#john q icons

[lscallop]

— kyle gallner as simon in "dinner in america" (2020) icons !

please like/reblog if u save or use it!

[evershiftingmuse]

RP Icons - John De Lancie

[starleska]

inspired by @deadpuppetboi's killer redesign of the Toymaker's original outfit (removing the problematic elements and capitalising on the literal 'celestial' theme), i wanted to say!!! if you are looking for a similarly bonkers reality-bending entity who wears kickass robes for inspiration, look no further than Q from Star Trek 👀

[hopecomesbacktolife]

emotional support and comfort is stored in the Eve Baird telling you that you are good enough ♡

“You’re better than you think you are. You can do more than you think you can, you always could.”

-The Librarians, season 2 episode 6

[leftfair]

don't you know too much already ? ( from john )

@yllowpages !

a gentle laugh escapes her lips, as tempest removes her eyes from the screen and towards john. she knows she’s walking on dangerous grounds. testing to see who is ready for the change. who can see beyond the games -- beyond the capitol. “there’s no such thing as knowing too much, john.” she lifts her glass to her lips, sipping on the shimmering golden liquor. a small smirk graces her lips, as her eyes return to the screen in front of them. ( at this point, she’s stopped keeping count -- keeping track of the deaths of innocent children weighing too heavily on what’s left of her soul. ) she lowers her glass, her eyes squinting as she watches the ultimate survivor of this year’s games.

a young girl -- only a year older than she had been. fighting her way to survival, trying her best to keep her soul intact. and, now, keep alive the boy she claims to love. her eyes flash to haymitch, watching as he works his way around the room. it’s the first time in so long she’s seen him so [ . . . ] present. tempest returns her focus to the screen once more. “especially when we’re so close to the breaking point.” she places her glass onto the bar, granting john one last short glance. “wouldn’t you agree ?” her eyes study his for a moment. who would have thought they’d come this far ? she lets out a small hum before she’s turning away, and making her way across the room. ready to sweet talk her way into deep pockets.

[mccoysq]

Guys how tf is no one on this Q edit it literally just changed my brain chemistry

[stellarred]

Soooo....good.

💋

We've finally made it! inspiration provider @ivaavna

[felassan]

John Epler in the BioWare Discord (August 7th) -

John: "You can disable/enable helmets for cutscenes or at all times." --- User: "Will we be able to collect codex entries again?" John: "Absolutely. Codex entries are part of the series' DNA - plus, they're really fun to write." --- User: "Are there long curly hair options?" John: "There are!" --- User: "Are sub-classes locked to the faction you’re in?" John: "No. They're themed towards factions, but you can choose a specialization from a separate faction than your own." --- User: "Will subtitles from companions be on screen with their icons lit up like in Inquisition?" John: "Subtitles will appear center-screen and have the speaker name attached. So you'll see who's saying what." --- User: "Regarding the cutscenes findable in the game, will a gallery be available for re-watch?" John: "Not at present, no. Since our cutscenes are (almost all) real-time in-engine, this would be nearly impossible with our tech."

[character limit text break!]

User: "What are the chances for a third World of Thedas volume after The Veilguard's release?" John: "I can't comment on specific plans, but World of Thedas is close to my heart and I'd love to do more in general with our ancillary books and products, once we're able to come up for air from the game." --- User: "Can we edit our race during character creator freely or are we locked in by choosing race first like in inquisition?" John: "Lineage informs a number of options after that choice - you can always go back in CC and change it, but it's the first decision you will make and changing it will reset the following decisions." --- User: "I did have a follow-up on lineage - do the other lineages/races also have background choices the way elves do with city/dalish? CAN we play a qunari raised within the Qun?" John: "So a couple of things, just to be super clear on this. There is no 'city elf/dalish elf' switch (for example) that you can pick in character creator. Each lineage can be each faction, though, and that will provide a baseline for your character you can further refine through role playing. For Elves, as an example - Veil Jumper elves tend to be more 'Dalish' to reflect that background, while Shadow Dragon elves tend to have a background that reflects being an Elf in Minrathous. Other factions have their own nuance. Importantly, those things tend to be more focused on how you relate to that faction, while leaving more general 'Elf' topics as something you have more freedom with. Or, TLDR - while choices at CC define some baselines around your character, we like to give you the opportunity to build your character's background and beliefs through in-game RP. Hopefully all that makes sense." User: "That does, and is right in line with what Corinne said during the Q&A! I was asking whether we would see the same background variety in the non-elven lineages." John: "Yes! Sorry, that's what I was trying to answer - there will be plenty of opportunities to RP who you are/were as the other lineages as well."

[character limit text break!]

