#jason nesmith

[lazarusoftevmeck]

Galaxy Quest crew + text post (Pt. 1)

[starleska]

Hii, I've seen your Galaxy Quest post, Honest Opinion of Tim Allen as Jason Nesmith?? (For educational purposes only /hj)

ohhh educational purposes, of course 😉 now i wonder why you, kind individual with 'Jason Nesmith Kinnie' in your bio tagline, would ask such a question? 😂💖

i thought Jason Nesmith was an absolute hoot!!! i cannot believe Tim Allen didn't specifically base his portrayal on William Shatner, because i was in tears over every little movement (the 'captain's lean' in the chair especially) 😂💖 seriously a joy to watch: the perfect combo of vanity, arrogance and fame-bred-slappability which made his transformation into a genuinely great captain so satisfying!! i've been accidentally watching a lot of Tim Allen movies lately (well...being fixated on Martin Short's Jack Frost from The Santa Clause franchise, which is the same thing 😂) so it was quite the shock going from him as Scott Calvin/Santa to him as every science fiction starship captain...but i think he was a great choice for the role 🔥 if we're talking in terms of f/o material, he isn't really my type for a few reasons i'll keep to myself, but i understand why he'd appeal to others 🥰

[lonesomedreamer]

We watched Galaxy Quest for the first time since I got deep into Trek, and I was really struck by the character of Jason Nesmith in particular. At the beginning, he’s obviously meant to be seen through the eyes of his jaded but sympathetic colleagues: arrogant, unreliable, egocentric. They’re also jealous of his popularity with fans even though they’re all sick to death of doing cons and other public appearances almost twenty years after the show got canceled. Their points of view are totally valid and understandable. But egocentric or not, Jason is so good with the fans. He takes them seriously, he engages with them, and he encourages them. Though the rest of the crew is upset that he took yet another gig without them, Jason is the one willingly doing these “gigs”—which, like the one he misses with Brandon and his friends, are “usually…just cardboard walls in a garage” set up by some fans. Jason is the one who still remembers the lines, the finer details, the specific episodes. Heck, he even knows Guy’s (real) last name! Ultimately, he’s also the one who knows who to ask for help when it matters most: the fans, the real experts. And before he asks Brandon to help them, he makes sure to apologize for blowing up on him at the con. Galaxy Quest is, in part, Jason’s journey to becoming a more sincere person and a better friend/colleague…but he’s always loved the fans, and they reciprocate.

[lenetaylor]

Found out where The Gorignak (the rock monster from Galaxy Quest) ended up. Cracked open a few cold ones, had a good catch up. He likes it here, doesn't plan to go back into space. Said Jason Nesmith can get rekt.

For reference:

[sinceileftyoublog]

Pylon Reenactment Society Interview: Different, But Related Beast

Photo by Christy Bush

BY JORDAN MAINZER

Up until now, it still feels like we've been slowly closing the book on Pylon. Since initially disbanding in 1983, the Athens, GA post-punk band reunited and broke up many times, coming out of retirement for the final time in 2004 for a show. A few years later, in 2007, lead singer Vanessa Briscoe Hay and guitarist Randy Bewley, along with other staples of the Athens music scene, joined supergroup Supercluster. Pylon technically ended with Bewley's tragic death of a heart attack in 2009, but for the next decade-plus, they kept getting their critical flowers as post-punk influences increasingly infiltrated independent music. 2020 saw the release of the excellent Pylon Box (New West), which consisted of remasters of the Athens, GA post-punk band's first two albums, a collection of singles and alternate mixes, a previously unreleased recording of a band practice, and an accompanying essay and book telling the band's story. So that's it, right?

Sort of. Maybe on Friday.

It might have been, if not for Pylon Reenactment Society. Initially formed in 2014 as a one-off entity for Art Rock Athens, PRS--featuring Casper & the Cookies guitarist and Hay's fellow Supercluster member Jason NeSmith--continued to play shows, release Pylon covers, and even share a few original songs over the years. Now, Hay, NeSmith, bassist Kay Stanton, and drummer Gregory Sanders are set to drop the first PRS album, Magnet Factory, Friday via Strolling Bones. Almost as a way to bridge the gap between Pylon and Pylon Reenactment Society, the album features two songs that Pylon wrote and played live many times, but never recorded. Even better, its nine original songs combine the best aspects of Pylon--sharp guitars, slinky bass, steady, yet forceful four-on-the-floor drums, Hay's oft-dadaist poetry--with a newfound appetite for more varied song structures and moods. The first song PRS released for Magnet Factory was one of those aforementioned Pylon-penned tunes (credited to all four original members--Hay, Bewley, bassist Michael Lachowski, and drummer Curtis Crowe--as the band was famously democratic in process). "3x3" builds up with a thudding kick drum and arpeggiated lead guitar line, as Hay yelps a party-like to-do list of buying beer and playing music, breathlessly honoring the most ordinary of activities. But if you put the needle down or press play on Magnet Factory, the first song you'll hear, "Spiral", gradually arises, flickering with wiry guitars, a much more subdued sound from a band that never really was so. The diversity differentiates PRS from Pylon.

Yes, there are plenty of throwbacks on Magnet Factory. "Heaven (In Your Eyes)" is another Pylon-penned original, pre-dating their first album Gyrate, featuring a screamed chorus, courtesy of Hay's mighty gravel chucker of a voice. "Fix It" is, amazingly, Hay's first recorded collaboration with Kate Pierson of The B-52s, a band to which Pylon has forever been linked in the cultural consciousness of Athens. And "Flowers Everywhere" juxtaposes speedy disco drum fills with tremolo guitars, Hay mixing singing and spoken word about the innate self-worth of people, showcasing her longstanding ability to write anthems out of simple lyrics as much as exude pearls of stream-of-consciousness wisdom. But the standouts on Magnet Factory would have been outliers on Pylon albums, from "Spiral" to the album's equally deliberate closer "I'll Let You Know". Best, in an act of affection-as-resistance, Hay's first gutturally screamed words don't come until 1/3 of the way through the album, and they come with a declaration of devotion. On the militaristic march "Messenger", she sings, "No one wants to fight," before belting, "Sending love to you!" It's a look to the listener, her bandmates, the world, and one of the most exhilarating recorded moments of her career.

Around the new year, I spoke with Hay and NeSmith over Zoom, calling from their respective homes in Athens. At the time, the band was practicing for a few shows later in January in California, though they didn't have any actual tours planned, and still haven't revealed any tour dates. "It's difficult to tour financially for independent artists like us," Hay said. Thankfully, fans can get a taste of at least PRS' live presence with the videos for "3x3" and "Flowers Everywhere", which films the four band members on stage. "A video is a way to share art with the world," Hay continued. Still, PRS is playing an album release show at Hendershot's in Athens with Organically Programmed Orchestra, and they're slated to play SXSW in Austin in March. "I'm excited to get this band in front of people who have or have not seen that we're a different, but related beast from Pylon," said NeSmith.

Below, read my conversation with Hay and NeSmith, edited for length and clarity. We spoke about many of the songs on Magnet Factory, the history of the Athens scene, and playing live.

Since I Left You: You've taken the time to contextualize Pylon Reenactment Society: It's not Pylon, though it has Pylon in the name. The band has been around now for 10 years. Is it hard for fans to differentiate between the two? Are there people who have come to see Pylon Reenactment Society who don't know about Pylon?

Vanessa Briscoe Hay: It's a bit of both. Every new generation that comes up discovers music. To the younger folks, we're a new band. They may have heard of us or seen us in [Tony Gayton's 1986 documentary] Athens, GA: Inside/Out, or saw the [Athens, GA Inside/Out 2: Red Turns Blue] movie we were in, or saw the Pylon box set Jason and I worked on along with Henry Owings and Michael Lachowski that came out in 2020. When we go play shows in other areas of the country, our audience may have a group of [20-]year- olds, and there will be another group that are older, in their 30's, 40's, 50's, 60's, and even a few 70-year-olds who were around when Pylon first got together back in 1979. I think we're a multi-generational band with a multi-generational audience.

SILY: There's a lot of contemporary music that, to my years, is very influenced by Pylon, the Athens scene, or post punk in general. So when people hear a Pylon record or hear Pylon Reenactment Society live, it seems fresh and relevant.

Jason NeSmith: I agree with you there. The Pylon records from the 80's still sound pretty fresh and relevant. If they remained unreleased until this year, they'd sound current to me. I guess that's partially a blessing of them not getting overexposed back in 1980-1983 the way they might have. They weren't overplayed the way you might think of U2, another one of those bands tagged early on as post-punk but who are now part of the landscape. They had a Joy Division influence, too, but they're an arena band. The way that Pylon seemed to put their material together was so sui generis, a genre of one. You might hear reverberations of the time period, but nothing that sounds so much like something you already know too well. People are still influenced by that era and that sound, and these particular sounds are still relevant. It's great, and we're happy to add to that feeling with the new material.

SILY: Pylon Reenactment Society has released some recorded material, but Magnet Factory is your debut album. "3x3" definitely seems like the perfect segue from one chapter to the next because it was a Pylon song not recorded until now. How does "3x3" fit as a Pylon Reenactment Society song?

JN: I love performing Pylon's released material in a live context. It's so much fun. We did do a covers EP, which was kind of by accident. We clearly don't want to be known as a strict covers band. We already planned a long time ago on writing new material and have done it a lot already. The pandemic interrupted things, as it tended to do. We weren't going to cover existing Pylon material for our debut record--that would just be ridiculous. But it absolutely made sense for us to pick up on where Pylon had not completed something. They played "3x3" for years at dozens of shows. It was one of Randy's favorite songs, and Vanessa brought it up a lot to us. When we were thinking about what could possibly go on the debut record, a lot of things were floated, and it was one we all thought was appropriate. It's so elemental. It's such an indestructible song. There was no chance we were gonna mess it up, so we went for it. [laughs]

SILY: When I was listening to "it"3x3" for the first time, it immediately had that classic creation of tension from he words Vanessa is singing, sort of mundane things like buying beer and playing music at a party. When I watched the video, the vibe was so much more celebratory and cathartic. Do you think the song straddles those two lines or exists as both tense and celebratory at the same time?

