#julian bashir meta
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walkingstackofbooks · 8 months ago
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Julian + Loneliness + Love: an essay
BASHIR: Wait. Quark, did you really mean all that? About Dax being my one last chance for true happiness?
In Change of Heart, Season 6, Julian really latches onto these words from Quark, leading us to half-a-season of having to painfully watch him become re-obsessed with Jadzia. Here, I’m going to examine how Julian perceives love – particularly romantic love -- as being that one, impossible-to-get thing that could actually make him happy, and why he might think that way about it. 
--
First: a couple of things I learnt about in therapy that I think are pretty relevant to how Julian does life.
(Please note I am not a professional – my therapist is wonderful and I’ve tried to re-research this too, but I might well have misunderstood or forgotten something, so please don’t just take my word on it! The descriptions of the concepts are also rather simplistic in the interests of time.)
Drive, threat, and self-soothing systems
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In ideal conditions: we will be seeking out satisfaction from our lives through our drive system. There will be things we want in life that will give us purpose and make us happy, and we’ll move towards our goals because we *want* to. 
At times, we’ll face things that are difficult, and when we are in danger, our threat system kicks in to warn us of it and get us away. The old fight-flight-freeze-fawn thing; our limbic system takes control, so that we don’t waste time *processing* things and thinking through everything logically -- we need to get away from that sabre-toothed tiger automatically, not stand there thinking about it!
Once the threat has gone away, our soothing system kicks in to neutralise the threat system. As we go through life, we learn from our experiences how to better self-soothe, and gradually add to that system. 
However, it doesn’t always work out that way and my best guess is that Julian’s system is going to be heavily threat-based with very little soothing. 
I imagine that post-enhancements as a kid, he did manage to develop his drive system, finding things he enjoyed doing and chasing after them just because he wanted to. However, his parents’ very high expectations probably meant that even then, his threat system was conditioned to think of *failure* as a threat, and so even from a young age, Julian’s threat system has been highly active in being a driving force behind his ambition - undermining his *actual* drive system. 
Then, of course, he learnt about his enhancements, meaning that he becomes preoccupied with not being discovered -- and from this moment on, his threat system is pretty permanently activated. He seems to find some relief in distraction: escapism through books, in his work, in tennis -- but he doesn’t have a way to soothe this threat, only ignore it. 
By the time he arrives on DS9, I believe he has a few things in his actual drive system, including wanting to help people and seeking adventure. But he is also so used to his threat system being engaged that he doesn’t even notice how driven by fear he is -- and his soothing system is an absolute wreck, with minimal coping mechanisms. 
Attachment style
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There are four different attachment styles, as pictured above. These influence how you form and manage the relationships in your life -- in the image it says “partner”, but it’s also involved in your friendships and families. 
As warned, this is a little simplistic, but basically your attachment style is formed by having a warm, consistent and loving relationship with your primary caregiver in infancy. Julian very much didn’t have that, and we know that from when he was very young he “knew he was a great disappointment to his parents” -- so I think it’s very likely he would fall into having a fearful attachment style, with both low self-esteem, and low trust in other people.
(Having a secure attachment with your caregiver also helps you develop good soothing strategies for your threat system! Another reason why his is so depleted…)
Attachment styles can change and improve, so I think that during his time at DS9 (maybe even during the Academy) as he begins to gain experiences of friends who do consistently choose him and with whom he is safe, he probably moves more towards the preoccupied category. But I do not think this man has ever made a *really* secure attachment in his life. 💔
I also don’t think he has ever examined this too deeply? Maybe after DBIP, hopefully some of his friends might have gone “that was a super fucked-up childhood you had there”, but I figure he probably attributes the way he approaches social situations to his autism (which due to his parents’ ableism, means he thinks “I’m doing socialising wrong and everyone else is doing it right so I should listen to everyone else and do it their way regardless of how I feel about it”) and so he doesn’t realise that actually his fear of being rejected and his craving for validation through meaningful relationships -- if he even recognises those feelings for what they are -- are unhealthy coping mechanisms that he could learn to shift into something more positive if he had the time and space and help of a professional.
His relationship with Palis was almost definitely a victim of this, imo. Even if he doesn’t realise it, he’s terrified that she will inevitably reject him (having a ridiculously catastrophic secret doesn’t help with this assumption, but being fearful-preoccupied also just lends him to believe that people are inevitably going to reject him) and so he makes his excuses and leaves her first. 
Amatonormativity
Even if I hope that the 24th century is less amatonormative than now, I don’t think Julian has necessarily been able to benefit from that. Given how ableist his parents are, I don’t think it’s too much of a stretch to think that they might be queerphobic too, or at the very least dismissive of any lifestyle that isn’t the same as theirs. 
In addition, on DS9, his best friends are Miles O’Brien (who has always been very vocal about how happily married he is) and Jadzia Dax (who had been as happy as he was to be flirty and single and not tied down, until she found her One True Love, and got married), which wouldn’t exactly help discourage the notion of “romantic love = marriage = happiness”. So I think that Julian has definitely internalised all this, and – especially since he’s been taking cues from those around him how to act and what to think about social situations his entire life – he accepts this whole “you need to have a partner” thing as true for him, just because it’s been true for his friends. 
I headcanon Julian as being somewhere on the aromantic spectrum, too (hovering around WTFromantic) --  but crucially, he has no idea. He genuinely struggles to tell the difference between platonic and romantic feelings and guesses how he feels a lot of the time, but since he doesn’t know that he's guessing, he really believes he's in love. And because he has never connected the dots that he’s aro, he assumes the disconnect between *his* experience of love and everyone else’s is just down to his autism, and therefore everyone else is right and he needs to follow their lead in finding happiness through romantic love. 
We also know that he really likes old books like James Bond. (I headcanon that he finds pre-1990s fiction safer, because there is no chance that the villain is secretly going to be an augment all along, or any other anti-augment prejudice or micro-aggression in them.) So despite being a 24th century guy, he becomes steeped in these 20th century views -- and with him trying to figure out all the time what’s a “normal” way to act, both in a “not-an-augment” sense and a “not-autistic” sense, he’s internalised a fair amount of “what love really is” from these books which, like, isn’t always great to say the least. 
Season 6
QUARK: You know what's really sad, what really keeps me awake at night? She's out of reach because we let her go. BASHIR: I suppose so. But some things just weren't meant to be. Evade. O'BRIEN: Julian, are you sure you want to-- QUARK: Chief, please. You know the rules. No coaching during a round. You're probably right. But what if that's a convenient rationalisation? What if deep down in our heart of hearts we both know she's something unique, something we may never see again. A chance at true happiness and we let her slip through our fingers. 
And so we come back to this conversation. Quark is manipulating Julian to win the game of tongo, but whether or not he knows how deeply his words will cut, they leave a lasting impression upon Julian. 
Quark calls Jadzia “a chance at true happiness”, but when Julian repeats those words later -- despite his perfect recall -- he describes Dax as being his “one last chance for true happiness”. And this, I think, is what really gets to him. 
We’re deep into Season 6 -- Julian is not “happy”. He’s become depressed, despondent, weighted down by the war. It’s not been long since Statistical Probabilities -- is he watching the casualty count grow, the war continuing exactly as they had predicted for the time being? At this point in time, “happiness” feels like a pipe dream for him.
How long has it been since he has truly had a long stretch of contentment? Most people put it at pre-Dominion-camp, right? So he had a pretty long stretch of being happy and (incidentally) in a relationship with Leeta from the end of Season 3 until s05e07, and then a few months later, he was kidnapped – which makes me think that if he’s thinking back on the “good old days” of DS9, it’s quite likely he’s thinking of a time when he was in a relationship. 
Julian comes from a background of believing that no-one would accept him for who he is. Even in Statistical Probabilities, among his friends, O’Brien and Sisko and Worf all openly discuss how augments should have restricted access to general society. And that’s just the augmentations: he also knows that his personality can be annoying and off-putting to many people. So he thinks that it would take an extraordinary person to actually like him and want him. 
> Back in Season 2, when he was talking about Palis, he said “Sometimes I wake up in the middle of the night and I think to myself, will I ever find anyone that wonderful again?” Quark describes Dax as similarly unique -- and I think that strikes a chord with Julian, causing him to think “I lost Palis, I’ve lost Leeta, I’ve lost Dax -- how many more extraordinary people can there be? Dax really was my last chance.”
Julian doesn’t properly understand his feelings. He’s used to relying on other people to help him figure out what they are and how he should react.So Quark asserting that Julian does still feel attracted to Jadzia and does resent Worf and that he should have tried harder with Jadzia is something he accepts. (Just like later on, when Vic tells him he should be moving on, he accepts that very easily, too.)
> His preoccupied attachment style and fear of loneliness also means that he gravitates towards social interaction and people being friendly to him. After this, and particularly after Jadzia’s death, he starts having a bit more time for Quark: Quark’s inclusion of him in this “we both like Jadzia and resent Worf” club does provide him with some of that relationship-ness he needs, and even though he isn’t quite on the same wavelength as him, Quark is making him feel seen and understood, so if he’s lonely and there’s no-one else, he’ll probably seek Quark out that bit more. 
>> And come to think of it, we’ve definitely seen Miles leaving Julian behind at the bar (with no-one to talk to but Quark) to go home to his wife and kids, just reinforcing the people-with-relationships-get-to-be-happy thing.
So yeah: Julian’s actually feeling some really big feelings about his loneliness and unhappiness and wanting to feel better, but he ends up projecting all of this onto his lack of a relationship, and more specifically, that Dax is probably the last person he’s going to come across who would accept him so completely.
Which sucks, and is a really toxic attitude. We don’t see it change the way he treats Dax on-screen, but even so, there is a sense of misplaced entitlement: he’s entitled to be happy and therefore he should have been entitled to have Dax. And I hate that for him. But he really is deeply, deeply afraid that without being in a relationship with her, he’s never going to feel genuinely happy again. 
(Yes, he has friends, and he enjoyed spending time with them, like in Take Me Out To The Holosuite. But remember -- his threat system is constantly on with his fear of loneliness, and he doesn’t have the skills to actually soothe that fear and put it to rest. What he can do is use his malformed coping mechanism of distraction -- distracting himself with his friends and holosuite games and so forth. And no doubt they do give him some true satisfaction and validation -- but since he doesn’t have an internal source of validation, he’s lost when they can’t provide. 
And additionally, when they can’t provide it’s often because they’re in a relationship. In the beginning of Chrysalis this is made super obvious, when Miles can’t hang out, and Kira and Odo are going to Vic’s together, alone, and he just ends up in bed working. Until 3am. I can’t help thinking he was somewhat trying to avoid being alone with his thoughts.)
And then Jadzia dies. And he has to refind his footing in a Daxless world and I can only imagine that he just accepts the depression is here to stay forever now. 
Season 7
And now Chrysalis happens and firstly: I’m not here to make excuses for him. Chrysalis was pretty fucked-up, and irl I don’t think I could be friends with him after what he did. (But also irl I’d have given him a real talking to and not just accepted his bs like everyone else did in this episode and I think with that he might have realised earlier what he was doing so idk. I think if you’re gonna judge Bashir for this episode you also have to judge everyone else for standing by…)
Anyway, Sarina appears, appearing to be his dream woman, and Julian’s just lost.
It doesn’t happen immediately. When Sarina shows up on his doorstep and falls asleep on him, he is so awkward and uncertain what to do. And in the morning he’s still unsure and hesitant as to what this all means. 
I’m certainly nor blaming Sarina -- she’s figuring everything out even more than Julian is! -- but when she makes breakfast for him and sends him off with it, I figure that is a massive romance-cue for Julian, who’s given up on his dreams of domesticity. If his feelings are just platonic at this point, he figures out they must actually be romantic, because people who are in love live together and make breakfast for each other. And if he has already started falling for her, it’s a confirmation that he’s allowed to fall for her, because they’re already acting romantically, and she started it. (Again, not an excuse -- he should have known that she is in no position to make a move to start a relationship.)
He’s not thinking logically and pursuing a relationship with his drive system, he’s still being driven by his threat system and fear of loneliness, and being in a relationship is the only thing that he can imagine will soothe him. (I mean tbh this has been his problem all along -- possibly even back to Palis -- and ugh, it sucks, because even though in a way he kind of can’t help it and he’s clueless to why he wants a relationship so much, it’s also kind of on him that he’s never done some serious self-reflection, and the fact that his trauma has led to him acting like this doesn’t negate the fact that he’s taking advantage of a very vulnerable woman and hurting her.)
It’s been implied by a) Quark, b) Vic, c) Bond-type books and d) most recently, Ezri, that he wasn’t quick enough to get Jadzia and should have tried harder. So of course, once he starts thinking he’s in love with her and that a romantic relationship is what they need, he’s desperate to start as soon as possible so that he doesn’t lose his chance. Because if he thought Dax had been his last chance, how much more is he going to be thinking that Sarina is his real last chance?
Sarina is pretty similar to him, and he can empathise a lot with her. And he knows how augments are treated by the world. And he knows how difficult it’s been for him, finding someone to love. And so he projects his own loneliness and fears onto her, and figures that being in a relationship is what they both need, because she’s unlikely to be given many chances either (which is kind of a contradiction to “I need to act now in case I lose her”, but hey, limbic system. Rational brain has long been taken out.)
And then as soon as he realises she’s only gone along with him because she feels like she owes him, it clicks and it’s over. It doesn’t make up for what he’s done but it genuinely never occurred to him -- and what’s more, he knows it should have occurred to him, and he still can’t figure out why he wasn’t more rational about this all. 
> Which is also why none of the other characters were allowed to have a proper talk with him this episode because I think that would have made him realise what he was doing. (I know Miles kind of tried with “Julian, she’s your patient”, but when Julian came back with his excuses, Miles didn’t exactly argue against them.)
> And also, how much do you think that her telling him “I don't even understand what love is. I don't understand anything… What am I supposed to do? What am I supposed to feel? Tell me. I want to make you happy” resonates with him. Does he realise that these are the things he’s been asking himself his whole life, that this is actually how he’s been living his life and doing relationships this whole time. Are these actually a direct reflection of his thoughts about her: meeting with his friends, showing her off at dabo (he was always so proud of Leeta, remember?), that whole cliche of a romantic dinner… Are these all things he felt he was meant to do to make her happy and to show her what a romantic relationship is like?
And the thing is -- he does learn from this experience, and we see that he doesn’t try to rush in with Ezri when he starts getting feelings for her. (Yes, his learning shouldn’t have come at the cost of Sarina’s wellbeing, but it did, and I’m just going to accept that because he’s a fictional character and also I love him.) I don’t know if he got to the bottom of figuring out why he went so off-the-rails with Sarina. But clearly, it’s a mistake he doesn’t want to repeat. And I do want to give him some credit for that. 
So let’s go on to Ezri. 
BASHIR: Funny, I was just starting to... O'BRIEN: Starting to what? BASHIR: I don't know. But there was something-- something about her, wasn't there? Something that made me happy, anyway. She was this old soul and yet so young at heart, and… and-- I don't know what I'm saying.
I read this as a sort of admission that he doesn’t know what romantic love is. He knows he felt something, but I don’t know if he found something in what Sarina said that makes him doubt and wonder if it is love that he’s been feeling, or something else. But also, he leaves before O’Brien and Quark can comment, not asking for anyone to help figure out what he’s feeling. (Particularly as Quark’s made it obvious he thinks Julian must be in love with Dax, even if he doesn’t want Julian to be in love with Dax.)
And then when she returns, they begin their whole awkward dance around each other: though interestingly, as he’s talking about his inability to talk to her about his feelings in their eventual conversation, he sounds genuinely confused, and even distressed, when he says “I mean, I'm not usually like this. If I find someone attractive, I just-- I just tell them. I don't play these ridiculous games.” It seems he’s been experiencing some subconscious barrier whenever he’s wanted to bring his feelings up -- probably not dissimilar to most people’s hesitation to ask out a crush, but like he said, that’s not usually his style at all. 
Presumably, this is because he’s worried that he could lose Ezri altogether if he makes a move and his feelings are unrequited, along with the knowledge that pursuing Sarina had been the complete wrong thing to do. Although again, maybe more subconsciously than not: when Ezri suggests they’ve both been hesitating because of their friendship, it seems to click for Julian as something that he’d not properly registered before. 
Additionally, at this point in the show, losing people to the war seems inevitable. There’s been a long period with very little hope that either Ezri or Worf are alive, Kira, Odo and Garak are all off on Cardassia doing goodness-knows-what, until Odo returns with the Founders’ disease and again, there’s very little hope that he’ll survive. So it’s not really surprising that Julian finds himself unable to speak to Ezri about his feelings, given that this is the time least suited to losing friends to stupid mistakes like telling them you love them. 
I definitely think there’s more to say about Ezri and Julian, but I feel like I’m losing the plot of what I’m saying a bit, so I’m going to stop there. 
In summary:
Julian’s driven by his threat system: his fear-of-failure, fear-of-loneliness and fear-of-discovery/fear-of-rejection-for-being-an-augment. He doesn’t realise how much this affects him.
Julian thinks that other people/pre-90s media know about romance and love more than him and he should try to emulate them rather than figure out what he wants from them. 
Julian doesn’t really understand his own feelings – his upbringing never gave him the chance to, and it hasn’t occurred to him to explore them and figure out what makes him tick and what doesn’t. 
He’s deeply unhappy by season 6 and relying on easy but short-lasting waves of happiness to get by (e.g.holosuite adventures)
Because of all these things, when it is presented to him that there is a way to get lasting happiness, and that one way is to be in a relationship, he buys into it completely – falling for that idea probably far more than he actually falls for any of the ladies in question. 
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walkingstackofbooks · 2 months ago
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#.also casually dropping a story about watching a child die when he was a kid on the first date.#.genuinely though can we talk about him sharing that he watched a young girl die in front of him as a kid as like getting to know you stuff
Haven't watched this episode in a while but actually yeah?? That's an incredibly traumatising story to be told so casually... It makes you wonder how much other trauma he went through for this to be like "yeah, no biggie"....
Julian Bashir showing surprisingly deep and intrinsic understanding of disability and how it can make someone feel helpless and ashamed in the episode Melora before the writers even had any idea that they were going to reveal Julian was also disabled my beloved.
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captainjimothy · 4 months ago
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personally i do think julian bashir is trans, but not in a way that sublimates his genetic alterations into a trans allegory. i think he's disabled and trans at the same time, but i think his rebellion against his parents--the symbolic death of his old self with the name change--that's not about gender, for him, at all.
it's about the incredible violation of autonomy he experienced as a disabled person under the knife of a eugenicist society. it's about the need to reclaim some, any, of the agency that was so completely stolen from him by his parents.
it's about discovering that his entire self was deconstructed and reconstructed, without his knowledge or consent, for the express purpose of being less of a burden on his parents.
because let's not forget that the death of julian's old self was not his decision. it was his parents who killed the old self and created a new one.
let's not forget that human society in star trek is still recovering from the eugenics wars--that just because it's post-scarcity doesn't mean it's a utopia.
let's not forget the multiple episodes where bashir is forced to confront the fact that his "success story" is truthfully a gross reminder of how deeply his society (and his family) hates disabled people, not only shown in how they tried to fix him, but also in the fact that the process so rarely works as intended, yet is still done anyway--and the failures and the ones too far gone to save are locked away! with no connection to general society, and only the bare minimum provision for their physical needs, with no privacy and no autonomy!
and let's not forget that julian sees these people and is torn between the empathy he has for them, and his urge to fix them. and he goes through with this urge on Sarina, "fixing" her to conform to his idea of what she ought to be, treating her as a problem to be solved, objectifying her via "my ideal woman was trapped in this disabled body/mind and i saved her," thus continuing the cycle of violence, because even he can't conceive of a world where the disabled do not need to be fixed. where the violence done to him was wrong. fuck man
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fortheloveoflatinum · 5 months ago
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Rewatching Star Trek DS9: Past Tense (The Bell Riots)
The thing I love most about time travel episodes is that the future hangs in such delicate balance. Also - the gentle reassurance that we matter. You matter. I matter. This isn't utilitarian calculus; it's a philosophy that holds that we all have immense intrinsic value and are all capable of shifting and shaping the course of the future.
Spock: [to Kirk] Save her, do as your heart tells you to do, and millions will die who did not die before. - Spock in the TOS Episode, "City on the Edge of Forever."
And Kirk, despite everything - despite his love for this woman, despite what his heart tells him to do - knows that in order to save the Federation and the future he has had such a magnificent hand in creating; if he wants a just and equitable future to be forged, it all hinges upon one small, 'insignificant' woman - it serves to show that the good of the many outweighs the good of the few - Kirk lets her die to save those millions of people - but also proves that the good of the few - or the one - can indeed outweigh the good of the many.
It's a simple, human truth that we are all significant in some way. When we go, it's not what we leave behind that matters - it's how we lived.
Captain Picard: Someone once told me that time was a predator that stalked us all our lives. But I rather believe than time is a companion who goes with us on the journey, and reminds us to cherish every moment because they'll never come again. What we leave behind is not as important how we lived. - Picard in the movie Star Trek: Generations.
And in the DS9 episode Past Tense: Parts I and II, this fundamental truth is also proven true. That one person - any person, every person - matters. Not because of the wealth they've accumulated, not because of their fancy house or their six-figure salary or their corner office - but because they smiled at a crying child, because they sparked hope in the hopeless, because they were kind, because they were generous with their time and because they lived to serve the greater good.
Life. It's not about what you own - it's about who you touch. Even transported to a barbaric 21st century too much like our own - with just the clothes on their back - even their combadges stolen - Doctor Bashir and Captain Sisko touch people. Their presence changes things. So much so that the ripples of their actions change the future for every Federation member, because Starfleet is gone and all that remains of it is the crew of the Defiant.
I remember the Ray Bradbury story, "The Sound of Thunder," with its eminent metaphor of stepping on a butterfly and altering the future. But what if we step on a butterfly in the present? Surely, the future is altered. Everything we do - matters. Everything we do has ripples across the timeline of the future. None of us are islands unto ourselves. This tangled web we weave, it's a tapestry and its threads are those of the people we've loved, everyone who we've ever known and whether we were cruel or kind to them matters.
What can you do? Start by smiling. A smile from a friendly stranger can save a life.
Michael Burnham [to Spock]: “There’s a whole galaxy of people out there who will reach for you. You have to let them. Find that person who seems farthest from you and reach for them.” - Michael Burnham in that one Discovery episode where they go to the future and also there's an epic war going on in the background
Reach for someone, anyone; everyone. Only then can they reach back for you.
Be kind, to the Earth, to each other, to all creatures. Don't step on butterflies or kill bees.
