#june 7 2021

[piglinmyfeet]

If they had the idea of inviting replacements for people back in 3rd life/last life, I think Scott should've covered for Joel back in 3rd life

There'd be no need for sharing account passwords, Scott could just run across the road every five minutes, put on a terrible Yorkshire accent, then run back and mourn his dead roleplay husband

(sidenote: this only works under the assumption that Scott or Joel Lizzie and had not yet moved house between December 2020 and June 2021)

[br1ghtestlight]

this is so funny to me actually bcuz this is 100% how i talk abt my characters ages. i know what YEAR they were born and i know what rheir ages are supposed to be at the start of the story but i dont actually know when it takes place?? im really bad at math. There was a moment where rainbow was supposed to be 23 and i somehow accidentally made her 17 lmfao

[mazu-art]

Dabi’s Dance Book 30 Completed or something!

[anniehathaways]

annehathaway: #33 Down!

I am very honored and proud to have been featured as a clue alongside (and among others): Rosa Parks, @ HalleBerry, Açaí Berries, The Eagles, Olaf (hi @ joshgad), Ewoks and-best of all-Nerds in Erika Ettin's debut puzzle for @ NYTimes. Congrats Erika! PS-thank you @ donsaladino for the shirt, less so the sit ups.

[xaviergalatis]

BiTCH IM FROM THE UKRAINE, YEAH

Yuh

[mariacallous]

The Ocean Sciences Building at the University of Washington in Seattle is a brightly modern, four-story structure, with large glass windows reflecting the bay across the street.

On the afternoon of July 7, 2016, it was being slowly locked down.

Red lights began flashing at the entrances as students and faculty filed out under overcast skies. Eventually, just a handful of people remained inside, preparing to unleash one of the most destructive forces in the natural world: the crushing weight of about 2½ miles of ocean water.

In the building’s high-pressure testing facility, a black, pill-shaped capsule hung from a hoist on the ceiling. About 3 feet long, it was a scale model of a submersible called Cyclops 2, developed by a local startup called OceanGate. The company’s CEO, Stockton Rush, had cofounded the company in 2009 as a sort of submarine charter service, anticipating a growing need for commercial and research trips to the ocean floor. At first, Rush acquired older, steel-hulled subs for expeditions, but in 2013 OceanGate had begun designing what the company called “a revolutionary new manned submersible.” Among the sub’s innovations were its lightweight hull, which was built from carbon fiber and could accommodate more passengers than the spherical cabins traditionally used in deep-sea diving. By 2016, Rush’s dream was to take paying customers down to the most famous shipwreck of them all: the Titanic, 3,800 meters below the surface of the Atlantic Ocean.

Engineers carefully lowered the Cyclops 2 model into the testing tank nose-first, like a bomb being loaded into a silo, and then screwed on the tank’s 3,600-pound lid. Then they began pumping in water, increasing the pressure to mimic a submersible’s dive. If you’re hanging out at sea level, the weight of the atmosphere above you exerts 14.7 pounds per square inch (psi). The deeper you go, the stronger that pressure; at the Titanic’s depth, the pressure is about 6,500 psi. Soon, the pressure gauge on UW’s test tank read 1,000 psi, and it kept ticking up—2,000 psi, 5,000 psi. At about the 73-minute mark, as the pressure in the tank reached 6,500 psi, there was a sudden roar and the tank shuddered violently.

“I felt it in my body,” an OceanGate employee wrote in an email later that night. “The building rocked, and my ears rang for a long time.”

“Scared the shit out of everyone,” he added.

The model had imploded thousands of meters short of the safety margin OceanGate had designed for.

In the high-stakes, high-cost world of crewed submersibles, most engineering teams would have gone back to the drawing board, or at least ordered more models to test. Rush’s company didn’t do either of those things. Instead, within months, OceanGate began building a full-scale Cyclops 2 based on the imploded model. This submersible design, later renamed Titan, eventually made it down to the Titanic in 2021. It even returned to the site for expeditions the next two years. But nearly one year ago, on June 18, 2023, Titan dove to the infamous wreck and imploded, instantly killing all five people onboard, including Rush himself.

The disaster captivated and horrified the world. Deep-sea experts criticized OceanGate’s choices, from Titan’s carbon-fiber construction to Rush’s public disdain for industry regulations, which he believed stifled innovation. Organizations that had worked with OceanGate, including the University of Washington as well as the Boeing Company, released statements denying that they contributed to Titan.

A trove of tens of thousands of internal OceanGate emails, documents, and photographs provided exclusively to WIRED by anonymous sources sheds new light on Titan’s development, from its initial design and manufacture through its first deep-sea operations. The documents, validated by interviews with two third-party suppliers and several former OceanGate employees with intimate knowledge of Titan, reveal never-before-reported details about the design and testing of the submersible. They show that Boeing and the University of Washington were both involved in the early stages of OceanGate’s carbon-fiber sub project, although their work did not make it into the final Titan design. The trove also reveals a company culture in which employees who questioned their bosses’ high-speed approach and decisions were dismissed as overly cautious or even fired. (The former employees who spoke to WIRED have asked not to be named for fear of being sued by the families of those who died aboard the vessel.) Most of all, the documents show how Rush, blinkered by his own ambition to be the Elon Musk of the deep seas, repeatedly overstated OceanGate’s progress and, on at least one occasion, outright lied about significant problems with Titan’s hull, which has not been previously reported.

A representative for OceanGate, which ceased all operations last summer, declined to comment on WIRED’s findings.

[fatliberation]

they have a point though. you wouldn't need everyone to accommodate you if you just lost weight, but you're too lazy to stick to a healthy diet and exercise. it's that simple. I'd like to see you back up your claims, but you have no proof. you have got to stop lying to yourselves and face the facts

Must I go through this again? Fine. FINE. You guys are working my nerves today. You want to talk about facing the facts? Let's face the fucking facts.

