#ive never actually seen supernatural

[3ndangeredspecies]

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[marenwithanm]

Luke why are you so good at lying??? He didn't even change sprites lol

[bisexualgiftedburnout]

I'm a little scared to write this, because I'm awakening Fandoms, but Matty Healy from the 1975 recommended on the road by Jack Kerouac, and that book is said to have helped inspire supernatural. Do with this information what you will.

[thesupernaturalhouse]

My father has put on twilight this is an sos

[funlovinzara]

“Speechless” Turbo!ken and Okarun x reader

I didn’t know id cause so much trouble, but in the end i met someone who touched my heart…i don’t know if I’ll ever be able to love him.

Warnings: none really

A/n: im back divas 💜 IM SICK AGAIN

______

Okay, lets not start off with “im just a normal person, who attends a totally normal school.” Because its stupid and dumb and i really really just want to explain this whole situation. This school is weird. Ive been experiencing some supernatural things happening to me and i dont feel safe wherever i go and i think something bad might hurt me. I walk home after school one day and i notice the air getting thicker and thicker and i just feel the tense pressure of something following me

I rush home and all i can do is ponder about whats going on with me, am i mental?? Is this some of condition?? Im having nightmares and i cant take it anymore. I cant even talk to anyone about this because i hardly talk to people at this stubborn school…

Besides all the crazy things happening to me, theres this guy I’ve had my eye on, not romantically or anything i just keep seeing him wherever i go and he just sticks out like a sore thumb. I think his name was Ken….im going to talk to him, he seems like the only person who wouldn’t judge me.

I walk up to him and before i could even mutter a “hey” a girl comes first and speaks to him, it seems like they’re close. Suddenly everyone must have a friend besides me, thats so annoying. I’ll speak to him at lunch then. And as i expected, that girl was there again. So i guess i’ll just speak to him afterschool.

“Hey..” i tap his shoulder while walking out the gate of the school. He swiftly turns around looking at me in surprise and quickly blushing. “O..oh hello!”

“I wanted to know if you’d like to be friends…you look really cool and i thought it would be nice.” His face flushes even more “Cool..? Me? Oh- yeah s-sure we can be friends thats totally awesome! Yup! Cool!” He was geeking out, and it was really cute

“Can w-“ before i could speak again he cuts me off. “How about we talk together at lunch tomorrow or if we have the same class..? Its s-super nice to meet you. Im Ken takakura!”

“Oh im y/n l/n, sure we can talk tomorrow” he bows and runs off home, i mean at least i’ll be able to actually talk to him. I start to walk home and the sun starts to set, i really don’t want that feeling to come back again. But it’s not my choice is it..

While i walk home i start to feel it again, the feeling that im being watched. But no it’s way worse this time. My ears start to ring, and i hear footsteps slowly pick up behind me. I start to run home, it wasn’t far anyway, i could make it! I run into a neighborhood I’ve never seen before, but I’ll do anything just to get away.

A blue light appears above my head and i turn around to see 3 large men with a horrifying smile standing behind me. I turn again to sprint for it until they catch me in a millisecond. “What a fine specimen!!! We shall take your banana for inspection.”

“What the heck does that even mean??? Let me go!!” I hear another pair of footsteps and i see..Ken? And that other girl..

“Get em okarun!!” The girl exclaims, and before my own eyes i see okarun leap forward to one of the men holding me, transforming into something so unknown. The aliens are caught off guard and unhand me while i see that other running behind us, a big set of translucent blue arms emerge from her back and grabs on hold on one of the men and slams him.

“Okarun!! Take the girl somewhere else!! I’ll be safe i promise!” This new…person that is ‘okarun’ sighs in laziness “such a drag..” he picks me up bridal style and starts to speed away into a secluded area where the strange men were sure not to search. He lays me down on the concrete floor and i think i recognize this area, this is a part of my neighborhood thankfully!!

I look up at him in disbelief, “your…ken..?” He was prepping to sprint back to where the other girl was but he looks at me instead “in the flesh.” What was up with his lingo..

“..how are you able to do that?” It’s absolutely incredible, i was totally mesmerized, he’s beautiful! “Dunno, i gotta go. Stay safe babe.” He pats my head and then gets into a crouching start position to run, he sprints off and into the night he goes. What just happened, and he called me babe? How am i going to even talk to him tomorrow??

It takes me a minute to get back up and into shape, i make my way back home and i was later than usual. I make myself comfy, shower and change, and hop right into bed. I shut my eyes and start to recap.

‘Alright, what the hell was going on today. Ken is some secret transforming boy, and i guess his nickname is okarun? This other girl has magical powers and i almost got kidnapped by some disgustingly terrifying ‘men’. Based on what I’ve seen today, were those even men?? Im speechless..’ I continue to yap on in my head until i drift off into slumber.

—

I wake up the next morning trying to figure out if i should just stay home today, but then again i need answers. I quickly hop out of bed and get myself ready while having something small to eat for breakfast. I make my way to campus and i see Ken and that girl again, i really need to get her name..

