#magnet factory

[sinceileftyoublog]

Pylon Reenactment Society Interview: Different, But Related Beast

Photo by Christy Bush

BY JORDAN MAINZER

Up until now, it still feels like we've been slowly closing the book on Pylon. Since initially disbanding in 1983, the Athens, GA post-punk band reunited and broke up many times, coming out of retirement for the final time in 2004 for a show. A few years later, in 2007, lead singer Vanessa Briscoe Hay and guitarist Randy Bewley, along with other staples of the Athens music scene, joined supergroup Supercluster. Pylon technically ended with Bewley's tragic death of a heart attack in 2009, but for the next decade-plus, they kept getting their critical flowers as post-punk influences increasingly infiltrated independent music. 2020 saw the release of the excellent Pylon Box (New West), which consisted of remasters of the Athens, GA post-punk band's first two albums, a collection of singles and alternate mixes, a previously unreleased recording of a band practice, and an accompanying essay and book telling the band's story. So that's it, right?

Sort of. Maybe on Friday.

It might have been, if not for Pylon Reenactment Society. Initially formed in 2014 as a one-off entity for Art Rock Athens, PRS--featuring Casper & the Cookies guitarist and Hay's fellow Supercluster member Jason NeSmith--continued to play shows, release Pylon covers, and even share a few original songs over the years. Now, Hay, NeSmith, bassist Kay Stanton, and drummer Gregory Sanders are set to drop the first PRS album, Magnet Factory, Friday via Strolling Bones. Almost as a way to bridge the gap between Pylon and Pylon Reenactment Society, the album features two songs that Pylon wrote and played live many times, but never recorded. Even better, its nine original songs combine the best aspects of Pylon--sharp guitars, slinky bass, steady, yet forceful four-on-the-floor drums, Hay's oft-dadaist poetry--with a newfound appetite for more varied song structures and moods. The first song PRS released for Magnet Factory was one of those aforementioned Pylon-penned tunes (credited to all four original members--Hay, Bewley, bassist Michael Lachowski, and drummer Curtis Crowe--as the band was famously democratic in process). "3x3" builds up with a thudding kick drum and arpeggiated lead guitar line, as Hay yelps a party-like to-do list of buying beer and playing music, breathlessly honoring the most ordinary of activities. But if you put the needle down or press play on Magnet Factory, the first song you'll hear, "Spiral", gradually arises, flickering with wiry guitars, a much more subdued sound from a band that never really was so. The diversity differentiates PRS from Pylon.

Yes, there are plenty of throwbacks on Magnet Factory. "Heaven (In Your Eyes)" is another Pylon-penned original, pre-dating their first album Gyrate, featuring a screamed chorus, courtesy of Hay's mighty gravel chucker of a voice. "Fix It" is, amazingly, Hay's first recorded collaboration with Kate Pierson of The B-52s, a band to which Pylon has forever been linked in the cultural consciousness of Athens. And "Flowers Everywhere" juxtaposes speedy disco drum fills with tremolo guitars, Hay mixing singing and spoken word about the innate self-worth of people, showcasing her longstanding ability to write anthems out of simple lyrics as much as exude pearls of stream-of-consciousness wisdom. But the standouts on Magnet Factory would have been outliers on Pylon albums, from "Spiral" to the album's equally deliberate closer "I'll Let You Know". Best, in an act of affection-as-resistance, Hay's first gutturally screamed words don't come until 1/3 of the way through the album, and they come with a declaration of devotion. On the militaristic march "Messenger", she sings, "No one wants to fight," before belting, "Sending love to you!" It's a look to the listener, her bandmates, the world, and one of the most exhilarating recorded moments of her career.

Around the new year, I spoke with Hay and NeSmith over Zoom, calling from their respective homes in Athens. At the time, the band was practicing for a few shows later in January in California, though they didn't have any actual tours planned, and still haven't revealed any tour dates. "It's difficult to tour financially for independent artists like us," Hay said. Thankfully, fans can get a taste of at least PRS' live presence with the videos for "3x3" and "Flowers Everywhere", which films the four band members on stage. "A video is a way to share art with the world," Hay continued. Still, PRS is playing an album release show at Hendershot's in Athens with Organically Programmed Orchestra, and they're slated to play SXSW in Austin in March. "I'm excited to get this band in front of people who have or have not seen that we're a different, but related beast from Pylon," said NeSmith.

Below, read my conversation with Hay and NeSmith, edited for length and clarity. We spoke about many of the songs on Magnet Factory, the history of the Athens scene, and playing live.

Since I Left You: You've taken the time to contextualize Pylon Reenactment Society: It's not Pylon, though it has Pylon in the name. The band has been around now for 10 years. Is it hard for fans to differentiate between the two? Are there people who have come to see Pylon Reenactment Society who don't know about Pylon?

Vanessa Briscoe Hay: It's a bit of both. Every new generation that comes up discovers music. To the younger folks, we're a new band. They may have heard of us or seen us in [Tony Gayton's 1986 documentary] Athens, GA: Inside/Out, or saw the [Athens, GA Inside/Out 2: Red Turns Blue] movie we were in, or saw the Pylon box set Jason and I worked on along with Henry Owings and Michael Lachowski that came out in 2020. When we go play shows in other areas of the country, our audience may have a group of [20-]year- olds, and there will be another group that are older, in their 30's, 40's, 50's, 60's, and even a few 70-year-olds who were around when Pylon first got together back in 1979. I think we're a multi-generational band with a multi-generational audience.

SILY: There's a lot of contemporary music that, to my years, is very influenced by Pylon, the Athens scene, or post punk in general. So when people hear a Pylon record or hear Pylon Reenactment Society live, it seems fresh and relevant.