In 2022, the US market cap of the weight loss industry was $75 billion [1, 3]. In 2021, the global market cap of the weight loss industry was estimated at $224.27 billion [2]. 

In 2020, the market shrunk by about 25%, but rebounded and then some since then [1, 3] By 2030, the global weight loss industry is expected to be valued at $405.4 billion [2]. If diets really worked, this industry would fall overnight. 

1. LaRosa, J. March 10, 2022. "U.S. Weight Loss Market Shrinks by 25% in 2020 with Pandemic, but Rebounds in 2021." Market Research Blog. 2. Staff. February 09, 2023. "[Latest] Global Weight Loss and Weight Management Market Size/Share Worth." Facts and Factors Research. 3. LaRosa, J. March 27, 2023. "U.S. Weight Loss Market Partially Recovers from the Pandemic." Market Research Blog.

Over 50 years of research conclusively demonstrates that virtually everyone who intentionally loses weight by manipulating their eating and exercise habits will regain the weight they lost within 3-5 years. And 75% will actually regain more weight than they lost [4].

4. Mann, T., Tomiyama, A.J., Westling, E., Lew, A.M., Samuels, B., Chatman, J. (2007). "Medicare’s Search For Effective Obesity Treatments: Diets Are Not The Answer." The American Psychologist, 62, 220-233. U.S. National Library of Medicine, Apr. 2007.

The annual odds of a fat person attaining a so-called “normal” weight and maintaining that for 5 years is approximately 1 in 1000 [5].

5. Fildes, A., Charlton, J., Rudisill, C., Littlejohns, P., Prevost, A.T., & Gulliford, M.C. (2015). “Probability of an Obese Person Attaining Normal Body Weight: Cohort Study Using Electronic Health Records.” American Journal of Public Health, July 16, 2015: e1–e6.

Doctors became so desperate that they resorted to amputating parts of the digestive tract (bariatric surgery) in the hopes that it might finally result in long-term weight-loss. Except that doesn’t work either. [6] And it turns out it causes death [7],  addiction [8], malnutrition [9], and suicide [7].

6. Magro, Daniéla Oliviera, et al. “Long-Term Weight Regain after Gastric Bypass: A 5-Year Prospective Study - Obesity Surgery.” SpringerLink, 8 Apr. 2008. 7. Omalu, Bennet I, et al. “Death Rates and Causes of Death After Bariatric Surgery for Pennsylvania Residents, 1995 to 2004.” Jama Network, 1 Oct. 2007.  8. King, Wendy C., et al. “Prevalence of Alcohol Use Disorders Before and After Bariatric Surgery.” Jama Network, 20 June 2012.  9. Gletsu-Miller, Nana, and Breanne N. Wright. “Mineral Malnutrition Following Bariatric Surgery.” Advances In Nutrition: An International Review Journal, Sept. 2013.

Evidence suggests that repeatedly losing and gaining weight is linked to cardiovascular disease, stroke, diabetes and altered immune function [10].

10. Tomiyama, A Janet, et al. “Long‐term Effects of Dieting: Is Weight Loss Related to Health?” Social and Personality Psychology Compass, 6 July 2017.

Prescribed weight loss is the leading predictor of eating disorders [11].

11. Patton, GC, et al. “Onset of Adolescent Eating Disorders: Population Based Cohort Study over 3 Years.” BMJ (Clinical Research Ed.), 20 Mar. 1999.

The idea that “obesity” is unhealthy and can cause or exacerbate illnesses is a biased misrepresentation of the scientific literature that is informed more by bigotry than credible science [12]. 

12. Medvedyuk, Stella, et al. “Ideology, Obesity and the Social Determinants of Health: A Critical Analysis of the Obesity and Health Relationship” Taylor & Francis Online, 7 June 2017.

“Obesity” has no proven causative role in the onset of any chronic condition [13, 14] and its appearance may be a protective response to the onset of numerous chronic conditions generated from currently unknown causes [15, 16, 17, 18].

13. Kahn, BB, and JS Flier. “Obesity and Insulin Resistance.” The Journal of Clinical Investigation, Aug. 2000. 14. Cofield, Stacey S, et al. “Use of Causal Language in Observational Studies of Obesity and Nutrition.” Obesity Facts, 3 Dec. 2010.  15. Lavie, Carl J, et al. “Obesity and Cardiovascular Disease: Risk Factor, Paradox, and Impact of Weight Loss.” Journal of the American College of Cardiology, 26 May 2009.  16. Uretsky, Seth, et al. “Obesity Paradox in Patients with Hypertension and Coronary Artery Disease.” The American Journal of Medicine, Oct. 2007.  17. Mullen, John T, et al. “The Obesity Paradox: Body Mass Index and Outcomes in Patients Undergoing Nonbariatric General Surgery.” Annals of Surgery, July 2005. 18. Tseng, Chin-Hsiao. “Obesity Paradox: Differential Effects on Cancer and Noncancer Mortality in Patients with Type 2 Diabetes Mellitus.” Atherosclerosis, Jan. 2013.

Fatness was associated with only 1/3 the associated deaths that previous research estimated and being “overweight” conferred no increased risk at all, and may even be a protective factor against all-causes mortality relative to lower weight categories [19].

19. Flegal, Katherine M. “The Obesity Wars and the Education of a Researcher: A Personal Account.” Progress in Cardiovascular Diseases, 15 June 2021.

Studies have observed that about 30% of so-called “normal weight” people are “unhealthy” whereas about 50% of so-called “overweight” people are “healthy”. Thus, using the BMI as an indicator of health results in the misclassification of some 75 million people in the United States alone [20]. 