“Hey Takakura.” While he was speaking to that girl he turns around to look at me, she gives me a glance and her face brightens, it seems like she recognizes me. “Hey y/n, is everything alright?”

“Um yeah no, what even happened last night?? That was totally insane! Do you guys know what was going on it freaked me out, and you turned into some creature and that girl had big arms coming out of her back-“

The girl giggles and cuts me off “okay i know it’s crazy, and I’m momo! What you saw yesterday wasn’t normal i know, it’s a long story. But those men you saw were aliens, thats why they looked so weird. Okarun here has this new ability to transform into something completely new, i have psychic powers.”

My face must have been absolutely confuzzled because they both started to giggle “Don’t worry, we’ll talk more about it at lunch! By the way whats your name?”

“It’s y/n l/n, nice to meet you.” She smiles and rests her arm on my shoulder “Sweet! Cmon okarun, let’s head to class!”

He follows right behind us and my smile fades a bit, that person okarun was…i can feel my heart start to strain. This isn’t good, i think i might like him but every-time i see Okarun and Momo together, they just seem like an unbreakable bond that stays together forever and i might be tinkering and getting in the way of that. I want to go home already.

“Hey y/n, matter of fact how about you come to my place after school? Then we can totally go over everything you’re confused about.”

“Oh, yeah sure! I don’t mind.” They day goes on as it fades into the mist of night. Her house is more larger than i thought, i enter and it has this calming feel to it. I spot Ken taking off his shoes and my hear starts to race a bit, this is making me insane. “Alright Okarun, show em!” I watch him transform again and i see that boy…wow he is so alluring. His droopy sleep eyes and tall slim frame would have anyone at campus falling head over heels

“So this is what you saw yesterday, this form is when he blah blah blah blah…”

I really should have payed attention but i was lost in his thoughtless eyes, and he was staring right back at me. I wonder does this form have the same mind as Okarun or is it someone else? While momo continues to talk, without her noticing he nods his head up at me in a “sup” motion, with his hands in his pockets. He was trying so hard to be cool and he really was. I feel my brain melt to my toes as i nod my head back at him.

“So do you understand?”

I snap back into reality, “Yeah..so what can he really do?”

“Well he can only run really fast, he has no good fighting skills yet.” “Wow, harsh.” He said while leaning back on the wall. Momo takes out her phone and looks at the time, she jumps and shrieks “its really late! Hey how about this, you can come over again tomorrow and we can go over how you’re able to see things like this. Okarun since it’s dark outside and you’re a fast runner, take em home!”

“whatevs, I’m the fastest yo.”

We head out the door and he lets me get on his back. “later y/n!”

Ken gets into the crouching start position again and speeds to my neighborhood “quick, where do ya live” I whisper my home into his ear and he quickens the pace all the way until the destination. He slows and gets down, allowing me to step off his back. I was hesitant to walk into my home and i turn around right before he was going to speed back to momos place.

“Cya on the flip side babe.” Seriously does he call everyone babe…but then i realized he was leaving and as he took off i managed to shout “See you tomorrow!!” I see him wave his hand in the air while he ran, this wasn’t so bad. I lay back in my bed ready to disclose for the night, this is crazy.

Will he be someone i can love or am i just going to be a nuisance..?

—

GUYS I JUST finished watching dandadan please i had to write something y’all idk it set something off in me for real!! bye DIVAS 💜

[surelysilly]

i love your King Of Hell Danny (superphantom) au and i would greatly (very much) appreciate it if you could talk more about it (King Of Hell Danny) i love his (danny) smug cat energy (smug) in all of your drawing for it (hell is under New Management)

i hope you're ready for this some rambling but ask and you shall receive!!! yes i waited to post this for superphantom week i gotta shill for my own event, y'know :9

So. You want to know more about King of Hell Danny, is it?

part 1 / part 2 / part 3 / part 4 / part 5

Well. Well. He's certainly Danny. Or more specifically I've decided as of recent, Dark Danny. I'm waffling on whether he's Dan Dark Danny or just... Phantom sans Plasimus. The latter feels less likely as i try to flesh him out, but you never know with these guys... he does prefer to look like his 14 yr old self though.

But whatever version he is of himself... it's post-TUE, and he hates himself more than anyone is allowed to know.

Not sure exactly how he ended up in the SPNverse (portal probably!), but he'd definitely prefer going back to his own world/dimension in a heavily buried sense of self-flagellation and unreliable narrator-ness.

Everyone is waiting for him there, not here, wherever he is exactly. This implies anyone is left alive, but he never said that. People (Crowley, etc.) just assume so.

and he's the worst lil jerk you could ever meet, at a first, second, and third, glance, anyway.

Smug cat, indeed. He does what he wants, when he wants, how he wants, and taking over Hell felt right. (isn't that where he'd go? he thinks, after learning Hell is actually real.)

he's overpowered for sure, but it also comes from a misconception for what he is. Not a demon, not human, a secret Third Thing: weird ghost.

i like to think most regular ghost counter measures work on him, but no one thinks to try them because that ain't no ghost??? He plays the part really well though, pretending to be a demon (and gets mislabelled a crossroads demon for his red eyes) -- it doesn't bother him to kill people, but he doesn't go out of his way to do it anymore.