Jason NeSmith: I agree with you there. The Pylon records from the 80's still sound pretty fresh and relevant. If they remained unreleased until this year, they'd sound current to me. I guess that's partially a blessing of them not getting overexposed back in 1980-1983 the way they might have. They weren't overplayed the way you might think of U2, another one of those bands tagged early on as post-punk but who are now part of the landscape. They had a Joy Division influence, too, but they're an arena band. The way that Pylon seemed to put their material together was so sui generis, a genre of one. You might hear reverberations of the time period, but nothing that sounds so much like something you already know too well. People are still influenced by that era and that sound, and these particular sounds are still relevant. It's great, and we're happy to add to that feeling with the new material.

SILY: Pylon Reenactment Society has released some recorded material, but Magnet Factory is your debut album. "3x3" definitely seems like the perfect segue from one chapter to the next because it was a Pylon song not recorded until now. How does "3x3" fit as a Pylon Reenactment Society song?

JN: I love performing Pylon's released material in a live context. It's so much fun. We did do a covers EP, which was kind of by accident. We clearly don't want to be known as a strict covers band. We already planned a long time ago on writing new material and have done it a lot already. The pandemic interrupted things, as it tended to do. We weren't going to cover existing Pylon material for our debut record--that would just be ridiculous. But it absolutely made sense for us to pick up on where Pylon had not completed something. They played "3x3" for years at dozens of shows. It was one of Randy's favorite songs, and Vanessa brought it up a lot to us. When we were thinking about what could possibly go on the debut record, a lot of things were floated, and it was one we all thought was appropriate. It's so elemental. It's such an indestructible song. There was no chance we were gonna mess it up, so we went for it. [laughs]

SILY: When I was listening to "it"3x3" for the first time, it immediately had that classic creation of tension from he words Vanessa is singing, sort of mundane things like buying beer and playing music at a party. When I watched the video, the vibe was so much more celebratory and cathartic. Do you think the song straddles those two lines or exists as both tense and celebratory at the same time?

VBH: I think it is tense and celebratory, celebratory just from the sound. There's something about the sound of the instruments, and maybe what I'm singing. The overall sound is very joyous. It's something easily tapped into by people who like to dance and go to shows. It's a lot of fun to perform live. Before Randy passed away, I kept saying, "We need to go into the studio and record the song." Unfortunately, he passed away before that could happen. We even though about bringing in Michael and Curtis and getting Jason to play. But this is so much better. It's a bridge between then and now. Like Jason's saying, it's hard to mess up. [laughs] But it's a lot of fun! That's the most important thing.

JN: It's almost like a Stooges song. "I Wanna Be Your Dog" is two chords, though "3x3" is three chords. It's got that more...you know what, I'm done talking about that song. [laughs] That's how elemental it is. It describes itself.

VBH: Yeah, you don't wanna start picking things apart too much. You lose a little bit of the magical feeling of just listening to it. People should just listen to it and make up their own minds.

SILY: The record is bookended by two songs that, were you familiar with Pylon, have sounds, tempos, or moods you might not expect. "Spiral" is subdued, and "I'll Let You Know" ends the album a bit more gently. Was that an intentional decision?

VBH: I came up with an unspoken theme for the album, and Jason helped me decide how to put the songs in the order to get there, but I was thinking about a French movie about the seven ages of woman, [1960's Love and the Frenchwoman], and human beings and the process they go through, starting with before you're born and [ending with death]. But I'm not promoting the lifespan of a human as the frame for the album, and maybe I shouldn't be talking about it here because people might start reading too many things into it. But it's nice to have an idea to wrap something around.

JN: I saw it as an organizing principle as much as a theme. [This] way to organize the material necessitated bookending the record with sounds a little bit outside of the palette that Pylon used. That's where you might hear some things poking through from the individual players: the way Kay plays bass, the way Gregory plays drums or adds other sonic textures. The new elements that they introduce and that I introduce. It sounds more at peace with the past because Vanessa's voice is familiar and still strong, but it's a whole new mood.

VBH: Do you want people as they're making music to stay stagnant? [We don't want] people [to] say, "They sound exactly like they did in 1981. They really are just a cover band with no new ideas." People change and grow, and I've learned and changed and grown as I've worked with these particular musicians. I've worked with Kay and Jason for a long time now--we had a recording project called Supercluster that was basically a writing project. Randy was in there, too. We can't stay still or pretend to be something we're not. We've lived, we've learned, we bring part of that process to how we make our art.

SILY: One thing that seems to have stayed consistent, though, between Pylon and Pylon Reenactment Society is Vanessa's penchant for occasional moments for lyrical absurdism or mantras. When you write, do those come out of the blue? Like, "Haven't you heard about candy?" on "Boom Boom", or, "Seek facts without fear," on "No Worries"?

VBH: [laughs] It's really strange, but when I write--and this sounds kind of pretentious--I try to empty my mind and see what happens. I'll let the music suggest things and ideas to me, and these things sometimes very easily pop up and almost write themselves, on the spot, like our Christmas song "Christmas Daze", which isn't on the record. Sometimes, I'll have to work with it, and I'll write a lot of words and end up crossing them out. Sometimes, things are so awkward, we don't even record them. They don't even make it that far. A lot of the time, I feel like the blame would be on me because I was awkward and wasn't able to fully get in touch with what I wanted to do with that particular song. [On Magnet Factory,] we ended up with 9 songs that we wrote and 2 songs we arranged that were Pylon songs, and I'm really happy at this stage in my life to be able to record and put this out and to write. I never stopped writing. I write something almost every day. I'll fill pages and pages on my iPad, or a scratchpad with a lot of words, and I'll start paring them down, crossing them off, and get the words to something more universal.

