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oonajaeadira · 6 months ago

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Leave Off Your Wandering pt. 4: Winter

Fandom: The Last of Us (TV)/ Joel Miller

Pairing: Joel Miller x f!reader

Reader: Adult female. Old enough to have been an adult on Outbreak Day. Wyoming born and bred. Sheep farmer, easy-going but confident and self-sufficient. Likes to sing, not a great cook. Childhood friend of Maria. No other physical descriptors; no use of y/n.

Rating: Mature.

Warnings: Mentions of sex but nothing explicit. Canon-typical violence, bodily harm, death, (blood, broken bones, knife wounds, shooting, blunt force) and PTSD.

Summary: Revenge comes calling and you work though it as a family.

A/N: Series set after season 1 and then diverges. Does not acknowledge the existence of further plot/seasons, although it does use some characters/elements from the second game.

I’m so sorry it’s taken this long to get to winter. This one was difficult for me to face writing for reasons that may be made clear. But it was very rewarding. <3

The air is thin and cold this morning, takes your breath and makes a show of it as you quickstep it down to the stables. The sun is just starting to make the frost sparkle and no doubt Goldie will be using up the rest of the firewood at the Roost today.

Good thing you have a Joel who’s ready to chop more.

Although he’s also a Joel that’s forgotten his tea, the “stuff with the things in it” that Willa gave him for the stiffness in his knees. With this cold he’s going to want it today on patrol and the last thing you think you can stand is the tug in your heart when he comes home complaining of the cold and the ache and you sitting warm and cozy with his thermos on the counter when you had the legs to trot it on out to him.

It’s a relief to round the corner and find the patrol party still at the stable gate, Tommy helping one of the teens with their rifle strap, and Joel waiting on horseback, weaving his gloved fingers together, packing them down at the valleys to get his hands all the way in.

He’d laid one of those hands on your cheek this morning. Gentle. First thing you saw when you opened your eyes. Like most mornings now. His thumb rounding the rim of your cheek so he could lean in and take a good long drink of a kiss.

He likes it that way…soft, slow. Likes to pull you in as close as he can, twist his forehead into your temple when he hits his peak, jaw clenched in agonized pleasure, kisses along your jawline when you find yours, his eyes half-lidded and watching you in a hazy awe. He’s quiet but thorough, completely present like he can’t believe he’s got this little slice of warmth, sighs a hushed curse in your ear and calls you sweetheart in the same breath, and then sleeps like a baby the whole night through.

He doesn’t like to talk about the past much, but listening’s your specialty and it comes out in bits and pieces, stuck between the little he does say. You come to understand that he very rarely got to be very close with anyone while Sarah was growing up. There were the years when everything was a nightmare. Then there was Tess and she brought him out of that, thank goodness. But it took time. And there was also denial and survival and means to their ends. There might indeed have been strong love there. But you have the feeling he’s not had this–or anything like it–for a long, long time.

So if he wants it soft and slow, then who are you to deny him?

Maybe it shouldn’t be so surprising that it was him who pulled you in a little closer.

“What if you didn’t move in with Tommy and Maria this winter?” He’d lingered the morning after Christmas, leaning one shoulder against the frame of your bedroom door, savoring the show of you getting dressed for the day.

“And waste the fuel? Why? So we can cuddle up now and then without your brother down the hall? You keep me plenty warm, Joel Miller, but I’m not going to heat this whole house just for me and your more-than-casual visits. Everyone’s got a responsibility here to conserve in the winter. This is how I do my part. And besides,” you purred as he stepped in to button up your flannel for you, freeing up your fingers so they could run through his curls, “I know where you live and your bed’s good as mine.”

“You seem to like it there well enough.”

“I do.” His beard was growing in all but a patch on his jaw that was now your right to kiss.

“Well I was thinkin’ we just make it ours for the winter.”

His hands had circled your hips and his words had stopped your heart, but there was little for to say with his lips pressed against yours.

So mornings often started as they did today, waking to find Joel beside you, roused because you can feel him watching you with that little half smile that reveals the crack in his weary heart where the light shines through. Who needs spring to come with sunshine like that to turn to? Now there are family breakfasts with Ellie and cozy days knitting in the company of Maria and Riley and then warm nights with Joel on one of those pillowtopped mattresses that were all the rage before the outbreak…the ones that are great when you have a stiff back, but even better because the springs don’t squeak…

“Aw dammit,” Joel says when he sees you nearing the stables with the thermos, “Knew I forgot something.”

“Two somethings,” you say pointing to his bare head and passing your hat up to him in the saddle. “Your ears are already bright red. Here. Take my hat.”

“This’s Ellie’s.”

“Huh. Guess I just grabbed one on my way out. Oops. Be a man. Wear a pompom.”

He pulls it down over his ears and smiles. “Matches my scarf.”

You’d had a small batch of deep red wool you’d managed to squeak a hat and scarf out of and gifting the hat to Ellie around Christmas, but the scarf went to Joel. He may not want anyone to think of him as sentimental, but it was worth your while to make it easy on him by giving him something that was also practical. Even if he had his jacket zipped up all the way, it was always there, tucked around his neck; he may leave his ears to the elements but he never went anywhere without that scarf.

The line of horses start making their way toward the Jackson gates and you squeeze Joel’s shin before stepping out of the way, letting him and his horse follow the group. He simply lets a gloved finger glance your cheek as he passes by.

All the way out here on this side of the apocalypse and humans still have a million variations on saying “I love having you around and I’d like to keep it that way.”

________

“Ellie’s more than welcome around here if you and Joel don’t want to leave her home alone.”

Maria’s lightly bouncing a wet-faced and blubbering Riley on her lap, trying to tempt him with a frozen carrot for his teething. He has tommy’s curls and they sproing with every boing.

“Nah, she wants to come out. We’ll be dividing the ewes and driving part of the flock into the old town for the rest of the overwinter and she wants to see how it's done. Should see it, if she thinks she’ll be entering the rotation at any point. Speaking of,” you grunt, leaning down to gather your knitting basket and gather your things, “I promised I’d meet her after school. She’s gotten into collecting cassette tapes and the commissary says she’s hit her quota on goods this week. Gonna give up a couple credits so she can discover the wonders of Joan Jett and the Beastie Boys.”

“That’s throwing gas on the fire. She pick those out herself?”

“Nope. My points, my choice. And I say that girl needs to fight for her right to party and put another dime in the jukebox, baby.”

Maria rolls her eyes, chuckles, goes light on the sarcasm. “You’re the coolest auntie.”

“Don’t I know it,” you laugh, tying up your boots.

“Joel’s gonna just love that.”

Leaning in to bop a quick kiss to Riley’s head, you give Maria a crazed grin. “So much.”

Ten minutes later, Ellie has her doubts, holding up a cassette at the commissary. “But there’s a dinosaur on this one! How can it not be great?”

“Listen, missy. I’m not saying Dinosaur Jr. doesn’t have a place in music history, but I’m telling you that you’re likely to be disappointed. Trust me. Just this once.”

Ellie makes a face but you glance past it, distracted by what you see through the window behind her. Following your focus, she turns to look too. “Who’re they?”

All of the patrol horses coming back in have two people on them–a member of the party, and a stranger. And all the strangers can’t be more than teenagers.

“Dunno, but it looks like you’re about to get some new classmates. I’ll sign these out. You go ahead and make a good first impression.”

