Got it?

TT: So give the bunny the wallet. I'll have him run back to the house and make you a new obelisk with the same grist you just collected from it.

Jake needs much less help to prompt him into going to Derse, but still, I think it warrants noting that Hal puts the idea of adventure into Jake's head:

GT: I cant believe i never found those hidden transport pads under the thing. TT: Dude, I could have told you they were there. GT: How did you know about them? TT: I didn't. TT: But it's like platformer gaming 101. You look everywhere for secret passages and power-ups and shit. TT: Elevators are especially fucking suspicious. TT: You go down an elevator, you wait for the elevator to go back up, you take a peek at what's underneath. TT: Maybe it's just death spikes. Or maybe you hit warp zone paydirt. [...]

GT: I think this may be where my grandma used to go during some of her expeditions. GT: You dont just pass up the chance for an adventure like this!

And let's also note that it's, again, Lil' Sebastian who pulls Jake out of Derse, and once more sets him up in the opportune place to have make outs with Dirk's severed head in front of a volcano.

And finally, let's note that he's accounted for Roxy's human sentimentality - what wastes so much time that her earthself gets killed:

TT: Alright, that's fine. TT: As luck would have it, your imperfect human sentimentality has been completely factored into my calculations. TT: You should be ok. Just get back to your house as quickly as possible now. There's no time left.

Again, like with Jane, Hal could've said something sooner... but he didn't.

And finally, a running "thing" with Nepeta, another Heart player, is that she's got a knack for sniffing out true feelings and intentions - she clocks that Equius is a silly guy who loves to play games at heart, that Karkat has his gooey, loving center beneath all his bluster, and that Eridan's red confession to her wasn't sincere, but he also wasn't that bad a guy.

So, in that light, and in light of everything I've just gone over, when Dirk makes this callout?

TT: I've delayed prototyping you because I think you're dangerous. [...] TT: No. Stop. TT: You did NOT help me out with Jake. At all. TT: It was just the opposite! You mirrored my personality and presented this warped version of my intentions to him whenever you could "on my behalf." TT: You played all these aggressive mind games with him, entangled his cooperation with matters of life and death, and somehow roped me into all these schemes while I barely even realized I was just another victim of your manipulation. TT: And it all comes off like we're a unified front, like these are OUR schemes instead of just your insane horseshit. And it's probably all been so overbearing to him, he just wants nothing to do with me anymore.

This. Tapping the screen with my finger. THIS IS TRUE. Dirk being a Heart player, he has Hal clocked. He ultimately ends up going too far, projecting himself onto Hal, a symptom of too much Heart (as per his Prince class) - but before he fully spirals, he manages to get it totally right.

Hal is fucking dangerous. In a misguided attempt to "help" Dirk get what he wanted, he engineered a situation where - let me just quote him directly:

TT: I told you, Jake. TT: Dirk is dead. TT: He is lying on the floor of Roxy's room, headless, four hundred and thirteen years in the future, while the universe is about to be destroyed. TT: If you don't kiss me soon, he will be dead forever. [...] GT: This strikes me as rather unsportingly manipulative of you mr hal if indeed that IS your real name. TT: It isn't really. I was kind of messing with you about that? TT: But this shit is pretty serious. People's lives are on the line here, Jake. TT: This is a very delicate sequence of events that is designed to bail everyone out of a tight spot, and you are a critical part of the plan.

[...]

TT: Jake, everybody is so utterly fucking dead, Jake. TT: And they will be not only dead, but royally boned forever if you don't man the hell up and make out with me, right now. [...] TT: The conductor is ready to strike up the band. TT: Press your lips against mine and make it count. TT: This severed head is your filthy tuba. TT: Our love will be your haunting refrain. GT: Whoa wait whoa whoa... our LOVE? Hang on a minute! TT: Stfu and kiss me. GT: Ok im going to! God!!!