What can you do? Watch Star Trek, and live by Starfleet values. Find a moral compass, and let it guide you. Remember that science and education are the answer, just as much as peace on Earth and - eventually - beyond.
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vaguely-concerned · 11 months ago
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the way the wire sets up these two opposing forces in garak's psyche that I think continue to wrestle it out in the background for the rest of the show -- on one side, his father-who-won't-even-acknowledge-that going 'I hope you keep living in shame and despair and desolate isolation for decades to come sport😜' (tain has basically gone 'be so kind as to create a hell of your own making and then stay in there for me, there's a good boy'. and garak has done that. oof. tain made him build a closet in his own head and locked him in it by doing nothing except make it clear he's not allowed to get out because he deserves to be in there. he never had to tell garak to do anything; that's what makes him special. I. am in shambles)
and then on the other side coming in with a steel chair, julian's soft steady voice going 'no one deserves this' and 'I don't want to hurt you' and 'I'll help you through it'.
one side that not only utterly abandoned him to his own misery but engineered it in the first place to control him, and one side that boldly, brazenly, doggedly refuses to abandon him, both on principle and out of personal care, no matter what garak says or does through the episode to try to throw him off. (and accepting the personal care aspect seems to part of bashir's journey of the episode; he has to admit to himself that yeah they are friends at this point. he is not personally watching over this guy while he sleeps like a lanky dweeb guardian angel for purely professional reasons lol thank you for calling his fucking bluff jadzia.) tain and bashir are basically having a quiet faux-affable battle for garak's soul at the end of that ep and while it starts small, down the road it eventually becomes clear julian won. tain gambles that his own influence will always triumph in the long run (he got there first, after all), and he's wrong.
all of this is presumably also why garak writes a stitch in time specifically to julian (aside from all the normal gay reasons) -- at the end of that he all but says that it's partly because he knows in such a deep way that julian would never judge him as harshly as he judges himself. the kindest voice in garak's inner world is julian bashir, that's how deeply he's internalized it. what the fuck. that's one of the most beautiful ways of touching someone's life I can imagine I feel nauseous and disoriented adn I need to go lie down for a while
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walkingstackofbooks · 10 months ago
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The fact that he feels less vulnerable confiding in the teens that he would like his teddy bear back than he does at the idea of asking Leeta is something I've never considered before but now my brain is very much chewing on. Why is it easier to ask Jake and Nog than Leeta?
In the Cards is a fantastic episode just for the 1 - 2 combo of 1) Julian without hesitation declaring his childhood teddy bear would be the one thing that would make him happy right now and agreeing to get Jake and Nog what they want if they get him Kukalaka and 2) the reveal that Leeta fucking stole it and has been sleeping with it
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fatalism-and-villainy · 9 days ago
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I’m trying to untangle The Problem of Garashir (not the least because, well, I’m writing the pairing) -
and I think honestly one of the biggest… roadblocks? bits of untapped potential in the pairing? is that we never really see their relationship put a strain on their ideological convictions.
Which is to say, “the societal institutions we’re subject to are corrupt, but our love is pure, so we’re going to abandon those institutions for each other” is, whether implicitly or explicitly, a common framing in fanfic featuring them (such as I’ve seen) - and to be fair, it’s a common romance trope in general. But I can’t say it works for me for these characters. And part of that is that imo the show doesn’t sufficiently set that up with its development of the relationship between these two characters, but another part of that is that I simply don’t see a world in which that kind of relationship dynamic/approach would fit with their characterizations.
To address the first point - there are never any situations involving these characters in which their fundamental values or institutional loyalties are challenged as a result of their relationship. At no point does Garak, for example, have to choose between Cardassia and his affection for Bashir. (I’ve seen people read The Wire that way, but I don’t think the reading works - The Wire is a fantastic showcase for Garak’s worldview and value system and the cracks and contradictions therein, but even though Bashir’s unwavering commitment to helping him despite what he’s done is certainly unprecedented and moving to him, his underlying value system hasn’t changed by the end of that episode.) And while Bashir’s faith in Starfleet and the Federation does get rocked quite a bit over the course of the show, it’s never because of his friendship with Garak.
Instead, I’d say that with some exceptions (like The Wire), their friendship in the early seasons is usually framed as a respite from their serious responsibilities or moral dilemmas. This especially true of Garak, who is likely not used to someone simply enjoying his company with no ulterior motives whatsoever, but the narrative maneuvering of the show also does a lot to shield Bashir from the reality of who Garak is. Yes, he gets a taste of that in The Wire, when Garak goes out of his way to impress upon him what the reality of his life as a spy truly was. But that’s still only verbal testimony, and only confined to what Garak has done in the past. Bashir is largely absent from all the shit that Garak pulls during the show!
And I’m not complaining that, say, the events of The Die Is Cast take place between Garak and Odo, because it makes thematic sense for it to be Odo for that arc. (And I love that friendship.) But Garak and Bashir do not get a plot like that, or like In the Pale Moonlight, where Bashir is directly exposed to or complicit in Garak’s immoral behaviour. The closest we get to an actual serious ethical clash between them is in Our Man Bashir, which is a goofy comedy episode. (And it’s worth noting that Bashir calls Garak’s bluff and shoots him in that confrontation! Yeah, he likely missed on purpose, given what we later learn about his magic hand-eye coordination, but he’s still unwilling to compromise on his heroism for Garak’s sake. It’s actually a pretty Cardassian gesture, which is probably part of why Garak loves it so much, but it does say a lot about where their priorities are re: their commitment to their values vs. each other.)
And I think the lack of more serious, plot-relevant ethical conflict between Garak and Bashir is a real loss for the show, because one thing I find really interesting about their relationship is that - in contrast to the examples of Odo and Sisko up there - Bashir is the person in the cast most able to hold Garak accountable. He’s repeatedly established as one of the most firmly moral members of the cast, and his righteous anger at seeing those morals trodden upon is one of his most defining character traits in the later seasons. His unconditional forgiveness of Garak in The Wire is lovely, and it is an important moment in the development of both their relationship and Bashir’s character. But in the long term, once we get into actual serious, consequential war and espionage plots? And if we’re imagining them in a long term committed relationship? It wouldn’t be sustainable, and it doesn’t feel in keeping with Bashir’s character that’d he have endless reservoirs of patience and understanding specifically for Garak. And it’s precisely because Bashir is uniquely able to grant Garak forgiveness that he’d also potentially be uniquely able to chastise him.
(This is why, by the way, my headcanon as to the in-universe reason why they don’t seem as close in the later seasons, paternity deathbed reveals and occasional flirty bantering notwithstanding, is that Bashir was seriously fucking pissed at the stunt Garak pulled in Broken Link, both in terms of the personal betrayal and the destructiveness towards sentient life, and that it created a significant rift between them.)
All of that is to say - my biggest regret with the show’s sidelining of their dynamic isn’t the fact that their relationship never becomes romantic (not a chance of that in the 90s, and also these writers were pretty terrible at writing romance) but that they never get to have an argument. An actual serious, non-flirtatious, two-sided, genuinely-angry-at-each-other-argument. I want to see conflict! (I honestly think that their exchange in What You Leave Behind comes the closest to the kind of conflict I’d like to pick up on in post-canon fic - where they are conciliatory in the moment but still have this really wrenching chasm between them, and unresolved frustration as a result of that chasm.)
So as an extension of these thoughts, I actually really like that we’re not given the basis for a traditional “us against the world” style romance plot. I like that these characters are clearly deeply fond of each other and significant to each others’ development, but have other important connections (Garak especially, since despite being only a recurring character introduced through Bashir, he integrates into the broader cast) and other priorities besides each other.
Furthermore, despite the significant differences in their value systems, one very fundamental thing they have in common is how passionately devoted they are to their respective causes. For Garak, it’s Cardassia. And while his idea of what it means to serve Cardassia, and what Cardassia needs, undergoes a lot of change over the course of the show, I don’t see any version of Garak in which Cardassia is not his first love. For Bashir, it’s altruism and helping people, as well as his intellectual curiosity - aims which are reflected in Starfleet and the Federation for him but ultimately higher ideals.
And I don’t think either Garak or Bashir would admire the other nearly as much if they were willing to let go of everything they hold dear for the sake of romance. They’re both far too committed to being a part of the world. Garak may have some fun with trying to shake Bashir of his optimism, but ultimately Bashir’s goodness, his fierce conviction that no one deserves to suffer, are among the most compelling aspects of his personality. And if Bashir is ever going to actually enter a serious relationship with Garak, he’s got to move beyond flirty intrigue and literary banter and see Garak as someone who’s proactively committed to goals that Bashir can respect. If they’re coming together as a couple, it’s because their aims and beliefs have come into alignment in some way.
And to be fair, a lot of post-canon Cardassia stuff is doing the latter. But I also want more… conflict within that framework, I guess? I don’t want a romantic relationship and the act of getting together to be the endpoint of whatever reconciliation of values they need to work through. And that’s part of what I’m trying to untangle in planning this fic of mine - especially regarding how fraught romantic commitment feels for them. For Bashir, there’s the problem of not only reconciling himself with what Garak has done, but also of choosing to be with someone whose impulses and entire cultural belief system places duty and institutional loyalty above personal feelings. And for Garak, there’s the fact that the most devoted and emotionally intense relationship he’s had in his life thus far has been with Tain, who embodied Cardassia for him - and as a result, I doubt he quite knows what to do with the possibility of a serious relationship with Bashir, who is very emphatically not Cardassia. He’s not used to being divided in his passions!
It’s not that I’m never capable of being moved by post-canon stuff that involves Bashir being charmed by how slippery Garak is, or them generally being quippy and fond of each other (I’m not made of stone here). But I’m never satisfied with just that, because that escapist element never feels like it translates well from the early seasons of the show to post-canon, and because it never engages with what I find the most fascinating about what’s set up with their whole dynamic. (And I especially dislike it when it feels like Bashir’s character is getting shortchanged in terms of his complexity and moral convictions being excised in order for Garak to get everything he wants.)
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searchingforserendipity25 · 2 months ago
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watching ds9 is great for many reasons, not least because sometimes i set my netflix to subtitles in my language when watching it with my family.
and as ever the translators have fascinating formal pronouns opinions. namely:
bashir and garak use the formal address (with the addendum that julian uses the formal-you directly. and garak of course says doctor a lot, which is extra-formal. interestingly, he doesn't always address him by title only! less diffident than it might have been.)
bashir and o'brien use the formal address (works very well with the development of their friendship + vr funny and tongue in cheek, it's great)
odo and kira use the formal address, up to and including during love declarations (as of season 3)
kira and o'brein do NOT use the formal address. baffling choice ngl. i think it's the only case when the ops team is informal w one another. i think the translator ships it guys.
sisko is formal all the time. except with jake i think. actually i can't remember if jake uses the informal w his dad. i'm pretty sure he does.
quark and rom use the informal!! which is quite interesting in terms of characterization. they are brothers!! it does a lot to set the tone.
quark and odo use the formal form in words but not in spirit, it's hilarious.
odo actually uses the formal with everyone.
dax and bashir use the formal.
even dax and sisko use the formal, including in private. this is the one thing i fully disagree with but it does add an interesting layer to their connection.
kira and dax use the formal. i don't even ship it that much but i will be honest, the formal-you is very gay here, as it can be. if you've been there you've been there.
i think kira and vedek bareil used the formal you! which is a normal thing to do with your boyfriend the religious figure i'm sure.
anyway i am choosing to incorporate all of this into my canon. standard has formal and informal addresses, as per my dodgy netflix translation. will update this post as it becomes funny.
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onwhatcaptain · 2 months ago
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I still have tons to say about the Garashir Goes Canon™ moment in Lower Decks so here is my big meta post about it! Below the cut is a meta discussion about the penultimate Lower Decks episode, contextualizing what it means for something to become canon.
To be clear, this is a mostly positive post with analysis included. You’ll see lots of love for Garashir and Lower Decks and also oodles of fandom meta below the cut, since we have a complicated relationship with Paramount. My analysis and graphic is based on a recent lecture about Star Trek canon I gave at KiScon!
First, I have to say that both Unification and this Lower Decks episode following mere weeks after of my lecture panel at KiScon titled Fuck Paramount, about what Star Trek canon really is and what its place is in relation to us as slash fans, is absolutely mind-blowing timing. I wish everyone in both the K/S and Garashir fandoms had been able to attend it because it was absolutely designed to serve as a framework for both of these major fandom moments. And also it was just funny as hell. But most importantly, it was relevant, and existed to give us a sense of understanding when navigating Paramount hell, particularly when they play Gay Chicken (will they, won’t they — most of the time, they won’t).
Since not every single Star Trek fan on this website was at KiScon last month, I want to expand on that a little more here, this time in Garashir context, since last time it was centered on K/S, though Garashir came up several times! When I was giving my lecture, I asked the audience what it would look like if K/S were made canon tomorrow. Everyone had different ideas—but the most common theme that came up was sheer distrust of Paramount doing it justice.
For those of you that are reading this, the thesis of Fuck Paramount was that you as a fan and a viewer have more control over what is and isn’t canon than you think, and that our role as fans is to take ownership of our stories back from corporate interests. I also developed a four-sided framework to describe how we interact with canon to take power back and make sense of canon. Both Unification and the very, very fresh Lower Decks episode have already been controversial for a number of reasons, the primary one they share being: “Wait… does this make this canon?”
So far it looks like the main reactions for this Lower Decks episode (especially considering how sudden and late in its run it is) are mostly “HOLY SHIT THEY REALLY DID IT” and “I AM DISAPPOINTED BY THE MERE SCRAPS.”
And my position on it is that both of them are completely reasonable reactions that don’t contradict one another! I’m going to make the case for both sides as I try to explore the implications of this episode with respect to the episode’s subtext, corporate storytelling, and so forth. I’m not going to go too much into the academic aspects, but I am happy to make the original slides available for anyone who is curious about my canon analysis framework.
Why It’s Enough
On one hand, this episode is done well. Undeniably. It’s a lot of fun. I have also said many times before that the only way I’d want K/S or G/B to become canon is if they suddenly randomly drop the info that they were married and don’t bring it up again, because otherwise they might do more harm than good! This was an example of it done incredibly well, in my opinion.
This episode serves as all the confirmation you could possibly really need of Garashir. Yes, there are quite a few gimmicks involved—it’s all AU, all the way. Garak is now a surgeon from another dimension, and Bashir is from an entirely different dimension, and also not really himself, but a hologram. Here’s how they’re introduced:
WILLIAM BOIMLER: “Elim Garak, a brilliant Cardassian Surgeon—and his husband, an emergency medical hologram based on Dr. Julian Bashir.”
What I really love about this moment is that it actually does more than it looks like it does, at face value. For most of us, our first instinct is to go, whatever, he’s based on Bashir, he’s not even the real one! But what they did here was brilliant—it serves as implicit confirmation that our man Bashir is also bisexual, and loves Garak. He is indeed not a corporeal human being, but as the DS9 episode where the LMH is designed based on Bashir tells us, the hologram is designed and based on who he is. It has his personality traits. Interviews are conducted to make sure that the hologram is as authentic and true to the real thing as possible:
O'BRIEN: “You mean this programme is going to have all of his personal likes and dislikes?” ZIMMERMAN: “That is why we bother to choose a human template in the first place.”
William Boimler, from the prime Star Trek universe, doesn’t say the EMH is based on some Bashir, he says this one is based on Dr. Julian Bashir. Again, this serves as clear confirmation that he is modeled on recognizably the same character from DS9. They’re not that different in essence from their prime universe counterparts, or it wouldn’t be fun for the writers or the audience. We learn that Garak is still former Obsidian Order. They are still the same people, in essence. They may be AU characters but the point is for them to be similar to the originals, or they may as well just have been some guys!
The important thing, for me, is that it’s a clear, unambiguous acknowledgement. It’s played straight. Well, not straight—but not as some elaborate joke or filled with contempt. It doesn’t tease and doesn’t dance around the issue and wink and nudge, begging the viewer to question whether or not they’re together. That much is made immediately very clear. In the episode, AU Garak and AU EMH Bashir are a married couple, and they kiss. Every moment of their relationship is sincere, the comedic moments being not about the fact that their relationship exists, but about the dynamics it brings to the story. It also tells us very clearly that they’re not even from the same universe, and that their compatibility remains nonetheless:
HARRY KIM: “Are they from the same reality?” CURZON: “No, but they love to brag about how statistically unlikely their marriage is.”
Again, I tend to see this as a positive nod to the compatibility of these characters rather than a brush-off that says the prime universe Garashir couldn’t be together. And then Garak tells us his universe’s Bashir is like the original: still a racquetball player and competes with Chief O’Brien—again, revealing quite a bit.
And the B-plot is about them squabbling, acknowledging very clearly to us that Cardassians really do just love flirting via argument, which serves as a brilliant nod to everyone who complained for three decades that the DS9 writers never really admitted that Bashir and Garak were just flirting. Finally! The writers seem to understand quite well what’s important to us, even if this isn’t the ‘Real Garashir.’
What satisfies me ultimately is that this doesn’t in any way look like a rejection of the possibility of Garashir in the prime universe. It looks to me like it supports the text, not a mean-spirited denial that it could only happen under bizarre AU circumstances. To sum it up with another Boimler quote:
BOIMLER: “The multiverse is just a rehash of stuff I already know.”
Hm… :)
And as I pointed out in a prior post, the whole point of the episode is to show that even in different circumstances and worlds, the love characters have for one another remains a constant and is utterly transcendent. The episode straight up tells us that some relationships are so powerful that they span dimensions and realities, and then Garak and Bashir say they would follow one another to any reality!
In my panel-lecture, I said, “[Paramount’s control over the text] suggests that certain readings require their endorsement or confirmation to be true.” But this doesn’t feel like that to me, and so I accept this. It leaves room for possibilities of all kinds, and opens more doors rather than closing them. I can appreciate that.
I also spoke about how canon isn’t one thing—not a binary yes or a no, and that there is no singular meaning. I call this multiplicity:
“Multiplicity is about the continuous proliferation of ideas and the rejection of the text as having a single meaning. It rejects mere viewing or the consumption of media in favor of dialogue and participation rather than a one-way communication.”
This episode served to defy singular interpretations of the text. It tells us that there are infinite possibilities and it took a route that challenges the single-story interpretation of Garashir = Not Canon. It made room for new perspectives and affirmed what “the stuff we already know.”
Why It’s Not Enough
Now for the other side of the coin: why it’s not enough. As exciting as it is to have this kind of confirmation from the current writers for Star Trek in a frankly increasingly conservative storytelling environment, it’s still disappointing for many people that even in the most progressive Star Trek that exists, they cannot or will not openly state that the prime universe Garashir got the ending and acknowledgment they deserved. 
It feels like begging Paramount as a corporation for scraps and thanking them for what really doesn’t feel like enough—it stops short of full, sincere, complete validation of Garashir’s queerness. As I said in my panel, it’s normal for us to want confirmation from the writers and creators that what we’re seeing is real and not just imagined, even when the role of fanfiction is for us to transform canon and reject it ourselves.
It’s absolutely exhausting for us to say we see something that is continuously denied by those who ‘own’ the story in favor of mass appeal, and to me, that is a legitimate perspective that can coexist with the idea that fandom is designed reshape the canon to fits its own needs, and that we don’t need confirmation from the creators for something to be true. Fandom exists to defy corporate ownership of stories, but to have to fight for mere moments where marginalized perspectives are foregrounded causes anger for good reason. We may not need confirmation from them, but saying that we should never expect anything from Paramount releases the corporation of accountability and obligation to respect the audience and their own characters. We should be able to expect and trust that these characters and their relationships can be done justice by those who have the privilege of steering that ship.
It’s one thing for me to say that this episode affirms the reality of Garashir, but it’s also true that prime Garashir probably could not be given complete canonization because this is the best way they knew how to ‘get away with it’ all while maintaining its mainstream and popular appeal with heteronormative audiences that would have a problem or reject it if it happened to ‘real Garashir.’
Slash fans, for decades, have existed in the lane of compromise—firmly between having our truth validated and entirely rejected in favor of a Star Trek that is designed to be sold as a product to as many people as possible. Rarely do we receive more than a bone tossed to us by the powers that be, and when we do receive it, it’s on their incomplete terms, often with massive concessions made to make it happen. For Garashir to receive their blessing, they had to twist it into an AU. The reason they could do this episode is because it gave them the neat plausible deniability to also say this has nothing at all to do with prime Garashir, so that it didn’t entirely alienate audiences who wouldn’t support a queer narrative.
This is their way of having their cake and eating it too. In some ways, it looks like they’re just trying to make everyone happy, but the story shouldn’t have to make everyone happy, and a compromise can really just feel like everyone loses, or like prioritizing the status quo again. For decades, the status quo has always left those with marginalized readings of the text unhappy, sidelined by a narrative that is supposed to be progressive and supposed to look to a future where queerness is natural and not taboo. And if this is the best they can do, it’s only reasonable that it should still sadden us, disappoint us, anger us. It’s hard not to resent that reality.
What Now?
I urge folks to continue negotiating the text, as I did above in the first section. I made sense of it in a way that fits my understanding of Garashir! You do not have to assume that there’s no more to it than that because it was all that was said on screen. We don’t have to look at canonization as the final say on the text. My perspective is that we should take it as a wonderful and deserved affirmation, and continue to transform the canon as we see fit. This is your time to decide what it means for these characters. Personally, I see it as a massively positive step forward. Just remember that where canon is concerned, you are in control of what it means.
Canon is still transformable, multiplicative, negotiated, and timely. Holders of the ‘IP’ are only one piece of the puzzle where the truth of a story is concerned. So take this as a beginning to more, not an end! As I like to say, “canon is a means to an end, not the end itself.”
Also, please don’t hesitate to add your thoughts, questions, comments, or anything else. I hope you enjoyed this meta post, if you read this far.
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starseneyes · 19 days ago
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Garashir - Julian Bashir / Elim Garak - Deep Space 9
Yes, I'm doing it. After weeks of my poor husband listening to me rant and rave about these two, I decided it was time to start a Meta following their relationship and what wasn't and could have been if TPTB had let these two experience a fully formed romantic relationship rather than one told in between furtive glances and flitting flirtations.
I was quite young when Deep Space 9 aired, but I remember gravitating very heavily toward Julian Bashir. His character underwent such growth, and Siddig El Fadil (as I memorized his name when I was a child, now billed as Alexander Siddig) was mezmerizing.
Little Rachel didn't catch every episode, so I missed a lot of Andrew Robinson as Garak, but watching as an adult I am in awe of the charismatic performance that birthed out of one heckuva interestingly written first scene.
Where will this go? Oh, everywhere! And I'm ever so glad to go there with you.