20. Rey-López, JP, et al. “The Prevalence of Metabolically Healthy Obesity: A Systematic Review and Critical Evaluation of the Definitions Used.” Obesity Reviews : An Official Journal of the International Association for the Study of Obesity, 15 Oct. 2014.

While epidemiologists use BMI to calculate national obesity rates (nearly 35% for adults and 18% for kids), the distinctions can be arbitrary. In 1998, the National Institutes of Health lowered the overweight threshold from 27.8 to 25—branding roughly 29 million Americans as fat overnight—to match international guidelines. But critics noted that those guidelines were drafted in part by the International Obesity Task Force, whose two principal funders were companies making weight loss drugs [21].

21. Butler, Kiera. “Why BMI Is a Big Fat Scam.” Mother Jones, 25 Aug. 2014. 

Body size is largely determined by genetics [22].

22. Wardle, J. Carnell, C. Haworth, R. Plomin. “Evidence for a strong genetic influence on childhood adiposity despite the force of the obesogenic environment” American Journal of Clinical Nutrition Vol. 87, No. 2, Pages 398-404, February 2008.

Healthy lifestyle habits are associated with a significant decrease in mortality regardless of baseline body mass index [23].  

23. Matheson, Eric M, et al. “Healthy Lifestyle Habits and Mortality in Overweight and Obese Individuals.” Journal of the American Board of Family Medicine : JABFM, U.S. National Library of Medicine, 25 Feb. 2012.

Weight stigma itself is deadly. Research shows that weight-based discrimination increases risk of death by 60% [24].

24. Sutin, Angela R., et al. “Weight Discrimination and Risk of Mortality .” Association for Psychological Science, 25 Sept. 2015.

Fat stigma in the medical establishment [25] and society at large arguably [26] kills more fat people than fat does [27, 28, 29].

25. Puhl, Rebecca, and Kelly D. Bronwell. “Bias, Discrimination, and Obesity.” Obesity Research, 6 Sept. 2012. 26. Engber, Daniel. “Glutton Intolerance: What If a War on Obesity Only Makes the Problem Worse?” Slate, 5 Oct. 2009.  27. Teachman, B. A., Gapinski, K. D., Brownell, K. D., Rawlins, M., & Jeyaram, S. (2003). Demonstrations of implicit anti-fat bias: The impact of providing causal information and evoking empathy. Health Psychology, 22(1), 68–78. 28. Chastain, Ragen. “So My Doctor Tried to Kill Me.” Dances With Fat, 15 Dec. 2009. 29. Sutin, Angelina R, Yannick Stephan, and Antonio Terraciano. “Weight Discrimination and Risk of Mortality.” Psychological Science, 26 Nov. 2015.

There's my "proof." Where is yours?

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[batboyblog]

Things the Biden-Harris Administration Did This Week #36

September 27-October 4 2024

President Biden and Vice-President Harris have lead the federal response to Hurricane Helene. President Biden's leadership earned praise from the Republican Governors of South Carolina, Virginia, Tennessee, and Georgia, as well as the Democratic Governor of North Carolina and local leaders. Thousands of federal workers are on the ground in effected communities having given out to date over 8 million meals, over 7 million letters of water. Both President Biden and Vice-President Harris have been on the ground in resent days meeting with effected families. During her trip to Georgia Vice-President Harris announced that the federal government will reimburse state and local government 100% of the costs from Hurricane Helene.

A strike by the International Longshoremen’s Association that briefly shut down ports on the East Cost and Gulf ended in a tentative deal. Both sides thanked Acting Secretary of Labor Julie Su and Secretary of Transportation Pete Buttigieg for helping push the deal through. President Biden and Vice-President Harris had expressed solidarity with the works when the strike was announced and President Biden directed Secretary Buttigieg to take the lead in pressuring management to make a deal with the Longshoremen. The ILA got a 62% raise as part of the agreement.

Vice President Harris announced new actions to help those struggling with medical debt. This actions include new standards from the Consumer Financial Protection Bureau on debt collection. the CFPB plans on requiring debt collectors to confirm debts are valid and accurate before engaging in collection actions. As well as cracking down on debt collectors that collect on debt that is not owed by patients. Other actions included an announcement by the DoD that it was reducing pricing for civilians who get medical treatment at DoD hospitals and a track down on tax-exempt hospitals who are required by law to offer financial assistance but often do not. These steps come after Vice President Harris in June announced plans to remove medical debt from credit scores. Following the Vice President's call to action North Carolina moved forward a plan to eliminate medical debt for 2 million people in the state. President Biden's American Rescue Plan funds have been used by state and local Democrats to eliminate $7 billion dollars in medical debt.

The Department of Transportation announced $62 Billion in infrastructure funding for 2025. Thanks to the Bipartisan Infrastructure Law passed by President Biden this will be $18 billion dollars more than was spent in 2021. The Biden-Harris Admin has helped support over 60,000 infrastructure projects across all 50 states, rebuilding roads and bridges, breaking ground on America's first high speed rail, updating ports and airports, and breaking high speed internet to rural communities.

The Department of Transportation announced $1 Billion dollars of investment in America's passenger rail future. This comes on top of $8.2 billion in investments announced in December 2023. The funds will help expand and modernize intercity passenger rail nationwide.

The Departments of Energy and Agriculture announced a $2.8 billion joint project to bring 100% carbon pollution-free energy to the rural midwest. The DoE is investing $1.5 billion into helping bring the Palisades Nuclear Plant in Michigan back on-line. Shut down in 2022 plans to refit and reopen it to allow the plant to keep generating clean energy till 2051. Once back online the Palisades Nuclear Plant will help stop an anticipated 4.47 million metric tons of greenhouse gas emissions a year, or 111 million metric tons of greenhouse gas emissions over its lifetime. The USDA is investing $1.3 billion in two rural electric cooperatives, Wolverine Power Cooperative and Hoosier Energy, which cover rural communities in Michigan, Illinois, and Indiana. This investment will help Wolverine and Hoosier connect to the Palisades Plant, reduce prices for customers, and reduce climate pollution, putting Wolverine Power on the path to be 100 percent carbon-free energy before 2030.