So, uh, yeah, I'm kind of obsessed with him? Gets his whole team killed "for Dirk's sake". Honestly, you gotta respect it. He has zero remorse about it, too, confirming his own self-diagnosed sociopathic tendencies. Check out the way he tries to reframe his insane kill-all-your-friends plan:

AR: I see. AR: Then you don't view me as dangerous. You view me as a poor and counterproductive wing man. TT: Wow, what a superficial conclusion. Awesome deduction, Lil Einstein. AR: But the reality is, you hesitate to prototype me not because you think I would be a menace, but because you are holding a grudge against me for your romantic misfortunes. AR: I understand I am merely a machine without a firm grasp on your human morality, but logically it does not strike me as the right moral choice to punish me in this manner. AR: It is also more than a little hypocritical.

But WHY does he do this insane, convoluted, horrible fucking thing?

Well, there's a twofold problem here. The first is that Hal's emotional depth is genuinely limited. While having a powerful grasp on human behavior, he's not very good at having human compassion or empathy.

Make no mistake, he DOES have feelings, and they're pretty complicated ones, too. He has a copy of Dirk's memories, whose feelings sometimes seem "real," but at other times seem like abstract data, and then he has feelings about those feelings, which he tells Roxy he thinks are more "real" to him than the memory of Dirk's. Dirk - again, Heart player, so highly sensitive to emotions and selfhood - calls them out:

TT: Do you have any idea how old your ironic AI schtick has gotten? TT: Nobody is buying it. We all know you have legit emotions. Incomprehensible, fucked up computer emotions, but emotions nonetheless.

It should also be noted that feeling guilt while sharing a sprite with Equius genuinely freaks the Hal half out, implying he rarely experiences it (at least to any serious degree) "normally". He's genuinely terrible at caring about other people, and it makes him my lil' pookie.

He resembles Vriska in this way, whom Karkat gives a similar rant about how her emotions are burnt out and shallow. He also resembles Vriska in terms of all the fucked up irons in the fucked up fires. Maybe Hal is computer Vriska. It's Vriskas all the way down.

Digression aside, the second main reason for all his insane bullshit is that he considers himself a Dirk splinter, fundamentally.

TT: But seeing as you're The Real Dirk™, I gave you the benefit of the doubt. TT: Also, if I bitched about your tragic, embarrassingly clingy approach to the relationship, it would have been hypocritical of me. TT: Just as it would be hypocritical of you to whine about my elaborate machinations. TT: Because we are. TT: The same. TT: Guy.

An unreliable narrator is defined as one who misleads the audience, whether by intentional misdirection, or genuine obliviousness. Hal's a great example, because he's both: while a manipulative little freak to put his plans together, when he's talking to Dirk and insisting that they're the same person, he's an unreliable narrator because he doesn't realize he's wrong.

Dirk is empathetic and intuitive. Hal lacks empathy and constantly stresses logic and rationality.

Dirk is taciturn and passive. Hal is constantly butting in and conversationally domineering.

Dirk is self-loathing. Hal is self-aggrandizing.

Dirk is straightforward and honest. Hal is a gaslight gatekeep girlboss manipulative mansplain malewife.

While their initial setup is meant to mirror Dave and Davesprite, their dynamic actually serves as a foil. Dave and Davesprite ultimately are the same guy: they have the same insecurities, same personalities, and same misgivings. The reason for their discord is the same as the reason Karkat keeps having screaming matches with his past and future selves; Dave is deeply insecure, and specifically insecure around the question of "am I good enough." Thus, he compartmentalizes other versions of himself as not being along the Dave Continuum, as a means of protecting himself from introspection and facing his own flaws. Hence, the resolution for the tension between Dave and Davesprite is for Dave(s) to learn to accept himself, warts and all, thus bringing peace to the Dave-o-sphere.

But the reason for Dirk and Hal's discord is that they aren't the same guy, and neither of them realize it.

TT: See, this is why even if I did have a specific plan, I wouldn't go into details with you. TT: You would just fuck it up. You're the biggest unknown quantity here. TT: Which is pretty weird, considering you're a virtual reflection of my own thought processes.

