#john a. mcdougall
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catgondoliere · 10 months ago
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Edgar Allan Poe (c1846)
miniature by John Alexander McDougall (American 1810/11-1894)
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sodeartomyheart · 9 months ago
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Nathan Pritikin: A Casual Conversation with Dr. McDougall
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tallaxia · 5 months ago
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Death Machine in a nutshell
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icarusbetide · 7 months ago
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episode 3342982 of me going wtf was hamilton's life
Did y'all know that someone broke into Hamilton's dorm room and stole his books and pamphlets, likely because they were Loyalist and wanted him to shut up? They took a bunch of papers that patriot Alexander McDougall had supplied, presumably to aid Ham with the anti-British arguments he was publishing.
I swear there was something in the amrev air because everyone was batshit crazy. Who's the guy who climbed through a window, broke open a case, just to take a bunch of reading material from Hamilton and dip? Can you imagine being a stressed college student coming back to your dorm after a long day only to realize that some little shit had gone to the trouble of breaking and entering just to take books and papers you needed? I would've had a breakdown.
It is with the utmost chagrin I am obliged to inform you, that I am not able to return you all your pamph[l]ets; and what is still worse the most valuable of them is missing. I beg you will not impute it to carelessness; for I assure you upon my honor the true state of the case is this—I put your pamphlets in the case with my other books; and some person about the College got into my room through the window, broke open my case, & took out The friendly address, Bankrofts treatise, Two volumes of natural philosophy and a latin author. Letter to Alexander McDougall
Also hilarious how Alexander clarifies in his letter "This is not my fault and it wasn't because I was careless, I swear I swear". The letter's dated between 1774-1776 but maybe his habit of losing things was already established.
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dozydawn · 5 months ago
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angelstills · 3 months ago
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S4, Ep 13: The Good Fight (2002) Sex and the City (1998-2004)
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dcbinges · 2 years ago
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Superman #17 (1988) by John Byrne
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blackhakumen · 10 months ago
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Mini Fanfic #1174: Mansion Date Night~ (King of Fighters)
9:13 p.m. at Antonov'a Mansion's Dining Room..........
Krohnen is completely awesome struck at what is sitting right front of him right now: his bubbly, level-headed girlfriend, Angel, in a short, crimson red dress that almost matches the color of the lipstick she has on her shiny, luscious lips.
In fact, this might the very first time that he has ever seen her wear a dress, let alone in their date night tonight and yet....he couldn't help but to be mesmerized by her irresistible beauty. Not to say she isn't already beautiful in Krohnen's mind, but-
?????: Krohnenyyyy~
Krohnen: (Immediately Comes Back to Reality) Hm! Yeah? What?
Angel: You're looking a little out of it there, Cookie. You having a slight fever? (Forms a Seductive Smirk on her Face) Or are you just excited to see me this evening?~
Krohnen: ('Scoffs') Please. I feel as normal as I've ever been every time I see your face....But you uhh...(Starts Rubbing The Back of his Head Back and Forth) Do look pretty good tonight. (Starts Blushing) Great even......
Angel: (Giggles Softly at her Cute her Boyfriend is Acting) D'awwww~ Gracias, papi!~ (Crosses her Arms With a Proud Smile) It seems my romantic charms is still as strong as ever, don'tcha think?~
Krohnen: (Sighs While Rolling his Eyes) Yeah, and I somehow always fell for it every date night we've been on so far. (Takes a Sip ofhis Drink) Speaking of which, sorry this isn't the most ideal place for romantic evening. I tried getting us reservations from every fancy restaurants this town has to offer, but all of them are either already full or to expensive.
Angel: (Softly Fling her Hand Down) Oh, it's fine, cariño. I'm having a great enough time here already. And besides, you know I don't care all that much about fancy stuff in general.
Krohnen: Yeah, same here. (Shrugs) But I wanted to at least try and do something nice for you given it's Valentine's Day or whatever. (Takes a Bite of a Well Cooked Steak Antonov Made) Hm. Well, I'll be damned. (Takes Another Bite of his Steak) This might just be the best steak I've ever tasted.
Angel: I know, right? (Take a Bite of her Own Steak and Delightfully Enjoying it Shortly After) Mmm~ Soooooo Deliciosa!~ I can't even imagine how dessert would taste like~
Antonov: (Kicks the Door Open and Walks into the Dining Room Two Plates of Sliced Pieces of Cake in Both his Hands) Did somebody say dessert?~
Angel happily squeals and claps her hands as Antonov put her plate down in front of her. She uses her spoon to swap up one part of the cake and eats it and before anyone knows it, her delightfulnsss meteor skyrocketed from their.
Angel: (Gleefully Enjoying her Cake While Mumbling in Spanish)
Krohnen: (Turns to Antonov woth an Impressed Smirk on his Face) I gotta say, pops. Your meal and cake aren't half bad.
Angel: (Smiles Brightly at her Wrestling Boss) We didn't know you have a knack for cooking, Anty,, you're so talented!~
Antonov: (Starts Rubbing The Back of his Head Back and Forth While Chuckling and Smiling Bashfully) Aww~ Thanks for the feedback, you guys. To tell you the truth, I've been taking an interest in culinary arts for some time now. I even got the chance to work alongside the legendary chef, Gordon Ramsey, in the past.
Angel: (Places her Fonger on the Side of Her Chin in Curiosity) Culinary?
Krohnen: Pretty sure that's a fancy word for cooking and junk. (Turns Back to Antonov) You seriously survived a whole day in the kitchen with Gordon Ramesy if all people? That could've been fun.
Antonov: Make that a month and two actually. After the 14th KOF Tournament ended, I took it upon myself to harness my cooking skills under his wing. And yeah. It was a........challenge to say the least.
Flashback
Ramsey: (Angrily Yelling at Antonov Behind Him) Fucking hell Antonov!! Can't you go any faster steering the bloody mashed potatoes!?
Antonov: (Quickly Steering the Pit of Mashed Potatoes, Under Pressure) Yes, chef! I am going as fast as humanly possible, chef!