User: "are there companions gifts again" John: "Isn't the gift of your presence enough? More seriously, though - you very well might find things in the world that certain companions would appreciate!" --- John: "Rook is generally assumed to be anywhere from late 20s to late 40s, but ultimately we don't give Rook a specific age. You can RP them to be however old you want." --- User: "will conversations be zoomed in like a cutscene type or zoomed out like in DAI?" John: "While we do have some 'lighter' conversations for specific types of content, they use a more traditional over-the-shoulder cinematic camera. I created the simple conversation system in DAI and while it did what we needed it to do, we heard the feedback on the camera loud and clear." --- User: "The darkspawn look fairly different in veilguard. Is ot a simple redisgn like the demons or is it due to them being enhanced by red lyrium?" John: "I'm not going to tell you WHAT it is that's making them look different, since that's a spoiler, but it's more than just a visual redesign." --- John: "Need and inspiration, mostly. We can't bring in every single animal out there, especially since we want the ones we DO put in the game to be at the right level of quality. So we pick the ones that we know make sense in the spaces we're building, and also it's based on what the team wants to do. If someone is incredibly passionate about bringing in a specific creature, it's something we want to give opportunities to pursue wherever possible. As to the general ecology of Thedas - there are absolutely similarities, but it's not 1:1. A world where megafauna still exist as apex predators (dragons) is going to have some pretty significant impact on what else exists." --- User: "does the lighthouse have a kitchen, can we eat and drink? what sort interactables are there at the home base" John: "Not going to get into specifics on interactables, but there is more to do in the Lighthouse than conversations with companions. The Lighthouse does have a kitchen, and your companions acknowledge it/use it both narratively and ambiently. Some maybe better than others." John: "A little more expansion on this - we want the Lighthouse to feel like a 'real space' as much as possible. That means making it a space that makes sense and, eventually, feels like home to you and your team. It also means spending a little extra time on how the companions (and Rook) use and exist in the space. At this point we've made a LOT of personal hub spaces in DA and ME, and we've learned a lot from doing so." --- John: "It wouldn't be a DA game if we didn't have some returning characters. We've shown some of the more obvious ones, and hinted at others, but we want to keep some surprises for launch."

[source: the official BioWare Discord]

[fuckyeahgoodomens]

Ooh! A wonderful interview with Rich Keeble who played Mr. Arnold (the one with the Doctor Who Annual :)) in S2! :)❤

Q: In Good Omens 2 you play Mr. Arnold, who runs the music shop on Whickber Street. Were you a fan of Good Omens before joining the cast, and is it challenging to take on such an iconic story which is already loved by a huge fanbase?

A: “There’s always pressure if you’re working on something with an existing fanbase and people might have an idea already as to how you should be approaching something. To be honest I was aware of the show but I hadn’t actually seen it before I was asked to get involved. I knew it was something special though! I remember talking to Tim Downie [Mr. Brown] about how when you tape for certain things you know if something’s a “good one”. Of course by the time I was on set I’d watched Season 1 and read the book. 

I had an interesting route into the show actually: I was asked at the last minute to read the stage directions at the tableread on Zoom, and Douglas [Mackinnon] the director called me up to discuss pronunciations of the character names etc. To prepare further I quickly watched the first episode on Prime Video, and I was very quickly drawn into it. A couple of hours later I was on a Zoom call with David [Tennant], Michael [Sheen] (with his bleached hair), Neil [Gaiman], Douglas and the whole team, including Suzanne [Smith] and Glenda [Mariani] in casting. After that readthrough I asked my agent to try and see if she could shoehorn me in and she came back with a tape for Mr. Arnold saying “you play the piano don’t you…?” They wanted me to demonstrate my musical playing ability, so I rented a rehearsal studio room in Brixton for an hour and filmed myself playing piano (and drums just in case), then I did my scenes a couple of different ways and I guess it wasn’t too terrible!”

Q: During episode five you mimed to music written by series composer David Arnold alongside a real string quartet – this must have been very immersive! How did it feel to work with David, and bring the ball to life?

A: “I actually didn’t meet David Arnold sadly, but I did work with Catherine Grimes, the music supervisor who is lovely. David was at the London screening but I missed an opportunity to go and say hello to him which I kicked myself about. 

I remember before I was in Scotland there was a bit of uncertainty as to whether I would need to play anything for real or not, so I practised every day playing loads of Bach and other music I thought was era-appropriate just in case they asked me to do anything on the fly. So yes, it was very immersive as you say! They sent me three pieces of music to learn which I practised in my Edinburgh apartment on a portable folding keyboard thing I bought. They introduced me to the string quartet (John, Sarah, Alison and Stephanie) and I tried to hang out with them when I could. On the day we all had earpieces to mime to. I had to mime while listening out for a cue from Nina [Sosanya] from across the room, then deliver my dialogue and carry on playing, which was tricky! The quartet and I helped each other out actually: Douglas would say something like “let’s go from a minute into the second piece of music”, I’d look at the sheet music and whisper “where the hell is that?” and one of the quartet would say “we think that’s bar 90” or something. Here’s a little bit of trivia: the shooting overran and the string quartet couldn’t make the last day, so they found some incredible lookalikes to replace them for the scene when we get lead out of the bookshop through all the demons, although I think they also kept them deliberately off camera.” 