I wouldn't think a 30-year-old show would need a spoiler warning, but just in case: Spoilers abound for those who dare to dive in. Everything. In totality. Even a bit about Star Trek: Lower Decks.
Shall we?
Before we begin with the meeting of two spectacular characters, I want to preface that I am well-aware that Siddig and Robinson were onboard from moment one and that they acted the hell out of it.
I think it's absolutely beautiful that these two have been the champions of this relationship, and it makes it all the more fun to write a meta like this—knowing that a lot of the microexpressions I tend to latch onto naturally were intentional. Oh, that makes this even more fun!
"It's Doctor Bashir, isn't it? Of course it is. May I introduce myself?" "Uhhhh, yes. Yes. Of course."
From moment one, Bashir is flustered. Yes, we could say he has a degree of excitement about meeting a supposed spy, but there's something in the way these two hold one another's gazes before Garak even opens his mouth that's intriguing.
Thanks to Robinson's openess about his character, we know that Garak was DTF. But Bashir is on the receiving end of this attention and affection, and unsure how to respond to it.
Now, I don't think this is is because our dear doctor is not open to attraction between himself and a being who is not female-presenting, but more because he truly believes this being to be a spy.
Can you trust the flirtations of someone skilled in the art of espionage? This is something Bashir will have to chew on for some time. He just doesn't know it, yet.
"My name is Garak. A Cardassian by birth, obviously."
And there's the moment Bashir looks the man up and down. But, why? It's such a minor thing, but it catches my attention every time, mostly because I know it was a choice on Siddig's part. Bashir looked this alien up and down while trying to figure him out.
Garak invites himself to sit across from the handsome doctor, stating much of the obvious while attempting to draw Bashir out.
"You are new to this station, I believe." "I-I-I am, yes."
Bashir is stammering. And it reminds me of my Middle child. Middle is Autistic, and stammering often happens when he's worked up about something, or really excited.
Bashir then places his elbows on the table... and immediately encounters the plant. He tries to bat it away, but becomes so embarassed he puts his hands back down on the table.
"Though, though I understand you've been here for quite a while." "Ah! You know of me, then."
Garak is noticeably delighted. No doubt, he thinks this awareness smooths the way for him to be even more forward with the object of his desire.
Bashir defers to tea and tries to order Garak some, while Garak basks in the attentive nature of this human he's spied. No doubt, he's wondering just how attentive the good doctor is in other areas of his life.
"As you may also know, I have a clothing shop nearby, so if you should require any apparel, or simply wish as I do, for a bit of enjoyable company now and then, I'm at your disposal, doctor."
Translation: I want to drape you in the sexiest clothes, then disrobe you, and I'll do it anytime you like, just let me know. What, that wasn't what you heard?!
"You're very kind, Mr. Garak."
Kind. It's a word that will come back (though not for another season or so) between these two.
"Oh, it's just Garak. Plain simple, Garak."
Plain and Simple will come back, too. I have to give the writers so much credit for bringing both these things back around later on in the series.
"I'm so glad to have made such an interesting new friend."
He places his hands on Bashir's shoulders, that right hand taking its time as the fingers settle and the human watches them, wondering precisely what he's feeling as it rushes through him in waves. Excitement? Attraction? Danger? All three?!
Hopeful he's gotten his meaning across, Garak leaves the nice doctor be. But the impression of the conversation stays with Bashir as a series of emotions and reactions flash across his features.
Yes, there's the excitement of a young man with flights of fancy thinking he's met a spy. But there's also a "What the hell was that!?" that flits across his face as he tries to process all the things he simultaneously felt.
Amongst the other emotions, there was a definite attraction and desire for this Cardassian he's never met. There was something about him that was intriguing from moment one.
The human has always liked aliens, as we recall from his experiences when his parents first took him away to be "reconditioned" as a child. He was excited to see so many different aliens, then, and his work as a Doctor allows him to encounter many different species.
But this Cardassian showered him in compliments that disarmed him and left this seemingly smooth ladies' man stammering and grasping for composure. That he could be so easily stripped bare of the arrogance that encapsulated early Bashir characterization is no accident.
The actors gave us this gift in their very first scene together with no idea if they would ever meet, again. At this point, Robinson was a one-episode guest star on the show. It doesn't matter. Both he and Siddig performed the hell out of this.
Later, Julian spies Garak out for a drink. And the way the camera finds him alone in a corner lends a sense of loneliness and isolation to the Cardassian. Even the separation of us from him by the bars in the establishing shot seem to block him out, somewhat.
"And how are you this evening, Mr Garak?"
Dear sweet Julian is on the hunt for a spy, but Garak is simply happy to spot the spry, young Doctor, again. The way "enhance my evening" drips off his tongue tastes of that carnal want in the gentlest of ways.
"Ah, plain simple Garak. How are you today?" "Being observant, Doctor." "I'm sure of it."
That giggle Siddig puts into the performance is just delicious. It feels lived in and earnest.
And then these two have the first of many standing conversations—where the meaning of personal space does not exist. Yes, they were dealing with a 4:3 ratio, but there's a difference between tight quarters and kissing range.
"Come in quickly, Doctor, you're late."
Garak is man-handling his human, but there's a reason for it. And poor, dear Julian actually holds up the suit jacket to see if he likes it. I don't know if that was the actor choice or the script, but it genuinely made me laugh.
This episode aired January 1993, which means it was likely shot in late 1992. The next time the two would work together would be on Season 2's "Cardassians", which aired in October of the same year.
This time, it's Julian who notices Garak sitting alone, drinking from a matching mug begging for its pairing to join it.
"Ah, Tarkalean Tea, again, doctor?"
Nicely done, DS9 writers. Calling back to that first meeting where Bashir offered Garak some tea, saying it was good.
Also, this casual acknowledgement suggests there've been some more interactions that have gone unseen by us in the meantime. It's been 9 months in the real world since last they saw one another, so it isn't unrealistic to imagine.
But the writer of this scene quickly roots us in some kind of a casual relationship that has developed since last Garak set his sights on the doctor. It's expertly done, and while it's not related entirely to the performance, I have to call it out because it's so well done.
Bashir starts fishing, again, about the spy he believes Garak to be. And while Garak plays along a little (because he clocks it immediately), he does tire of it.
"Really, Doctor? Must we always play this game?"
Again, I wanna smooch the screenwriter. This is the 90's, y'all. This is just coming off an era where Riker and Troi were seemingly a couple one episode and the next they were making eyes at other people as if they didn't know one another.
This was an era where episodes were essentially still written in a bottle without continuous storylines because the goal was to establish television that allowed Drop In viewers to join the show at any point without needing previous knowledge to understand every nuance.
Deep Space 9 was famous for bringing continuous story-telling to the forefront of Star Trek with the Dominion War, among other things.
But even here in Season 2, someone on that writing team understood the importance of the relationship between these characters so intimately that they sneaked in lines to establish a history unseen by the audience. That's mind-blowingly masterful and deserves attention.
"I'm no more a spy than you are-" "A doctor."
Ooh, is that a little bitchiness coming off of Bashir here? Me gusta! It's so much more attractive here when aimed at the charismatic Cardassian than when employed in attempted seductions of Daxes.
"What else can I do to convince you I'm just-" "Plain, simple Garak?"
Again, calling back to 9 months earlier at a time when most of us were still recording episodes on VHS and mailing them cross-country in tape exchanges coordinated by a burgeoning internet that consisted of IRC, ICQ, and AOL's Buddy Chat. This is artfully done.
"And a bite on the hand is certainly worth saving a boy's life, wouldn't you say?" "I suppose it depends on whose hand. Just joking, Doctor."
Bashir huffs out the slightest laugh at that. But as they speak, the topic turns to Gul Dukat, and Garak gives the good Doctor an education. One that Bashir attempts to use in a verbal confrontation with Gul Dukat that goes nowhere.
"He's lying." "Is that an opinion, or do you have evidence to support it?" "I have Garak."
This is intriguing to me. Because, in the first scene of the episode, as Garak and Bashir sipped drinks and chatted, Bashir brought up the issue of "trust".
On nothing but the word of a Cardassian he casually knows, Bashir inserted himself into a conversation to which he was no part and got himself duly told off by his superior officer.
One could say that he was foolhardy to so readily believe the man he has correctly deduced to be involved in espionage. But, there's something at a chemical level about these two that cannot be denied. And the next scene shows it all the more.
Bashir tosses and turns in bed, something interfering with his peaceful slumber. He starts himself awake and sits up to see Garak sitting patiently, watching him sleep, waiting for him to wake.
"Come, Doctor."
Woah, there, Nelly. I know you like to be forward, Garak, but did you really need to be that obvious?! There'll be plenty of time for that later.
"Get dressed."
I'm sorry. Are we implying that Garak is just gonna... chill in Bashir's quarters while he unbuttons that non-regulation looking night shirt and nothing's gonna happen between the two of them?
I mean, I suppose there's a reality where Garak is too worried about this Cardassian War Orphan to take advantage of the moment, but I'm certain he is not going to waste the opportunity to enjoy the view.
"We need to be going." "Going? Going where?" "To Bajor."
And on nothing more than that, the good Doctor suits up, wakes his superior officer (who just told him off) and requests a Runabout.
"It's Garak, sir. He wants to go to Bajor." "Bajor. For what?" "He wouldn't tell me."
Listen, honey. I know you're down bad for the Cardassian bad boy, but your Commander's getting a little tired of you interrupting him (first his meeting, then his sleep) on his behalf. Just bang him and be done with it, won't you? But, of course, a timely message saves the day.
"It can't be just a coincidence, sir... What could he be looking for on Bajor?" "There's only one way to find out."
And thus, a Cardassian and his human boy toy took off for answers.
"Perhaps, I can be of service." "You can fix computers?" "Oh, I dabble in isolinear subprocessors. It's a hobby of mine." *jaw clench*
I have to call out the jaw clench. There are few actors who can make a motion that minute and have it read well on camera.
"I continue to underestimate you, Garak."
I've never understood this line. Perhaps, Bashir could not fathom all of Garak's capabilities, but one would automatically assume a spy possessed hidden talents.
Perhaps this line speaks to the 90's, an era when we still pretty-much stuck to the labels provided by John Hughes' Breakfast Club of Brain, Athlete, Basket Case, Princess, and Criminal. Folks weren't easily more than one thing in that compartmentalized view of society and media.
If anything, Garak is an incredible Grey character when it comes to morality and motivation. So, perhaps his inclusion in the show is a delineator between the old and the new—where more complex characters were accepted on television.
But, no, Julian, I don't think you've underestimated him. Perhaps your imagination didn't stretch so far to encompass all of Garak's talents. But, if anything, you've put more stock in him and what he says than anyone else. Otherwise, you wouldn't be on this planet right now.
Garak removes his eyeglass and hands it instinctively to Julian, who receives it. It's a very intimate moment, honestly. They don't discuss this in any way. Garak knows Julian would want to see it, and he hopes to diffuse his questions by tying it all back to his tailor cover.
"Computer, disregard that request and shut down all engines."
Watch Garak, here. Robinson is taking us through an entire thought journey masterfully in seconds through microexpressions. There's surprise. Confusion. Concern. And then a realization where he thinks he's landed on what prompted this.
"I'm sorry you're upset about the orphans... I don't make the rules." "But you do play the game, don't you, Garak? And there is a game being played right now as we speak, isn't there?"
Holy fuck, yes, Julian! Finally, you are pushing back! Look, I love how much Julian can trust Garak sometimes, but it's also a bit foolish, and it's about damn time he held Garak's feet to the fire on this one.
"There are always games, Doctor." "The trouble is I don't have the slightest idea what this game is all about. So you're gonna tell me what's going on inside that plain and simple head of yours, my Cardassian friend, or we're going to sit here until we rot."
Garak looks like he wants to pin him right there. Rather than explain it all to him, Garak feeds him the information he needs to put together the pieces.
See, Garak knows that Bashir has a keen intellect. He doesn't need to tell him everything. He can simply allow Bashir to deduce it.
And perhaps this is a sneak peek of our dear Cardassian's talent for spinning tales and avoiding speaking absolute truth, but it also shows a level of trust in Bashir's intelligence.
It's the furthest Garak is willing to trust Bashir, right now, but it's still a huge leap in terms of any other relationships in Garak's life. I mean, what other friends does he have?
Sure, he initally approached Bashir hoping for a quickie or a nice man he could bootie call every so often. It seems Bashir hasn't quite taken the leap Garak had hoped in that department, but they have spent enough time together to forge some kind of bond.
And that's rare for a spy. Connections are weaknesses, you know. Which makes what these two share throughout the series all the more important for them both.
"Very good, Doctor. I'm glad to see our little get-togethers haven't gone for naught."
Again, this isn't their second time meeting, even if it is only our second time seeing them together. Gosh, I love this writing team for getting it.
"Another coincidence?" "I believe in coincidences. Coincidences happen every day. But I don't trust coincidences."
Gosh, this man can deliver a line. Also, I love the "coincidences" coming back around.
"Do you really think he purged the file on Rugal?" "I would have."
It's not an admission of his role as a spy, but it is a clue. And, if Bashir is paying attention, as much admission as he'll get at this point.
"Are you sure his name was Rugal?" "That's what we were told." *Garak perks up* "Somebody told you his name?" *Garak smiles*
I love this bit. Garak is smart, so he immediately clocks the "told" bit. And then he gets to have pride in his pet human clocking it nearly as quickly.
"Is there anything else, Doctor?"
Julian looks to Garak, who is hovering out-of-view of the Bajoran. He smiles as he shakes his head. "You did well," his smile says.
"Commander, can I ask a few questions?"
Julian walks in with Garak by his side—equals in this moment. And while Sisko earlier told Bashir off for interrupting, he knows well enough, now, that the Doctor must have something constructive to offer.
"Alright. Let's talk about children."
Look. At. The. FRAMING. Yes, we're watching Bashir square off with the menacing Gul Dukat, but framed behind them is a barely contained Garak, watching Bashir with pride.
This isn't the pride of a parental figure, but the pride one feels when their Partner gets to show everyone else what we already see in them. While Bashir has flubbed a bit through this episode, he gets to shine in this scene.
Garak always knew he had it in him, which is why he perked when Bashir stood up to him in the Runabout. Now, he gets to watch as Bashir triumphs in front of his Commanding officer and others against Garak's old nemesis—Gul Dukat.
After Julian moves away to take his place at the front of the room, the frame holds on Gul Dukat with Garak in the background. And, oh, the theater girl in me is fangirling!
Look, there are actors and then there are actors. I will never forget the first time I saw my husband on stage. We wouldn't meet for months later, but I was very bored during the second act of a University performance of St. Joan.
Every actor on that stage was talking, but nobody was listening. You can be a fine actor and get by, but those who also know how to listen and react will always have my heart.
And as the second act droned on, I noticed one of the 12 people sitting at the front of the stage slowly remove their blindfold, turn their head, and listen.
He had maybe 8 minutes of speaking time on stage, but when I went home that night, I raved to my father about him. "The second act was dragging and then this man took off his blindfold and I thought, 'finally, there's an actor on this stage!'"
Watching Robinson, here, you can tell just how amazing he is. The director chose to keep him in-frame, likely because he recognized the brilliance. And all these years later, that remains a gift to us all.
Julian delivers the final blow, and his forceful presentation gives way to an honest smile directed at Garak, who smiles back, glowing with spousal pride as he nods.
"Truth, Doctor, is in the eye of the beholder. I never tell the truth because I do not believe there is such a thing. That's why I prefer the straight line simplicity of cutting cloth." "So, you're not gonna tell me." "But you don't need me to tell you, my friend. Just notice the details. They're scattered like crumbs all over this table we regularly share."
They have a table. They have a table! I love all these little details. Also, you can tell they've really honed in on Garak's character, here.
While his first, flirty appearance wasn't intended for a recurrence, I think they had a better idea of it, here, and thus a better handle on him. Being illusive is just part of who he is and how he operates.
"Until next time."
And he nods his head toward Bashir, and Bashir nods back. I point this out because it will come back, and I think it's just so incredible that Robinson put this in so early. Trust me, I'll point it out when it comes back, again!
It would be five months before these two shared the screen, again. I point this out only because the spaces between them working together are getting smaller and smaller.
Someone amongst TPTB realized they had a winner with this Garak character and brought him back—expanding his interactions to more of the crew.
"It all comes down to a question of loyalty. My dear doctor, Yuri had to choose between protecting his brother and protecting the state. He chose the state. As would I, every time."
Oh, this is one of those conversations that says so much about Garak for anyone paying attention (or for those of us with knowledge of the future). Watching this the first time, nobody would have known about Tain, about Garak's past, about so many things.
But from this conversation we know he's a man of the state, first. That is where his loyalty lies. Not with people. It's very revealing.
"Fishing, again, Doctor?" "Assuming you're not a spy-" "Assuming." "Then, maybe you're an outcast." "Or, maybe, I'm an outcast spy." "How could you be both?" "I never said I was either."
He's telling you, Julian! You just have to listen instead of looking for what you want to hear. In this episode, Julian may not realize how much of what Garak said in that short span was true. But, we, the audience, do.
"Before I became a tailor I went by a simple motto—never let sentiment get in the way of your work. A bit of a cliché, but true, nonetheless."
Unsurprising to any of us paying attention. But, this is a television show, so one has to wonder how this next bit is going to play out, right?
In this one episode, we've gotten to see how Garak can play both sides, how much we wants to go home, how much he hates exile. They've set it up for us to believe that Garak is going to do the wrong thing, here.
For goodness sake, Robinson was probaby peeking at the end of the script to see if this would be the one where they killed him off. It would've made narrative sense!
"I can't believe that you were once considered clever."
Oh, you Cardassian bloviator. How you've underestimated the simple tailor.
"I love Cardassia. Which is why I had to do what I did."
He said at the start of the episode that he will always choose Cardassia. And once he realized that the old frenemie ruined his Central Command-approved plan, he chose what was best for his homeworld and not what was best for him. And that, my friends, is a true act of love.
Why go into all of this when this is supposed to be a Garashir Meta? Well, because everything that happened plays into a simple, short scene between the two at the beginning of the episode.
Garak had to choose between a frenemie and the State. Like he said, he'd always choose the State. So, for once, Garak was not lying to the dear Doctor at all.
Now we get to one of my favorite Garashir episodes—The Wire. Because, let's face it, there's a lot of these two in this episode and Robinson is just... oh, chef's kiss.
PAUSE: Why was Julian Bashir my favorite character on DS9? Well, much as he was and is a gorgeous human who should be immortalized in marble, it wasn't looks. I was a child when I first watched the show, and I'm pretty damn Ace, so it's not about looks. No, it's about talent.
I long ago realized that I choose favorites based on talent. When The Backstreet Boys were big (and I learned a couple songs so I could sing along at school dances while cringing over the music videos), friends asked who my favorite was. "Brian!" I said without hesitation. "But he's not cute," my friends responded.
I hadn't even considered if he was cute. I chose him because he was the most talented.
My favorites of each Star Trek series tended to be the performers that I thought were the most talented. Siddig was unmatched, to me, amongst the main cast. It was only opposite Robinson where I saw two evenly matched performers feeding off of one another and elevating each other.
So, yes, I am gushing right now over Robinson, but accompanied by that is a baseline of being gobsmacked by Siddig.
Now, let's take that appreciation of these two giants into The Wire, which aired only two months after the previous episode featuring Garak.
"I hope I'm not boring you, Doctor." "Oh, not at all, no."
Bashir places a hand amicably on Garak's back, patting once and taking almost a full two seconds before letting his hand drop away.
"I just up late last night." "Entertaining one of your lady friend?"
C'mon, Garak. Just say it. You'd rather he be up late entertaining you. We all know it!
Also, glaring intensely at whichever higher up said, "Oooh, we need the pansexual lizard to reference that Julian is definitely all about the ladies!" Like, y'all, we can clock the queer from here. It's okay. You can totally let them be in love.
"Unfortunately, not."
Covering. This has to be covering. It's not like the good doctor can't ensnare some cutie with that boyish smile of his. But he has to play along for anyone listening along so they don't suspect his attraction to the Cardassian Spy. That's the reason, right?
"No, I was reading the last few chapters of The Neverending Sacrifice." "Isn't it superb? Without a doubt the finest Cardassian novel ever written."
Hold up. Hold up. This is boyfriend behavior. You're telling me he stayed up late last night reading a Cardassian novel? Like, he purposefully didn't go out or see anyone because he wanted to do something that connects him to Garak!?
Oh, honey. Now I see why you had to cover with that "unfortunately no ladies" thing. You're down bad for lizard boy.
"There's always Quark's." "True. But I'm really not in the mood for noisy, crowded, and vulgar today." "I suppose the Klingon restaurant is out of the question."
Is this flirty? My dear Siddig, you really played this line as flirty! And I adore it!
"Maybe if you lent me another book by a different writer-"
Again, DS9 writers doing the most with limited space. We know, now, that Garak lent Bashir the book. Some part of him wanted Julian to connect with this, one of his favorite books.
This is not Spy behavior, my dear Cardassian. This is boyfriend behavior. You crave genuine connection with Julian. This isn't fuck-town anymore where you simply want him carnally. No, you're developing feelings for the man.
In the immortal words of Whoopi, "You in danger, girl".
"It would only be a waste of time. When it comes to art, you're obviously a prisoner of Federation dogma and human prejudice." "I'm sorry you feel that way."
Do you hear how softly Julian says this? He's genuinely hurt that he hurt Garak's feelings. He wants to smooth it over by trying, again. Pain seizes Garak before they can continue.
"Are you alright?" "I'm fine." "You don't look fine. Your skin is clammy and your pupils have contracted."
The wounded boyfriend voice has lifted to the concerned boyfriend voice. Garak smiles a bit, touched by the consideration, but also trying to put up a brave front.
"I assure you, I'm in perfect health. Now, you were asking about other Cardassian books, something, maybe a little more acces-"
He's trying to divert, to change the subject. But his pain is too much for him to carry out his usual subterfuge and obfuscation.
"Perfect health? Then Cardassian standards must be a little lower than mine."
Ouch, Julian. Did you really have to take that jab at the man when he's already down!? Julian places his arm around Garak to escort him to the Infirmary, but there's no way our dear Cardassian is going to let that happen.
And then we get to the moment I had to pause the video and search Social Media. See, a name popped up that I immediately recognized. "Robert Hewitt Wolfe"
He wrote this episode. And, as I opened a tab to Bluesky, I realized that of course, I follow him... and he follows me. Me!? Why me!?
Look, loves, I'm a former VO artist and actress from Virginia who grew up in North Carolina. Yes, I grew up on film sets, but that was a whole other part of my life. I have some incredible folks who follow me on Social Media, and I've never fathomed why.
So, honored as I am to find Wolfe following me... I have no idea why!