Ramsey: Don't even start with that "Humanly Possible" crap! I've seen a literal toddler steer pots more quicker and efficient than you could ever hope to achieve and the fact that you're still doing this five minutes after the order's wait time is already finished shows how pathetic you are- (Suddenly Hears the Sound of Sniff) What the bloody hel- Are you crying?
Antonov: (Already Has Twars Falling From his Eyes) ('Sniff') No sir!
Ramsey: You were named the "King of All Fighters" and have the audacity to shed your own tears inside MY kitchen!?
Antonov: ('Sniff') Chef! I get stressed easily when getting yelled at, chef!
Ramsey: Well, tough shit, winker. You could either pick up the pace, cut the bullshit, and finish cooking like you're supposed to or GET OUT!!
Bavk to the Present
Antonov: (Puts on a Dark, Yet Determined Look on his Face) That man gave me no room to make excuses. And I asked none. All I ever did was slaved over that shoving cooking for paying customers until the day I gave up my jacket and walked out of that kitchen, with my head held high. (Went Back to Smiling) I should definitely give him a call someday. (Walks Himself Back to the Kitchen) Hope he's not too busy these days.
Krohnen: I don't think I could ever see myself working under a hothead like that Ramsey guy anytime soon. (Turns Back to his Girlfriend) What about you, A-
Angel: (Continues Eating her Slice of Cake Until the Plate was Completely Clean Before Looking Back Up at Krohnen) Hm?
Krohnen: Nevermind.
Angel: (Points at Krohnen's Cake) Hey, are you gonna finish that cake of yours, Cookie?
Krohnen: (Raises an Eyebrow) Don't you think you have enough sweets for one night?
Angel: (Raises an Eyebrow Back) Do you know who you're talking to right now? I'm the Toughest Woman in all of Mexico- (Suddenly Let's Out a Small Burp Before Quickly Covering her Mouth) Perdóneme.
Krohnen: (Snickers a Bit) More like the Burpiest Woman in all Mexico if you ask me.
Angel: (Pouts at Krohnen) HUUUUSH! I'm not burpy or gross! Take it back!!
Krohnen: (Chuckles Lightly) Alright, alright, I kid! You're none of those things. You're strong and cute, fun, reliable to an extent and....just amazing all around entirely. (Starts Rubbing The Back of his Head Back and Forth While Blushing Again) I know I don't tell you this as much as I should, but....Deep down.....(Gives Angel his Sliced Cake With a Genuine Smile on his Face) I'm pretty damn lucky to fall for someone like you.
Angel: (Stares at the Cake For a Brief Second Before Looking Back at Krohnen) .......You know. (Put the Plate Down and Move Aside) I think I'll pass on the cake for now. I want something else in mind to snack on.
Krohnen: (Raises an Eyebrow in Confusion) Really? Like what exactly?
Angel: Well~ (Starts Twirling The Front of Her Hair Around) Let's just say there's this slightly tall size treat that's all grumpy and rude on the outside, but ooooh so sweet on the inside~
Krohnen: Sweet, huh?
Angel: (Forms a Seductive Smirk on her Face) Yep~ And he's very yummy too. (Gets Herself Up From her Seat and Slowly Walk her Way Towards Krohnen) Like, the yummiest, sweetest thing I ever have the pleasure of falling head over heels for. (Sits Down on Krohnen's Lap) And his name is the one and only....(Gently Places her Habds Onto Krohnen's Cheeks) Coo-Kie~
Krohnen: It's Krohnen genius.
Angel: (Rolls her Eyes) Krohnen, Cookie, doesn't matter! Momma Angel wants her Valentine kisses right now!~
Krohnen: ('Sigh') Fine. C'mere.
And with that, the rebellious couple skip the rest of their meals and begin to make out with one another. As every since goes by, the session itself has eventually gotten more passionate and sensual enough to the point of Angel unbuttoning the top of Krohnen's shirt collar and start kissing the side of his neck until he gently pulls her away.
Krohnen: Wait, hang on a second. This is a clean dining room. We can't dirty it up by doing it here.
Angel: Right. Right....(Smiles Brightly as Sge Jumps off of Krohnen's Lap) Let's go to Anty's room!~
Krohnen: (Stops Angel by Grabbing Hd of her Arm) Yeah, no. We're not gonna mess up your boss' room again after he went to all the trouble to put this date night together for us. Also, ixnay on the KID being here.
Krohnen walks Angel to the dining room's doorway and shows her Misha sitting next to Ramon and an already sleeping King of Dinosaurs in the living room watching Wrestling on TV.
Angel: ('Sigh') Así es. He's still as wide awake as a cute baby gecko. But what are we supposed to do then? The holiday's is far from over and i am still very much horny tonight!
Krohnen: Don't get your hair in a twist. I got an idea.
Meanwhile at the Living Room.......
Misha: So, you've managed to win a lot of trophies in your Wrestling days, Mr. Ramon?
Ramon: (Smiles Brightly) Eso's correcto, my tiny friend. Most were pretty tough bouts to venture through and endure, but my papa always told me the "the Road to Victory is never easy in the world of Lucha Libré". (Pulls Up his Eyepatch, Showing Off the Scar in his Eye) And I have this scar to represent this crucial lesson.
Misha: (Struck in Awe at What He's Looking At Right Now) Woooooah......
'Door Kicked Open'
Krohnen: (Walks into the Living Room While Carrying Angel in his Arms) Welp, The night's still young, so we're about to head out. Don't wait up-
Ramon: Now, hold your horse there, lovebirds. You can't without give us some details on your little date night of yours.
Misha: Yeah and where are you going in this time of hour?
Krohnen: Date was fun, the steak and cake were both pretty good, and we're heading out to .....do stuff. In private.
Angel: (Happily Waves Goodbye as Krohnen Carries her Outside) See you all in the late morninnnnnng!~
'Door Close'
Ramon: ('Sigh') Leave to Valentine's Day to get them in the mood again?
Misha: (Raises an Eyebrow in Confusion) Mood?
Ramon: It's a romantic type of thing. You'll understand when you get other.
'Door Open'
Antonov: (Walks into the Living Room Carrying Two More Plates of Slices of Cake) Whooooo wants seconds!?~ (Starts Looking Around the Room Before Asking.....) Where the lovebirds go?