Q: What did you think of your music shop when you first saw the set? Did you have a favourite poster or prop?

A: “I thought it was incredible! It could’ve been an actual music shop with all the instruments hanging up with the “Arnold’s” price tags on. The attention to detail was incredible, well IS incredible as I understand it’s all still there. It’s hard to pick a favourite to be honest. I did a little video walkaround on my phone at the time so maybe I’ll post that if I won’t get in trouble. Interestingly the shop interior itself was elsewhere on the set to the shop entrance you see from the street. You walk out of Aziraphale’s shop, over the road, through the door of the music shop and… there’s nothing.” 

Q: Mr. Arnold is tempted into the ball by a Doctor Who Annual and is playing the theme in the music shop scene – are you a fan of Doctor Who in real life? And what was it like making those jokes and references in front of the Tenth Doctor David Tennant?

A: “I’ve always dipped in and out of Doctor Who over the years since Sylvestor McCoy, who was doing it when I first became aware of it when I was growing up. Even if you’re not a fan it’s one of those shows you can’t really get away from, so doing that particular scene in front of David was really fun, and of course Douglas had directed Doctor Who as well. Apart from the amusing situation of two supposed Doctor Who fans talking about Doctor Who without realising they’re in the company of a Doctor Who, I also seem to remember Michael being the one to suggest that he would deliver his “due to problems at the BBC” line directly to David.

Oh, and I think it was actually my idea to grab the annual off the harpsichord before joining the queue behind Crowley at the end of the ballroom scene (which we’d shot weeks earlier at this point). When we were blocking it out and rehearsing I knew I had to leave my position and get to the front for my “surrender the angle” line, and then later it just felt like I wouldn’t leave without the annual so I ran back through everyone to grab it. Nobody seemed to have a problem with me doing that so I just carried on doing it when we shot it! I do remember it being a fun set with Douglas and the team being very open to suggestions.”

Q: How did you balance filming both Good Omens and BBC Ghosts at the same time?

A: “Luckily both shows were a joy to work on, and everyone seems to know about both of them. We were shooting them in early 2022 and I also had a little part in an ITV drama called ‘Stonehouse’, starring Matthew Macfadyen. I usually never know when I’m working next so to have three great TV jobs at once was very unusual. There was all this date juggling and I actually almost had to turn down Ghosts due to clashes. Luckily both shows had to move some dates so it worked out. But yes, I spent two weeks up in Scotland shooting all that Good Omens ballroom stuff, then I came back down to London to do Ghosts, knowing I’d be back up to shoot my scenes in the music shop in a couple of weeks. Now, when I found out who was playing my wife in Ghosts I couldn’t believe it: Caroline Sheen – Michael Sheen’s cousin! She was amazing and that was another great set in general. I say “set”, but it’s all filmed in that house which surprised me. I’d worked with Kiell [Smith-Bynoe] and Jim [Howick] before, and Charlotte [Ritchie] was in the Good Omens radio play a few years ago and a big fan of the book. Charlotte’s very musical of course and we got talking about my folding keyboard I had for practising my Good Omens stuff, and she ended up setting it up in the house for us to have a play on!

Now, when we’d shot all our internal scenes there was this big storm forecast, and our external scenes were scheduled for the day of the storm, so that had to be moved into the next week. It meant I ended up shooting those scenes outside the house, then going straight back up to Scotland to shoot the Good Omens music shop scene the next day! When I mentioned to Michael I’d just worked with Caroline he said “ooh she’s in Ghosts is she!” and revealed that she’d texted him about me which was rather surreal. Then later after the Ghosts wrap party Kiell gave me a part in his Channel 4 Blap, so at the time I felt like I was killing it career wise, but the industry quietened a bit after that and my workload eased off over the year so I was in my overdraft by November.”

Q: What are your plans for the future – can we expect to see you in something else soon?

A: “This year, after a bit of a quiet start, I was very fortunate to work on a Disney+ show called Rivals which stars… David Tennant! I think I’m allowed to say my character is called Brian, and I shot five episodes so that was another really amazing job, and great to work with David again (I told him he must be my good luck charm, although I hope he’s not sick of me). That should be out at some point in late 2024. Other than that I’ve filmed a few other bits I presume will be out next year, one of which is called Truelove on Channel 4 which actually looks really good. That starts early January. Of course now Season 3 of Good Omens has been greenlit, I would love Neil and the gang to have me back on that… but I can only keep my fingers crossed!”