VBH: I think it is tense and celebratory, celebratory just from the sound. There's something about the sound of the instruments, and maybe what I'm singing. The overall sound is very joyous. It's something easily tapped into by people who like to dance and go to shows. It's a lot of fun to perform live. Before Randy passed away, I kept saying, "We need to go into the studio and record the song." Unfortunately, he passed away before that could happen. We even though about bringing in Michael and Curtis and getting Jason to play. But this is so much better. It's a bridge between then and now. Like Jason's saying, it's hard to mess up. [laughs] But it's a lot of fun! That's the most important thing.

JN: It's almost like a Stooges song. "I Wanna Be Your Dog" is two chords, though "3x3" is three chords. It's got that more...you know what, I'm done talking about that song. [laughs] That's how elemental it is. It describes itself.

VBH: Yeah, you don't wanna start picking things apart too much. You lose a little bit of the magical feeling of just listening to it. People should just listen to it and make up their own minds.

SILY: The record is bookended by two songs that, were you familiar with Pylon, have sounds, tempos, or moods you might not expect. "Spiral" is subdued, and "I'll Let You Know" ends the album a bit more gently. Was that an intentional decision?

VBH: I came up with an unspoken theme for the album, and Jason helped me decide how to put the songs in the order to get there, but I was thinking about a French movie about the seven ages of woman, [1960's Love and the Frenchwoman], and human beings and the process they go through, starting with before you're born and [ending with death]. But I'm not promoting the lifespan of a human as the frame for the album, and maybe I shouldn't be talking about it here because people might start reading too many things into it. But it's nice to have an idea to wrap something around.

JN: I saw it as an organizing principle as much as a theme. [This] way to organize the material necessitated bookending the record with sounds a little bit outside of the palette that Pylon used. That's where you might hear some things poking through from the individual players: the way Kay plays bass, the way Gregory plays drums or adds other sonic textures. The new elements that they introduce and that I introduce. It sounds more at peace with the past because Vanessa's voice is familiar and still strong, but it's a whole new mood.

VBH: Do you want people as they're making music to stay stagnant? [We don't want] people [to] say, "They sound exactly like they did in 1981. They really are just a cover band with no new ideas." People change and grow, and I've learned and changed and grown as I've worked with these particular musicians. I've worked with Kay and Jason for a long time now--we had a recording project called Supercluster that was basically a writing project. Randy was in there, too. We can't stay still or pretend to be something we're not. We've lived, we've learned, we bring part of that process to how we make our art.

SILY: One thing that seems to have stayed consistent, though, between Pylon and Pylon Reenactment Society is Vanessa's penchant for occasional moments for lyrical absurdism or mantras. When you write, do those come out of the blue? Like, "Haven't you heard about candy?" on "Boom Boom", or, "Seek facts without fear," on "No Worries"?

VBH: [laughs] It's really strange, but when I write--and this sounds kind of pretentious--I try to empty my mind and see what happens. I'll let the music suggest things and ideas to me, and these things sometimes very easily pop up and almost write themselves, on the spot, like our Christmas song "Christmas Daze", which isn't on the record. Sometimes, I'll have to work with it, and I'll write a lot of words and end up crossing them out. Sometimes, things are so awkward, we don't even record them. They don't even make it that far. A lot of the time, I feel like the blame would be on me because I was awkward and wasn't able to fully get in touch with what I wanted to do with that particular song. [On Magnet Factory,] we ended up with 9 songs that we wrote and 2 songs we arranged that were Pylon songs, and I'm really happy at this stage in my life to be able to record and put this out and to write. I never stopped writing. I write something almost every day. I'll fill pages and pages on my iPad, or a scratchpad with a lot of words, and I'll start paring them down, crossing them off, and get the words to something more universal.

SILY: None other than The B-52s' Kate Pierson features on "Fix It". With The B-52s on their farewell tour, does it feel like an end of an era in the Athens music scene?

JN: I got here in 2000, and the Athens scene had already died many deaths. [laughs] "You should have been here in '84," or, "You should have been here in '73," or, "You should have been here in '98." It's over and over again. People age out of it. There's always a new band coming that may or may not have been influenced by what came before them. It's a cliché to say there's something in the water, but the scene keeps reinventing itself. As for The B-52s, I think it's quite possible for somebody to come to town, fully take part in the scene, and not even know that "Rock Lobster" was written a mile away from where they're standing. In a way, that's really unfortunate, but in another way, it's a testament to the power of the island of misfit toys we have here that remains. In a way, that era is still here, but the players have changed.

VBH: Just like there are layers on time on top of each other here, you'll be moving down the street or past this corner that 45 years ago other kids were hanging out on, making their music. If you are sensitive, you can feel those vibrations. What's important is they existed here and created the music they created and will be part of Athens. It's the beginning of the modern music scene. We had other bands before that were very good. The B-52s changed it all.

Photo by Karen Allison

SILY: "Fix It", along with a few other songs on the record, builds up in volume and intensity and plays with tempo. "Heaven (In Your Eyes)" plays with dynamics. Vanessa, do you think this record is some of the most instrumentally dynamic music you've ever recorded?

VBH: Me personally, perhaps. Jason has a band called Casper & the Cookies that are quite well known for tempo changes and dynamics. [laughs]

JN: From my perspective, looking at Vanessa's catalog with Pylon, maybe that's true. Supercluster had some dynamics. Pylon was more in the habit of being a steady state band.

VBH: A four on the floor kind of beat.

JN: "Heaven" being an early Pylon song, the live recordings of it are also very dynamic. That's why we wanted to do it. It's tender and ferocious in turns, and we wanted to try that on. [Magnet Factory is] maybe the most dynamic Pylon-related music that's been released, but not performed.

VBH: I definitely used a lot of dynamics singing live.

JN: I wonder if Black Francis/Frank Black ever listened to Pylon, just because of the loud-quiet-loud thing. He could have gotten it from several places, but it could be because he was listening to Gyrate.

SILY: I'd be surprised if he hadn't! It seems like notable musicians from specific eras often devour the notable musicians from 10 years prior.

VBH: Perhaps he did. I know we were in the studio for our 3rd album [Chain], and Gary Smith from Fort Apache [Studios] had come down to work with us, and Black Francis called him while we were in the studio. I don't know what they were talking about. [laughs] Talkin' about somethin'.

SILY: Vanessa, it took you a few songs in on this album to scream. Vocally, you have a lot of interplay between speaking, singing, and your quintessential raspy sort-of scream. When you record or write, how often are you trying out different vocal deliveries? Or do you know how you're going to sing from the get-go?

VBH: I don't know from the get-go. Jason can tell you that. I'll try all different kinds of ways, and often, he'll be the first to suggest, "Why don't you do it like you did it last time when you were singing it higher?" They give me input about what might sound better. Playing with phrasing is a lot of the fun of being a vocalist.

SILY: Have you played all of these songs live at some point?

VBH: Not all of them. We have quite a few of them in our regular set, but we've been practicing them.

SILY: Are you planning a larger tour, and--fingers-crossed--coming to the Midwest?

VBH: I'd love to come back to the Midwest, to Chicago and maybe Ohio, Kentucky, go up through the middle of the country. We haven't set any dates yet. I know we're going to South By Southwest in March. We'll do a Northeast type of tour a little later in the year. I'm hoping we make it to the Midwest, because I really like it there.

JN: Me too. All we need is the right person to ask us. We'll be hoppin' in the van on the way up there.

VBH: We played the Barely Human Festival in Detroit in 2017 and added a Chicago date to it at the Beat Kitchen. It was February, so it was so cold. The Festival had Xeno & Oaklander and John Bender. I thought John Bender was the perfect name for what he was doing. He looked like a mad professor, like a circuit bender. He gave us business cards. There was a band called Black Marble that played after us. They were all electronic musicians except for us. [The festival] got this beautiful drum kit just for us. We went on at 2 A.M. It was great playing in Mexicantown in Detroit at El Club. It went on all night.

JN: ESG played, but we missed them.

VBH: When we played in Chicago, we played with Ovef Ow and The Baby Magic, two local punk bands.

JN: The Baby Magic were crazy! They were really good.

SILY: When you practice performing, are you adapting the songs to the stage or getting a feel for how you might like to jam them out?

VBH: There are some added sounds on the album, but when we wrote the songs, and when we recorded them, we made the decision to use these four particular people in the band, other than Kate Pierson. We wrote them in a way they could be performed live. Not to say there isn't some studio witchery going on sometimes, but you will definitely recognize the song live from the album. You're not going to be saying, "Oh, what is that?" [laughs]

JN: That is one of the things we're carrying over from Pylon: the self-contained nature of the arrangements. If the guitar part I came up with in the practice space, that I thought was going to make it all the way through the song, is now two guitars, I have to rewrite it so I can play it again live. The intention is sleek, simplified arrangements that four people can play.

SILY: Is there anything either of you have been listening to, reading, or watching that's caught your attention?

VBH: That's a good question. My mind always goes blank when I have to come up with anything. [My husband] Bob [Hay] and I watch a TV show during dinnertime. We started that during the pandemic. We made it through all the seasons of The Sopranos. Then all 20 seasons of NCIS. Both seasons of NCIS: New Orleans. Now we've moved over to Fargo. We have murder with our dinner.

I like to read a lot of different things. I'm just interested in the world. I like to know what's going on. I read a lot of articles. The last book I read I truly loved all the way through was [Jessica Handler's] The Magnetic Girl.

JN: I've been reading a bunch of music books. I'd recommend The Story of the B-52s: The Neon Side of Town by Brigette A. Herron and Scott Creney. It convincingly reframes The B-52s as a band that actually matters a great deal, which might come as a surprise to people who only know them from their hits.

Musically, my job as a mastering engineer means I listen to music as work, and I enjoy my job, but when it's time for elective music, I need things that are going to turn my brain off, so I'll listen to things like Jon Hassell, especially his record with Brian Eno, Fourth World, Vol.1: Possible Musics. I just bought Pere Ubu's Dub Housing, which I've known for a long time but just own now on vinyl. It's tremendous. And Thinking Fellers Union Local 2082. Those are kind of my favorite sounds right now. That and Earth, Wind, & Fire in the car, because it makes you feel really good.