KOH!Danny having it out for the Winchesters is a very thoughtless and fun thing, and it would piss him off when they try to summon Crowley, but in all actuality, he'd probably end up begrudgingly working with them or something.

And ultimately betray them.

I also think his goal would be to fuse with Lucifer when he's freed from the Cage. That should give him enough power to bust a hole back to his OG dimension, right?

maybe. Who knows.

You can certainly find him at DIY skateparks across the globe. He's an asshole to anyone and everyone, but god have mercy on anyone looking to cause trouble while he's trying to have a good time (he feels guilty about it, though, having fun -- it's a circle of shame/guilt/fuck it we ball mentality, here for a good time not a long time).

he can 'see' Castiel's wings and if in his presense, will pluck at them because he's annoying like that.

Crowley became his lap dog though, regardless of intial beheadings because... Hell generates a lot of paperwork the way Crowley was running it, and KOH!Danny don't got the time for all of that.

eventually I'm sure someone will figure him out, ghost weaknesses and all, but it's not 1:1 SPNverse ghost: no bones to burn, no records of him being alive ever, etc., but he's definitely solid enough.

i could see a later quest like what the Winchesters did to find Crowley's remains, but they'd spiral down a hole of "where hell did this creature even come from???" and the Men of Letters/Angels/anyone wouldn't know jack about what he even is exactly.

i'm so rusty on SPN though... but those are my cobbled together ideas. I'd place him mid-ish seasons Supernatural (because ive only really seen s4 thru s8...) but i think the 'hijinks' of later seasons could be fun with the seriousness of early, early seasons sprinked in!

[scoobydoodean]

Why do ppl get so upset about the john parallels? all the ones ive seen from you and others have great parallels and they’re not necessarily negative.

i thought they were very nicely done

sorry i’m just very confused about which john parallels ppl get upset about

<3 John's name is basically synonymous with Satan in this fandom but the dude isn't Palpatine. He's an important figure whose actions certainly loom over the narrative, but he wasn't a mustache-twirling villain. He loved his kids. He neglected his kids. He was an alcoholic. He was traumatized. He wanted to protect his kids. He went about protecting them in all the wrong ways because he was afraid. He was genuinely not afraid to cry despite common fanon portrayal. He was the kind of guy who told his son soccer was a waste of time (1.08) but quietly stored his trophy in a storage unit because he couldn't actually bear to throw his trophy away (3.03) . He was the kind of guy who disowned Sam but then couldn't stop swinging by Stanford to check on him (1.08, 1.20). He was stubborn and revenge blind and swallowed by grief. He spent his whole life prioritizing everything in the world over his oldest son's safety and blaming him for his own parenting failures but then turned around and died for Dean and apologized for everything. The fact that he was never some purely evil villain while doing the hurtful things he did is what makes him such a compelling narrative force long after his death and what makes it impossible for Sam and Dean to simply reject him in pure unapologetic hatred.

Sam is heavily mirrored with John in the early series, but because this is a story about breaking the cycle and not actually a story about continuing the cycle, season 1, for example, ends with Sam turning from his alignment with John's blind desperation for vengeance and standing beside Dean who wants to place their family's lives over the demon instead. John tries to get Sam to shoot him in the heart and Sam refuses because Dean begs him to stop. The story of Supernatural has familicide as a throughline—specifically, the idea that sons killing fathers and fathers killing sons and brothers killing brothers is "inevitable" and "inescapable". But the other throughline of Supernatural is that free will exists and nothing is as set in stone as cosmic beings would like to lead mortals to believe. Killing ones brother/child for the "greater good" is a fate angels and demons and fathers and gods repeatedly tell Dean he is doomed for, and Dean repeatedly thwarts the destiny to kill his brother/son because the story is actually about our characters breaking the cycle and isn't actually about them continuing it. Dean refusing to kill his brother/son for the "greater good" no matter how hard Chuck tries to push him to do so through force and threats and manipulations is what leads Chuck to snap. Chuck literally goes crazy at the end of 14.20 specifically because Dean refuses to fall into the familicide cycle.

In the same way, Cas showing shades of John's tendency to go radio silent and try to do everything on his own and sometimes neglecting the people he loves in the process? These are pitfalls that are perfectly surmountable given some self reflection and communication. He is not doomed to this.

[oneknightstand-if]

why did you make zain so much harder to save than pippa? also I love this if ive never seen an if where you can be mute and then break the silence thats really cool youre cool ok bye

Because that's the way the scenarios logically play out. Anyone who can catch up and pull over Pippa's horse can save her (and there's literally a team of horse riders right there). Meanwhile, you need to pull something supernatural out of your ass to save Zain in that split-second moment before the shard hits his throat.

But there's actually more ways to save Zain (4) than to save Pippa (3). They're just either...