[eileen-crys]

Freddie Mercury

Rarity: 5☆

Weapon: Sword

Vision: Pyro

Nation: Sumeru

Constellation: Cantor Phoenix

Here's Freddie from my Genshin Impact x Queen crossover!

Freddie is a famous singer from Sumeru, who has also traveled to Fontaine with Xinyan to learn rock music and share it with the rest of Teyvat, aiming to get in his own band. He uses his Pyro energy to heat the audience up and unleash his powerful voice. He loves to use his very own custom-built microphone/sword to fight enemies and sing on stage. However, Freddie has a soft and loving side to him, he's very loyal, selfless and determined to bring a smile to everyone!

Freddie was so much fun to design and -while keeping in mind his Pyro element and the Sumeru region- I mixed a ton of Freddie's outfits together to make it as flamboyant and royal as possible! Zhandra Rhodes, the feathers from his Hard Life outfit, his sequined and harlequin leotards, a red scarf directly from Hot Space, gloves and wristbands, the iconic black nail polish, obviously an exposed chest... And lots of wings to recall both the phoenix and the god Mercury! His microphone/sword recalls the red Q ribbon and the rose thorns in the Queen logo, while the rose in the middle is the Freddie Mercury rose.

Here you can see all the sketches with very early studies for all their designs and Here is a little overview of them as characters, with aesthetics and quick summaries. ROGER | JOHN | BRIAN

Hairless version (more aligned with Genshin's aesthetic):

Please do not repost! Reblogs and comments are always welcomed! 💜

[disneytva]

20th Television Animation Brings Animation To San Diego Comic-Con 2024

Animation fans will have a lot to keep them busy and entertained at this year’s Comic-Con. Disney just announced its plans for its Hulu and 20th Television Animation festivities and panels set for the San Diego.

Friday, July 26

Solar Opposites, 2:00-2:45 p.m., Indigo Room. The popular animated series returns to San Diego Comic-Con ahead of a new season packed with new family values, mayhem in the Wall and some all-new Silvercops adventures. Join executive producers Mike McMahan and Josh Bycel, and cast Thomas Middleditch (Terry), Mary Mack (Jesse) and Sean Giambrone (Yumyulack) for an advance screening of a never-before-seen episode, and a discussion of the hilarious and out-of-this-world upcoming fifth season premiering Aug. 12 on Hulu.

The Great North, 3:00- 3:45 p.m., Indigo Room. Embark on an exhilarating journey to Lone Moose at Comic-Con. Catch an exclusive look behind the scenes of this animated comedy series that follows the quirky Tobin family as they navigate life together. Get to know the creative minds behind the series including creators and executive producers Wendy Molyneaux, Lizzie Molyneaux-Logelin, Loren Bouchard and the voices behind the Tobin family including Jenny Slate, Dulcé Sloan, Paul Rust and Aparna Nancherla to gain fascinating insights into the production of the show, its unique setting, and the colorful characters that inhabit the world of the Tobin family.

Bob’s Burgers,  4:00-4:45 p.m., Indigo Room. Join the Belcher family and the creative minds behind Bob’s Burgers for a can’t-miss panel. Creator and executive producer Loren Bouchard, executive producers Nora Smith, Holly Schlesinger and supervising director Bernard Derriman will break news about the upcoming season. The cast including H. Jon Benjamin, John Roberts, Kristen Schaal, Eugene Mirman, Dan Mintz and Larry Murphy will have the audience howling with laughter through exclusive sneak peeks, a lively panel discussion and Q&A.

Saturday, July 27

Futurama, 11:00-11:45 a.m., Ballroom 20. Neither snow nor rain nor cancellations nor pandemics nor Hollywood strikes can keep Futurama from blasting back into existence. Please join Matt Groening, David X. Cohen, Claudia Katz and “Futurama” superstars Billy West, John DiMaggio, Lauren Tom, Phil LaMarr, David Herman and Maurice LaMarche for a live sneak preview of the all-new season premiering July 29 on Hulu. They promise to spill the maximum legal dose of spoilers. Plus, there is the chance to walk away with debatably precious door prizes!

The Simpsons, 12:00-12:45 p.m., Ballroom 20. Show creators give an exclusive spooky sneak preview of “Treehouse of Horror 35” – the scariest 35th Halloween Special ever. Join panelists Matt Groening, Matt Selman, Rob LaZebnik, Tim Bailey, along with special guest moderator Kevin Smith and surprise terrifying guests for original drawings, prizes and more.