SILY: It probably makes you a better driver.

JN: Oh yeah. It keeps you alert. You're blood pressure's going. Defensive driving!

[anretc]

Fic: Twinkle, Twinkle, Little Star

Twinkle, Twinkle, Little Star (1628 words) by anr Chapters: 1/1 Fandom: Galaxy Quest (1999) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Gwen DeMarco/Jason Nesmith Characters: Gwen DeMarco, Jason Nesmith Summary: Everything after the convention is a blur.

[lugosis]

OK!!! now updated to include the 2003 release commentary + the dvd files for the 2003 release!

feel free to share this around and download it whatever just don’t post it in like big groups or anything along those lines. i don’t want to make videoranch mad.

also if you’re not aware of how dvd files work here’s the wikihow of how to play them on vlc. you can run them as a disc as well as a media folder. both worked for me and if you try it and run into any issues LMK but this will give you the dvd menu + extras

OK nezheads here is the drive with elephant parts anniversary dvd rip + mike commentary version + the dvd files themselves if you want to put them in VLC and see the menu AND here is the full rip uploaded to internet archive

[smilingformoney]

Icebreaker | Alexander Dane/Reader

I. Never Meet Your Heroes

Summary: As a budding actress and a big fan of Alexander Dane, all your dreams are coming true when you land a role in Galaxy Quest opposite your favourite actor. To your disappointment, Alexander doesn't seem to like you very much - but unbeknownst to you, he's trying desperately to ignore his attraction to you.

Read now on Ao3 or below the cut:

You were almost vibrating with excitement on your first day on set.

You hadn’t taken part in the table read, as your casting was so last minute, so this was your first time meeting the cast and your first time playing the scene would be when the cameras were rolling. You were nervous, but you didn’t mind - you’d spent plenty of time as a theatre understudy, so you were used to playing a scene against someone you hadn’t rehearsed with. What you weren’t used to, however, was playing against such famous names.

If that weren’t enough, your main scene partner was to be none other than Alexander Dane, who just so happened to be your favourite actor in the world.

You wouldn’t quite say you were obsessed with him, but you had seen all his films, and you’d even managed to see him perform Shakespeare in London once, though you’d missed out on seeing him at the stage door. You also had a poster from his performance as Richard III on your wall, and hidden away in notebooks you’d never shared with anyone were fanfictions you’d written about his Galaxy Quest character, mostly involving romances between Dr Lazarus and characters you’d made up that totally weren’t stand-ins for yourself.

And now… you were actually going to play a love interest to Lazarus!

All your dreams were coming true. Your first TV role, in Galaxy Quest, with Alexander Dane, playing Lazarus’ love interest!

You absolutely, resolutely, could not fuck this up.

Your character’s name was Bethany, a fellow member of the Mak’Tar race, who, like Lazarus, believed herself to be the last of the race until she and Lazarus meet by chance and the two are faced with the question of whether they should procreate to repopulate their species.

On your arrival, you met with the production assistant, who led you to hair and make-up to be fitted with a cap similar to the one Alexander wore to make yourself look like an alien.

You were almost done, your hair now completely hidden by the cap and the last of your make-up being applied, when the door was thrown open and none other than Alexander Dane stepped through and sat himself down in the chair next to yours, completely ignoring you, which was fortunate because it gave you an opportunity to close your mouth when you gaped at him.

“Let’s get this blasted thing on quickly, Lena, I want to get today over with,” Alexander grumbled.

Lena, the make-up artist, rolled her eyes and continued working on you with hardly a flinch at Alexander’s abrasive attitude.

“I’m nearly done here, Alexander, then I’ll be with you.”

Alexander looked over and seemed to finally notice you. He frowned, then saw the matching cap on your head, and rolled his eyes.

“They’re going ahead with this bloody plotline, then,” he grumbled, then immediately grabbed a magazine from the dresser and stuck his nose in it.

You hadn’t said a word, and yet somehow you felt like you’d managed to fuck up your meeting with him.

“Don’t mind him, [Y/n],” said Lena, apparently completely unaffected by Alexander’s grumpiness. “He’s always like this. I must be his least favourite person on set because I’m the one who puts his cap on.”

“Third least,” Alexander replied from behind his magazine. “After Jason and Frank.”

“Jason Nesmith, he plays Taggart,” Lena explained to you. “And —”

“Frank Ross, the creator, I assume,” you finished.

Lena smiled. “You’ve done your homework!”

“I watch the show, I know who created it.”

Alexander groaned and lowered his magazine to finally look at you, albeit via the mirror. “Great, they hired another fan. When did this show stop hiring actors?”

“I can be both!” you said defensively. “Besides, what’s wrong with hiring fans? There’s no point in creating art if you don’t love it.”

“Pfft. I’d hardly call this show art. It’s nothing but meaningless drivel, and this episode’s no different, so don’t flatter yourself into thinking you’re creating something great just because you’re on TV.”

“All done!” Lena announced, ignoring Alexander, and she stepped aside to let you examine yourself in the mirror. “What do you think?”

“Wow, that is weird,” you laughed, turning your head to the side to examine your new alien look. “You can’t even tell I’ve got hair underneath! I look pretty good, actually, maybe I’ll shave my head after this.”

Alexander scoffed. “Take the cap with you, make it a new fashion trend.”

“Right, Alexander, it’s your turn!” Lena announced, and the actor just sighed.

“Fine, let’s get it over with.”

Lena gave you directions to the costume department and you left feeling even more anxious than before about your scenes with Alexander Dane.

---

Although your background was in theatre, you knew from industry knowledge that in film and TV, scenes were never filmed in order. So it was a surprise to you that your first scene of the day was actually your first scene of the episode. Your character Bethany was locked in a futuristic alien zoo, gaped at daily by an alien species that marvelled at “the last Mak’Tar.” That was, until the crew of the Protector came by to rescue another alien from their zoo habitat, and Lazarus found Bethany in her cage.

You ran through the scene with the director a few times before Alexander’s arrival. Once he did arrive, he only talked quickly with the director before getting into position, and suddenly you were moments away from your first scene.

The director raised her megaphone. “ACTION!”

Lazarus approached the invisible barrier that surrounded the habitat, staring in disbelief at the figure curled up on the floor. The floor itself was wet sand with small pools of seawater, just like the environment of his home planet of Tev’Meck. Without the rest of the zoo in his periphery, he might even have believed he was back on Tev’Meck.

He glanced down at the information screen. It was all written in an alien language he couldn’t speak, but he recognised two words: Mak’Tar and Tev’Meck.

Lazarus walked around the enclosure slowly, trying not to wake the figure on the floor, until he was able to get a good look at them. Sure enough, they shared his physiology. Could it really be that another one of his kind was here, in this zoo?

A crash in the distance caused Lazarus to look up suddenly. Taggart, no doubt, causing chaos as he attempted to escape with the alien he’d come to recover.

He had to get out of there. And if there was a chance this sleeping figure really was another Mak’Tar, he had to get them out of there too.

Lazarus circled back around to the information panel and hacked the operational code he’d learnt earlier before coming to save their target. A few beeps later, the forcefield was down, and Lazarus stepped into the habitat, crouching down by the figure to wake them.

“Hello?” he whispered. “Can you hear me?”

He grabbed the figure’s shoulder, rolled them onto their back, and recoiled slightly in shock. It was a female Mak’Tar!

The woman opened her eyes slowly, blinking away the sleep, frowning in confusion at seeing a figure looming over her.

Lazarus composed himself and knelt down again.

“It’s alright, I’m here to help. My name is Lazarus, I’m a Mak’Tar too. What’s your name?”

“…Bethany,” replied the woman, pausing as if it took her a moment to remember.

“Well, Bethany, how would you like to escape?”

“I… I think I’d like that very much.”

Lazarus smiled and nodded. “Excellent. Take my hand.”

He stood, and Bethany took his outstretched hand. Wow, his hands are soft , you thought as Lazarus pulled Bethany to her feet. She took a step, but stumbled. Lazarus glanced down and saw that she was favouring her left foot, her right being bandaged. Without hesitation, Lazarus threw her arm around his shoulder and helped her stumble out into the corridor.

“Cut!”

For your first take, you thought it had gone pretty well. You hadn’t messed up once! Whether or not Alexander agreed, you weren’t sure, because he simply released your arm from his grip and immediately walked back to his original mark for the second take.

You ran through the scene three more times, filming from different angles each time, until the director concluded the scene finished.

What amazed you about Alexander was the way he switched between Lazarus and Alexander with ease. Action - he was a hero, a lone survivor who had to contain himself at the possibility of finding another survivor in favour of concentrating on a quick exit. He was smiling as he pulled Bethany to her feet, his eyes warm and kind, and just a little excited. Cut - he was an actor, a grumpy thespian stuck in a job he hated, just getting through the day until he could throw the cap back in Lena’s face and stomp off home. He let go of you as soon as he could, not looking at you or even acknowledging your existence outside of the scene.

Ever heard the saying never meet your heroes? Well, you were discovering now why that was true. Alexander Dane was your favourite actor, your idol, your celebrity crush and the reason you’d pursued acting in the first place. And, it turned out, he was a massive jackass.

You weren’t naïve; you hadn’t gone into this expecting your crush to fall in love with you and whisk you off on some romance. You hadn’t even expected to make friends with him. But you had hoped to at least have a good working relationship with him for the week you were there and to come away with some fun stories about the week you spent on the set of Galaxy Quest.

Apparently, that wasn’t to be. So you resolved yourself to give the best performance you could and hope the fans liked your character when the episode aired.

Your next scene took place on the viewing deck, Bethany having successfully escaped the alien zoo and finding herself on board the Protector. You stood in front of the glass that separated you from the green screen that would be replaced in post-production with the vast expanse of the cosmos, gazing thoughtfully through the window as the director took some establishing shots of you standing alone.

When she was happy with the solo shots, the director called action for Alexander to make his entrance.

“It’s beautiful, isn’t it?” Lazarus said as he stepped up beside Bethany, looking out at the cosmos and remembering what it was like for him when he first looked out into space from the safety of the ship.

“It’s terrifying,” Bethany replied quietly, and Lazarus frowned at her.