@thelexhex
@tampire
@theweebmaster31
@ma-lemons
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badmovieihave · 11 months ago
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Bad movie I have Indiana Jones and the Dial of Destiny 2023
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akultalkies · 1 year ago
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Harrison Ford, Phoebe Waller Bridge, Mads Mikkelsen, Antonio Banderas, Boyd Holbrook, John Rhys Davies, Thomas Kretschmann, Toby Jones, Shaunette Renee Wilson, Mark Killeen, Ethann Isidore, Alaa Safi, Nasser Memarzia, Martin
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theambitiouswoman · 1 year ago
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Book Recommendations 📚📒
Business and Leadership:
"Good to Great" by Jim Collins
"The Lean Startup" by Eric Ries
"Zero to One" by Peter Thiel
"Leaders Eat Last" by Simon Sinek
"Outliers: The Story of Success" by Malcolm Gladwell
Success and Personal Development:
"The 7 Habits of Highly Effective People" by Stephen R. Covey
"Mindset: The New Psychology of Success" by Carol S. Dweck
"Atomic Habits" by James Clear
"Grit: The Power of Passion and Perseverance" by Angela Duckworth
"The Power of Habit" by Charles Duhigg
Mental Health and Well-being:
"The Power of Now" by Eckhart Tolle
"Feeling Good: The New Mood Therapy" by David D. Burns
"The Gifts of Imperfection" by Brené Brown
"The Anxiety and Phobia Workbook" by Edmund J. Bourne
"The Dialectical Behavior Therapy Skills Workbook" by Matthew McKay, Jeffrey C. Wood, and Jeffrey Brantley
Goal Setting and Achievement:
"Goals!: How to Get Everything You Want—Faster Than You Ever Thought Possible" by Brian Tracy
"The 12 Week Year" by Brian P. Moran and Michael Lennington
"Drive: The Surprising Truth About What Motivates Us" by Daniel H. Pink
"The One Thing" by Gary Keller and Jay Papasan
"Smarter Faster Better" by Charles Duhigg
Relationships and Communication:
"How to Win Friends and Influence People" by Dale Carnegie
"The 5 Love Languages" by Gary Chapman
"Crucial Conversations: Tools for Talking When Stakes Are High" by Al Switzler, Joseph Grenny, and Ron McMillan
"Nonviolent Communication: A Language of Life" by Marshall B. Rosenberg
"Men Are from Mars, Women Are from Venus" by John Gray
Self-Help and Personal Growth:
"The Subtle Art of Not Giving a F*ck" by Mark Manson
"Daring Greatly" by Brené Brown
"Awaken the Giant Within" by Tony Robbins
"The Miracle Morning" by Hal Elrod
"You Are a Badass" by Jen Sincero
Science and Popular Science:
"Sapiens: A Brief History of Humankind" by Yuval Noah Harari
"The Immortal Life of Henrietta Lacks" by Rebecca Skloot
"Cosmos" by Carl Sagan
"A Short History of Nearly Everything" by Bill Bryson
"The Selfish Gene" by Richard Dawkins
Health and Nutrition:
"The China Study" by T. Colin Campbell and Thomas M. Campbell II
"In Defense of Food" by Michael Pollan
"Why We Sleep" by Matthew Walker
"Born to Run" by Christopher McDougall
"The Omnivore's Dilemma" by Michael Pollan
Fiction and Literature:
"To Kill a Mockingbird" by Harper Lee
"1984" by George Orwell
"The Great Gatsby" by F. Scott Fitzgerald
"The Catcher in the Rye" by J.D. Salinger
"Pride and Prejudice" by Jane Austen
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nevertoomanyspiders · 6 days ago
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Scarecrow slightly styled after Walt McDougall, the artist for the newspaper comic that L. Frank Baum wrote, Queer Visitors from the Marvelous Land of Oz (1904-1905). the rest is of course leaning back to John R. Neill's depiction.
he's fun to draw floppin' around lol
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but yeah, he's silly
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hometoursandotherstuff · 2 months ago
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1882 Italian villa style home in Denison, TX. 5bds, 4ba, 6,782 sq ft, $1.7m. Built by master German carpenters and Bavarian woodcarvers, under the direction of renowned architect John McDougall, famed for his work on St. Patrick's Church and Xavier Academy. Of course, it's currently rented out as an Airbnb for $1400 per night.
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I didn't expect this, especially the cathedral-like art on the ceiling. Beautiful chandelier and woodwork, plus stained glass and leaded glass windows.
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In the huge dining room. These ceilings are crazy. Then, you've got a stone floor and a balcony.
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There's a sitting room off the balcony and you can close the sliding glass doors.
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The sitting room off the dining room looks like it has some church architectural salvage. The lighting is definitely from a church.
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Have you ever seen a more elegant kitchen and everyday dining area? I wonder if some of the windows came from a church.
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I bet that no one even uses the kitchen.
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How tranquil. A lovely office or possibly a library. I love the colors. Now, why would they stage this and rent it out as an Airbnb? All of the fireplaces are hand-carved. I would live here myself.
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So, instead of the owners using this as their own primary bedroom, they rent it out. I guess they have their own mansion. This is beautiful, though.
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Look at the en-suite. Very cool red tub.
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This room isn't that great, but at least it has a shower in the en-suite.
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This room would be for a family.
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Kitchen so you can cook for the family while you're on "vacation." Yeah, no. I think I'll pass.
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And, this is an apt. for a gang.
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There's a washer/dryer and ironing board.
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This suite gets this fancy bath.
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Plus a closet, if they're having an extended stay.
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And, this small room has a cute vintage bath.
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Nice porch to sit on.
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Pool and hot tub.
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There's also a pond.
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3.50 Acre lot
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longwuzhere · 1 year ago
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Here are some cool Easter eggs that I found the newest My Adventures with Superman episode, "My Interview with Superman" Links to my first two easter egg posts for episode 1 and 2 are here and here.