"I only wish my humanoid patients were as easy to treat." "Did Chief O'Brian dislocate his shoulder, again?"
This is so telling. See, Jadzia can tell from Julian's tone that he's not just talking about any patient. He is pointedly talking about a patient with whom he shares genuine connection. This isn't ordinary annoyance. This is frustration.
"It's Garak. Today, at lunch, he seemed as though he was gonna have some sort of seizure. He was having trouble breathing and appeared to be in a great deal of pain. When I tried to get him to come to the infirmary, he outright refused."
All he needed was someone to open the door. In seconds, he ascertained a lot about his Cardassian friend's condition. And now he's worried. He can't let it go.
I've seen folks talk about Bashir being Autistic-coded, and as the mother of an incredible Autistic-child, I can really see it. And one thing my boy has a really hard time doing is letting go when he is invested in something or someone.
"It's that damn Cardassian evasiveness of his. I mean, keeping me guessing about his past is one thing, but when it comes to his health, I don't know. Why can't he just tell me what's going on?" "It sounds like you're taking this personally." "I suppose I am."
Oh, honey, we know you are. The game of who Garak is and what Garak's done is part of your foreplay. But knowing that he is in pain and worrying that it's going to escalate is not fun.
"It's just that Garak and I have been having lunch together once a week for more than a year, now, you would think he'd come to trust me a little."
Honey, he roped you into a midnight trip to Bajor and trusted you with the truth about that Cardassian child. Did you forget about that? Or, maybe you don't yet understand just how much trust that actually took.
He does trust you. More than he trusts anyone else on this spacestation. But your soon-to-be-beloved has a lot of trust issues, and a problem with sentiment.
And I just realized I've written "Honey" four times in this Meta so far. And, no, it isn't common in my Metas. It seems reserved, right now, for Julian Bashir. So, in case you thought I'd missed that little quirk, no, I didn't, and I have no explanation. Anyway...
"Why should he? It's not like the two of you are really friends." "Well, no. Of course not."
And Julian bluffs. He tries to brush it off. Because what they are will never fall into a simple label. It'd be convenient if it did.
But these two have a special bond that goes beyond any either of them has ever had. And while we only see Julian banging women on the series, this is supposed to be a more evolved time where we don't judge one another based on who they love.
So, it's unreasonable to label any character in the Star Trek universe as "straight" simply because of what we see on-screen.
Garashir hasn't been a phenomenon for thirty years because these two were friends. What they were and are is so much more complicated than that. But in this moment with Jadzia, Julian doesn't have those words and wouldn't even know where to start. So, he deflects.
"I suppose when it comes right down to it, I don't trust him, either. I mean, for all I know the man is a Cardassian spy."
Julian... honey... did you forget when you woke Sisko in the middle of the night to procure a Runabout just because Garak asked you to!? You trust him. And you're upset he doesn't seem to trust you back.
That's what this really is. He does trust Garak. And he wants desperately for Garak to trust him back. I mean, can you love someone you don't trust? Maybe. Can you love someone who doesn't trust you? Sure.
But trust is an important part of any relationship. And this episode really highlights that for Garak and Bashir.
"And if he doesn't want my help, that's his perogative."
Besides the obvious angry stab that Jadzia totally clocks, the emphasis on "my" is fascinating. Julian isn't upset that Garak isn't seeking medical assistance. It's about him. He's upset that Garak isn't seeking his assistance.
So, of course, Bashir leaves Jadzia and spies... his boyfriend asking somebody else for help. And, oh, that burns.
"You and Garak going into business?"
Busted! Nice spy work, Bashir. Looks like you have been paying attention.
"Really? I thought Garak sounded a bit upset." "Upset? I hadn't noticed. Now, is there anything I can do for you?"
Ohhhh, the jaw clench is working overtime. Julian looks like he might punch Quark right then and there. I mean, you can feel the heat coming off of Bashir, and that is all Siddig pouring it into the performance. So delicious.
"I was hoping you could give me a hand. I've been trying to access the old Cardassian medical files, but I haven't been having much luck."
Look at boyfriend Bashir using his free time to try to help his favorite Cardassian. Of course, he finds out it will take too long to get the files he needs, and you can see the frustration flash through him as he takes it in. Another dead end.
"Quark to Bashir." "This is Bashir." "Doctor, I need you in my bar, right away."
Let's talk about this, right quick. So, we all know that Bashir and Garak have been having lunch together at least once a week for a year, now, right?
So, when Garak is getting a bit out of hand and needs someone to take him home, who does Quark call? He calls Bashir. Because Bashir is Garak's person, and everyone who's paying attention knows it.
Again, this isn't a simple "friend" label. But Quark didn't call Bashir for his medical experience here. He called him for his Garak experience. And Bashir clocks the very drunk Garak as soon as he enters. He passes off his medical kit to Quark and sets his sights on Garak.
"Doctor. What a pleasant surprise. I apologize for my outburst at lunch, but I promise I'll make it up to you. Please, join me." "I think I will. May I?" "By all means... What are you doing!?"
Note the different responses to the different people. Quark and Garak have a "friendly" association, but they aren't friends. Bashir is the closest thing to a friend Garak has.
"I think it's a little noisy in here. I'd prefer to drink somewhere quieter."
As Bashir clutches the long-necked bottle, he uses Garak's own words from earlier against him.
"Why, an excellent idea. We'll go to my quarters."
Well, it's about damn time. I mean, yes, Garak did break into Bashir's quarters that one time, but this is the first time he's inviting him back to his place that we've seen.
And, Bashir, what are you doing with your face?! That open mouth. Those wandering eyes as Garak places the cork in the bottle.
"Whatever you want."
Um.... do you mean that, Doctor? Because, I'm certain the handsome Cardassian would love to take you up on that!
But, alas, nobody gets what they want (except Quark who snatches that bottle from behind Bashir's back as quickly as he can). Bashir tries to bamboozle his boyfriend into a trip to the Infirmary, but even blundering drunk Garak is still an astute Garak.
"I am not going to the Infirmary, and I refuse to play this ridiculous game."
Ah, yes, the games. A lot of their foreplay is in games. But, also, a lot of the way Garak's been forced to live all these years.
"Make it stop. Make it stop."
Because Garak really does want it to stop. The pain. The embarassment. The humiliation. The loneliness. The isolation. He wants it all to stop.
But that requires letting someone in. That requires trust. And, for obvious reasons, he's not one who naturally trusts with ease.
"Is that legal?" "It's in the best interest of Station Security. Doctor, do you want to know what Quark knows or not?" "I see your point."
Because he needs to know how to help Garak.
"Patient Garak is no longer in the Infirmary." "What!?"
I love the reading on that. It's exasperated more than surprised. Because of course that frustrating Cardassian was gonna slip out the second his back was turned. He stalks off to his boyfriend's Quarters to give him a piece of his mind... and find that he of course stole medicine.
"Ah, Doctor, what a pleasant surprise."
He meant it at Quark's. He's lying, here. He'd much rather be alone.
"What the hell do you think you're doing?!"
Oh, I love pissed off Julian. All he wants to do is help Garak, and from his point of view, Garak keeps making it worse by keeping him at arm's length.
His "What the hell do you think you're doing" screams, "Why won't you just let me help you, you foolish lizard man!?"
"Listen to me, Garak, I've had just about enough of your nonesense. Now, you're coming back to the Infirmary with me." "Oh, I don't think so. Believe me when I tell you, there's nothing you can do for me." "Oh, and Quark can, is that it?!"
Ooooh, there it is. I was right! Julian is jealous and hurt and he desperately wants Garak to trust him. Garak's eyes widen in surprise. Upon learning Quark couldn't get the item, though, Garak accepts his fate.
"Ah, well. Maybe it's for the best. My hypospray, if you please." "Another dose of tryptocederine might kill you." "Thank you for your concern, Doctor, but I'd rather have the hypospray." "I'm not gonna let you commit suicide. I'm here to help you."
But you can't force help on someone who doesn't want it. Not like this. Sure, Bashir could knock Garak out and get him back to the Infirmary, but that won't give him answers. That won't give him a path to healing. He needs Garak to open up and let him help.
"We've got to get you to the Infirmary." "My dear doctor, I have no intention of putting myself on display for the amusement of the Bajoran inhabitants of this statin." "It's not your pride I'm worried about. It's that implant you're carrying around inside your head." "You know about that, do you?"
Again, he's impressed. Julian has put in the work on this one. But this also illuminates why Garak has been so resistant to being in the Infirmary all along—he's a Cardassian. And he knows beyond a shadow of a doubt that this is his exit.
He truly believes that Bashir cannot help him. So, why tell him anything? But the more he pushes and pushes, the more little truths slip out.
"Garak! I need to know what we're up against. If you tell me what it's for, maybe I could find some way to remove it."
There it is. We. Us. In the immortal words of Pacey Whitaker, "There's an us here, now."
Somewhere in there... Garak decides to tell the truth. At least, some of it. He leaves out his parentage, of course, but he tells Bashir about the implant, about his true torture in exile.
"Living on this station is torture for me, Doctor. The temperature is always too cold. The lights always too bright. Every Bajoran on this station looks at me with loathing and contempt."
He turned it on continuously a year before he met Bashir. So, we have never seen him at a time when he was without it. We don't have any clue what baseline Garak looks like without his happy pills. A terrifying and intriguing thought.
"So... that's it, then. You're just going to give up and let them win." "Them, Doctor?" "The Central Command. The Obsidian Order. Whoever it was who exiled you here. You're just going to roll over and die, let them destroy you, give up any hope of ever seeing Cardassia, again." "Doctor, did anyone ever tell you that you are an infuriating pest?" "Chief O'Brian, all the time, and I don't pay any attention to him, either."
I know this is not the best time, but is anyone else just waiting for these two to kiss? This is lover-level arguing, folks.
"Has it ever occurred to you that I might be getting exactly what I deserve?" "No one deserves this."
There's that soft voice, again. The one he had when he apologized for Garak thinking he had no taste when it came to literature.
"Oh, please, Doctor. I'm suffering enough without having to listen to your smug, Federation sympathy. You think that because we have lunch together once a week you know me? You couldn't even begin to fathom what I'm capable of."
He's pushing Julian away. He's trying to drive Julian off because sentiment is a weakness that Garak can't afford. Right?
"I am a Doctor. You're my Patient. That's all I need to know."
And this is one of those moments where Julian really shines. Yes, he's been a bit emotional about Garak this episode... stabbing plants and all. But, when it's time to be the cool and calm one, he does it expertly.
I can be an emotional human. Heck, I'm human, so emotion is part of the whole shebang, right? But, when there's an emergency, I'm the coolest head in the room. I don't know if it's my Disaster Relief background, my News background, or just lots of childhood trauma that taught me how to be cool-headed, but I excel at it.
And, here, Bashir has shifted into his professionalism.
See, the personal side has been settled for him, in a way. Garak let him in. Garak told him what the problem was. He now has a starting point because Garak gave him something to work with. Now, he is back to being a Doctor trying to help his Patient.
"Wrong, again. You need to know who you're trying to save."
Watch Garak's face as he turns away. He doesn't want to do this. But he feels he has to.
What good is a spy with real friends? He needs to be ready to leave at any moment, ready to kill anyone for the sake of Cardassia, ready to face his end if that is the best outcome.
Garak puts distance between them, putting the actual desk between them, even though the framing obscures it.
He tells half-truths to Bashir—enough to hopefully drive him away, to destroy his compassion, to let him die alone and tortured by his past.
Bashir feels the full weight of the words and leans against the desk for support. Garak crosses back around the desk to stand alongside him, ready for his punishment. Ready for the rejection. Ready for the inevitable loss.
And the camera moves with him. At this point, we've spent nearly 15 seconds on this shot, already. There is no switch in perspective.
We are with Garak as he rounds the table to Bashir, as he settles in next to him, as we transition from Garak standing alone and defiant, to him leaning, defeated, and worn... but not alone.
"I hope I haven't shattered too many of your illusions."
Garak lowers his head, closing his eyes, ready for his heart to shatter as his work is done. Yes, a lot of what he said is probably true, and he thinks it will be enough to drive his one friend away.
The shot is stunning. He leans down so that their heads are almost on the same level. Bashir is heavy with possible truths. Garak is heavy with fear and trauma.
"Listen to me, Garak-"
Cutting him off, because this is the second time he's said it this scene, but the tone is completely different. Before, he was angry. He was incensed! He demanded that Garak return to the Infirmary.
This time is different. And the writer gave Siddig the space to do this so beautifully—to show the difference between Bashir at the beginning of the scene and the end.
Garak looks up to meet his eyes, unsure of what he's going to say. There's openness on his side, more so than usual. And on Bashir's, a choice has been made—one that Garak didn't anticipate for all his possible scenarios plotted in the miliseconds used to gather his story.
"Right now I'm not concerned with what you did in the past. I'm simply not gonna walk out of here and let you die. You need to turn that implant off, and whatever withdrawal symptoms or side effects you may experience, I promise, I'll help you through them."
Garak looks away from Bashir, his eyes darting back to the compassionate man before him. His plan failed. He didn't scare away his only friend. He looks away, unable to meet Julian's eyes.
"I need to know where that triggering device is. Where is it?"
And Garak tells him. At this point, I don't know if Garak realized that he would continue to deteriorate even after it was turned off. Maybe he did. Maybe he didn't.
But I think he also realized he finally had someone in his life who wouldn't push him away, wouldn't give up on him, wouldn't denounce him when it got scary.
And the camera moves with Bashir. We've been on that same shot for an entire minute at this point. We started with Garak defiantly finishing his story, to the two of them meeting in the middle, to Bashir taking over as the man of action, going for the device.
As Bashir grasps the device, the camera pans up, Bashir in the background and a bent Garak in the foreground. Again, there's an us here, and the camerawork is helping tell that tale.
Also—over a minute of these two on-camera? That's sensational. Camera cuts can cover up a multitude of sins. From someone flubbing a line, to a case of the giggles, to bad blocking.
But Siddig and Anderson are skilled enough to handle the long take with ease. Both practiced performers who are accustomed to the unforgiving nature of the live audience on the stage, they take their characters through this journey together masterfully.
And, again, it's Anderson's reactions that really gut you. But Siddig gives him the space for those reactions to breathe. For example, when Bashir says, "Listen to me, Garak," he takes a breath, there. It gives Garak the time to gather himself, to take a breath himself, to meet his friend's eyes.
You can see Garak gathering the courage for his heart to break. Yes, he spun the tale that was intended to do just that. But, he honestly wishes it weren't so.
"Right now, I'm not concerned with what you did in the past." Garak's mouth opens. It's slight, but it's there. He's surprised.
"I'm simply not gonna walk out of here and let you die." Garak's eyes start searching Bashir's—he means it. This isn't a trick. This isn't subterfuge. He gives a damn.
"...I promise I'll help you through them." That's when Garak looks away. He doesn't feel like he deserves Bashir's kindness. If anything, he deserves to be abandoned and have his heart break before he dies alone, right?
It's such a gorgeous scene. The writing. The directing. The framing. The performing. The vulnerability Robinson lends Garak in that last minute, and the compassion Siddig pours into Bashir.
Some actors simply can't carry a scene like that, but these two meet one another, feeding off of one another, giving to one another instead of trying to dominate the space as the focal point.
And, look, for all I know these long shots are simply the result of the production schedule adjusting so there would be fewer set-ups and Robinson could get out of the Cardassian wet-suit faster. But, even if they are, they're still a wonder to behold.
"Well, that'll be all, for now. If you need to reach me, I'll be here for at least the next 26 hours."
Think about the nuance of all of this. He didn't bring Garak back to the Infirmary. He set up in Garak's Quarters to be sure Garak would be as comfortable as possible, but gave no thought to his own comfort as he's tending his patient.
Garak will be able to detox with dignity in private—save Julian. And Julian will fulfill his promise to help him through. The door chimes, and it's Odo.
"Come on, we can talk outside."
Yes, you could say that Julian is only doing this because he is in Doctor mode looking out for his Patient. But, earlier he was willing to do something illegal in monitoring Quark's private communications for the sake of information, right?
"I'm afraid your questions will have to wait."
And René Auberjonois' reaction is what makes this fascinating. He was not expecting the good Doctor to say that.
"Doctor, these are murder cases and Garak may be a suspect."
Maybe the human doesn't understand, right? Maybe if he speaks to the brilliant doctor like he's a toddler, he'll get through.
"That may be so, but he's still my patient and I'll not have him disturbed, so until further notice his Quarters are off-limits to everyone except Emergency Medical Personnel. So, if you'll excuse me, I have a patient to attend to."
Odo acknowledges it, but he looks back several times in consternation to the door as he goes. He's wondering about the good Doctor's motives, here. He is. And he's not wrong to wonder.
Yes, Julian is a Doctor tending to his Patient. But he's also a friend who made a promise that he intends to keep.
At first, Garak sleeps. There are fitful moments. And Julian watches over him. He hovers. And then, finally, he curls up in the chair and drifts off to sleep. He's exhausted. He's worn. But he wakes to the soft sobs of a Cardassian.
Can you imagine how unnerving it is for a hardened Cardassian spy to find himself crying in the presence of a weak human? A human he has trusted to get him to this point. A weakness he can't afford?
And, yes, he is under the extreme stress of detox. He has gone from reliance on this implant for two years to turning it off, cold turkey, and his system is in shock. He's going to lash out. And Julian knows it.
"Garak?" "Leave me alone." "I don't think that would be a good idea right now. Your blood chemistry is severely unbalanced. You need to rest."
Julian perches on the bed next to Garak, but they are facing opposite directions. Julian has one perspective, and Garak the other. He places a hand on the Cardassian's shoulder, and Garak lurches from it.
Ordinarily, Garak would welcome Julian's touch. Already this episode, this is the fourth time Julian has reached out to touch Garak, once as a friendly pat, and twice with the hopes of escorting him to the Infirmary.
But in his detox, Garak doesn't want touch. He doesn't want affection. He's hurting and angry and confused. But he's still Garak—weaver of tales and master of half-truths masquerading as full lies.
"Don't touch me." "Calm down."
Julian, honey, no. And, Garak runs with it. He starts destroying things—the lamp, overturning his desk with barely any effort.
"Do you have any idea what that means?" "I'm afraid I don't." "No, you don't, do you. You don't know much of anything."
Again, he's pushing Julian away. But when Julian brings up the shuttle story... the story shifts.
And we begin another long shot following Garak as he rants and raves, possessed by memory and haunted by the horrors he'd rather bury in the forced endorphines of his mind.
Robinson is monologuing. As a theatrical actor, this is not something that would be new to him. But a lot of science fiction simply didn't possess performers of this caliber at that time.
In this version, Garak is the one who made the unthinkable choice and Elim is the angry Statesman.
And this shot was 1:15 long. Yes, Robinson has the heavy work in this scene and is teaching us a masterclass on performing. But Siddig has to support without ever drawing focus. And that is tougher than it looks. Again, masters.
"And so they exiled you." "That's right! And left me to live out my day with nothing to look forward to but having lunch with you."
This sounds biting, and Julian takes it as such. But, underneath that is a truth—for an entire year, Garak had nothing to look forward to on this station. At first, he spied the spry Startfleet Doctor and though, "ooh, a bit of fun!"
But, now... time with Julian is something he looks forward to. For any of us who have ever been in a tough spot, felt like the walls were closing in, were struggling through life—we understand the power of having something to look forward to.
"I'm sorry you feel that way. I thought you enjoyed my company." "Oh, I did! And that's the worst part."
Now, Julian knows that Garak is lashing out because of the detoxification. Likely, this isn't the first time he's helped a patient through this.
But they have the added layer of a friendship. Yes, it's one they both deny, at this point. Garak needs to fool himself into thinking he'd still kill Julian at a moment's notice, and Julian needs to underplay how much Garak means to him because he isn't yet ready to face it.
So, Julian averts his eyes as Garak continues, because he needs to try to keep this in Doctor mode and not take it personally.
"I can't believe that I actually enjoyed eating mediocre food and staring into your smug sanctimonious face."
Staring, you say? Yeah, I know, not the best time to swoon. But, y'all, he enjoys staring at the good Doctor and just admitted it. It's cute!
"I hate this place and I hate you." "Okay, Garak. That's your prerogative. Now, I really think you should lie down."
He's barely holding onto the professionalism, here. He cognitively knows well enough that this isn't as personal as it might seem. Garak is coming off of two years of dependency on a drug to maintain his happiness that is now just... gone.
The two tussle, and another seizure strikes. It's too much for Bashir to handle in Garak's quarters, and so they end up in the Infirmary, again, where Julian tries to solve the issues of Garak's continued degradation.
And after all that... Bashir still wants to help. Garak, now calmer, listens in on the conversation. He decides to share yet another version of the story, sprinkling in some crumbs that Bashir can choose to follow—or not.
"You've done enough, doctor. More than I deserve."
But what I find incredible about this conversation, is how Garak emphasizes that he deserved his exile for what he did to his best friend. Now, anyone who's seen the whole series knows Elim and Garak are one.
But who is Garak's best friend now? Has Garak ever had a best friend? Someone he could count on?
"Why are you telling me this, Garak?" "So that you can forgive me. Why else? I need to know that someone forgives me."
The weight of this. Yes, yes. I know they're about to hold hands and be all sweet about it. But that last line is important. Because in Season 5's "In Purgatory's Shadow" Garak tells Bashir how he'd hoped Tain—the most important relationship in his life—could forgive him.
There is only one other person whose forgiveness holds weight with Garak—and that's Julian. Julian places his hand in Garak's, and Garak holds on, holding the human's gaze.
"I forgive you... for whatever it is you did."
This. Is. Art. The pause. The shrug! There's so much going on here. Because Julian is intimating he doesn't believe he knows the whole truth, even now, while still offering the absolution Garak seeks.
"Thank you, Doctor. That's most kind."
Bashir used this word at their first meeting. Kind. Not a special word, in any fashion, but it struck me hearing it again, here, said by the other party.
Garak has been pushing Julian away throughout the day, but here he invites him in, a little. We went from "Don't touch me" to an outstretched hand. We went from him deflecting Julian to offering him the breadcrumbs needed (where to find Tain, information on just how dangerous Tain is) just in case Julian can pull this off.
Julian smiles at Garak as he fades off, exhausted, tired. And then Bashir shifts into "get shit done" mode.
"Still, what you did was very brave. I'm impressed... Are all the Starfleet Lieutenants as brash as you are?"
Tain, your son chose a good man—brave and true.
"Tell me, Doctor. How sick is Garak?" "He's dying." "And you're trying to save him." "That's right." "Strange. I thought you were his friend." "I suppose I am."