“You’re just sending me out there because you know if they’re infected, I can’t catch it.”

“If they were infected, they wouldn’t be on those horses or inside those gates. I’m sending you out there because you have a way of reading people. Go.”

Something in that puts a gasp in her throat and a sparkle in her eye and her ponytail whips behind her as she goes, striving to live up to the compliment.

But really, you just want half a minute to take a good look at the kids without Ellie asking questions. They’re all scrawny and filthy. Backpacks. Been traveling and living rough for a while now. Where’d they come from? What’s their story? Not an adult among them. How have they survived? You’d swear something feels off, but that’s the world now. Can’t be too careful. Everything seems off all the time.

Question is, off by how much?

You find Joel in the group; he’s the only one riding with a kid in front of him rather than hanging on behind. And once he gets down off the horse and reaches up to help his passenger down, you can see why.

She’s pregnant.

Shit. She’s what, fifteen? Sixteen?

Shit.

“There’s a house up near mine has good plumbing turned on.” Tommy’s speaking over his shoulder to the small group and leading his horse to the stable door as you come out of the commissary. “We’ll get you all washed up and fed. There’s at least two beds there and some other furniture fit to sleep on if it makes you comfortable to stay together. Give me a minute to put Lady away here and we’ll walk on up together. Joel? A word?”

Handing off the pregnant girl’s backpack to her, Joel takes the reins of his horse and follows his brother inside, leaving the newcomers to look around them and take in the town.

All but one. A girl with hair that’s neither light brown or dark blonde, somewhere in between. Your mother would have called it dirty dishwater blonde and you always thought that was rude. But your mother also would have said the girl had a hatchet of a face with a strong jaw like that. And it’s that girl whose head whips around the second she heard Joel’s name, quickly scanning the patrol to ascertain who belonged to it, and stands watching the stable door in thought long after the Miller brothers were gone.

Was Joel her father’s name? Her brother’s? Is it hers or close to hers? Is she a Jo or Joelle?

“Abby. Hey,” a boy calls and she turns. “Mel should get a bed and we can share. Manny and Nora can share too…if you’re okay with taking a couch.”

“Fine,” Abby says. Her eyes and mouth all unmoving lines.

“Hey. Welcome to Jackson. I’m Ellie.” Your starling jams her hands in her pockets as all the new eyes turn her way. “It looks like you’ve been wandering. Where you coming from?”

The boy who spoke before blinks and opens his mouth to say something, hesitates. You’d take him for the leader up until the moment Abby speaks for him.

“West of here. QZ. Seattle.”

“Oh. Cool,” says Ellie with a bounce to her nod. Easy. Instantly welcoming. “I came out of Boston.”

Seattle QZ. The same one your dead husband and his sister came from. Not a good place. Warring factions and nothing but oppression and disease, last you heard. Good that they got out. They’re gonna need to be de-loused.

But Seattle’s also much harder than most zones to break free of. You’ve been told the Western Liberation Front makes FEDRA look like a bucket of clowns.

“Seattle?” Now it’s your turn to pull focus from the group. “We’ve had refugees from there before. You really get out of there in one group like this? With no grown ups?”

Abby rips her eyes away from Ellie. “It’s a long story,” she says, shutting the questioning down.

There’s a moment that hangs between you and that stinks faintly of threat, but is mostly just the smell of feral kids. Tension breaks as the men emerge from the stable.

“We all ready?” Tommy says, making his way down the road and waving a hand for them to follow. “New home’s this way.”

Ellie starts to fall in with the group and you pull her back in close, speak low. “Go with them if you want, but keep your distance.”

“What? Why?”

“These are your first refugees. You’ll learn that they sometimes bring things with ‘em.”

Her face screws into a question mark. “What things?”

“Fleas. Lice. Viruses. Just give ‘em some space for a while.”

After the quickest flash of disgust, Ellie’s tried and true compassion kicks in and she gives an understanding nod as she turns to go, tape cassettes clattering in her jacket pocket.

You keep watching her even as you speak to the owner of the hand snaking around your waist. “Where’d you find them?”

“Up at the old crossing. They were under attack.”

“Jesus.”

“Nope. Infected.”

“Been a while since we’ve seen any of those stumble through here.”

“Infected? Or the kids.”

Turning to him in exasperation you look him over. “Both. And the same goes for you as for Ellie, Foxy. Let’s take you home and wash that scarf and hat. Run a fine-toothed comb through that hair just to make sure.”

“I’m sure it’s fine,” he says, stopping when he catches your zero-temperature glare. If it’s something else you love about Joel, he recognizes when something’s important to you and answers a lady with composure and respect. “Yes, ma’am.”

____

“You couldn’t have found her some Cash or Fleetwood Mac or something?”Joel grumbles into the fireplace as he places another log on the coal bed and moves the poker around like he’s doing something.

Ellie sits on a blanket near the fire, reading a comic book, headphones on, Joan Jett’s grinding guitar bleeding out into the otherwise quiet living room. With his face turned to the fire and Ellie facing away from you, she most likely can’t hear the conversation that’s happening around her if you keep your voices low.

“You’re just jealous that she asked me to pick something out instead of you,” you smile on the couch, picking up your feet and swinging them into his lap as he sits down beside you. “80’s rock is good for her spiky little soul.”

“80’s means trouble,” he counters, considering her as his hands absently squeeze and rub at your feet.

You go back to your book. Seemingly anyway. It’s easy to steal observing glances from where you are. The thoughtful concern he has for Ellie. You can see him looking over the wood in the hopper and calculating how many days of fuel he has before you all head out to the Roost. A twist of a lip tells you he’s realized he might be a day short and needs to chop more. His gaze drops to his lap as he lightly massages your feet–just running his hands along their contours, pressing a thumb in here and there to tenderize a muscle. The firelight loves him, plays at the edges of his curls, slides down his nose, kisses the purse of his lips.

You jump as he slides a tickling fingertip up the sole of one foot. “Hey!”

“What you get for staring.”

“I wasn’t staring at you, I was reading.”

“Must be pretty small print you don’t turn a page for five minutes.”

Taking off your readers and closing the book, you sit up and deposit them on the coffee table. From here it’s easy to scoot up to him and lean an elbow on the couch back. “What’s got you so thinky tonight, hmm? You look like you’ve got your worry pants on.” There’s a curl right behind his ear that’s so easy to twirl in your fingers and you indulge. You’ve found a little touch helps him open up.

“I can’t help thinking about those kids, thinkin’ they could just wander out in the world like that. If it weren’t for us hearing the runners….” He goes quiet a minute and you let him, his gaze haunting Ellie’s direction but living somewhere in the past. “They gotta be somebody’s kids. I can’t believe Seattle’s so bad they just let ‘em run wild…let ‘em run away from the best you got for ‘em.”

A faint guitar blares from Ellie’s headphones as she flips a page, purses her lips, absently nods along.

“Yeah, well teenagers rebel, Foxy. That’s what they do.”

“No,” he says, softly, resolutely, a tick of his jaw. “Not all of ‘em. Not if they’re loved. And fiercely. And I don’t know a love that isn’t fierce.”

It’s the look on his face that makes you believe him.