Link to my episode 4 easter egg post is here
Link to my episode 5 easter eggs post is here
Link to my episode 6 easter eggs post is here
Link to my episode 7 easter eggs post is here and here
Link to my episode 8 easter eggs post is here
Link to my episode 9 easter eggs post is here
Link to my episode 10 easter eggs post is here
My Easter eggs and references in My Adventures with Superman comic issue 1 post is here
My Easter eggs and references in My Adventures with Superman comic issue 2 post is here
My Easter eggs and references for My Adventures with Superman comic issue 3 post is here
SPOILERS if you have not seen the episode of course:
We start off the episode with an Amazo Tech blimp crashing into a building in Metropolis
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You don't see a lot of blimps in Metropolis. Gotham is usually the one with a lot of blimps flying around. If you saw the episode on Adult Swim when it premiered on air you'll know that the next episode involved Professor Anthony Ivo and Amazo Tech. Throughout the previous episodes and this one, the Amazo Tech brand is shown to set up next week's episode. After the scene we go to a break in at Stryker's Island (more on that location later) as we see one of the villains for the episode Mist...
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and one of his partners...
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Rough House who are trying to break out...
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Siobhan McDougal. If you know your Superman comics, you'll also know here as Silver Banshee.
Kyle/Mist is a VERY old DC supervillain from the 1940s who first appeared in Adventure Comics #47 (1941) as the arch villain to Starman. Mist's design in the comics is RADICALLY different from the show.
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MAwS modernized Mist's design compared to here in these comics panels (W: Alfred Bester, P&I: Jack Burnley, C: Raymond Perry, L: Betty Bentley). In the comic Mist's power allows him to turn his body into a gaseous form thus the name. MAwS uses Mist as someone who can turn himself and objects invisible (lowkey when Mist showed up I was like "is that Luminus from Superman the Animated Series?") Fun fact in the comic, we don't know what Mist's last name is. All we know is that his name is Kyle and in the show that is what Rough House calls him on accident but at least he has a last name, McDougal in MAwS.
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Rough House makes his first appearance in Adventures of Superman #544 (1997) (W: Karl Kesel, P: Stuart Immonen, I: José Marzán Jr., C: Glenn Whitmore & Digital Chameleon, L: Albert DeGuzman) where we see him rip open a door with his bear hands as a member of Intergang (more on them later).
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Siobhan McDougal aka Silver Banshee makes her first appearance here in Action Comics 595 (cover by John Byrne). In the comics Silver Banshee's powers are a lot different than how MAwS does it. Comics Silver Banshee has the Banshee Curse giving her powers like flight, super strength, a death stare, and of course her signature thing, the Death Wail, a sonic scream that can knock someone into a coma or it outright kills them. The version in the show gives Silver Banshee her signature sound manipulation powers through a mask...
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which kind of invokes her comic counterpart's skull face design.
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Mist and Rough House break into Stryker's Island to free Mist's sister Silver Banshee (in the comics Mist and Silver Banshee have no familial connection). Stryker's Island makes its first appearance in Superman #9 (1987) (W&P: John Byrne, I: Karl Kesel, C: Tom Ziuko, L: John Costanza) where Joker arrives in Metropolis to challenge Superman. Stryker's Island is supposed to be a stand in for Riker's Island in New York even though there is a Riker's Island in the DC Universe because Metropolis is often a reflection of New York City.
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The next Easter egg is the scene after where Lois name drops Waid's Cafe as a reference to...
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Mark Waid, one the best writers in the comic book industry. In terms of DC work, you might recognize his writing credit on Flash with artist, Brian Augustyn (we miss you Brian), Kingdom Come with painter, Alex Ross, and Superman Birthright with artist, Leinil Yu (highly recommend checking out all three titles). He's also currently writing for Batman/Superman: Worlds Finest with artist Dan Mora, which I also HIGHLY recommend reading. Fantastic writer, super nice person if you ever meet him at a convention.
Later, Jimmy is heard screaming "back you monsters" and we see some more of the Daily Planet staff...
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From left to right its Cat Grant (doing the anime high society lady laugh), who runs the celebrity and gossip side of the paper, Steve Lombard, who reports on sports, and Ronnie Troupe, the investigative journalist on the team. Their names were mentioned in the previous episode after taking Lois, Jimmy, and Clark's credit for the Superman piece.
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Cat Grant make her first appearance here in the Adventures of Superman #424 (1987) (W: Marv Wolfman, P: Jerry Ordway, I: Mike Machlan, C: Tom Ziuko, L: John Costanza) as a potential love interest to Clark to shake up the Clark-Lois-Superman dynamic. You might've seen her in the live action CW Supergirl show. Like in MAwS, in the comics Cat does the gossip columns writing for the Daily Planet.
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Steve Lombard makes his first appearance in Superman #264 (1973) (W: Cary Bates, P: Curt Swan, I: Murphy Anderson) as a foil to Clark Kent. Steve acts very brash and rude to contrast Clark's mild manner and friendly demeanor. Later iterations of Steve give him the mustache that becomes part of his signature design.
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In MAwS, Ronnie Troupe is a gender swap of Ron Troupe in the comics who makes his first appearance in the Adventures of Superman #480 (1991) (this page specifically, W: Jerry Ordway, P: Tom Grummett, I: Denis Rodier, C: Glenn Whitmore, L: Albert DeGuzman). Like his MAwS counterpart, Ron is an investigative journalist and very level headed. He was the first to break the story about Cyborg Superman meeting the then PoTUS, Bill Clinton.
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A news report on TV in the Daily Planet shows Bethany Snow of Channel 52 News reporting about the break out in Stryker's Island. The logo for Channel 52 News reminds me very much DC's 2005 logo.
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As for Bethany Snow and Channel 52 News, Bethany made her first appearance in the New Teen Titans #22 (1982) (W: Marv Wolfman, P: George Perez, I: Romeo Tanghal, C: Adrienne Roy, L: Ben Oda) as a news reporter and follower of the Brother Blood cult.
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Later iterations and retcons had Bethany Snow as just a reporter where she does the Channel 52 news in the back end of DC comic titles in 2013.
