#ive lost so many important people
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i don't think I've ever felt so tired, so hopeless and so lonely in all my life
#i try to have happy moments with my friends but after the whole things over i just feel empty#like we deadass meet every weekend and we always have a good time#but i always go home feeling lonely#i feel disconnected from my family for all they do is argue and fight between themselves#ive lost so many important people#i havent been able to get a single fuckin job and i am almost gettin kicked out of uni for not graduating#honestly idk what to do anymore#i sleep all day in hopes to wake up in another dimension where everything is ok or something#i also sleep all day just to exist in another dimension.... at least in my dreams im happy#tired tired tired tired so fuckin tired#found myself weepin on the bus today because im so tired#idk what to do#terezaposting
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What do you think Odile does for a living? She feels teacher like to me. What do you think she would do post canon?
HMMMM THIS IS GOOD QUESTION…
ive seen a lot of people hc her as a teacher / professor so i!! think that suits her pretty well. specifically as someone who studies + specializes in different types of craft (that would be why shes so proficient in multiple craft spells. also how she was able to figure out the loops stuff, AND to find something that could prevent siffrin from looping back).
post canon i am not sure… i am always torn between how the party would handle things post canon. obviously they would keep travelling for a bit, odile alongside her family without the stress of. constant sadness encounters + a king to kill lol. i think maybe she would get to take her time, reeaally get to know vauguardian culture when not within. a crisis. as was her original intention.
eventually. EVENTUALLY. when the family settles down somewhere (i am a “they all get a big house together” believer lol) she would get back into craft stuff. maybe go back into teaching too—surely people would be eager to hire a saviour. especially though i think it would be neat of her to try looking into wish craft etc, as a long forgotten form of craft. to satisfy her own curiosity, for siffrins sake, or just as a way of preserving the countries culture in whatever ways possible.
#asks#ive never gotten to talk about this before#and its a little unrelated to the odile thoughts so im putting it in the tags#but. surely surely. there must be some group out there dedicated to looking into this. suddenly lost island#no one remembers the country ofc. i bet its hard to even think about. probably difficult to dedicate an entire project to#but you also have to imagine. the day the island disappeared. the effect without anyone realizing why#people from the island. vacationers or visiting family etc. going through some sudden spell of amnesia all at once#and their loved ones + family being equally confused#also the fact that? given bambouches (probable) proximity to the island. that many of these cases wouldve popped up there#what did people think was going on. at the time. did they assume it was a disease?? a curse?#and then forget about the entire ordeal a week later#anyway point is. someone mustve found that suspicious. theres gotta be at least one person#which to me means i find it very likely there could be research gone into it. esp esp since the party members knew about. Some island that#isnt there#anyway anyways im rambling way too much#i think odile should look into wish craft. i think siffrin would appreciate it#if not because. it was a piece of him that was Important#but also to impart the actual Dangers of it to. others#am i making sense i dont know#isat spoilers#anyways oops thats not about odile anymore#lol
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Been doing a lot of thinking lately with peoples obsessions with punishing fictional characters who did bad things and i dont have any coherent thoughts yet but i am like. Are yall ok
#this usnt in reference to anything ive seen recently#but what got me thinking about it was watching mha recently#and remembering The Discourse i saw when it first was big#and specifically about endeavor who did objectively horrible horrible things#but i think his arc when taken in the context of being yknow#a mainstream shonen manga anime#was actually really interesting and well done#not perfect no#but how can it be#i found it really cool that each family member had their own reactions and feelings about things#i liked that he accepted that even if be became a better man it was likely#that his family would moveon and or be happier without him#i like that one of them got to say he was done even after everything that happened#and that he still didnt want his dad in his life#and enji accepted that#and enji SUFFERED#one might say he fucking deserved it but im not in the business of being like people deserved horrible shit#but like#his body was wrecked he went through crazy psychological shit he almost lost his family#he was prepared to die with Touya#he did some fucking terrible shit that is in a lot of ways unforgivable#but he wasnt looking for forgiveness he was just looking to do better#and its so important for us to leave room for even the worst people to change#and so many people are like he didnt syffer enough#and im like ok#what else so you want????#dying is a cop out writing wise#DAMN I HAD MORE BUT APPARENTLY YOU CAN ONLY HAVE 30 TAGS#i am not putting any of this in the main text i dont need that attention
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the results of that "is fanfic a book" poll have shown me one thing and its that this site never graduated past that absolutely insufferable phase in 2013 where everyone acted like every book is the single most sacred thing on earth
#sorry rant incoming. you know like the people who got way too offended over dog earing or carving books for art or things like that?#that's what the notes section of that poll feel like. just way too many people (on both sides) putting way too much importance on Books.#like first you have the 'um ive read fanfic that was deep and beautiful and thematic so yes all fanfic is books' votes#which like. ok. ive also read really deep thematic screenplays but that doesnt make it a book its simply not. what a book is#then you have the honestly even worse 'um your reylo au isn't like the works of the masters its not REAL BOOKS' crowd#which like. yeah most actual published books are not as good as the 'works of the masters' whatever that means. so you have proven nothing#which brings us back to the absolute worst of all 'colleen hoover & co aren't books either' SOMEHOW#like. ok well i think her work is pretty bad but it was literally edited and published into literal books so#if you're going to decide that you get to be the arbiter of what books are Good Enough to count as Real Books well you've lost already.#because no that's not how any of this works. youre fighting one of the most famous Losing Battles in all of art discourse.#a book is just. a format that writing can be in its not some holy status you have to work to acheive#and to try and turn it into that is really stupid and self important i think because like again#who gets to decide what books are Real? what motivates them to make that choice? what biases are benefited from that?#i think its worth noting in conversations like this everyone wants to deny female romance authors the title of Real Book#(which yes a lot of those books are very shallow or badly written. many have outright offensive tropes)#but nobody mentions the equally shallow and offensive stuff by/for men. like william johnstone's shitty cowboy books for example.#no matter how you try to frame it youre going to lose the second you decide something has to fit your standards to be real art.#avpost#its very reminiscent for me of the conversation around modern art where people just want to say they know what is and isn't real art#based on like whatever standards they want. 'ugh its just dots it's not real art'. do u see where im coming from.#a book is just. a piece of writing that was edited and published in the form of a physical book. that's it. its a v literal if vague noun.#it can be something with a lot of depth and meaning. it can be shallow and hacky. it can be nonfiction entirely. its not a value statement#which can also be said about art as a whole some of it is very shallow and bad. some of it is extremely skilled and profound#anyway. no fanfic isn't inherently books but some fanfics have undergone editing & publishing and became books i think#and that doesnt mean that they're 'as good as' the classics by really skilled writers. but theyre still books#tbh a lot of the published fanfic books are worse than most nonbook fanfic. them being books isnt a statement of being more valuable.#its just a literal fact.#i think its interesting to discuss but i swear its not a huge deal whether fanfic is books the bigger deal to me is#the weird attitude popping up on both sides. which i think most people would also find stupid if their brains hadnt been like#totally ruined by an uninterrupted 5 years of insufferable-on-all-sides fanfic discourse that has ruled this website.