American Dad! 1:00-1:45 p.m., Ballroom 20.  Celebrate the enduring success of the show at Comic-Con with hilarity, hijinks and heartfelt moments. Dive into the quirky world of the Smith family and their eccentric friends and foes as this beloved animated series celebrates its ongoing success with stars Wendy Schaal, Scott Grimes, Rachael MacFarlane, Dee Bradley Baker, Jeff Fischer, and executive producers Matt Weitzman, Kara Vallow and Nic Wegener.

Family Guy 2:00-2:45 p.m., Ballroom 20.  It’s time to look back at 25 years of laughter, satire and iconic moments with the long-running show at this must-attend Comic-Con panel. This milestone event will bring together fans, the iconic cast including Alex Borstein, Seth Green, Jennifer Tilly, Gary Cole and Mike Henry, and executive producers Rich Appel, Alec Sulkin, Steve Callaghan and Kara Vallow to honor a quarter-century of hilarity, irreverence and unforgettable moments in Quahog. Whether a long-time fan or new to the Griffin family’s antics, this is the ultimate event to honor one of television’s most beloved and enduring animated series.

[coffeeandacig]

HUGE M*A*S*H NEWS!

Direct of the MASH Matters Facebook Page

M*A*S*H: THE COMEDY THAT CHANGED TELEVISION, AN ALL-NEW TWO-HOUR CELEBRATION OF TELEVISION’S MOST INFLUENTIAL SITCOM

NEW ORIGINAL SPECIAL AIRS MONDAY, JANUARY 1, ON FOX

Featuring New Interviews with Cast Members Alan Alda, Gary Burghoff,

William Christopher, Jamie Farr, Mike Farrell, Wayne Rogers and Loretta Swit,

as well as Original Series Executive Producers Gene Reynolds and Burt Metcalfe

Plus Rarely-Seen Archival Interviews with Writer/Producer Larry Gelbart,

and Stars Larry Linville, Harry Morgan, McLean Stevenson and David Ogden Stiers

In the all-new two-hour special, M*A*S*H: The Comedy That Changed Television, premiering Monday, January 1 (8:00-10:00 PM ET/PT) on FOX, join the men and women who made M*A*S*H as they celebrate one of the most beloved, enduringly popular, often quoted and influential comedies ever created.

As the definitive look at the 14-time Emmy-winning television classic, the special centers around new interviews with original cast members Alan Alda (Capt. Benjamin Franklin "Hawkeye" Pierce), Gary Burghoff (Cpl. Walter "Radar" O'Reilly), William Christopher (Father Francis Mulcahy), Jamie Farr (Cpl./Sgt. Maxwell Q. "Max" Klinger), Mike Farrell (Capt. B.J. Hunnicutt), Wayne Rogers (Capt. "Trapper" John McIntyre) and Loretta Swit (Maj. Margaret "Hot Lips" Houlihan) and series executive producers Gene Reynolds and Burt Metcalfe. In these intimate, highly personal remembrances, the creation and evolution of the show’s iconic characters are revealed, alongside rare and never-before-seen behind-the-scenes footage, photos and stories.

Writer/producer Larry Gelbart, as well as additional series stars Larry Linville (Maj. Frank Burns), Harry Morgan (Col. Sherman T. Potter), McLean Stevenson (Lt. Col. Henry Blake) and David Ogden Stiers (Maj. Charles Emerson Winchester III) are remembered through a vibrant collection of clips from the series as well as in rarely-seen archival interviews. With unique experiences, observations and memories from 11 seasons of M*A*S*H, this special will make audiences laugh, touch their heartstrings, and leave them on a nostalgic high while celebrating the sustained brilliance of the iconic sitcom.

“M*A*S*H is not only a great television series, it is a cultural phenomenon. It has made multiple generations of viewers laugh, cry and think, often in the same episode,” said Executive Producers John Scheinfeld and Andy Kaplan. “We are excited to team with FOX to create this unprecedented window into an innovative television classic.”

"M*A*S*H is among the most iconic sitcoms in the annals of television history. It's a timeless show that comedically captures the 4077th medical corps and how they managed to maintain their sanity while saving lives on the front lines of the Korean War,” said Dan Harrison, EVP, Program Planning & Content Strategy, FOX Entertainment. “Larry Gelbart, Gene Reynolds and Burt Metcalfe brought this incredible comedy to life thanks to their ensemble cast led by the incomparable Alan Alda. FOX is proud to celebrate the landmark achievements of one of the best comedies ever created."

The M*A*S*H two-and-a-half-hour series finale that first aired on CBS in 1983 remains the highest rated telecast in television history, delivering an incredible 77 audience share and 60.2 rating. To-date, the show has never left the air, continuously running in syndication, on basic cable and now streaming on Hulu. The series was produced by 20th Television.