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Freddie E. Williams II is the artist for these as Channel 52 was way to let readers know what is happening in other DC titles that they might want to check out with other DC characters reporters accompanying Bethany as seen in the promotional art with Vartox, Ambush Bug, and Calendar Man. Obviously MAwS redesigned Bethany Snow but they at least kept her occupation.
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A quick one but we see Lois call Clark "Smallville" a nickname that has been used in various media involving Clark and Lois.
After news report on TV, we cut to Siobhan, Kyle, and Rough House in their hide out where they name drop their group name, Intergang.
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In the comics and other media, Intergang is a world wide crime syndicate who is supplied with powerful high tech weaponry from the evil New Gods of Apocalypse, if you know your DC universe, that is everyone is Darkseid's circle. Intergang first appeared in Superman's Pal, Jimmy Olsen #133 (1970) created by LEGENDARY artist Jack Kirby.
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Here in Forever People #1 (1971) (W&P: Jack Kirby, I: Vince Coletta, L: John Costanza), you can see they have direct contact with Darkseid. Originally led by Morgan Edge, later versions of Intergang had leadership change from Joe Danton to Max Danner. Post-crisis, Intergang is led by Bruno Mannheim (the Intergang boss that I am familiar with), his father Moxie Mannheim would later lead Intergang. Current continuity in DC has Bruno still be the leader of Intergang.
In the episode we learn that MAwS version of Intergang is very small time. Siobhan, Kyle, and Rough House rob convenience stores and make smash and grab runs. But maybe MAwS will move Intergang in the criminal syndicate direction in the future who knows.
After the Intergang scene we cut to Lois, Jimmy and Clark walking up to the front of Stryker's and Jimmy mentions something interesting about convincing the warden to spill on the government's... (read Jimmys quote in the screenshot to complete the sentence)
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The term meta-human has its roots in the DC Universe if you did not know! The term was first used here in Invasion #1 (1988) (W: Keith Giffen and Bill Mantlo, P: Todd McFarlane, I: P. Craig Russell, C: Carl Gafford, L: Gaspar Saladino)
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In the comic, the Dominators discover that certain humans have what is known as the meta-gene which grants them powers when under a lot of duress and so to test this they rounded up a group of humans and experimented on them with only 6 surviving who gained powers. The Dominators conclude that the human population must be eliminated or there will be a rise in meta-humans on Earth.
How does the government, according to Jimmy, connect to all this. is a possible nod to one of the plot points in Doomsday Clock where the idea that 90% of DC's meta-humans are from the US and they have been engineered by the government. This conspiracy, in the comic is known as the Superman Theory.
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This here is one part of the back matter you can read at the end of Doomsday Clock # 5 (2018) (W: Geoff Johns, P&I: Gary Frank, C: Brad Anderson, Back Matter Design: Amie Brockway-Metcalf). Later the trio, specifically Lois, steals the warden's ID badge and were able to access where Siobhan was kept. On the ID the warden's name is Agatha Zorbatos, who's first appearance in the comics was in Batman #23.4 (2013), as the warden of Blackgate Penitentiary in Gotham
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Obviously her design in the comic is drastically different from how she looks in the show. The one on your right is from Batman Eternal #4 (2014) (Story: Scott Snyder & James Tynion IV, Script: John Layman, Consulting Writers: Tim Seeley & Ray Fawkes, P: Dustin Nguyen (my favorite comic book artist of all time), I: Derek Fridolfs, C: John Kalisz, L: Rob Leigh).
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At the climax of the episode we see more of the alien crystal that Superman encountered last episode from the tech that MAwS Intergang used and it strangely looked familiar. I wouldn't be surprised if the animation team were fans of Neon Genesis Evangelion especially with the way the robots were designed in the first part of episode one and here how the crystal reshapes itself like the angel Ramiel. Also since I'm at my 30 image limit here and I can't post anymore, I also want to point out that the poster that Siobhan has in her cell was a cat with the words "Believe it" over its head I like to believe that is a Naruto reference because the dub has Naruto say "believe it" all the time. I guess I'm gonna be doing the Easter Eggs and references for each episode so expect this to be a weekly thing. I hope you all enjoy my doing this If you made it down here and want to see my first two easter eggs and reference posts for episodes one and two are here and here.
My post of episode three's easter eggs is here
My post of episode five's easter eggs is here
My post of episode six's easter eggs is here
My post of episode seven's easter eggs is here and here
My post of episode eight's easter eggs is here
My post of episode nine's easter eggs is here
My post of episode ten's easter eggs is here
My Easter eggs and references in My Adventures with Superman comic issue 1 post is here
My Easter eggs and references in My Adventures with Superman comic issue 2 post is here
My Easter eggs and references for My Adventures with Superman comic issue 3 post is here
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ciceroprofacto · 8 days ago
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Castling
Manhattan, February 1774 - Part 1
'Tonight's company' entailed what had to be half of the city's nobility. 
If New York had such a thing as aristocrats, this was them. Alexander recognized a handful of familiar faces from Elizabethtown as the Livingston's frequent visitors. He recognized another handful only as familiar names from the balancing sheets of Beekman and Creuger- who were also apparently in attendance.
Both hands full, he occupied himself with listening, observing, nodding along and politely shaking or kissing hands when offered.
Mulligan stayed by his side through countless introductions, gentlemen and ladies in their finest, dresses and embroidery and perfumes and powders. As a student and a tailor they were not these aristocrats' interest for the night, but they made pleasant conversation with them anyway while everyone waited for their meal to be served. All exceedingly polite, imminently important, somewhat familiar, and entirely forgettable.
Miles Cooper was indeed there, along with James Rivington and his wife Elizabeth, but so were Isaac Sears and his wife Sarah Drake, John Lamb and Catherine Jardine, George Clinton and Cornelia, Alexander McDougall and Hanna Botswick, Phillip Schuyler and Catherine van Rensselaer and his business prodigy William Duer, James Duane of the Manhattan Chancery Court with Mary Livingston, his friend James de Lancey, and Lancey’s rival Lewis Morris, Lewis’s brothers Staats, Richard, and Gouverneur who was the first familiar face Alexander had seen and the only person he knew well enough to linger near.