Not optimal (hello, paramedic MC)

Require setting up something in advance

[greml1nb0i]

Hi there! I just stumbled upon your cozy blog thanks to a post mentioning that Viv will be working on a new series. ^^"

If it's true, then I'm worried just how she might do a terrible job especially since writing doesn't seem to be her specialty (like she's giving me Mindy Kaling vibes). She even announced planning to work on several more seasons of Hazbin Hotel and Helluva Boss. Shouldn't she at least finish both shows before even moving to other projects? 🤔

I also think in my opinion that she'd work best as a t-shirt graphic artist for Hot Topic 'coz most of her projects felt like a random showcase of her OCs from high school. They're also overly designed and her humor is rather too juvenile than hilarious.

Sorry for the ramble, I just like to share my thoughts out there.

Dont worry about rambling Anon, ive done my fair share and thank you for taking the time to share your thoughts.

I agree on so many aspects of what you said.

Viv shouldnt be making anything new without finishing the already tanking series' she has. Hazbin is only going to get worse [as seen from the leaks] and Helluva is losing the most diehard of fans, attention. she's sinking her career quicker and quicker. She can't write, and even admits that herself several times. She steals from smaller artists, refuses to credit her artists and employees, is constantly into controversy after controversy, She cant grow up.

Its funny how you mention she gives a Mindy Vibe and i TOTALLY see it. Mindy went on a tirade about how people were shitting on Velma and Viv does the exact same thing, istg those 2 must be sharing a braincell.

Also yes the Hot Topic thing, i have my own 2 cents to put in there.

i swear this has a point to it just stick with me here. If it doesnt make sense to you im sorry, im not the greatest at explaining things.

I grew up in the early 2000s and 2010s, so Hot Topic and Spencer's were major hot spots for me, and lemme tell you. In those times, HT and Spencer's wouldve laughed at Viv for wanting to sell her cheap ass merch there. In fact, most merch sold there now, wouldnt have been, but ever since the big boom of indie creations; these stores ended up with different purposes.

HT never used to be a online merch store for indie creators, it used to be an actual punk store for punk and alt teens. Same with Spencer's but it was more for adults. You couldnt find things that werent punk or alt in regular stores thats why you'd go to HT or Spencer's.

Thats where youd get your AOT merch, Black Butler, Supernatural, Addams family, Jack Skellington, Band shirts like Korn, MCR, BVB, and Splitknot were sold there.

But now, its HH and HB merch. Fnaf, [im a fnaf fan before anyone comes for for that] and sparkle bs.

You cant find the punk merch you want, cuz its being switched out for Vivs bullshit and being buried in the back storages until they start having major sales to just get rid of it.

Now Spencer's' is being turned into the New HT, and HT is being turned into the kiddie emo version of Claires. its so fucking sad to watch.

My point to all this is.

Viv didnt need to sell her merch in HT.

HT doesnt need to be selling her merch to kids.

Viv shows are not made for kids, but yet she sells her merch at a teen based punk store.

HT doesnt need to be pandering to every indie creator that calls them to collab or sell their shitty 40$ t-shirts.

Viv doesnt need more money.

HT and Spencer's need to get their shit together before they go fucking bankrupt and we lose the only 2 punk-alt stores to exist physically.

Last i checked, BlackCraft Cult doesnt have an in person store.

[porcelain-rob0t]

since you lovely people gave me horror movie recommendations, ill give some of my own!!

Autopsy of Jane Doe (a recent favorite, suspenseful and has supernatural elements but a lot of the scary stuff is done through implication)

Videodrome (for the freaks out there)

The Fly (im a sucker for anything by David Cronenberg)

Phantom of the Paradise (my favorite horror musical, the music and costume design are amazing)

Ginger Snaps (really compelling story about 2 sisters, once inseparable, growing apart. also werewolves)

Invasion of the Body Snatchers (really spooky, its a classic)

Frankenhooker (batshit. absolute nonsense. its so fun)

Re-animator (Re-animator)

Altered States (local man takes so many drugs in a sensory deprivation tank that he devolves into a caveman)

Terrifier and Terrifier 2 (not so much a narrative film as it is a showing of the sickest and nastiest practical effects)

Vampire Clay (BONKERS)

Killer Klowns From Outer Space (real good fun with awesome practical effects)

Audition (Takashi Miike is a fucking menace, great film)

The Lost Boys (punk vampires in the 80s, what else do i have to say)

House of 1000 Corpses (i love you Rob Zombie)

The Love Witch (gorgeous, looks right out of the 60s but with a modern twist)

Suspiria (the original and the remake are great but are basically 2 completely different movies)

Teeth (its teeth)

Vamp (Grace Jones is a cool vampire lady)

The Stuff (BONKERS FUCKING YONKERS)

Mandy (Nic Cage goes crazy with it)

Perfect Blue (rest in peace Satoshi Kon you were a genius)

The Brood (David Cronenberg back at it again)

Arabella Black Angel (classic giallo stuff, murders and the most stunning Italian women you've ever seen)

Poughkeepsie Tapes (found footage thats actually scary)

mother! (most anxiety inducing thing ive ever witnessed, i never ever want to see it again. horrifying. be careful, besties)