SILY: None other than The B-52s' Kate Pierson features on "Fix It". With The B-52s on their farewell tour, does it feel like an end of an era in the Athens music scene?

JN: I got here in 2000, and the Athens scene had already died many deaths. [laughs] "You should have been here in '84," or, "You should have been here in '73," or, "You should have been here in '98." It's over and over again. People age out of it. There's always a new band coming that may or may not have been influenced by what came before them. It's a cliché to say there's something in the water, but the scene keeps reinventing itself. As for The B-52s, I think it's quite possible for somebody to come to town, fully take part in the scene, and not even know that "Rock Lobster" was written a mile away from where they're standing. In a way, that's really unfortunate, but in another way, it's a testament to the power of the island of misfit toys we have here that remains. In a way, that era is still here, but the players have changed.

VBH: Just like there are layers on time on top of each other here, you'll be moving down the street or past this corner that 45 years ago other kids were hanging out on, making their music. If you are sensitive, you can feel those vibrations. What's important is they existed here and created the music they created and will be part of Athens. It's the beginning of the modern music scene. We had other bands before that were very good. The B-52s changed it all.

Photo by Karen Allison

SILY: "Fix It", along with a few other songs on the record, builds up in volume and intensity and plays with tempo. "Heaven (In Your Eyes)" plays with dynamics. Vanessa, do you think this record is some of the most instrumentally dynamic music you've ever recorded?

VBH: Me personally, perhaps. Jason has a band called Casper & the Cookies that are quite well known for tempo changes and dynamics. [laughs]

JN: From my perspective, looking at Vanessa's catalog with Pylon, maybe that's true. Supercluster had some dynamics. Pylon was more in the habit of being a steady state band.

VBH: A four on the floor kind of beat.

JN: "Heaven" being an early Pylon song, the live recordings of it are also very dynamic. That's why we wanted to do it. It's tender and ferocious in turns, and we wanted to try that on. [Magnet Factory is] maybe the most dynamic Pylon-related music that's been released, but not performed.

VBH: I definitely used a lot of dynamics singing live.

JN: I wonder if Black Francis/Frank Black ever listened to Pylon, just because of the loud-quiet-loud thing. He could have gotten it from several places, but it could be because he was listening to Gyrate.

SILY: I'd be surprised if he hadn't! It seems like notable musicians from specific eras often devour the notable musicians from 10 years prior.

VBH: Perhaps he did. I know we were in the studio for our 3rd album [Chain], and Gary Smith from Fort Apache [Studios] had come down to work with us, and Black Francis called him while we were in the studio. I don't know what they were talking about. [laughs] Talkin' about somethin'.

SILY: Vanessa, it took you a few songs in on this album to scream. Vocally, you have a lot of interplay between speaking, singing, and your quintessential raspy sort-of scream. When you record or write, how often are you trying out different vocal deliveries? Or do you know how you're going to sing from the get-go?

VBH: I don't know from the get-go. Jason can tell you that. I'll try all different kinds of ways, and often, he'll be the first to suggest, "Why don't you do it like you did it last time when you were singing it higher?" They give me input about what might sound better. Playing with phrasing is a lot of the fun of being a vocalist.

SILY: Have you played all of these songs live at some point?

VBH: Not all of them. We have quite a few of them in our regular set, but we've been practicing them.

SILY: Are you planning a larger tour, and--fingers-crossed--coming to the Midwest?

VBH: I'd love to come back to the Midwest, to Chicago and maybe Ohio, Kentucky, go up through the middle of the country. We haven't set any dates yet. I know we're going to South By Southwest in March. We'll do a Northeast type of tour a little later in the year. I'm hoping we make it to the Midwest, because I really like it there.

JN: Me too. All we need is the right person to ask us. We'll be hoppin' in the van on the way up there.

VBH: We played the Barely Human Festival in Detroit in 2017 and added a Chicago date to it at the Beat Kitchen. It was February, so it was so cold. The Festival had Xeno & Oaklander and John Bender. I thought John Bender was the perfect name for what he was doing. He looked like a mad professor, like a circuit bender. He gave us business cards. There was a band called Black Marble that played after us. They were all electronic musicians except for us. [The festival] got this beautiful drum kit just for us. We went on at 2 A.M. It was great playing in Mexicantown in Detroit at El Club. It went on all night.

JN: ESG played, but we missed them.

VBH: When we played in Chicago, we played with Ovef Ow and The Baby Magic, two local punk bands.

JN: The Baby Magic were crazy! They were really good.

SILY: When you practice performing, are you adapting the songs to the stage or getting a feel for how you might like to jam them out?

VBH: There are some added sounds on the album, but when we wrote the songs, and when we recorded them, we made the decision to use these four particular people in the band, other than Kate Pierson. We wrote them in a way they could be performed live. Not to say there isn't some studio witchery going on sometimes, but you will definitely recognize the song live from the album. You're not going to be saying, "Oh, what is that?" [laughs]

JN: That is one of the things we're carrying over from Pylon: the self-contained nature of the arrangements. If the guitar part I came up with in the practice space, that I thought was going to make it all the way through the song, is now two guitars, I have to rewrite it so I can play it again live. The intention is sleek, simplified arrangements that four people can play.

SILY: Is there anything either of you have been listening to, reading, or watching that's caught your attention?

VBH: That's a good question. My mind always goes blank when I have to come up with anything. [My husband] Bob [Hay] and I watch a TV show during dinnertime. We started that during the pandemic. We made it through all the seasons of The Sopranos. Then all 20 seasons of NCIS. Both seasons of NCIS: New Orleans. Now we've moved over to Fargo. We have murder with our dinner.