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ive gotten to a point where non-tpn mutuals know me as the ray person because ray's the one im the most insane about in general and tpn mutuals know me as the don person because theres literally no one left in this fandom that comes close to being as insane about don as i am. and btw this is not negative. i want to be both
#skye's ramblings#both are sooo important to me for. soo many different reasons they are!!! both mine!!!!!!!!!#i say 'only one left' idk if anyones ever been as insane abt don as me. w how huge t/pn was before s2 bombed id say there had to b. someone#but ive done extensive digs into old fan stuff while being ill and ive yet to find these people#basicaly this is my version of a desperate search for a long lost sibling that is almost definitely dead and may or may not exist at all#'desperate search for an almost-definitely-dead sibling' man im so don-coded haha. thats not funny
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if you think about it this song is steddie coded
#to be fair tho i see them in almost everything yk#and im always trying to get people into my favorite artists esp ones local to me and close to my heart#lemme demonstrate what im saying tho:#'im tender like a cinder block you must know that'#'your absence stings me i cant sleep'#'i just want enough so youll want me back'#'ive lost in love so many times what does one more failure do? but ive seen so many things in you and none of them are cruel'#LIKE????????#queva music recs#steddie#4th curtis#Spotify#EDIT I FORGOT THE MOST IMPORTANT ONE#'i hope you still like me when im sad and i hope you still like me when your grass is green'
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my landlady said i don't seem as 'with it' lately...
#i asked her about registering with the local gp so i can get new anxiety med prescription#she said sertraline work for her almost immediately :/#i was only on 50mg but i felt no better#in the meantime i need to remember to pick it up...#but im so screwed if i continue like this#i used to be able to concentrate in libraries and coffeeshops at least but now im soooo shaky#i think bc i always just end up anxious about the journey home#the only times ive been able to concentrate have been when im studying with my classmates#buuut idk we dont live close together though one girl did offer#again...car#and i lost my headphones so maybe i should just buy some new ones#not broke yet might help a lot#and the college library is only open until like 5#there are like 3 horticulture degrees in the uk i didn't have many options#god#idk but when people say you should remember why this thing is important to you it will motivate you.... when? ...noo not really#i have to chill im not good at that#i can work myself up into a real good lather though#like i say i wish i had chosen a different place to live but again.. only had one option :/#idk how everyone else got nice central houseshares i didn't even leave it that late
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♥︎Pick a picture: 🐇🩵What guides do you want to hear right now?🩵🐇
•Pile 1 •Pile 2 •Pile 3
❗️This is a collective reading, take what resonates and leave the rest❗️
✨️Paid Services ✨️ (Natal charts and tarot readings) Open!
🩵If you like my work you can support me through Ko-fi. Thank you!🩵
🐇Masterlist🐇
🩵Pile 1: Queen of Swords, Ace of Swords and 4 of Pentacles.
It is essential that you start to trust yourself more. You have incredible potential that can take you far and help you achieve all those dreams you long for. However, sometimes you put obstacles in your way that prevent you from moving forward. It is time for you to realize that those limits are only mental and that you can overcome them.
Take a moment to clear your mind and focus on what you really want to achieve. If you put in the effort and work hard, you will see that you can achieve your goals. But it is also essential that you believe in your abilities and talents. Self-confidence is key to being able to show the world what you can really offer.
You have a personality that can shine and attract others, you just need to put aside those doubts that hold you back. Instead of getting stuck in your thoughts, start embracing your charisma and showing it without fear. Remember that you have everything you need to succeed, so go ahead, you can do it!
🩵Song:
🪻Pile 2: The Hanged Man, 5 of Pentacles and 2 of Wands.
There are a lot of positive things coming your way. All the hard work you've been doing is going to pay off, so don't get discouraged. It's normal to feel a little frustrated or exhausted right now, but it's important to keep an optimistic attitude, because what you've been wanting so much is just around the corner.
You will achieve great things and people around you will notice. However, it's essential that you stay grounded and don't forget your roots. Humbleness is key on this path, and remember that every step you take brings you closer to your goals. Your effort and dedication will not go unnoticed, and that's something you should celebrate. You have a voice that resonates strongly and has the potential to inspire many. I'm sure you'll soon see the impact you can have on others, and it may be sooner than you imagine. So keep going, keep faith in yourself and your abilities, because the best is yet to come and you deserve to enjoy every moment of this journey.
🪻Song:
🎀Pile 3: King of Cups, Knight of Pentacles and 3 of Cups.
It's time for you to take a break and celebrate everything you've achieved so far. It's essential that you find a space of calm in your life, where you can focus on the here and now. You may feel a little confused right now, as if you're not clear about where you're going, but in reality, that's part of the process. Life has its ups and downs, and sometimes, getting a little lost is what allows us to rediscover our path.
I feel that taking advantage of these moments of calm can be very. It is in these moments of reflection that you can connect with your true desires and passions, discovering what really motivates you and what you want to do throughout your life. So, instead of worrying about what is to come, allow yourself to enjoy this journey of self-discovery and personal growth.