Love isn’t a word that Joel bandies about. It’s easy to see it work in him. The way he tells Ellie no when she wants to do something reckless but promises her something just as exciting, going to any length to make her smile. The way he holds Riley’s head in the crook of his arm, his other hand reflexively coming out in defense if anyone gets too near the baby’s soft spot. The way he shoves his brother with a laugh when Tommy picks on him or how he helps Maria to her feet when she’s been on the floor too long, even if she says she doesn’t need it.

The way he… with you he…

His hands work at your feet again. He understands the minute levels of his strength, knows how firm to go without bringing pain.

With you, it’s the way he rolls over and shows you his soft places, invites you in to be a part of it.

Not really what you’d call fierce. Does that mean he doesn’t–

“Is a cherry bomb like a little bomb or a big bomb?” Ellie asks, an earpad pulled away from her ear and spilling Cherie Currie’s stuttered chorus.

“It’s a little one. A firework. But it packs a big punch. It’ll take your fingers off. Hello, world, I’m your wild girl, I’m your ch-ch-ch-ch-ch-ch-ch-ch cherry bomb,” you sing, pushing your foot against Joel’s thigh with every beat.

“Alright, that’s it,” he says, wrapping a big hand around your ankle to secure it. “Ellie, run on up and get my guitar. Lemme teach you a better song.”

In the minute it takes for her to come back, Joel foregoes softness for force, tickling relentlessly, almost ending up with a foot in his face with how much you squirm.

___

Church isn’t really your thing, never was. You have your own way of listening to the beauty of the earth that doesn’t mean sacrificing a morning sleeping in to listen to lessons you’ve already learned and hold true.

But today you’ve come to the after-brunch curious to welcome the new residents and managed to show up a little early. So you’re standing in the back of the mess hall with Maria and Riley, waiting for the final hymn to end, for the preacher to call an end to the service and a beginning to the meal.

Maria leans in and murmurs in your ear as the final chorus comes. “Tommy and the crew are working on one of those bigger houses with the vaulted ceilings in the new district so the church can have its own building.”

“They’re not gonna like having to walk over there.”

She shrugs, adjusts Riley’s teething toy and bounces him up a notch. “Might cause some of them to move over there. Thin out the density. Easier on the power grid. We do have five new residents.”

You watch as one of the new boys–Owen–helps the pregnant Mel to her feet. “Soon to be six.”

Once the kitchen starts serving, Owen and Mel find their way over to your table, eager to meet Riley and ask Maria all kinds of questions about childbirth and your friend finds herself in a mentoring role she didn’t ask for. She’s not opposed to being helpful, just lets her judgment slide through on the whole babies having babies thing which completely flies over the kids’ heads.

They’re good enough kids, but something tastes a little sour when Owen tries to include you in the conversation.

“What about you? You and…is his name Joel? You gonna have any kids?”

It’s a rude question. He’s earned your side eye and he knows it, but smiles through it, playing innocent.

“Already got one. One’s enough,” you laugh, sly, chewing through some boiled oats and letting him know you’re gonna let that one slide.

“Oh, yeah, right. Ellie, right?” he asks, with a flick of his eyes to a table behind you. Turning, you find Abby at a table with some other residents and when you turn back it’s with a dry expression that tells him he’s worn out his turns at beating the bush and should be out with it.

“We just were wondering if she’d show us around,” Mel explains. “She’s the only one of the children here who will talk to us.”

You snort. “Don’t let Ellie hear you call her a child. She’s short for her age, but she’s not much younger than you. She likes people, but that won’t win you any points.”

“And don’t worry about the other kids,” Maria takes over, shooting you a look. “They’ll come around. A lot of them were born here and they don’t see a ton of new people.”

“Are they not coming to the brunch today?” Owen asks.

“Who?”

“Ellie and Joel.”

Shaking your head, you swallow your latest bite. “Joel and Tommy are off getting some work done in the new sector and Ellie would bite my face off if I woke her up before high noon on a weekend. But she knows where you’re staying. I’ll send her around to you once she’s up and acting like a whole human.”

You’re about to change the subject and ask them a few questions of your own but Riley starts fussing and Mel asks to hold him and the whole baby talk starts up again.

When you look over your shoulder, Abby is gone from the table. Left her dish for someone else to clean up.

There’s a thought creeps in that maybe Ellie can teach them all some manners. And then you remember the mouth on your starling and smile.

____

“And Owen showed me some of his drawings and they’re so amazing. He’s like a fucking Picasso or something. He says he’ll give me lessons if I can get Mr. Scowlface here to take him out hunting. Says he misses hunting deer with his dad. And Abby wants to go too. I told her how you taught me to use a shotgun and she seemed really interested to learn. She might want to join the patrols some day. But I told them not this week since we’re going out to the Meadow and they all had questions about that. Abby especially–”

Ellie has a remarkable talent for chewing and talking at the same time. She catches a piece of apple that escapes her mouth, slurping it off the back of her hand where it landed, then downs the rest of the milk and wipes her mouth with the cuff of her sweater, leaving you to negate your silent praise of her manners from earlier in the week and giving you a break in the chatter to speak.

“Well, you’re a little young to be recruiting your own Roostlings, but if Abby or any of the others want to come out sometime and see what the fuss is about, they’re welcome. I’d rather them wait until spring though, or at least until we get the whole of the flock back from the deep winter holding grounds. Chickadee’s taking up the caboose on that.”

As you push the carafe of chicory coffee toward Joel and clear the breakfast plates, Ellie snatches the last hunk of bread you left on yours, shaking her head. “Abby’s afraid of heights. Didn’t even have time to tell her about the Roost being up on stilts. What’s a caboose?”

Joel scoffs. “Last car on a train.” He takes a long, loud drag of his coffee, pouring on the annoyance to get a glare out of the girl and succeeds. “Well, if she don’t like heights, she’s not going to enjoy learning patrol duty either, not with the watchtowers and the mountain trails. And don’t go promising services you can’t guarantee. I’m not a scout leader.”

“What’s a scout leader?”

“Someone with a lot more patience than me. Get.”

Taking up her backpack, Ellie makes her way to the front vestibule to pull on her gear.

“Don’t forget your hat and scarf!” You call to her, but smile at Joel as you perch your butt against the table and tuck a little curl behind his ear. He’ll ask you to cut it soon. And you’ll put it off for as long as possible.Tickles, he'll say. I know, you'll say.

“Thanks, Gramma Betty!” she calls back and pulls the door shut behind her as Joel lays a warm hand on your outer thigh.

“What’er you getting up to today?” he asks.

You shrug. “I’m in carding mode. Got a whole bag of washed fleece needs combing. I’d ask you what you’re up to, but I assume you and Tommy are gonna be tearing down some poor old house.”

There’s a moment where he squints, thiinking. His thumb tracing the outer seam of your jeans.

“I want you to come with me. Got something to show you.”

“Really. Well I like the sound of that. I could use a little walk in the bitter cold with a mystery at the end of it. Gonna have to go pull on a heavier sweater though. Might need to take this one off first. You wanna come watch?”

There’s a knock at the front. Tommy. The door opening.

Joel only grins fondly and pats your thigh, sending you off, before pushing the chair back from the table and separating himself from his coffee mug. “I’ll catch the later show. ‘Specially if it calls for audience participation.”

Five minutes later, bundled and booted, the three of you head out toward the new section, Joel with his scarf tucked in tight and hat pulled down low, and Tommy with a set forced upon him because you’re quickly becoming the winter clothing police around here.