“Terrifying?”

“It’s so big… so easy to get lost.” She raised a hand and lightly placed her fingertip against the glass, covering an entire galaxy with just her fingertip. “How many species are out there?”

“Billions, I suppose. It’s impossible to count. Trillions of life forms… and none of them like us.”

Bethany looked up at him. Alexander’s profile was illuminated by the stage lights, emphasising the outline of his nose.

“How can you be sure? Maybe others survived. We did.”

Lazarus shook his head sadly. “I don’t think so. Even if there are… the chances of finding them are minuscule. It’s a miracle I ran into you.” He looked down at her and smiled, not a trace of Alexander’s regular irritation on his features. Lazarus was only kind, curious, and a little hesitant. “Perhaps it’s fortunate that I found you. So we can… keep the Mak’Tar species alive.”

“For now.” Bethany looked back out at the vast cosmos. “We’ll both die eventually, though. Then the Mak’Tar are done for.”

Lazarus hesitated. “Not necessarily. There would be more of us if we were to… make more.”

Bethany kept her gaze firmly fixed on the expansive view from the window.  She blushed slightly - you had never quite grasped forcing the blood to rush to your cheeks, but you could at least act as if it had - then shook her head.

“No, I… I think it’s best not.”

Lazarus was stunned. He collected himself and said, “And let our species die?”

Bethany turned back to Lazarus, and as much as you understood her motivations, you selfishly wished the scene were to end with a passionate make out session.

“It’s survival of the strongest, Lazarus,” Bethany said. You very suddenly realised you’d missed a line, but your theatre instincts kicked in, and you continued. “Our people were squashed like bugs when someone stronger came along. One day, our conquerors will be destroyed by someone or something stronger than them. And so the cycle continues - until there’s nothing left. Why delay the inevitable?”

“All our history, our culture - gone —”

Bethany shook her head. “It’s not gone. It’s just a story now.”

The script called for Lazarus to be speechless, so you gave Alexander a few moments to let the emotions play out on his face, then Bethany glanced out the window again.

“I think I’ll ask to be dropped off on Atera. It always looked very pretty in the books.”

She glanced uncertainly at Lazarus one last time, and when his stunned silence continued, she walked away, leaving him alone with the crushing disappointment that he wouldn’t save his species after all.

“Cut! Great first go, guys, but [Y/n], you missed a line. After Alexander says ‘and let our species die’ —”

“‘Nothing lasts forever.’ Yeah, I know, sorry. Got ahead of myself.”

“Well, at least you kept going,” Alexander said as he came up to where you were standing to take his starting position again. “Most TV actors would have broken character, swore loudly then insisted on trying the whole thing again. You held it together like a true thespian.”

You smiled coyly. He was complimenting you!

“Well, my career has been theatre so far. I’m used to having to improvise on the spot without breaking character.”

Alexander smirked at you conspiratorially. “Honestly, I enjoy it. Keeps me on my toes. On camera, you stop and start again when you make a mistake - everything has to be so perfect. And once the filming’s done, that’s it, no going back. In theatre, you do it a little differently every night. It’s so much more…”

He paused, looking for the right word.

“Organic?”

Alexander looked at you with surprise, as if it were a wonder you understood.

You wanted to talk to him more about theatre, something you both clearly loved, but you had to do the scene five more times to get the right camera angles, so you returned to your mark by the window and readied yourself to do the whole thing over again.

When the scene was finally declared finished, you were done for the day, so you returned to the make-up room to get your cap taken off. Alexander had one more scene to do on the brig, so once Lena had released your hair from its captivity and you were back in your regular Earth clothes, you snuck into the back of the set to watch the cast wrapping up. When else would you get an opportunity to see a classic Galaxy Quest brig room scene being filmed?

Jason Nesmith was giving one of his classic Taggart speeches, all the crew showing rapt attention except for Lazarus, who was seemingly distracted.

The speech concluded, the crew applauded and set to work, and Taggart swaggered up to Lazarus at his station.

“Lazarus! Something up, buddy? You didn’t applaud or nod once during my speech. Was it not inspiring enough for you?”

Lazarus looked up at his captain and smiled good-naturedly. “Very inspiring, Captain, thank you. My apologies, I was…”

He glanced forward thoughtfully, looking at the cosmos through the window and remembering his conversation with Bethany earlier. Alexander in fact looked behind the cameras, and straight at you.

“…distracted,” he finished.

“Ah, thinking of that new girl, are ya? Not surprised, she’s a pretty one. I presume. If she had hair instead of your head thing, I’d think she was pretty. Suppose she’s pretty to you, isn’t she?”

“Mhm…” Lazarus responded, Alexander’s eyes still fixed directly on you. He blinked, as if snapping himself out of a trance, then turned back towards Taggart. “Yes, I suppose she is. Excuse me, Captain.”

He stood and exited the scene by the doors at the back. Jason finished the scene with a conversation with Gwen DiMarco, then the director called cut.

“Great take, everyone! Alexander - your best one yet. You really sold us on how conflicted Lazarus is. Alright, that’s a wrap for today, we’ve got some sets to prepare over the weekend so we’ll see you all bright and early on Monday!”

The crew began shutting down and you slipped back out so as to not get in the way. You were at the cloakroom collecting your coat and bag when Alexander, still in his costume, came up to you, taking you by surprise.

“Jesus! Sorry, Alexander, you scared me.”

He smirked. “Sorry. I just wanted to say, you weren't awful today. Did you say you came from theatre?”

You blushed, and you could feel that this time your cheeks really had gone red. “Oh - wow, thanks. Erm, yeah, nothing major, I’ve just been understudying the last couple of years.”

“Nonsense, understudies are vital! Learning everyone’s roles and being ready to take any one of them on at any moment? No wonder you did so well today without rehearsal. Listen, the cast and I are heading out to a bar tonight. It’s not often we get a whole weekend off. Would you like to join us?”

Surprise and excitement sprung up inside your chest. Surprise that the man who’d been grumpy all day was suddenly being nice, and excitement at the chance to socialise with the Galaxy Quest cast.

“Sure, I’d love to! Where are we going?”

Alexander winced. “Paolo’s Karaoke Bar. I’d avoid that place like the plague myself, but there are private rooms so we won’t be disturbed by fans, and the beer is good.”

“How many beers do I have to buy you to convince you to sing?” you grinned.

“I’ll be blackout drunk getting my stomach pumped before you get a note out of me. Is that a yes?”

“Yes, I’d love to come!”

“Great - and no recording any of it,” Alexander added sternly as you slipped your coat off again and came back inside to wait for everyone to finish getting out of their costumes. “If even a single photo of this ends up on Twitter, I’m holding you personally accountable. We don’t usually invite fans to join us, but since technically you’re an actor…”

“No tweeting, got it. I do just need to let my roommate know where I’m going, though. In case of, you know, murder.”

Alexander frowned at you.

“It’s a girl thing. Go, get de-capped, I’ll wait here.”

Alexander sighed, muttered something about young people, and left you waiting in the hallway, wondering what the night had in store for you.

---

You didn’t remember much of the taxi ride to Alexander’s house. Apparently it took half an hour, but you hardly paid attention, as you were far too busy snogging him in the back seat to care how long you’d been in the car for.

You came up for air when the taxi pulled up to the house, and once you ungracefully clamoured out of the car, Alexander paid the driver while you stared up at the Beverly Hills mansion.

“You live here alone?!” you gasped.

“Welcome to the rich side of town,” Alexander replied, his feet as unsteady as yours as he approached you and wrapped an arm around your waist. “Wanna see the inside?”

“Hell yes.”

After some fumbling with his keys, Alexander managed to get the front door open and he ushered you inside. He switched on the lights, and you gasped at just how huge and open the space was. Half the walls were all window, and those that were actual wall were lined with posters from Alexander’s previous projects - mostly his theatre shows, with a few films here and there.

“That’s the one I have,” you laughed, pointing to the poster of him from Richard III.

Alexander wrapped his arms around you from behind, his erection pressing into your arse as he held you close. “Is that so? How many wanks did teen [Y/n] have staring at that poster?”

“Far too many to count.”

“Did you imagine your fingers were mine?” Alexander murmured softly in your ear, one hand travelling tauntingly slowly past the waistband of your trousers. “Did you slip them inside trying to emulate my cock? Because believe me, mere fingers couldn’t come even close to stretching you the way my cock can.”

“I - I have a vibrator named after you,” you admitted, anticipating building up inside you when Alexander cupped your cunt with his hand, savouring the warmth you were radiating against him.

“My, you really are a naughty thing, aren’t you? Let’s see if my fingers live up to your imagination.”

You gasped as he slipped his middle finger inside you, firm and thick, his skin slightly rough and absolutely nothing like your own.

Alexander kept one arm firmly around your chest, a hand cupping your breast through your top, and you had to lean back into him to stay upright. He buried his face in your neck, teeth and tongue exploring your skin, his hair tickling your face slightly. His thumb circled your lower lips, searching for that sweet spot, and when he found it, you moaned, which quickly turned into a hiccup.

Alexander smirked against your neck, but when you hiccupped again, he paused his sensual movements.

“Hic - sorry,” you mumbled, your head spinning slightly from the combination of alcohol and arousal.

“Sit down, I’ll get you some water,” Alexander said softly. He pulled his hand out of your pants, which you thoroughly disliked, but you did feel better when he deposited you on the couch and went into the kitchen to fetch you some water. The couch was warm and soft, and you felt like you could just sink into it and sleep as comfortably as on a bed…

The next thing you knew, you were lying on your front, your eyes blinking open, though you quickly squeezed them shut when you saw the sunlight pouring in from the window.

You buried your face in the pillow and let out a groan. Your head was pounding. Great, you’d woken up with a migraine.

No… it wasn’t a migraine. It was a hangover. You could feel the familiar ache in your stomach as it tried to digest the alcohol you’d consumed.

You’d been hungover enough in the past to know your routine. Toilet, coffee, a greasy breakfast and a shower, in that order.

You reluctantly sat up in the bed, your eyes adjusting to the light, and your heart skipped a beat in fear for a moment when you didn’t recognise your surroundings. Whose bed were you in if not your own?!