I like to read a lot of different things. I'm just interested in the world. I like to know what's going on. I read a lot of articles. The last book I read I truly loved all the way through was [Jessica Handler's] The Magnetic Girl.

JN: I've been reading a bunch of music books. I'd recommend The Story of the B-52s: The Neon Side of Town by Brigette A. Herron and Scott Creney. It convincingly reframes The B-52s as a band that actually matters a great deal, which might come as a surprise to people who only know them from their hits.

Musically, my job as a mastering engineer means I listen to music as work, and I enjoy my job, but when it's time for elective music, I need things that are going to turn my brain off, so I'll listen to things like Jon Hassell, especially his record with Brian Eno, Fourth World, Vol.1: Possible Musics. I just bought Pere Ubu's Dub Housing, which I've known for a long time but just own now on vinyl. It's tremendous. And Thinking Fellers Union Local 2082. Those are kind of my favorite sounds right now. That and Earth, Wind, & Fire in the car, because it makes you feel really good.

SILY: It probably makes you a better driver.

JN: Oh yeah. It keeps you alert. You're blood pressure's going. Defensive driving!

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footy star || cl16

☆ summary: charles loves his successful olympic footballer wife!

☆ pairing: charles leclerc x olympic!reader

☆ fc & warnings: emily fox & none

☆ requested: yes!! thank you 🫶🏻

☆ a/n: all pictures from pinterest - none of them are my own

ﾟ. ✿ ୨❤︎୧⠀✿ . ﾟ

charlesleclerc has posted to his story

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arthurleclerc: you’ve never sent me off like this before

arthurleclerc: also tell y/n/n i am sorry i couldn’t be there to say good luck in person

charlesleclerc: told her and she says she misses you already

ynleclerc: you spoil me 🤭

charlesleclerc: of course i do ma cherie! you’re my wife after all ❤️

user1: i am so jealous of this

user2: candle on the bed is a move

scuderiaferarri: our girl 🫶🏻

user4: i want what yall have

ynleclerc has made a post

liked by charlesleclerc, scuderiaferrari, yourbff, uswnt, arsenalfc, user1 and 435,274 others

ynleclerc: traded in my arsenal kit for my country kit! i am overjoyed to be representing my country for the second time at the olympics but this time as a leclerc 😉🇺🇸🤍

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user1: mommmmaaaaaaaa

user3: AS A LECLERC ??? IM CRYING

charlesleclerc: that’s right mrs leclerc 😘 i’m so proud of you

ynleclerc: i love you mr leclerc

user2: arsenal kit is better

carlossainz55: vamos y/n!! (i’m rooting for spain)

iamrebeccad: vamos y/n!! (i’m rooting for y/n)

ynleclerc: and that’s why rebecca is my favorite

user4: i am so obsessed with this

iamrebeccad: the most radiant footballer i’ve ever seen 🫶🏻

ynleclerc: stop it i love you

user7: a leclerc representing the usa doesn’t sit right with me

user4: monaco doesn’t have a team 😭

user5: my favorite wag 🗣️

scuderiaferrari has posted a video

user7: the way carlos and charles look at each other got me feeling some type of way

user8: omg stop carlos is going with charles to paris?! 🥹

user9: need a baddie to look at me with big puppy dog eyes like carlos does to charles tf

user10: FORZA FERRARI

user11: admin putting “soccer” in quotes is sending me

user12: husband charles is my favorite charles

user13: y/n has the two hottest drivers in the world as her biggest fans im

user19: beeee who you areeeee

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charlesleclerc: half of the season done. some ups like realizing a childhood dream in monaco and marrying my best friend in tuscany and some downs but it’s time to rest, cheer on my wife at the olympics and come back stronger than ever in the second half! thank you to everyone for the continuous support - see you soon ❤️

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user10: NEW WEDDING PICS DROPPED 🚨

user16: enjoy the break charles

maxverstappen1: let’s go y/n!! enjoy your break charles! try not to cause an inchidents in paris

charlesleclerc: i’ll do my best!! see you soon mate

scuderiaferrari: rest and recovery time 🔋

user16: no rest for yall tho !! get back to the factory and start making a better car

ynleclerc: je suis si fier de toi charles. je t'aime tellement [i am so proud of you charles. i love you so much]

charlesleclerc: je t'aime toujours et pour toujours [i love you always and forever]

user33: she’s learning her french 🥹

landonorris: tell y/n to bring me some thing back from paris

ynleclerc: a baguette?

landonorris: that or a magnet or a medal

ynleclerc: you got it bud

user32: charles leclerc the man that you are

user43: i hope they never stop posting wedding photos

ynlecelrc has posted to their story

view all story replies

user16: THAT MEANS EMOTIONAL SUPPORT PERSON (charles) ALSO ARRIVED AHHHH

yourbff: i miss little leo oh my god he’s so cute

ynleclerc: he’s getting so big 😭😭😭🫶🏻🫶🏻🫶🏻

charlesleclerc: what about me 🥺 just kidding mon amour

ynleclerc: well you too baby but leo just looked too cute not to post

carlossainz55: principito [little prince] 👑

user17: heck he’s my emotional support pup too

user22: GOOD LUCK TONIGHT Y/N

arthurleclerc: and nothing about your emotional support brother in law???????

ynleclerc: oh hush

arthurleclerc: I WILL NOT BE SILENCED

arthurleclerc: oh and now you leave me on read

F1Gossip has made a post

liked by user1, user2, user3, user4, user5, user6 and 123,435 others

F1Gossip: charles was in the stadium today supporting his wife, y/n leclerc, who is playing in the finals of the olympics for the uswnt! fans said charles was spotted with carlos, rebecca, arthur, pascale and lorenzo.