The Treasury and the IRS announced that 30 million Americans, across 24 states will qualify for free direct filing of their taxes in 2025. The IRS says that the average American spends $270 dollars and 13 hours filing their taxes. Thanks to the Inflation Reduction Act, passed by President Biden with Vice President Harris' tie breaking vote, Americans will be able to file their taxes quickly and for free directly with the IRS. Tax payers in Alaska, Arizona, California, Connecticut, Florida, Idaho, Kansas, Maine, Maryland, Massachusetts, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, Oregon, Pennsylvania, South Dakota, Tennessee, Texas, Washington, Wisconsin, and Wyoming will in 2025 be able to use direct file.

The USDA announced $7.7 billion in funding for Climate-Smart Practices on Agricultural Lands. This represents the single biggest investment in these programs in USDA history. Since implementation began in 2023 this conservation assistance has helped over 28,500 farmers and ranchers apply conservation to 361 million acres of land.

The Department of Energy announced $1.5 billion in investments in transmission infrastructure to help ensure our grid is reliable and resilient. This will help support nearly 1,000 miles of new transmission lines across Louisiana, Maine, Mississippi, New Mexico, Oklahoma, and Texas. These lines will bring 7,100 MW of new capacity and create 9,000 good paying union jobs. Studies find to keep up with growth and meet our climate goals of carbon free energy the US will need to triple the 2020 transmission capacity by 2050. This is an important step to meeting that goal.

[mostlysignssomeportents]

The CFPB is genuinely making America better, and they're going HARD

On June 20, I'm keynoting the LOCUS AWARDS in OAKLAND.

Let's take a sec here and notice something genuinely great happening in the US government: the Consumer Finance Protection Bureau's stunning, unbroken streak of major, muscular victories over the forces of corporate corruption, with the backing of the Supreme Court (yes, that Supreme Court), and which is only speeding up!

A little background. The CFPB was created in 2010. It was Elizabeth Warren's brainchild, an institution that was supposed to regulate finance from the perspective of the American public, not the American finance sector. Rather than fighting to "stabilize" the financial sector (the mission that led to Obama taking his advisor Timothy Geithner's advice to permit the foreclosure crisis to continue in order to "foam the runways" for the banks), the Bureau would fight to defend us from bankers.

The CFPB got off to a rocky start, with challenges to the unique system of long-term leadership appointments meant to depoliticize the office, as well as the sudden resignation of its inaugural boss, who broke his promise to see his term through in order to launch an unsuccessful bid for political office.

But after the 2020 election, the Bureau came into its own, when Biden poached Rohit Chopra from the FTC and put him in charge. Chopra went on a tear, taking on landlords who violated the covid eviction moratorium:

https://pluralistic.net/2021/04/20/euthanize-rentier-enablers/#cfpb

Then banning payday lenders' scummiest tactics:

https://pluralistic.net/2022/01/29/planned-obsolescence/#academic-fraud

Then striking at one of fintech's most predatory grifts, the "earned wage access" hustle:

https://pluralistic.net/2023/05/01/usury/#tech-exceptionalism

Then closing the loophole that let credit reporting bureaus (like Equifax, who doxed every single American in a spectacular 2019 breach) avoid regulation by creating data brokerage divisions and claiming they weren't part of the regulated activity of credit reporting:

https://pluralistic.net/2023/08/16/the-second-best-time-is-now/#the-point-of-a-system-is-what-it-does

Chopra went on to promise to ban data-brokers altogether:

https://pluralistic.net/2024/04/13/goulash/#material-misstatement

Then he banned comparison shopping sites where you go to find the best bank accounts and credit cards from accepting bribes and putting more expensive options at the top of the list. Instead, he's requiring banks to send the CFPB regular, accurate lists of all their charges, and standing up a federal operated comparison shopping site that gives only accurate and honest rankings. Finally, he's made an interoperability rule requiring banks to let you transfer to another institution with one click, just like you change phone carriers. That means you can search an honest site to find the best deal on your banking, and then, with a single click, transfer your accounts, your account history, your payees, and all your other banking data to that new bank:

https://pluralistic.net/2023/10/21/let-my-dollars-go/#personal-financial-data-rights

Somewhere in there, big business got scared. They cooked up a legal theory declaring the CFPB's funding mechanism to be unconstitutional and got the case fast-tracked to the Supreme Court, in a bid to put Chopra and the CFPB permanently out of business. Instead, the Supremes – these Supremes! – upheld the CFPB's funding mechanism in a 7-2 ruling:

https://www.scotusblog.com/2024/05/supreme-court-lets-cfpb-funding-stand/

That ruling was a starter pistol for Chopra and the Bureau. Maybe it seemed like they were taking big swings before, but it turns out all that was just a warmup. Last week on The American Prospect, Robert Kuttner rounded up all the stuff the Bureau is kicking off:

https://prospect.org/blogs-and-newsletters/tap/2024-06-07-window-on-corporate-deceptions/

First: regulating Buy Now, Pay Later companies (think: Klarna) as credit-card companies, with all the requirements for disclosure and interest rate caps dictated by the Truth In Lending Act:

https://www.skadden.com/insights/publications/2024/06/cfpb-applies-credit-card-rules

Next: creating a registry of habitual corporate criminals. This rogues gallery will make it harder for other agencies – like the DOJ – and state Attorneys General to offer bullshit "delayed prosecution agreements" to companies that compulsively rip us off:

https://www.consumerfinance.gov/about-us/newsroom/cfpb-creates-registry-to-detect-corporate-repeat-offenders/

Then there's the rule against "fine print deception" – which is when the fine print in a contract lies to you about your rights, like when a mortgage lender forces you waive a right you can't actually waive, or car lenders that make you waive your bankruptcy rights, which, again, you can't waive:

https://www.consumerfinance.gov/about-us/newsroom/cfpb-warns-against-deception-in-contract-fine-print/

As Kuttner writes, the common thread running through all these orders is that they ban deceptive practices – they make it illegal for companies to steal from us by lying to us. Especially in these dying days of class action suits – rapidly becoming obsolete thanks to "mandatory arbitration waivers" that make you sign away your right to join a class action – agencies like the CFPB are our only hope of punishing companies that lie to us to steal from us.