You looked around for a clue, and on a wall was a glaringly obvious one - a massive four-panel framed art piece featuring Alexander Dane’s brooding headshot.

Oh god, you were in Alexander Dane’s bed.

…Alone. Where was the man himself?

You rolled out of the superking-sized bed, which was difficult as you were slap bang in the middle. You reached the edge eventually, and when you threw the covers back and sat up, you noticed that your trousers and bra had been discarded, but you still had your top on.

You trudged into the en-suite bathroom, which was bigger than your own bedroom, and sat down on the toilet. You’d solve the mystery of how you ended up alone in Alexander Dane’s bed in a bit - you had to take care of business first.

When that was done, you were feeling a bit more awake, and managed to find your discarded trousers on the floor. You couldn’t find your bra, so you pushed that thought aside for later, and turned your attention to finding Alexander.

He was, you discovered, fast asleep on the sofa in the living room, mouth gaping most inelegantly as he snored, one leg bent and the other splayed on the floor, with one arm on his chest and the other behind his head.

You nudged him softly. When he didn’t respond, you tickled his exposed armpit.

“What the fuck!” Alexander grumped as he shot awake, his arm instinctively clamping down against his side to protect himself from any further tickle attacks. He blinked, delirious, then saw you standing over him and frowned. “[Y/n]? What the fuck are you doing here?”

“I was hoping you’d know the answer to that,” you replied. “Last I remember we were at the bar, next thing I know I’m waking up in your bed without you in it.”

Alexander sat up, looking just as affronted by the light as you were, and he rubbed his temple.

“I don’t remember anything after the bar either,” he mumbled. “Why am I on the couch?”

“Dunno. I’d suggest you were a gentleman and insisted I took the bed, but from what I’ve learnt of you in the last day, you probably just collapsed on the sofa and I took the bed for myself.”

Alexander grunted, then yawned. “Ugh. Want some coffee?”

“If you’re offering.”

“‘Course I am. More of a gentleman than you seem to think.”

Alexander pushed himself up off the couch and shuffled off towards the kitchen, then paused halfway to pick something up from the armchair.

“This yours?”

He turned and offered you your own bra, and you blushed.

“Oh… yeah, I was wondering where that was.”

Alexander passed it to you without much thought, then continued his half-asleep trek to the kitchen, leaving you to wonder why the fuck your bra had been discarded on the armchair.

You quickly pulled off your top and set about putting your bra back on, trying to be quick before Alexander saw you, but of course by hurrying you fumbled more with the catch and it took you longer than you’d have liked before you finally got the straps over your shoulders and pulled your top back over your head.

“How do you like it?” Alexander asked when you entered the kitchen.

“Strong and black.”

“A woman after my own heart.”

You blushed again and sat yourself on a stool, looking around the kitchen, trying to remember something, anything, from your journey between the bar and Alexander’s bed.

“I vaguely recall offering you to stay at mine rather than get a taxi to your place alone,” Alexander said after a few moments. He was staring at the coffee maker as it boiled, as if his memories from last night were in there. “But after that, nothing until you attacked my armpit.”

“I don’t even remember that much. I think my memory ran out of storage about 2am.”

“So you remember karaoke then?”

You grinned. “Yes, I remember karaoke.”

“Mmph. Unfortunately so do I.”

Alexander poured you a hot cup of coffee, and when the first sip of the bitter drink passed your lips, you felt as if your soul had been renewed.

“That is the best thing I have ever tasted in the history of anything,” you sighed happily. “Both because I desperately need caffeine and because that’s a damn good coffee.”

“Some fancy stuff Gwen got me for Christmas,” Alexander said, leaning against the counter as he cradled his own cup like it was his salvation. “I don’t usually share it, so you should be honoured.”

You smiled. “It’s the greatest of honours.”

You were silent for a few minutes as you savoured your drinks, you trying to recall the previous night and he remembering small slivers of moments as his memory slowly came back to him.

He remembered coming back from the kitchen with a glass of water only to find you’d passed out on the sofa. He had tried to wake you, but you were out cold, so instead he hoisted you up and carried you to his bed. Exhaustion hit him, and he didn’t want to share a bed with you without your permission, so he relegated himself to the sofa instead.

That was all he remembered. How your bra had ended up on the armchair, he had no idea, because he was certain he’d dumped you on the bed fully dressed.

Once he’d managed to send you on your way, Alexander sat down at his computer and logged on to boot up the security programme. He had installed security cameras around his house in case of a break-in, not in case of lost drunken memories, but he absolutely had to know why your bra had made its way to the armchair.

He loaded the living room camera from the previous night and scrubbed through the footage until he saw the two of you walk in through the front door, then he slowed down and watched.

You came in first, followed by him, and - oh, god. His hand was down your trousers almost instantly. You looked very pleased with his actions, but you were clearly wasted - almost as soon as he left to fetch you some water, you sat down on the sofa and passed out.

Alexander watched as he carried you into the bedroom, then returned shortly after to pass out on the sofa himself. The armchair was still braless so he sped up the footage, until about an hour later when you appeared at the doorway.

He’d apparently not fallen asleep yet or was sleeping lightly, because you had only to say something to have him sitting up. You perched yourself on the arm of the armchair, the two of you exchanged words with each other - Alexander cursed himself for not having audio recording on this thing - and, to his own surprise, he stood up from the sofa, crossed the room in a few long strides, and his lips were on yours.

He watched himself sit on the chair and pull you onto his lap, and from the camera’s angle he could mostly just see your back, but it was plain that the two of you were kissing passionately. His arms wrapped around you and held you close, then grabbed the bottom of your shirt and pulled the whole thing over your head. You reached behind to unclasp your bra and threw it over the back of the armchair, where he’d find it later that morning.

Alexander sighed. What on earth had he been thinking?

Well, that was no question at all. His stupid, primal, drunk man brain had thought, Woman wants to fuck me. Dick wants to fuck woman. Must obey dick.

Never mind how young you were, or how drunk, or the fact that you were a bloody fan, probably just eager to tell your friends that you’d scored with Dr Lazarus.

He watched the screen anxiously, waiting for something to happen that he’d regret. He watched as you pulled away from the kiss to say something, and his horny, drunk self grinned excitedly.

Had he really fucked you and forgotten all about it?

On the screen, you said something else, and his past self paused. He said something, you replied, and he shook his head.

You seemed to protest, but he insisted and pushed you off his lap. You were apparently irritated, by the way that you grabbed your top and stormed off, leaving him to drag himself back to the sofa and fall back asleep, both of you leaving the bra behind on the armchair.

Alexander scrubbed through the footage just to be sure, but nothing else happened until you appeared hours later to wake him up.

He closed the footage and leant back in his chair with a sigh. He was relieved he’d apparently changed his mind about your drunken fumble, but now he had a conundrum. Should he tell you what the footage showed? Surely you too were wondering how the bra got there. Or did you know? You’d seemed just as confused as he was, and in fact seemed to not remember anything at all about coming back to his house. Or maybe you were just covering it up by pretending not to remember anything at all.

What would be the point in telling you? “Hey, [Y/n], I checked my cameras and we almost hooked up but apparently I changed my mind and sent you to bed. Just letting you know.”

If you knew, you might think it meant you had a chance with him. Alexander didn’t have anything against dating other actors, but he did have a strict rule about fans. He couldn’t possibly be with someone, whether for one night or long term, who just saw him as Dr Lazarus. Besides, if you liked the show, that clearly meant you had straw for brains, and he had higher standards than that.

No, he decided, it was best you didn’t know about that little fumble. On your next filming day, he would be nothing but professional, and any idea you might have of having a chance with him would quickly disappear.

---

Alexander’s version of “being professional” was to be even ruder to you than usual. You had no idea why he was being so abrasive, but he hardly spoke to you in the make-up room, chatting exclusively to Lena and giving you short, one or two word answers if he had to speak to you at all.

With no memory of the events on Friday, you could only conclude that Alexander just didn’t like you, though he didn’t seem to like anyone, so you tried not to take it personally. Even so, being rejected by your favourite actor for no apparent reason was soul-crushing to say the least.

You knew trying to talk to him and getting rebuffed would just upset you, so you decided to follow his lead and keep conversation to a minimum. While the cameras were rolling, you had an intense, uncertain relationship between your characters, but as soon as the cameras stopped, Alexander was back to ignoring you.

Even with his cold attitude towards you, you still managed to make the most of the experience, choosing to focus instead on the thrill of being on the Galaxy Quest set. Your character was in three episodes, arriving towards the end of your first episode, spending your second episode travelling with the crew, and in the third episode they dropped her off on a planet to settle down after her years in captivity.

The second episode was the most fun to film, because you got to be part of the crew for a while, and interacting with the other actors helped you forget Alexander’s permanent cold shoulder.

Just as you’d filmed your first scene first, you filmed your last scene last, and you travelled out on location for the scene, which was set on the planet of Atera.

Bethany said her goodbyes to the crew as they climbed aboard the ship to set off again, waiting on board as Lazarus stayed behind to speak to her alone.

“You’re sure you won’t come with us?” he asked. “There’s so much more to see out there.”

Bethany smiled sadly and nodded. “I’m sure. I need to figure out who I am outside of a cage before I go looking for adventure. But…”

She took his hand, which was soft again - did Alexander Dane moisturise?

“I’m very glad I met you, Lazarus. I thought I was alone in the universe, but… now I know you’re out there, I won’t feel so alone anymore.”

He looked at her searchingly, almost imploringly, as if looking for a last-minute way to convince her to stay.

“I’ll miss you,” Lazarus admitted.

“I’ll miss you too. Will you visit?”

“I want to… but we don’t often return where we’ve been.”

“Oh,” Bethany said sadly, glancing away, and your heart skipped a beat when Lazarus gently put an arm around her shoulder and pointed up at a constellation in the sky.

“That’s where we’re going. Always forward. So if you do miss me… just look up. That’s where I’ll be.”

Just look up. That’s where I’ll be. Alexander had been trying fruitlessly to convince Frank to take out that cheesy line, but it had been a losing battle.

Bethany craned her neck to look into the sky, then turned to look at Alexander next to her.

“Thank you for saving me.”

Lazarus looked down at her.