view all 453 comments

user22: all the leclerc’s in attendance stop 😭

user23: this is so sweet omg

user24: why are carlos and rebecca there

user23: y/n and rebecca are best friends!!

user25: the leclerc’s love y/n so much im sick

user26: y/n is living the dream. a footy super star and a member of a truly royal family

user12: i just fell to my knees ,, look how smiley he is

user16: he loves his girl so much

user18: no bc i want someone to be this happy watching me 😭💔

user32: my favorite couple on the grid

user45: i’m not ready for my family to be broken up after abu dhabi

ynleclerc has made a post

liked by charlesleclerc, arthuerleclerc, iamrebeccad, yourbff, uswnt, trinity_rodman, lavellerose, mrapinoe, sbird10, erling.haaland, and 435,273 others

ynleclerc: WE DID IT WE WON GOLD!!! we left absolutely everything out on that pitch - i am so unbelievably proud of this team. thank you to all the fans who supported us along the way and to my beautiful family and husband for making the trip to paris. i love you all 🤍🇺🇸

view all 654 comments

user87: so proud of you

yourbff: you are so amazing i love you so much that’s my BEST FRIEND

ynleclerc: BESTIE BESTIE BESTIE

logansargeant: making america proud y/n!

ynleclerc: so are you logie 🇺🇸

charlesleclerc: y/n you inspire me every day. i could not be more in awe of you and everything you have and continue to accomplish. i love you my gorgeous golden girl

ynleclerc: 🥹 charlie!! don’t make me cry again

charlesleclerc: no crying cherie! leo can’t handle his maman crying

ynleclerc: ok i’ll hold it together for the baby

user16: ok but they’d be the cutest actual parents

ynleclerc: and we just might be sooner than you’d think user16

user16: Y/N?!?!?!? WHAT DOES THIS MEAN GIRL PLEASE TELL US RNCIM NAKENFKWNGKG

landonorris: so you are bringing me home a medal

ynleclerc: i told you i would

landonorris: sorry for doubting you bestie

ynleclerc: you should be sorry

user98: THATS OUR GIRL

mrapinoe: congrats y/n! so well deserved 🤍

ynleclerc: megan 😭😭😭😭 thank you

iamrebeccad: see how she wins a gold medal? very demure, very mindful, very cutesy

ynleclerc: see how she’s the most supportive best friend ever? very demure, very mindful, very cutesy

ﾟ. ✿ ୨❤︎୧⠀✿ . ﾟ

a/n: thanks for reading!! likes and reblogs appreciated. been a bit slow on requests but am going to try to post more this weekend!!

ﾟ. ✿ ୨❤︎୧⠀✿ . ﾟ

disclaimer: pictures are not mine and everything i write is fiction

© norrisainz33 || please do not rewrite, translate, or copy any of my works posted here on to any other platform

[cowboyschumi]

MY KINK IS YOUR KARMA

Summary: The culture of hooking up was never your thing, but it was Franco's fascination, something you didn't realize until rumors started spreading. His life quickly turned miserable, and, to your surprise, you quite enjoyed it. Inspired by Chappell Roan's song.

Author’s note: My first fic, woohoo. English is not my first language, neither Italian, sorry for any typos etc. Support and requests are always appreciated. Much love and enjoy the reading!

Warnings: Angst, maybe? Female reader being kinda cruel/hater.

————————————————————————

COWBOYSCHUMI | 2025 All rights reserved. Do not copy, translate, or upload on other platforms.

————————————————————————

Boys are all straight out of fairy tales when you first meet them, including Franco. That boy had the most magnetic charm you’d ever seen, and he knew it. He loved having a certain allure and using it to his advantage, with everyone wrapped around his finger. But he liked to play pretend, acting as if he didn’t do those specific things that had people falling for him.

You were invested long before all that, long before the world knew him as a formal F1 driver. You gatekept him as your little secret.

He had lived in an Italian car factory since he was thirteen, not knowing a single word of the language. Of course, some sort of miracle had to rescue him—and that was you. Without even realizing it, you started spending entire days by his side. You were just kids, making the most of every beautiful corner in Italy. Something began to bloom inside you when you noticed that your "teaching Italian" had faded into the background. You completely forgot your original purpose because you two simply enjoyed each other's company too much.

"Ti amo tantissimo." His brows furrowed, unsure about his pronunciation. Surprisingly, the Argentinian accent was similar to the Italian one—melodically, at least. You tried not to burst into laughter after hearing those words. He was just practicing; he didn’t really mean it. But your stomach turned upside down anyway.

"Not so bad. You're improving." Your tone was strict, almost like a teacher correcting her student. He couldn't help but chuckle at it. It was adorable how much you cared about him getting it right.

"Ti amo is used in a romantic way, and ti voglio is for family and friends."

Franco was the yapper in your dynamic. Sometimes, the roles reversed, and you were the one talking while he listened. It was the way your eyes sparkled, the way your hands moved with your words, so passionate about your interests, and the boy loved that.

"Which one suits us better?" Franco asked with a mix of curiosity and confidence, avoiding direct eye contact. He was weak around you—his Achilles’ heel.

He had never struggled with self-esteem or second-guessed himself, but when things started getting serious in your friendship, for the first time, he hesitated.

That’s how everything started, some Italian words, late summer nights together, and a bunch of innocent flirting, which led to everything, yet nothing at all. Because men always have an obsession with saying the most endearing, heartfelt sweet nothings before leaving you.

He did it too. Of course, he would.

We, as women—overthinkers—already know everything months in advance. Female intuition never fails.