Tetsuo the Iron Man (the most bizarre body horror ive seen, its great)

Bone Tomahawk (awesome Western horror)

Tenebrae (Italy loves violence)

there's probably more im forgetting but i can always add more later

[insufferableprotagonistpoll]

Round 1

Propaganda why Dean Winchester is insufferable:

"This man is racist against anyone other than humans and abused the people he was supposed to love the most. He literally abandons Castiel at his most vulnerable and never lets Sam leave the whole hunting monsters thing. Worst part is that the fandom will get behind him and defend him because what, he’s pretty? Pretty much a terrible person, more like. I sympathize with his backstory but Dean has ZERO character development during the course of 15 whole seasons. When he DOES have development it involves abusing someone. Sam tries to be a normal person and always gets punished for it. The only hint we have that Dean might’ve been trying to change is a piece of paper in the final episode AFTER HE DIES. then guess what? Sam lives out his whole life and has a family 😭 that’s very, very telling."

"misogynistic scumbag. theres also a few different times that dean finds teenagers sexy with the most recent and prominent example that i can recall being the scooby doo crossover episode in season 13 where hes super into daphne who in the version they chose for the episode is 15-16 and is interacting with her as if shes a real person cause they got magicked into the episode. he treats everyone around him like shit and the only time the narrative agrees that thats a bad thing is when he has the mark of cain put on him and hes acting no differently than he does usually its just now acknowledged that hes treating others like shit. ive been rewatching the show for shits and giggles with a friend and wow he really does not treat anyone well but i wanna focus on how he treats sam for a second cause dude's hobby seems to be ignoring what his brother wants and lying to sam about doing stuff that directly concerns him the demon blood and souless things are reasonable cause those were both Bad for sam but theyre still part of a wider pattern and the most prominent example of this being when dean tricks sam into letting gadreel possess him and actually gaslights sam about it with the whole ordeal ending when its revealed gadreel lied about who he was and while possessing sam murders a friend of theirs. his voice is just also stupid as fuck im sorry this is just petty but he just sounds like hes trying so hard to be gruff n intimidating but he just sounds like a kid pretending to be batman"

"Dean’s list of sins is crazy long because of how long the show ran, but the key thing for me is that post-locking Sam in the bunker (season 4 I think?), I just can’t enjoy their relationship anymore. I normally love their sibling dynamic, but Dean’s ultimate worst past-the-point-of-no-return moment for me was demonizing (pun intended) his little brother for being “addicted” to demon blood, which only happened because of a series of events that were either Dean’s or someone else’s fault, not Sam’s. I also really dislike how the fandom treats Dean like this angel (pun intended) who has done no wrong and even tries to justify the MULTIPLE times he’s beaten up and otherwise abused his little brother. Canon Dean is like the polar opposite of fanon Dean: he’s homophobic and racist (jokes about a Black man being sexually assaulted in prison), misogynistic (take a shot every time he calls a woman a slur and you’ll die of alcohol poisoning), and abusive."

"Misogynistic asshole and too many of the things he does get treated as not actually bad or even good by both fans and the show when he violates peoples autonomy and is incredibly abusive to the people he loves the most. And it wouldn't be as annoying if people didn't justify so many of his behaviors or if he ever changed or even just was seen as a bad guy in the show more than he is."

">Was a misogynist (loved to call women skanks, bitches, hoes)

>Used gay as an insult multiple time during the show's run (idc if he's gay an homophobic, that's still insulting)

>Beat up his brother for being possessed

>Beat up his brother for losing his soul (not his brother's fault)

>Used dubious consent to get his brother possessed in a different unrelated possession incident after possession was being used (badly...this is supernatural after all) as a metaphor for SA

>Threatened to murder his brother when he was hallucinating (yay we aren't ableist)

>Locked a child up in a box

>Threatened to kill the child he locked up in a box

>Made a creepy, sexual comment about a barely-legal high school girl

>Got the woman and kid he was living with memory-wiped"

"Really mean to Cas (called him a child, zero respect for him, calls him family and casts him out when the angels are looking for him), and an absolute dick to Jack (threatening to kill him CONSTANTLY)"

Propaganda why Batman/Bruce Wayne is insufferable:

"Always has to be right. Does the most janked up stuff and doesn't care who it hurts. Imposes his will on others to the point of willing to bodily harm them if they do not comply (and yes, this does include his children)"

"I’ll also support Batman as a candidate because of the slapping Robin meme, which is annoying, and because he is just way too much. Too much all the time."

"Has to always be right, regardless of situation. Because somehow the billionaire has knowledge of how middle class people think."

"Obviously it's the writers who have screwed him over, but my gods the fact that he can do whatever he freaking wants and still be "the hero" bcs hes the main character is insufferable. He killed his son (slit his throat) in one canon, in the canon where said son survives, he’s beaten half to death by Bruce, who of course is "in the right" because B thought J had tried to murder someone. He can hit his kids, he can be a total asshat to people, and yet he's still framed as being in the right for doing so, simply becaude he's the protagonist. There's no character development, no "whoops maybe I shouldn't have hit dick/punched tim/beaten and exhiled jason" - and it's so damn infuriating. He used to be fun. He used to be a good dad.