“My dear, I think you may well have saved me.”

Bethany kissed his cheek and smiled sweetly. Lazarus hesitated, but he let her go and made his way to the ship.

She waved him off, and when cut was called, you thought it curious how familiar kissing Alexander on the cheek felt, as if it were something you were completely comfortable with.

Perhaps you were getting too into character.

---

You were admittedly disappointed with how unceremoniously you left the studio. You had your cap removed in the usual awkward silence with Alexander, who just grunted at you when you said goodbye.

In the theatre, you knew straight away how people felt about your performance. You’d sometimes hear reactions in the moment; otherwise, you’d receive (or not) applause at the end, and reviews were online and in the papers the very next day.

Television was different. You had signed an NDA banning you from sharing details of your character or the storyline you’d been involved in. And the episode wouldn’t air for months, so you had no way of knowing how your performance would be received.

The other strange thing was that you could watch your own performance on TV along with everyone else.

Over the months since your week on set, you’d found a role as an understudy in a production of Sweeney Todd, and in between rehearsing for three different roles and occasionally even getting to perform them, you’d made some good friends with cast and crew members, all of whom supported one another’s various attempts to make a career in LA.

So when the day came that your first episode would air, you had your friends over to watch your episode with you, many of them also fans of the show, or if not they came anyway simply to support you.

You didn’t appear until the very end of the episode, Bethany’s getaway into the Protector with Lazarus and the rest of the crew acting as cliffhanger, but it was still an incredible experience to watch yourself, in full prosthetics, acting in Galaxy Quest with Alexander Dane - who, despite being a complete jackass, was still your favourite actor.

“Oh my god, I so ship them!” your friend Stephanie, who played Johanna, crooned as soon as the credits rolled. “[Y/n], please tell me you and Lazarus get together!”

“I can’t tell you what happens, you know that!” you replied, throwing your hands up in innocence. “By pain of death. Or, well, by pain of a big payment if I was responsible for any leaks, and I can not afford that.”

“Eiw, did you have to kiss Alexander Dane though?” Stephanie gagged.

“What do you mean, eiw?”

“He’s ancient!”

“He’s not! He’s 53.”

“Don’t bother, Steph, [Y/n]'s in lurrrrve with Alexander Dane,” scoffed Mike from costume, who’d found out about your crush when you’d bonded over a shared love of Galaxy Quest while he fitted you for your Mrs Lovett costume.

“I am not! I’ll have you know he was really rude to me all week we worked together. Hardly said a word to me. He’ll always be my favourite actor, but as a person? Hard pass.”

Perhaps that pass would be hard, because as it turned out, the fans loved your character. So much so that you were invited as a late addition guest at the Galaxy Quest convention in LA two weeks after your third and final episode had aired.

You gladly accepted - you were going to go anyway as an attendee, but as a guest? That was a much better option. You gave your ticket to Mike, who almost cried with jealousy that you were being invited as a guest.

You’d never been to the convention yourself before, as it was always in LA and you’d always lived in London, but you’d always followed the posts about it online, and you knew that the actors always went in their costumes, including Alexander wearing his cap. Would you be expected to do the same? You didn’t even have your costume anymore.

You arrived at the hotel on the Friday night and checked into the room you’d been given. The guests all had rooms on one floor, separated from fans, and your room was right at the end of the corridor - no doubt the last room available as you were invited so last minute.

You’d hardly begun to unpack your suitcase when you heard a knock on the door.

You opened it, your anxiety telling you that someone was about to tell you there’d been a mix up and you weren’t invited at all, but to your relief you recognised Lena, the make-up artist.

“There she is! Thought I’d bring this over and make sure you still fit.”

She held up a coat bag, no doubt containing your costume.

“You do costume now too?” you joked as you stepped aside to let her in.

“I do at things like this - cheaper for them to send me out on my own. Have you gained or lost any weight since filming?”

“Uh - I guess I might have lost some,” you said. “I don’t really keep an eye on it. But I’ve been doing a show so that keeps me in shape.”

“Ooh, which show you in?” Lena asked, and you told her about your time understudying in Sweeney Todd while she got you out of your clothes and into your costume.

“Aw, I’d love to see you in it some time! But I suppose you never know when you’ll be on, do you? That must be so hard learning all three roles. Gosh, look at you, you have lost weight! If we were filming I’d take the waist in a bit, but since we’re just here for the con, we can get away with it.”

“Am I gonna have to wear the head thing? I know Alexander always wears his.”

Lena scoffed. “Yeah, only to lower the risk of Galaxy Quest fans recognising him outside of the show. I got it with me if you want, but you don’t have to.”

You bit your lip and thought about it. You really didn’t want to wear it, but if Alexander was wearing his, you kind of felt like you should, in solidarity.

Then again, he didn’t care about your feelings, so why should you care about his?

“May I make a suggestion?” Lena asked.

“Absolutely not, you lowly make-up artist,” you scoffed.

Lena laughed. “You should wear it. Everyone’s still buzzing about Bethany, and since you’re so new to the scene people won’t recognise you without it yet. And it’ll be super cute if you and Alexander both wear it for your photo session! Here, let’s get you out of the costume for now, I’ll come back tomorrow to put it on you proper.”

“What photo session?” you asked as you turned around to let Lena take the costume apart.

“Haven’t you seen your schedule yet?”

“I had literally been here for five seconds when you knocked on the door. I haven’t even had a piss yet, let alone looked at my timetable.”

“You and Alexander have a double photo session in the afternoon. People pay $30 each for photos with you individually, or $50 for a pic with both of you.”

“Oh, bloody hell,” you sighed.

“That’s what he said too.”

“I’m surprised he even agreed to do it. He hates sharing the spotlight - although I suppose he doesn’t feel threatened by me. Still, I’m surprised he’d agree to spend any more time in my presence than he has to.”

“He doesn’t hate you, you know,” Lena told you as you stepped out of the costume and gratefully began putting your far more comfortable, human clothes on. “He’s just a miserable bastard. He quite likes you, actually.”

You scoffed.

“He hardly spoke to me all week during filming.”

“Maybe, but after you went home each day, he’d tell me how well you did in your scenes that day. And Gwen tells me he spoke highly of your performance after your episodes aired.”

“I’m surprised he watches the show.”

“He loves to watch himself. Right, that’s me done with you for tonight. The intro panel’s at 9 and I’ve gotta get Alexander’s cap on too, so I can come by at 7.30 with some breakfast and coffee to wake you up while I get you fitted. Sound good?”

“So long as the coffee’s strong and black, you can do anything you want to me.”

“Flirt.”

Lena winked at you and left, and with the promise of a 7.30 alien head thing fitting, you decided to get an early night.

---

No amount of black coffee could have prepared you for the convention.

You were shuffled through back corridors to behind the main stage at 8.45, where you found most of the main cast were waiting, all dressed in their costumes.

“Hey, it’s [Y/n]!” Guy said cheerily when he saw you. “Man, am I glad you’re here. This is my first con too, and I’m bricking it. I’ve been to loads before as a fan, obviously, but never as a guest. I’m so nervous!”

“Oh, er, me too,” you replied, a little taken aback by Guy’s enthusiasm so early in the morning. You glanced over at the others, and noticed one body missing. “Hey, where’s Jason?”

“Running late, of course,” grunted Alexander from the chair he was slouched in, looking as miserable as ever. “He’ll show up ten minutes late on purpose, all to get that extra round of applause.”

He didn’t even look up at you to say hello.

You turned to Guy.

“Hey, when they introduce us, d’you think we could go on at the same time? Then we can power through that terrifying first entrance together. I’m terrified of walking on stage after everyone else and getting crickets chirping.”

“Oh my god, me too!” Guy said with relief. “I’m so glad you said it. Yes, let’s do it.”

Alexander snorted derisively. “What, are you scared of walking on a stage?”

”This is a little different from a theatre show,” you retorted. “In the theatre, they applaud at the end, and they applaud based on your performance. Here they’re applauding us as people, and none of them know me. Or has it been so long you forgot what theatre bows are like?”

Alexander did look at you then, his eyes narrowed, as the others chortled at your dig.

“Remind me why she’s here?” he grumbled to no one in particular.

“Because we got about 200 emails last week asking if she’d be here,” replied the convention host, who decided now was a convenient time to walk in. “Right, you guys ready to go?”

The convention passed in a whirlwind. You were hurried from panel to signing to meet and greet with hardly a chance to breathe. You met hundreds of fans, whose names you scribbled alongside your signature then promptly forgot, and you took every chance you had to remind the fans you were talking to that you were one of them.

In the afternoon came your photo session with Alexander, and finally you got a moment of peace when you entered the room ten minutes before the fans were to be let in - although, you suspected, they were already lining up outside.

While the crew got the backdrop ready, you collapsed into a chair with a sigh of relief.

“You still have a day and a half to go, you know,” said a familiar voice.

You looked up to see Alexander leaning up against the wall, looking at you with amusement.

“I didn’t think so many people would want to see me,” you said honestly. “Sure I didn’t have a line like you guys had, but mine still didn’t stop. I think I’ve met more people this morning than I have in my entire life.

Alexander scoffed. “Yep, and they’ll be back tomorrow, expecting you to remember them all individually.”

“How many have asked you to say that line?”

“Too fucking many. How many have asked if you’re coming back?”

“Pretty much everyone.”

“What have you been telling them?”

“That Alexander Dane’s a twat and will probably refuse to work with me again.”

He laughed, but he didn’t deny it. He sighed, then came to sit by you.

“Look, I know I’m a twat. I’ll try to make this tolerable for you.”

“Gee, thanks. No one’s forcing you to do this with me. Couldn’t you have just said you didn’t wanna do a double shoot?”

“Actually… it was my idea.”

Now that surprised you. You looked at him questioningly, and he sighed.

“Look, Gwen always hates these things, alright? Blokes are always trying to touch her. It happens less when a man is there, as stupid as that is, so Jason or I usually do a double shoot with her.”

“And you thought they might do the same with me?”

Alexander shrugged. “Sure, why not? These basement dwellers don’t know how to act around a woman - add the fact you’re gorgeous and all hope is lost. So let me know if you’re uncomfortable, alright?”

