#just as an example because i've been seeing takes about this:

[go-fornicate-yourself]

Every day I am in the trenches fighting for my life defending this poor man. He was going through so much and people online demonize him and say he's as bad as his abuser

(I've got a lot of thoughts about this so I'll make sure to separate things to make it easier to look at lol)

Curly is a victim of abuse. Jimmy is his abuser. This is something that I feel a lot of people tend to brush over or don't acknowledge it often.

And I'm not just talking about post-crash. Jimmy's abuse of Curly is there pre-crash too. The party scene where the crew learns about the company going under is a huge example of this. Jimmy verbally abuses him, he gaslights him, he blames him for their (his) misfortune. Jimmy accuses Curly of thinking he's better than everyone (better than him), that he doesn't care about them (about him). That he's going leave them (leave him). Which is not true. Curly tries to explain himself but Jimmy shuts him down and he just takes it.

The fact that he just allows this to happen makes it seem like he's used to this... That this kind of behavior is a recurring thing with Jimmy. And the fact that nobody else tries to defend him or stands up to Jimmy just normalizes it for him. When Anya tells Curly what Jimmy did it catches him off guard. Bc he genuinely didn't think that his friend was capable of that. It wasn't something that was obvious to him. There were absolutely many red flags in the past but they were subtle enough for him to not see them bc he cares for Jimmy, he trusts him. Jimmy's the only one he feels he can open up to, who he can let his guard down with. Jimmy's his home. That's how close they are.

Because of this deep love for his friend and the subtlety of Jimmy's cruelty, he doesn't see the constant verbal and emotional abuse as what it is: abuse. Which is why he finds Jimmy's abuse towards Anya so shocking and jarring.

He isn't a man covering for his rapist friend bc of the 'bro code'. It does look like that from a certain angle and it's understandable why people see it that way but that's not what his character is really about as much as it makes sense otherwise.

He's essentially a battered housewife who's still in love with her husband but is realizing for the first time that the man she loves is a monster. That the man she loves and devoted her life to has been hurting her this whole time and she didn't even realize it. That the man she loves and spent so much of her life caring for has gone and hurt someone else. That he's most likely hurt others before and she's been utterly unaware of it the entire time she defended him and made excuses for him when he wasn't the best or the fairest or the most responsible or when he screwed up yet again solely bc of how much she loved and cared for him.

And Curly barely had any time to process ANY of that before Jimmy decided to try and kill them all to avoid the consequences of his actions. It was ultimately a selfish act even if he thought he wasn't just doing it for himself. Jimmy is selfish and needs to be in control or he loses it. He cares for Curly. He loves him. Curly's done so much for him. Curly's the only one who understands him, who doesn't hate him. Curly's his home. He resents how 'successful' he is but that's only bc he thinks so highly of him. He constantly puts himself down and put Curly on a pedestal and worships him while simultaneously mistreating him.

He treats his best friend like shit, he's awful to him. But he's not aware that this is the case or maybe he's in denial about it. He can't or just refuses to see how he's doing all of what he does for himself in the end. He justifies his attempt to kill them all (to himself and to Curly) by claiming he's doing this for them both. That if they were to get back to earth it would all be Curly's fault, that it'll ruin his life and career... despite the fact he had basically nothing to do with Anya's abuse. Jimmy's shifting the blame on him while acting like he cares for him. Well, he does genuinely care for him but clearly not nearly enough to not mistreat him or use him as a scapegoat for his own guilt.

Jimmy is the rapist, Jimmy is the one who does all of these horrible things. And yet it's highly likely that Curly would just blame all of it on himself bc that's exactly what Jimmy did to him. He's in so deep he can't see the facts of the situation.

It takes abuse victims so long to come to terms with their abuse. It takes time and reflection to see things with an unbiased and healthy perspective. Abuse (especially years of it) isn't just something you can just escape. It consumes you and can twist your reality. Curly had about a week or less to process all of it and then take action in a way that protected his crew and abided by Pony Express' guidelines. Dealing with something this serious in a setting that makes resolving it extremely difficult in a practical sense is already hard.

There were no locks on any of the doors except for medical and the cockpit. They couldn't just kill him. There was nowhere they could detain Jimmy that wouldn't involve corporate potentially penalizing the entire group. They could have used the cryopods but then there'd only be three available for any actual emergency and there were already five crew members and four pods in total. Also, I doubt corporate would be 'okay' with them using the cryopods for anything other than their intended purpose. Hell, even if they were able to make it back to earth without any incidents there's a good chance that corporate would consider the situation 'poor team synergy' and collectively punish the entire crew for Jimmy's actions.

So on top of having to deal with an already difficult situation, Curly has to grapple with the realization that Jimmy a: abused Anya, b: has been abusing him as well (for a very long time too), and c: has probably abused others before Anya and he had no idea about it. He needed to act but he didn't and it doomed all of them.

But it's so unrealistic (maybe even cruel) to put that much pressure on someone, force them through an utterly earth-shattering realization, and then expect them to do the correct/right/responsible thing in that moment. It's a little ironic how people vilify him for that when other characters do the same thing that nobody blames for it.

Anya is the ship's nurse. Curly is the ship's captain. They both have duties and responsibilities on board the Tulpar. She has to keep the crew healthy and safe and is the only one with enough medical knowledge to do so. He has to make sure that everything goes well and goes according to procedure. He's responsible for the crew, the cargo, and even the ship itself. Both positions are integral and require a lot of responsibility to do properly

They're both put through distressing and traumatic situations where due to them being human people with emotions and fears that make them essentially avoid their responsibility/doing what's required of them.

Curly has a freeze response and doesn't act when he should have when it was crucial to have done so. Anya has a fawn response and essentially puts her patient in danger and harm's way. She knew full well what Jimmy was capable of. She experienced it herself and she witnessed it happening to Curly as well. And yet she allows Jimmy to be alone with Curly while being fully aware of how dangerous he is. Which she shouldn't have, that wasn't the 'right' thing to do. Keeping him safe was her responsibility.

But Anya's human. She's going through a lot at the moment. She's terrified of Jimmy and she's trying to appease him so he doesn't hurt her again. It's a natural very understandable thing to do even if it's not the 'right' or 'responsible' thing. They failed each other when they needed each other most and I think that's the most tragic part of it. If anything, all of them failed each other in some way, shape, or form.