M*A*S*H: The Comedy That Changed Television is directed by John Scheinfeld (Reinventing Elvis: The ’68 Comeback, The U.S. vs. John Lennon and What The Hell Happened To Blood, Sweat & Tears?) with Scheinfeld and Andy Kaplan as Executive Producers.

Viewers can watch M*A*S*H: The Comedy That Changed Television next day on Hulu, Fox.com, On Demand and FOX Entertainment’s streaming platform, Tubi. On Demand is available for customers of Cox Contour TV, DIRECTV, DISH, fuboTV, Hulu + Live TV, Optimum, Spectrum, Verizon FiOS, XFINITY, YouTube TV and many more.

[evershiftingmuse]

RP Icons - John De Lancie

[swampgallows]

(fyi you are under no obligation to answer this at all. thought i'd ask bc youre THE garrosh person (iconic!) and i dont recall seeing anything related to this? or mobile is being dumb) me + a friend on twitter were talking about garrosh and the stonetalon mountains questline and how blizz came out and said that apparently that whole questline was a mistake, yadda yadda. i was wondering if you did have any thoughts on that, even in general or like specifically @ blizzard or about garrosh's characterization during that zone.

hi, thank you so much for the question! I always like talking and answering questions about he. as such, this will be quite long...

here is the interview where alex afrasiabi declares stonetalon's creation as "miscommunication". personally, it's very hard to believe that among all the different teams necessary in a zone's completion—quest designers, quest writers, environment designers, prop designers, voice actors, QA, and so on—absolutely no one stopped at any point and went "hey, uh, what exactly is this that we're building here?" unless it's Marvel-levels of secretive where they filmed fake scenes or prohibited actors from reading the full script to allegedly prevent spoilers, or Oblivion-levels of convoluted where they compiled voice lines in alphabetical order, i figure that eventually someone somewhere down the line MUST have pieced together that all the blind mice had discovered an elephant.

that elephant in the room however, now in 2024, is afrasiabi himself. in the wake of all that had been revealed in the activision-blizzard lawsuit of which afrasiabi is a main offender, i think we now have more context for why cataclysm might have been a "pretty crazy time". i don't have any concrete evidence for this of course, but considering afrasiabi's track record a la sylvanas torching teldrassil, one has to assume that he simply took the reins on what he, personally, wanted for garrosh—"Garrosh was my guy"—and brute-forced it to make it happen. just as entire teams were beholden to sylvanas burning the tree—engineering quests, designing gear, animating and storyboarding and scripting and voice acting the Warbringers cinematic, not to mention the entirety of the following 2 expansions that hinged on that action—the labor for a throwaway zone like stonetalon is a drop in the bucket in comparison. stonetalon was probably finished in a handful of weeks. recording garrosh's voice lines probably happened in an afternoon.

i don't have any text-based evidence for this either as it occurred in an open Q&A session over discord, but ex-wow dev john staats also remarked that in the early days of wow's development, individual teams were kind of left to their own devices. it was really easy for devs to simply publish whatever they wanted into the game (innocuous things like the happy face under karazhan intended to be seen only by map designers, or the karazhan crypts with the infamous upside-down sinners). for instance, one employee was adamant about ogres becoming the fourth playable race for the horde until they decided on trolls, hence why ogres have several unique animations as well as a dance, all animated by the same one guy who was passionate about it. sometimes events and items were completed in single weekends; staats said a couple of dungeons (iirc stockades and rfc) were implemented this way. these topics might be touched on in staats' book The WoW Diary, but i dont have it.

i think cataclysm as a whole is a monument to blizzard's growing pains and to afrasiabi in particular bucking against the corporate restraints of wow's astronomical success. cataclysm is tonally abhorrent in a number of different ways and it's not always easy to point fingers at who is responsible for what, but it's undeniable the amount of leverage afrasiabi had. even if it wasn't him specifically, it's evidenced by both the details of the lawsuit and the game itself that certain elements of what was prominent in 00s gamer culture and the general "boy's club" wolf of wall street atmosphere at blizzard heavily influenced cataclysm's execution. the boys were resting on their laurels from the skyrocketing popularity and success of wrath, getting tv spots, mtn dew collabs, and so on, and felt empowered to infuse even more of their indulgences into their unstoppable juggernaut. wow had enough power in the industry to dictate what made a successful mmo and and who these games were "For", leading to a circuitous perpetuation of toxic masculinity by creating a game that catered to that kind of audience and thus propagating that mindset within it. no one could challenge WoW nor the people at its helm, be they industry competitors or blizz employees themselves.