Now, we can speculate that Bashir is saying what he needs to say to get what he needs from Tain. But, we could also conclude that Garak is dying, so what's the harm in admitting they're friends at this point?
"Then you should let him die. After all, for Garak a life in exile is no life at all." "Say what you will. My job is to keep him alive. And I need your help."
And we're back in Doctor mode. It worked on Odo, so it might work here, right?
"Doctor... Elim is Garak's first name."
Bashir had been holding his own against Tain rather well until this point, but that reveal rocked him a bit. Even what he thought he understood from Garak's stories is now meaningless. "Just plain Garak", eh?
But, I think it's Garak's way of separating the parts of himself and who he is. Yes, he did terrible things. Yes, he also did good things. The Cardassian is as morally grey as they get on this show. Compartmentalization is logical for one forced to endure exile while pondering past predicaments that sealed one's fate.
At lunch, a pondering Bashir twirls his fork.
"So, how's the Idanian Spiced Pudding?" "How's the spiced pudding?! Is that all you have to say for yourself!?"
Love Siddig's read on that first bit. It makes me laugh every time. He's so indignant! So frustrated.
"I, for one, Doctor, am perfectly satisfied with the way things turned out. And I see no need to dwell on what was doubtlessly a difficult time for both of us."
Say it with me, folks: "There's an us here, now".
"Here. I brought you something." "What is it? ... More Cardassian literature." "I think you'll find this one more to your tastes."
This time, he isn't using it as a divergence. This is a thank you. This is him inviting Bashir in even closer than before. No, he still won't speak in full-truths. To be honest, he probably doesn't know how.
But while Bashir didn't enjoy the first book, he realizes that Bashir's openness to trying more isn't out of some weird ideology, but because he is invested in Garak and wants to understand him better.
The trauma of what they just weathered will endure—but so will the bond they strengthened in the flames.
"You know, I still have a lot of questions to ask you about your past." "I have given you all the answers I am capable of."
And, you can almost believe him, there.
"You've given me answers, alright, but they were all different. What I want to know is of all the stories you told me, which ones were true and which ones weren't."
Did you note Bashir's hands? This is how he tried to place his hands the first time he met Garak, when he got caught up in the plant, when he was completely flustered.
But Julian's tone is different from any other time they've had this conversation. Partially because he is now privy to information (Garak's first name) that Garak doesn't know he's learned.
I love the detail that now that he is on a closer-to-equal footing with the Cardassian, he can place his hands like this and pull it off without effort. It says something about his character coming along, I think.
"My dear Doctor, they're all true." "Even the lies?" "Especially the lies."
Julian smiles at his friend, shaking his head as he does.
It's one of my favorite Garashir episodes, not just for the incredible writing, directing, and performances—but for how it pushes their relationship forward.
Though Julian still has questions, he has a little more to go on—and while that little may not seem significant, it is for Garak. And I think some part of Bashir knows it.
They won't see each other again until Season 3. Now, the Garak seen in "The Search" doesn't even technically exist. He's not a part of the team whose minds are hooked up to a Matrix-like simulation. But that leads me to wonder—whose version of Garak is he?
Was this version of Garak programmed in for their enjoyment? Or is he an amalgamation of their perceptions? Also, since Bashir was one of those under sedation, his reactions to Garak were real, regardless of if Garak himself was.
So, let's talk a little about how this plays out for our beloved Garashir with the understanding that Garak's characterization is coming from somewhere, but we know not where. What we do know is that Bashir's responses are 100% real.
"Doctor! Welcome back!"
Alright, maybe this should've been the first clue that something was off—what the hell is Garak doing!? He's just puttering around at some weird computer for no apparent reason, pining and waiting for his beloved to return.
"Business keeping you busy?" "The tailoring business? Or the spy business? Joking, of course." "Of course."
Bashir is beaming like he's having the time of his life. 'And he is flirting. While we don't know who dreamt up this version of Garak, we know he's got the attention of the Doctor!
"I've missed you. I've been genuinely concerned for your safety. Lunch hasn't been the same without you."
Alright. Now I'm going for Bashir-influenced headcannon because dude, that is boyfriend-level dialogue I wouldn't expect from the usually close-vested Cardassian.
Is this what Julian wants from Garak? Is this what the Changelings think Garak would say to Bashir? Whichever it is, it's revealing of either how Julian sees his relationship with Garak or how the outside world views them. Neither is particularly straight. Just sayin'.
"That's very kind of you to say so, Garak."
Because he wouldn't say it, honey. But I definitely think you want him to. And don't think I missed you slipping the "kind" in there, again.
"I'm afraid you have a loose thread right here." ... "If I didn't know better, I'd say you were enjoying yourself, Garak." "Oh, not at all, Doctor, but after years of hemming women's dresses, a little action is a welcome change of pace."
Again, this is a simulation. But, clearly someone thinks Garak will take the side of the Federation in all this, and that he will very often be by the side of his favorite Doctor.
But, also, damn, Julian is flirty today! Like, "Having fun, darling?" Tell me I'm not the only one hearing it!
"I have them! I have them. By all means, Commander, do as they say." "Garak." "Now, you heard me Doctor." ... "You see, I pretend to be their friend and then I shoot you."
Again, whoever's idea of Garak this is, it's very revealing. Yes, he appears to turn on the Federation crew... before choosing their side.
"It's just something I read once in a book." "I'm sure."
But Garak here is far too foolish, engaging in flirtation with Julian when he should have been paying attention.
Real Garak wouldn't have gotten shot, here. He would've been too focused on the mission. Real Garak always saves his quips for after the danger has passed. But Julian thinks this is real Garak... and Garak goes down.
"Garak! Garak."
Julian rushes to his side, grabbing ahold of him.
"Doctor, I'm afraid I won't be able to have lunch with you today."
As Garak slumps, so, too, does Julian. Sisko grabs ahold of Julian, pulling him away, but it takes a few seconds for Bashir to be able to look away. Is Garak dead? Are they leaving him to die?
Remember, this is all a simulation. But for Julian, this is real. He held his friend as he died. His last words were to him—a sad farewell to their future.
Sisko's tugging him, but Jadzia pushes him, too. A part of Julian is trapped there, on that floor, fused to Garak in a way that Julian hadn't considered. But there's no time for mourning.
Yes, it's all just a simulation. Julian will lunch with Garak, again. And he does on-screen, only a few weeks later.
"There you are, Garak!" "Ah!" "I went past your shop, but it was closed."
And there Garak sits, at their table. Yes, they eat other places, but this is their spot.
"How was your trip to Klaestron IV?"
Aw! They know about each other's trips and movements. They care about one another.
"Garak, you're being paranoid. Are you saying the Cardassian government would have you killed if you left this station?" "My dear doctor, you do have a vivid imagination."
And Bashir is frustrated with Garak, again, but merely noneplussed, not upset. Also, in comparison to last episode this sounds like Garak, again. Weaving half-truths, not answering a straight question with a straight answer. Welcome back, buddy!
"Oh, good evening, Doctor. If you're finished here, I was wondering if you'd like to join me for a late snack."
Ah, yes, the classic excuse of using food as an excuse to be together. Food is necessary to life, yet? Even snacks can be life-sustaining at times. Hell, as a breast-feeding mother, I felt like I had to eat 24/7.
He wants to tell only Julian, but ends up having to talk to Sisko. Sorry, Garak. I know it's a lot more fun to talk to the human you want to sleep with than the one you don't.
But then he learns—higher ups want him off the station. Not only would that kill him because of Tain's orders, but it would also mean no more snacking with (and dreaming of snacking on) the handsome human Doctor.
"The Quarters on this vessel are rather claustrophobic."
Now, this might be a deflection, but I bring it up because back in "The Wire" he mentioned how cramped the Infirmary felt. Are these breadcrumbs of his claustrophobia? Happy accidents? We'd have to ask one of the writers to know for sure!
"Garak, do you know a way we can stop this neurocine gas?" "The only way to do that is to destroy the life support system."
I love this. Because Julian is the one to ask, he offers the answer, and Bashir's the only one to truly get it the first time through.
Is this because of his superior intellect? Because he understands Garak better than any of the others do? Hard to know, but our dear would-be lovers are definitely shown as being in sync.
"Well, tell me, Doctor, what it is exactly about this situation that's making you smile." "You, Garak."
Garak felt his darling's stare and looked to meet his eyes. In another situation, he might've flirted instead of demonstrated confusion. And while the Cardassian doesn't really fluster, it's one time where I feel like the Doctor has caught him off-guard.
I mean, we all love to see our crush smiling at us for no reason... but Julian's timing really sucks ass.
"Hmm?" "Just wondering how many other tailors can rewrite Cardassian security protocols." "I wouldn't even venture a guess. Which reminds me, those pants you wanted altered are ready to be picked up."
Julian chuckles at Garak's change of subject—well aware, by this point, that his Cardassian friend thinks he's slick. But, ooph, there's a flirty tone to Julian in this exchange.
And don't think Garak misses it. Oh, no! It's just his hands are a bit full of Cardassian security protocols, at the moment, so the handsome Doctor will have to wait.
Also, the Yank-who-lived-in-England in me is dying laughing. While to us Americans, Garak is talking about two-legged garments that typically reach from hip to ankle, that's the American definition of "pants".
For Brits, pants refer to "underpants". So, while the writer most likely meant the former, my brain goes to the latter and has to chuckle along with Julian.
Of course Garak would like to see Julian's underpants, again (c'mon... no way he waited outside Bashir's quarters in "Cardassians" while he dressed!). But the fact that Julian is taking advantage of Garak's services is also intriguing—does he pay in Latinum? Or does he pay... in other ways?
Alright, fine. I'll stop imagining and get back to the task at hand.
"Garak groveling in a corner. That alone makes my trip worthwhile." *Garak straightens* "Garak!" "Easy, Doctor."
In real-world time, it's only been a few weeks since Julian thought he lost Garak in the simulation. He doesn't want to lose him, again.
"I should have executed you years ago." "Oh, you tried, remember?" "Garak. This isn't helping."
Julian holds Garak's gaze, though we don't know Garak's response. But this is such a lover thing to do—hold one another accountable in a moment of high-stress.
It feels like there's some exchange we miss between them based on how long it takes Julian to look to Jadzia, but I don't mind that. I don't mind that we miss it. What matters is that we knew it happened.
It will be months before we see these two together on-screen again, and Garak must not hold that last exchange against Julian because he comes bearing gifts. That's right! It's Julian's 30th birthday episode.
"Well, if you like, I can help you set up an exercise program in one of the holosuites."
Escalating the relationship, again, I see. But, truly, we've gone from lunch once a week to trusting one another in tight places, to Julian frequenting the tailor's for alterations of trousers (seriously, Jules, just ask the replicator for shorter legs! We all know it's pretense to see your favorite Cardassian between nibbles).
Now, they're considering holosuite dates. Yup. That's how I'm going to look at it through my delusional glasses! Holosuite dates.
"Speaking of holosuites..."
I want to ravish you on Risa. Not what he said? Okay, fine, I'll get back to proper transcription.
"Happy birthday."
Is there a ribbon on that!? Elim Garak, you wrapped your pet human's present!?
"I know it's a few days off, but I wanted to give you your present early."
Y'all, the former spy and ruthless mind whose morals vascilate between dark grey and light great is a sweetie! And, frankly, Julian is a bit of an ass.
Did your parents never teach you to politely say, "Thank you"? Not, "I'm not into this because it's not my thing and it's not any fun" but a simple fucking thank you when the love of your life attempts to be thoughtful.
He even knew you liked mystery novels and tried to find something he thought you'd enjoy! Sure, it was a swing and a miss, but you didn't have to be that dismissive of the lizard!
At the same time... my reaction to the time my husband gave me a dolphin kite for my birthday (no, I have no idea how he got there, either) wasn't the best. So, I'll forgive you, Julian... for now.
"Is Lieutenant Dax throwing one of her surprise parties for you this year?" "Oh, so I'm told." "Well, you don't sound enthusiastic about that, either."
You freakin' cunning lizard. You accurately deduced that your darling Doctor's reaction wasn't entirely directed at the subject matter of the holosuite program, but something else entirely.
But rather than ask outright, the old spy pokes and prods to get to the point. Wow, who ever thought I'd write that sentence about this two and not mean it in inuendo!? Not me!
"I wasn't aware that humans saw growing old as a negative experience. On Cardassia, advanced age is seen as a sign of power, dignity."
There's some heat to this statement. Like, "Darling, I'm right here and you're not jumping on this powerful, dignified Cardassian?! What's wrong with you!?"
"And, look, Garak, in two days I turn 30. If I choose to be grumpy about it, that's my prerogative."
Garak supports however Julian wants to feel about it, and it feels very much spousal, this whole conversation. Like, "Whatever you say, darling". So, when Quark comes into the middle of the conversation, Julian has to shift out of spouse mode and back to Doctor mode.
"I hope you'll forgive the interruption." "Of course."
That was to Garak... why the hell was that to Garak? And why did Garak automatically respond as if this was the most normal thing in the world?
Is this still because of what Garak did to help Quark's old flame? Is this because Quark failed to obtain the merchandise when Garak's implant degraded? Or is it because Quark's smart enough to notice when Garak is out with his boyfriend and doesn't wish to be disturbed?
"Goodbye, Quark." "Don't take it personally. He's turning 30."
Get. A. Room. You. Two. Julian glares at his husband, and I try to contain my giggles.
Look, I've heard they were told to tone down the Garashir at some point in the show. I don't know when that occurred, but I can tell you that these two are still steaming with chemistry and attraction.
"Garak!" "Doctor! What are you doing here?"
And just like the first time around with Garak not really being here, it's someone else's idea of who Garak is to Bashir. And this version of Garak is very handsy. So, once again, someone saw these two and thought, "Yup. Banging."
"I'll meet you back on the Promenade in half an hour. Be careful." "You, too."
Look, this probably wasn't intentional—or maybe it was, who the hell knows!?—but the way their hands linger as they pass off the equipment has me going feral. Because this is all in Julian's head.
It could just be that Siddig's fingers got stuck passing it off to Robinson and they're both so damn professional that they just kept going. But, shipper-girl likes to imagine there was some feeling in those fingers.
"I'm a part of you, remember? I know what you know. Well, maybe a little more." "Still the man of mystery?" "Oh, you wouldn't have me any other way."
Look, we will find out that this isn't a part of Julian, but an extension of the attack. But Julian is still flirting hard. Even in his mind, he wants to flirt with the Cardassian!
"I did some checking on Letheans. Their telepathic attacks are almost always fatal. I guess I was lucky." "Cardassians don't believe in luck, Doctor. You survived because you're strong."
And we can get into the debate about Julian's genetic enhancements and whether that played a part. But at this moment, Garak is simply impressed and Julian is grateful.
"One thing's for sure, you know, after experiencing life at a hundred plus, turning 30 doesn't seem that bad anymore." "In that case, happy birthday."
Bashir gratefully inclines his head to Garak, no longer grumpy about the big day.
"You know, Doctor, what I find most fascinating about this entire incident is how your unconscious mind chose people you know to represent the various parts of your personality... And what I find interesting is how your mind ended up casting me as the villain."
Julian searches for words. I don't think even he knew if it was truly him or the Lethean who cast Garak in the role.
"Oh, I wouldn't read too much into that, Garak." "Oh, how can I not?"
And Garak seems to assume that Julian's mind painted him as the villain, but I really think it was the Lethean who made that choice.
He needed it to be someone who Bashir would keep close through the whole ordeal, and they definitely came off couple-y in that opening scene!
"To think, after all this time, after all our lunches together, you still don't trust me... There's hope for you yet, Doctor."
Garak leans forward, grabbing onto Julian's forearm. And a coy smile spreads across Julian's face. That's the Garak he knows.
Only a few short weeks later, we've transitioned from Julian's complaints about Cardassian literature and mysteries to Garak's issues with Shakespeare.
I can hear my English and Drama teaching husband cringing from here. He is still amazed by my ability to perform iambic pentameter while still struggling to understand why it exists in the first place.
"But I'm sorry, Doctor. I just don't see the value of this man's work." "But, Garak, Shakespeare is one of the giants of human literature."
Oh, how the table has turned (well, Garak didn't knock this one over, yet, but you know what I mean). For so long, Julian simply hasn't connected with Cardassian literature—despite his tries! And now Garak is having the same issue in reverse.
And, of course, the Garashir conversation is set up for what is yet to come. They talk about a great military man who couldn't see what was going on right under his own nose... hmmm.
And I'm worried Siddig is going to barf. If you pay attention to most scenes where actors eat, then tend to take small bites/sips if any at all. That's because this scene that takes minutes to watch takes hours and hours to shoot.
I'm uncertain if Deep Space 9 ran an A Camera and B Camera simultaneously, but even then, there are so many takes to get what will satisfy a director, most times.
So, every time Julian had to stuff his face. And that means poor Siddig had to scarf down that food over and over and over, again.
"Oh, you're fortunate. I have more time on my hands than I know what to do with." "Maybe you could finish those trousers I dropped off last week."
Hah! I am cackling with glee. A little while back I mentioned the whole US/UK pants/trousers thing without any remembrance that Bashir says "trousers" here. Yup!
Unless there was a special case... don't think Julian would need Garak to alter his Starfleet-regulation underwear. Now, is there was something special he wanted only for Garak's eyes, that's another thing entirely.
"You're going to give yourself indigestion."
Garak, you and I are on the same page!
"If you hadn't been so late, I could have enjoyed my lunch."
Awww. He waited until his boyfriend arrived to get his food! That's so sweet of him. Even if he's throwing it in Garak's face now.
"I have to go, and I'm sorry to leave you while you're still eating." "No, no. I'm done as well." "But you've hardly touched your plate!" "If you must know, I've been nibbling on Delavian chocolates all morning."
Babe, why are you standing so close to your human companion? This is one of those things I tried to point out to my husband early about Garashir—they tend to stand like personal space doesn't exist.
Of course, he pulled out the "It's 4:3 framing" argument because Deep Space 9 aired at a time when televisions were still literal boxes that you tried desperately not to knock over while adjusting the bunny ears to get the channel to clear up.
But then I showed him a couple scenes where the aspect ratio should have zero bearing on that kind of blocking that puts them in kissing distance, and he had to admit... they like to get up close and personal!
"Where did you get Delavian chocolates?"
And the tone completely shifts. We can infer that these are a delicacy, and something that Bashir likes, as well. For all their disagreements on literature, it seems that chocolates are their shared interest.
Julian, a moment ago quite peturbed, is now all smiles and intrigued at the idea of sharing in a chocolate or two with the Cardassian.
"Well, I promised my supplier I wouldn't tell, but since I deprived you of your dessert, I'd be more than happy to bring some by the Infirmary later this afternoon." "Why, thank you, I'd like that." "Until then, Doctor."
Garak inclines his head toward Julian, which we've seen him do before. And while Bashir has answered in kind, it has never been as enthusiastic as this time. Every ounce of annoyance he possessed seconds earlier is gone.
There's something so domestic about that. Matthew and I can have a disagreement, and then one of us makes the other laugh so loud it melts away.
"Are you alright?"
Garak lies on the ground, and while I suspect some of his reaction is well-practiced and conceived for the purpose of his mission, Julian doesn't know that. He leans across the Cardassian, then starts a quick check of essential points.
"But I'm afraid your pants won't be ready tomorrow after all."
Ah, yes, the reminder that he's a simple tailor. But why would someone blow up a simple tailor's shop?
"Could this attempt on your life have anything to do with the reason you were exiled from Cardassia?"
There's something so perfect about this question directed to Garak as Julian is out-of-frame, only his hands working on Garak to remind us he's there. Sure, Julian doesn't know the full truth, but he knows more than they do.
And that means Julian never told anyone what Garak told him. Oh, you two are just building and building your trust, aren't you?
Julian waits until the others leave to hand Garak a mirror to inspect himself, to open his mouth, to say anything at all.
"Someone should do a study." "A study?" "To try and figure out why some people can't bring themselves to trust anyone even if it's in their own best interest."
I like the way Garak looks up when Bashir says "anyone". Because, he does trust Julian far more than he should, far more than he thought he would allow himself to.
But a lifetime of lies is difficult to abandon. No, it's his security blanket wound so tight around him he struggles for breath, but will never admit it.
"Why is it no one ever believes me even when I'm telling the truth?"
And Julian launches into more American literature... a children's story. He hopes it will get through, but the secondary interpretation of the classic Boy Who Cried Wolf only supports their entirely different views on literature.
Julian hopes Garak will learn to trust people instead of lying so much they don't believe him. But the practiced spy has already demonstrated his viewpoint during "The Wire" when the story kept changing—never tell the same lie twice.
"I am not Doctor Bashir and we are not sparring amiably over lunch-"
Well, everyone seems to know about these lunches, don't they? Now, of course Odo would keep an eye on everyone, but I still rather love this call-out.
"I hope you know what you're doing, Garak." "So do I." "Is there anything you need me to do while you're gone?" "Like what?"
Water your plants. Walk the dog. Plan our wedding.
"If you go into my quarters and examine the bulkhead next to the replicator, you'll notice there's a false panel. Behind that panel, there's a compartment containing an isolinear rod. If I'm not back within 78 hours, I want you to take that rod and eat it."
Woah. I mean, I thought I was going a little too far with the wedding planning, but apparently not. I mean, if Garak's gonna be out here in public telling Bashir to eat his rod, the wedding bells might be a-ringin' soon after all!
"Eat it?" "Mmm." "You're joking." "Yes, Doctor. I am." "Very funny." "I thought so."
Gosh, the staging of this is so interesting. Julian is usually a hair taller than Garak, but with Garak up a step, he's towering over Julian. It somehow doesn't make Julian look small, but it does cast a different light over his face as he's forced to look up at the Cardassian.
"Then these are for you." "Dalavian chocolates. But these were meant for you." "I know. I thought you might need them more than I do."
And, finally, they've found a gentle love language between them—chocolate. Literature exchanges lead to rigorous debate, sure. And fun as that foreplay has always been, there's something so soft about this moment.
"Thank you."
Garak says it as softly as he's ever said anything. Julian came here to see him off, to give him a parting gift, to be the closest friend he's probably ever had. What started out as a hopeful hookup has become a relationship that will transcend the borders of convention the more it grows.
"Good luck." "Hmm."
And while Garak doesn't believe in luck, he doesn't take the moment to remind him. Instead, he carries that bit of sweetness with him as he walks the rest of the way through the threshold.
I tend to think Julian is the one thing he misses when he leaves the station behind. The shop is his cover, and he happens to be well-skilled at it, like he is a great many things. But we already know that living on that station is torture.
Julian is the one thing that makes him truly smile, truly feel. When he's with Julian, they debate, they banter, they argue, they laugh, they go through the range of emotions and form new connections and bonds.