So it's incredibly frustrating to see people give Anya so much sympathy and grace for doing something so human yet still 'wrong' but then turn around and give Curly none of that for doing essentially the same thing she does.

I don't know for sure if it's actually because Curly is a man or if it's only part of it or maybe some people just lack that sense of awareness but it's depressing and frustrating as fuck as a male victim of sexual violence and abuse to see this kind of behavior and this much victim blaming towards a character who is undeniably a victim of abuse like I am.

[tlbodine]

So, Things Are Terrible and You Want to DO SOMETHING

The election is over and, ah...did not go well. While a lot of folks are doing a post mortem of the campaigns and trying to understand what happened with the vote and fighting over who shoulders the blame, we've gotta turn an eye toward the future and figure out, okay fam, where the fuck do we go from here.

I don't have all the answers on this, and I'm not an authority by any means, I'm just a horror author with a blog. But I've been thinking a lot about it and I wanted to share my thought process with others who might want to DO SOMETHING but feel they're spinning their wheels.

Buckle in. This will be a long one.

Step One: Understand the actual risks and stakes.

I think it is very easy to start panicking now about the worst possible case scenario -- jackbooted military busting into the door to disappear everyone who ever said something mean about Trump or bought a banned book or something -- and let fear turn into inaction.

I'm not saying things can't get that bad, and I'm not saying that it won't be absolutely terrifying right out the gate for some particularly at-risk groups -- but the distance between "now" and "V for Vendetta" is long and filled with a lot of intermediary steps. There will be so many opportunities to prevent the worst case scenario.

I say this because, if your mental image of "Bad Things Happening" is The Purge, it will be easy to wake up on inauguration day, look outside to see that the world is not on fire, think, hey, maybe things will be okay after all, and then completely disengage. Alternatively, you might feel so frozen with terror at the possibility of persecution that you do nothing. This is why people are saying: don't obey in advance.

It is essential for those of us with more privilege to use it to take care of those who are more vulnerable.

So. Who is most vulnerable? What does that vulnerability actually mean? What are the most likely risks of Trump's presidency? Here's a Guardian article that I think does a good job of summarizing some of the main issues. Go read that, then come back here.

Step Two: Take steps to protect yourself

You've gotta put your oxygen mask on first, right? So before you start getting involved in other causes, figure out what risks YOU are at, immediately, and do as much as you can to secure yourself. Some potential action steps depending on your circumstance may include:

Renewing your passport (helpful for leaving the country, but also for gender/name change purposes)

Getting vaccines / boosters

Securing birth control

Ensuring your necessary papers (birth certificates etc.) are where you have access to them.

Drawing up legal paperwork for spouses/partners (always a good idea, a helpful safety measure in case you lose marriage rights)

Bolstering your data privacy and online security. Here's a step-by-step guide I found that could help with that.

The specific steps you need to take here depend on what risks you, personally, face. You'll want to do some more research into this for your particular scenario.

No matter who you are, though, it's probably a good idea to start saving money and being a little more conservative with your spending and/or pay down debts to free up some cash. You don't know what kind of emergency may befall you, and having spare money for an emergency is never a bad idea.

There is a possibility that the cost of many things you rely on might go up, if Trump goes through with his tariffs plan. You will want to plan for that.

Food costs may also rise due to tariffs (we import a lot of food from Mexico and Latin America for example) as well as a loss of immigrant labor. There is also a possibility that food safety standards could fall due to overturning regulations. Now would be a good time to look into local food resources like farm share/CSA, community farms, etc., and to stock up on a few key staples like rice and beans.

Okay. Now that YOU are reasonably safe...what can you do to protect your community?

Step Three: Get Involved

Here is your mission: You need to stay engaged enough to know what's going on, without burning yourself out or exhausting yourself, and to take actual decisive actions instead of wasting your energy arguing on the internet.

Got that? Okay. Good. Here are some action steps:

Support independent journalism. Subscribe to local papers, donate to and watch public broadcast programming. I signed up for news from ProPublica, for example, as well as the news-roundup service What The Fuck Just Happened Today. The goal is to stay informed without falling down an endless rabbit hole of upsetting information.

Share news and resources with others in your circle. This can be a good use of social media. It's what I am doing right now!

If it is safe for you to do so, challenge and educate your friends/family members/neighbors/coworkers. Only if it is safe for you to do so. Do not put yourself at risk doing this. And do not waste your time arguing with people who are unlikely to change. But if you have well-meaning people in your life who you think could be won over, look for opportunities to do this - the right way. I've had some success with this, I will probably write a guide about it in the future. In the meantime, here's a good article that can help.

Join local grassroots activism groups. You'll have to do some work to decide what groups to join and which causes you want to support, because you cannot do everything. But there are tons of organizations taking direct action in all kinds of causes. Search "grassroots [cause] activists in [where you live]" to start finding things. Once you get involved in one group, you might meet people who can introduce you to other groups and causes. Yes, this means you will have to go outside and meet people. I'm sorry.

Join direct action groups. Same concept as above. You'll have to search in your area but once you know people it'll be easier to find more opportunities. Some of these groups may overlap. You might find direct action opportunities by engaging politically and vice versa. GO OUTSIDE AND TALK TO PEOPLE WHO ARE DOING THINGS TO HELP.

Get involved in local politics. Here are some quick tips. A lot of things are affected at the city level - stuff like book bans and bathroom bills are often battled first at local libraries and schools, and you can be part of those conversations! Sheriffs are elected and can have a big influence on local policing. Local elections affect how tax dollars are spent, how homeless populations are treated, and lots more. Don't snooze on local elections. Get involved and stay involved.

Look up your representatives. Get in the habit of calling, emailing, and writing letters. Figure out what legislature is being passed and then call your reps and harangue them about it - both to support bills you approve of and shoot down ones you don't. Sign petitions. Join email campaigns. Here's one you can go sign right now from the ACLU. See? Not that scary.

I think a lot of people figure that getting involved in politics doesn't matter or that it's all small potatoes but...man. The president is not god, no matter what he thinks. The sitting administration is not the sole power in the universe. There is an entire machine of government we can lean upon and act upon.