————————————————————————

He moved to Spain shortly after things got serious between you. You couldn’t blame him, dreams came first, and you were more than proud of him for achieving his. All the "Promise we'll keep in contact and text each other" ran down the drain.

No one is really that busy; they just don’t want to text you. You repeated it to yourself like a mantra after realizing he had ghosted you.

It was exactly what you expected from him when he got caught on a dinner date by some paparazzi. What happened to the simple, casual boy you met at thirteen?

What was so endearing and fancy, about one-night stands and then forgetting it all, that you were not catching? Committing was now overrated.

Surprisingly, you forgot about his existence—or at least, you thought you did—until some interviews of his went viral on the internet. He was not PR-trained at all, and it was noticeable by his sense of humor, jokes, and playful comments. The Twitter community started dragging him, titling him an authentic womanizer. You deleted all media after seeing that, unable to bear any sight of him.

Winter break came, and so did the end of the F1 season. His name kept being a hot topic, always on everyone’s lips. You couldn’t just erase him from your life that easily.

His start was solid for a rookie. After Logan’s performances, team principals were stunned by him keeping the car on track.

But what went wrong? He was slowly ruining his career and you liked it?

You couldn’t care less about his new girlfriend, him rebuilding his life, or even forgetting all the memories you had together. What goes around eventually comes back, and it was burning him in the most unpleasant ways.

Franco was losing his mind, and you were feasting on it.

Life moved on, and so did you. You had some me-time over the winter time, taking care of yourself and enjoying the weeks without the pressure of studying or working your ass off.

The town was a bit crowded, considering most tourists usually arrived during the summer holidays. People seemed happier than usual, which felt a bit off. Winter depression was a real thing.

Christmas was near, and that was your answer for everything being so full and non-walkable, kids and parents walking around with shopping bags. You should’ve been doing the same, buying presents, but you liked leaving your duties to the last minute. Procrastination, your guilty pleasure.

People were lining up outside Castore's sportswear store, and that was one of the many reasons you hated this time of year: consumption and capitalism at its peak. You stood on your tiptoes, trying to see what the big deal was inside the store.

The odds were slim, but there he was, signing Alpine t-shirts. You felt your ears starting to warm up, your fists clenching. And, of course, he saw you, the only female and familiar face among the group of little boys and girls waiting for an autograph. You wanted to disappear right there.

————————————————————————

"Came to see me?" Again, you two were on your classic bench, but everything had changed—everything about him.

You scoffed at his comment, almost feeling disgusted by his cocky attitude after all this time. You sat on the other side of the long wooden chair, keeping your distance from his personal space. The brown-haired boy’s eyes widened at your non-verbal response. It felt like a punch to his ego.

"I would invite you to dinner, but I’m dry... I mean, you saw me there, signing shirts." Fame came with its costs, and he wasn’t ready for it yet, just stepping into that world.

A soft laugh escaped your lips as you remembered one of the many memes you’d seen about him, specifically the one where people joked that he was poor. He didn't understand what you were laughing at but played along with it.

"I’ve got things to do, Fran." You knew very well he loved that nickname—it was like poking a finger into an open wound. And you did it on cue, because right after your words, you stood up from your bench. Y/N and Franco’s bench. You had every intention of leaving, just like he left you.

"Will we see each other again?" There was a hint of hope in his voice, even though the spark in his eyes was gone. His figure seemed as though it had been sucked in by a vacuum cleaner, drained and tired.

You couldn’t help but smile, not because of his question or his need to see you. You were happy because you were witnessing his downfall. As you leaned toward him, you left a quick kiss on his cheek—a way of saying goodbye without words.

Getting back to him was not an option, not because you didn’t want to. Of course, you wanted him back. But having him wouldn’t satisfy your kink of watching karma do its thing.

Your intuition told you that your paths would cross again, it was meant to. For now, you enjoyed observing with careful distance.

[avelera]

Actually one of the things I enjoy the most about writing shippy fic and romance is writing characters obsessing over body types and looks that aren’t personally that magnetic for me. I love finding ways to find different people and bodies attractive and describing someone obsessing over them through their eyes.

For example, I love Jayce in Arcane, but definitely his S1 musculature and features would be a turn off for me (my “type” for men is more the bear variety and I like softer bodies in general).

But imagining S1 Viktor just silently seething at how attractive he finds Jayce (upsetting because everyone else sees it too obviously, so he doesn’t feel like he’s got a chance) and being sort of very Michaelangelo-style obsessed with Jayce’s musculature in particular while trying to play it cool is very fun for me, imagining what it would be like to be obsessed with that kind of body and of course vice versa, what are the aspects of Viktor’s looks that Jayce obsesses over. There’s also the element of Jayce’s physicality being so different from Viktor’s that there’s an appeal there, just the easy way he has strength at his disposal (and an above average amount) gets Viktor flushed and bothered at inconvenient times

Personally for what Jayce finds attractive in Viktor, I opt for Viktor’s elegance and how he “looks” like an intellectual, unlike Jayce, it’s something Jayce feels like he doesn’t have, and I headcanon Jayce feeling a bit trapped by his looks because they’re a result of working in his father’s factory and sort of runs counter to who he wants to be in life so he feels very judged for stuff he didn’t have control over.

[baddiewiththebook]

Over the Years | e.m x reader | Prologue

-> The origin story of Eddie Munson, and how he fell in love with the worst person he possibly could - his best friend.