There's a lot of bad stuff going on in the world right now, and much of it – including an active genocide – is coming from the Biden White House.

But there are people in the Biden Administration who care about the American people and who are effective and committed fighters who have our back. What's more, they're winning. That doesn't make all the bad news go away, but sometimes it feels good to take a moment and take the W.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/10/getting-things-done/#deliverism

[fiercynn]

poetry outlets that support a free palestine

after finding out that the poetry foundation/POETRY magazine pulled a piece that discussed anti-zionism because they "don't want to pick a side" during the current genocide, i decided to put together a list of online outlets who are explicitly in solidarity with palestine where you can read (english-language) poetry, including, except where otherwise stated, by palestinian poets!

my criteria for this is not simply that they have published palestinian poets or pro-palestine statements in the past; i only chose outlets that, since october 7, 2023, have done one of the following:

published a solidarity statement against israeli occupation & genocide

signed onto the open letter for writers against the war on gaza and/or the open letter boycotting the poetry foundation

published content that is explicitly pro-palestine or anti-zionist, including poetry that explicitly deals with israeli occupation & genocide

shared posts that are pro-palestine on their social media accounts

fyi this is undoubtedly a very small sample. also some of these sites primarily feature nonfiction or short stories, but they do all publish poetry.

outlets that focus entirely on palestinian or SWANA (southwest asia and north africa) literature

we are not numbers, a palestinian youth-led project to write about palestinian lives

arab lit, a magazine for arabic literature in translation that is run by a crowd-funded collective

sumuo, an arab magazine, platform, and community (they appear to have a forthcoming palestine special print issue edited by leena aboutaleb and zaina alsous)

mizna, a platform for contemporary SWANA (southwest asian & north africa) lit, film, and art

the markaz review, a literary arts publication and cultural institution that curates content and programs on the greater middle east and communities in diaspora

online magazines who have published special issues of all palestinian writers (and all of them publish palestinian poets in their regular issues too)

fiyah literary magazine in december 2021, edited by nadia shammas and summer farah (if you have $6 usd to spare, proceeds from the e-book go to medical aid for palestinians)

strange horizons in march 2021, edited by rasha abdulhadi

the baffler in june 2021, curated by poet/translators fady joudah & lena khalaf tuffaha

the markaz review has two palestine-specific issues, on gaza and on palestinians in israel, currently free to download

literary hub featured palestinian poets in 2018 for the anniversary of the 1948 nakba

adi magazine, who have shifted their current (october 2023) issue to be all palestinian writers

outlets that generally seem to be pro-palestine/publish pro-palestine pieces and palestinian poetry

protean magazine (here's their solidarity statement)

poetry online (offering no-fee submissions to palestinian writers)

sundog lit (offering no-fee submissions to palestinian writers through december 1, 2023)

guernica magazine (here's a twitter thread of palestinian poetry they've published) guernica ended up publishing a zionist piece so fuck them too

split this rock (here's their solidarity statement)

the margins by the asian-american writers' workshop

the offing magazine

rusted radishes

voicemail poems

jewish currents

the drift magazine

asymptote

the poetry project

ctrl + v journal

the funambulist magazine

n+1 magazine (signed onto the open letter and they have many pro-palestine articles, but i'm not sure if they have published palestinian poets specifically)

hammer & hope (signed onto the letter but they are a new magazine only on their second issue and don't appear to have published any palestinian poets yet)

if you know others, please add them on!

[sharlsworld]

a digital love letter - ʟɴ4 ☆

✿ lando norris x influencer!reader

✿ a glimpse of all the post’s from when they were “just friends”, to there engagement announcement, to the announcement of there first child.

🝮

june 1st, 2020

lando.jpg

liked by pierregasly and 83,924 others

lando.jpg when i asked y/n if she wanted to quarantine with me i didn’t think it would be this long…

yn if you ask me to make one more batch of cloud bread i will lock you outside

⤷ lando.jpg well that’s awfully rude considering i offered you my home

⤷ yn you literally begged me to quarantine with you???

⤷ lando.jpg no need for the details

maxfewtrell couple goals

⤷ lando.jpg fuck off

hearts4lando “just friends” ok buddy 😭

beloved.hamilton just a COUPLE of friends!😄

charles_leclerc i think this quarantine has got your mind all mixed up cause…

lilac.leclerc there so oblivious 😭

f1wags i smell…a incoming wag 👀

🝮

august 10th, 2020

lando.jpg

liked by georgerussell63 and 984,118 others

lando.jpg took my girl to dinner and let her go shopping for her birthday…never again. she really knows how to spend money

carlossainz55 “my girl” ???

⤷ lando.jpg is she not my girl? she never leaves me alone

⤷ yn you give off this tough guy act like you don’t ask me to hangout every day

⤷ lando.jpg once again, no need for all the details jeez women

landolovesyn it’s the fact she literally makes so much money but he still wants to pay for her stuff really tugs on my heart strings 😪

sharls_lerklerk PAINFULLY OBLIVIOUS

pierregasly cmon mate

⤷ lando.jpg what?

landolovesyn Heather 🤩

🝮

january 1st, 2021

lando.jpg

liked by charles_leclerc and 1,746,023 others

lando.jpg happy new year bitches 🥳

yn been waitin for this one

⤷ georgerussell63 We all have

⤷ alex_albon seriously everyone

⤷ carlossainz55 Seriously

danielricciardo Took you guys long enough

⤷ yn 1 year is a reasonable amount of time

maxfewtrell NO PHOTO CREDIT?