But, still, his heart is forever Cardassia's. We'll get to that more later...
"He hides his true feeling almost as well as you do, Elim."
A rare compliment.
"Like I used to say, 'Always burn your bridges behind you. You never know who might be trying to follow."
Hmmm. And Garak decidedly does not burn his bridges when he says goodbye at the end of the series. So, might a certain Doctor follow? Eh, getting ahead of myself, again!
"Well, I suppose Garak has taught me to think of lunch as a sort of arena for philosophical debate."
Julian and Miles are best friends, no doubt! But Julian and Garak are friends, too, just different.
I have friends I can get into deep philosophical debates with. Hell, my husband is the one who gets the bulk of it! And it seems that it's dawning on Julian that he has a different type of friendship with Garak than he does with anyone else in his life.
It's not a grand acknowledgement of romance, but it's a start. Too bad his future partner is busy abandoning him for his fucked up father. And, yes, wanting to go home is a powerful thing.
But home is often more than a place. Garak hasn't gotten there, yet. And maybe he never will fully grasp that concept. After all, it's different when you're forced from your home than when you leave of your own volition.
Back to Julian, his looks whistfully to the table. Ugh, he misses Garak. He has come to expect and enjoy their banter.
"I take it there's still no word about Garak and Odo?"
Julian doesn't know that the word is bad. Honey, your BFF is off in the stars with his manipulative, narcissistic father and choosing his true home over you.
Poor Bashir just wants to know his friend—oy, we are stretching the meaning of that word, here—is okay.
The word from Miles isn't helpful, and the Chief departs without another word to his friend. Julian looks to the table, dejected and concerned.
But he doesn't know how much Garak longs for the approval of Tain—his father. And as someone who grew up with a co-dependent, narcissistic parent... I get it. I was in my 30's before I fully broke free. I don't think Garak ever did.
"The Founders? You want to go home to the Founders? But I thought you turned your back on them!" "I did. But they're still my people. I tried to deny it. I tried to forget."
And Garak cradles his head in his hand as the Changeling returns to his true form. He did his duty to torture Odo to extract information—but that glee that Tain described earlier simply isn't there.
Yes, Garak is good at what he does. He's clever. But there's a difference between doing what you think you must do and wanting to do it.
For the first time, we really have to wonder what Garak truly wants. He has always sworn allegiance to Cardassia and to the State. He has repeatedly chosen what he thought best for Cardassia, even if it wasn't what was best for him.
But is he the same Cardassian he was? Was he ever who Tain wanted him to be? And you might think, "What the fuck does this have to do with Garashir!?" But, for Garak, his heart and allegiances will always tear him from Julian.
"What could have happened?!" "I'm afraid the fault, dear Tain, is not in our stars but in ourselves." "What!?" "Something I learned from Doctor Bashir."
And there he is, quoting the Shakespeare he so recently quarreled over with Julian.
"Welcome back." "Oh, that looks painful."
I was just thinking we weren't going to see Julian's reaction to them coming aboard, and there he is, ready and waiting. Just as he saw Garak off, he's the one who is there to receive him.
Garak stumbles a little as he walks, holding onto the railing on the wall. Then, he stumbles right into Julian as the Defiant takes fire.
Later, Garak returns to the wreckage of his shop. When he blew it up, he didn't know if he would return. Now, he has nothing on Cardassia, and he also has nothing here.
And in an absolutely stunning shot, we see Odo standing in the doorway, in the reflection, almost a reflection of Garak himself in that they both wish they could go home, but both find themselves, again, on this station—though for different reasons.
"Garak, I was thinking that you and I should have breakfast together sometime."
I include this because everyone knows Julian is Garak's lunch date. Even in this moment, Julian's somehow a part of it.
And that stunning shot is nearly two minutes long. Two minutes of continuous camera on Robinson, displaying, yet again, what a tremendous performer he is. And it's simply too beautiful a shot not to mention. Brava/Bravo to whoever conceived and executed it.
That's the end of Garak in Season 3. Though they waste no time in bringing him into Season 4! We meet him, again, in the first episode of Season 4.
"What I can't understand is their inexplicable hostility toward me... Perhaps they decided they just didn't like me." "Not like you. Impossible." "You're right. As always, Doctor."
Is it bad that my first thought watching this scene was, "Well, Julian certainly knows how to get Garak on his back anytime he wants"? Probably. But, this blatant flirting is the fun bit. And the only bit we get of the two of them, though Garak has some delicious stuff this episode.
It would be eight aired episodes later before Garak and Bashir see one another, again, but, oh, what a fun one that is!
"Who's that?" "An uninvited guest. Excuse me."
The applause has me rolling. Like, "Very good, Doctor. Excellent performance. This for sure will convince them you're straight!"
Julian crosses over the body on the floor, past the shattered glass to where Garak watches, wearing his own smart tuxedo.
"Nice tux." "Thank you." "Now, get out!"
I love that even though he is pissed at Garak, right now, he still can't miss the opportunity to compliment him.
"Ever since you received this new program you spend virtually every free hour in the holosuite. But you haven't told anyone what the program is."
His delivery on that last bit is so delicious. There's a point to every word, like a sharp edge as he takes in the ridiculous, over-the-top nature of this supposed spy tale.
"Am I supposed to?" "No, no. No. But you're such a, forgive me, a talkative man and it's so unusual for you to have secrets."
I love how he reaches out to clutch Julian's forearm and doesn't let go until he finishes speaking. And, we will later find out that Julian does have a secret, though I don't know if at this point either actor knew it.
Sometimes the actor knows the big twist or big secret, like Kristen Bell and The Good Place. But other times, they don't, like Amanda Abbington in Sherlock.
It can change up how you play something as a performer. Sometimes it's for the better, and sometimes not. It's another two seasons before Siddig beautifully monologues about Julian's childhood.
But did the writers know? Like in Sherlock, there are plenty of cases where the Writers know something and haven't yet told the actors. Happens more often than you can think! It's one of those cases I truly wonder and wish I had an answer.
"I must have picked up that habit from you."
Flirting, again, Julian!? Are you hoping it'll appease him and he'll leave you be?
"Now, if you'll excuse me-"
Julian steps over the body, but Garak steps with him.
"Is this fantasy of yours truly revealing of your inner psyche?"
Did I fall in love with a total dork, Bond-wannabe? Seriously, there's a touch of disbelief in his tone.
"What?" "Is that why you're so protective?"
Garak steps closer to Julian—far closer than needed. My husband has brought up the "It was 4:3, they had to stand close together!" argument before, but when I showed him this one, he just laughed and shook his head.
This is boyfriend space. This is, "I'm gonna kiss you if you let me" space.
"Are you afraid that I'll find out some humiliating secrets of the real Julian Bashir?" "This is a fantasy. I'm not hiding anything." "Well, if you've nothing to hide, why not let me stay?"
Somehow, Garak still finds a way to talk with his hands without brushing Julian's chest—which, let's be real, is totally on his mind at all times—and Julian keeps his eyes locked on Garak's.
Garak notes Julian's lack of quick response and quirks his head to the side, a smile crossing his features. He knows he's got him where he wants him.
He once interrogated a man by staring at him for hours. Now, those same eyes turn puppy-dog as he entices his human bae to let him get his way. And Garak gets his way.
"All right." "Ah."
And the Bond girl wannabe is pissed. Not only is she not getting laid, now she has to compete for the sexy man's attention with a dashing Cardassian.
"Now, I have to be at work in two hours, and I'd like to enjoy myself, so keep quiet and don't rain on my parade."
That last bit is pointed. This is like when I have to remind Matthew not to make fun of me for watching super cheesy Christmas movies at Christmastime. I'm so stressed with work and family drama that I need something that just makes me smile.
Julian needs his would-be hubby to be chill so he can have some much-needed fun that doesn't require him to be everything he is. For a little while, he wants to be something he isn't just to unwind.
Gosh, I feel that. So, c'mon, Garak, let your boytoy have his fun.
"Parade?" "Nevermind." "Don't worry, Doctor. I can be very discreet. You'll barely know I'm here."
Are you thinking you're going to watch him have sex? Like, just how discreet do you need to be right now!? But, even though the Earth-ian reference went over Garak's head, he has committed to this, now. The Cardassian is along for the ride.
"She seemed so interested in your advances just a moment ago. I wonder what scared her away."
Julian and I have the same thought: Really Garak!? As if you don't know what scared her off?
"Oh, no. I do apologize."
Now, in another version of this show, Julian would realize that the reason that things just keep not working out with him with other people—virtual or otherwise—is that he's got it bad for a certain lizard man.
"You must be incensed! In fact, if I were in your shoes, I'd grab a bottle of champagne, and shoot me." "I can see I'm going to regret this."
First off, Garak's interpretation of Bond films isn't too far off my own circa 1990's era Bond. Also, way to be transparent about your kinks, Garak!
Now, Julian could just rescind the permission to hang out, but he doesn't. Why not? I don't think he's worried about being rude to the Cardassian. Perhaps, though, he wants to prove to himself that he has nothing to hide.
Garak claps a hand on Julian's shoulder as they walk.
"Don't worry, Doctor. We're going to have a wonderful time. After all, what could possibly go wrong?"
Classic line, here. Famous last words. If ever you're watching a movie or television show and someone utters a "what's the worst that can happen?" or "what could possibly go wrong?" just know—the worst is about to happen and everything is going to go wrong.
"You live here?" "That's right." "Decorate it yourself?" "The decor is appropriate for the period—1964."
I love how much fun Garak is having with this. He's taking it all in and soaking it all up. This place is far more cluttered than Bashir's quarters in real life, which Garak broke into and probably memorized in case he ever needed to plant something on the unsuspecting Doctor.
"I think I joined the wrong intelligence services."
It's so nice to be so far beyond Garak having to hide his past allegiances. Yes, there's intrigue left with the ole Cardassian, but I like how casual these two are conversing.
And I love how Julian is lounging. Maybe it's his character. Maybe it's simply the way he sits on a couch like this. Who knows!? But, is suggests an openness and swagger that isn't forced like his earlier characterizations, but simply an extension of who he is.
"Yes, this should do nicely. Though I'm not too sure about the collar." "It's perfect."
I have so many questions. Look, Holodeck stuff has always been a little fuzzy to me. Like, did they replicate some clothing? Or did they ask the system to assign them new clothing? Can they wear these clothes off the holodeck?!
And if these are completely new clothes, would this mark the first time Julian's seen the Cardassian in a state of undress? We know Garak woke Julian in his jammies, once, and that he's fitted him for trouser alterations at least twice. But there's been no opportunity for Julian to see Garak in a state of undress until now.
Also, this is such a spousal exchange. Garak is the one fussing over his attire and aching for perfection, while Julian is the assuring one, telling him that he looks fine.
"Very funny."
Aw, nice to see the return of this phrase from Julian. But, no, honey, this isn't a joke. Garak really isn't trying to rain on your parade.
"You're bleeding." "The Holosuite safeties must be off."
Ever the Doctor, Julian's concerned about his favorite patient before he has to save another life.
"Try to stay cool, Mr. Bashir."
I love how as soon as not-Sisko leaves, Julian looks to Garak, who is definitely concerned about this situation.
"I'd give you both some privacy, if I could."
Garak, my love, you know you can at least turn around. No, you want Julian to know you are watching him.
"Kiss the girl, get the key. They never taught me that in the Obsidian Order."
I love how impressed Garak is with Julian. He just picked a freakin' 20th century lock! Like, that isn't an essential course at Starfleet Academy!
"Yes, they might be killed, and that is unfortunate, but there comes a time when the odds are against you and the only reasonable course of action is to quit." "Quit?" "Yes!" "Is that what they taught you in the Obsidian Order? To give up when things get tough?" "As a matter of fact, they did."
It's a real argument. And I'm one of those that thinks disagreements are healthy in relationships. Now, this exact scenario is a bit specific, but it still stands. These two were due for their first real fight.
"Don't." "Or what? You'll kill me?"
He really doesn't believe Julian will pull that trigger. Much as Garak recommended shooting him earlier, that was before the security protocols went down.
"You'll be fine. It's just a flesh wound."
And here, Garak sees that Julian can make that call. Garak told him earlier that he might have to make a hard choice, that he might not be able to save everyone. And while I don't think Garak thought he'd be the one going down, he's impressed. And all the fire of their argument has died.
"That was awfully close. What if you'd killed me?" "What makes you think I wasn't trying?" "Doctor, I do believe there's hope for you, yet." "I'm so relieved."
Garak's impressed. Garak's surprised. Garak's really turned on.
I mean, Julian's dropped his voice into this husky range he hardly ever uses, and it is working its magic on the Cardassian. If they weren't in mortal danger, he might've asked the Doctor to take him right then, right there, against the wall.
"Now, we have to get to the control room. Are you coming or not?"
And like quarrelling lovers, they don't have to discuss or announce the end of the fight. Both of them know it's over, and Garak won't be calling for the door, again.
"Well, who am I to question Julian Bashir, secret agent? Lead on!"
The way that Cardassian is looking at that Human... he wants to lick him up with a spoon. He wants him in every way and none of them clothed. He's too horny to protest the mission.
Shoot me? Oh, darling, I'm yours! Look, everyone has their kinks. No shaming Garak's!
"I'm an intelligence agent, and if there's any one thing I've learned it is that there comes a point when the odds are against you, and there is no reasonable course of action but to quit."
Oh, darling, you were listening! Seriously. That's Garak's look as he watches with pride.
"How do you think I've managed to stay alive so long when all of my compatriots are dead? It is because I have known when to walk away."
I have a somewhat photographic memory...but it isn't that good. Yes, I'm aware this is a television program, Julian has a genetically altered brain, and it's all a flight of fancy. But, it's still dang impressive.
I mean, if Garak wasn't already horny for honey, he's positively bursting with desire, now!
"I suppose the only thing left to do, now, is to kill you."
Watch how Garak responds to that, ready to leap, surprised by how steady Julian is standing, waiting for the shot. It's only a simulation, sure, but one with the safeties turned off. The good Doctor could die. And he's not running from it.
"You can leave the Holosuite, now." "Thank you."
It's another long Garashir shot. But these two seasoned pros can handle it, and they carry each beat of the scene through—from returning to the banter of who's teaching who, to their next lunch.
"Lunch tomorrow?" "Of course."
Julian's the one to broach it, signaling he'll forgo a lunch on the holodeck if it means time with Garak. Then, Garak turns it on his head, offering to return to the Holosuite with him.
This is so fucking couple-y. How many times do we go back and forth with our partner, both trying to make the other happy? Both trying to make the other feel seen, and heard, and valued?
"Oh, I think it's safe to say Julian Bashir, secret agent will return." "Mmm."
And while it's not a full minute on this shot, it's still another delightful one where these two nail blocking with no markers I can see, and remind us just how good they are.
I think this episode was important for them both. The first time Julian stood up to Garak in "Cardassians" was important. He needed to demonstrate he wasn't subservient to the Cardassian, that he was a critical thinker.
This, too, was important. Because from the moment they realized the safety protocols were disengaged, the game changed from harmless to extremely dangerous. And Garak didn't know if he could trust Julian to make the tough call.
Nothing in their relationship has ever put them in this place—where they are actually facing down death side-by-side.
When Garak chooses to save himself, it is a bit selfish, sure. He has made these choices, before, to stay alive. But once he knows that Julian is solid, he's solid.
Yes, he's horny as fuck when Julian grazes him with a projective object. But he is also impressed. If Julian was willing to shoot him, who he knows considers him a friend, then he's ready for whatever they are going to face.
Garak needed that assurance. And then when Julian was willing to let Sisko kill him if it meant saving everyone else, he got to see what a hero truly looks like. Like he said, he's no hero. But Julian just might be, at least in Garak's eyes.
The next time these two get to share a scene it's been months and... it's weird. Look, I never got the whole "Let's pair Garak with a probably-teenage girl" plan. It's creepy. It's weird. It's a fucked up plan to try to convince anyone he's straight.
Like, would he get with a woman? Sure. But that lizard wants to be with adults, please. And he's been pretty fixated on Bashir for a bit, hoping the good Doctor realizes his horizons have already widened and when he does, spreads his legs in kind.
As a girl who was 13 when this aired and who was assaulted by her grandmother's friend the year before, this just didn't play. So, maybe my perceptions are a bit colored on this one, but I just couldn't get behind it. It creeped me out.
Let's get back to flirty Garashir, shall we?
Now, we are setting up the above-mentioned quesitonable relationship. Now, my husband and father both said they always saw it as Garak wanting to take care of her in a parternal way. But as a girl, I saw it as something far seedier. Let's see what I think on this watch, shall we?
Y'know what, screw it, I'm just focusing on the Garashir. Because these two are being adorably married right now!
Garak and Bashir are doing something social besides lunch. They're attending a sporting event together! And this definitely feels like one of those things that one attends for the sake of one's spouse.
Matthew and I are blessed to have a lot of overlap in our interests, but there are times one of us is in a sitution—usually Matt—where there are definitely other things he could be doing, but his want to be with me overrides his desire to be elsewhere.
In short—Garak tagged along for his boytoy's choice of entertainment.
"Stop watching her."
Oooh, someone's jealous! Julian, darling, Garak had to watch you make out with half the senior staff. You can simmer down about him glancing at someone.
"What does she expect? She's the only Cardassian woman on the station. She's must know she's bound to attract some attention." "Some, yes. Yours, no."
Wow, Julian! Getting a bit possessive of your favorite Cardassian, are we? Or do you worry Garak's just trying to stir shit up with his favorite rival, Gul Dukat?
And that pointed look Bashir offers Garak reminds me of the last time he had to be firm with Garak (that time in front of Gul Dukat) about something. This is partner-level shit.
"I simply thought it would be polite to say hello, but clearly you don't think I'm capable of conducting any kind of pleasant discourse without some kind of nafarious ulterior motive."
Garak is getting a bit defensive and worked up about this. But, I'm focused on Julian, who is giving the, "really, now!?" look that any spouse knows well. Like, we're arguing about this now!?
And Julian gets so into Garak and giving him his full attention that he misses the big finish.
"What happened?" "A brilliant move on the part of the Major. You should have been paying attention."
Yeah, you cannot tell me Garak suddenly developed a love of the game. He did that to be bitchy because he's annoyed with his human boytoy.
Garak is used to having the upper hand in most situations. There are a few who he treats on a more equal footing—most notably Odo, Quark, and Bashir—and I find it interesting that those are the only three actors I truly think can match Robinson in skill and performance.
This is not to speak ill of any of the other performers. Not at all! But there are always standouts in any production. As mentioned before, that's how I first noticed my husband on the stage—he was mezmerizing.
Andrew Robinson is exceptional. The layers to his performance are what makes Garak really pop off the page and onto the screen. Garak was my father's favorite character of the series and he was not even a series regular, but a guest star whose impact on the show is unmistakeable.
Julian was my favorite character of the show, as mentioned before, but part of what made him thus was Siddig's performance. We'll get to some more meaty episodes for him later, but he has that defining trait of every great actor—we believe him.
So, when you put these two on-screen together, it's exciting. Even in this scene where we're setting up Garak and Gul Dukat's daughter, I can immerse myself in the relationship between these two characters because they never lose sight of all the moving pieces in the scene.
Yes, there's a sports match. Yes, we are reminding a 90's audience of who the fetching young Cardassian woman is. But there's also the interpersonal relationship between Garak and Bashir that is at play. How they relate to one another as characters informs how they react to the outside stimuli. As I said—masters.
"Garak to Doctor Bashir, I need a medical emergency team sent to my shop immediately."
There's so much at play, here. This is just expertly written. Someone who really understood Garak's character.
Annnnd, I just checked and it's Robert Hewitt Wolfe, again. Of course! But, honestly, this just encapsulates so much about Garak in about three seconds.
Yes, he is calling his darling directly and not the Infirmary. But that's not just because he thinks Bashir is cute. Let's break this down.
First off, Garak immediately reaches for Odo's combadge instead of leaving the shop to get help. That's quick thinking. Second, he called Julian directly and then asked him to send an emergency medical team to his shop.
Garak is thus reaching out to someone he knows will take him seriously, who won't ask questions, and by being vague, the Cardassian has protected Odo's privacy.
Think about it—he doesn't know where Bashir is when he calls. What if he is with a criminal who might want to take advantage of Odo being out of commission?
This is all of Garak's skills at play, here. And it's all done in about three seconds. Fucking masterful.
"As I recall, Proconsul Merrock was poisoned." "Funny, I don't remember that. But, then again, so many Romulan dignataries died unexpectedly that year." "Must be hard to keep them all straight."
Wait... is Bashir in on this? I mean, I imagine he must have some idea of why the Cardassian was allowed on the trip, right?
"Maybe we should let the Constable get some rest."
Oooh, he's got his "honey, not now" voice on! So, Julian's not in on the game. Which means a moment ago he really was getting caught up in the story, true or not.
But with that glare, he is clearly trying to silence the Cardassian. And it drips with the sexual tension between two people who are banging and look forward to some makeup sex after the argument, or two people who probably should be banging to cut through some of that sexual tension.
And after Odo dismisses him, you can hear Julian hiss out an annoyed sigh. It's not at Odo—it's at Garak. Because he's blaming Garak for winding up his patient.
So why does Bashir think Sisko allowed Garak on this mission? Out of the goodness of his heart?
"How do I look, Doctor?" "Does it matter?"
Honey, your Cardassian lover is asking you if he looks cute and you respond with does it matter?! What is wrong with you!? Tell the man he looks fashonable and kiss him full on the mouth, already.
"Then, I'll be right outside... it can wait, Garak." "Of course."
It's another case of Julian getting the upper hand with Garak—and he lets him. Oh, we all know that Garak doesn't willingly give up the upper hand unless he wants to. And he likes when Julian is the dominant one between them.
Yes, there are times when Garak likes to be the authority—always trying to teach Julian things. But theres a shift in Our Man Bashir where Garak realizes he may have a thing or two to learn from the handsome Doctor.
I think it's the one relationship in his life where he enjoys someone else being on top. *ahem* And, no, I didn't write that sentence intending the inuendo. But once it was written, it was right there!
It takes until episode 8 of Season 5 for us to see Garak, again. Julian beams onto the Runabout and does a cursory glance over the crew. His eyes hang noticeably on Garak.
No, I'm not making this up, folks. He really does linger on looking at Garak before shifting to the crew member nearest him to start scans, which is what he should do.
"Could these stimuli cause more serious injuries?" "I don't think he could spontaneously break a bone, but he could certainly stop his heart or break a key blood vessel in his brain."
What the fuck was that, Siddig!? I mean, rewatch that last bit. I know I did several times. Yes, Bashir is listing off factual information, but at the very end there is a tinge of sadness.