His smile was starting to ache, so he grabbed Mulligan’s wrist for a reprieve.
Mulligan looked at him and then up to Gouverneur who had been attending to Sarah and Sally while their fiancé and husband talked a few paces away. “I’ve been a negligent host to our young friend.” Mulligan confided to the young lawyer. “He’s without a drink,” he said, “Would you-”
“Of course! Come, Alex- we were just congratulating Sally on her recent triumph over the ton.”
Right…Alexander had heard about John Jay’s proposal just a month ago. He had very little direct contact with the Livingstons since he had decided to enroll at Kings- too Anglican for their association- but Kitty kept him involved. Barely eligible for a year and Sally was to be married to one of the brightest lawyers of their generation. He reached to take her hand. “A triumph indeed,” he said, gently brushing his lips to her lace glove.
“It is so good to see you, Alex,” she said, lowering her voice as if it was a confession.
He supposed it was. Calling him anything but ‘Mister Hamilton’ in their present company was closer to scandalous than his attention deserved and she knew it. But, her familiarity did make this stuck-up place feel more-comfortable.
Sally was a darling girl and a tender friend. Though he hadn’t been able to return the compliment, Alexander wasn’t oblivious to the favor she’d paid him while he boarded with her family. Innocent and aimless as it was. He’d felt her gaze at times, watching from the window while he recited latin speeches and poems to himself in the garden. He knew it had little to do with his private performances and far more to do with the vision of him generally- because he felt those same stares when he was simply sitting and reading. But, he would never pity a girl stationed so far above him for her feelings, and when he had disclosed his suspicions, hoping to warn her against them, she assured him that she wanted nothing more than fraternal love from him.
Which he was delighted to give.
Tonight, Sally was a vision in her bright green dress. It made her youth all the more stark, especially in their current company. It was no wonder that Kitty had been glad for Alex to be in New York, here to assist the scheming on her behalf as a brother should.
In the city, where men “could find all sorts of diversions to keep them from marriage until they’re rotting in their boots”, a preeminent bachelor of thirty was not a bad catch at all for a capable hunter like Sally.
Unfortunately, Livingston women were captives of their ton and the rules of courtship, dependent on fathers and brothers for introductions to suitors. Perhaps Alex had lacked the status to make such introductions, but he was a gallant defender. If not the Sword, at least the Shield, capable of subtly repelling the undesirables on her behalf. If the matter had been left up to Gouverneur alone, Kitty worried her sister might end up with a man four times her age.
Jay moved so slowly, there was a time that Alexander had feared she might. The older suitors were the hardest to deter.
Meanwhile, Gouverneur was so sure he’d orchestrated the grand match completely by himself, “All that I’ve seen of him at the practice, he’s kind and dedicated to the right. A true, honest man,” he was saying. “Which are so rare to find these days.”
“True. Women must make their own more often than not,” Sarah Drake Sears agreed. "Honest men that is."
“If only we were allowed to the bar-" Sally said, smiling tauntingly, "better yet, to sit at the bench. It would take a judge to make Gouverneur honest.”
Jay had stepped in closer at his fiancé’s side, near enough to hear her jab. “My ears were itching a moment ago, but now I’m not sure I want to hear why…” he said.
He'd brought Sears along with him to supervise their wives' ribbing. The gracefully-aging sea-captain-made-merchant wasn’t looking at Alexander, and yet still, being so close to the man that practically owned the city’s fealty, Alex's lungs felt tight.
To his credit, Morris had recovered quickly. “I was telling your darling Miss Livingston just how lucky she is to make your match, but now she's got me questioning the very concept of wives."
The glint in Jay's eyes cast a small warning towards Sally not to drive the knife too deep, but Sears was openly amused.
"A tricky one, I agree. Especially with one so quick-tongued and rudely beautiful." It should have been an insult, and from anyone else it might have, but Sally was pressing down a flustered smile against the King's harmless attentions. Sears turned to Morris to say, "Women age like wine. I would advise you to find a match that's been held in reserve a little longer, though there is something to be said for a crisp bite to the pallet."
"I do prefers sweets myself..." Gouverneur said. "But, if the freshest fruit wants to bite my pallet who am I to complain?"
"Incorrigible," Jay's eyes rolled. "I fear for your future wife."
“We all do," Alex heard his own voice tumbling out before he could stop it. "But, he's so far from marrying, I'm sure his future wife hasn’t even been born yet.”
No one laughed.
The joke sunk in slowly and they all just stared.
There was a line somewhere back there and Alexander would very much like to be back on the other side of it.
Gouverneur's lips had parted, uncharacteristically speechless.
Sally's brow had pinched in a mix of confusion and concern. Alex could see the moment his cruel meaning struck her because her face flushed.
Sarah Drake was shaking her head and her husband was struggling to press down a pinched smirk at Gouverneur's expense.
Jay was entirely unamused.
This wasn't Bill Livingston's parlor. If there was one thing that Alexander had learned from his days there, it was that humor was delicate in this echelon of society. Familiarity was fleeting and grace was a thin mask, easily shed. The Livingstons tolerated his rough-hewn edges because his wit could be good fun in private, but in front of their peers...
He didn't say another word. Turned and strode away as fast as his legs would carry him without running.
Mulligan was in his escape path, carefully holding two crystal wine glasses. His eyes widened, and he spun to fall into step beside him until they reached a secluded corner.
Then immediately, "What happened?"
"This is not my scene," Alex said, facing the wall. He pinched his temple, ran his thumb and finger sidelong over his eyes, then squeezed the bridge of his nose as if that might soothe the lingering urge to flee. "I can't play this part and I need to be recast. Immediately. Look- I thought I saw Marinus Willett here," a classmate that he had spotted, talking to the most unfortunately-shaped British officer that Alex had ever seen. "Give him my notes- he can talk to Sears. Make him your pen."
Mulligan's gaze was lost, confused and worried. "Did someone say something?"
"I did! I..." Alex shook his head. He sighed, took a breath, and reached for the wine glass perched in Mulligan's fingers then emptied it in one wide gulp. "I made an ass of myself. Unwittingly cruel to Gouverneur Morris. Deserved or not, it wasn't well done."
