#just another actual play podcast

[justanotheractualplay]

Five strangers striking out into the Western Desert just so happen to hop on the same wagon train headed into the sunset. They all have their own reasons for leaving The Six behind… But what will they stumble into when they stop in at the quiet town of Shady Glen for a little carousing before the next rough week of travel along the southern rim of the Solstar Canyon?

[rooolt]

Brian Murphy is constantly looking out for us losergirl dykes, first jaina bronzebeard, now Kenna ironheart. He knows what the people want

[gobstoppr]

Tetris Fanart.

I've been playing tetris while listening to horror podcasts. and yeah

[batsplat]

casey also talks about sepang 2015 what do you think of that

oh in that podcast? uh... lemme listen again...

yeah idk it's not really anything new I'd say? he's said basically all the same stuff in more interesting and extensive ways elsewhere. I think casey inevitably has a very 'well feuding is bad and helps nobody' point of view, has expressed that before in the past, does it here again, and he's also drawn a parallel between himself and marc on several occasions. which... well, of course there's similarities in terms of public discourse or whatever, but the parallel really falls apart whenever casey argues the feuds cost valentino. like, I do think it's sometimes important to just. keep in mind. it's interesting that casey draws this comparison in his mind but that doesn't necessarily means he's right about this. I'm not sure how you'd argue that starting a feud with casey cost valentino anything competitively? you can argue it didn't help him I guess, and then we can have a debate about the ins and outs of the 2008 season. we can also have an argument that in a hypothetical world where casey isn't ill in 2009, valentino doesn't break his leg and casey isn't on a piece of junk in 2010, and valentino isn't on a piece of junk in 2011-12, then actually maybe valentino sparking open animosity with casey COULD have cost him. but we don't know that! didn't happen! I wish we could have found out, but we never got the chance! as it stands, the tally on this is pretty straightforward: casey won the title when things were reasonably civil between them in 2007, and valentino took control of the following season at the exact moment he worsened the relationship between the pair of them in 2008. obviously, it's all more complicated than that and casey would of course argue laguna didn't negatively affect his subsequent performances... but it certainly didn't help them. like, at the very worst valentino escalating tensions in 2008 is a complete net neutral. after 2009, them being bitchy to each other every other tuesday was completely competitively irrelevant beyond maybe affecting how they approached occasionally fighting for a podium position. hey, maybe casey used that feud to fire himself up through sheer spite throughout the later stages of his career, but that doesn't actually support his anti-feud stance - it's basically the exact same thing as what valentino does. they're both quite similar in that regard! always so hungry to prove a point, to show how someone else is wrong. kinda half the point with this feuding business is to get yourself going, get yourself motivated, yeah. he straight up openly admits to using yamaha's repeat rejection of him as a way of giving himself motivation, and at the end of the day that's really not all that different?

anyway, what else does casey say... oh yeah, that him and the other aliens were already kinda prepared for this and had learned vale's tricks. that valentino had only been able to get into the minds of the previous generation. welllllll *wiggles hand* sure, I mean, he did clearly have to change his approach... he couldn't just use the exact same playbook to get to them, either on-track or off-track. but that's why he did change up the playbook... again, whether you want to believe valentino won his final two titles 'in the head' rather than just through pure pace kinda depends on how you assess the evidence, but it is at the very least a debate. and, y'know, it's always worth remembering that valentino's most important mind games with casey didn't happen in a press conference... it was on the track. and the on-track stuff really is just embedded in how valentino approaches winning. speaking of aliens, this is what dani and jorge have said:

like, valentino's entire approach to his riding, even to the way he's setting his bike up, is deliberately about directly fucking with you... he's not actually always trying to be faster than you as much as he's trying to give himself the tools to make your life miserable, to pressure you into mistakes, etc etc... and again, especially with casey (if anything because he was so mentally sturdy), the off-track stuff was really just window dressing. (I know they bicker a lot after 2009 but it's just so fundamentally irrelevant to actual on-track competition.) so you can be aware of those tricks, but it also doesn't necessarily help you when someone's being nasty to you on-track in a way you just fully do not enjoy. which is what it was like for casey! for casey, a lot of this comes back to the truly unpleasant context of how he was perceived by the public, how he was treated as mentally weak or 'broken' or whatever partly because he had the misfortune of coming up against a bloke who had the reputation for breaking rivals. I think it's quite natural to end up with a bit of a hardliner 'actually I've never been mentally affected by a result in my life' stance - and of course casey is a lot tougher than a lot of people give him credit for. that being said. sometimes your rivals affect you, shit happens, it's part of the game. it's fundamentally a nice idea to think that valentino's tactics weren't just morally wrong but also ineffective, which is kind of the appeal of this narrative, right? you want to believe you're above that, you want to believe you were adequately prepared and wise to valentino's tactic. it's unsurprising and understandable that casey does tend to tell the story that way, but again it's *wiggles hand* also hard to describe it as completely factual

uh. what else. oh I'm thrilled casey does canonically know valentino and marc were friends, he has said he wasn't following motogp too much during that time period so you couldn't be sure of that. does this mean anything? does it tell you anything? well, no, but it's just a pleasing thought to me. I like that. oh also 'provoking particularly aggressive riders isn't a good idea' is kinda a funny take from casey? like, he of all people would hate the idea of being cowed by someone's reputation like that... casey's right that provoking fast riders can potentially be dangerous, but y'know I do think that's probably not news to anyone almost nine years later. um. that's all I've got I think

[mell0bee]

also speaking of which, i’m gonna be spending the majority of my time this summer hunched over a microscope and have a LOT of time for audio stuff sooooo

1- naddpod followers/tag scrollers, where should i start listening? do i have to start in order of the campaigns or can i start with the most recent one? and if the latter is the case, where would you recommend starting?

2- anyone have any other podcast (actual play or not) or audiobook recs?