at the same time, however, bobby kotick had just recently become CEO, simultaneously tightening the ship and imposing new structure as decorum slipped and hedonism flourished. the old guard lost some freedom to the demand for an overall throughline and schedule of what content to expect and commit to and when to release rather than the loose "jam sessions" of previous patches. as such, afrasiabi couldn't just drag and drop his blorbo wherever he wanted into their digital playground. he says others didn't get the memo, but he is probably the one who got the memo of "our fanbase of millions of players hates your idiot character and we would like to phase him out please" and disregarded it. he admits to wanting to turn garrosh around, and in his mind might view stonetalon as a last stand to prove the worth of his character, but it was in opposition of what was most likely decided upon at an executive level, a cog in a number of different turning cranks to get cataclysm done on time and off of shelves.

afrasiabi says "there was a little bit of miscommunication on my part that kind of led to Garrosh going down another, darker path. So there's an interesting tidbit for you." i imagine this "miscommunication" to be along the lines of 'fine, people can hate him, but he stays'. i feel this is also why the team instantly leapt at the chance to permanently eradicate garrosh—along with anything else tainted by afrasiabi—after he was quietly fired in 2020. i would not be surprised if the team was essentially forced by contract or social pressure or otherwise to keep garrosh in the game as long as afrasiabi held the whip. again, this is all conjecture. i don't actually know what went on behind the scenes at blizzard.

unfortunately the end result is that, yes, thanks to stonetalon we DID end up seeing a garrosh that could have changed for the better, just as afrasiabi wanted, but ultimately would have been—"from a story character development perspective" (well said, alex. lol)—banal and redundant for wow. i assume afrasiabi just wanted his self-insert alongside metzen's (thrall), which is a level of meta that i do not feel like unpacking tonight. so while it does add a little more glimmer to the theory of garrosh as "the horde's arthas", stonetalon's impact mostly serves as fodder to stoke endless Garrosh Did Nothing Wrong ragebait on twitter.

much like arthas, what makes garrosh so compelling to the majority of (non-fascist) people who like him is his fall from grace. despite his efforts to free himself from the shackles of his lineage, garrosh steps in it over and over to a point where he is instead encouraged to deliberately emulate the legacy he had spurned and embrace his rage. knowing that a character has the capacity to be honorable and good and instead chooses with full conscience to be evil makes for a much more interesting character than a clueless crying fawn that clumsily ambles its way into becoming prince of gumdrop forest. of course it's more satisfying for afrasiabi to have his self-insert get both a rags-to-riches story AND 2.5 expansions' worth of gary stu headpats; for everyone else, gristle mcthornbody uncritically absolving the sins of the father and dunking on the cursed prophecy while flexing and spouting edgy one-liners as he overpowers and outsmarts everyone is downright cartoonish. it's the lecherous tiefling bard who wants to remain in the tavern to hit on npcs instead of engaging with the campaign your dungeonmaster created: fun for him, and an interminable bore to everyone else deprived of the adventure.

in afrasiabi's hands, there is no greater narrative to garrosh hellscream. he's a big buff warrior because afrasiabi wishes he were a big buff warrior. garrosh is a racist, sexist scumbag because afrasiabi is a racist, sexist scumbag. garrosh has tattoos of no specific shape or meaning because afrasiabi only has a superficial appreciation for tattoos as something badass and cool. he kills people and blows stuff up because that's alpha sigma tiropita and badass and cool. the history of the orcs and fel was retconned so that garrosh could be a Shiny. grom and thrall had a special bond all throughout warcraft 3, but here comes grom's secret son to usurp the title of #1 favorite orc!! and he's just like grom but actually he's even MORE cool and badass??? this is 'playing power rangers at recess'-tier character development. it is transparently afrasiabi's wish fulfillment independent of the ongoing storyline, which at minimum is not befitting of a multi-million dollar AAA gaming franchise.

the inverse to garrosh's story being a fall from grace is that it is a story of unmet potential which is, both in a doylist and watsonian sense, exactly the oedipal kind of destiny afrasiabi ushered in for his doomed character. garrosh was doomed from the start to be a lackluster simulacrum of grom, both in azeroth and at blizzard, grasping for nostalgia for the RTS days while actively refusing to engage with the culture and landscape of modern day WoW. the more afrasiabi meddled, the more it illuminated just how hollow his vision of this character was and the failure to reach the potential of the kind of character garrosh could be. afrasiabi says "Garrosh was my guy" but his own ego will forever prevent him from understanding all of the dimensionality to his character that he threw away. and this, too, in true afrasiabi fashion, is reflected in garrosh's character. his ego overshadows his ability to listen to the people around him and results in his inevitable, shameless downfall... because that's exactly what afrasiabi would do. did.

so, no, alex. garrosh is not your guy. he's mine. he's all of ours. because world of warcraft belongs to all of us. and because i engage with the character of garrosh hellscream within his narrative, i can look at the beginning and end of his story and say that stonetalon is canon. because despite the years of frustration and confusion, there is so much closure for me in knowing that the reason he sucks so bad is because his creator—grom, afrasiabi—abandoned him, his story, his soul. trying to pare him down and sand his edges and curdle him into something he was never meant to be. he was never meant to exist, and he shouldn't exist, and that's what makes him so irresistibly, infuriatingly compelling, and why i love him so. garrosh hellscream is the only character in the entire story, both within the narrative and without, from beginning to end, in any timeline or on any planet, who is acutely aware that he is not meant to exist.