It’s not a long walk. Jackson was never more than a few miles wide and this is just the first expansion of the wall. You’ve wandered over during the construction crew’s activities enough to know the way without being led, but what you’re expecting is for Joel to lead you away from the furthest street, away from the beautiful A-frame house so neatly repaired along with its pretty neighbors and up the street with Tommy to the next clutch of houses they’ve been working on.

But instead, Joel tells his brother he’ll be along in a minute, and Tommy smiles knowingly as he continues on, leaving the two of you in the walkway up to the pretty A-frame that’s so much like the Roost’s bigger sister.

“You know what today is?” Joel asks, hands in pockets, squinting up at the peaked roof.

“Friday?”

“Probably,” he says, shifting focus to his boots. “I was thinking more holiday-wise.”

The air’s particularly crisp today, hitches in your lungs as you take each mental step and catch up with him.

February 14. Valentine’s.

As your mouth drops open, he jerks his chin at the house. “You like this one, right?”

“What…what are you….Joel?”

There’s a cringe that belies his confidence, maybe a tinge of regret. “I just figured we were gettin’ along so well, that maybe you’d… It was just an idea–”

He can’t even look you in the eye until you yank his hand awkwardly out of his pocket and wrap your gloved hand around his. He seems almost shocked to see your tears welling up–true, half from the cold–but he’s also relieved. Big breath in, big breath out. That must have been the hard part.

Words aren’t Joel’s way. This is how he tells you just how deep his feelings go. You know he’s had time to imagine with every window replaced, every floorboard leveled out, every load bearing wall reinforced, just which family was going to get to live in this house and what kind of life they might make in it.

What kind of life you might make together here.

So you take his lead and say only what’s necessary, as steadily as you’re able.

“Take me inside.”

His sheepish grin confirms that it was exactly what he’d hoped to hear.

The interior’s simple, but gorgeous. The dark wood gleams, and the whole back wall of the A frame is windowed. The triangle at the top replaced with a leaded stained glass in a sunrise of orange and rose that reflects the undertones in the timber inside and the pines out the window, the mosaic just high enough to catch the last rays that will come in over the mountains at the end of the day and turn the whole place into a dream. The open floorplan has the kitchen near the door, but over by the windows….

Joel gives the tour. The hand-laid stones in the fireplace. The built-in shelves for your books. This is the corner where your favorite chair can go, nearest the fire and where there’s good light for spinning. This rug was here, still good. He points out to the little shed in the back–a place for wool dying, he can hang pegs in there however you need them.

If he weren’t so occupied in explaining the wood he chose to finish the countertop, the way he followed the original dovetailing in the doorframe, the pattern he made with the reclaimed wood in the floorboards, he may have seen you admiring the most important part of the house…or, rather, the most important person in it.

There’s more. Two bedrooms, one off each side of the main part of the house, each with its own bathroom, the larger one with its own porch overlooking a little creek.

“The basement’s not quite done, but I figure I’ll just use that for my own. Felt you might not like the…vibe…”

Ah yes. The former owners. He took care of that too.

He took care of everything.

“I love it, Joel.”

“Yeah?”

“If there was a stronger word, it would be yours, believe me.”

He only wraps his arms around you as you dive in to squeeze him.

“Good,” is all he says. Breathes in the scent of your hair. “That’s good.”

________

The ewes hate the leader ropes, but they follow, bleating now and then as you slowly guide them through the woods toward the Meadow’s north entrance. Joel’s got two behind his and Ellie’s horse, and you’ve got four behind yours, a small party, but the only ones that were ready to come on back out after the coldest weeks.

Goldie’s happy to lead them out to the rest of the flock while you and Joel go up and get situated, get warm, get ready for the week ahead. Ellie follows Goldie and Joel hangs his watch by the door. All’s quiet in the Roost.

Until Joel’s tongue clicks. “That beam is bowing,” he points up to one of the main rafter struts on the far side of the room. “Wood stove keeps this side warm and the snow melts off, but there’s no balcony on the other side. No way to rake the snow off the roof. Tommy should have known better.”

“Well it’s not like he’s had a lot of practice with big boy tree forts, I’m guessing,” you say, dumping a sack of potatoes near the cook pile and throwing the stack of fresh sheets onto the bed. “Does it need to come down?”

“Don’t think so. But come spring we’ll add on another balcony and do some reinforcement.”

As he runs his hand up the wall seam, you come up behind him, hugging him from the back with the sole purpose of distracting him, your way of letting him know he’s obsessing like an old man. It gives you the right angle to grab onto his open jacket and start pulling it off him. “Take this off and stay awhile.”

“Yes ma’am.”

Goldie takes her leave on your horse, guiding Joel and Ellie’s behind, glad to be going back to more warm water than she can heat on a stovetop, and Ellie helps to cart a few buckets of the colder variety up from the stream so you can all just stay in for the night.

Then it’s stew and cards, and Ellie kicking Joel’s ass at Scrabble, all of you bundled in wool sweaters and slippers handmade by you and Chickadee, the firelight glinting off the game tiles, highlighting the glee in the girl’s eyes, the resigned agony in Joel’s smile.

Almost a whole year now she’s been coming out here with you, and it’s wondrous how much she’s grown inside and out. You never felt lonely at the Roost, in fact, you had always very much enjoyed the solitude. Now you don’t think you could abide it. It’s only a home for a week at a time, but only when they come out here with you now.

It’s a nice night. Stars are out. Ellie’s still staring out at them as you and Joel fall asleep in the big bed.

_____

It’s the scent of woodsmoke that wakes you in the middle of the night, sitting you up straight in bed. Or so you think, except that the embers in the stove are low, so it can’t be that.

No. It’s a voice outside.

“Burn in hell, Joel Miller!”

Is that…Ellie? What’s she doing outside? No. Not Ellie. No it’s–

“Abby?” Ellie says blearily from the bunk above you.

There’s someone in the room moving swiftly toward you from the windows, hulking, with a rifle–

Joel.

“Get up. Both of you. Get out. The place is on fire.”

It doesn’t register.

“What? What fire? Joel? What’s happening–”

He shakes your shoulder, pulling you from the bed. “Get Ellie out. Now!”

There’s no other thought, just fumbling in the dark as Ellie jumps down beside you and dives for her jacket, shoving her feet into her boots without doing up the laces while you reach out one hand to catch hers for when it comes to you. The other gropes the near table for the walkie and thumbs the button.

“Meadowlark to patrol. Meadowlark to Goldfinch. We’re in trouble, there’s a fire and–”

The whole cabin sways. A gunshot from the balcony. Joel growling over his shoulder. “Get out! Now!”

“Joel–!”

“NOW!”

The ladder is still sliding down into place when you jump on it and ride it part of the way down, still waking up as Ellie’s boots come fast, almost kicking you in the face as she follows you down the rungs two at a time, moving through a plume of choking blackness only to come out below it to a roaring bonfire that’s eating through the Roost’s supports.

Oh god. The Roost…

is burning….

“JOELLLLLL!” you scream up as your stocking feet hit the ground hard, as you catch Ellie and pull her off the ladder and stumble backward, as something hits your head hard and causes you to let go, as separate sets of arms grab each of yours and drag you roughly backward, fast enough to keep your feet from catching up until you’re on your knees.

There’s a crackle in the air– “Patrol to Meadowlark. What’s the trouble?”