You nodded, hoping Lena had caked you in enough make-up to hide your blush at the fact he’d called you gorgeous.

As it turned out, Alexander was right - fans really did have wandering hands. After the third narrowly avoided grope, you pulled Alexander aside before the next fan stepped up.

“Alex, that’s three guys who’ve tried to grab my arse already,” you whispered. “What do I do?”

“What? Who?”

Alexander looked around as if the groping fans might still be lingering, but they’d long been ushered away by event staff.

“I told you, [Y/n], you need to tell me when it happens.”

“What am I supposed to do? Shout ‘hey, everybody, this guy’s grabbing my arse’? That’s so embarrassing.”

Alexander thought for a moment.

“Alright, when it happens, you poke me with two fingers. I’ll pretend I noticed it myself.”

“Oh, planning non-verbal cues already, are we?” you joked, the words out of your mouth before you could stop yourself.

He snorted and rolled his eyes.

“Trust me, [Y/n] - if we fucked, I’d make sure you were very vocal.”

Your cheeks burned for the second time in that hour, but you had to push your sudden explicit thought about Alexander to the side, because you had two more hours to go of this torture.

Most of it went by without any more unwanted groping, but you were nearly at the end of the queue when one ball of sweat dressed in a very poorly made copy of Alexander’s costume placed his hand firmly on your rear.

You froze for a moment, then remembered to poke Alexander with two fingers. His head immediately whipped around and he looked down to see the fan’s hand far lower than it should be.

Alexander may be grumpy all the time, but there was a difference between grump and anger. He was never really angry unless he was acting - but he certainly wasn’t acting now.

You were fairly certain you didn’t even know half the swear words that came out of his mouth as he yelled at the fan. A brave staff member tried to intervene, but Alexander simply turned his vitriol to them, yelling at them for not making the event safer for female guests.

He ended his rant by ushering you along with him as he stormed out, and you felt a mixture of emotions - relief to be out of there, guilt for the fans still in line, and a bit (okay, maybe a lot) of arousal at Alexander defending you.

“Prats,” he cursed bitterly as the door closed behind you, leaving the two of you alone in the corridor. He turned to you. “Are you alright?”

“Yeah, I’m fine,” you replied awkwardly, not really sure if you were being honest. “Thanks for, um, rescuing me.”

Alexander pursed his lips, his nostrils flaring as he shot a dark look back at the door.

“You got anything else on this afternoon?” he asked you.

“No, that was my last thing.”

“Do you want to go back to my room and raid the minibar? I usually get pissed on the agency’s credit card alone, but I guess you wouldn’t be the worst company.”

“That almost sounded like a compliment.”

“Make the most of it. Come on, I know a way upstairs we can go to avoid being seen.”

Alexander led you up to the floor you were all staying on, and you were halfway down the corridor to his room when your path was suddenly intercepted by Jane Doe, one of the new cast members for the reboot.

“Hello!” she announced cheerily, grinning at you both.

“Lal - er, Jane, what are you doing here?” Alexander said with confusion. “I thought you couldn’t make it this weekend.”

“It is my birthing day! We are having a party. You are coming too.”

Alexander glanced at you. “Oh - er - we’ll miss this one, actually. But happy… birthing day.”

He tried to step around her, but she simply followed his path, still grinning.

Apparently she was as strange as her character.

“You are coming!” Jane insisted.

She held something up in her hand and pressed a button, and your world went black.

[vintagetvstars]

Hot Vintage TV Men's Bracket - Round 1 - Part 1/2 (Polls 1-99)

Round 1 (All Polls)

Ted Bessell Vs. Dick Van Dyke

Jonathan Frid Vs. William Hartnell

Claude Rains Vs. William Hopper

Eric Idle Vs. Peter Tork

Henry Winkler Vs. Tom Smothers

Martin Kove Vs. Tom Selleck

Jeff Conaway Vs. John de Lancie

Dave Foley Vs. Michael J. Fox

David Hyde Pierce Vs. Tony Shalhoub

Jason Bateman Vs. Rob Lowe

Ted Cassidy Vs. Boris Karloff

Eddie Albert Vs. Russell Johnson

Bobby Sherman Vs. Micky Dolenz

Robin Williams Vs. Fred Grandy

Kevin Smith Vs. Bruce Campbell

Brad Dourif Vs. LeVar Burton

Seth Green Vs. Brandon Quinn

Matthew Perry Vs. Tim Daly

Mike Farrell Vs. Judd Hirsch

Matt Bomer Vs. Timothy Olyphant

Larry Hagman Vs. Kent McCord

Fred Rogers Vs. Bobby Troup

David Cassidy Vs. Luke Halpin

George Takei Vs. Richard Hatch

Ricardo Montalban Vs. John Forsythe

Richard Dean Anderson Vs. Bruce Willis

Anthony Head Vs. Paul McGann

Thorsten Kaye Vs. Michael Horse

Darren E. Burrows Vs. Dana Ashbrook

Adam Brody Vs. Milo Ventimiglia

Adam West Vs. Richard Chamberlain

Randy Boone Vs. Dean Butler

Clint Walker Vs. George Maharis

Erik Estrada Vs. Paul Michael Glaser

Billy Dee Williams Vs. Rock Hudson

Ted Danson Vs. Jameson Parker

Sylvester McCoy Vs. Armin Shimerman

Joe Lando Vs. Spencer Rochfort

Ben Browder Vs. Keith Hamilton Cobb

Richard Ayoade Vs. Kevin McDonald

Patrick McGoohan Vs. Robert Vaughn

Chad Everett Vs. DeForest Kelley

Jon Pertwee Vs. Mark Lenard

Darren McGavin Vs. Peter Falk

Terry Jones Vs. Alan Alda

Michael Tylo Vs. Timothy Dalton

Sean Bean Vs. Valentine Pelka

Ioan Gruffudd Vs. Colin Firth

David Tennant Vs. Robert Carlyle

Jason Priestley Vs. Tom Welling

Martin Milner Vs. James Garner

David Soul Vs. Lee Majors

Derek Jacobi Vs. Andrew Robinson

David Hasselhoff Vs. Stephen Nichols

Jimmy Smits Vs. Hal Linden

Brent Spiner Vs. Ted Raimi

Patrick Troughton Vs. Andreas Katsulas

Miguel Ferrer Vs. Mitch Pileggi

David James Elliot Vs. Andre Braugher

Blair Underwood Vs. Mark-Paul Gosselaar

Don Adams Vs. Cesar Romero

Bob Crane Vs. John Astin

Walter Koenig Vs. Davy Jones

Tom Baker Vs. Jamie Farr

Woody Harrelson Vs. John Schneider

John Goodman Vs. Joseph Marcell

Danny John-Jules Vs. Marc Alaimo

Michael Praed Vs. Kevin Sorbo

Mark McKinney Vs. Colm Meaney

Neil Patrick Harris Vs. David Schwimmer

James Arness Vs. Robert Fuller

Clint Eastwood Vs. Robert Conrad

Jonathan Frakes Vs. Michael Hurst

David Duchovny Vs. Michael T. Weiss

Luke Perry Vs. Jeremy Sisto

Matt LeBlanc Vs. John Stamos

Reece Shearsmith Vs. Alexander Siddig

Eric Close Vs. William Shockley

Daniel Dae Kim Vs. Robert Beltran

Scott Cohen Vs. Scott Patterson

Dick Gautier Vs. Michael Landon

Wayne Rogers Vs. Alejandro Rey

Gerald McRaney Vs. Robert Wagner

Simon Williams Vs. John Cleese

Brian Blessed Vs. James Earl Jones

Noah Wyle Vs. Kyle MacLachlan

James Marsters Vs. Paul Gross

Paolo Montalban Vs. Robert Duncan McNeill

Garrett Wang Vs. Nate Richert

Christian Kane Vs. Michael Vartan

David McCallum Vs. David Selby

Leonard Nimoy Vs. Colin Baker

Randolph Mantooth Vs. Michael Nesmith

Demond Wilson Vs. Tony Danza

Ron Perlman Vs. Mr. T

Ron Glass Vs. Dirk Benedict

John Shea Vs. Michael Ontkean

Jeffrey Combs Vs. Rowan Atkinson

Tim Russ Vs. Bruce Boxleitner

Round 1 Polls 100 - 128

[gwenskinnie]

Jason Nesmith: Pick it up or I'm sending you back to hell! [pulls a gun at Fred Kwan]

Gwen DeMarco: All right, Jason, drop your weapon! [pulls a gun at Jason]

Tommy Webber: No, you drop it! [pulls a gun on Gwen]

Alexander Dane: Nobody holds a gun to my girl but me! [also pulls a gun on Gwen]

Guy Fleegman: All right, let's fucking do this! [has a lot of mulitiple arms with guns, knife, etc. pointed at everyone but himself] I'm not afraid to DIE!! [sprouts yet another arm with a gun pointed at himself]

[lazarusoftevmeck]

Galaxy Quest cast photos in the “Galaxy Quest: The Inside Story”

[ohc-and-the-music-tapes-archive]

Article about Marshmallow Coast and interview with Andy Gonzales in Flagpole, 14 April 2004  

[source]

transcript:

The Reluctance of being earnest Marshmallow Coast's Andy Gonzales moves towards a sharper picture of himself Andy Gonzales is looking to define himself, and he's been doing it for a while. To be more specific, he's looking to have his Marshmallow Coast identity and music exist outside the realm of his more acclaimed association. In fact, when I call to ask him about the recording of his recent album Antistar, he brings up Of Montreal right off the bat and without any prompting. 

"We recorded [Antistar] with Jason NeSmith at Bel Air Studios," says Gonzales, "and it basically... well. I felt like I needed to record an album completely disassociated from Of Montreal. All the [Of Montreal] reviews would mention Kevin [Barnes, Of Montreal's primary songwriter and frontman] and not mention me.

That was pretty much my only thing to consider in the recording of this album, so I didn't want to include any of those people. That just got under my skin after a while—not that it created hard feelings, of course, but it was time to really be on my own."