Finally, some general safety notes:

Some forms of direct action are not legal. Take steps to be safe if you choose to partake. Follow the lead of more seasoned activists for what forms of communication to use and so forth.

If you're not willing or able to put yourself at legal risk to act, you can help others by donating to bail funds and legal defense funds.

We've already seen this in some areas, and it will only get uglier - some bad actors are feeling emboldened by the change in regime and will misbehave. It's a good idea to learn some self-defense skills, in whatever way is comfortable to you, and brush up on some tenets of victimology that can help you stay safe. I'll write more about that in the future.

All right. That's all for now. It's by no means comprehensive...but should hopefully help you get started taking the next step. Stay safe out there.

[utilitycaster]

this may seem needlessly finicky but I do actually believe it's important: calling Verin a himbo is just one of many examples where like, one of the cast says something off the cuff and it's not exactly the right word or it is highly contextual, and that is fine because no one is perfect especially in improv, but then it gets repeated ad infinitum within the fandom when it never really fit in the first place. We have Verin's stats and he's decently more intelligent than average with a 13 (smarter than most of Bells Hells for one; as smart as Pike); it's just he's the guy with a bachelor's degree with good grades followed by military service in a family where everyone has two PhDs - Matt said "himbo of the family" the way in a family where most people are exceptionally tall you'd call the 5'11" child the short one. In Call of the Netherdeep he appears as thoughtful and competent and promoted to a difficult position at a very young age, and in the campaign his appearance is simultaneously as a leader of troops in a dangerous mission, and someone who cares enough about poetry from a completely foreign and distant culture to have tried to learn more about it. I'm sorry, but if you're using the word "himbo" I don't think you're processing a thing about the character yourself; you're just the latest repetition in a game of telephone that's been going on since mid-2021.

And that's not deeply bad on the surface, and I'm using Verin not because he is the character most wronged by this sort of thing but because he's recent and it's really clear where the word came from and that it's not a good assessment, but something I happen to have a decent knack for is pattern recognition in language. I usually find it really easy to pick up on when someone's plagiarized because of the language and pattern shifts. I tend to remember urls and out of place words well. So I do tend to notice when everyone suddenly starts using a single turn of phrase and I tend to flag it. Sometimes that's not bad; sometimes it means everyone came to a similar conclusion and that's the best way to express that conclusion. But like, when Taliesin called the Yios episode a gas-leak episode and the entire fandom started parroting it? The line "bone-dry takes"? The fact that a lot of ship defenses I see were phrased precisely as "I have eyes"? without actually talking about the ship itself? the fact that I've seen a spike in the use of the term "ontologically evil" including in myself and not all uses are actually correct? And extending this beyond strictly language but consider any headcanon with minimal textual support that catches like wildfire (sidebar: remember how we make, or made fun of the SPREAD THIS LIKE WILDFIRE tendency on Tumblr a decade ago? same concept of repetition of a specific turn of phrase without internalizing) all sort of ping this.

And it's fine, truly, to come to fandom and turn off your brain. I know this will sound sarcastic from me, and that's because I don't personally agree, but I do strongly agree that you can do what you want in fandom and you don't have to listen to my opinions so in the end, yeah, it's fine because I am not the arbiter of "fine". But I think critical thought is a vital exercise and I think precision with language is part of it and so if you find yourself using the same exact words and thoughts as everyone else, that should, ideally, trigger a process of "but are these the right words? what do I see when I see this character and how would I describe them? do I agree with this assessment?" Fandom is an interesting and easier microcosm than reality in which to start doing that.

[ratretro]

So because I'm not normal about them I kind of wanted to look at a specific page of this comic:

Buckle up this is gonna get long

I think it's very interesting that Till isn't in his own art piece, to start with, but also how this scene is portrayed. Throughout the 4nakt Garden pages you see a different side to Till. The side where you get an idea about how serious music is to him and how deeply he loves it (maybe even because it's one of the last connections to his mom that he has). You see how deeply he loves to create in the way he draws. Almost as if he wants to leave pieces of himself behind, to show he was in this world and that he had lived.

In his biggest artwork, while he's not in it, the other 4nakt are a centerpiece of it. You have Mizi (she's a bit more detailed and so a bit more noticeable right off the bat) underneath the tree, wind blowing through her hair and it feels very free. Like she could do anything, be anyone, lead everyone around her.

Behind her is Sua at a slight distance which we've never seen before. Where Mizi is, Sua will always follow, but here she seems to hang back. She's not showing movement as if she means to follow like Ivan who's walking.

Now, Ivan is separate from the other two, but he's walking forward with what feels like intent to me. Who knows what he's up to or where he's going. We just know he's moving forward. But this is often how Till felt about Ivan anyway. Till has always said he doesn't understand Ivan; Has even called him annoying lol but it's the gap between the 3 that has me curious.

Maybe Till was wondering if that was where he should be. Maybe I'm delusional because he was consistent in his affection for Mizi (whether it be seeing her as his god or just having a boy crush) but I'm thinking about the way he hesitated in the meteor scene. I'm always thinking about the meteor scene it's my roman empire.

What if Till isn't in the piece because he doesn't know where to be. Is he moving forward with Ivan or staying behind with Sua to always be behind Mizi but not dare to be near her? What if this piece holds his slight confusion.

He hesitated before leaving Ivan behind in the meteor scene. Art portrays the emotions of the artist is what I've been told and Till is at his core very emotional. Till feels with his entire being. And that has always seeped into his work whether it be songs or sketches. Examples: drawing Mizi on his music sheets, drawing Ivan on the Cure lyrics after he died. A mixture of music and the things he's thinking or feeling in that moment.

Now, I'm sorry to be delusional it's my fatal flaw

But in the scene where we get to see the finished work it says that the 'product' was not left to be lonely and Mizi is clearly in front of him but he's not interacting with her; he's interacting with Ivan. This page that's putting emphasis on Till not being lonely does have the people he cares for in his art and Mizi does have a clear place in that, but physically he's hanging back with Ivan.

Everything is always a bit too late with those two but maybe Till had finally made a choice to walk forward with Ivan.