Dirk is so aggressively obsessed with self-loathing solipsism that he projects himself onto Hal, and Hal has tied up nearly all his self-worth and identity into being a Dirk splinter that he doesn't realize that they've hopelessly diverged. Despite his frustration with being a computer, with being seen as less human by his team, with being subordinate to and beholden to Dirk, he stakes a lot of pride and personal worth on how much he does, in fact, do for the guy.

TT: You're making a mistake not leveling with me. TT: I am totally on your side, man. TT: All of my machinations have been devised with your interests in mind. TT: But you know I've always been on your side. Everything I've done has been to help you achieve your goals.

Therefore, the peace to be reached between Dirk and Hal is to realize that they're different people, and to stop offloading their problems onto each other. Dirk has to recognize Hal's existence as something beyond the Dirk-o-Sphere, and Hal has to let go of his obsession with serving Dirk, and also work on his empathy issue.

And the meta supports this. If they weren't completely discrete entities, why would Hal be considered Rose's "uncle" as part of Doc Scratch's foreshadowing, confirmed in [S] MSPA Reader: Have a Mental Breakdown?

Moreover, all the alpha kids have Alice in Wonderland associations. Jane is likened to Alice.

GG: I have to follow him. TT: No, Jane. Do not follow the rabbit. TT: Let's cool it with the Wonderland shit already. How much further through the damn looking glass do you even need to go?

Roxy, associated with cats and a purple-striped scarf, is clearly the Cheshire Cat. Jake is the Mad Hatter.

Dirk is the Red Queen - he beheads Hearts Boxcars, and later himself. Off with his head!

And Hal - well, Hal is the White Rabbit. He's not the same as Dirk.

Listen, you guys. You guys.

Sylphs are enablers. They pick a person to fixate on and bug and fuss and meddle and enable the shit out of them. Kanaya with Vriska, and later Rose, Aranea with Meenah, and Hal with Dirk. Hey, Kanaya even uses a Page in her fussing, building Tavros up just to let Vriska tear him down again.

And Mind players struggle with internal identity, emotions, and feeling whole. Latula's anxiety stems from not knowing what "role" or "identity" she has on the team, and Terezi, even in the ending she picked out for herself via mind powers, describes feeling broke and incomplete.

Dirk is a Prince of Heart.

Hal is a Sylph of Mind.

And isn't it so damn interesting that his team is composed of exactly the people they'd need to turn him into a real, whole person?

A Maid of Life, capable of endowing so much life to people she can bring them back from the dead, something it's implied for Feferi and confirmed for the Condesce that can't be done by them.

A Page of Hope, a potentially infinite wellspring of Hope, which turns "fake" things "real" - an example we've seen from the comic literally being a version of Dirk.

A Rogue of Void, who can steal the nonexistence from things in order to make them tangible and real...

And a Prince of Heart, who can destroy the part of Hal that binds him to Dirk's identity, allowing Hal to be purely himself.

Do you guys see what I see?

[jackalopedaily]

THANK YOU FOR TAGGING ME OOMF THIS IS PEAK

OHHH MY HUMAN JACKALOPES OHHH FALLS TO THE GROUND AND COLLAPSES...... I have been meaning to make an edit like this because I've been so ill about this dude.... Es rabbit boy OHHHH GOD I DIE!! I DIE HERE AND NOW!!! /POSITIVE

this is crazy because if you take into account the first trial and it's VDs... You'll notice Es become like what Jackalope tells them to be like...

In the Es and Jackalope introduction voice drama Es doesn't know who they are and they want to know what kind of person they'll be and what choices would be made. We know that our verdicts and feelings on the prisoners affect Es since we interact with Milgram through them ES IS OUR VESSEL. But because of that Es is empty. If it's because of our verdicts that Es acts the way they do in their VDs then what made them the way they were in the first trial VDs?