The walkie lies somewhere in the pine needles just out of reach and you’re screaming at it for help but all that comes out of your mouth is a string of names and no’s and helps. You’re able to yank your non-dominant arm free, pitching forward, clawing for the radio, until a flash of hard silver–a meteorite, exquisitely dense and smooth, malignant, swift, direct–cracks down on your forearm with a sickening thud, shattering the bone.

The world slides out of focus through a screen of sudden pain.

At first, you assume you’ve been shot in the arm. But then a figure steps around to your line of sight. Abby. With a golf club? What? Why? Where did she get that? The commissary? Why the fuck would they stock golf clubs? What the fuck is going on?

And you watch as Abby picks up the walkie. Tosses it into the fire.

The hands are back upon you now, forcing you back to your knees, and a third set joins them, wrapping around your forehead and chin, pulling you back against a belly and you struggle.

Where’s Ellie.

You’re able to twist your head to one side despite being held. She’s there on the ground, face down, groaning, with Owen’s knee in her back.

“Ellie? Honey?”

One pair of hands holding you twists you hard, meaning to pull you further away from her without compliance from the other hands or consent from your muscle structure and there’s a sickening pop as your shoulder leaves its socket and then your scream drowns out everything even the roar of the fire.

“She keeps it in her pocket,” Abby says. Rooting into Ellie’s pocket, Owen finds the knife and pulls it out–the one she cherishes, imbued with the legend of her mother, given to her on the same day as her name, her life, and her orphanhood.

The day Ellie told you the story, you’d taken steel wool to the knife and cleaned it. Oiled the hinge. Shined it up good and pretty.

It flips open easily in Owen’s paw. It twirls swiftly around, and points downward, his fingers closing over the hilt, thumb curling over the butt of the handle to give it more leverage when he’s ready to bring it down.

The night is horribly black and lit along the edges in orange fire.

There’s a loud crack. Owen’s thigh explodes in a splatter of blood and he falls backward off Ellie, screaming. The hands around your head let go and Mel runs to him.

Joel stalks out of the plume of black smoke, cocking the rifle, pointing only long enough at Owen to confirm he’s down and then swinging the barrel around to Abby.

A stand off. No sound or movement but the whoosh of flames and a few ground-muffled cries from Owen, a few sniffles and shushes from Mel.

“Who the fuck are you,” Joel growls out over the steel barrel, his cheek quivering in barely hinged anger.

Abby stands, solid, unyielding, straight as the blonde braid hanging down her back, club wound up tight, ready for the pitch, a face full of lines and soot and destruction.

“The last survivors of the Firefly massacre. You didn’t think to check the rest of the compound? Like the whole team was just one-offs? Like none of them had family, you sick fuck? You fucking orphaned us. Left us to fend for ourselves. Go ahead and shoot, old man. Marlene always said you weren’t so good at keeping kids alive, actually surprised you got as far as you did. So go ahead. Not like we’ve got nothing to lose. We just came to return some favors and finish the job.”

It’s only in the moments later, before the dawn, when you’re laying on your back looking up at the stars, one arm laying broken and useless in the snow beside you, the other cradling a weeping Ellie Williams as tight as you can, that you’ll be able to slow the film of your memory and play out the next thirty seconds frame by frame.

The series of snaps and cracks as the support under the Roost gave way and the whole structure tumbled out and away from the scene, pulling several pines down with it, the crashing and burning the only sound you remember now.

Ellie trying to shuffle along the ground toward you and away from the fire.

Owen pulling himself up enough to raise the knife and bring it down into the meat of Ellie’s calf.

Owen’s body flying backward as a bullet ripped through his skull.

A wrench of your neck and the warm splash of blood from above you as another shot rang out, one person holding you falling away and back, gone, but still pulling you down with their dead body.

The roar of an angry Abby and the clank of a club shaft on a rifle barrel.

Another gunshot.

The sound of metal hitting flesh.

Thirty seconds. And now you can see the stars. Orion. The Milky Way.

Somehow you’re lying yards from the little patch of burning trees with Ellie cradled in your good arm. Someone dragged you here.

There are voices and flashlights. The patrol. Bear and Tommy. Goldie and Willa and Chickadee.

And Maria. Laying on the ground beside you, exhausted from the effort of dragging two humans out of the burning thatch of trees.

“Joel. Where’s Joel.” It hurts to speak. Breath comes fast and shallow.

Then he’s there with the others, a bruise blooming purple beneath his eye, saying only what scant words he needs to move past them and get to you. To Ellie.

His hands are gentle, but his eyes are cold.

Two still, black pools reflecting fire.

_______

Perhaps unsurprisingly, you dream of Troy, his mangled face open and bleeding, laying in the hole next to Ash, mutilated, stopped at the moment of transformation into something more sinister, your ex-husband and his sister lost to you because they were headstrong, foolish, too devoted to each other….

Ash’s eyes open, what’s left of them anyway. “Abby’s afraid of heights. Didn’t even have time to tell her about the Roost being up on stilts. What’s a caboose?”

They didn’t know the Roost was elevated. They followed us out here and didn’t have a good plan. Is that it?

They don’t answer. They get up and climb out of the hole, turn their backs on your and walk into the forest. You call after them, desperate to have them back after all this time, begging them not to leave you.

But you’re calling after them wrong. You can’t seem to say Troy. You can’t say Ash.

You’re only calling out for Joel and Ellie.

_____

The next thing you know, you’re sitting up in the snow, leaning against Goldie, the girl patting at your cheek as you’re coming around. “Come on, come on back, baby.”

The sun’s up, but not high enough to breach the mountains circling the meadow. Everything’s still lit by the slowly dying flames.

The one two punch of Willa setting the bone and popping your shoulder back in must have sent you off. Looking down, you see you must have thrown up as well.

“Holy shit,” you groan, “I’m sorry. Oh my god, holy shit that hurts.”

“I know, I know,” says Goldie, smoothing your hair and kissing your forehead.

“Here,” says Willa, handing you some dark root. You forget what it’s called, you just know you gotta chew. “Don’t swallow,” she reminds you. “You ride with Goldie. She’ll keep you upright once that sets in.”

“I gotta get up,” you mumble, struggling to stand and inhaling sharply at the twinge of pain the movement brings to your bandaged and immobilized arm. Goldie’s able to help get you up, but seems hesitant to let you go. “Ain’t nothing wrong with my feet, lemme go. Where’s Ellie?”

But you don’t need to ask, she’s just behind you, laying on her back in the snow, one arm flung over her eyes, breathing heavy to manage the pain, leg bandaged and tourniqueted.

Good. Next priority. “Where’s Joel?”

Goldie points to the fire. It’s starting to die down, enough to make out the bodies of three teenagers consigned to the flames. Past them, the group of the regular patrol. Joel shaking his head at them, speaking. Jacket zipped up to the top, no scarf, no hat; probably got left behind in the Roost. Rifle over one shoulder. A backpack over the other.

But not his backpack. Why would he have someone else’s backpack? Why would he have one at all…

He’s…. No.

Pushing off Goldie, you immediately find out that walking is hard. Even if the pain’s just in one arm, everything’s connected, everything hurts; it’s disorienting. Your knees are bruised and even your soft sleep pants feel like sandpaper on them. Feet cold and wet, no boots…

Joel sees you struggling to get to him and walks away from the group and the fire, meeting you partway, catching your good arm as your fist falls hard on his shoulder and yanks, fingers digging in hard to his coat, doing your best to hold on tight, to keep him here, to convince him not to go.