-> eddie munson x you (she/her)

-> friends to lovers, slow burn, angst

-> warnings - strong language, suggestive themes, smut [18+]

-> a/n I hope you're ready for a long series. This will cover the life of Eddie Munson, growing up in a trailer park and perhaps falling in love with you. Of course, there's a few complications on the way (perhaps his friend steals his girl - or maybe he becomes a rockstar and moves away) and the series includes so many tropes that I've chosen to keep them hidden away, so you don't get spoiled for later chapters. Muahaha! This will include smut, so PLEASE for the love of God, if you're under 18 - go away! Longer chapters await my friends. xo

-> <-

August 1970

This chair is uncomfortable.

Well, it’s for sure plastic. The static is making Eddie’s shirt sit uncomfortably on his body like a magnet that tethers him by an invisible line of Velcro. It’s not even his shirt. It’s his father’s old beaten shirt from a few years ago when he went to a car show.

It’s been forever. Eddie cranes his neck to stare at the big clock on the wall that he cannot read. The big hand is on the two and the little one is at the top on the twelve. It’s terribly late for him to be up, but that’s also what he thought when his father shook him awake and shoved him in the backseat of their car.

Letting his feet swing below him, Eddie wrestles in the plastic seat. Not a lot is going on around him.

It isn’t like how he sees on the televisions through the video store windows where the bad guy gets taken down by the cop. Although, his dad sure did put up a fight trying to get away from the cop. That doesn’t mean his dad is a bad guy though, right?

There’s only one cop sitting at his desk with papers stacked around him. He’s darker in skin tone with a fair amount of hair missing on top of his head. Wrinkles press the crown of his head. Scribbling something on the official looking sheet of paper, the cop mutters under his breath when the phone blares out an obnoxious ringing.

“Hello?” His southern draw laces into the phone call. “Yeah, send him in.”

The telephone is set back down onto the base, and the officer tilts his head at the young child occupying the seat next to his desk.

Edward Munson is the unforgettable boy. The wild child has a father made of criminal infamy in Hawkins, Indiana. It would appear that this time the old bastard has really gotten himself stuck for the long haul. Prison time. Long sheets of paperwork include one particular document that lists Wayne Munson, the uncle, as the child’s dependent as of right now.

Wayne bursts through the door with the secretary from the front desk. Eyes scorching from an exhausting drive after a terribly unrewarding shift at the factory, Wayne lays his gaze upon his disheveled nephew. Eddie doesn’t even have a proper shirt draped over his body. There’s not a doubt in Wayne’s mind that Al, his brother and the boy’s father, refused to pay a dime for clothes to cover his child.

It’s been a terrible struggle to encourage Al Munson to step up and become a father to his son. After his wife, Elizabeth, died, Al latched onto slots to fill the hole inside of his chest. Slowly, sleepovers at Uncle Wayne’s became a lot more routine and a lot longer stay for little Eddie.

That’s not to suggest that Eddie minds. Uncle Wayne has some pretty cool toys at his trailer. And, Wayne has a bed for him - unlike his dad, who lets him have the backseat of the car.

Al Munson gambled away all of his savings, and the house was foreclosed by the bank. He’s been avoiding his debts by living in his car with five-year old Eddie. That only worked for so long. Eventually, the police caught up to him.

Tonight Al was arrested for possession of illegal substances and a warrant from some time ago, and he is awaiting a trial that will most likely keep him locked away for a while.

“Hey, Eddie,” uncle Wayne approaches the small boy by dropping into a squat that’s closer to Eddie’s height. “Are you alright?”

Eddie bobs his head up and down.

“Sir,” the officer calls his attention. “I just need you to sign a few things and then we can release him to you.”

The secretary does the same as his uncle had done, and squats to his height. She’s very pretty. Pinned hair sits atop her head in a bun that’s shaped like an egg. Eddie giggles at this, his baby cheeks turning pink.

“Hi, Eddie,” she says sweetly. “Would you like a candy bar? You’ve been doing such an amazing job waiting for your Uncle.”

Her teeth are as white as diamonds. Dimples press her fleshy cheeks up, as she holds out a small chocolate bar in her hand. Well, Eddie has been spoiled tonight. Not only is he up past his bedtime, the officer that brought him here stopped to get him a hamburger first. And, now?

Eddie does take the chocolate bar kicking his feet with glee. The secretary helps open up the bar of chocolate for him, and he gobbles it down fast before his Uncle Wayne could see. Wayne thinks sugar keeps Eddie up at night.

Eddie keeps Eddie up all night.

It’s mere moments when his uncle returns to him, and the secretary waltzes back to her duties at her desk. Uncle Wayne gives his nephew the tightest hug, while hiding his tears in Eddie's shirt. It’s never ideal to have a brother, who refuses to take care of his child. The least Wayne could do is keep Eddie safe and out of harms way.

Holding a copy of the terminated parental rights of Alan Munson with one hand, Wayne scoops the boy up with his other and keeps him holstered onto his hip.

“Hold on,” Wayne directs.

Eddie clings to the plaid fabric of his uncle’s shirt collar. Too soon, will Eddie be grown up to where Wayne can’t coddle him anymore.

The walk out of the precinct is short. Eddie waves goodbye to the officers and the secretary, who took care of him for the hour that Wayne prepared his home and drove out here to get his nephew.

Wayne drives extra slow that evening, even though the roads are clear. Feeling heavy for the loss of a father, Eddie must learn life skills from his uncle. Not being a father himself, Wayne is apprehensive at best. There’s not a thing he wouldn’t do for this boy. When Eddie came into the world, Wayne became the third person to ever hold him. That comes after his mother, and his father.

There is so much hope in a newborn baby. No one has broken them yet. There’s still so many firsts to explore the big wide world.

Slowing at a stop, Wayne cranes his head into his overhead mirror. Eddie is lopped over the seat bucket with a pile of drool coming from between his lips. His eyes flash underneath his eyelids.