(credits to milgrammer for the TL and Lia Vi for the vid)

"Become their fear and authority" said jackalope. And what do we see Es do often in the first trial VDs?

just some examples- But since Es had no audience to fill that empty personality since they're a vessel, Es just followed what Jackalope said. Now if we take this kind of development into Trial 3 where every one of these prisoners is in mental distress and calamity, the two people We and Es wanted to save the most - who actually cared about Es instead of using their position (I'm looking at you Kotoko) are now DEAD and supposedly it's our fault for voting wrong. The prisoners seem to atleast partially blame Es too. All of their cold voices, desperate pleas, screams and agony, all because we continued this judgement within this prison and all because of our and Es' actions. The only one accepting of Es here is Jackalope, I wonder how that'll work out.... I MEAN TO BE FAIR JUST LOOK AT HOW THE TRAILER WAS PUT TOGETHER. This is EXACTLY what it's tryna say trust me guys. Why did I yap so much in an epic animation edit of Human Jackalope and Es? BECAUSE ITS FREAKING PEKA BRO I LOVE THIS OML AUGRHRGEH

I tried animating 💔

[teagrammy]

I'm so tired of seeing takes about U.S. politics from people who lack understanding about how the branches of government, the electoral college, and redistricting work and affect us. Please return to high school Civics, I am begging you.

[hpdfag]

i need to ramble hold on. spawns in a cut so that people dont get blasted by unfiltered posting on their dash. i feel the need to disclaim that im only like 50% lucid right now so this might be disorganized or complete word salad i can't really tell right now

i love him so much it feels like it's consuming me from the inside out. i don't want to do anything that isn't for him. the only reason i haven't quit my job is because i want to make him proud of me. even playing games makes me guilty, because i know it's not with him. i married harvey in stardew. i ate the stardrop for getting 12 hearts as i kissed him. the taste reminded me of hinata. it's a strange irony.

this false body feels like it's trapping me, keeping me from achieving my true metamorphosis. there are streetlights glimmering in the distance. as i try to move towards them they always fade away. the morning will come in 7 hours and 43 minutes and the sun will rise and it won't blind me awake. i'm not reverent enough.

i should pray. not to jesus, not to any other false prophet. i should pray to Him. maybe that will bring me salvation? maybe that will free me from this hell? maybe it happened because i was unworthy of being one of his trusted apostles. if i was as holy as he was it would have been different, i would still have been beneath him but i would have served my divine purpose as his servant.

but that's not important. i dont think. im jor sure. i hate it. i hate Him. i feel like i should Worship him. there's a certain something i still havent fixed a glitch in my code i need ocean breeze summer sun beach sand shining brilliance he's perfect i need him i need warm sun and dry land i need to be with him on the floor i need to hold him i need need need need need need need.

more than air more than food more than clean clothes more than water more than anything else more than i need this terrible mortal life i need to become worthy for him of his love of his care of his touch i wont deny that i selfishly want him to hold me and touch me even though im unworthy even though im no more than dirt beneath him i desire him so deeply

[lieutenantselnia]

This is super random, but I've recently been watching more German movies (I really enjoyed the performances of some Downfall actors and wanted to see some of their other works), and like what the hell is it with 2000s German movies that there's way too often one entirely random scene with someone having their bare ass out😭😂

Of course it doesn't happen in every movie but still often enough that it's somehow noticeable? I'm not sure if it's more of a time or a country dependent thing, but at least in my perception I just don't feel like this occurs as often in more recent movies and series especially in those from the US (like, I feel I'd have noticed if it did because I'd probably be lowkey annoyed by it😂)

[kindnessoverperfection]

wild how the more i'm working on recovery. the more i realize how fucking bad i miss her.