"I see..."
"This is not like drawing rooms and dinner talk," he said. "I could explain the Tea Party there. I can dominate the conversation if it pleases a room of friends, but this is something else altogether. These people are...you should have told me what to expect, I don't..." have anything to say.
For a long moment, Mulligan was quiet, just stared at him and then handed him the second glass and took away the first.
The alcohol helped, and it had to be the most flavorful wine Alexander had ever had. He looked at his glass.
The surprise must have shown on his face because, "Lamb's," Mulligan explained. "He provided the wine for tonight. Indisputable taste in vintage. That's why the import business has made him rich."
Alex finished the glass and handed it over.
He should slow down, shouldn't get drunk here, but Mulligan just gave him a sturdy smile. "Y'know, John Lamb's father was a thief- an indentured servant because of it, shipped with his wife to America for burglary just before John was born. Everyone knows it. He'll even talk about it if you ask."
Alex turned back to the parlor to search the crowd for the man in question. Tall, and broad yet he held himself gracefully as anyone else in the room, with round cheeks and a long smiling face. Another titan in human form.
"If this were England, there'd be no accounting for a man out of that background standing in this room, with these men, providing them with his wine. Any gentleman in this room could secure his wines and trade them- could do it easier with far more-ready access to any vintage they'd like to sample. Their tastes have been refined since they were children given their first sips of the grape. But, he's here, and do you know why?"
Alex was far too used to the tailor's roundabout ways of making his point to let himself be this intrigued by the journey.
"Because he can write." Mulligan reached down and fixed some invisible defect in the way Alexander's collar was laying. "His advertisements were poetry. His descriptions alone could make your mouth water more than a draft of the strongest rum. His words made him rich and his wealth made him powerful."
Turning to face the crowd as well, Mulligan put himself beside Alexander and pointed into another group of conversing gentlemen.
"Do you know who that is?"
He shouldn't. Recognizing faces in this room would imply that Alexander had been watching the streets for his social superiors. Gossiping. The whole point of being at King’s was to finish his education quickly and catch up with his peers. But, with a host like Hercules Mulligan, one couldn’t avoid certain stories and when one knew certain stories, one knew to look for certain faces. "Alexander McDougall."
"Mmn, indeed. The Wilkes of America.”
In this house, on the end of John Street, Alexander was standing in the shadow of Golden Hill. Here, just a few years ago, the Sons of Liberty had put up such a stand that certain names were embedded into the city's collective memory, Isaac Sears, John Lamb, Alexander McDougall. They had become symbols of bravery and resistance. More legends than men.
"To the Betrayed Inhabitants' was him," Mulligan said. "So, the force that pamphlet drew out, the energy and power that it stirred, that was his too. It's words, my boy. We all have them, but if you can get yourself the chance to use them wisely, they turn themselves into power."
Alex knew that well enough. Of course he knew- he'd had a taste of it already, just enough to get him into this party, but, "My words are the problem tonight," he said. "When they come from my hands, I can control them...my mouth is another story."
That earned a sympathetic laugh, "No, I suppose that's true. Oratory is quite a different beast from writing, and we both know where your talents lie. The voice is the rudest publisher- no retractions, no edits..."
"I can just write my piece for Cooper and submit a separate one to publish," Alex said.
"You can, and you certainly will, but not without a pseudonym unless you want to lose your course at Kings," Mulligan pointed out. "The point of bringing you here was precisely this. Showing these men the origin of your thoughts so that, when they make it to print- they have no doubts who wrote them."
"I can't speak those thoughts to them if I can't get into a conversation without putting my foot in my mouth."
"Which is why we are going back." Before Alex could protest, Mulligan had a hand on his shoulder, gently steering him back into the crowd towards where Morris and Sears were now talking. "Maybe you can't take back whatever you said, but...you can always amend it. Give it more fabric until it forms a desirable shape..."
Apologize or lie. That was all he was saying, but as they came back to Gouverneur, Sears and his wife, Alexander searched for Sally as they walked- the one person he truly should apologize to. But, she and Jay had moved on to a new circle.
Still. He knew what fabric to sew and how to let it lay, an admission, a concession, sacrifice, apologies and lies. He came to a stop in front of Gouverneur, and as soon as he had his attention, said- "I'm sorry I was rude to you and vulgar." Then he looked at Isaac and Sarah. "You are my host and I was offensive in your home against my own friend. I stepped away from it because I did not know what to say to make that right."
"It's alright, Alex-"
Before Gouverneur could stop him, Alex held up a hand to let him finish.
The young lawyer stepped back and folded his hands.
"It's not alright. I need to confess, the topic of marriage has vexed me since Sally debuted. You are aware of how her family welcomed me when I came from St Croix. Without intrinsic connections, I was their boarder, but more than that, when I had none of my own, they were my family. So, Mister Morris, you must understand, the duty that you were able to fulfill to Sally as a gentleman is one that I envy."
This was not a secret he ever expected to trade, but this performance was working. His small audience was hooked, waiting to be reeled in with the story and feeling. Sarah in particular was studying him with a certain consideration that had him convinced he was transparent to her. Yet still, she was watching.
So, he laid it on thick, "I have no sisters of my own, but I once did."
They were words Alexander hadn't spoken aloud in half a decade. Yet here he was, offering up this piece of himself for the good graces of powerful strangers. It felt worse than groveling.
"She would be a few years younger than Sally now, and I just think...if she were alive, she would be eligible next year. With me as her brother, so distant and untethered in this place, her prospects would be dismal. Girls are held so helpless in this world, and when Kitty asked you to look out for Sally...I resented being helpless too."
Gouverneur obviously didn't know what to say.
So, "I know this doesn't excuse my rudeness. I just thought, if you knew it was envy, you might more easily forgive-"
"Water under the bridge." Gouverneur pulled Alex under his arm and squeezed him by the shoulders tightly, dragging him into the fold.
Alex got a final glimpse of Mulligan's smirk as he slipped off to talk to Willett and the vulture-like officer he was engrossed with.
The conversation became a whirlwind from there.