Remember that not everything has to be resolved immediately. Sometimes, answers come when we least expect them, and situations tend to fall into place naturally. So relax and trust that everything will fall into. Enjoy every step you take, every small achievement, and don't worry so much about the future; the important thing is to live in the present and learn from every experience that comes your way.
🎀Song:
🩵🐇Thanks for reading and tell me if it resonated 🐇🩵
#astrology placements#zodiac#astro community#astrology#astro blog#astro notes#astro news#astro observations#tarot reading#tarot cards#tarot and astrology#tarot witch#tarot spread#tarotblr#tarotcommunity#tarot tumblr#tarot#pick a picture#pick a photo#pick a pile#pick a card#pick an image#pac readings#pac tarot#paid tarot readings#paid services#tarot tips#pic a card reading#pick one#channeled messages
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as an aroace person, friendships mean a lot to me. every friend ive made is precious to me, and i understand some people think that these relationships are not as important as a romantic relationship or a familial relationship but not to me. i recently lost connection with someone who i considered a very good friend, and at that time, i thought i would move on, but it's been months, and i miss them so much! it feels like a friendship breakup, but not many people would think it's worth feeling this sad about! as an aroace, i constantly have to be scared of my friends leaving me just cause they don't consider our friendship as important as their other relationships, and i can't do anything about it. it fucking sucks and i wish people would be more considerate!!
#aroace struggles#friendships are hard#platonic relationships#aro problems#aroace#aromanticism#aromantic#aro#aromantic asexual#arospec#ace#asexuality#asexual
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Yo! Hello there blusy :3 (is that what i call you? .. sorry .. bad at context)
would u mind writing a tiny lil blurb/oneshot about Reader being like, a saleperson that walked up to Donnas estate, trying to get her to buy fabric or whatever, being totally clueless to who Donna is? Not being from the village/country and all, assuming Donna was just a very tall goth gal?
(Donna just standing there confused like.. what? Huh? Angie, if i remember the dolls name correctly, is just laughing her ass off)
Make it wholesome or i'll eat you. /hj (lighthearted!! Dont take this as a genuine threat .. aha ..)
also ignore the fact i might be writing this in like a really weird way .. this is the first time ive requested something .. so .. i hope i asked this okay?? 😵💫
thank you, thank you, much love, from useless internet loser named Jooseboxxe 🧃
Yesss!!!! Was it your first request?? Welcome then!!! Thank you for your love, your support, and your request!! I hope you like it and sorry about the language mistakes!!!! :)))))
A clueless outsider
Pairing: Donna Beneviento x Fem! Reader
Warnings: Fluff,
Word count: 8,005
Summary: What's going on here...?
N/A: Sorry about the language mistakes!!! Requests are open!!! I'm waiting yours!!! I love you all!!! :))
On your trips through Europe you had visited many places, you had even gotten lost in many of them, but there was nothing that could compare to that journey through the villages of Romania, to the radical change of what you had around: a poorly paved road, sinister trees that seemed to chase you, crows...
You were a merchant, a kind of nomad who traveled through old Europe trying to make it on your own. Without family and friends, traveling, selling and repeating was your routine. Visiting new places, meeting people of all kinds was always the only thing that kept you with a slight sanity. Loneliness was never your enemy, but it wasn't your ally either.
Your old GPS had stopped working a long time ago, but you, who always looked on the bright side of things, didn't give it any importance. You assumed that the thick forest was the guilty.
“What!?” you screamed when your tedious driving made a sharp turn to avoid a strange shadow in the middle of the neglected road. “Damn!” you screamed again, trying to keep control of the vehicle that, due to your sharp turn, went down a slope until it crashed spectacularly into a tree.
Luckily it was nothing serious.
“Oh…” you lamented, trying to stay calm, thinking about what you had seen. It seemed as if someone, or something, was in the middle of the road. You couldn't see it well. It looked like a vermin, perhaps, or some absent-minded peasant.
Of course, what had caused the accident wasn’t the biggest of your worries. The sound of the vehicle's engine dying over and over again was an unpleasant mockery, as was the smoke coming out of the hood.
“No, no, no,” you protested, hitting the steering wheel and giving up, getting out of the vehicle. “That's all I needed…” you sighed, rubbing your eyes and taking out your phone, looking around.
“112,” you repeated while dialing the numbers, hoping that mistake wouldn't lead to a fine, since you had spent a lot of money on the way and you didn't have any cash. “What? It must be a joke…” you sighed when no one answered on the other end of the phone.
There was no signal, not even for emergencies. You had to have an accident in the most isolated place in Romania.
Looking at the vehicle and then around you, you sighed, shaking your head. You took several steps forward to try to make out something among the trees. A small wisp of black smoke rose before you. There seemed to be a village very close, and that, at least, was hopeful.
Taking what you needed, you walked towards that village, looking up when you were close enough, admiring an imposing castle that seemed to watch over the town, a beautiful construction that you hadn't seen in any of your travel guides.
At least in that place, someone could help you, or so you thought.
Snow, old houses... A graveyard in the middle of the square... It was a picturesque place, no doubt, although sightseeing wasn't your main idea. It didn't seem abandoned, but you didn't see anyone in the tiny streets either, maybe in the castle?
“Can I help you with something, miss?” a deep voice made you jump.
You were sure there was no one around you.
From an old carriage, whose doors suddenly opened, a strange, exaggeratedly fat man appeared with a sinister smile. The fright made your mind ignore those disturbing details, and you saw that man as a possible savior.
“Um... Hello,” you said with a more timid smile than usual, trying to bring out a bit of your business friendliness, downplaying that sudden appearance, that disconcerting appearance. “The, the truth is that I do need help.”
“What can I do for you, outsider?” that man asked, looking at you cautiously, without removing from his face a smile that seemed familiar to you. “To see tourists around here isn’t very common.”
“Tourist? Oh, no, no, I...” you said, recognizing the smug air of his words, the blood of a merchant running through his veins. “I, I had an accident with my car and... My phone doesn't work.”