“Don’t you dare, Joel Miller. What do you think you’re fucking doing???”

He says nothing, only lets you collapse onto his chest, to sob. There’s not even an arm to comfort you, he gives you nothing but the bare necessity, a wall to keep you standing, and you know nothing you say will make a difference. In essence, he’s already gone.

“Please. Joel. Don’t. Please don’t go.”

“Trail’s fresh. Best to get on before it snows and covers the tracks. One of them’s the pregnant girl. One of them’s bleedin’. They can’t get that far.”

“You don’t have to. Just come home.”

“They’ll just come back. Maybe not soon, but someday.”

He’s right. You know he’s right. Stepping back, it hurts to look at him. The Joel you love has been asked to step aside, the care and fondness he’s come to show you locked up somewhere secure, somewhere where it won’t get in the way.

I warned you, this Joel seems to say, void of emotion, jaw set, brow even and low, hand on the strap of his rifle. You took me in knowing exactly what I am.

He’s right.

“I need you here, Joel. Ellie needs you here. Don’t you dare go…unless you can come back.”

“I need you here too. ‘S why I’m going.”

Nothing. No kiss goodbye, no waiting for approval, he just turns and walks.

Maybe this is the last of it, just one last loose thread, then he can finally leave off wandering, finally shake off the killer and just come home, just be your Joel.

Convincing yourself of this is the only choice you’ve got.

________

You find yourself out on Maria’s back porch that night. Unable to sleep from the ache of the mending bone and the swell of your assaulted shoulder, it seemed like the best remedy was to find the toughest jerky in the kitchen, to sit on the porch in the cold and chew through the pain, and to lean back in one of the porch chairs with a soothing snowpack between it and your back.

The moonlight plays illusions like the canteen filmstrips–a summer image of Tommy and Joel teaching Ellie the mechanics of tackle football. The twinkle of the fireflies lending veritas to the picture…which in reality is only the twinkle of a dusting of new snow.

Not enough snow to make tracking impossible, but enough to make it difficult.

The back door opens and a blanket lands over your lap.

“Was gonna ask you if you wanted company, but then I decided, it’s my house and you don’t get a choice.”

Maria plops her own blanket in a nearby chair before disappearing and returning with two steaming mugs of tea as offering for the table between you. She takes her time covering you just so before wrapping herself up and joining you on the porch. “Suppose I should have asked if you want that cold pack changed before I get too comfortable,” she says, not really offering, but leaving the suggestion there between you if you need it.

It’s not necessary to talk for a while. She knows exactly what you’re thinking. Sees what you see.

“Did I wake you?”

“No. Riley did,” she lies. You’d heard her shift when you got up from the bed–her bed, well, hers and Tommy’s. But hers and yours for now.

“Thanks for taking care of us.”

“You say that like you’re not my family.”

“Well then, thanks for staying behind as if you are.”

It’s hard to see her out of the corner of your eye, backed by dark shadows. But the moon plays little crescents on her face, the curve of her nose, her cheek, her chin. Her voice comes out velvet from the dark.

“I know you’re pissed at Joel for going, but he’s doing the right thing.”

Now you make the effort to turn, rotating more from the waist than the neck to save the injury from twinging, but it does anyway, mirroring your spike in irritation. “Really? You think so? Is that why you sent Tommy with him? After all that time you spent bemoaning the things Joel made Tommy do all those years ago–”

“This is different. This is about the greater good.”

“You know that’s what the villain always says, right?”

She presses her lips together, hating that you’re right. “Okay, so maybe not the greatest good for the morality of the remainder of the human race, but. For the good of Jackson.”

“Two grown men hunting down two teenage girls is the greater good.”

“They won’t be teens forever. They’ve both got reasons to come back for their revenge. And now they know where Jackson is. They get taken in by the wrong people, and then the wrong people will know where Jackson is too and when they come back they won’t be alone. They’ll know exactly how many and what kind of folk to bring.” She holds your gaze for a few seconds, steady and wise but also warning, her warmth only thinly veiling the matronly protectress behind it, like a Durga on her throne. “You know why we have patrols. You know what happens to people that get too close. Two more drops in the bucket is all.”

“Three. One of those little girls is pregnant.”

She has no answer to this. Rather, your dig brings no new argument to the table. It’s just words, just a fact on the wind. It doesn’t sway the needle one way or the other.

It’s exactly what you’d been thinking about, staring up at her bedroom ceiling. Then out here on the porch. It’s like she knew you needed to hear the justification out loud.

“They would have killed him, lady. And Ellie. And you. I’m surprised you don’t want them hunted down like dogs.”

You turn your attention to the back yard, the smallest hump of leaves under the big tree there not quite scattered to the wind, sparkling with snow cover. You can almost still hear Ellie’s high laughter as it sounded the day she experienced her first leaf pile.

“Oh, I want them run down,” you say. “I’m all for that, let ‘em eat lead. I just didn’t want…” It’s not really necessary to continue. Maria knows exactly what you want. She always does. That’s why she sent Tommy with him. To keep him tethered to humanity.

To the way Joel watched Ellie jump and disappear into a poof of leaves. The sun in his smile. At peace. At home. Free from the old violence. Reborn.

I just didn’t want Joel to be the one to do it.

______

Maria’s dinner table feels empty. Funny, you think, it was always the two of you. For a while there was four, what with Troy and Ash, but most of the time just the two. Then Tommy. Then Joel and Ellie. Now Riley…well, that is, if he’s still up during family dinner.

You’ve slept through most of the light of day and was hoping to talk to Ellie at dinner, but Maria’s been taking all her meals to the guest room for her. Mostly so she doesn’t have to walk down the stairs on her healing leg, but also because Ellie’s not been talking since that night.

And you can guess why. It has less to do with the injury and assault or the fire, and more about the truths she learned during them.

Not much to do. The arm has to stay stable, strapped to your body. At least they fucked up the non-dominant one so you can still hold a fork, still brush your teeth. But knitting? Spinning? Helping Maria clear the dishes? Fat chance.

Not much to do but chew root, smoke wild weed, and sleep it off.

Maria reappears with a plate needs washing. “There’s a break in the clouds. I got three whole words out of her. This might be your chance.”

“Oh. Joy.” It’s getting to be less of an effort to stand now that you’ve got rest and food in you. The stairs are daunting only because of the conversation that waits at the top.

A knock on her door only grants you silence.

“I’m coming in, Starling girl. Best not be naked.”

No answer. You take that as the opposite of opposition. Tolerance.

She’s sitting on the bed, propped up by pillows behind her back and under her knee, her bandages freshly changed, no more blood pooling or free bleeding. She plays with the cuffs of her sweater, tugging at a loop in the knit, a book abandoned by her side as if she’d put it down when you knocked. A good sign. She doesn’t want to hide.

You crawl in beside her, awkwardly, one-handedly, a big showy sigh of relief when you finally land. “You know, if I was your mom, I’d probably start off with ‘what’cha reading there, kiddo?’ just to get you to say something, but I’m not your mom and I’m not here to make you talk if you don’t wanna–”

“Well I don’t.”

“Good. I didn’t come up here to hear you yap anyway.” You detect the tiniest twitch of her cheek, not quite a smile, perhaps a sneer…to scare away a smile. “Don’t talk, just listen.”

“I don’t wanna do that either.”