⤷ lando.jpg no

lilymhe sooo when’s the wedding?

⤷ alex_albon watch they’ll probably get engaged this year

♥︎ by author

ynissocutiepatootie IT FINALLY HAPPENED

lovely_leclerc stop he took her to see the lights 😢

daddyricciardo i wonder how long they’ve been dating before deciding to go public

🝮

april 14th, 2021

lando.jpg

liked by yukitsunoda05211 and 824,722 others

lando.jpg i was feeling a little down today, but you DEFINITELY turned me on

yn can i help loosen your belt? it looks really tight 😉

⤷ lando.jpg you’ll never catch me saying no to that baby 😏

charles_leclerc Oh come on there’s children on this app lando

carlossainz55 I just opened the app mate

maxverstappen1 Well enough instagram for the day

georgerussell63 I could’ve lived the rest of my life without seeing this

⤷ lando.jpg don’t be hating

estiebestie lando is just a horny teenage boy honestly

♥︎ by yn

landowantsrizz i feel like i’m interrupting something…

hoeforsianzzz so there definitely getting down every night

♥︎ by author & yn

⤷ lilac.leclerc HELLO??? THESE BITCHES MUST BE GETTING DOWN LIKE BUNNIES

🝮

october 22nd, 2021

lando.jpg

liked by lewishamilton and 7,824,023 others

lando.jpg i couldn’t wait any longer

yn so impatient

⤷ lando.jpg i just couldn’t wait to call you my wife

⤷ yn good thing i said yes then

carlossainz55 Congratulations mate! 🎉🥂

♥︎ by author

lewishamilton Congrats man that’s amazing ♥️

♥︎ by author

maxverstappen1 Congrats bro ♥️

♥︎ by author

lilymhe the gold band 😨

⤷ yn ikr i was flabbergasted

♥︎ by author

charles_leclerc Congrats lando! ❤️

♥︎ by author

danielricciardo Let’s go boys 🥳

♥︎ by author

oscarpiastri Congratulations mate, i’m so happy for you 🧡

⤷ lando.jpg 🧡

maxfewtrell little lando norris finally grew some balls

⤷ lando.jpg i can never win 💔

mclaren To forever! 🧡

♥︎ by author

alex_albon i called it

♥︎ by author

landolovesyn the fact this has 7 million likes and he doesn’t have 7 million followers on this account 😭

lando.norizz THE GOLD BAND? LANDO NORRIS YOU’VE OUTDONE YOURSELF

sharls_lerklerk been here since the video of her accidentally dropping her hydroflask on his foot at one of the races in 2019😭

⤷ lando.jpg i still have the tiny scar on my little toe

🝮

january 1st, 2022

lando.jpg

liked by oscarpiastri and 792,614 others

lando.jpg happy new year bitches 👀

yn happy new year whore

⤷ carlossainz55 and to think you two are getting married soon…

charles_leclerc Oh thanks mate

⤷ lando.jpg i wasn’t talking to you

⤷ charles_leclerc Alrighty…

georgerussell63 This was such a elegant, mature post, until i saw the caption

⤷ lando.jpg you shouldn’t be surprised

landolovesyn literally all of his posts are about y/n

⤷ hearts4lando basically a fan page

estiebestie i’ll never get tired of seeing lando’s posts for y/n

carlando there relationship is so perfect

lilymhe don’t think just because you two are getting married that she’s yours

⤷ lando.jpg take the L 🤣

🝮

october 22nd, 2022

lando.jpg

liked by lewishamilton and 28,942,861 others

lando.jpg My greatest love, you are my one and only. From the day you dropped your hydroflask on my foot and laughed until you were crying I knew you were gonna be mine one day, I can’t think of anyone better to spend eternity with. In every universe, I will find you. When death takes my hand, I will hold you with the other, and promise to find you in every lifetime. I love you for everything you are, everything you have been, and everything you will be. You are my destiny, I love you endlessly. ♥️

yn ok…i’m literally sobbing right now i love you so much lando

⤷ lando.jpg i love you the most

danielricciardo Turned on auto caps for this one congrats man i’m so happy of you ♥️

♥︎ by author

lewishamilton I wish you two a lifetime of happiness and health ♥️

♥︎ by author

carlossainz55 To a lifetime of bullying each other! ♥️

♥︎ by author

charles_leclerc Little lando norris isn’t so little anymore? 😂 Congratulations man ♥️

♥︎ by author

mclaren Congratulations lando & y/n! 🧡

♥︎ by author & yn

landolovesyn y/n norris 🥹

lando.norizz crying in the club

lilymhe she was mine first.

⤷ lando.jpg not even

lilymhe congratulations, i guess ♥️

♥︎ by author

alex_albon Congratulations lando ♥️

♥︎ by author

georgerussell63 Can’t believe how far you’ve came mate! Congratulations ♥️

♥︎ by author

francisca.cgomes such a beautiful wedding…should’ve been me and y/n’s but still! ♥️

♥︎ by author

carmenmmundt Congratulations ♥️

♥︎ by author

🝮

february 29th, 2024

lando.jpg

liked by maxverstappen1 and 10,523,792 others

lando.jpg Mathéo Lee Norris. 2.10.23 ♥️

comments for this post have been limited

yn my boy 🤍 i love you lan

⤷ lando.jpg i love you the most baby

lilymhe cutest baby boy 💙

♥︎ by author & yn

charles_leclerc I bet he misses his favorite uncle already

⤷ carlossainz55 excuse me?