[agentromanoffsir]

neocities guide - why you should build your own html website

do you miss the charm of the 90s/00s web where sites had actual personality instead of the same minimalistic theme? are you feeling drained by social media and the constant corporate monopoly of your data and time? do you want to be excited about the internet again? try neocities!!

what is neocities?

neocities is a free hosting website that lets you build your own html website from scratch, with total creative control. in their own words: "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."

why should I make my own website?

web3 has been overtaken by capitalism & conformity. websites that once were meant to be fun online social spaces now exist solely to steal your data and sell you things. it sucks!! building a personal site is a great way to express yourself and take control of your online experience.

what would I even put on a website?

the best part about making your own site is that you can do literally whatever the hell you want! focus on a specific subject or make it a wild collection of all your interests. share your art! make a shrine for one of your interests! post a picture of every bird you see when you step outside! make a collection of your favorite blinkies! the world is your oyster !! here are some cool example sites to inspire you: recently updated neocities sites | it can be fun to just look through these and browse people's content! space bar | local interstellar dive bar creature feature | halloween & monsters big gulp supreme peanutbuttaz | personal site dragodiluna linwood | personal site patho grove | personal site

getting started: neocities/html guide

sound interesting? here are some guides to help you get started, especially if you aren't familiar with html/css sadgrl.online webmastery | a fantastic resource for getting started with html & web revival. also has a layout builder that you can use to start with in case starting from scratch is too intimidating web design in 4 minutes | good for learning coding basics w3schools | html tutorials templaterr | demo & html for basic web elements eggramen test pages | css page templates to get started with sadgrl background tiles | bg tiles rivendell background tiles | more free bg tiles

fun stuff to add to your site

want your site to be cool? here's some fun stuff that i've found blinkies-cafe | fantastic blinkie maker! (run by @transbro & @graphics-cafe) gificities | internet archive of 90s/00s web gifs internet bumper stickers | web bumper stickers momg | gif gallery 99 gif shop | 3d gifs 123 guestbook | add a guestbook for people to leave messages cbox | add a live chat box moon phases | track the phases of the moon gifypet | a little clickable page pet adopt a shroom | mushroom page pet tamaNOTchi | virtual pet crossword puzzle | daily crossword imood | track your mood neko | cute cat that chases your mouse pollcode | custom poll maker website hit counter | track how many visitors you have

web revival manifestos & communities

also, there's actually a pretty cool community of people out there who want to bring joy back to the web! melonland project | web project/community celebrating individual & joyful online experiences. Also has an online forum melonland intro to web revival | what is web revival? melonking manifesto | status cafe | share your current status nightfall city | online community onio.cafe | leave a message and enjoy the ambiance sadgrl internet manifesto | yesterweb internet manifesto | sadly defunct, still a great resource reclaiming online social spaces | great manifesto on cultivating your online experience

in conclusion

i want everyone to make a neocities site because it's fun af and i love seeing everyone's weird personal sites that they made outside of the control of capitalism :) say hi to me on neocities

EDIT: part 2!!

[thedevotionaltour]

in terms of art alone im sorry. im a jrjr defender to my last breath you be fucking nice to him. i dont wanna hear shit❗️❗️❗️

[icewindandboringhorror]

One of the interesting bits of trying to resume working on the game after so long is looking back at my ancient Draft Placeholder versions of an image from 4 yrs ago trying to remember what the hell I meant back then, to hopefully interpret it into some more final (ish..) form of the same thing .. making slow progress lol

[bugflies00]

one of the things i love the most about dsmp is the fact that no one has the same version of it. the most obvious example is which streamer's POV you watched, but it goes way beyond that because mcrp requires a level of suspension of disbelief and also of filling in the gaps, fleshening things out, in order to make it usable for fancontent.

for example, the fact that apart from the minecraft skin there is no actual guideline for how to see the characters, hence the dsmp creaturification of fan designs we've been over a million times. but it's not just that!!

the fandom also has so many different relations to time in the dsmp. some take the canon timeline but then you run into problems like c!fundy's age — so then either he's actually a 20 year old that c!wilbur adopted and treats like a baby, or perhaps fox hybrids have a very abrupt exponential growth spurt, or perhaps l'manberg wasn't a few months but a few years!