Now he's just an insufferable prick."

"Oooh look at me, I'm brooding in my cave because my parents died and this gives me an excuse to be a bad father, he's SO ANNOYING"

"Always has to be right. Will literally alter the makeup of his kid's brain because said kid doesn't live the way he wants him to. Acts like his worldview is the only one that matters."

"he is always portrayed as good and right by the narrative even if objectively he's a pretty terrible person"

[aliusfrater]

i keep thinking about. What If dean had actually prepared for his death in season three. like, instead of enabling sam's premeditative grief he said i need you to focus on the now and after rather than the hypothetical 'if' that is my life. i am going to die and i need you to be ready for when i'm gone. both in the sense that sam enjoys this last year so there's enough to look back on that makes your grief worthwhile AND there's the set-up of a life worth living for that doesn't include revenge for when i'm gone. kind of like. what sam did making dean promise to go see lisa once he's in the cage

i've always thought that dean's deal for sam's life pretty much mirrors mary's deal for john's life in the sense that. it was always going to play out that way for them and there is nothing to be done to stop it (dean tried to stop azazel and mary but it's revealed that he never could) but there's something else to be said about the cycles of abuse and how they're perpetuated through grief. something else ive always thought about is the fact that the show itself can be seen through the lense of an allegory of perpetuated grief but i also think the cycle of abuse is imperative to the way grief is presented within the show. mary is coerced into a deal with john's life and through her own adamance of escaping hunting (as a metaphor for familial rot or abuse), she refuses to acknowledge that part of herself and it is through this lack of acknowledgement that grief is perpetuated. you have to acknowledge abuse to heal from it and the part of the inherent instability of the nuclear family that supernatural finds itself concerned with creating commentary about/exploring is the part that exists but people refuse to acknowledge. it's ignored for pretty houses in pretty neighbourhoods and obscured behind closed doors and when it leaks out of the holes in the foundation, that's what hunters are for. unpaid and unloved for what they do. through mary's lack of acknowledgement and therefore, lack of preparation, she has cursed the family she's created to perpetuate the cycle of abuse through grief. she dies and john didn't see her death or the thing that killed her coming and the grief is perpetuated through him. his children become victims at the hands of his abuse because of this grief. and it cycles from mary to john and through dean with john's deal for dean's life. "save him or kill him," is a similar ultimatum to that of azazel's own deal when it came to coercing her into her deal; she could either save john or keep him dead but in the end she didn't end up saving him from azazel because the same demon is who ends up killing him, just like sam. dean had never actually gotten the chance to save him or kill him (explicitly, anyway (i love incesthemes' theory that dean did end up kind of killing sam by distracting him from jake and getting him stabbed)) and the cycle of abuse continues in sam's grief and in his relationship with ruby, which is something that blossomed in his/as a direct result of grief for dean

then there's also my idea of sam as a nucleus character for the cycles of abuse and there's a possible connection between him sacrificing his life at the end of season five and pushing dean into getting out of hunting through a situation (lisa & ben) being pretty similar in structure to what he had before season one as being an attempt to escape this cycle of grief. it's very possible that soulless!sam as a character could also represent the very idea of grief itself — grief is, inherently, the loving of the memory of a person you loved. sam existing without a soul, without the parts of sam that dean had been forced to grieve is a shock to reality and it is, to an extent, acceptance of sam's actual 'death'. but then again, despite the brief clarity and relative healing that his escape from the cycle provided, dean does not accept soulless!sam at all. he fights to get sam's soul back and that is against sam's own will, knowing that it could kill sam regardless. the cycle of grief continues in that constant reminder that dean's choice could bring sam's death. likeeeee okay. "the minute he walked through that door, i knew. it was over. you two have the most unhealthy, tangled-up, crazy thing i've ever seen and as long as he's in your life, you're never gonna be happy," and, "i'm not saying don't be close to sam. i'm close to my sister but if she got killed, i wouldn't bring her back from the dead," it's all about the atmospheres of abuse that these relationship dynamics provide!!!! you're going to fall back into it over and over again if you do not process your grief!!!!!!!

[cybrwrld]

「  ₊  ☆  ﾟ  charles  melton,  he/him,  cis  man 」  INCOMING  TEXT: omg  hv  u  met  JORDAN  HAWTHORNE of  the  NARIZA  BOIS  yet  ?  they’re  one  of  the  crew’s  import  models  n  actually  go  by  MIDAS.  the  thirty-three  y/o  is  typically  seen  hanging  arnd  body.  allegedly  they’re  frm  miami  n  hv  been  w/  the  crew  for  ONE YEAR.  wtvr.  just  watch  out  for  them,  k  ?  ttyl  !  