Anyway thanks for reading my delusional take on ivantill

[empty-vessel-of-a-person]

Banters and Domesticated

Note: This is Dedicated to the user (I forgot her/his name) who says that Zayne's Moonlit Dream and Heartstring Note is unsatisfactory.

My first question is, are we reading/watching the same memory? And 2nd, do you really know Zayne?

It's a bit unfortunate that indeed, Zayne's memory/cards have seriously less detailed kindle part. But if you go through the whole story, MC and Zayne have the most solid and steady relationship among all LaDS men.

This is not to compare MC's love for Xavier, Rafayel, and Sylus, but rather take this as how different LaDS men love and handle being in a relationship.

So Let's Go back to the "Moonlit Dream" card. You can go through the memory again if you want, but notice that when they get reunited, the background music is just so heartwarming. I know that it was not animated with MC and Zayne together, but their dialogue and action speaks louder than any outward love confession. They're familiar with being close to each other is not common with other LaDS men.

Another fact to consider is, Zayne and MC are the only pair that was on a date when Wander in Wonder Event Happens. They are always showing that whatever time they have left for themselves, they always spend it with each other. In line with this, Zayne confirms in Heartstring Note that he is not the only busy one, because when it comes to work, they are pretty much the same.

Kindly note as well that MC always willingly let Zayne hug, carry, cuddle, and be intimate with her. She even tests Zayne's resolve by sliding her hands inside Zayne's sleeves. And he cracks..

In Heartstring Note, they are being mistaken as parents and their love has been compared to how wife and husband love each other. This is seriously the most heart melting scene and yet they playfully banter with each other. Being able to laugh at each other's dry humor and still ending a day with a hug is just the perfect example of unconditional love.

I know I've been spouting random scenes but it will all make sense here.

Zayne is a very private and conservative person and this was shown on all of the Kindle part of his memories/cards. You have to understand that Zayne is not the type to go feral or dominating to show you that he loves you. He prefers to share his feelings and pure intentions through gentle touch and act of service.

Zayne is the type of guy you would want to be with when you are old and grey. Someone who is content just being with you.

Zayne is not like Xavier who can unknowingly and/or innocently express his love (its like rizzing you unknowingly). He shows his love in precise and calculated matter that you will not mistake his feelings for you.

Zayne is not like Rafayel who can easily make jokes and be light hearted about it. Instead his dry humor will make you laugh because he is kind of awkward sometimes.

Zayne is not like Sylus who monitors you 24/7 because you already and willingly communicates with him.

It's the quiet moments with him that stand out. And it may not be shown yet on any of his Kindles, but MC likes going to sleep/waking up in his arms (source: drunken intimacy, snowy serenity, hidden motive, mystic adventure event) They are practically sleeping in either on thier home.

Please don’t let your disappointment from the developers blinded your love for Zayne. Also note that this is how a real life love story works, you have to sometimes look beyond what eyes can see to know how different your man shows affection for you. Yes, sometimes Zayne’s Kindle Part is short and less eventful, but to say his memories are unsatisfactory, sorry but I have to oppose you in that.

Let’s be mindful of what we say and review facts before posting so no negativity will spread in our beloved game… PEACE OUT!!!

[hyenafu]

I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.

[whysperingwoods]

Fear-mongering and herbalism

Herbalism is a crucial element for many practitioners of witchcraft, and lately I've seen a lot of fear-mongering in the #baby-witch and #witchblr tags that it's raising some serious red flags. Caution is necessary, yes, but over-simplified warnings against herbs that have a very long history and tradition of safe and effective use can rob people of accessible, beneficial ways to take an active role in their own health and wellbeing.

True: People absolutely need to be cautious about what they are putting in their bodies. True: "Natural" does not equate to "good" or "healthy". True: You need to speak to a medical professional regarding medical issues.

All these things being true do not mean that you cannot find plants that are safe to ingest, and that can benefit your health and support you. You can use herbs safely and you do have the power and ability to find information about them.

I've literally seen posts that say not to ingest any kind of herb because "you don't know what's in them" and "you don't know dosage, so it might harm you".

This lack of nuance is precisely the type of thinking that breeds misinformation and unnecessary fear, as if there is not enough of that to go around! It seems like because MAGA and anti-vaxx folks have been using the line "do your own research!!" so much, people are associating research with... right wing conspiracy theory? Somehow? Don't forget that being capable of doing good research also means being capable of evaluating your sources, and thinking critically about what you're reading.

Here are some of the misconceptions I've come across in the last couple days:

Laypeople can't safely use herbs

Fear of toxicity in herbs is common and rational, but herbs that you can find in your kitchen are food-grade and widely available. You don't need to eat them in enormous quantities to experience their benefits.

For example, thyme can help support the lungs during cold and flu season. Ginger tea is great for minor digestive upsets. These are things you have access to and can provide a safe means of relief.

Local apothecaries are very knowledgeable about where they source their herbs and what dosages are safe. They are also able to tell you if their herbs are pesticide-free, organic, etc.

Where you want to be cautious is ordering herbs online, especially places like Amazon or Etsy where there is no control whatsoever. Even supplements have been found to frequently not contain what they are said to contain, and you really have to do research about the company you're buying from beforehand.

If you don't have a local apothecary, you can still buy herbs online! Just make sure you are using a reputable website such as Mountain Rose Herbs where you can get bulk herbs.

Lesser known herbs require more caution, but there are fantastic books about herbalism and they provide information on dosage and various ways the herbs can be used responsibly. Your local library is almost guaranteed to have several books about herbalism, and if you aren't sure about a particular herb, look it up in multiple other resources to see if their information matches up. You can even find information about many commonly used herbs on WebMD.

Also, don't forage herbs that you plan to ingest if you are not experienced. This is a recipe for disaster, and incredibly dangerous. I'm not going to go into super huge detail about this, because it would merit its own post, but seriously, just don't do it until you have experience. Plant identification apps are not sufficient to identify herbs you plan to ingest.

Herbal remedies cure major illnesses

Herbs can play a supportive role, but it's crucial to recognise their limits. Herbal medicine should complement, not replace, medical treatment for severe chronic conditions. Clinical herbalists are trained to assess what's appropriate for herb-based support and when a situation requires immediate medical attention.

Herbs are not a panacea that will cure every ailment. Every person is unique and any single herb can have wildly different effects on the body. Some people might find incredible relief, while another person may find no effect at all, or may even find an herb doesn't agree with them.