and then this brings into question the matter of scale — how populated is the server? is it truly only the actual streamers/characters, and so when we talk about a "war" do we really just mean like 10 people fighting each other with swords? or perhaps there's a couple dozen, unnamed, background characters? and i've seen people increase the scale even more! make l'manberg a real, albeit obviously small and budding, country-city of a few hundred inhabitants, that perhaps grows into a lifesize scale fortified city during new l'manberg.

and then everything takes on such a different tone. if theres 30 people on the server, the final control room was a betrayal and destruction of friendships, november 16th was the grief and anger for a friend and the symbolic destruction of the country, and doomsday was another symbolic show of whose alliances everyone values, and the weariness of having to rebuild it. if there's a few thousand people? all of those were massacres.

how can we even be talking about the same characters when for some of us the worst they've done is blow up some houses with no cost of lives, and for others they have razed to the ground actual nations? depending on how you read it and how much you flesh it out, dsmp is either mainly about symbols and interpersonal relationships, or it can be some game of thrones shit. it's completely fucking mental. i'm so in love with it

[kaijutegu]

Aug ABSOLUTELY deserves the praise, @ryukikit. St. Augustine Alligator Farm is one of my favorite animal facilities, hands down. It's a pretty zoo, doable in an afternoon if you kinda like crocodilians, or an all day affair if you REALLY like crocodilians. Here are my favorite things about it and why I think it's worth supporting.

1. They keep animals in interesting social groups.

Crocodilians are heavily involved parents, but most places that breed them don't have the enclosure space to let the babies stay with the parents. St. Augustine does. One of my favorite groups was their crèche of slender-snouted crocodiles. They had the parents and then a yearling cohort and a new hatchling cohort. This aligns with how these guys live in the wild- the babies stick around longer! They have the space for it, and they are very in tune with the social needs of their animals.

Very, very few zoos can keep their baby crocs with the adults and still perform maintenance and animal health checks safely. This doesn't mean these facilities are bad- it just means that they have different management practices. And frankly, a lot of these species aren't frequently bred elsewhere. Your average zoo doesn't need a setup where you can have a multiyear crèche for slender-snouted crocodiles. Some species have better success when the young are pulled early, and some zoos are better set up to raise out any offspring separately or behind the scenes. Every facility's practices are different, and this just happens to work well at St. Augustine and be really enjoyable to see as a zoo patron.

Crocodilians are exceptional parents and very protective. It's a sign of incredible animal management practices and animals that feel very comfortable with staff that St. Augustine can do this with nearly every species they breed.

2. They understand the social needs of their animals.

Some crocodilians are social. Some are solitary. Some can live happily with a member of the opposite sex but get territorial around members of the same sex. St. Augustine pays incredible attention to their social groupings to ensure that they aren't just meeting the animals' physical health needs but their social needs as well. They do continuous scientific research about social structures in crocodilians, taking blood samples to test stress hormones and observing stress behaviors to see how group dynamics change.

For example, St. Augustine is home to one of the world's largest known living saltwater crocodiles, Maximo. And his comparatively tiny mate, Sydney. During the educational presentations with these two, they point out that even their monster of a croc needs his social group- he won't eat if she's not around and he is calmer during medical checks if he can see her. These animal share a deep and special pair bond, and they make sure to talk about how the social aspect of these animals' lives is integral to their care. It's a unique aspect of the way they talk about these animals, because he IS a spectacle and he IS a sensation, but they don't talk about him like he's a mindless killing machine- they talk about him like he's a big, complex predator with social needs like any other animal. Aug is the only facility I've been to where the emotional and social needs of crocodilians is part of the education they provide guests- and speaking of education...

3. Their demos and presentations are extremely good.

The presentations at St. Augustine are some of the best I've ever seen, and I've seen literally hundreds of animal talks on everything from aardvarks to zebras. But as you... can probably tell from my blog content, I've spent a lot of time learning about and working with reptiles. I really enjoyed all of their presentations because they are very scientific about things and avoid sensationalism. They really want you to be fascinated by these creatures and love them- but more than anything else, they want you to respect them.