─ ʚ𖦹ɞ 𝙨𝙩𝙖𝙩𝙨 .ᐟ

full name: jordan miles hawthorne

nicknames: jordan. jo if you're so close .... jordie if you're even closer.

date + place of birth: july 10th in miami, fl

age: thirty3

pronouns + gender: cisgender man

sexuality: bisexual

occupation: bouncer @ body + nariza bois import model + first year law student (again) + dad

current residence: an unimpressive apartment in south miami, close to his childhood home so he can help care for his mom

traits: stoic, kind, genuine, hardheaded, tempermental, pathetic (lmfao), distrusting, independent, paternal, warm, grumpy

style: sensible styles -- jeans, t shirts, wife beaters. slacks + a nice black shirt for work. more adventurous with his shoes + his hats, hair always styled in gelled curls.

media parallels: logan howlett (x-men), charlie swan (twilight), asgore (undertale), aizawa (my hero academia), nick miller (new girl), dean winchester (supernatural), takashi morinozuka (ouran high school host club)

─ ʚ𖦹ɞ 𝙦𝙪𝙞𝙘𝙠 𝙛𝙖𝙘𝙩𝙨 .ᐟ

watch this space .....

tl;dr: baby boy from a big family living in south miami. racing has been his whole life, all his life -- he got through high school for his family and his family only. worked as a mechanic + bouncer since then, and jordan + his fam were very active in the racing scene, even prior to the prowlers' come up. most of the family left the scene after the youngest hawthorne, vicente's, death. jordan took his leave from racing then, deciding it took too much from him -- upon leaving, he started undergrad, majored in pre-law, and got into harvard law. nothing good can stay for him, evidently, and his mother soon fell ill + a one night stand brought him his greatest achievement, kaia. jordan moved back to miami to stay near his mom & take care of kaia, securing his old job at body again & becoming an import model for the nariza bois ( he is so embarrassed about this LMAO ).

─ ʚ𖦹ɞ 𝙡𝙞𝙣𝙠𝙨 + 𝙝𝙘𝙨 .ᐟ

i. pinterest ii. spotify iii. interview (not done yet oops) iv. musings, aesthetics, inspirations, & lookbook.

jordan is a single father; his daughter, kaia, is the result of a one night stand with a girl he met on a trip back home. he and the woman coparent and have provided a happy and loving family for the girl. while he wouldn’t change a thing, he still has conflicting feelings about having to drop out of law school for a bit to support a new family – but it’s much easier for him to push that away than deal with it. 

**TW CAR ACCIDENT/SIBLING LOSS** jordan left the racing scene in 2004, after his baby brother, vincent, passed in a freak accident while drifting. jordan blamed himself, since he was the only one ever allowed to work on vincent's car. this, combined with rising tensions in the crew, caused him to abandon the scene forever, changing his career at 28 from a mechanic to a bouncer + go to undergrad. he majored in pre-law and got into law school, though the arrival of his now two year old daughter halted progress until recently. 

quite bashful about being an import model (he thinks it’s narcissistic and unnecessary), but has never really been known to turn down the pay, so he can’t really complain.

comes from a big family – four boys and two girls in a small house in south miami that had an overall happy and loving childhood. family came over everything.

his bmw is an old base model & he wouldn't have it any other way. having a safe car was priority for him, & he does all his repairs himself.

the usual suspects found in it: kaia's carseat in the back, toys littered about, glitter on his dashboard, fuzzy pink dice on his gearshift, chapstick, his nokia n95, and whatever hats he

big teddy bear of a man who loves basketball, baseball, new shoes, & cool hats. thank god he's too old to be a snapback boy anymore ...

very different from how he was when he was active ass a mechanic -- while he's always been kind & protective, he used to be much more bold, brash, & kind of a fuckboy. please feel free to have ur muse hate him for it!

─ ʚ𖦹ɞ 𝙬𝙖𝙣𝙩𝙚𝙙 𝙘𝙤𝙣𝙣𝙚𝙘𝙩𝙞𝙤𝙣𝙨 .ᐟ

The Baby Mama: y'all knew this was coming ... anyway kaia's mother! will prob send in a formal con but! a one night stand from two years ago that he would now probably call one of his best friends ( and maybe smth more possibly .... if u want .... idk thought it'd be fun ... ). they coparent great together & both are in the racing scene -- everything else can be plotted out btween us but !! i think it'd be so cute

ride or die/platonic soulmate: who is his best friend. he needs one please. ideally someone close to his age to be a confidant as well because he's closed off as shit

the nariza bois member who got him to join back with them instead of rodani (it wasn't exactly a hard choice bc of vincent's accident but yk)

dad friends ... yk the vibe :D god knows he needs some

anything antagonistic...mmmm yummy

someone he can mentor/be a role model for -- could be other models or mechanics since he used to be one.

in general, those he's protective over & parents the shit out of. he doesn't mean to be overprotective but he is </3 definitely a papa bear <3

a rodani prowler he just hates for no reason ... maybe he knew them back in the day when they were both in the gang and he's just had a sour taste in his mouth since.

people jordan knew back when he used to be more active in the scene in general! he spent his whole life in it, so he's bound to know a lot of people :P

coworkers at body, he's worked there 4eva

the usuals !! friends, exes, fwbs, rivalries, frenemies, etc etc. anything our beautiful minds create!!