[carcrashcockrash]

auuggghg wauughh im dying from a deadly diseas. its called ate pizza and macdonalds and soy all in one day disease an d symptoms include exploding. u mgiht want to step back brother

[thatdeaffeel]

TDF when you want to watch a show and write at the same time but the mastering is so bad you can't hear any of the dialogue over the OST so you have to choose and your ADHD is screaming

[yarnshoes]

[orcelito]

Ok so upon consulting some friends it has become clear that I should try to get this video sent before 5 pm today. No sims for me until after it's done. I also need to clean, but I think I can finish all of the essential things in an hour's work or so. Won't be spotless, but so long as it's an acceptable amount of clutter, then it'll have to do.

And then I will start practicing. Scales should be easy enough. Just gotta warm up and all. The song is the tricky part, bc I have no idea what to do yet 😭 but I'm gonna look in my folders and if there's nothing that would work playing solo that would ALSO not be too hard to play after only a few hours of practicing, then I will look in my music books. There's Gotta be a relatively simple solo piece in there.

I may be wildly out of practice, but I WAS the 4th best violinist in my high school, once upon a time. My wrist may be stiff and my fingers unpracticed, but the muscle memory's gotta still be in there somewhere. Just gotta have faith in that.

[intomybubble]

I’m still playing Sims 4 and so I made a household with a Sim of myself so I can try doing a bunch of different careers (for the items lol)

I ended up romancing Don Lothario and accidentally had his kid after downloading and trying out the WW mod (we had 1 date prior, and I asked for him to live in with me afterwards).

I wasn’t paying too much attention to his name (since this was my first time playing Sims 4 since mid 2010s and I don’t know characters or lore), and used the random name generator and named our daughter, Dawn. I did not realize I basically named her after him lol.

As things are now

We’re partners and “soulmates”

I go out to work (currently doing the spy career), while he’s basically my househusband

He was a creative freelancer when he was added to my household so he makes A LOT from paintings, and sometimes music

I gave him an variation of his default everyday outfit to give him glasses (bc I’m into glasses, but “lorewise” he spends more time at a screen for work so he started to need them)

I used a mod to change his “non-committal” trait into being a family man, and bc he’d still get tense from being “non-committal” (despite trying to get rid of it) I got a “carefree” potion from the rewards store RIP

I don’t 100% remember before changing it, but he was a decent dad beforehand. Now, its super cute seeing him chat and play with our daughter

My Sim wants to marry him, but I’ve been worried about him potentially refusing so I’ve just stuck with being “partners”

I did do a wedding on a different household (OC marrying Liberty) and that was a mess especially since I have no idea what I’m doing

I do now have actual venues to use in the future instead of the ugly base game park 👍

I did give my Sim the same necklace that he wears as a sorta “promise ring” in her outfits (I think its cute lol)

Bc I’m stuck on leveling stats, we don’t leave the house that often. But the WW mod has kept things… spicy without actual dates lmao

I think I’m going to try proposing and just having an incredibly long engagement soon…

[justanotheractualplay]

In this exciting conclusion to "In Contempt of Darkness," our unwitting heroes track a murderous shadowy figure around town, only to discover that the little town of Shady Glen is not what it appears.

[rooolt]

Not to like say “everyone should listen to naddpod” again, but everyone should listen to naddpod. I know it’s a more rules based dnd podcast with combat in honestly probably every episode, and that’s not some people’s thing, but it just doesn’t drag at all because 1) as I’ve said Brian Murphy is an encounter design god and 2) the players clearly love the game and are having so much fun throughout and it’s just such a joy to listen to and it just helps me fall in love with it all over again. For me, it has the perfect mix of knowing they’re an entertainment podcast and what that means in terms of pacing and in character decision making, while it still being clear that these people aren’t just doing this because it’s a hole they dug themselves into, but because it’s a genuinely enjoyable thing for them

[ghostinacardboardbox]

I just finished relistening to the Camilla Wester line and I just. LOVE her dynamic with Andrel.

Andrel is in a weird position most of the time because because she is a blue collar employee in a high risk job trying to pay off debts and educate herself (via dictionary), so she very much cannot be treated like a normal child. It would feel incredibly condescending to her and would minimize her accomplishments. But also she still IS a child and that has to be acknowledged. There’s a fine line between providing her the guidance she needs and treating her like she’s incompetent. And a lot of the characters try really hard to find that balance, but it seems to come just so naturally to Camilla.

Like they very much work side by side as equals but also Camilla is giving Andrel cute little nicknames and telling her she does a good job and then gets incredibly pissed when Andrel’s response is “thank you, I’m not appreciated enough.” She encourages Andrel to weaponize her youth to get Drix and Pip to buy her shit. Camilla never forgets that Andrel is just a kid but she also doesn’t treat Andrel like a baby.

[harrysfolklore]

oscar piastri being obsessed with his girlfriend: a compilation

MASTERLIST | MY PATREON | oscar smau

Oscar Piastri was known as the introvert and reserved driver on the grid.

While other drivers basked in the spotlight and didn't shy away from sharing details about their personal life, Oscar often preferred to keep his privacy.

However, when it came to his girlfriend, it was a different story altogether.

Oscar was what people called "a total simp" when it came to his girlfriend, always bringing her up in interviews, promo videos and casual conversations, and fans couldn't miss the opportunity to make several compilation videos and tiktoks about it.

The most popular one was called "Oscar Piastri being obsessed with his girlfriend: a compilation" and the 15-minute long video was filled with moments that made fans both awe and laugh.

It started with the clip of the first time he publicly talked about her during a podcast interview, rumors about him not being single were spreading around but nothing was confirmed.

"I do have a girlfriend, yeah," Oscar said, a small smile playing on his face.

"You're not very public, aren't you?" the interviewer asked.

“We keep it to ourselves and try to be out of the spotlight and just live normal lives,” he replied, “We have been dating for over four years now, she has been there for me since the start of my career and I couldn't imagine my life without her. She's my biggest supporter and keeps me grounded.”