What Wayne doesn’t know, is that Eddie hasn’t had a real sleep in days. Ever since they lost the house, Eddie has kept one eye open in the backseat of his father’s car. Sleeping outside isn’t exactly peaceful. Horns honking. Babies crying. Someone’s always yelling. Not to mention his dad snores. Loud.

Wayne decides not to wake the sleeping boy when he does eventually pull in to his humble trailer. Killing the engine, Wayne quiets for a moment. The soft snore from his lips eventually turns into a groan, and the young boy kicks his legs out. Sitting upright and sleeping cannot possibly be comfortable.

The thought of raising a child has never crossed Wayne's mind. After Eddie had been born, Wayne swore children were too much for him to handle. They cry all the time, then you have to feed them and you have to make sure they're clean and not to mention that when they keep crying for no reason - you can't kill 'em. 'Suppose in a way Wayne has gotten the parenting thing down because of Eddie anyway. Being an uncle to Eddie is the best thing that's ever happened to him.

Eddie took his first steps right on that front porch in front of his house. Elizabeth, Eddie's mom, was leaving Eddie for a couple of hours for work, and Eddie grabbed onto one of the couches before wobbling after her.

Oh, how Wayne misses her. She was a saint of a woman. When she got sick, Wayne saw a different person in Al. He's not too harsh on his brother. It can't be easy missing the love of your life like that. But, the boy - Eddie stretches out when Wayne opens the back passenger door - Eddie should have been enough of a reason for Al to keep going.

Wayne unbuckles the boy, who slumps forward. Catching his head, Wayne slides his other hand underneath the young boy's knees. Eddie stirs. Wayne holds in his breath and he freezes. Eddie tilts his head, eyes batting sleepily, then leans forward into his uncle's heavily beating chest.

"Alright," Wayne whispers into his curls, "Come on."

Carrying him up the steps, Wayne tries a few times to open the front door. Getting the key in the lock is one trick, but now to actually open the door? It would probably have worked best if he had done this before carrying a hefty sleeping five year old. Noted.

Eventually, he twists the knob and pulls. He pulls enough, so that he can wedge his foot in the door. Grunting, Wayne twists around and scoots into the home.

Eddie begins to slide from his grasp, and Wayne juggles him a bit before he can fall. Eddie’s quite long for a five year old. Or, so he assumes. His limbs splay out like a praying mantis.

There’s an extra bedroom in the back of the trailer. Little robots and figurines take up most of the space where Wayne’s collection of books once were. A rickety wood desk that’s peeling apart is home to a number of old train car toys that Eddie really liked out of Wayne’s collection.

Tucking Eddie in to the old twin bed he bought at the thrift store with nearly half his paycheck, the young child is surrounded by a plush layer of blankets and pillows. But, Eddie still clung to his uncle. Finally, someone who cares about him enough. Doubt scrambles Eddie’s mind and he wonders sleeplessly if his uncle would be there when he woke up.

It doesn’t take Wayne much convincing to slip into the tiny twin bed along side his nephew. Tiny mewls escape Eddie’s tired lips. Since he’s so scrawny and lengthy, Wayne has no trouble taking up the empty space in bed with him.

“You’re safe,” Wayne whispers into that wild mane of hair. “I’ve got you, now.”

-> <-

[June 1972]

[margaretoakgrove]

🛠 Karl Heisenberg in TEPPEN: Super Spooky Village 🛠

⚙️ Engineer Lord Heisenberg

↳ "You're persistent, but I've got a rebellion to lead...so stay out of my way."

Manipulated by magnetism, countless pieces of metal flew around the factory-a deadly storm swirl of scrap and machine components.

⚙️ Magnetic Mishap

↳ What a sight! You've made my day, and I didn't even ask. Still isn't it a pity to have your beloved suit of armor turned against you? Now, how about a show everyone can enjoy.

⚙️ Abyssal Factory

↳ A colossal factory lay below the site buried in waste-the domain of the engineer-lord of the Four Houses. Life has no dignity here; the dead are treated merely as spare parts.

⚙️ Hauler

↳ The figure swaying in the darkness seemed like a lifeless rag, but the deformed axe it holds can smash its prey in a single blow. Below its goggles, its maw curls with pain.

⚙️ Soldat Eins

↳ Capable of closing the distance in a flash, it charges in without hesitation, brandishing its drill. As the drill spins, blood flies through the air, and the red haze takes over its vision.

⚙️ Soldat Jet

↳ The shrill sound of turbines echoed in the machine workshop. The jet on the creature's back roared as it thrust out its drill. There isn't so much as a hint of sane thought. No...Everything in this factory is mad.

[speciallivery]

...NO HARSHER THAN ITS BITE (Ao3, Archive locked)

Marc Marquez/Pecco Bagnaia (Marc Marquez/Valentino Rossi)

7.6K | E | By: Speciallivery (that's me!)

Tags: Dog motifs, an absolute HR nightmare, Valentino Rossi's spectre haunting the narrative.

Absence makes the people’s hearts grow fonder, and there’s this hole where a myth can make a space for itself. And now Marc Marquez is back, clad in blood-red leathers on a factory bike, with that ravenous look of a starving dog tucked away behind a PR-smile.

(Valentino Rossi’s protégé is tasked with keeping Marquez from equalling Rossi’s record.)

Vale didn’t outright tell him this would happen, but looking back, somewhere he did try to warn him. — Pecco thinks.

But Marquez is magnetic, so when it eventually, inevitably, happens — as early as Cota — Pecco had let it happen. It didn’t really mean anything.

And now they’re here. Him and Marc Marquez fucked — fuck — and it doesn’t mean anything.

Read on AO3