Because while only Garak has demonstrated this so far, it could happen to any of the four. But he's still talking solely about Garak. And he's looking right at him.
That has to be actor choice, right? That he played it with such softness and sadness while looking in the direction Garak would be.
Fun Fact: Andrew Robinson likely wasn't even in the room. The way film and television is staged, the best way to do it is to shoot out the actors you don't need. Start with the angles that need the most people and then whittle down to the shots with the fewest cast members.
So, those eyelines are often an actor looking at nothing. Even looking at nothing Siddig lends a weight to that fraction of a moment that has me kicking my feet, giddy as a schoolgirl.
Another few episodes, and we get to the episode where we have the Changeling playing Bashir.
Now, the last episode Julian was wearing the uniform the real Julian is wearing later, so I like to think that the Bashir who was so concerned about Garak was our Bashir, and that he was replaced shortly after.
Timeline-wise, that about lines up. And while we will come to know that the Bashir that Garak addresses on the Runabout isn't our man, Garak doesn't know that at the time.
"I really must remember to stop underestimating you, Doctor... You've come a long way from the naive young man I met five years ago."
A compliment. Trying to smooth things over with his darling.
"They're releasing him from isolation." "Good." "Who?" "A friend."
And as they shove him into a wall, who should look up but the real Bashir. And who does he see? Garak. I mean, look at the laser focus here. Julian's eyes don't shift once they find Garak's.
And as Julian pricks his finger for blood, it's Garak who watches with the most interest. He needs confirmation that this is his dear Doctor.
And as soon as they are reunited... they can't stay apart.
"I should never have come here. I should have let that monster die forgotten and alone." "Frankly, I'm glad you came. Misery loves company."
And Julian truly is miserable in a way he's probably never known before. But now he has one of his best friends, at least, in this darkness.
"All my life I've done nothing but try to please that man. I let him mold me, let him turn me into a mirror image of himself. And how did he repay me? With exile."
I know this doesn't seem like it's Garashir coded, but it is. And I will explain why... in two episode's time.
Look, you don't have to wait two weeks and watch a thirty second clip looking for clues! It's just a scroll or two down and I'll explain why I transcribed Garak's rant about his father.
Yes, this is a spoiler-sprinkled Meta, so if you didn't know: Tain, you are the father!
"But I forgave him. And here in the end I thought maybe, just maybe he could forgive me."
This takes me right back to The Wire and a dying Garak saying he needed to know that someone forgave him. So, we can infer that if anyone's opinion matters anywhere close to his father's to him... it's Julian's.
"I've been a fool. Let this be a lesson to you, Doctor. Perhaps the most valuable one I can ever teach you. Sentiment is the greatest weakness of all." "If that's true, it's a lesson I'd rather not learn."
Listen to the softness of Bashir's voice. Look at how he looks over Garak in that moment, clearly pitying whatever drove him to say such a thing.
And the director gives them a beat, here, where they regard one another before the moment is broken. Look how Garak pulls his head back ever so slightly and his eyes widen as he takes in Bashir's words.
There's a charge here between the actors. A moment. A beat. A breath where something is given that others might have taken.
A lesser director might have broken the moment too early. A lesser actor might have missed what was there. This is about so many factors coming together to deliver a beat that means something.
Great television isn't about awards and acclaim—it's about something undeniable on the screen that is the culmination of hundreds of folks working together to produce something that steals our breath.
You don't see the gaffers, electricians, camera folks, Production Assistants, Craft Services people, writers, directors, makeup artists, hair stylists, costumers, Directors of Photography and more that bring every second of screen to life. But you see their work without realizing how much went into it.
That beat between Bashir's line and the door opening is important. It tells us who Julian is and the lines he isn't willing to cross. This is a lesson he refuses to learn. And Garak doesn't hate him for it. No, he envies him.
Julian's optimism and can-do attitude sometimes drive Garak nuts. Garak tends to think he lives closer to reality than those who drank the Starfleet Kool-Aid (or Root Beer, as the case may be). But there are times he must think, wouldn't it be nice?
"I thought you might want to know... if you wish to speak to Tain, do it now before it's too late."
There are no words exchanged between Julian and Garak. The Cardassian looks briefly to him before taking off for the door, the human close behind.
"Everything's gone dark. I can't see you. Are you alone?"
Garak could ask Julian to leave. But he doesn't. He doesn't know what type of conversation is about to come... and yet he trusts Julian completely.
We've talked about trust and Garashir before, back on the Holodeck. Of course, Garak hasn't had many people he could trust in his life. But much as he wishes he was as hardened as his old man—he's a bit sentimental.
Sentimenal about Mila. Sentimental about Tain. And sentimental about Julian. He's even started to care for other members of the crew... but not like this. No, this is intimate. This is trust.
Garak looks back to Bashir, making it clear that he wants him there, that he needs to be silent, that he's not asking him to leave. Julian widens his eyes briefly to let Garak know the message was received.
"Yes. There's no one else but you and me."
Tain goes down his list of grievances, and Garak tells him everything's in order.
"All your enemies are dead."
He says this, again, to Julian. It feels like part of the show. Are they really all dead? Who's to say. But Garak tells Tain they are.
"Then you can die happy... unless you still consider me your enemy."
He's fishing for that apology he so desperately wants. And the view shifts to a three-shot. It's the first time we get a really good look at just how intimate this is, Julian looking on as these two men share a private conversation.
It's an interesting choice to pull out right then, right before it gets incredibly personal. The staging reminds us of just how close Bashir is to the action.
"I'll do as you ask... on one condition. That you don't ask me this favor as a mentor or a superior officer, but as a father asking his son." "You're not my son!" "Father! Father, you're dying. For once in your life, speak the truth."
Julian leans forward, taking in the new information, looking between the two of them. He's absorbing what Garak's just done—and he's realizing it's intentional. Garak purposefully let him in on one of his greatest secrets.
For all the times Julian asked for truth and found it wanting... here Garak offers it wholeheartedly.
For goodness sake, we never even saw Julian comment on Garak's first name. But Tain calls him "Elim" repeatedly, here. So, if Garak hadn't figured Julian already sussed out that little nugget, he was willingly offering that Elim wasn't a friend at all... but him.
Death beds are often a place of truth, right? But for Garak, the truths told weren't the ones he needed to hear, but the ones he wanted to tell.
"I should have killed your mother before you were born. You have always been a weakness I can't afford." "So you've told me. Many times."
And now the impact of Julian's words hit the viewers anew—Garak learned the lesson of sentimentality as weakness from his Father. He tried to pass that lesson on to the person whose opinion matters most next to Tain's—and Julian rejected it.
Bashir stopped the cycle. And I think that caught Garak off-guard. Like on the Holodeck when he admitted there were some things the Obsidian Order never taught him... he's learned something, today, from the good Doctor.
And, look, I know this is a Garashir meta, but I have to call out Andrew Robinson for this scene. It's fucking gorgeous.
We already know he is just one of the finest actors to ever grace Star Trek with his presence. But the weight of this whole scene hits so hard. The emotions. The breaths. The emphasis. The line reads. Oh, it all hits the mark.
My mother never said, "I'm proud of you" when I was growing up. I rarely saw pride on her face, even. There was always some problem, some critique, some improvement. She wanted me to be like her, and lamented when I wasn't.
She's not the same person, now, but that doesn't change the past. And in this moment with Elim and Enabran where the son hears his father utter the words that he was proud of him. Oh, it aches in a way that only those of us who grew up craving that approval and always falling short despite our best efforts can grasp.
And Robinson nails it.
Julian hears this whole exchange. He hears every word. And he only speaks after Tain has fully faded. It's a single word:
"Garak."
It's wise of the production team to keep Bashir out of this intimate exchange until after Tain dies. We don't need the distraction of seeing Julian there.
Yes, yes. I love Julian, too! But that wasn't his moment. And the way it was edited and shot was brilliant storytelling that allowed us to invest in that intimate moment before pulling back out to the continuing plot of the episode.
I seem to remember something about non-Cardassians seeing a dead Cardassian body, so it's appropriate that Garak covers Tain up before anyone else comes in—but Julian saw.
This. Is. Trust. This is family. This is an intimacy that transcends, "I wanna fuck this guy" from Episode 1. Garak wanted Julian to know him in a way that probably only his mother and father ever did.
Tain is now gone. Mila is on a planet he cannot visit. But he still has Julian. And now Julian knows one of his greatest truths. Beyond things he's done and places he's been, the truth of being known for who he is... that is truly dangerous. But Garak trusts Julian.
And though the two Klingons don't know exactly what has transpired, they do know that Julian was present as Tain died. They do know that whatever Garak had to say to Tain, Julian was present.
As much as Odo knew better than to invite Garak for lunch, I think Worf knows better than to ask why Garak would allow Julian to be present for such a thing. Really exemplifying the "Don't Ask, Don't Tell" of the era.
And if you're too young to remember that particular Military Policy, I'd recommend checking out the Wikipedia entry on it, because it's pretty thorough.
By the next episode, we're all ready to learn how they get out of this one. And while the gang explains to the newcomers what needs to be done, we get treated to this adorable two-shot of Garak and Bashir.
Look, there is no reason for them to be in this cute two-shot besides the fact that they look adorable together. We trade Garak out for Worf, which isn't as cute (no offense, Michael Dorn! You're amazing!).
"You, on the other hand, my dear Mr. Garak are a man of many hidden talents." "Mmm."
Look, I know we're all on a hurtling asteroid waiting to die, but did anyone else's brain get broken by that statement?
We've had at least four "My Dear Doctor"s, but this is our first "My Dear Mr. Garak". Also, the return of "Mr. Garak" for the first time since the first episode. And my brain totally added the classic fortune cookie add-on of "in bed" to Julian's statement.
Especially with Garak's reaction? C'mon! That's a total, "you would know, dear" look!
"As of today, Cardassia has joined the Dominion."
For the brief second that Garak thinks he's going to be released, he looks back to Bashir. And the two have an entire conversation with glances.
There's the, "Is this okay? Should I go?" and the "Yes, dear, go!" and the "Alright. I'm going". And I can't help wondering if this was in the script.
This one owes its existence to Ira Steven Behr and (of course) Robert Hewitt Wolfe. So, one of them could tell us, of course! But it's one of those moments that is so amazing, but really could have come from anywhere.
An actor making a choice. A director spotting an opportunity. A writer making a point.
Wherever it came from, I love it. We don't see what Worf thinks about this possibility because we don't need to. Garak and Bashir have the conversation without words and say all that needs to be said and heard.
Side Note: Before we get into the first "Garak in the wall" scene, I have to call out Alexander Siddig (again) for how fucking dead-eyed he is as the Changeling. Like, one shot and I'm reminded that this is not our Julian and that fucker needs to die. Oy vey!
"Garak? How's it coming along?"
I love that Julian is the one who opens the door. Julian is the one who keeps the path out open. Julian is the one who sits there, calling in to Garak. And I love that he's playing with his fingernails when the scene opens.
It's those bloody details that have always stood out to me about performers. When they do something so human in the midst of all the posturing of performance. When the character becomes as real as the actor. It could just be that Siddig was annoyed by a hangnail and I'm reading too much into it, but I love it, nonetheless.
Also, the establishing shot of Garak is so gorgeous. That pan up? The full body shot so we can see that there's no room to sit, no room to rest, no room to shift into a more comfortable position.
We can visually connect with the claustrophobic nature of the setting even before we know Garak has an issue with tight spaces.
And that lighting. They found a way to make that read as a single light source in such a beautiful, believable, and stark way. We see the darkness threatening to envelop Garak if not for that blossom of lights at his face.
Yes, I know this isn't necessarily Garashir. But we need to know what this space looks like for later.
"Oh, come on!"
Julian is anxious to get Garak out of the wall, and this is before he knows about the Cardassian's claustrophobia.
They already said that Garak was taking too long because they don't want him to be caught in the wall. The guards are already asking questions, so they need to get him out.
As soon as they can get him out, Julian is there to help him stand up, holding onto him, being there for him.
"That was thoroughly unpleasant." "Are you alright?"
Until Garak takes a step back with his patented "I'm fine" lie, Julian still has hold of him with both his hands.
"It's just much hotter in there than I thought. I got a little light-headed."
Elim [No Middle Name] Garak! That didn't work before Julian had a better understanding of Cardassian biology and physiology. Do you really think you can fool him, now?
Before Garak can finish the sentence, Julian has his hands on him, again, this time checking his pulse. And I cannot recall him ever doing so this way before. Really putting his new knowledge to work!
But theres also the steadying hand on Garak's shoulder. It reminds me of him trying to put a hand on that same shoulder in The Wire and Garak shying away in his withdrawal state. Here, he doesn't move away.
"Maybe you should wait until tomorrow."
Julian's hands trail off of Garak, but they don't fall away. They glide down him before Garak allows his fear to turn to anger.
"Do you want to get off this hell hole?" "You know I do." "Then let me get back to work."
The couple-y bickering is back. And they are standing way closer than needed for this shot, 4:3 framing, indeed! But Julian is in protective mode—both the doctor in him, and the lover friend.
"Rest. For five minutes. And from here on in, you can take a 15 minute break every hour. Doctor's orders."
Garak nods. He's relenting. He's giving in. He'll take whatever break he can get and he knows Julian well enough now to know that he won't give up on him.
But look at the concern in Julian's eyes. He knows Garak isn't telling him everything. He doesn't know what Garak is concealing this time. But it's incredible how this mirrors The Wire.
In both cases, Garak is trying to conceal something about himself and lashes out at Julian when the Doctor tries to push the issue.
But this time when Julian tries to help, Garak lets him. He doesn't fully let him in. But he doesn't push him away, either.
"I'm sorry, but that's absolutely unacceptable. I'm under enough strain as it is. I can't have you quitting on me!"
There are already tears in my eyes. For anyone who has ever had a panic attack and wishes desperately their rational mind could circumvent it, this is familiar.
I've struggled with panic and anxiety attacks my entire life. But growing up, I wasn't allowed to show negative emotion. I had to learn to contain it as best I can.
But no matter how much your rational mind protests, that suffocation comes and you find yourself trapped in its grip, unable to escape. And this is another case where you can trust your actor with the material, and he's going to fucking deliver.
Robinson is talking to a dying light. He has no one to feed him anything, to offer him anything, to draw focus in case he should flub it. No, the seasoned and practiced actor monologues on a Star Trek show to a dying light and to himself.
"Your friends are nearby."
Truth. Garak speaks truth. And even if some part of him isn't willing to trust it, he closes his eyes as he internalizes it. His friends are nearby.
Because in this tight, enclosed space... there's no one to overhear. There's nobody listening. There's nobody for whom he has to perform. These words are for him and him alone. And in them he speaks of Julian and Worf as friends.
I won't transcribe the whole thing, but even from the outside, the others know something is wrong. Of course, it's Bashir who shimmies into the wall to join Garak.
"Garak, you have to stop. You're making too much noise. Garak!" "The light. The light went out."
And that's when Julian starts to put together the pieces. He sees the vacant look in Garak's eyes. He notes the sweat and strain.
"I know. Come on. I think you can take your break a little early."
Julian puts an arm around Garak, clasping his hand on the Cardassian's shoulder. And as they shimmy, Bashir's thumb grazes in a comforting manner over it.
Garak doesn't fight him. In The Wire, when Bashir tried to comfort him and touch his shoulder, he jerked away. But here, even as he is not fully himself, he allows the Doctor to care for him.
Growth. Character development. Trust.
"We have to come up with a new escape plan." "That won't be necessary."
Julian's eyes shift to Garak with immediate concern as the Cardassian stands up. He doesn't move the blanket, but allows it to slough off his body like old skin.
A similar blanket covered his father's dead body. But as Garak sits up, he rejects that fate. It isn't the defiant move of throwing the blanket away, because that's not what Garak is doing, here.
He isn't trying to be the hero. He's trying to overcome his fear long enough to save them.
Where before he might have tried to save himself, he's trying to save all of them. He could program the runabout transporter code just to get him out of there. Garak of Season 1 or 2 might've done that. But this Garak has friends—friends he wants to save.
It isn't about being the hero. It's about each of them doing what they can to help each other get out of there alive.
"I just have to finish what I started. After all, a verse about the Cardassian who panicked in the face of danger would ruin General Martok's song." "That would be unfortunate."
And while Julian is further back in the shot, I cannot help but notice the way he looks at Garak—with a touch of awe and pride.
"Now, if you'll excuse me... my dungeon awaits."
Julian and Garak exchange the briefest of glances as the former moves to open the hatch, again. They're past the point of needing words. Over and over, this episode demonstrates how far they've come on that front.
They know one another. They trust one another. They've learned when to push and when to pull back. It's an incredible foundation for a romantic relationship, right?
Season One Garak was looking for a good fuck and a little less loneliness. Season Five Garak knows the value of friends—especially his friendship with the good Doctor.
As Worf fights, likely to the death, Julian is rocking and wringing his hands on the cot as Garak works in the wall.
"Can we get him out?" "No time."
And Julian knocks twice on the wall to prepare Garak. Garak closes his eyes and steadies himself. No words needed.
"Take it to maximum warp, Garak. We've got to get a message to the station."
And he leans over Garak's shoulder as the Cardassian gets them the hell outta Dodge. What they've just endured was terrible. They may never speak of it, again. But the trust they've forged over the last five years is only deepening.
Which makes it mildly infuriating we never get the full response from Garak to Julian's big secret. Yes, he gets to tell Miles. But I want to talk about that scene a bit.
And, yes, this is what I mentioned about fathers and pride coming back around from literally two episodes earlier. Tain was a man who was rarely proud of his son, who practically disowned him to protect himself from a "weakness" that he couldn't afford.
As we mentioned, I grew up not really hearing "I'm proud of you". I never felt like I was good enough. I tried to mold myself into who I was supposed to be.
And it was my darling husband who helped me learn to stand up for myself in my 20's so by the time the children came around in my 30's I was strong enough to protect them properly from those who hurt me.
Now, we get a glimpse into what it was like to be little Julian.
"The word you're looking for is 'unnatural' meaning 'not from nature'."
Yes, we're going to get into it. Partially because it's such a fucking beautiful scene, practically a monologue, delivered by a skilled actor who didn't need a thousand cuts to get it right.
And, let me say this—sometimes a thousand cuts is just what a scene needs. But the Director deftly understood that there was strength in the stillness, here. Without a series of cuts, we can really focus on Julian (and Colm Meaney doing brilliant reaction-without-drawing-focus in the background).
"'Freak' or 'Monster' would also be acceptable. I was six. Small for my age, a bit awkward physically, not very bright. In the first grade when the other children were learning how to read and write and use the computer, I was still trying to tell a dog from a cat, and a tree from a house. I didn't really understand what was happening. I knew that I wasn't doing as well as my classmates. There were so many concepts that they took for granted that I couldn't begin to master and I didn't know why. All I knew was that I was a great disappointment to my parents."
My Middle child is Autistic, ADHD, Auditory Processing Disorder, suspected Reading Processing Disorder, with Anxiety Disorder. In second grade, he was reading at a Kindergarten level. His twin excelled and he struggled.
And I, as mother, repeatedly told them (and their little sister) how proud I was of them, not for a grade on a paper but for who they were. And I meant it.
Little Julian never had that acceptance.
The Flowers for Algernon part of my brain wonders how jarring it must have been for Julian at nearly 7 to know how he'd understood the world before, and then to go through the process of seeing it anew. He transitioned from grasping for concepts others easily understood to moving beyond them.
But he never had a choice. He couldn't understand what was being done until it had been done.
By the way, that shot of Julian? Where Siddig acted his ass off? Nearly two whole minutes of performance. It's Masterful.
Garak and Julian both grew up with parents who were impossible to please, who wanted their sons to do what they would have chosen for their lives. Neither man had a good relationship with his father. So, though Bashir and Garak are set up as very different—and in some ways they truly are—there are other places where they can relate to one another that are special, intimate.
"What's the matter?" "Well, it's just that lately I've noticed everyone seems to trust me. It's quite unnerving. I'm still trying to get used to it. Next thing I know people are going to be inviting me to their homes for dinner."
Because everyone knows better than to invite you anywhere for lunch. Right, Garak? That's Bashir time! Okay, fine. I know it's a bit of a reach. But that was my first thought when he said, "Dinner". So, into the Meta it goes.
"It's hard to believe he's the same man who attacked us." "In a way... he's not. The drug brought out the worst parts of him and allows them to take over. He wasn't in control of his actions."
This is a very... interesting way of attacking this issue. I mean, accountability is a very important thing, and I feel like we're kinda skirting that, here. And there is going to be an inquest. I'm just not a fan of the framing, I suppose.
But, if I pull out of the part of my brain that tries to analyze societal impact of Star Trek and its eras (I gave an entire persuasive speech about Star Trek at University, so I come by this honestly), I see a man trying to protect Garak.
Yes, we set up the "trust" others have for Garak in the beginning of the episode and showed how swiftly it could be broken. There was a throughline, here.
That's it for Garak and Julian in Season 5. Season 6 gives them the bitchiest of bitchy moments and I love the writers for it! Let's see, that would be... Ira Steven Behr and Hams Beimler. Thank you both for your service.
"Ah, there you are. I was beginning to give up hope, Doctor."
Oh. My. Gosh. Look, I'm bloody asexual, but even I can see that this is the most snack-a-licious Julian has ever looked, and he's sauntering right up to Garak with a lot of skin exposed. Oy vey!
And he walks right by because he is having none of this shit while he's out there trying to save lives.
"I would think that all those lunches we've shared would have entitled me to preferential treatment."
Are you two gonna kiss? You're standing like you're gonna kiss. Just sayin'... it might be good for you... for your morale? If you... y'know... kissed. I mean, come on this blocking is not to account for the 4:3 format.
"Look, I have 12 wounded officers and crewmen out there, all of whom are in a lot worse shape than you, Garak." "Well, if you're trying to cheer me up, it's working."
I had to add that comma between "up" and "it's" and I wish I knew if that was Robinson or the script because it's just so bloody... Garak. Taking those breaths and breaks where nobody else would.
Also, can we talk about this shot!? This is a continuous shot that follows the two of them to multiple blocking points in the room while changing their positioning, the dominance of one over the other, the framing of one closer to the camera, etc.
It's bloody masterful. You have to have lighting in all those areas so they aren't in weird shadow. You have to have the blocking marked out so they aren't out of focus. You have the have actors who can carry that long a shot without needing to reference a line or struggling with the giggles.
"I'll admit the odds are not good, but they coudl be worse." "Ah, let me guess. You've used your genetically enhanced brain to calculate our chances for survival... I'm really not interested Doctor. Ever since it's become public knowledge that you're genetically engineered, you've used every opportunity to show off."