Gouveneur and Issac were already speaking of politics. They were unrestrained in his company. With the rest of their guests at a safe distance to speak candidly, it took nearly no effort for Alex to learn why it had been so important to recruit a reporter who had seen the state of Boston Harbor.
The Sons of Liberty had been awaiting a similar shipment of tea from the East India Trading Company in New York Harbor for months. Their shipment had, unfortunately, been delayed in arrival, allowing the Bostonian Sons to act first and take center stage, but Sears and McDougall were feverishly planning their own performance.
With time to prepare their case before taking action, they were looking, not just for writers, but for agents on the ground, capable of spreading information through other means besides print and collecting information from corners of the city which would become increasingly inaccessible to them- Anglican corners.
Arguments would have counterarguments, and counterarguments needed prepared defenses.
The servants had finished setting the tables for dinner, and their hosts excused themselves to oversee their meal's arrangement before the procession into the dining room.
It was a show of grandeur, the lords and ladies marching in to their places at the feast. Music and talking and tasting exotic dishes. Knowing how much control the people at this table held over the rabble outside the doors, how much of their scheming was done in quiet conversations and casual dealings, Alexander tried to hear as much as possible while seeming as unassuming as he could. With Mulligan at his side, bragging about fitting the governor for a new suit, asking about a visiting theater troupe's upcoming playbill, joking about the latest cases at the chancellory court, it was easy to fit in.
As a student in one of the most Anglican universities in America, Alexander was understanding the role Mulligan saw for him, but his time in Sears' eyes had been so short, he felt keenly insecure about it.
Throughout the meal, he smiled and strained, not knowing for sure if his place here was an ephemeral illusion. If he would return to his small room above Mulligan's foyer, shed these fancy clothes, return to his books, and be forgotten to everyone he'd met tonight.
He knew he couldn't impress them when the dancing began. But, there was one sure way to know if he had made an impression on Sears...
After the last course was served, parties began rising from their tables and milling about, resuming previous conversations and drawing one another away from the dinning room to go visit the great hall where strings were beginning to play.
As her guests departed, the lady of the house lingered behind to continue directing the servants. Sarah Drake was a thin brunette with a round face and laughter lines framing her eyes.
Alex lingered long enough for her to notice him before he approached. He'd kissed her hand when he was first introduced, but he did it again now. “I was told I shouldn’t call your husband King tonight, but am I allowed to call you Queen?”
She laughed, a delicate, melodic sound, and leaned in to confide, “I'm sure you know there's little love for monarchs here, but if this were a game of chess, I rightfully would be one.”
Alex smiled because she was indulging him and it was delightful. “I agree. I assumed he had you making his most important moves. The wives so often are."
She gave a small laugh, dodging his eyes, but it was confirmed, if not outright. “There are advantages to your sex’s tendency to underestimate mine," she said. "The Queen can always travel further in directions where the King is limited."
"Quite true, and her placement commands the other pieces just as much as his," Alex agreed. Perhaps her husband would not tell him what role he could play, but, "She determines the strength of their defenses, and the best angles for attack. Since she moves in every way, and guards just by her proximity, when you have her protection, you're free to move at will. There is something to be said for a woman's leadership in war."
That finally earned her gaze, locked onto his. "That's a word that will set people on edge if you're not careful."
"I don't think I need to be careful with you...I feel quite protected."
She held his eyes steadily for another moment before breaking away to direct a slave that was carrying a bowl of pastries towards the kitchen to take it out to the great hall instead.
Alexander waited, clasped his hands behind his back.
She returned to him, leaning lower and dropping her voice. "There's an excellent little bakery on Cherry Street. I recommend you purchase their brioche tressée on Wednesday. If you find yourself with inquiries about it... Miss Lottie knows the recipe."
Alex nodded firmly, sealing the deal more resolutely than any handshake between businessmen.
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brokehorrorfan · 8 months ago
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Death Machine will be released on Blu-ray on May 21 via Kino Lorber. Celebrating its 30th anniversary, the 1994 cyberpunk horror film features new cover art by Jean-Baptiste Chuat & Ronan-Wolf Chuat with the original poster on the reverse side.
Stephen Norrington (Blade, The League of Extraordinary Gentlemen) makes his feature directorial debut from his own script. Brad Dourif, Ely Pouget, William Hootkins, John Sharian, Martin McDougall, Andreas Wisniewski, and Richard Brake star. A young Rachel Weisz appears in a small role.
The two-disc set includes three cuts of the film: the 100-minute U.S. version, the 122-minute international version, and a newly created 106-minute director's cut. Special features are listed below.
Disc 1:
US cut (100 minutes) newly mastered in 2K from an interpositive
Audio commentary by Horror-Fix.com's James G. Chandler and Ash Hamilton (new)
US theatrical trailer
Newly created director's cut (106 minutes)
Audio commentary by writer/director Stephen Norrington and film historian Michael Felsher (new)
Technical audio commentary by writer/director Stephen Norrington (new)
Audio conversation with writer/director Stephen Norrington and creature creator Alec Gillis (new)
Isolated score
7.1 Surround and Lossless 2.0 Audio
Disc 2:
International cut (122 minutes)
Interview with composer Crispin Merrell
Interview with editor Paul Endacott
Interview with costume designer Stephanie Collier
Interview with producer Ray Burdis
Interview with co-producer Stuart St Paul
Artwork & design gallery
Behind-the-scenes still gallery
German theatrical trailer
Japanese theatrical trailer
Japanese behind-the-scenes promo
The year is 2003. Chaank Industries, ruthless world leaders in future weapons technology, hires a new Chief Executive, Hayden Cale. Cale soon uncovers a secret and unethical weapons project the company is involved in. Her first order of business is to shut it down. Her troubles just begin as she also tries to fire the company technological mastermind, Jack Dante—a childlike psychotic with a dark genius for exotic weapons design. Dante retaliates by unleashing into the corporate headquarters the Death Machine—the ultimate killing unit. A weapon that tracks its target by sensing fear and has the power to rip through walls with its hard steel strength and razor teeth. Cale must wage a desperate bloody battle with the terrifying force that has no mercy, no pity and no fear.
Pre-order Death Machine.
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