“I see,” the man said, shaking his head. “What a bad luck.”
“Yes…” you sighed, with a more confident smile. “Uh… I need to call a tow truck, or someone who can repair my vehicle. It's nothing serious, or so I think,” you explained with a formal tone.
“It's normal in these cases,” he said, amused, with a tone that made you a bit suspicious.
“Is there a mechanic in this village?” you asked, looking around.
“A mechanic? Well, I think there's someone who's… How to put it… Expert in manipulating vehicles,” the man explained, arching his eyebrows.
You nodded with a sigh of relief.
“Great, could you call him?” you asked in a friendly tone.
“Oh, but I'm afraid his services have a price, outsider,” the man in the carriage commented. “As well as mine.”
“Oh, sure, sure… I have, I have money,” you said, rummaging through your bag and taking out your credit card. “Well, if it's not too expensive…”
“That won't do anything here, miss, keep that piece of plastic,” he said, making an unpleasant gesture with his hand.
“What? But…” you said nervously, shaking your head.
“I've never believed in money as an intangible thing. If I can't touch it, it doesn't exist, understand?” he said.
“Yeah, but… I don't have any lei right now, I…” you whispered, looking for some change, one you couldn't find. “I only have euros in cash.”
“Euros? Oh, please…” the fat man laughed, moving the carriage at the same time. “Your euros are of no use here.”
“But, but I need help, at least let me call emergency services,” you said with a more serious tone, crossing your arms. “Are you going to charge me for that too?”
“If it's something you need… Of course I’m,” he said amused
“It's clear that you're a merchant,” you commented with a furious gasp. “An unscrupulous one…”
“Yes, you've guessed right,” he laughed again. “Is there even one with principles?”
“Me, for example, I’m also a merchant,” you hissed, looking at a dark flock of crows that shrank your spirit. It was a terrifying place.
“Oh, what a coincidence,” the man said, leaning towards you.
“Yes, fabulous,” you said ironically, looking away. “Tell me at least where I am. Is there any other town nearby?”
“I'm afraid there isn’t,” he replied. “It seems that you have run out of options... Or maybe you haven’t.”
“Explain yourself,” you said with a frown, seeing in his smile, an imminent proposal.
“Sometimes something as simple as a bag of coins can be enough to close a deal but... There are days when it’s not enough... I don't know if you get it...” the strange man explained.
“No,” you said, wanting to leave that place.
“I propose something to you, miss… Maybe you don't have money to offer me, but I think that, being a merchant, you could pay me in another way,” he said with a gloomy voice, without removing that smile from his face.
“It's true… I have, I have some products in the car, maybe if I give them to you, you can…” you said, thinking about your possibilities.
“Actually, as tempting as your offer may be, I'm afraid I don't need anything you have to offer me, however…”
“However…” you repeated through clenched teeth.
“Today I woke up a bit lazy, perhaps you would like to do me the favor of saving me the trouble of having to wander around the village doing my job,” the man commented, looking at his nails with disinterest.
“What? Do you want me to work for you?” you asked annoyed, refusing instantly. “Listen, I have to get out of this place and…”
“You want your car repaired, I want this list of orders to disappear. It's a good deal,” he said, taking out a piece of paper and handing it to you. Several names of products followed by each other were written on it.
“If I take this to those people, will someone fix my car?” you asked curiously. “Come on, it's too easy.”
“Trading seems very easy for you,” the man commented. “But if you do me this favor... Well, you'll be closer to being able to get out of here.”
“Okay, fine,” you said defeated, not finding another immediate way out of that situation. “I'll work for you. I hope you keep your word.”
“It's business, I never play with business,” he whispered. “By the way, I'm the Duke...”
“Duke? I can't say I'm glad to meet you,” you said with a mocking smile. “I'm... (Y/N),” you said, shaking the big hand of that man with a strange name.
After telling him where your wrecked car was, you accompanied the man to a warehouse of sorts, where you collected all the things on the list. It looked like an old village, with old customs. There was nothing remotely similar to the 21st century, but you didn't give it much thought. You were born with the ability to overlook things. Perhaps that's why you were that good at business.
The people of the village seemed surprised, even frightened by your presence, but your talents and your sales skills helped you with the task. They were strange people, but kind in their own way, fearful, but... somehow, easy to fool.
In a few hours, you were almost finished with that list and returned to the Duke's warehouse for your last order.
“Is that an empty cart?” the merchant asked, looking at the cart you were dragging. “Have you sold everything?”
“Yes,” you said satisfied, letting yourself fall into a chair. “I have sold the family, I think it was… Djovic, the baby clothes.”
“The clothes? Oh, that's good,” the man said, counting the coins you gave him, satisfied with your services. “Good job.”
“I suppose this won't help to fix my car,” you said distrustful of the look of the Duke, who obviously laughed amused, shaking his head.
“Mm, no, miss, but you’re on the right track,” he commented, gesturing for you to come closer, pointing to a package with what looked like fabrics. “There is one last order for you…”
“Fabrics?” you asked curiously, loading those rolls into the cart. “Okay…”
“You have to sell those fabrics to Lady Beneviento,” the man explained, with a slightly darker voice, narrowing his eyes.
You shrugged, examining the merchandise.
“Lady Beneviento…” you repeated, scratching the back of your neck. “She seems like someone important, is she from the castle?”
“Oh, no, no…” he whispered. “She lives in a house near the village.”
“Okay,” you said, nodding. “Beneviento… Okay, where does that woman live?”
“Mm,” the Duke murmured, with a strange smile. “Go towards that square over there,” he said, leaning out of the carriage and pointing to a path. “There you will see a wooden door decorated with a moon and a sun. Go through the door and follow the path, cross the bridge and it won't take long to you to reach the estate.”
“Okay, great,” you sighed, looking at the road in the distance. “Is she a seamstress or something?”
“Not exactly… She's a complicated woman, but seeing how you dealt with the villagers, I think you won't have any problems,” the man explained, with a slightly disturbing tone you didn't pay attention to.