First off, this reminds me that we never got Garak's reaction to that whole revelation, and I ache for it. It would have been interesting to see if Garak suspected all along, or if he was truly proud Julian hid something, even from him.
Also, damn this bitch is salty. Honey, it's okay that you're not always the smartest in the room. Your human boytoy can one-up you sometimes. It's not a bad thing.
And I love how Julian keeps working, even adjusting Garak's head gently with his fingers as he tries to repair the damage to his head. There's a "darling, just do what I need you to do" feeling to it.
Seriously, this is a couple bickering. And if Cardassians flirt by bickering, Garak is waving pheremones thick enough to nosh on as aphrodesiac appetizers to an adventurous night.
And after an entire minute of a single shot, we change angles. Damn, I love these long Garashir shots!
"You're certain about that figure?" "Do you want me to take you through the entire set of calculations?" "Not really."
Bashir smirks as he shifts past Garak, and you can feel just how much they are enjoying this. Their time for rigorous debate at lunch has long since passed. Hell, we haven't seen them share a dining table in years, now.
Yes, the Changeling and Garak sat together, but that doesn't count. It was Season 4 when last these two sat and ate together, and now we're at the top of Season 6.
So, it's not surprising Garak has found a new topic for spirited conversation.
"'Genetically Engineered' indeed." "Excuse me?"
Okay, the way Julian pops into frame there cracks me up. Like, he had to answer that and Garak knew he would. Garak is baiting him into debat and Julian is falling for it. And at 4:06 we started another long shot of these two.
"Well, look at you. You act as if you haven't a care in the world. It's exactly that kind of smug, superior attitude that makes people like you so... unpopular." "Are you trying to insult me?
Yes, darling. Flirting with you helps distract him from all y'all's impending doom.
"A 32.7 percent chance of survival, I call that insulting." "Don't take it so personally, Garak. It's strictly a matter of mathematics." "No, it's strictly a matter of our lives. You're not genetically engineered. You're a Vulcan."
I love how Julian appears to rest his arm on Garak as he scans him, likely making sure that the treatment he did a moment earlier took, despite Garak's inability to stay still.
"If I'm a Vulcan, then how do you explain my boyish smile?"
Damn, Julian! You are finally catching up to the flirting, here. And I love that the smile he offers him definitely has the edge of flirtation to it. This isn't his dopey grin when he watches Garak rewrite Cardassian security code, or his big smile when Garak joins a mission.
Look at the way Julian's eyes seek out Garak's.
"Not so boyish anymore."
And, oh, you can hear the way he rocks back on those boots before sauntering off... a few feet away. Like, seriously, where the fuck is he going?
It's not about the destination. He really just did that to be petty to Julian, who is left definitely feeling that. Because, he wants Garak to think he's handsome, damnit.
Julian shakes his head to shake it off. But this remains one of my favorite scenes of the two of them.
And while that shot was roughly 40 seconds, and not as long as the last, it still constantly amazes me how little cutting they often do with these two.
I've done both stage and film/tv. They often take completely different skillsets, but there are times where they overlap, or where a strength in theater really comes in handy.
Remembering dialogue is part of the game with theater. Remembering blocking is integral. Remembering to listen and not just speak is essential.
Both of these two actors have experience in both, and that's why scenes like these sing. They know how to feed one another without drawing attention. They know how to react and not only act.
Yes, they have insane chemistry on-camera. But they also know how to use that along with their other skills. They deliver on every level, and it's a fucking shame they're used together so little after this episode.
Also, it's such a fascinating choice to see Julian debating so dispassionately with Garak while losing his cool with Sisko. This has to do with the different relationships at play, sure. But I find it fascinating.
One could consider it a coping mechanism—that Julian needs that rigorous debate as much as Garak does in that moment. And Julian knows Garak has no trouble making the tough decisions. Maybe that's what he hopes Sisko will do... but it's not his place.
"Garak? Come to see us off?" "Not quite."
And as the two turn to face Sisko... this could really be their wedding. I mean, yeah, not the best venue. The food's nonexistant and the music sucks. But, Sisko does have the power to perform the ceremony if they're so inclined.
"I invited Mr. Garak to join us considering we're heading into Cardassian territory I thought he might prove useful."
Julian is beaming. He's beaming. Earlier these two were verbally sparring, and now he couldn't be happier that Garak is onboard for this dangerous mission.
"Well, it's been known to happen."
Julian grasps Garak's shoulder and pats it several time before moving on, still smiling. Just moments ago each of them was lamenting what they didn't have on the ship. But now he has Garak.
"Captain, may I make a suggestion?" "Only if you talk softly." "We saw Dukat-" "Shh." "Wearing one of these headsets during the attack on Deep Space 9-"
This is so married. I have a friend who is Autistic who has a lot of trouble with self-monitoring when it comes to volume, so she and her husband developed a hand signal so he could help hold her accountable in spaces where she needs to be more aware.
I thought of that as soon as I watched this. God bless Garak, but he missed the memo entirely when Sisko said to speak softly. But, one glance at Julian's finger raise to his lips and he gets the message.
"Perhaps Cardassian physiology is more... compatible."
Julian's head swivels to Garak as he processes what the Cardassian is offering. It's a good suggestion. And, honestly, what was Garak adding to the mission besides eye candy for Bashir?
Of course, when the episode was written, this was all planned out. I'm not coming for the writers! No, I'm looking at it purely from the point of view of the characters, who got to enjoy Garak's personality while waiting for him to be useful.
He's a good little Swiss Army Knife of a character, where you never quite know how he's going to be useful. But Sisko's seen enough of him by now to know it's better to bring him along than not.
"Are you volunteering?" "I suppose I am. This ship is equipped with two of them. If I wore one, then you wouldn't have to. At least, not all the time."
Julian puts it together quicker than Sisko, and he likes this idea. Sisko is his patient, at the moment, and as the Captain, he needs to keep him physically fit.
"I agree with Garak, Captain."
And Sisko hands over the headset. But watch how Julian follows the headset to Garak, then waits to be sure he's okay. Yes, of course, he's a bloody Doctor. But, I still love the choice as a performer.
"We have to go to full impulse 1.3 seconds before the bomb detonates."
Bet you're not complaining about his super brain now are you, Garak!?
"Dax?" "The computer agrees with Julian." "Of course it does. They think alike."
Damnit, Garak, I was giving you some credit on that one! Nevermind. And the look Julian gives Garak! Gosh, these two are reading old married couple so much in this episode.
"How long?" "17 Years, 2 months, and 3 days, give or take an hour."
This time, Garak looks to Julian for the answer. This time, he knows that genetically engineered mind will have the answer he needs, even if it's not the one he wants.
And Julian delivers the whole thing directly to Garak. His eyes don't move from him. Theirs is such a fascinating connection, and I wish more of Season 6 between them had been like this.
There's a heat and energy that's obviously couply, but so electric and different from what they had before. It's grown and shifted and they're on a more equal footing, by this point, and they see each other on a more even playing field.
"Garak! I need a hand."
Julian calls out for him as help to carry Jadzia. He trusts him to help him with this. A few years ago, all of them considered Garak a spy and wouldn't trust him with anything. Oh, how far they have come.
Also, are they actually outside!? I love when they let the Star Trek characters bust outside the sound stages and breathe fresh air and have actual sunlight for a bit!
And I'm not going to comment much on the whole Nog/Garak adventure of this episode because, honestly, hearing Garak say words to Nog that hold such meaning for Garashir does irk me.
Now, Robinson is a pro enough to deliver them in completely different ways. "There may be hope for you, yet" to Bashir was sultry and horny. To Nog, it's upbeat and slick.
But it's not my favorite choice when it comes to resuscitating previous dialogue in a new setting. I will admit that much.
"That's the eleventh ship to fall out of formation." "Nice of you to keep track, Garak." "He can't help being negative. It's in his nature." "On the contrary, I always hope for the best. Experience unfortunately has taught me to expect the worst."
Garak turns fully to face Julian to deliver this one. Wow, these two are in a catty phase!
"They outnumber us two to one." "Now who's being negative?"
Julian doesn't acknowledge him, but I love Garak trying to get that little jab in there. Seriously, Season Six is all about the snark. Would've been nice to watch that tension build to some sort of release, eh? But, yeah, nope! Because that's it for Season 6 for these two.
"Thank you for your company, gentlemen."
His first scene with Julian of Season 7, and it's a group get-together where he starts to tap into his claustrophobia. Of the three men across from him, only one has seen that in action before.
"He checks out fine." "Well, I don't feel fine."
There's an intersting turn. Garak used to put up a front, but this time he isn't. But Julian won't be the one to help him. To endear one of my least-favorite characters to the audience, we pair her with one of the most beloved.
And, nothing against the actress. I've seen her in other things and loved her. But young Rachel abhored the character, and grown Rachel's opinion has not wavered.
Oh my gosh. Season 7 Episode 16. Finally a complete scene between these two! It's been since the beginning of Season 6! And they are so in sync they tap the table at the same time, order their drinks simultaneously, and sit down while chatting with some animation we haven't seen in some time.
Bitchy, old couple Garashir has given way to an old, familiar rhythm. And I think part of that is because Julian is back to pursuing what is expected of him—a Dax. But that's a subject for someone else's Meta.
"The eternal optimist." "Guilty as charged." "How sad."
Alright, there's a little bitchiness still in there.
"But, I live in hope that one day you'll come to see this universe for what it truly is rather than what you'd wish it to be." "Well, I shall endavor to become more cynical with each passing day—look gift horses squarely in the mouth, and find clouds in every silver lining." "If only you meant it."
Anyone else feel a little lighter? I feel a little lighter. Because this? This is fucking gorgeous! I ache that it's been since the first episodes of Season 6 since we've seen these two interacting and sparking and reminding us why we love them together. Such different people who challenge one another, excite one another, and make each other smile like no one else can.
But, yeah, sure. Let's give Julian to the bloody Dax. Look, Little Rachel didn't clock Garashir and I was still anti Ezri/Julian. No hatred to those who loved them! But I never understood it.
And thank goodness someone somewhere realized who Garak had to share his last scene with—Julian. It wouldn't have been right if it had been anyone else, despite their distinct lack of screentime together in Seasons 6 and 7.
"Well, aren't you going to congratulate me, Doctor? My exile is now officially over. I've returned home... or rather, to what's left of it." ... "You and I both know the Cardassians are a strong people. They will survive. Cardassia will survive." "Oh, please, Doctor, spare me your insufferable Federation optimism. Of course it'll survive... but not as the Cardassia I knew."
Garak is right. And if he wasn't so (rightfully) upset, he would see that Julian's heart isn't in what he's saying. He just doesn't know what to say.
"We had a rich and ancient culture. Our literature, music, art was second to none. And now... so much of it is... lost. So many of our best people, our most gifted minds."
Robinson is pulling us apart, here. The anguish is palpable, and Siddig is feeding off of it. We can see Julian's plastered on optimism peeling away as the tears fill his eyes. He knows his words hold no meaning, here. So, he finally reaches out.
It's the shoulder touch. It's their thing. But Garak's not in the right place to receive it.
"You've been such a good friend. I'm going to miss our lunches together." "I'm sure we'll see each other, again." "I'd like to think so. But one can never say. We live in uncertain times."
Garak places his hand on Julian's shoulder, now. Their thing. But while Julian's was offered as comfort, Garak's is a goodbye. Garak lets his hand slide off Julian's shoulder, and the human can do nothing but stand there.
In the end, Garak was always going to choose Cardassia. In my mind, the only way he and Julian end up together is if the Doctor follows him there. But, Bashir just began a relationship with Ezri, a comfortable relationship in an uncomfortable time.
Love comes in many forms, and sometimes when you find it, you don't even know it's found. That's Garashir. That's the story of missed opportunities and all the things that held them back from finally crossing that final line to becoming the lovers they might have been.
I've heard the rumors, of course, for why that was so. But, since I don't know what's true, I won't repeat them here. Instead, I'll lament what wasn't, and be grateful for a relationship that was so beloved and enduring that Robinson and Siddig themselves championed it, fed it, fostered it, developed it, and supported it so long that it found itself canon in another Star Trek show.
I like to imagine that someday Julian followed Garak to Cardassia, that they realized what they had and couldn't do without. Imagine them both separated so long that their missed lunches grow from an ache to an agony—that the walls of expectation and convention break down enough that they find themselves in one another's arms.
Sometimes we aren't ready for something in life—a career, a move, a great love. And at the end of Star Trek: Deep Space 9, these two aren't in the right place to start something. There are too many other factors at play.
But love at last is often sweeter than the right love at the wrong time. Maybe that's where Garak found Julian—the moment they were both finally ready.
Thanks for reading, loves. I know it's long and likely riddled with typos. But, it's late and I have a Strike Book to resume. This little obsessive ride was a blast, but with my OCD once it's written, it's done. I feel released, and I'm thankful.
And, remember, you are beautiful inside and out. Don't let anyone tell you otherwise.
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urbandunsel · 2 months ago
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so i like to think nana visitor walked into the writer's room and said "hey guys, just wanna let you know im pregnant so that might affect shooting and whatnot" and the writers are like "oh okay! we didn't know you were involved, who's the father?" and visitor says "okay we're all mature adults that don't judge, it's our good friend alexander siddig" and they say "okay neato congrats"
and then visitor leaves the room and the writers say "okay literally how many jokes and sneaky dialogue can we write for kira and bashir during these months cmon guys go go go"
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walkingstackofbooks · 2 years ago
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DS9 1x17 The Forsaken: More Feelings about the Augmented Abilities of Julian Bashir
(Apologies, shutting up about Julian is not within my capabilities.)
In The Forsaken, Bashir is charged with looking after three Federation ambassadors while the entire station is having a meltdown. At one point, he and the ambassadors are walking along a corridor when suddenly: FIRE
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The bulkheads close, Julian tries to open the door and finds it locked... the scene ends.
We're then left in suspense for the rest of the episode; we only see Sisko and Kira's side of things, who are assuming the worst, not knowing how badly they all got hurt.
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Eventually they get in and find Julian and the ambassadors, who immediately start heaping praise on Julian:
BASHIR: Here, take my hand, Madam Ambassador. Watch your head. TAXCO: Please, Julian. Call me Taxco. SISKO: Ambassador, are you all right? VADOSIA: Yes, thanks to Julian. LOJAL: The doctor was remarkably calm and logical for a man of his years under such severe conditions. VADOSIA: We'll be putting him in for a commendation.
Sisko congratulates him ("Nice work, Doctor Bashir." "Just in the right place at the right time, sir.") and that's the end of that.
But I couldn't stop thinking about how different Julian is to how we've seen him so far in season 1.
It's pretty well established that Julian in the early seasons (and some might say, all of them) is often smug and insufferable. In Season 1, we've seen him boast about the most minor things (becoming salutatorian, Q-Less) to how good a doctor he is ("I was very impressed, Doctor." "And well you should have been." The Passenger).
But at the end of The Forsaken, he seems positively startled to be praised. In complete contrast to The Passenger, in which he takes Kira's compliment and adds to it himself, here he doesn't even take the praise, but dismisses it as luck. What's changed?
Well, I think there are a few things in play here. For one, he's shaken up, he really hasn't been in that many life-or-death situations - maybe the boasts come out later. For another, he usually boasts about his medical expertise, which he knows is good; he might not have felt he did anythign special here. But most importantly, I believe - this is the first situation he's been in where he's had to choose between revealing his augmented abilities or potentially letting people die.
We don't see much of what he does, admittedly, but we do see him trying to unlock a door: first he tries the access codes, when that doesn't work he strains to rip the cover off to get the the lever underneath, which he tries to pull until one of the ambassadors touches him, when he appears to give up. I find it pretty easy to read that touch as having reminded Julian that he's not alone, he has to act normally.
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(sorry for the poor quality)
Yes, we really don't know if he could have got them out using his augmented abilities, or how "superhuman" he had to be to get them into the vents. But I think it's very possible that he did have to find a balance between getting people to safety, and not showing an above-average ability in the methods he used.
And keep in mind these are Federation Ambassadors. Julian's already stated in this episode - though it's unsure how seriously - that spending time with the ambassadors could "destroy his career". How much more aware will he be of keeping his secret around them, when they already appear to dislike him and would have the power to investigate if anything did slip?
Other people have hypothesised that his boasting is a way to hide his abilities in plain sight, as it were - and this makes enough sense to be at least part-way true. I think his boasting is a mix of genuine pride in his work; being, in brutal honesty, a young, naïve idiot; badly misjudging how to make himself likable; and attempting to normalise how good he is by showing off at every opportunity.
But this event is one he wants to downplay - he doesn't want a reputation for being good at anything else. He can't afford people to question how a doctor forced entry into the vents, or whatever he needed to do to get in there. While the ambassadors are coming out, he sticks to his job and doesn't respond to their praise - in fact you could say he looks concerned or worried. After they've gone, and Sisko congratulates him, he's startled out of his thoughts for a second, before responding: "Just in the right place at the right time, sir" - a throwback to their earlier conversation, and a dismissal that he did anything particularly special.
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(again, awful quality, I've never made GIFs before!)
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dreamerdrop · 27 days ago
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something about how garak and julian both lead with their worst foot forward as the first impression.
which is why The Wire works so well for them, because it’s both of them on full display in a way that forces them both to accept they either like each other at their most infuriating or they don’t. and turns out, they do like each other, even when they’re both being incredibly aggravating to each other.
julian contends with the reality that garak has likely killed and tortured countless innocent people, will likely never be truly honest with julian about anything ever, and that he can be incredibly venomous and cruel at his worst, and julian decides he still cares about garak and will still be his friend in the aftermath.
garak gets to see how impossibly stubborn and reckless julian can be, how frustratingly dedicated to his ideals of looking after other people he is, how utterly annoying julian can be when he’s got his mind set on something… and garak absolutely walks away deciding these are also julian’s best traits, even if garak thinks they might need tempering for julian’s own good.
they don’t actively consider each other proper friends until they have been forced to look at the parts of each other they might find most off-putting, and they both see that and go “… yeah, i still like him, even more now actually.”
idk there’s something about how they find themselves endeared to each other for the exact same traits that would normally drive others away. they fall in love with the whole picture right from the start. of course, julian can joke about garak having murdered people. he knew that from the word go and decided he liked garak anyway. of course, garak falls deeper in love with julian when he demonstrates his near-suicidal levels of dedication to protecting others, that determination was what sparked garak falling in love to start with.
and they can still dislike parts of that whole, garak definitely wishes julian would be more selfish (for the sake of self-preservation, mostly), and julian doesn’t exactly *approve* of garak doing morally reprehensible things, but… they knew exactly who they were falling in love with and went all in anyway.
something about falling in love with someone from their worst parts so that every time you have to reassess your view of them, it only makes them more lovable.
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wisteria-lodge · 2 years ago
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I am currently in the middle of First, Do No Harm, a Garak/Bashir fic where it is a plot point that male human augments don't have body hair. Because, well...
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they DON'T. (come on, you know I'm right.)
(for context, half these people have literally just escaped being marooned on a desert planet. They *haven't* been shaving)
EDIT: I tried to post some photos of Kirk, Spock, McCoy, Riker, Picard, and a bunch of the guys from Enterprise as a point of comparison, because all of them demonstrably DO have body hair. But that was just too sexy for the Mature Audience filter, so just. Know that's a thing, I guess.
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wanderingwriter87 · 2 years ago
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thinking about straight laced cardassian traditionalist elim garak absolutely losing it the first time julian runs into xenophobia on prime and immediately being 100% "you don't have to change a thing the world can change its heart 😭😭" about it and completely failing to see the inconsistency in his worldview ♥️♥️
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beechicory · 3 days ago
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The concept of Julian having to keep a secret for over a decade, and it being dangerous, and him having to watch his every word and action, and what people assume that would be like is really interesting.
I've had to do that. I mean, a lot of queer people have, lol. And mine wasn't the level of gonna-get-arrested-for-scifi-crimes. But I did spend over a decade having to hide important and intrinsic things from the people I lived with, for my own safety.
For instance, I had to hide what my job actually was. The people I lived with could not find out what my job actually consisted of, or they'd probably fucking hurt me. Keep in mind I worked from home.
If they had read a single one of my notebooks I'd be in danger. Seen my computer files (which I often had to work on in the middle of the living room). Anything.
I also of course had to hide my actual thoughts, politics, feelings, opinions. Because again, I'd get fucking hurt if they were ever found out. I had to pay attention to my every facial expression, the every idle movement of my hand, where I sat in relation to people, the way I fucking blinked.
To keep my secrets. To keep safe (or at least more safe; to keep in less danger). To keep from getting hurt.
After a long time it's...not that hard. And yet incredibly hard. And yet not that hard. Because it becomes ingrained. Natural. The constant hypervigilance and awareness of every single facet of yourself and everyone else...it becomes normal, a constantly running program. A fucking exhausting program, a miserable way to live. But also... not as hard as it's presumed to be, often, in fic etc. It's...fucking miserable, awful, so nerve wracking, but also...alllllmost becomes unconscious. Or at least it's running at a lower level of focus.
You can very much still partly be yourself, while hiding extremely important things about yourself 24/7 out of the need for safety.
So I think that a lot of the sort of... fully new interpretation of his behaviour/actions/thoughts in earlier seasons, in light of the augment revelation, isn't always necessary. There's so much, even in novels written after the augment thing, of it being like his internal thoughts were 'Aha! I must hide my skilled computer brain and its abilities by pretending I am naive!' And booooooo.
Like noooooooo, you can be sweet and naive and also have a massive secret thing you must hide at all times. Keeping the secret does not have to occupy your every thought. Keeping the secret does not have to be the driver of your every action.
Some of it? Sure! But like...it doesn't mean he, in the early seasons, was just some veneer.
Keeping your secret becomes a background noise. A program running with automatic actions. It fucking drains your ability to do other stuff, it's freaking stressful, but... it's not as hard as people think.
I think for Julian also it must have been so nice to be on DS9, where he didn't have to fear suspicion. Because he might not have wanted any of his friends to find out, but he also probably didn't wholly, genuinely think that they'd immediately report him and toss him out an airlock. Like maybe they would but also hopefully they wouldn't, maybe. And also he'd have an easier time being more openly himself and being able to trust they would mentally excuse any of his weirdnesses as just silly Julian being Julian.
It must've felt nice to relax his vigilance a bit.
But also, I think the level of vigilance is sometimes overestimated.
Things aren't really that hard to hide. But at the same time they are, because it fucking sucks.
Additionally, if we see him as autistic, I think that, having to grow up with his fucking parents, he'd have already had to learn to mask really freaking well. Which, again, is exhausting. But often becomes sort of what-you-do.
ANYWAY.
I dunno.
[disclaimer: everyone's experiences and interpretations vary and are legit! This is just mine :)]
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