The next video showed Oscar and Lando sitting next to each other wearing their McLaren shirts, filming a game called "Green flag or Red flag."

"Picky eaters," the interviewer asked and Lando immediately waved the green flag.

"He's a very picky eater that's why," Oscar said, making Lando laugh, "But, what if they eat fish, cause you hate fish."

Lando dramatically raised the red flag, making everybody laugh again.

"You wouldn't date a pescatarian then," the interviewer said.

"No," Lando shook his head, "They shouldn't be here."

"My girlfriend's a pescatarian, actually," Oscar said, looking at his teammate with a raised eyebrow, "I'll pass that on to her.”

"Noooo mate!" Lando immediately shook his head, waving his hands in mock horror, "Don't tell her I said that, I don't want to be in trouble with your missus! She's a lovely girl."

"She is indeed, but I don't think she'll like you very much after this."

The next segment was from his "Day in the Life" video with Quad Lock, where Oscar gave fans a glimpse into his daily routine. In one particular clip, he was in the kitchen making breakfast.

"So, this is where the magic happens," Oscar said with a cheeky grin as he poured pancake batter onto a hot griddle, "My girlfriend loves pancakes, so I make them every Sunday. It's become sort of a tradition for us."

The camera then panned to a candid shot of his girlfriend, who was sitting at the kitchen island, sipping coffee and smiling fondly at Oscar. She blew him a kiss, which Oscar caught with a playful wink.

"There she is, sitting pretty while I play housewife."

The next clip in the compilation was from a press conference, where a journalist asked him how he manages to stay focused with such a demanding schedule.

"Having a supportive partner really helps," Oscar said earnestly, "She understands the pressures and the demands of the job. She’s my rock and makes everything a lot easier."

"Does it get hard for her when your schedule is too busy for your relationship?"

"My schedule is never too busy for my girlfriend, I always make sure to make time for her. That's why we've been going strong for four years now."

Another McLaren game with Lando was included, this time they were playing Finish the Lyric with Taylor Swift songs.

"Do you feel confident about this game, Oscar?" Lando asked his teammate.

"I do, actually," Oscar nodded confidently, "My girlfriend is a huge Taylor Swift fan so I know a lot of her songs."

"We should get your girl to come and play then," Lando teased.

"She'd probably beat us both, hands down. But I'm not giving up just yet." Oscar chuckled, shaking his head.

The compilation video then transitioned to a moment in the McLaren garage before the first quali of the Hungary Grand Prix. Oscar was off to the side, chatting with his girlfriend, who had joined him for the event.

They seemed to be in their own little bubble, Oscar's attention completely focused on her and his smile wide as he listened to her talk. The camera captured a sweet moment where he gently tucked a strand of hair behind her ear and kissed her forehead. It was a simple gesture, but it spoke volumes about their relationship and fans absolutely melted at the interaction.

The next clip showed Oscar at a fan event in Australia, hundreds of fans gathered to meet the drivers and see them up close, Oscar was answering questions from the interviewers when he suddenly addressed one of the fans in the front row.

"I've got a girlfriend, thank you," he said into the microphone, making everyone laugh but look confused at the same time, "For everyone wondering, she just asked what my number was," the crowd laughed again even louder, "But I'm a happily taken man. You're nice but I'm not interested."

In that same event, he got asked what did he miss the most from the UK when he was back in Australia.

"My girlfriend," he immediately said, "Other than that the food is better here, the weather is better here. So my girlfriend, that's it."

The following video was also a fan interaction, this time it was a fan recorded video while he was signing stuff for those waiting for him as he arrived to the paddock for the Austin Grand Prix.

Oscar was signing autographs and taking pictures, when a fan handed him a photo of him and his girlfriend from a race weekend.

"Oh, this is a great picture," Oscar said, grinning as he looked at the photo. "This was taken at Silverstone, right? It was her first time at a race with me. She loved it."

"What's her favorite part about the races?" The fan smiled and asked.

"Probably the adrenaline and seeing me in action," Oscar chuckled, "But she also loves hanging out in the paddock. She gets along really well with everyone here."

The next clip showcased Oscar during a Twitch stream, where he was playing a racing simulator. His girlfriend walked into the room, and the chat exploded with excitement.

"Hey, love," Oscar greeted her, pausing the game.

"Am I interrupting you?" she softly asked.

"Nope, come here," he encouraged to come closer, "Everyone, this is my girlfriend," she waved at the camera, and Oscar wrapped an arm around her waist, pulling her into the frame. "She's the reason I'm still sane," he joked, earning a kiss on the cheek from her.

The video included one of everyone's favorite interactions between the couple, captured by McLaren's instagram team.

Oscar had just finished a quiali, earning a P2 position, the camera caught as he reunited with his girlfriend who threw her arms around his neck as soon as she saw him.

"Hiii," he shyly said, a hint of a blush on his cheeks.

"You did such a great job, baby," she said, still wrapped around his arms, planting a kiss on his cheek.

"I couldn’t have done it without you cheering me on," he replied, his voice soft and genuine.

The final clip was from the FIA Prize Giving ceremony, Oscar stood on the stage, dressed in a sharp suit, the Rookie of the Year trophy shining in his hands.

"First of all, I want to thank my team, McLaren, for believing in me and giving me the opportunity," Oscar began, his voice steady but emotional, "But most importantly, I want to thank my girlfriend. She's been my rock through it all, supporting me every step of the way. This award is as much hers as it is mine."

The camera panned to his girlfriend, sitting in the audience with tears in her eyes, smiling proudly. The fans watching the livestream couldn't help but gush over the touching moment.

As the compilation ended, the screen faded to black with the text, "Oscar Piastri: The Ultimate Simp, and Proud of It."

[rcmclachlan]

On this week's episode of Things I Think About While Driving, I was having myself a grand ol' time thinking about all the different times and ways Buck could've met Tommy earlier, and the one I kept coming back to was S4xE5.