“Wait, didn't she ask for these fabrics?” you asked curiously, looking at the small cart full again.
“The best merchant is the one who sees the need before it exists, don't you think?” the man asked.
You frowned and shook your head.
“A door with a sun and a moon, a bridge… Fine, I'll do it,” you said murmuring, grabbing the handle of the cart and leaving through the door.
“Oh, Miss (Y/N),” the Duke interrupted, with a voice that was too kind. “It was a pleasure to meet you…”
You opened your eyes at that mysterious phrase, but you didn't give it any importance, you kept walking ignoring that comment from the merchant. It was certainly a strange place, probably the strangest you had ever visited. On top of that, you were trapped there, but you couldn't complain either, at least you could do your job.
Following the Duke's instructions, you entered an even darker forest, on a path that seemed devoured by the passage of time. It didn't take long for you to see the dangerous wooden bridge and, despite your vertigo, you managed to cross it.
Everything around you seemed to be in ruins. You imagined what that place would have been like a few years ago as you walked between two abandoned cabins towards a small clearing, one with a grave in the middle, a grave that you didn't approach out of respect.
“Wow… Whoever lives here must have a lot of money,” you commented, approaching a red door, pulling the cart behind you. “Surely that Beneviento is the typical old lady who can't go to the village. I'm not surprised. It seems as if she doesn't want anyone to come near this place.”
An old elevator was waiting for you to go up. Your danger instincts were deactivated. On your travels you had met very peculiar people. Neither that extravagant merchant, nor that mysterious house seemed anything out of the ordinary.
Maybe that was it, or maybe you were just a girl of simple convictions. You always had a logical explanation for everything.
“Whoa… Incredible,” you said leaving the elevator, walking along a small path towards an old mansion, a spectacular construction next to a waterfall. “This is really curious,” you commented, admiring the subtle and dull beauty of that place, a strange, uncomfortable beauty, but a beauty nonetheless.
“Ahem,” you said, clearing your throat as you crossed the gates of the mansion, which seemed surrounded by strange plants, like an unkempt garden. “If everything goes well, I can leave soon…” you whispered as you climbed the steps and fixed your hair.
It didn't look like the place of residence of any ordinary villager. You would have to use your best skills. Carefully, you knocked softly on the door, looking curiously at your surroundings.
“Hello?” you asked when you didn't get an answer. “Is anyone home?”
“It's an outsider, Donna…” A murmur behind the door made you stand up elegantly. It seemed like a high-pitched voice, as if it were a little girl. “What do we do?”
“H-Hello?” you asked again, sure you had heard that voice. “Sorry, but, but, I came to…”
“No? Why? Oh, yes, it's true, we haven't played for a long time…” the girl's voice said again, approaching the door. “She looks like a silly girl…”
“Hey,” you protested silently, shaking your head. “What manners that girl has…”
The door opened with a creak and before you appeared a strange sight: a woman dressed completely in black, with her face covered by a veil, holding a strange doll in her arms. Her pose was straight, elegant, and her voice seemed not to want to leave her lips.
“Uh… Hello,” you said nervous at that curious sight, at that strange woman in mourning. “Sorry for the inconvenience but… Oh, well, first of all, I give you my deepest condolences.”
You lowered your head slowly and respectfully, looking curiously at the hands of that lady, hands that erased the image you had of an older woman. She looked like a young one.
“What are you talking about?” the same shrill voice from before spoke while the mouth of that doll moved, leaving you pinned to the ground, stunned.
“Oh… what?” you asked confused, frowning and looking closely at the doll. “Oh, it's a ventriloquist doll, how curious,” you said naturally, looking up at the lady's covered face.
You didn't want to ask the reason why that woman spoke through the doll. What you thought was that maybe she was dedicated to giving shows in the town, nothing out of the ordinary for someone as open-minded as you.
“Who are you calling a doll, stupid outsider?” the doll protested in an amused tone, making you laugh curiously.
“Oh, I'm sorry,” you joked, playing along with that doll. “Um... Um... Well, I'm very sorry for your loss, Lady... Beneviento?”
“What loss?” the doll asked, making your gaze separate from the lady's.
“W-Well, you're dressed in mourning and... Well, it's not very common to do it anymore but... Um, I...” you stammered.
“Do my Donna’s clothes annoy you?” the doll asked again, making you blink in confusion.
“Donna? Is that your name?” you asked curiously. “It's, it's a beautiful name...”
“Who are you?” the puppet asked again, pointing at you with its finger.
You focused your eyes well to see the strings that surely guided the doll to move. The woman in black seemed not to move, something even more mind-blowing to you.
“I'm (Y/N), I'm, I'm here for... Well, the truth is that I had an accident and... Well, I don't want to bore you with the details, but the Duke asked me to help him and...”
“The fat guy?” the doll asked, tilting her head comically.
Your eyes returned to the lady, who stood firm, with that black veil hiding her face. You nodded slowly, forcing your face into a typical merchant smile.
“Y-Yes, I… I have come to bring you these fabulous fabrics,” you said, pointing to the cart. “The Duke told me you might need them.”
“Let me get this straight…” the doll commented, with a slightly stranger voice. “You say that the Duke has sent you to sell us fabrics? You?”
“Well, yes,” you said, nodding more confidently, taking one of the small black rolls and holding it out to the woman. “Surely this shade of black will suit you.”
“It's clear that you're not a villager,” the doll joked, laughing softly. “Don't you know who you're talking to, stupid?”
“What? Oh, well, to Lady Beneviento, right?” you said absentmindedly, keeping your smile. “Donna?”
“She is Donna,” the doll said, pointing at the woman, who looked at it briefly, sighing, apparently.
“Oh, okay…” you said a bit confused, frowning. “You are Donna, right? Donna Beneviento?” you asked again.
“Are you stupid? I told you that she is Donna,” the doll insisted. “I’m Angie, Miss Angie to you, outsider.”
“Angie,” you repeated even more confused.
You had seen enough ventriloquist so that this kind of personality dissociation didn’t seem strange to you. Who knows, maybe she was giving you a free show.