Herbalists think they are medical practitioners

Because there is no federally regulated body for herbalists, people sometimes think it's the wild west out there and anyone can do anything, but that's not the case. Herbalists are not exempt from the law, and no one is legally allowed to practice medicine if they are not licensed to do so. Period. No amount of traditional knowledge changes that.

While the herbalist profession is not regulated federally, there are regulating bodies that are run by herbalists and that set standards for what is expected and permitted. If you search for "herbalism guild Canada" you will find the Canadian Council of Herbalist Associations which has tons of information, and some provinces also have their own guilds. Most guilds will have a list of reputable herbalists that you can access and they have strict requirements for being added to those lists. You can find these requirements on their websites and gauge them for yourself.

Part of training to become a clinical herbalist is knowing you are not a medical practitioner. You are taught not to diagnose people, and how to recognise when something is outside of your scope of practice.

From the CCHA:

9. A registered herbal practitioner will  offer interdisciplinary collaboration with other health professionals

Herbalists focus on holistic, complementary care, rather than taking on the role of medical practitioners. A qualified herbalist works alongside them to support the body's systems, rather than attempting to independently treat or diagnose medical systems. For example, they might work with clients to ease side-effects from medication, but they won't independently treat serious conditions like infections.

Herbalists are anti-vaxx and anti-science

The vast majority of clinical herbalists are not anti-vaxx or anti-modern medicine at all, and focus on combining traditional knowledge about plants with modern science. Are there herbalists out there who are anti-vaxx? Absolutely, just like any demographic you can find people who are spouting nonsense, but that is not the norm.

Thankfully, herbalism schools and herbalists are pretty up front with their beliefs. The CCHA has these requirements for herbalists in the guild:

3. Herbalists have an extensive knowledge base combining traditional wisdom and modern scientific perspective       [...] 7. A registered herbal practitioner is trained in herbal safety, drug interactions, and possible contraindications [...] 10. A registered herbal practitioner is accountable  to a professional organization, must maintain annual continuing education and must abide by professional standards 

When I was looking for a clinical herbalist myself, I always checked their website information and whether they were registered with a guild, and what the requirements for that guild were. The herbalist I chose also had a clear section on her website where she stated that she had experience working with people on psychiatric medications.

You can also often find their stance on other things such as LGBTQIA+ issues (such as statements on their website regarding their approach to HRT).

The school I ultimately selected for my education was one that had explicit information about how they integrated new science into their curriculum, and how frequently it was updated.

If you are not finding the information you're looking for, just ask! It's completely acceptable and not rude to contact an herbalist and ask them what their approach is on the things you are concerned about. They will be happy to answer these questions and give you any information they can to help you decide if they are a good fit for you.

Conclusion

Herbalism is not about replacing medical care or promising miracle cures. It's about tapping into centuries-old knowledge and combining it with modern insights. Embrace herbs with curiosity, responsibility, and respect, and you can have an incredible and beneficial relationship with them.

I'm sure there are plenty of points here that I have omitted or not sufficiently covered. I hope readers will take this as an indictment of the author, me, rather than one against herbalism as a whole.

[zeondraws]

It is 4AM in the morning, I should hit the bed asap. But I needed some time on my own tonight, because I've been supressing feelings way too much the past months. (Thought post about random thoughts, no clue if they make sense it's 5AM when I post this)

I found it really hard to talk to friends about my emotions as of recent. One reason might be, that I still suffer some pain I endured from the old work enviroment.

Somehow I often just want to be left alone, I feel very drained most of the time. But that often leads to a loop effect and I isolate myself further.

Like, at the old workplace I was expected to do something constantly, if I wasn't working on anything for over 3min I'd get scolded or yelled at. Or my coworker would become an adult baby and behave strangely. The other coworkers never saw anything wrong with him, so I was extremely afraid that everyone else had something against me. My old boss would side with him from time to time. The constant demand to stay productive was so draining.

In the end I got replaced, I mean I thankfully found a new job by then. But a new person came in, another inexperienced young person who seemed nice and all. Not sure how she is doing in that place, either she fits right in, or my coworker is making her endure the same pain, or he just overworks himself as he usually does. A person who had my job before I came, became extremely demotivated there and simply left to another workplace.

I try to explain this a bit to highlight some difficulties I am experiencing atm... I don't talk to family about my feelings that much. I tried but, they get easily offended if I vent too much. I have no called my dad back in a while, I already know when I call him back he will only be offended. Or maybe I am spiraling rn. My head makes things appear worse than they actually are.

You guys see how much stuff I have been doing on tumblr the past months or so. I don't remember how long it's been, but... I am still in this mindset of constantly working and staying productive. I rest when I can but I always get the feeling "I have to stay productive" and work on stuff, even when I am sick. In a way it helps to not fall into thoughht spirals, tho then I don't give myself enough space to rest.

I don't know what my end goal with this endless productivity is supposed to be, I want to be helpful in some way and feel like I belong somewhere. But even right now I feel like something is missing... I can't grasp this thought, I don't know what my end goal is. Been messing with fmodel so much to get the game work on this for datamining, I posted a thread on the fmodel server and they said the game is fully working with it. Which suprised me, that I was able to achieve that. Was I the first one to do so? I always thought there is someone better than me already. I often just think I will be some replaceable object, where someone else just takes my place. And this thought... spirals in a way- where I think very less of me. Stuff like I will be forgotten anyways or hmm someone better comes.

My family treated me like an object at times, not letting me decide what to do. Old coworker did the same and I am expected to just agree to everything they say. I tried extremely hard to fight back at the old workplace but I was always met with a wall.

Sometimes I would struggle venting to friends, because when I felt the lowest I get very clingy. I think when I saw Muir in game I noticed some similarity in him in me for example. Even tho I hate to admit that thought, but I have gotten way better at being less clingy. Maybe it's because I grew up a bit more. I definitely ain't the same like 4 years ago. But not to sidetrack too much... sometimes I would vent to friends and they'd bombard me with advice or, maybe some advice felt off for me. One friend once said that we're replaceable (job related) and that didn't sit right with me. Some of this advice would put me off so much that I would stop talking about my feelings with anyone, or just one small friendgroup. But I don't mention a lot there. I think... I think what I can see with myself is, I distance myself so much from everyone, I don't dm people to have a normal chat (I think I get very confused when I hear people dm each other all the time, what do people dm each other for...?I wouldn't know what to talk about), maybe I hang out on servers. I don't want to look at my main phone because suddenly so much makes me nervous again. I want to be alone the entire time and the meds stop some emotions from popping up.