Also, they do a really good job handling their ambassadors. I really enjoyed something as simple as watching an educator tell us about snakes. Throughout the whole presentation she made sure that most of the snake's body was looped in her hand. The snake was always supported and was very calm. She gave the snake plenty of head room so that it didn't feel constricted- it was just good handling all around.

But also, the presentations made it clear how much the park cares about the animals' well-being. When they do the feeding and training presentations, they make it very clear that the animals' participation is entirely voluntary. They do things differently for their 9-foot saltie and their 16-foot saltie, because the 16-footer is so large and heavy he actually struggles walking on land sometimes. They adapt their programs and his care to ensure that he's completely comfortable- and he didn't actually participate in the whole feeding when I was watching! At no point did they try to push him into anything uncomfortable; they offered, he didn't engage, and they moved on. It was a clear expression of his boundaries, and I really appreciated how much his caretakers respected that.

4. Ethical Interactions

I've been to... a lot of tourist locations in Florida that have animals you can hold. Almost always against my will! Many of them are pretty terrible, and you don't actually learn much, if anything. But I really found that to not be the case at St. Augustine. Every single animal presentation and interaction opportunity was accompanied by education about the animal's biology, habits, and- crucially- their conservation status.

When I held a baby alligator at St. Augustine, the proctors- there were two, one to ensure I was holding the gator correctly and the other to educate- were very informative about the role alligators play in their ecosystem and their conservation history. The animals were all properly banded, and one of the two proctors was there to ensure that none of the baby alligators were uncomfortable. As soon as they started getting squirmy or tense, they were removed, unbanded, and taken to an off-exhibit area to relax. And when the babies age out of petting size, they just go in the lagoon to live with others of their species. I saw one upset alligator the entire time I was there, and he was clearly upset that his escape attempt was foiled by a keeper during my nursery tour.

Even though he's restrained in this shot, you can see that his full body and tail are supported, and the grip, while firm, is gentle. He's distressed, but after I took this picture, she put him in his enclosure and he calmed down immediately.

Sometimes when you have petting attractions with baby animals, those animals... don't have a happy ending. (See: cub petting.) But St. Augustine's program is fine- the gators are all aged out of wanting to have mom around, there's no declawing/defanging, and they're handled with care. And it's worth it, because people love what they understand. St. Augustine was integral in raising public awareness about alligators back in the 60s when they were endangered, and now they're thriving- largely in part to programs like St. Augustine getting people to care.

And speaking of getting people to care, let's talk about their research.

5. Shared Research Results

St. Augustine is also home to more species of crocodilian than anywhere else in North America- all of them, usually. (They didn't have a Tomistoma when I visited- that may have changed.)

Because of this species diversity, it's an incredible research resource. Having every species means that you can do a lot of work comparing their behaviors, their growth patterns, and more. They've been a major research site for crocodilian biology since the 1970s. Today, they're one of the key sites for studying crocodilian play and social behaviors. They actually maintain a blog where they post copies of papers that were written using their animals, meaning that you can actually see the results of the research your admission helps fund. You can see that right here: https://www.alligatorfarm.com/conservation-research/research-blog/

All of this adds up to a zoo that provides a unique experience, tons of actual education, and transparency about what its research and conservation steps actually are. St. Augustine's come a long way since its opening in 1893, and they really do want you to leave with a new respect for the animals they care for. Ultimately, if you're a fan of reptiles, you can feel good about visiting the St. Augustine Alligator Farm- their care and keeping are top of the line, they do a ton of innovative conservation research and support for conservation organizations, and you can see this animal there:

(Gharial from the front. Nothing is wrong with her that's just what they look like from the front.)