Like, right after Buck walks out of Maddie's apartment having learned about Daniel...

He drives.

He drives and drives and drives with no actual destination in mind, operating completely on autopilot, for hours. No music, no podcasts, just the rush of wind through all the open windows of the Jeep and the echoing refrain in his head of so they made one.

It would've been an allogeneic transplant. He'd looked it up once when he was watching a 60 Minutes special on Myelodysplastic Syndrome. They would've taken the stem cells from his umbilical cord if the timing was right. Unless they tried it a little bit later, maybe waited a few months before they scraped Daniel's homegrown defense system right out of Buck's bones. He would've been too young to remember the pain and discomfort that came after. He wonders if he cried as a baby more than he would've if he'd been wanted for anything other than the hellfire missiles in his marrow.

And then it didn't work. Defective, right out of the gate. No wonder they've always treated him like a massive disappointment—he is one. He had one job and he couldn't even manage to do that much.

So he drives. He drives and he's furious. He drives and he's inconsolable. He drives and he's sorry. With every street he turns down at random, he moves onto another emotion, and by the time the gas gauge is nudging close to empty and the evening is giving way to night, the only thing he's capable of feeling is tired.

And hunger. He'd only had an apple before he went over to Maddie's.

So he circles back to Glendale Boulevard and decides on the place with a red lion on their sign solely because it doesn't look busy for 8:30pm on a Tuesday. There's even a free space in the little lot next to the building. Thanks, COVID.

It's pretty quiet inside, with a substantial bar set against old wood paneling on the walls, making it feel like an old tavern. He takes a seat at the far end of the bar where the lighting's kind of dim.

Turns out it's a German bar, so he orders a glass of Warsteiner, which he's never had before, and it's got a strong, malty backbone for a lager. The bartender tells him there's a Biergarten in the back if he wants to take his drink outside. 

Buck doesn't want to move from his little corner. It feels safe here, even with his mask off. At least two of the one hundred thousand knots in his back muscles have relaxed since he sat down. He quietly declines the offer, but he does order himself the sausage plate and a glass of Augustiner Maximator once he's done with the Warsteiner, which goes down so good he can't believe it's got an ABV of 7.5%. He orders a second.

He's in the middle of robotically eating a smoked bockwurst he can't taste, thinking so they made one, when the door to the biergarten opens up. A guy walks over to the bar and Buck throws him a cursory glance. Then he looks again. 

The guy is exactly who you'd find on the cover of the LAFD charity calendar: big and beefy, with the kind of high cheekbones that belong on a runway in Milan. Effortlessly handsome. Buck wants to tip his beer toward him, because, respect. He also wants to poke his biceps and ask what his regiment is, if he P90X's or something. Buck isn't a small man by any stretch of the imagination, but this guy looks like he could throw Buck around like a grizzly bear. 

Buck lets himself be distracted by watching the guy lightly tap his fingers against the bar to the beat of whatever 80s song is playing softly over the speakers. He's always loved people watching; it's a great way to get out of his head after tough calls. This guy is a particularly fascinating specimen. There's just something magnetic about him. Buck's known people like that: they draw the eye even if they're not doing anything to warrant attention. Without even being called, the bartender wanders over to the guy, no doubt drawn to whatever invisible light is coming off him. Buck can't hear what they're saying, but then the bartender turns and points right at Buck, who freezes, caught. 

The guy flashes Buck a thumbs up and asks just loud enough to be heard through his face mask, "How was the Warsteiner?"

Swallowing, Buck lifts the empty glass and says, "Uh, g-good. Full-bodied." 

With a thoughtful nod, the guy turns back to the bartender and says something too quiet for Buck to hear, but he figures it out when the bartender goes and comes back with a glass of what is clearly Warsteiner. The guy takes a sip, pauses, and then moves toward Buck, stopping before he gets too close. "Thanks for the recommendation. Hey, Jay, put his next one on my tab."

The bartender—Jay—gives him a thumbs up and goes to the register. Buck, mortified at the thought of being a charity case, of this guy pitying him enough to buy him a beer, opens his mouth to tell Jay he can pay for his own beers, thanks, when the guy holds up a hand to forestall the protest.

"German beer's not usually my thing. I'm more of a craft beer kind of guy, so really, I appreciate the assist. If it makes you feel better, pay it forward." His cheeks curve up, and in the bar lighting Buck can see there are long legs attached to the guy's crow's feet. He clearly has spent his life smiling. Buck would bet this man has never once curled up in the dark on his birthday knowing for a fact his parents weren't going to even text him and was still disappointed when the clock ticked past midnight and he had nothing to show for it. This guy's parents probably had a golden statue of him erected in their front yard.

Buck musters up a smile that feels like one of the little, weak waves that just sort of roll over the shoreline without any fanfare before dissolving back into the sea, and the guy tilts his head.

"Rough day?"

"Rough life," Buck says, utterly pathetic, and feels like he's betrayed all his friends for even saying it. "No, that's—that was incredibly ungrateful. My life isn't—I-I have a good life. I just learned something today about my parents that, uh, clarified a few things for me about our relationship. It... wasn't great."

The guy taps his finger against the bottle of Warsteiner in his hand, staring at Buck with deep consideration, flaying Buck from head to toe without a word. Then he gives a nod that smacks of commiseration and walks around the bar until he's only two chairs away. When the guy opens his mouth and inhales, Buck can already hear what's coming: surely it's not that bad. You should talk it out with them. You're being too hard on them. C'mon, they're your parents, they love you. 

"That sucks," the guy says, simple as anything.