“Tough titties. I’m cashing in exchange for all the time I had to listen to you go on about Sally Fucking Ride.”

Now she does smile. Barely. Gives you the teenager face you wanna slap sometimes. “Tough titties? Really?”

“They didn’t have tough titties in the orphanage? Seems off-brand.” The smile fades. “Tell me how you’re healing. I’m not asking, I’m demanding.”

A big breath in. But the air doesn’t come rushing back with a dramatic sigh, just melts out of her with a single tear she doesn’t move to brush away.

So you do. “That bad, huh.”

“It fucking sucks. It fucking sucks so bad.”

“Heh, tell me about it. I miss the good old days of ibuprofen. Shit. I miss morphine. You’re young though, you’ll be up and running in a week or two. Me? I’m gonna be aching for–”

“He fucking lied through his teeth.”

Ah. There it is.

Now the colony of tears follows the first scout, pouring out over the plains of her cheeks until she covers her face with those cuffs she’s been picking at, relieved at being able to let it all out in front of someone who might understand, but probably scared as hell to let herself be this messed up in front of someone who might not. A gamble.

And a win. You’ve still got one good arm and you put it to good use, pulling her into your side. “Yeah, you’re right. He totally did. He’s a fucking asshole. Why the hell would he do that.”

“It wasn't time that did it,” she hiccups from under her woolen cuffs.

“I don’t know what that means, Starling” you say, unable to stop yourself from kissing the crown of her head.

She wipes her nose and comes up for air. “I mean I know why. But he fucking lied about everything. Straight to my face.”

“Well, you’ve got every right to demand an explanation and an apology when he comes back. Straight to his face.”

“If he comes back.”

You let that sit a moment between you. It’s her way of saying that she knows you’re mad at him too, that she heard the conversation you had with him when he left. It’s her way of poking at your own fears and getting you on her side.

“Those girls aren’t armed and the Miller boys have a lot more experience with being hunters than those kids do being prey. He’ll be back.”

“I hate him.”

“I know. But also. You don’t.”

“I had a… a purpose. A fucking purpose.”

“Well….I know you did, but…probably not so much as you think.” She looks up at you but you can’t meet her eye, she’s right to mourn, and you can’t deny her that. “Remember what I told you about my sister and her treatments?”

“The research hospital.”

“Yeah. Cancer’s been killing people on this earth far longer than cordyceps and they’d had millions of patients to test on. Still couldn’t crack it. How many people are immune like you? Because if it ain’t millions, you just become one part sample in a petri dish and another part dead body that maybe give some vague clues and then you’re all parts in the bin, end of story. I mean, I’ll be honest. I don’t blame him. You’re quite a keeper.”

Now her sigh is dramatic. “And then he fucking lied about it.”

“So you would feel good about it. Accomplished in your goal. Also so you wouldn’t hate him for caring about you more than you do.”

“Why didn’t he just say–?”

“Do you know that man to be good with words?”

This quiets her. Both of you. For a few minutes. She goes back to picking at her sleeves.

The sun’s set completely now and her little bedside lamp can’t even drown out the stars so bright on the other side of the window. Clear night. Cold out there.

After a moment you take your arm back, jostle her with your shoulder. “Hey. I’m going out to the Meadow tomorrow, check in with Willa, look over the damage. If I bring you back a piece of the Roost, you wanna do some carving or whittling or something? We’ll build a platform like the old one and it’s probably just gonna be a tent up there for a while like it used to be, but hopefully this spring or summer we’ll get a structure up there and we’ll need a cornerstone or a plaque or something signifying its importance. Since you’re on your ass all day with nothing better to do, and you’re the star recruit, I’d love for you to do it.”

Her lips twist, half smiling at the request, but then in regret. “I lost my knife.”

“The one from your mom?” She nods. “Well if you’ll do some carding for me while I’m out there, I promise to look for it, ask around, maybe one of the patrol picked it up, okay?”

“Okay. Oh. By the way…How are you healing?”

“I’ve been worse. But mostly I’ve been better. Thanks for asking. ‘S kind of you. But don’t you worry about me.”

“Okay. Um…I’m…sorry about telling them about the meadow and all.”

“Why? You’re a Roostling. It’s your story to tell.” Sliding off the bed you head for the door. “Oh hey. I meant to ask–” you nod at the book by her side. “What’cha reading?”

She doesn’t miss a beat. “Oh…just porn.”

“Cool. G’night.”

“‘Night. Hey Meadowlark?”

You poke your head back in before the door closes completely. “Hm?”

“Thanks. For all that. But mostly for not calling me kiddo.”

You smile. Nod. Give her a warm wink. “Sure. I gotchu, kiddo.”

It’s worth the eyeroll you catch as you close the door.

________

The most sickening part of coming in through the north passage isn’t seeing the burn scar on the pine grove in the middle of the Meadow, isn’t missing the outline of the Roost through the trees, but rather the feeling that your home has been breached, that for a moment it wasn’t safe and now you’ll always wonder if it will be.

Riding across the north plain, you close your eyes and breathe, let the horse plod on without your guidance, he knows the way. Once spring comes and the valley fills with flowers and the music of the lambs calling for their ewes takes over from this cold silence that comfort will be renewed.

But for now, there is no comfort on the Meadow in winter, not without a pretty little fireplace and a warm spot to watch the snow build up on the mountains.

You know what’s coming, but it turns your heart inside out all the same when you open your eyes.

Where once there was a cabin in the treetops is now a void leading downward to a pile of blackened rubble and debris. Off to the side under some lower trees is the old canvas tent with the vent hole and a friendly little trail of smoke rising from it. Willa always knew her way around a fire and didn’t mind keeping a low one going on the inside. You never were that confident, even with a fire-treated tarp.

She’s been at work out here, pulling useful things out of the rubble. The woodstove. The pulley jacks. A few timbers that are mostly unburned.

But there’s a pile of other things too, useless items that shouldn’t be mixed back in with the earth: a burned walkie. Twisted silverware and blackened plates. The iron tools from the rafters. Shattered tile. Your charred and mangled boots.

All that’s left in the major wreckage is wood. And glass. And bones.

Three blackened skulls, three sets of eye sockets and three jaws gaping up at the sky as if they were caught in the moment of realizing their plans were going terribly awry.

Stupid fucking kids. ….Just kids.

If someone asked you how you knew which one was Owen’s, you wouldn’t be able to say. You just know. The memory of him sinking that knife into Ellie’s leg…of hurting her…intent to kill… His skull breaks like a cracker when you put your weight on it.

Willa doesn’t say anything when she comes up along side to stare down at the bones with you. It's not the first time you've stood with her at the edge of a burned down home.

"I hate that it’s gonna take me a while to sift though all this,” you say.

“We’ve decided to skip your turn for a while. At least until there’s a new platform.”

You nod, resigned. You don’t love it, but it’s best. Trauma lingers longest of all hurt.

“How’s the flock?”

“They’re over it.”

“Figures. Fluffy shits. Any chance you found a pocket knife out here?” You ask her.

She nods, reaches into a jacket pocket and there it is, like it’s been waiting to come back to its keeper, made itself shiny and easily found. It’s passed between you like a sacred object, holy, a relic saved and cared for, a thing infused with deep love and meaning. There’s an instant relief as your fingers curl around it, your shoulders relaxing and releasing a little of the pain.

“Thank you.”