⤷ charles_leclerc your excused

⤷ maxfewtrell cmon guys, obviously i’m the favorite uncle

⤷ charles_leclerc no

alexandrasaintmleux cutie boy 💙

♥︎ by author & yn

carmenmmundt Mathéo is the cutest 🥰

♥︎ by author & yn

lewishamilton A gift from God ♥️

♥︎ by author & yn

alex_albon bro has more hair then me

♥︎ by author & yn

🝮

march 26th, 2024

lando.jpg

liked by carlossainz55 and 19,982,713 others

lando.jpg a digital love letter for you, the light of my life. my life long treasure of destiny. you are the greatest gift God has blessed me with. i love you endlessly ♥️

comments for this post have been limited

yn you sweet talker, i love you lan 🤍

⤷ lando.jpg i love you the most baby 🤍

landolovesyn guys…this might be heather

♥︎ by author

[5sospenguinqueen]

Lullabies | Max Verstappen x Singer! Reader

Summary: Six months ago, Max walked out of your life after a conversation about your future. When you find out he' ended up in a's dating Kelly - who has a child - you work through your emotions in the best way you know how; revenge music.

Warnings: Swearing. Angst. Miscommunication. End of a relationship. Max doesn’t look great in this.

Female reader with various faceclaims. Takes place in 2021 but timelines have been completely altered. Olivia Rodrigo songs.

Main Masterlist

next.

━━━━━━ ༻𖥸༺ ━━━━━━

Feb

YourUserName just posted

liked by georgerussell63, bestfriend and others

YourUserName 'and i fantasise about a time you're a little fucking sorry'

12,326 comments

User 1 mother is in the studio, ya’ll. i'm smelling a new album

User 2 did their breakup destroy my soul? yes. do i believe the revenge album will heal my soul? absolutely

User 3 the working titles are so unhinged and I’m here for it

→ User 4 hit you with a car is so real

→ User 5 love that she called him evil whilst also saying that she wants him to drive off a cliff. we respect it

francisca.cgomes i’m SO ready for this. sure you can’t give me a little preview?

→ YourUserName stop trying to get me fired

User 6 sis disappears from social media for 6 months only to come back serving cunt

━━━━━━ ༻𖥸༺ ━━━━━━

2 months before

━━━━━━ ༻𖥸༺ ━━━━━━

May

redbullracing just posted

liked by YourUserName, maxverstappen1 and others

redbullracing ANOTHER VICTORY FOR MAX VERSTAPPEN 🏆 #AustrianGP tagged: maxverstappen1, kellypiquet

7,445 comments

User 7 omg omg omg y/n liked. this is not a drill

User 8 was that last photo really necessary? she’s just a wag, she’s not actually part of red bull

User 9 not y/n liking 🥺 he broke her heart but she’s still supportive of his career

User 10 that should’ve been Y/N

━━━━━━ ༻𖥸༺ ━━━━━━

June

YourUserName just posted

liked by maxverstappen1, victoriaverstappen and others

YourUserName 'you’re just a stranger i know everything about'

10,102 comments

User 11 not max liking despite not even following

victoriaverstappen so talented

liked by maxverstappen1

→ YourUserName thank you, vic x

→ User 12 not the former SILs interacting on main

alex_albon what's that sound? oh, it's just my tears

→ YourUserName doofus

→ lilymhe can confirm

User 12 and now my heart is breaking all over again. i miss the two of them so bad

kellypiquet just posted

liked by landonorris, redbullracing and others

kellypiquet summer break with my favourites 🤍 tagged: maxverstappen1

4,387 comments

User 13 so pretty

User 14 goals

User 15 anyone notice max hasn’t been commenting since y/n became active again on socials

→ User 16 delusional

→ User 17 clearly they're fine if she's posting vacay pics with him

→ User 18 except these are clearly old pics because max had stubble at the gp like two days ago so...

→ User 15 @ user16 plus he always used to comment and this time he's not even liked the post

→ User 19 not to add fuel to the fire but they were also spotted arguing after his podium

YourUserName posted a new story

Baby Fever Angst Series

Tag List (I tried to include all those who asked. Sorry if you only wanted to be tagged in Part 2 to Daniel and not the other drivers, it got a bit confusing haha)

@lav3nder-haze @minkyungseokie @callsignwidow @luvrrish @fall-bambi @evans-dejong @sadsierra2 @justdreamersdream @spookystitchery

[nature-hiking]

Waterfalls of the AHR 7/? - Alpine Haute Route, June 2021

photo by: nature-hiking

[yeetskeetstreet]

Changing Perspectives

MV1 - Max Verstappen

max verstappen x reader

summary: in which it takes 7 instagrams posts from his long term partner to completely change the perspective of the reigning WDC. also known as the events of June 22.

the posts have rough dates, but in case I mess it up, it would be like scrolling down someone’s timeline, so post 1 occurs latest in terms of choroloigcal order, and 7 is the oldest post.

——————————————————————————

When your account is public, your profile and posts can be seen by anyone, on or off instagram, even if they don’t have an instagram account.

Switch to public account?