[dirksawesomesprites]

INFO POST

this is a side blog, my main is @sug4ry0uth

this is simply for sprite edits and panel edits, not normal art like my main is

I AM HAPPY TO TAKE REQUESTS!! but i will only do sprites that already exist, youll need to comission me for fanstuff

DO NOT TAKE MY STUFF WITHOUT PERMISSION. ASK ME FIRST PLEASE.

im a highschooler with work, school, personal projects, and a bunch of other stuff. it may take me a while to get to your request, apologies in advance.

this blog is run by a system, there will be the occasional headspace edit post of alters, along with other things related to that.

READ MY DNI AND STUFF BEFORE YOU INTERACT OR REQUEST STUFF PLEASE

if you send anon hate youre getting publicly shamed dont even try and youre not funny

COMISSIONS

you can commission me for:

FULLY animated sprites or panels

fan characters

non homestuck media

other characters?

you can purchase them at HERE!!!

REQUESTS: OPEN!

INBOX: 61

FAQ:

Q: Can I use your sprites as discord emotes/website graphics/ect?

A: Yes! as long as there is proper credit you may use my work. Besides my edits of myself (or headmates) and my partner.

Q: What program do you use?

A: Procreate on Ipad!

Q: When I send my ask how long untill its done?

A: Depends! The time can very depending on stuff like: the amount of asks in my inbox, if i have art block, and other stuff. but short answer is a few weeks maybe?. <:)

Q: How do you make your sprites? / Good Ibis paint brush equal?

A: Heres the post i made :3

DNI / WHAT I WONT DO

i will not do stuff of incest ships

proshippers. read this post before interacting with me if you identify as one

i will not do stuff of nsfw (suggestive is fine)

if its too complicated i wont do it sorry, but i might try

if i dont want to do it i wont, sorry

i will not do things related to MAPs/pedos/ect

i wont do racist stuff (if i post edits with skin colours and you leave hate you will be blocked and possibly reported if its bad enough.

if you request a ship i hate/dislike, i wont do it, sorry

i have my own headcanons for characters and other stuff, if i post something with that in it and you leave hate about my opinions you will be blocked

i am a MINOR dont ask me to do weird stuff.

JUNE/JOHN DISCORSE. I WILL POST BOTH JOHN AND JUNE EGBERT. IF YOU FIGHT OVER THEM YOU WILL BE BLOCKED FROM THIS BLOG.

if your ask is too broad like "___ doing smth" i wont do it

sorry im not doing fan characters anymore!!! if you want one please commission me <:3

WHAT I WILL DO / THINGS I LIKE TO DO

ship sprit edits / panels

sprite edits (this includes talksprites, pesterquest and MAYBE ministrife)

panel edits (if you want a panel, give me what mspa/msfpa, and page number please)

rips (just give me the panel number and what you want ripped)

homestuck, vast error, hiveswap, ect (as long as i can find a sprite for the character)

trans character headcanons

appearance edits / clothing swaps / blood swaps / ect you get it

personal headcanon edits

headspace edits (ex: an introj with a karkat source asking for an edit to match how they look in headspace)

pfps/icons (like a character edit with a background or flag with any overlay)

slight action animations

i occasionally add little freebies into asks for the fun of it. if you ask for one you wont get it though. its simply as something funny

[lithgowvia]

Welcome all! 🩵

To Lithgowvia! Your go-to blog for all things Lithgow, the amazing, endearing and hilarious award winning actor (and pretty close to renaissance man) John Arthur Lithgow, born October 19 1945 🔥🌠 and still slaying.

I haven’t really seen much simping for John here - some appreciation sure but not the latter, so I’d really love to find a community to simp together, if any of you are out there 😊

On theme, I heard people bouncing around the idea of a name for the fandom somewhere and I saw the term “Lithgovians” , which I absolutely loved. It feels perfectly fitted for the High Commander himself lol, both kind of alien sounding and unique. And thus came the idea for the blog name! (Alternatively it can be Lithgovia but I just decided for the other form just for clarity)

Here at Lithgowvia, we will celebrate all of the amazing and interesting films John has been a part of, his stellar and award winning television work as well as some mentions of his prolific career on stage. Join in to have a gorgeous time! (It’s a reference yes)

*Cue iconic Buckaroo Banzai quote here* and 3rd Rock From the Sun salute 🪐 ☄️

- Q 🛸

June 26. 2024