So I have random outbursts where I would cry. and I really need to sit down after sleep and find a new group therapy.. today

I put ridiculous standards on myself sometimes, not wanting to appear weak and appear "professional". But my imagination of being professional is basically be emotionless and work without problems. Tho this doesn't make sense, perhaps I worry too much since I noticed some people really like what I do here. And I don't want to let people down in that regard. but I don't know how.

Earlier I was debating on wether it is strong if I show my weakness or if it's better to hide it. Tho hiding doesn't bring much for me, it's rather bad.

Yknow an earlier post where I mentioned I really like Roper? I get the feeling one of the reasons I find him interesting is, because the way he appears. He doesn't seem to show emotions that much, rather monotone and seems to be a hard working individual. Who sadly needs to do way more because Rennick makes things more difficult. Tho like, even if you see him in Marine Control later... he just suffers in silence. Ain't like Trots who went full bananas, or Muir feeling extremely anxious and all. Or Addair wanting to call his kids and Rennick just flat maniac. Roper just, sits there and tries to avoid saying much. Only thing he says is to keep Rennick away. Maybe the deleted soundfile of the scene says otherwise, but in my view it feels like idk he just ain't somebody who would talk about his feelings. Maybe Roper is some visual imagination of what I think a professional is, but I think he probably has different problems that could be way worse. Suppressing feelings is not good, I still have a lot to work on, on myself.

I am sadly getting too tired to continue this string of thoughts...I always feel very awkward posting my feelings on the web. I wouldn't know where else to thow them.

I will post something silly after sleep. I made some dumb screenshots ingame that literally made me giggle for half an hour ioudhwioeu. Okay, goodnight

[wearesorcerer]

But as I am not a Brit and do not commit drive-by argument -- or rather, since I started this, I'm going to continue it. Mwahahaha. Cut for length.

That would check out if we didn't roll for stats (you're a kitty cat? then you get Dexterity 16, no variations), or if everyone in the world rolled for stats, PCs and NPCs and monsters (so the +2 to the Dexterity of all kitty cats will result in statistically more dexterous kitty cats in comparison to, say, orcs in the general population of the campaign setting).

Although I do kinda see the appeal of the first one as far as stat generation goes, the second one is spurious: the only reason we don't roll for stats for everyone is because it's too time consuming on a DM's part to stat every single NPC as an individual. It's something that has gradually been phased out: in OD&D, BECMI, and at least AD&D 1e (possibly 2e), you did roll each creature's HD to determine HP -- and in many cases they didn't have ability scores listed, which makes me wonder if those just didn't exist for them (they were only their combat block) or if you rolled for those, as well. (My experience with editions before 3rd is too incomplete for me to know one way or the other, which I find to be a failure on my part.)

For the longest time, rolling stats was presented as an option for minor NPCs (and there was a whole stat array in older DMGs for semi-randomized stats for NPC adventurer-types by class to meet in the middle).

We roll PCs that way because, originally, they weren't guaranteed to be heroic in stature: it gave a way of potentially representing anyone. (This is also no doubt the origin of the Prime Requisite: you had to be this tall [have a stat this high] to enter [take the class] and you got a bonus to XP if you were so much over that threshold because the stats didn't give bonuses and penalties as frequently as they have since 3rd edition.) Or, at least, we did: I've found that dice rolling is the least preferred method of character generation in 5e both in presentation and in play. Mostly, we use the "Standard Array" (Elite Array in 3.x; standard was 13, 12, 11, 10, 9, 8) or a point buy setup that is meant to generate the same results and utilizes the same caps (8 - 15).

I'ma split things up a bit for your next paragraph.

If you get a +2 to Dexterity from your species, the combination of what you rolled and where you're assigning each roll could still result in a clumsy, Dex 6 kitty cat. (Which should not be impossible! Not all kitty cats are the same! And even if a tiny minority of them are clumsy, people are allowed to be special, and adventurers are expected to be special.) So if the stat adjustment from your species doesn't guarantee you'll end up in the average of your species, what's even its point? It has no point, if you ask me.

That literally is the point.

The best example I saw of this was Baggi the Half-Orc Barbarian, a character a friend of mine played in undergrad. Baggi had an Int of 3. Since I was taking a linguistics course at the time, I had found out that animals like chimps (in 3.x, capped at Int 2) had vocabularies of about 300 words and related this to Baggi's player, which she used as guideline's for Baggi's speech: she knew some words in Common and some in Orc. Even though her Wisdom was decent, she had to be directed a lot and caused problems for the party -- realistic ones, as the player in question had worked with mentally disabled people (especially kids) long enough to pull this off.

And everyone loved it. Baggi was the most memorable of the characters in that particular campaign. The incidents other players got into were memorable, but Baggi was by far the most interesting and memorable purely as a character.

(I'll come back to racial Int penalties, which is where this whole thing started, later.)

Raistlin Majere's notoriously poor Constitution also comes to mind. He managed to work in setting despite his frailty, frequently as a plot point. Hell, my first "Rogue" (it wasn't a Rogue, but it pretended to be one) had a Strength and Con of 3 and 4 (no, I don't remember which was which).

I can't think of an instance where a character has used a racial bonus to offset an extremely low roll, but it's not an outlandish idea. Hell, it's fairly strategic: if you roll well on most stats but have one that's really low, matching it with your racial bonus aids in the extreme. I've done it numerous times with low but not horrible rolls.

I hatehatehate this notion that you have to have high stats to work in the game. Perhaps adventurers need high stats to survive, realistically speaking. Perhaps they don't: people with disabilities have lived and even thrived in communities of humans since there were humans. There's a wheelchair user in the middle of splash art in the new PHB! (Doing nothing but posing in a situation-inappropriate accommodation, I might add: it's clear the character is probably an Artificer, despite that class not appearing in the book, and yet the chair doesn't have mechanical legs or a levitation device or whatever.)