“Miss Angie!” the puppet squealed, moving nervously in the arms of its owner, who whispered something you couldn't interpret. “Donna, get this over with, she makes me nervous.”
“Yes, it's true, it will be better if we talk business…” you said, interrupting that strange conversation between woman and puppet, making both of them look at you suddenly. “If you don't like this black fabric… Well, I also have…” you said, rummaging through the cart. “Oh, this grey fabric is also quite fancy.”
“Stop, stop, stop,” Angie doll interrupted, making an impossible gesture with her hands. “Are you serious? Do you intend to sell us fabrics?”
“Of course, I, I'm a merchant, it's, it's what merchants do,” you said in an informal tone, assuming that this woman spoke only through the doll, something that didn't seem strange to you.
On your travels you had met people of all kinds, she was no exception.
Lady and doll looked at each other again, shrugging comically at the same time. You laughed too, thinking, of course, that it was funny.
“It's incredible, I once saw a show of a man who had a similar puppet,” you explained, rummaging through the fabrics. “I think its name was... Billy the Rebel or something like that. The man barely moved his lips, it almost seemed like the puppet was alive.”
“Ohh...” the doll murmured in a sinister tone, with the same high-pitched voice as a child.
“Although well, wearing a veil makes things much easier, doesn't it? It's almost like cheating,” you commented amused, pointing at the lady, who fidgeted nervously, tilting her head. “Oh, I don't mean to say that you're a cheater or anything like that, it's just a comment.”
“Cheating? I can't believe it...” the doll said, shaking its head and resting a wooden hand on its forehead. “Donna, this girl is an idiot.”
“Idiot? Oh, yes, idiot for having such low prices especially for you,” you said, taking the insult easily. All those dolls always had a similar personality. “Like this ruffled fabric. I'm sure it will serve to make a beautiful dress.”
“A dress?” Angie asked, apparently holding back its laughter. “What are you talking about?”
“Oh, I'm not saying that your dress is ugly,” you said apologetically, not paying attention to the lady or the doll, focusing on your work. “I also had my gothic phase,” you commented amused, comparing the black fabrics with the lady's dress, getting so close that she took a step back, nervous.
“Gothic? Like a cathedral?” the doll asked, amused.
If it weren't for the fact that that woman was a ventriloquist, you would be thinking that she was starting to make fun of you.
“No,” you said laughing. “W-Well, I used to always wear black, like, like you, wear black lipstick… Everything black, you know what I mean.”
“No, I don’t understand a word, silly,” Angie said, shaking its head, with a sinister laugh. “Besides, my dress is white.”
“Oh, I wasn’t talking about… Your dress,” you said amused but with a kinder tone. “I meant, Donna, right?”
“You have some guts to call my Donna by her name,” the doll commented, drawing your attention again. “Do you really not know who you’re talking to?”
“N-No…” you sighed, trying not to let your smile fade. “Oh, wait…” you whispered, blinking, letting curious thoughts wander freely through your mind. “Ah, okay, I get it now…”
“Do you understand your situation now, stupid?” Angie mocked, laughing again. “Then you can start running and…”
“How did I not notice before?” you murmured, interrupting that strange phrase from the doll. “Forgive me.”
“It's late to apologize, outsider,” Angie growled, while the lady slightly raised her hand towards you, a gesture you overlooked.
“The clothes are not for you, but for Angie, right?” you asked, taking out a piece of cloth similar to the doll's. “Of course, how stupid I am…”
“W-What?” the puppet asked, confused.
The lady in black lowered the hand she had raised and you ignored a shiver that ran down your back, you even thought you heard voices. It had been a hard day, you weren’t surprised by the sudden tiredness your body felt.
“Forgive me, Donna, I already said that I'm not from here and... Well, luckily for you, and for me, the fabrics can be used in the way you prefer, besides, I'm convinced that a gray dress is perfect for Angie,” you said confidently, taking out a gray plaid fabric. “The wedding dress is fine, but you're probably thinking of something simpler, maybe with this Angie can look like a very formal lady.”
“What? What?” the doll repeated. “Hey, but...”
“Well, or you could also buy this black fabric and make her a dress just like yours. Wouldn't that be cool? Black is an interesting color like any other.”
A loud laugh echoed off the rocks of that place, off the walls of that old mansion. The Angie doll laughed non-stop, leaving you confused at first, making you react the same way, laughing softly.
“Don't go on, don't go on, I'm dying,” the doll said, being lowered to the floor by its owner.
You stopped laughing when you saw how that puppet remained standing, how it even seemed to throw itself on the ground to writhe with laughter.
“Wow...” you said, bending down to observe the doll, not finding anything strange in those movements, in the lack of strings or mechanisms. “Wow, I thought this village was a bit old-fashioned, but that robot is really impressive...” you murmured, getting a little closer to the doll.
“Mm?” a confused sound came from the black veil, a tone very different from that of the doll.
The lady looked at the puppet, who continued to laugh tirelessly until the laughter disappeared for a moment.
“A robot...” the doll commented. “A robot!” Angie shrieked, laughing again in a scandalous way. “This girl is great, Donna.”
“Do you make them? You must have a lot of clients,” you said curiously, looking at the woman in black, who seemed confused, looking at you and the doll repeatedly.
“I make porcelain dolls,” a hoarse voice came out from behind the black veil, a melodic voice, soft but damaged, as if she hadn't used it for a while.
“Oh, wow, it's comforting to talk to you, that doll is quite a naughty girl, isn't she?” you said amused, causing more laughter from the puppet. “Wow, that's also very, interesting... It's not very common.”
“I suppose is not,” she commented, relaxing her shoulders and gesturing towards the doll, who stopped laughing immediately, standing up again. “It's not common to see a stranger around here either.”
“How curious, everyone in this village has said the same thing,” you commented, scratching the back of your neck, no longer feeling that strange heaviness in your head. “I'm surprised it's not a tourist spot, the castle is amazing.”
“The castle? Donna, the castle!” Angie squealed, laughing again. “She likes the castle…”
“Of course, it's wonderful, what century is it from?” you asked curiously. “I'd like to visit it.”