YES/NO

instagram post 1

y/n.jpg33: setting our forever into stone forever. the love i have for you grows stronger everyday. 🤍

tagged: maxverstappen1

comments:

maxverstappen1: wouldn’t want you anywhere else but right by my side. 🤍

danielricciardo: congratulations, guys! wishing you all the best!

landonorris: ENGAGED? CONGRATS GUYS!

christianhorner: Congratulations, Y/N and Max. Wishing you guys all the happiness offered in this new chapter.

comments on this post have been limited.

instagram post 2

y/n.jpg33 - him 🤍

tagged: maxverstappen1

5 days ago • monaco, monaco

comments:

user: brb gonna go take a nap on a highway

user: damn.. twitter wasn’t lying

maxverstappen1: you 💛

y/n.jpg3: come home please

danielriccardo: about damn time.

instagram post 3

y/n.jpg33 - ok, fine. you deserve your own post. you’ve come leaps and bounds, keep it up. thank you for keeping my boy company when i can’t be there. continue to carve your way into history. 🧡

tagged: landonorris, maxverstappen1

comments:

landonorris: thank you y/n, to both you and max, for everything you have done for me. 🧡

| maxverstappen1: of course, mate. anytime.

instagram post 4

y/n.jpg33 - another to add to the collection. proud of you bub 💛

(thanks for the second landonorris)

tagged: maxverstappen1

29 March 2022 • jeddah, saudi arabia

comments:

maxverstappen1: all for you, my love. 🤍 • pinned

user: wish i had this

landonorris: soo… how many races do i have to win to get a cute post?

y/n.jpg33: win a WDC and i will

user: NOT MAX SCOLDING DANIEL LOL

danielricciardo: where’s my congratulations post?

maxverstappen1: you don’t get one. just for me. get your own

y/n.jpg33: max, don’t be mean. danny, one day, i promise :).

instagram post 5

y/n.jpg33 - holiday time with the family

3rd January 2022 • home

instagram post 6

y/n.jpg33 - happy birthday charles! thanks for always helping me fine my way when i’m lost at the paddock. max and i appreciate you!

tagged: charlesleclerc

16 October 2021 • monaco, monaco

comments:

charlesleclerc: thank you y/n! happy to help out whenever i can. see you and max soon.

maxverstappen1: happy birthday man!

y/n.jpg33: looking forward to it!

landonorris: HE GETS A POST? BEFORE ME? BUT BUT

y/n.jpg33: he comes to find me when i’m lost. you sent me a meme.

instagram post 7

y/n.jpg33: you never cease to amaze me, baby. continue to prove them wrong, prove to everyone you deserve all you have worked for.

keep proving to yourself that you are enough, and worth the fight. i love you, max. 🤍

tagged: maxverstappen1

______________

my first ever F1 piece, (and my second piece ever!!) let me know what you think :)

[tavolgisvist]

'I look in the mirror'

At the Cavern, 1963, photo by Michael Ward

Photo by Mike McCartney

August 13, 1966, photo by Bob Bonis

We wrote with two guitars, John and I. And, as I’ve mentioned previously, the joy of that was that I was left-handed while he was right handed, so I was looking in a mirror and he was looking in a mirror. We would always tune up, have a ciggie, drink a cup of tea, start playing some stuff, look for an idea. Normally, one or the other of us would arrive with a fragment of a song. ‘Please Please Me’ was a John idea. John liked the double meaning of ‘please’. Yeah, ‘please’ is, you know, pretty please. ‘Please have intercourse with me. So, pretty please, have intercourse with me, I beg you to have intercourse with me.’ He liked that, and I liked that he liked that. This was the kind of thing we’d see in each other, the kind of thing in which we were matched up. We were in sync.

(Paul McCartney, about Please Please Me in The Lyrics, 2021)

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A lot of what we had going for us was that we were both good at noticing the stuff that just pops up, and grabbing it. And the other thing is that John and I had each other. If he was sort of stuck for a line, I could finish it. If I was stuck for somewhere to go, he could make a suggestion. We could suggest the way out of the maze to each other, which was a very handy thing to have. We inspired each other.

(Paul McCartney, about Eight Days A Week in The Lyrics, 2021)

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When John and I met, the first year of our friendship was spent talking about these cover versions, the records we loved, and then playing them again and again. As we got to know each other, we practised these various covers until one day the conversation went, ‘You know, I’ve written one or two songs.’ And he said, ‘Yeah, so have I.’ That gave us something in common that was itself wholly uncommon. I went to a school of a thousand boys and I’d never met anyone who said he’d written a song. Mine were just in my head. So were John’s. We took each other by surprise. And then the logical extension was, ‘Well, maybe we could write one together.’ So that’s how we started. And we became versions of each other.

(Paul McCartney, about The Other Me in The Lyrics, 2021)

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Q: "Can I ask you about Lewis Carroll?" A: "Oh, Lewis Carroll. I always admit to that because I love 'Alice In Wonderland' and 'Alice Through The Looking Glass.' But I didn't even know he'd written anything else. I was that ignorant. I just happened to get those for birthday presents as a child and liked them. And I usually read those two about once a year, because I still like them."

(John Lennon, June 16, 1965, interview for BBC)

Paul McCartney in his garden at Cavendish Avenue, 7; photo by Barry Lategan (for Observer 'What Makes A Man Stylish?', July 1968)

I think of the imagined world of Lewis Carroll [Alice's Adventures in Wonderland and Through the Looking-Glass, and What Alice Found There] that John and I both loved so much.

(Paul McCartney, about I’ll Get You in The Lyrics, 2021)

We’d been together so much that if you had a question, we would both pretty much come up with the same answer. [about their hitchhike to Spain by way of Paris] <…> It’s a bit crude, but it’s fair to say that, in general, I’d had a good life and John hadn’t. His life had been tougher, and he had to develop a harder shell than I did. He was quite a cynical guy but, as they say, with a heart of gold. A big softy, but his shield was hard. So that was very good for the two of us. Opposites attract. I could calm him down, and he could fire me up. We could see things in each other that the other needed to be complete.

(Paul McCartney about Ticket To Ride in The Lyrics, 2021)

Sometimes I look in the mirror Is nobody there? But I just keep on staring and staring No Can it be? Can it be? Can it be? And if I look in the mirror And nobody´s there But I just keep on staring, and staring No Is it me? Is it me? Is it me?

(John Lennon, circa 1977)