Out of nowhere, heat starts prickling in Buck's nose and the corners of his eyes, and he looks at this guy and the calm, earnest expression on his face, and... yeah. Yeah. It does suck. It sucks so hard and it has for so long, and all his life he's wanted someone to tell him that, to hear him list every injustice and offer a crumb of support without any pretense or judgment. Buck gasps a laugh that sounds more like he's been stabbed, and he opens his mouth to thank the guy for telling him exactly what he needed to hear, but instead what comes out is... everything. The whole story comes out of him like an unraveling firehose, pulling longer and longer the more he talks, stretching from the day he crashed his bike—"But it wasn't my bike, it was his."—to sitting in Maddie's living room and finally learning the truth: that he hadn't been crazy, that something had been wrong his entire life and the something was him.

"They'd made a box for her—full of all these memories and little trinkets and pictures—and I bet you he had one with baseball cards and his first, like, pacifier, and Skittles, and whatever, but when I asked them where mine was, they looked at me like I had three heads, because human junkyards full of scrap metal and defective blood cells don't get baby boxes," he finishes on a shout. Panting like he just sprinted to Santa Monica and back, he finds himself deflating into his folded arms on top of the bar now that he isn't filled to the brim with 29 years worth of bottled-up grievances. This must be what bulldozed graveyards feel like: scraped clean and ready to be filled up again. Buck is surrounded by five empty glasses, a little mountain of twisted-up napkins, and a complete stranger who hasn't said a word since Buck began, and it's as a good place to start again as any.

Buck closes his eyes and stews in embarrassment for about thirty seconds, then turns his head to look at his audience of one. At some point, the guy had gravitated into the chair right next to him and took his mask off, revealing a stupidly handsome face, and his wide-eyed, slack-jawed stare makes Buck want to throw up a little. It may have been the cleansing Buck'd needed, but the poor guy didn't ask to be part of any of it. Buck doesn't know why he told him in the first place. This is the kind of thing he'd hesitate to blurt out to Eddie, never mind a complete stranger, but there had been something so oddly steady and compassionate in the guy's gaze that Buck had felt like he could trust him with anything. It had been so easy to just... talk. And to his credit, the guy had listened to Buck's entire rant—stopping Buck only twice to ask a quiet, clarifying question—without making a face, snorting, rolling his eyes, or getting up and just leaving.

Face warm, Buck shifts in his seat to try and get feeling back into his left ass cheek, then he opens his mouth to apologize for dumping all that on the him instead of at his next session with his fucking therapist.

But the guy just blinks out of his stupor and flags down Jay, who wanders over sedately. He taps the bar counter twice and says, "Yeah, can you just put the rest of his bill on my tab?"

When Buck sits up with an outraged squawk, the world spins a little, and the guy places a gentle but firm hand on his shoulder to steady him. He doesn't take it back right away and Buck doesn't shrug it off. The weight feels good.

"N-No, that wasn't—you can't do that, man," Buck mumbles, face hot. His mouth feels a bit gummy.

"I can and I did," the guy says. "Someone should treat you to dinner for putting up with all that shit for all this time. I don't know your parents from a hole in the ground, but I would happily drop 3,000 pounds of water on their house. Jesus Christ, and I thought my issues with my parents were bad."

"I never should've—"

But the guy shakes his head and tightens his hand on Buck's shoulder. "You absolutely should've, actually. If that had built up any longer, I probably would've seen you literally explode on the 6 o'clock news."

Buck snorts a laugh, rubbing his disbelieving smile against his sleeve. "Believe me, it wouldn't be the first time you saw me on the 6 o'clock news."

The guy gives Buck a curious tilt of his head, so Buck clarifies, "Do you remember a few years back when that kid was mailing bombs to people and he rigged that fire engine to explode? And it fell on that firefighter?" At the guy's slow, wary nod, he continues, "I was the, uh, firefighter."

At that, the guy sits up and his gaze goes so sharp that Buck wants to call Jay over and have him slice up some bratwurst on it. "You're with the 118."

Buck blinks, and then the guy introduces himself... as LAFD firefighter pilot Tommy Kinard, who'd gotten his start at Buck's own damn station. Who knew both Chimney and Hen when they were probies, and who watched Bobby walk in and turn the place into a house Tommy could be proud to be part of. Who had been their air support during the Doheny Park gas leak incident.

"That was you?" Buck glances down at the bar counter to make sure it hadn't cracked when his jaw hit it. "Chimney told us afterwards he'd called in a favor from an old friend."

Tommy grins and jauntily points to himself with his glass. "Except Howie was cashing in on a favor I owed him, which means I only owe him like 973 more now."

Over a round of drinks—another Maximator for Buck and a seltzer with lime for Tommy—Buck tells Tommy about who's at the 118 now and confirms which of "the most batshit insane stories I've heard about you guys" are true. He tells Tommy about the rollercoaster ride that was his recovery from the explosion, and then follows that up with being caught in the tsunami and being struck by lightning. In return, Tommy regales him with army stories, including the time he landed a burning helicopter under enemy fire, and his favorite calls from his time with the 118—the fucking rooster has Buck practically crying laughing into his arms. He also tells Buck about Hen's fearlessness in standing up to their asshole captain who was voted the LAFD's Most Likely To Have Been At The White House On January 6th, and how Chimney saved Tommy's literal life. He tells Buck that without Bobby showing up and making them into a family of sorts, without him being in their corner even when they didn't trust him not to abandon them like all their other captains, Tommy never would've found his way back to the sky.

Then Tommy gleefully drops a pipe bomb into the scant space between them with, "And you never would've joined the 118."

Buck squeezes his eyes shut to try and make his brain stop feeling so swimmy. "W-What? What does that mean?" His tongue is too big for his mouth. His words taste a bit funny, like they're mushy. He hopes Tommy hasn't noticed.

"You said you joined in 2017. That's when I left," Tommy says, the corners of his eyes crinkling. "I'm pretty sure you were the one who took my spot."

Buck untucks one of his arms so he can reach up to touch the hills and valleys running down Tommy's cheeks, then realizes that probably would be rude and tries to play it off like he was going to scratch the back of his own head. All he does is knock over one of his empty glasses. It takes a few clumsy tries before he successfully stands it back up.