“Oh, yes, I'm sure Alcina would like you to visit it too…” the doll commented, approaching its owner with a walk that was too soft for a robot.
“It's from the 17th century,” the woman said, with a serious, cold tone. “You said you had an accident.”
“Oh, yes, well,” you said nervously. “My car crashed into a tree and… I ran into the Duke and what a surprise, he doesn't accept that I pay a mechanic with my credit card so he offered me to work for him.”
“Credit card?” the lady asked, tilting her head curiously. “I'm afraid I don't know what you mean.”
“Oh, um…” you said, rummaging through your bag in confusion and pulling out your wallet. “My, my credit card… You know,” you said, taking out the card and making a gesture as if you were going to pay with it. “No?”
“No,” she said, with a strange sigh. “Can I take a look?” she asked, extending her pale hand towards you.
You, trusting, handed her the card. It seemed incredible to you, but this woman had no idea what you were talking about.
“Is that money? It's just a piece of plastic,” the doll said, letting Donna show it to the puppet as well, giving it back to you shortly after.
“Um, yeah, well…” you stammered, putting away your wallet. “But let's stop talking about me… So… Do you want some fabric for your dolls?”
“Give me all of them,” she said in a whisper, making the doll gasp in surprise. “I'll go get your money.”
You nodded in relief and looked curiously at the animatronic doll, who was impatiently tugging at her owner's dress.
“But Donna, are you going to let her go? She's an outsider… Hey, Donna, silly Donna, listen to me…”
Luckily, the payment was large and after a friendly farewell you were able to return to the village. Your little encounter with Donna Beneviento wasn’t what you expected, but that woman with an Italian accent seemed curious to you, enough so that you couldn't stop thinking about her during your return. She was a strange woman, but relatively normal.
Despite that black veil, you didn't see anything that made you think you were in danger, nothing at all. In fact, you could say that the doll technology was amazing. Maybe that strange woman was like that because she was some kind of genius.
“Ugh, it’s an useless piece of junk…” a male voice said as you approached the warehouse. “But I guess I’ll find a place for it at the factory…”
“I think so, Lord Heisenberg.” The Duke’s voice made you walk faster, finding yourself in the warehouse with a curious sight: your car was there, without any kind of vehicle that had brought it.
Next to it was the Duke, in his carriage, and next to him was a man with a hat. He seemed like a bit of a strange man, but after meeting the doll lady it wasn’t something too out of place.
“Ahem,” you cleared your throat to get the attention of the men, who turned sharply, staring at you, as if they were surprised.
“Miss, (Y/N), you’re back,” the Duke said with a fake smile, unable to hide his surprise. “I’m impressed.”
“Hey, didn't you say that the girl had gone to Beneviento's estate?” the other man asked, with an equally surprised smile.
“Yes, that's right, Lord Heisenberg,” the merchant said, looking at you out of the corner of his eye.
“I've already sold the fabrics, Donna seems like an interesting woman,” you commented without giving importance to those disturbing comments, leaving the empty cart in a corner.
“Interesting?” they both said at the same time, looking at each other with a strange expression.
“Mm,” you murmured, crossing your arms. “Oh, you must be the mechanic, I'm (Y/N), surely the Duke must have told you about me,” you said with a rehearsed smile, extending your hand towards the man, who shook it with a soft laugh.
“Of course,” he whispered. “Karl Heisenberg,” he introduced himself, bringing your hand to his lips in a gentlemanly manner. “It's a pleasure…”
“Yes, whatever,” you said, removing your hand with an informal gesture and approaching your car. “It would be a pleasure if you told me how much is going to cost that. You can fix it, right?”
“Fix it?” Karl asked, looking at you over his glasses, with an evil smile, one which at least looked evil.
“Ahem, Lord Heisenberg…” the Duke interrupted, with a fake smile. “Miss (Y/N) and I made a deal. She worked for me and you would be so kind as to repair her vehicle.”
“Oh, I see…” the supposed mechanic sighed, frowning. “It seems that you are losing faculties, Duke.”
“It seems that way…” the merchant whispered, making you blink in confusion. “Lady Beneviento has not been a problem for her…”
“Yes, it’s unusual,” the shorter man commented, shaking his head.
“Oh, well,” you interrupted innocently. “She is a strange woman, but the truth is that she seemed kind.”
“Kind…” both men sighed at the same time.
“Yes, and that robot of hers, the Angie doll, is impressive, it almost seems that it’s alive,” you said approaching your car, without giving importance to your words.
“What?” they asked in unison, looking at each other intensely and bursting into a loud laugh.
“I don't see what the joke is,” you said, annoyed by that mocking laugh. “Come on. Tell me how many days of work it's going to cost me.”
“I don't know, Miss…” the Duke said, wiping away the tears that caused his loud laughter, with the other man looking at you with a sardonic smile. “Wait a… “
The phone in the warehouse rang, interrupting.
“Allow me, just in case you get some exercise,” the Heisenberg guy joked, picking up the phone himself. “Hallo? Oh, ciao, dear…” he said in an amused but kind tone. “No, no, Angie… Ugh, stop… Shut the hell up!” he shrieked furiously.
Angie?
“Yes, that's better… I love the sound of your voice, little sister,” Karl said, leaning on the small table. “Yes, the fat guy is here… And his new assistant too, I think you’ve met her… Oh, yes… I don’t think Miranda would be happy with that… Oh, okay, okay… Paint? Well, that’s not my area of expertise but… Oh, yes, well, I know, I’ll tell him… ciao, ciao…”
You barely listened to the conversation. You just stared at the wreckage of your car.
“Donna,” the man said, sighing and approaching the Duke, glancing at you out of the corner of his eye. “She wants some paint.”
“Paint? I sent her a few cans last week,” the merchant commented.
Heisenberg shrugged.
“Looks like you have more work to do, girl…” the man murmured, walking past you and out the door. “Duke, do me a favor and keep me informed, this is going to be interesting…”
“Of course, Lord Heisenberg,” the Duke said, looking at you moments later. “Well, (Y/N), you can sleep here for a while, until you pay off your debt.”