“There was this too.” From the same pocket Willa pulls a disk of silver and glass, turning it over and placing it in your hand with the knife.

The watchband is burned away. But it’s otherwise unharmed.

Willa may be a stoic, but she knows enough to recognize a release through tears and to hold you while you cry.

Later that afternoon when you knock on Ellie’s door, you’ll hand her the knife and a piece of the old Roost to carve to consecrate the new one. And then you’ll give her the watch and ask her to be your hands, to help you with one more thing.

________

Two days later, you’re standing in Joel’s living room, never having been here when it’s so quiet, dark, and cold. With you and Ellie staying with Maria, there’s been nobody here to light a fire, to make the place live. You wouldn’t be here if Maria hadn’t made a side comment about maybe you and Ellie’d been in the same clothes for a day too many. Not that you thought you’d be with her that long.

She was right. It was nice to change into something clean–a soft fleece and some sleep pants. While the sword of Damocles kept things in check at Maria’s house, it did feel just this side of an extended girl’s night sleepover, might as well dress for it. Ellie had asked for something soft and comfy so you decided to go for it, an assortment of sweats and sweaters in the duffel at your feet.

What you’re eyeing at the moment is an empty hook on the wall by the fireplace.

You put your hand in your jacket pocket and pull out the watch.

Ellie did a beautiful job with it, took directions like a champ. Sitting together on her bed, listening to Joan Jett and Pat Benetar, you’d instructed her how to design the plaid stripes into the strap, how to knot and plait in patterns.

“Macrame. MACrame. Mac. Ra. Mayyyyyy,” Ellie’d chanted. “It’s a fun word to say. What’s it mean?”

“Fringe. Knotting. It’s just the name of the technique. I dunno. Probably something prettier in French.”

The strap clasps had been lost in the fire, so you’d had Ellie work him a new strap out of dyed and tightly-spun wool, something a little longer so he could tie it on. Most likely he’d come back here first, so you want to put it somewhere he’d see it, that way he could have it again without a lot of fuss but knowing at the same time you were thinking of him. So you slip the end loop over the hook, gently let it slip through your fingers and rest against the wall.

If he comes back…

The front door opens. Boots on the wood. The thump of a backpack.

By the time you’ve turned, he’s coming in through the front hall.

When he sees you standing here, he stops.

You never imagined this moment. You should have. It might have prepared you for the yellowing bruise on his face, the majority of his left pant leg browned with dried blood, his knuckles raw and just beginning to heal over.

You struggle with finding the right question. Find ‘em? They dead? Finish the job? No survivors?

I’d ask you what the hell you did, but I know and I don’t wanna hear you say it.

Instead all you can muster is a nod at the blood on his jeans.

His eyes slide to the staircase, already looking to move on, and he only answers with a short and shallow nod of his own before doing just that.

You find yourself sitting on the couch, staring at your hands, the duffel, the watch, back at your hands. Listening as he moves around upstairs, dropping boots, his belt buckle clapping to the floor. The shower running for a long, long time.

Sun’s going down. Getting colder.

The squeaks from the staircase are slow, softer than usual. He’s taking his time coming down. Doesn’t want to force himself back into a space so safe and quiet after pushing through one so big and mean.

He barely shifts the couch as he sits on the far side. Clean shirt. Clean jeans. A pair of socks you knit him.

“Where’s Ellie?” He sounds like he hasn’t spoken to anyone in days. You’d wager he hasn’t.

“With Maria. We’ve been staying there. I was just getting us some clothes. Didn’t think you’d be gone this long.”

“Neither did I. They had a head start. Younger. Faster. But you’re safe now. You’re both safe now.” He’s quiet long enough for the house to give a settling creak as the wind picks up outside. “How’s that arm?”

“Joel, you can’t keep us safe from the world. The world is what it is.”

“The fuck I can’t,” he whispers back, defiant, stubborn, with enough venom that he seems to scare himself and he breathes in deep, keeps it, holding back.

All you want is your Joel back. Even in all this mess. All you want is for him to lay down his fear and love you the right way.

So instead of arguing, you get up and stand before him, give him the time it takes to understand you’re going to straddle his lap whether he helps you or not. He reaches for you on your way down, guides and supports you, allows you to rake through his wet curls before leaning in to take possession of his lips, to will him–by kissing through to his very soul–to come back to you.

He can’t help but respond, his whole body coming to life, and in the cold, twilit living room, you become a tangle of silhouettes as his hand pushes up under your sweater–somehow still keeping an aura of care around your ruined and wrapped arm–to squeeze almost painfully at your curves, rough and wanting, panting between devouring kisses as he paws beyond the waistband of your sleep pants, sucking at your neck when you throw your head back as he reaches what he was searching for….what you hoped he’d find…

There’s a tousle of repositioning and a clatter of belt and zipper. You’re both raw and rough and needy, and you both take advantage of the emptiness of the house to fill it with the sounds of desperation, of effort, the song of casting off of all inhibition, a duet of total and grateful release.

But through it all, it’s the way he holds onto you that tells you how much he wanted to get back to you, how close he intends to hold you and never let you go, a desperation that tells you exactly where his faults lay…

…that it was necessary–and always will be–to eliminate any chance of someone taking you from his world by force.

It’s not so much possession as a fierce and burning need to be possessed. A need to belong, concentrated down to its basest form.

“I’m sorry,” he says as he softly kisses your temple, spooning you in the afterglow that burns bright in the darkening room.

“For what? You didn’t hurt me.”

“Rushed it a little. Tend to act before thinkin’ sometimes.”

You’re not completely sure what he means by that. At first you think he’s talking about the rough sex, but you get his meaning. Stalking off after Abby and Mel so impulsively. For being impulsive in general.

For acting out of trauma.

Or love.

“I’m not the one you need to apologize to for that, Joel.”

You can tell the moment he understands when his forehead gently meets your shoulder. “Shit.”

It’s probably the best time to break it to him, while he’s still a little softheaded and euphoric. “She’s ready to listen. But I won’t promise it’ll be easy. It might just be you and me here for a while.”

Once his breathing evens out, he shifts, still holding onto you, but just coming back down, settling back in.

“What’s that?” He mutters, just on this side of falling asleep, lazily pointing at the watch on the hook by the fireplace.

“Your Valentine’s Day present. From both of us. Sorry it’s late.”

________

Taking some shifts off from the Meadow rotation affords you time to start slowly moving things over to the new A-frame, Maria helping you to load up a skid now and then and unload it, walking beside you as you lead the horse that tows it.

After a week or two, Ellie’s up and walking–well, limping, but healing–and starting to talk to Joel at dinner again. She’s on the verge of actually gracing his bad jokes with a smile or even a laugh, but she’s making him work hard for it. Good for her.

You haven’t asked either of them how the talk went. Don’t know if you ever will. That’s between them, the less you interfere, the better.

But you know that things are on the mend when you find Ellie playing Joel’s guitar–learning some Johnny Cash song you know he loves.

And you have a feeling that spring is on the way when you drop off another load at the new house and find a new frame on the wall–a handmade, custom carpentry display shadowbox.

With a watch hanging inside.

_______

PREVIOUS: AUTUMN

NEXT: SPRING AGAIN (coming soon)

MASTERLIST

SERIES MASTERLIST

#leave off your wandering #tlou fanfiction #joel miller #joel miller x reader #joel miller x f!reader #joel miller x meadowlark #joel miller x mature reader

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