"We missed each other," Buck mumbles. He thinks of what it might have been like walking into the station that day, seeing Tommy sitting between Hen and Chimney, smiling wide as he dished up more spaghetti. Maybe he would've turned that warm light on Buck as he passed him the tongs. Maybe Tommy would've shown him the ropes, got him through his first shifts, and even stopped him from stealing the engine for a booty call. Maybe they'd have met up for drinks just like this after their shifts were over, or as a way to distract themselves from bad calls the way Tommy's distracted Buck all night. Maybe they'd have been a two-man unit, and then when Eddie showed up they'd be a tri...something. Buck can't remember what it's called, but it means 'three'. Maybe Tommy would've been every bit as important to Buck as Eddie, Hen, and Chim.

He's hit with the realization that if he doesn't tell Tommy this, he might die, so he garbles out, "You're important. W-Wait, no. I mean, you could've... you were important... I—y'get the gist."

And Tommy must, because Tommy's smart and quick witted and a good listener, and he's looking at Buck fondly, like he might've done if he'd stayed at the 118 and they'd come through fire together, but he's also rolling his lips inward and his cheeks are trembling.

Buck whines, aggravated, because, "Y-You're laughing at me."

Tommy ducks his head and does, in fact, start laughing.

"'s so rude. Don't laugh at me, 's not my fault I'm defective." Buck buries his face in his arms in embarrassment. The cradle of it is so warm and comfortable he just stays there.

"You're not defective, Evan." Even though it sounds like Tommy's suddenly on the other side of the room, Buck can hear the matter-of-factness in the words. He says it like he'd said that sucks. "But you are drunk."

He's not. He's just really tired and his arms make for a great pillow. He also feels heavy and tight, which isn't good for a firefighter. What if he's called onto a massive scene? What if City Hall's on fire and he can't pull the mayor out because he's slow and weirdly full? What if his career as a firefighter is over?

"That's just bloat from all the beer and sausage," Tommy says from even farther away than he'd been a second ago. "Jay, can I settle up? I'm so sorry we kept you this late. You're getting a helluva tip, I promise."

His name's not Jay. It's Buck. But he'd introduced himself as Evan and... forgot to tell Tommy he goes by something else. But he likes that Tommy doesn't know that, because when Tommy says 'Evan' it sounds like how 'Buck' feels. He wants Tommy to keep 'Evan' in the warmth of his mouth, like how some alligators carry their young. For them, it's the safest place to be.

Buck wants to tell Tommy about the alligators, because they are super cool and only exist in two places in the whole world. He blinks his eyes open and finds his face pressed to something hard and cool. The bar stool feels a lot softer than it did a second ago. And it's vibrating.

There's a weight on his knee, shaking it gently.

He must've fallen asleep while watching Celebrity Death Match in the TV room again. Mom's going to kill him when she finds out. "Mads, five m're min's."

"Evan, you need to give me a building number."

"Hmmm...?"

"Your apartment building. I've been driving up and down South Spring for ten minutes. You gotta help me out here. What's your building number?"

"Mmm..." Buck rolls his forehead to chase the coolness. It feels so nice against his skin. He could just sink right into it.

"Evan, c'mon. You can do it. Tell me where you live."

"27 P'plar Road," he mumbles. He blinks his eyes open and catches sight of the rush of lights and road ahead, which blend together like they're about to jump into hyperspace. He's not in Hershey. He knows this road. Sighing, he closes his eyes again. "Oh. 's rowing. 409 at th' rowing."

He blinks awake when he suddenly trips over nothing, and he tries to stop himself from falling but there's nothing except the gaping maw of open space. But he doesn't actually go anywhere. Someone's got an arm around his waist. There's a name for that kind of rude awakening. He can't remember it.

"Two more stairs," the person with him mutters in his ear. "I'm begging you, lift up your feet before we both end up in the ER."

That's fine. He has his own bed there.

"Yeah, let's try to get you into the bed you have here first."

Strong hands lower him onto something soft, and he buries his face in sheets that are cool and smell familiar, his entire body smoothing out like the surface of a lake. Something tugs at his foot, and he rolls onto his back and tries to lift his leg to help, but he's comfy and cocooned in the dark. His sneakers get taken off anyway.

"Evan." Tommy's voice hangs in the air, soft and warm and invisible, and his name sounds like it's precious where it sits in Tommy's mouth. He read somewhere that alligators do that. "I'm going to get you some water and then head out. Do you need anything else?"

In the dark, he somehow lost his body, and he can barely see the outline of Tommy, but he can hear him step closer when Buck reaches out for him. When Buck's hand is caught, he's suddenly so aware of himself, of his blood and bones and every nerve trapped under his skin, and arches a little into the feeling with a quiet moan of relief.

Tommy knows about him. He knows Buck's cells are defective and he still bought Buck dinner and spent the night making him feel like he was made correctly from the start.

"D'nt go," he whispers. He's starting to float away, and he tugs on the hand holding his, trying to bring that steadfast presence on top of him, use it to keep him here. "Stay."

"I absolutely can't do that," Tommy murmurs. His thumb strokes over Buck's palm and it feels like he's dragging his tongue along the length of a nerve. Buck gasps. Something pulls tight and sweet between his legs, and he tilts his head back on the pillow, lips parting so he can suck in air desperately. So he's ready.

"Kiss me," he breathes.

He wants it so bad he almost gags. He wants all that weight and strength to hang over him like a bough, keeping him together, feeding his body what it's screaming for. He inhales deeply and the smell of indelible man fills his nose and the back of his throat, along with the faint hint of smoke and something sharp like snow. He wants a mouth on his. He wants strong, sure hands to run over his ribs. He wants to say I'm full of broken cells and I need you to fill me up with something better, but he's breathing too hard and the words keep blowing out of order. His legs slide open and the sound of them moving on the sheets is deafening. He's so hot, and so hungry. He thinks he's hard. He thinks he's dying.