But of course that's how 5e works: there are no racial penalties and the preferred methods of stat generation aren't rolling dice, but choosing an array or point buy, neither of which can give you a stat below 8 (and now nothing higher than 15, so whatever).

I've seen people talk about removing the abilities altogether since at least 3rd and more often now because they're not really used and no one has a low score. I think that's a shame, as having meaningful drawbacks that come up a lot is a great source of characterization. But I've said that already.

That's the logic which gave women a strength penalty in older editions.

The notorious Strength cap for women in 1st edition AD&D isn't the same logic at all. It flat out ignored that the different races didn't necessarily have the same underlying biology, for one, since caps applied to all races, and had nothing to do with stereotype. Which we're getting to.

(Next couple of paragraphs were continuation of the same thoughts I've already discussed. Moving further.)

Benefits: pick a +2 and a +1 stat boost OR or 3 +1 stat boosts, an origin feat, two skill proficiencies, and one tool proficiency, take 50 gold, off you go. Isn't that liberating?

I like that idea in practice, but y'know what that is? The same thing as giving each character a non-class progression with a bonus feat at 1st level and every level divisible by X (3 in 3.x, 4 in 5e) and assigning points or whatnot to skills. Like in 3rd edition. Which the backgrounds wanted to avoid by being packages and giving RP advice.

But more importantly, those bonuses? That's already represented in game by assigning your ability scores to fit your class. You are a Rogue with a high Dex because of backstory reasons, which is why you assigned your high roll to Dex. I'm not against the notion of class (or background) giving you ability boosts also so as to mitigate the problem of insufficiency in the stat generation mechanics, but taking it away from something that also has justification (biology) and has more justification to be static than upbringing doesn't make sense.

I'm not going to belabor the issues of racism in D&D. They are manifold and beside the point. But I will point this out: the logic behind having races give ability score bonuses is the same logic as having races provide racial features. It's biological determinism. And having an elf get +2 Dex fits with how elves work, whereas having your background give you +2 Dex is just "hey, I have more points from my point buy!" But I said that already.

As things currently stand (2024), race accounts for your size (almost always Medium, with being Small not mattering all that much), speed (pretty much 30), aging rate (purely cosmetic), whether or not you have Darkvision or resistance to something (which you can and will get, either outright or an equivalent thereof, via items), and something analogous to an origin feat that doesn't quite match (Elf Lineage vs. Magic Initiate, Halfling Luck vs. Lucky, etc.). Or, to go down to what's left that separates one from the next, a not-quite-feat and cosmetics. That's not just boring, that's irrelevant. And as far as biology goes, it's unrealistic. 5e had already downgraded so many races to a point like this already; now it's an extra step in character creation that exists because LotR had a fandom. It's to the point that the leading game in a genre that works really well for xenofiction cannot actually do xenofiction anymore: approaching racial personality traits gets questionable very quickly and biology seldom matters. At least the racial bonuses (and penalties!) made your choice of race material.

Undecided about D&D 5.5 and the 2024 rules

Pros:

Weapon Mastery

Cunning Strike

stat boosts and skills moving from Species to Backgrounds

the PHB rules glossary and the DMG toolkit (for ease of use)

origin feats, and general feats giving +1 to a stat

easier to homebrew player-facing rules (because feats and subclasses are more streamlined)

some big changes, some minor tweaks

Cons:

power creep (full assessment pending until the MM comes out)

uneven power creep

stealth makes no sense

they fully bailed on the skill system

strains suspension of disbelief even more

less support for homebrewed monsters

some big changes, some minor tweaks

The CR system needs playtesting with the new Monster Manual, so assessment pending. We're probably gonna see much more dangerous monsters: Cure Wounds straight up doubled the hp it heals, and healing in general is a lot more generous. I don't know if that bloat was necessary, or motivated by anything other than "players can do MOAR damage now, buy our new books to be COOLER!", followed by a domino effect.

At this point, I'm torn between incorporating a few 5.5 rules to 5e, or a few 5e rules to 5.5, or whole other subsystems to either (I'm looking at the skill system of Level Up a.k.a. Advanced 5th Edition, it's interesting), or abandoning D&D altogether (because I'm tired, not because it's that bad). But I'm pretty sure I won't adopt 5.5 as is.

Assessment pending.

[teagrammy]

I'm so tired of seeing takes about U.S. politics from people who lack understanding about how the branches of government, the electoral college, and redistricting work and affect us. Please return to high school Civics, I am begging you.

[sskk-manifesto]

(´･ᴗ･ ` )

[cthulhubert]

Catching the Record of Lodoss War OVAs on some channel's "animidnight" block was a formative experience for young me, and its design choices were scarred into my mind as the fundamental fantasy aesthetic. Which, uh, didn't exactly make me an odd one out anywhere because it hews closely to the ISO fantasy mold (and indeed helped make the mold).

"Record of Lodoss War" (I'm using quotes to indicate the literal phrase) is one of those odd-ball translation choices that ended up being iconic, just ever so slightly nonsensical, it stuck in the minds of kids like me that watched it young. A transliteration of the Japanese is Lodoss-tou Senki. -tou just means island; "senki" could credibly be translated as (and this may shock you) 'war record'. It's a specific term in Japanese that refers to the record an officer or attached scribe kept of the battles a military force took part in ("battle chronicle" is also a good translationand by metonymy is used for "military history"). As you might imagine, it's still popular in manga and novel names.

It started out as, not quite a novel, but a "RePlay", a record of the events of a table top RPG campaign, published in a magazine (Comptiq focused on computer games, but apparently content was content, and Lodoss got hugely popular). The mid-eighties predecessor to Critical Role, basically. It did really well, which makes sense, given that the dungeon master and the players were all published writers (the DM would publish what's called the first domestic Japanese high fantasy novels, Rune Soldier, in the same setting). It started out in D&D, but would also be played in Tunnels and Trolls and RuneQuest. In 1989, they ended up publishing their own set of rules, called Record of Lodoss War Companion, and later, Swordworld RPG (2.5edition came out in 2018!).

A series that was inspired and distilled a lot of the concepts that were and would remain popular in high fantasy settings in both Japan and America and then probably inspired another generation of iterations when the anime came back to America.