[man-rat]

watching supernatural rn (ive seen a couple episodes when my sister watched it in like 2016 but never fully watched it. i was a wimpy tween) and im on season 3, and in crying rn. IM ON EP 7 AND DEANS TEACHING SAM HOW TO FIX THE IMPALA SO HE CAN TAKE CARE OF IT WHEN DEAN INEVITABLY GOES TO HELL AND ITS BREAKING MY HEART LIKE IK CAS BRINGS HIM BACK BC I WATCHED SMALL BITS W MY SISTER BUT LIKE THIS IS ONE OF THE VERY LIMITED TIMES DEAN ACTUALLY GETS TO BE A NORMAL OLDER BROTHER TO SAM IM GONNA VOMIT AND FOAM AT THE MOUTH AND BLEED OUT ON MY FLOOR WTF THIS IS KILLING ME

[faithlesbian]

ive been holding off on posting this bc ive been formulating my thoughts (also i never post) but since it seems we're having a racism in the buffyverse/fandom moment (should be every moment!) I figured now would be a good time to vent my feelings on the first slayer.

I do a lot of hobbyist research into the stone age its a long running special interest of mine, and ive just finished writing my dissertation on a number of things including primitivism in contemporary culture. so drawing from that i wanted to expand on the tags I left on the previous post, with the clarification that i am white and european and therefore am speaking from that perspective on this subject.

as far as I can remember, the original Buffy movie had flashbacks to the medieval period, with a white medieval woman in these flashbacks implied to be the first slayer. if that's right and I'm not just misremembering, this would tie in to the pop culture associations of this era with catholicism, witch hunts, gothic castles; all of which further ties into popular vampire lore. however, the tv show leans away from this, with vampires being the only demons vulnerable to christian iconography and most of the worldbuilding drawing from multitheistic (not sure if this is the right word) traditions, preferring pantheons of minor gods, demons as folkloric monsters rather than fallen angels, and the existence of multiple hell dimensions.

the way the show does this is often very primitivist, primitivism here meaning the (often harmful) romanticisation of cultures and eras considered "less advanced", interpreting them as therefore more exotic, interesting, or just plain better than modern western society and in doing so flattening them into solely an appealing primitive fantasy.

examples of this can be seen in the foreign and/or dead languages used in magic and demon research, the appropriated eastern and African imagery used in weapons and costumes, the writing of characters like kendra (who's "people" seem to know a lot about the supernatural but are never actually named), jenny calendar (who carries plot-relevant cultural knowledge from her mysticised "people"), and nikki wood, through whose son buffy learns the ancient - primitive - origins of the first slayer.

the choice to relocate the origins of the slayer from medieval europe to (im assuming, since they never specify) paleolithic africa make a lot of sense in context of the shows de-emphasing of christianity in their vampire lore. this would change the slayer from a warrior chosen by the church to fight unholy creatures, to a defender of humanity at large from folkloric monsters. it also makes the slayer line a lot longer, extending far back into human history.

you'd think.

because the problem is im not honestly convinced anyone writing these episodes knows or cares about the accepted findings that show homo sapiens originated in africa, I can't honestly say it comes across that they were trying to imply that the slayer existed before the first waves of human migration by depicting her as they did. i dont actually know if these characters are intended to come from the stone age or just an ambiguous pre-colonial africa and im being very generous by writing this post the way i have. I think they made the very simple connection of "primitive = cool and mysterious" to "black = primitive". the depictions of the first slayer and first watchers are tangibly racist. their treatment by the narrative is tangibly racist.

the first slayer is depicted as animalistic, brutal, and vengeful, but rather than have buffy empathise with her over their shared experience of being used as a tool of violence, the episode has buffy mock and belittle her down to making a joke about her unprofessional hair. the first watchers are set up as the backward patriarchal villains for buffy and willow to overcome by rewriting the terms of the slayer lineage, in both cases black characters are vilified to make white women seem cooler, more self-possessed, more powerful.

it's not just the treatment of individual characters. its fundamental pillars of the lore. non-european (and some minority european) cultures are consistently used to be spooky, occult, and exotic set dressing, while two whole season finales hinge on abject primitivism and antiblackness.

to clarify, i think in another show with a different writing team, the depiction of scientifically accurate (i.e. dark-skinned) early homo sapiens could be achieved in a wholly inoffensive way if these characters were simply written as people. removing the layers of primitivism from the first slayer reveals a traumatised girl who was forced to fight, just like fandom-beloved characters buffy and faith, albeit from a very different time period. but the layers of primitivism are the reason why she was written in the first place. the "primal" is mysterious, spooky, powerful, and therefore makes for good writing without ever having to clarify what it is you mean when you say "primal".

stone age people were not animalistic manifestations of modern-day people's repressed subconscious. they were people. the refusal to see this is another branch from the same root - that the writers see cultures and people outside of the modern west as less-than. but if their language sounds cool for a summoning chant, then they get to be less-than in a ~cool and mysterious~ way, i guess.