The hand in his squeezes gently, but then it lets go.

Without it, Buck's going to dissolve. He's going to disappear. He squeezes his burning, wet eyes shut and pulls in a breath that is all wheeze, every part of him a live wire, unsteady and shivering and thwarted. So they made one.

"No. No," Buck sobs. "Y're just like them. You don't want me—no one... why. 's not fair."

The bed suddenly dips right next to Buck's thigh, right on the edge, and the hot press of a thumb against his chin stops him from howling his sorrow and disappointment. When it slides up and just barely brushes against his bottom lip, his mouth falls open. Yes. Yes.

"I'll tell you what." It's whispered so closely that Buck thinks he can feel the wash of breath over his tongue. "You remember any of this tomorrow? Call me, and I'll kiss you as much as you want. I'll kiss the idea you're unwanted right out of you."

Buck exhales in utter relief and sinks into the comfort of the bed as the weight next to him lifts away. He's going to do that. He's going to call and then let Tommy kiss him until he forgets he was ever unloved. But persistence pays off, so he tries one more time, even though he's suddenly so tired he can barely get the word out. "Stay."

"Sleep well, Evan."

+

When Buck wakes up, he immediately wants to crawl into a hole and die. His mouth tastes like there's roadkill in it and there's an egg beater trying to escape his skull by way of his left eye. Whimpering, he tries to bury his face into the pillow but half of it is wet with drool, so he reaches up and throws the stupid thing on the floor. His mattress is comfy. He can just plant his face there and suffocate, no problem.

He has no idea how he got home last night, which is terrifying. Everything after the third Augustiner is a bit hazy. He was talking to some guy who made him laugh, he knows that much. His mind conjures bits and pieces of his mysterious drinking companion: a wide, white grin; large hands; a voice he can hear the cadence and depth of but can't remember a single word it said. After that, he's got nothing.

It takes a few tries to unstick his tongue from the roof of his mouth and he rolls onto his side to put his back to where the sun is starting to filter through the curtains. The move puts the nightstand right in his line of sight, and when his vision focuses, he pauses.

There's a glass with water on top of it, but it's not the cup he usually chooses. It's one of the textured acrylic ones he picked out when he moved in that he absolutely hates using. Even though they're impossible to break, he feels like he's ten years old when he's forced to drink out of one. All that's missing is a sippy-cup lid.

Although he has to hand it to himself: the acrylic cup was a pretty solid idea, considering he might've knocked a real glass onto the floor sometime in the night and then cut himself when it shattered. Chimney forced Buck to watch Die Hard last year and it was a fun movie, but Buck has no desire to recreate the "shoot the glass" scene.

He slides his face a little closer to the edge of the bed so he can find his phone. It's sitting on the top of the nightstand, plugged in, which is almost as surprising as the acrylic cup. He never remembers to plug his phone in when he's sober, but there it is, charging away. His wallet and keys are also laying next to it. It's such a neat and tidy tableau that, for a second, he thinks he's still asleep and this is one of those dreams where only one or two things is out of place and he spends the entire dream wondering if he's dreaming.

If he were dreaming, though, he wouldn't feel like hard-boiled ass, so someone else had been here and got him squared away. Maybe he called Eddie for a ride home? Buck reaches for his phone and his fingers brush up against the edge of a piece of paper. A receipt? Maybe he took a taxi instead.

Buck squints at it, and he has every intention of grabbing it to look for clues, but he ends up dozing for almost two hours. By the time he wakes up, the sun has invaded every part of the loft, but he doesn't feel so much like he's about to slip this mortal coil. He'll take the wins where he can.

It only takes a minute or two of psyching himself up before he's able to roll into something resembling sitting, and after that he gives himself five minutes to drop his head into his hands and regret his life choices. Once he promises God, the Devil, Zeus, and the purple laser ghost of Prince that he will never drink to such excess again as long as he lives, he finally looks over at the nightstand where his phone is.

It's been set to Do Not Disturb, which is nice. It's not something he ever does, because he's afraid he'll miss something important, and when he turns it off the screen fills with dozens of missed calls and texts from Maddie and Chimney. He takes great pleasure in dismissing all of them. Nothing from his parents, of course. There's also one from Eddie asking if everything's okay because "Chim called me asking if I'd heard from you and he sounds like he's about to start climbing the walls using only his teeth."

It's followed by a text that reads "Bobby says to take your time coming in. What happened?"

He taps open the message to reply when he glances up and sees the receipt on the nightstand. Abandoning his phone in favor of learning just how much he spent on a DD, he learns it wasn't a taxi at all. It's a note written in an unfamiliar hand on a small piece of drafting paper.

Your car is parked at the Red Lion. Jay said it was OK to leave it there because you weren't in any shape to drive.

Underneath that is a phone number, and underneath that is a single line: Remember—as much as you want. But only if you want.

It's signed "TK".

Baffled, Buck brings a fist to his mouth, because he's not sure what else to do, and when his thumbnail presses against his bottom lip, something hot and shivery pops low in his belly. It's how he realizes he's got to pee so bad he's going to wet the bed if he waits any longer.

After he pisses for what feels like an eternity, downs four Advil, showers the sweat and shame off, he stumbles back up the stairs feeling wrung out but definitely more human. Once he's in a pair of clean boxers, he surveys the room.

There was a stranger here last night, but it doesn't look like anything's missing. He checks his wallet, but all his cards and cash are still there. His sneakers were neatly placed against the wall, out of the way where he wouldn't trip on them if he got up during the night. And there's of course his phone, fully charged for once, and the note.

He sits on the edge of his bed and reads the note four more times. Then he looks up the Red Lion's operating hours, but it doesn't open for two more hours.

Which leaves him with the number and As much as you want. But only if you want.

His mind immediately takes a swan dive into the gutter. It's probably not meant to be as sexual as it reads, but... he's not sure how else he's supposed to take it. TK's blocky penmanship reveals nothing.