Don't let Gonzales come across as bitter— he's not. But he does carry the air of someone frustrated with being overshadowed. Antistar, however, should aid in further separating Marshmallow Coast from Of Montreal's quirky pop preciousness. The album is Gonzales' fourth as Marshmallow Coast, a name he's used since his early teenage years in Denver. It's also his most distinct album to date. Marshmallow Coast's 1999 debut album Seniors and Juniors came across like an off-key and lo- fi love letter to Music Tapes' Julian Koster (also of Neutral Milk Hotel), and 2000's Marshmailow Coasting carried a strong Of Montreal sound— not surprising, since the majority of that band showed up to back Gonzales.

But with 2002's Ride the Lightning, which marked the jump from Kindercore Records to Misra Records, Gonzales started to gain his own foothold. Of the label switch, Gonzales says: "Kindercore was totally changing, and I kinda had a weird inkling that I needed to leave, but it wasn't anything other than I needed to be on a different label than Of Montreal, because that was the height of the comparison."

Antistar finds Gonzales exploring his troubadour side, turning away the more psychedelic whimsy experiments of earlier albums, instead relying on tunes more in line with the steady output of standards coming from Burt Bacharach and Elvis Costello, albeit with a Sean Lennon voice and a Jonathan Richman sense of humor. Love songs—romantic love songs populate Antistar. Says Gonzales: "Everybody feels love, and I just... more than being lovey-dovey, I try to make my songs about weirdoes who find love mysteriously. I think it's more classy to write about love, and I definitely don't have anything political to say." The album was recorded primarily in the solo setting, and Marshmallow Coast's live performance reflects that; it's Gonzales and wife Sara Kirkpatrick, who married recently in Dekalb County, accompanied by a CD for all the backing tracks and drums.

"My songwriting process has kind of evolved," says Gonzales. "It used to be that I'd just wait for inspiration, but eventually I'd just work on little bits and pieces and see how they fit together over time. Now I'm at the point where I can get my brain into writing mode when I'm in the studio recording—I might go in with just six songs, and that's not enough for a full album, so I'll write some out of sheer necessity. Some of those songs have become some of my favorites, because I'm not super-prolific like some other people are. If I tell myself I've got something to accomplish and I'm not wasting somebody's time, I can get things done. But it can be difficult."

Again, Gonzales slips comfortably into self-doubt an apologetic tone for even existing in the first place. He seems uncomfortable with his own place in the creation of music. To wit:

Andy Gonzales: By this point I just [write songs] and we don't really feel like we'll change the world or anything. Flagpole: No? AG: Not really. Sometimes I don't know why I do it. I think about all the other hundreds of bands who recorded their CDs and spent all that money in the studio and... I dunno. I guess there is a reason. FP: What is that reason? AG: Because I like doing music, and there are some people who seem to like it I mean, I totally love making music, but I've given up the romantic notion I held as a teenager that we're gonna be big or something. But there's somebody willing to put the record out, so I'll definitely have the songs ready, I guess... I mean, I would love for us to get recognition as a unique or different band, but I am happy with the recognition we've got so far.

But again, it seems to be the constant scrutiny and comparison to his musical elders that's led to Gonzales' reticence and his reluctance to take a strong stand on his own music. "The weird thing is," he says, "I've had the luxury to turn into something while people were able to watch and scrutinize. Most people might not put out their first album until they're my age now, until they've really developed as an artist and are ready to be out there. I've kind of been developing in the public eye."

Is that ever an uncomfortable situation? "I think it was in the beginning," says Gonzales, "because I'm not a very good singer, but now I think... I don't know how much consideration I give it anymore. I just want to make something really, um, pretty? Y'know, just music that's nice. I feel that if I evolve in any other way I'll try to get somebody else to sing because that's where I run into the most criticism." 

But does Gonzales like his own voice? "Yeah. Sometimes? I don't know." It seems that Gonzales' strength, then, is to let the songs speak for themselves as well as for him. Despite his self-questioning, Antistar takes a strong stand towards romance and pushes Gonzales further towards definition.

Chris Hassiotis

[morgannalefey]

This was the house that they used for Jason Nesmith's house in Galaxy Quest.

Day- and Nightview in the Stahl House, 1960. Photographed by Julius Shulman - via x

[sinceileftyoublog]

The Bad Ends: From One Extreme to the Other

Photo by Jason Thrasher

BY JORDAN MAINZER

“I’m not going to shy away from the absolute most unthinkable thing that can happen,” Mike Mantione told me over the phone late last year. The vocalist and guitarist from Five Eight was speaking about The Bad Ends, his new band with former R.E.M. drummer Bill Berry, bassist/vocalist Dave Domizi, Josh Joplin Group keyboard player Geoff Melkonian, and guitarist/mandolinist Christian Lopez, all fixtures of the Athens and Atlanta music scenes. It’s a strange thing to say when talking about a new project, one who after sitting on it for five years released its debut album, The Power And The Glory, last Friday via New West. Plus, our interview was the day after The Bad Ends had played their first ever show at Nuci’s Space. But Mantione isn’t afraid to "meet face-on” where The Power And The Glory came from, which is a lot of death and depression.

Originally meant to be a solo record for Mantione, The Power And The Glory was born out of outward suffering, written in context of what Mantione admits were “like 4 deaths,” from friends to family members, from natural causes to suicide. The number is irrelevant, and it’s darkly, comically not exact, fitting for the types of songs that pervade the album. Lead single “All Your Friends Are Dying” is The Bad Ends in a nutshell: its lyrics and video contain a who’s who of Athens-based musicians, and its instrumentation sports a melancholy jangle that’s celebratory at the same time. “All your friends are dying,” sings Mantione, following it up with a whoop, on the surface macabre but in essence a celebration of life, a reminder of its volatility and the aging process and to get out and do things. “Honestly” sees Mantione listening to and reflecting on old records and associating with a friend who had passed. Stunning closer “New York Murder-Suicide” transposes a true crime-level story from Mantione’s wife’s family onto his own late immobile uncle and aunt with dementia, imagining them killing themselves. Featuring just his voice and tremolo guitar playing, it’s stark and serious. But hearing that Mantione actually got to play the song for his uncle--someone who told Mantione to “always keep going, never stop”--gives the song a tad bit of levity, and maybe makes it heartwarming in a twisted way.

On paper, the subject matter of the songs on The Power And The Glory seem better suited to a devastating singer-songwriter record. When Melkonian produced Five Eight’s 2004 self-titled album, the plan was for him to produce Mantione’s eventual solo album and to have a different set of musicians on every two songs. The first set of musicians, in addition to Melkonian, was Berry, Lopez, and Domizi, at which point Mantione knew this was the only band. Fittingly, the venue where The Bad Ends played their first show also confronts the realities of being a working musician and a human. Nuci’s Space, founded by the family of Nuçi Phillips, a musician who took his own life, seeks to end the suicide epidemic and the stigma attached to brain illnesses by providing a space for musicians to get support and affordable treatment. More, in 2013, Nuci’s Space acquired ownership of the “R.E.M. steeple,” all that’s left of the church where the Rock and Roll Hall of Famers played their first ever show. That a lot of The Power And The Glory deals with grief and is Berry’s first album since he left R.E.M. makes The Bad Ends seem like a destiny more than a fun fact.

Ultimately, The Power And The Glory is about perspectives. A song like “Mile Marker 29″, written during a family camping trip to witness the 2017 Solar Eclipse, is a hard-charging rocker that sees Mantione making the difficult decision to leave behind a depressed friend that’s bringing him down. “I’m getting frustrated with someone who isn’t taking part,” Mantione said of the song. “It’s very sad: There’s this amazing world that’s awesome if you look at it. There’s just a minivan and a family, and it drives anywhere you imagine.” “The Ballad of Satan’s Bride” is a fictional story about a guy who dies in the arms of his newlywed, whose been drunkenly seduced by Satan, its tragedy belied by the song’s fun volume and pace. Most importantly, it doesn’t really judge any of the characters. “None of us are perfect,” Mantione said. “We’re all sitting with whatever we’re sitting with. Music enables us to integrate it, to make sense of so many odd years on this planet that’s sublimely beautiful at the same time. If you open your eyes and look, you’ll be bouncing from one extreme to the other.”

The Bad Ends celebrate the release of The Power And The Glory Saturday at Athens’ legendary 40 Watt Club playing the album front to back. (No, they wont be featuring actual strings when playing the Berry-penned mid-album instrumental “Ode to Jose”.) A.D. Blanco headlines the night, and Pylon Reenactment Society and Lo Talker open. Doors at 7 PM EST, music at 8. Tickets still available at the time of publishing.

[anretc]

fic meme

Been a looooooong time since I've done a fic meme! Blame thank @mylittleredgirl for tagging me.

Rules: give us the links to your fic with the most hits, second most kudos, third most comments, fourth most bookmarks, fifth most words, and finally the fic with the least words.

Most hits: A Life Ever After (The Proposal (2009), Andrew Paxton/Margaret Tate) For better or worse.

Second-most kudos: When the War Is Over (Star Trek: Enterprise, T'Pol/Charles "Trip" Tucker III) This is not supposed to be easy.

Third most comments: Touch the Sky (Galaxy Quest (1999), Gwen DeMarco/Jason Nesmith) Starships were meant to fly.

Fourth most bookmarks: The Scars That Silence Carved (Aliens (1986), Alien 3 (1992), Dwayne Hicks/Ellen Ripley) Little penetrates outside of the singular fact that they're alive. All three of them.

Fifth most words: When the War Is Over (Star Trek: Enterprise, T'Pol/Charles "Trip" Tucker III) This is not supposed to be easy.

Least words: Acheron (Aliens (1986), Dwayne Hicks/Ellen Ripley) Forget yourself for just a moment.

Tagging @mierac, @taraljc, @goddesspharo, @lawsonblakestan & @banthacakes but all are welcome to claim I tagged them if you want to play.

[cultfaction]

Galaxy Quest Steelbook 25th Anniversary (4K UHD Bluray)

Years after cancellation, the stars of the television series Galaxy Quest cling to their careers. When a distressed interstellar race mistakes the show for “historical documents,” lead actor Jason Nesmith (Tim Allen) and his crew of has-beens are unwittingly recruited to save the alien race from a genocidal warlord. Featuring an all-star ensemble, including Sigourney Weaver, Alan Rickman, Tony…