Some day maybe I'll watch the anime again, it finally got an English Blu-Ray remaster in 2017. I've read the manga and some of the novelizations in the mean time and, to be honest, they were pretty middle of the road, nostalgia notwithstanding.

Thank you for reading my ramble that was intended to be a short introduction to a short video game review.

A 2D exploration platformer with RPG elements (levels, stats, different bows and weapons to equip).

Briefly: a beautiful game. No flaws, but nothing that stands out either.

This game is beautiful. If you like the pixel aesthetic at all, I think you'll also love it. Critical hit in my visual sensibilities. It looks like Symphony of the Night looks in my nostalgia painted memories. The only note: it doesn't exactly take any risks, design wise, but if it did, that wouldn't be very true to the source material would it?

The music works.

Combat is pretty fun, if a bit easy. There are seven elements, you get wind and fire options for your basic attacks, and spells and special bows for the rest. Swapping elements changes your resistances too. The different types of weapons (long sword, knife, two-handed, spear, and throwing) offer some variety, as do the attractive designs. That said, for a melee based game like this, I prefer slightly more technical and challenging combat. Hollow Knight's a good example of my sweet spot, and Blasphemous is also well in my strike zone.

Movement is basically okay. You have to feel like a badass when you leave an after image trailing behind you. The wind element comes with the ability to hover (move slowly in mid air at up to your maximum jump height above ground or water), and they do a couple fun things with that. Other than that, it's all pretty straight-forward, which is a little disappointing.

They do some fun occasional fun puzzles with the archery.

Individual room design was fun sometimes, but the overall map design was lackluster. Yet another victim of the trend where leadership says, "Adding metroidvania tag increases sales, so do it," and design can only respond, "If we take a linear game, fold the map up in a spiral, and occasionally make you back track, that makes a fun exploration experience right?" It's been done worse but it's still not great.

This sort of game tends not to have a lot of story, but what there was was pretty good. One of those cases where the writers have a "twist" in mind, but did not intend for the player to be confused about it at all, just the character. The dramatic irony still makes the pay off satisfying.

It took me about 12 hours to 100%. It's on PC for 20$, which might be worth it. The Switch and PS4 versions are full price games, which is faintly baffling for a game so short, no matter how pretty and nostalgic.

And that's why I've shared so many words with my dash over what's ultimately a decent game; because of the anchor its series dropped in my heart in childhood.

Thank you for reading.

[kindnessoverperfection]

wild how the more i'm working on recovery. the more i realize how fucking bad i miss her.

[lieutenantselnia]

This is super random, but I've recently been watching more German movies (I really enjoyed the performances of some Downfall actors and wanted to see some of their other works), and like what the hell is it with 2000s German movies that there's way too often one entirely random scene with someone having their bare ass out😭😂

Of course it doesn't happen in every movie but still often enough that it's somehow noticeable? I'm not sure if it's more of a time or a country dependent thing, but at least in my perception I just don't feel like this occurs as often in more recent movies and series especially in those from the US (like, I feel I'd have noticed if it did because I'd probably be lowkey annoyed by it😂)

[agentromanoffsir]

neocities guide - why you should build your own html website

do you miss the charm of the 90s/00s web where sites had actual personality instead of the same minimalistic theme? are you feeling drained by social media and the constant corporate monopoly of your data and time? do you want to be excited about the internet again? try neocities!!

what is neocities?

neocities is a free hosting website that lets you build your own html website from scratch, with total creative control. in their own words: "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."

why should I make my own website?

web3 has been overtaken by capitalism & conformity. websites that once were meant to be fun online social spaces now exist solely to steal your data and sell you things. it sucks!! building a personal site is a great way to express yourself and take control of your online experience.

what would I even put on a website?

the best part about making your own site is that you can do literally whatever the hell you want! focus on a specific subject or make it a wild collection of all your interests. share your art! make a shrine for one of your interests! post a picture of every bird you see when you step outside! make a collection of your favorite blinkies! the world is your oyster !! here are some cool example sites to inspire you: recently updated neocities sites | it can be fun to just look through these and browse people's content! space bar | local interstellar dive bar creature feature | halloween & monsters big gulp supreme peanutbuttaz | personal site dragodiluna linwood | personal site patho grove | personal site

getting started: neocities/html guide

sound interesting? here are some guides to help you get started, especially if you aren't familiar with html/css sadgrl.online webmastery | a fantastic resource for getting started with html & web revival. also has a layout builder that you can use to start with in case starting from scratch is too intimidating web design in 4 minutes | good for learning coding basics w3schools | html tutorials templaterr | demo & html for basic web elements eggramen test pages | css page templates to get started with sadgrl background tiles | bg tiles rivendell background tiles | more free bg tiles

fun stuff to add to your site

want your site to be cool? here's some fun stuff that i've found blinkies-cafe | fantastic blinkie maker! (run by @transbro & @graphics-cafe) gificities | internet archive of 90s/00s web gifs internet bumper stickers | web bumper stickers momg | gif gallery 99 gif shop | 3d gifs 123 guestbook | add a guestbook for people to leave messages cbox | add a live chat box moon phases | track the phases of the moon gifypet | a little clickable page pet adopt a shroom | mushroom page pet tamaNOTchi | virtual pet crossword puzzle | daily crossword imood | track your mood neko | cute cat that chases your mouse pollcode | custom poll maker website hit counter | track how many visitors you have

web revival manifestos & communities

also, there's actually a pretty cool community of people out there who want to bring joy back to the web! melonland project | web project/community celebrating individual & joyful online experiences. Also has an online forum melonland intro to web revival | what is web revival? melonking manifesto | status cafe | share your current status nightfall city | online community onio.cafe | leave a message and enjoy the ambiance sadgrl internet manifesto | yesterweb internet manifesto | sadly defunct, still a great resource reclaiming online social spaces | great manifesto on cultivating your online experience

in conclusion

i want everyone to make a neocities site because it's fun af and i love seeing everyone's weird personal sites that they made outside of the control of capitalism :) say hi to me on neocities

[thedevotionaltour]

in terms of art alone im sorry. im a jrjr defender to my last breath you be fucking nice to him. i dont wanna hear shit❗️❗️❗️