Maybe after he was done talking to the guy at the bar he met some woman? Maybe she was the one to take him home, although considering how drunk he must've been, it couldn't have been an easy feat. That she didn't help herself to his money and was thoughtful enough to plug his phone in and get him a glass of water really warrants a thank you.

He looks down at the phone number.

He grabs his phone—100%, what an absolutely wild concept—and taps in the number, double checking it like four times while his finger hovers over the CALL button like an anvil.

What the hell. He's got nothing left to lose.

He taps CALL and brings the phone to his ear. It takes two rings before someone picks up.

"Hello?"

Not a woman. Buck sits up so straight they could use his spine as an I-beam level.

"Uh, h-hey," he stutters, looking around his room, trying to divine any lingering atoms this person might've left behind. "Um, I think you—I have a note with this number on it and—"

Thankfully, the mysterious "TK" stops Buck before he gets a good ramble going, his voice friendly as he breaks in with, "Evan! Hey. Glad to hear the Maximator couldn't keep you down for long. How're you feeling this morning?"

Buck's entire body goes warm as it relaxes from its ramrod-straight pose. "I, uh, a little confused. I don't remember getting home, but I guess I have you to thank for that." Buck pauses. "So, thank you."

"Well, you didn't make it easy." TK laughs, and it shivers down the line right into Buck's ear canal. "It took me a lot longer to figure out you were saying 'Rowan' and not 'rowing' than I care to admit, but we got there in the end. Your place is insane. Did you get a signing bonus when you joined the 118 or something?"

Buck blinks. An image of Bobby winning a fight against a rooster comes winging out of the back of his mind. "That—that's right. You're a firefighter. Uh, do you really fly with Harbor One or am I making that up?"

"You made me promise four times to give you lessons," TK says warmly. "I had to stop you from slicing your palm open so we could shake on it."

Ducking his head with a helpless chuckle, Buck nods, even though TK can't see him. "Yeah, that, uh, sounds like something I'd do. Sorry."

"Don't be sorry. I'd love to take you up."

He doesn't know how he got lucky enough that the person he made a fool out of himself in front of was one of the chosen few who are able to handle The Full Buck without too much of a fuss, but he's so grateful for it. They're a rare breed.

"Anytime you want, just tell me when."

Buck's gaze immediately shoots to the piece of paper he's still clutching in his other hand, and for no reason he can think of his heart rate picks up. His cheeks start tingling with blossoming warmth.

He curls a little into himself, cupping the phone closer to his mouth. "I-Is that what you meant in your note?"

There's a little pause on the line, and then when TK's voice comes back, it's softer. "No. That's not what I meant."

Buck swallows a mouthful of saliva and asks, just as softly, "What does 'TK' stand for?"

"Tommy Kinard."

Exhaling a shaky breath, Buck's eyes fall closed. He thinks of cool sheets under him, and feeling heavy and safe in the dark. His belly clenches with something like hunger. He bites his bottom lip and then licks it.

"... Evan? You still there?"

He doesn't know why his body feels like it's being pulled in a million different directions, or why the first thing he thought of when Tommy said "Evan" was baby alligators, but he does know this: on the worst day of Buck's life, Tommy Kinard made it easier to bear. He kept Buck company, kept him distracted, and then kept him safe.

I told you not to go, he thinks out of nowhere.

"Look, Evan, it's completely fine, and I promise I won't be offended if you don't want—"

Evan Buckley was born to fix someone else. He has defective cells and has never once been enough for anyone, and that sucks. But he's still here and this life is his whether it was meant to be or not, and he does want.

Buck opens his eyes.

"Hey, so, what are you doing Saturday?"

[asgardswinter]

A thread of Jon Bernthal being a zionist and why all of you should stop supporting him.

Especially if you actually care about Palestinians and ur going around cancelling zionists like Noah Schnapp and Amy Schummer.

You can read my thread on my twitter page:

https://x.com/aquasuperbat/status/1769431729385648594?s=46

First of all, Jon Bernthal has liked tons of pro-Israel propaganda posts on twitter

He signed a letter to Biden in support of Israel like many other celebrities

He never signed the letter calling for a ceasefire. I think that says enough that he still holds zionist views.

He platformed an ex idf soldier on his podcast. Giving people who have killed Palestinians and committed Genocide a safe place.

Jon Bernthal’s sister in law (his brothers wife) is Sheryl Sandberg, a billionaire who runs multiple technology companies.

She has spread a lot of misinformation about Hamas. Shes very pro-israel

After all of this, hes stayed silent on the massacres that has occured in Gaza. Hes stayed silent as children have been bombed and are currently being starved. Over 40,000 innocent lives, mostly women and children have been taken, but he doesnt hesitate to stay silent.

If you care about this then you will stop supporting Jon even if he plays ur favourite character. I LOVED his ver of Frank Castle. But i cant stand by him with his complicit in genocide while i see innocent lives being taken.

In the past month he hasnt liked any pro-israel content, most likely because he saw the amount of support Palestinians are getting and that celebs r being outed. Or his team has told him to stop. I dont believe hes changed his views.

In 2022 he followed the official Israel account on twitter but has since unfollowed it.

If ur gonna continue supporting Jon then block me. U disgust me if you do and you cant go around cancelling celebs like Noah Schnapp because then ur just a hypocrite. If ur against zionism then ull stop being fans of every zionist celeb.

This isnt the only disgusting thing hes done, he platformed an abuser on his podcast. Giving people like them a safe place. Most of the ppl he has on his podcast r men, particularly ex cops and military. Hardly any women. Dude reeks of blue lives matter.

Update: 10/09/24

He had Sean Penn on his podcast. A known abuser who got a felony got domestic assault against Madonna when they were married. Jon calls him his hero in a clip on youtube. In that same clip Sean praises Jon for having Shia Labouf on his podcast, another violent woman abuser.