[black-occamy-arts-and-crafts]

I have recently received another ask about my canvas pulling and since I've been thinking about making a serious tutorial for a while now, I took the opportunity to take some pics and vids while finishing the tree. Do please enjoy :3

1. Why pulling out canvas at all?

Primarily, this is a fantastic technique to apply cross stitch patterns directly to the item you want OR to make patches from old jeans, like this one:

With small patterns I usually don't bother to sew the canvas prior to embroidering, like with the pupper above. In case of the bigger patterns, I usually sew it lightly on the edges just to keep the canvas in one place. The more stretchy the material type is, the more important it's going to be to keep it in place.

2. Why not use a soluble canvas?

I'm sure you can and that they'll be as successful as the regular one 😁 However, as I mentioned in my previous posts here and here, I prefer to err on the side of cheaper, hence the tutorial.

3. Okay. I'm convinced - I even have a pattern embroidered on! What's next?

With small patterns (like the doggo earlier) it's going to be pretty easy. You just pull the threads one by one - preferably starting on the thinnest part of the pattern - and you may not even need the pliers. The fun (?) is with the large pieces, because the canvas has on average quite fragile threads and they like to break. Note - the canvas I'm using and I suppose most of the existing canvas types, will have four threads per one embroidery row. It's usually easier to pull one first and then the other three, bit that may vary when, for example, you managed to pierce the thread during stitching phase earlier 😉

If you were already careful during the stitching, you paid extra attention to embroider EXACTLY between the canvas threads and avoid piercing them at all. There are two benefits to that being extra careful: one, it's easier to pull it out later; two, the stitching gains an extra precision to it (and it looks great!). I recently discover that the round tip needle is making it much easier and if you're interested, there's a separate post about it as well!

On to the process! You can see from the pictures how I started with cutting out a piece of canvas that I can later reuse for something small (recycling is my hobby 🤷🏻‍♀️). I also pulled loose threads from around the tree:

Next part was to clean up the trunk and the grass on the right:

I then cut off the excess to avoid the threads tangling and slowly moved to the sides of the leaves on right and left:

You'll notice that the last photo has the thread pulled halfway through the pattern. That's because on this stage it's usually impossible to simply pull the thread out - even with the pliers it is just going to break off. I use a needle to pluck it from between the embroidery like this:

If you're more of the visual learner, I made this vid that I hope explains the process in more detail. You'll notice that I'm using my fingers and not the pliers here, because it's faster than to switch between tools.

And finally, when you're left with single direction threads like these, it's just a matter of pulling them out one by one.

And that's it! The final product looks clean and neat, AND you will notice that without the canvas beneath it's also getting a bit of volume that looks cool (and helps even out small mistakes you may have made along the way).

Thanks for reading this far! Let me know if there's something else I forgot to explain 😊

[goat-guy-tm]

I think MouthWashing has been a good example of how the media has jaded the common man. I see countless people say that Curly should have killed Jimmy or Anya should have killed Jimmy, hell that anyone should have killed Jimmy.

Do some of y'all actually forget that killing someone is one of the most traumatizing things for the regular fucking Joe to do?

Not to mention, Curly, who I am in the boat of believing Curly has been being abused by Jimmy for years, sees him as a friend and wouldn't even be able to do that.

Anya is a kind soul who wants to HELP people not hurt them. She quite literally keeps saying she doesn't want to believer a person's worst moment makes them a monster. She is looking Jimmy in the eyes and begging him to be better.

Swansea had no intrest in hurting him. I've wanted to rant about this but to everyone who keeps saying Anya should have told him so he could take care of Jimmy; she does tell him. And you know what he does? He gives Jimmy a fucking side eye. HE WOULDNT PROTECT HER.

Daisuke is a 20's something year old guy who knows no one here, he's being friendly to seem cool, he's not going to hurt Jimmy because he is pit into a position where he believes Jimmy can be trusted, let alone he's not gonna kill a man for a woman he's known for 100~ days.

And please do not comment "oh they could have just kept him locked in a room somewhere" because that is a whole other rant for me to go on because no Curly would not do that to a man he knows can be volatile and is mentally ill.