“Great…” you sighed, shaking your head.
“But now you have to go back to the Beneviento estate, apparently she needs paint…”
Without asking many more questions, you complied with his order, returning shortly after, chatting again with that curious, strange woman but… Whose presence seemed comforting to you.
Your car wasn’t going to be fixed overnight, and you began to accept that job as a new routine. Every day you walked around the village doing that man's job. None of the villagers seemed to want to answer your questions, none seemed… None seemed to believe that you were still there.
Confident and without any fear in the face of all those signs of danger, you continued working, and most importantly, you continued walking towards that dark mansion, having longer and longer conversations with that lady in black. Time passed so quickly that you barely noticed.
One of those days, mysteriously, the lady in black invited you to enter that mansion, you could see the portrait of a beautiful woman on the stairs, her portrait, or so you thought. Questions were constantly stalking your head, but your ignorance was your best protection.
Surely that lonely woman had suffered terribly, channeling part of her personality into that strange robot. Something disturbing, but also mind-blowing.
“So is he your brother?” you asked, sitting on an old sofa, with a cup of hot tea in your hands easing the cold.
“Something like that,” the veiled lady whispered, doing the same in front of you, with that robot roaming freely around the house.
“Oh, well, he seems like a strange man,” you said with a smile. “Do you think he can fix my car?”
“I don't know, I guess he can,” she said, with a somber tone, putting her cup elegantly on the table. “Tell me something about you.”
“About me?” you asked, with your cheeks blushing, something that sweet voice caused on your face. “There's not much to tell. I prefer, I prefer you talk to me about yourself.”
“No,” she said dryly, shaking her head. “I asked first, you're not interested in my life.”
“No? So, why are you interested in mine?” you asked amused with your merchant attitude speaking for you. “I'd like to know something about Angie.”
“What do you want to know?” the lady asked, scratching her knee through her dress, as if she were nervous. “I'm not sure I can answer your questions correctly.”
“Mm, well, to begin with... Is the voice yours or it has some kind of voice box?” you asked, pointing at the puppet, who approached curiously.
“Are you blind, silly? It's incredible that you haven't noticed yet,” the doll said, laughing amused again, like every time you made a comment about her. “Why are you wasting your time with that stupid girl? Miranda is going to get angry...”
“Miranda?” you asked curiously. It wasn't the first time you heard that name in the village, it seemed like someone dangerous... “Hey, come here,” you said, taking the doll by surprise. “Do you run on batteries? Where do you have them?”
“Batteries? Let me go, silly!” the doll protested while you searched for the electrical part of that robot, one that, of course, you didn't find, turning pale and lowering the doll to the floor with trembling hands.
“Um...” you murmured a bit dizzy. There was no mechanism that made the doll move. “My God... It can't be. It's, it's impossible...”
“Mm, it probably is for someone like you,” Donna commented, without making the slightest effort to explain herself, to make you understand why that doll was alive. “Are you starting to understand your situation?”
“N-No, not really,” you said, with a cold sweat running down your neck. “I don't know what kind of joke this is but... I'm, I'm starting to get scared.”
“Okay, be scared then,” the woman said with an amused laugh, standing up. “Angie, call Mother Miranda”
“Right away,” the doll said, running towards a small table with a telephone. “What do I tell her?”
“Tell her that the outsider won't be a problem anymore,” she murmured, walking towards you. “I'm sorry, (Y/N). I've really enjoyed your company, but you being here can cause me problems.”
“What? D-Donna, what are you talking about?” you asked nervously, moving restlessly on the couch, swallowing as the lady approached.
“I'm afraid you've chosen the worst place to have an accident, ragazza…” she whispered, bringing one of her hands to the black cloth that covered her face, removing it with a sigh, revealing you her true appearance, one that you couldn't even imagine.
You blinked several times, with the portrait of the stairs in your head, admiring the beauty of that woman, a special one, a beauty that a hideous scar on her right side tried to hide, but was unsuccessful.
“I hope you can forgive me,” the lady said, with a sad look, with her only eye shining due to a tear that left it as she moved her hand towards you.
“Forgive you, why?” you asked stuttering, shaking your head to get out of the daydream that beautiful woman caused you. “Oh, you have nothing to apologize for… We all, we all have flaws, you know? Besides, you are, you are a beautiful woman… I don’t think covering your face is rude.”
“What are you talking about?” she asked, squeezing the veil in her hands. “Doesn’t my appearance scare you?”
“Well… It doesn’t…” you whispered, your mind sending you a thousand danger signals. “You were worried about that, weren’t you? You thought it was rude not to show your face but you were afraid to do so, right, Donna?”
“Cosa? But, but, (Y/N),” she said nervously, frowning, breathing heavily.
“You are beautiful, really,” you said with a sincere smile, getting up and putting yourself at her height, running a hand over her wounded cheek, one that she removed with a slap. “I’m sorry… What happened to you?”
“Um... I...” the lady stammered, turning her face away from your curious hand, running one of hers through her black hair, as if she were going to have an anxiety attack.
“Mother Miranda, I'm Angie, your faithful friend...” the doll's shrill voice interrupted an intense look, a look between you two that awakened something inside you, something that went beyond your intention to trade or seem friendly.
You really wanted to be, you wanted... To be closer to her.
“Cazzo...” the brunette hissed, walking quickly towards the doll and abruptly hanging up the phone, resting her hands on the table.
“Hey! I was talking to...!” the doll protested, jumping on the floor.
“No one has ever told me that I am beautiful,” the lady whispered, looking at you out of the corner of her eye.
“Well, I say what I think,” you sighed with a tender smile, one that she returned to you as she turned slowly. “By the way, who is Mother Miranda?”
“She is nobody, it doesn't matter,” the woman said, walking slowly towards you, playing with her hands. “Have you… have you finished your work?”
“Yes, I always come here last, so I can stay a bit longer. It's very nice to talk to you.”
“That's what Josef said…” the doll commented, amused, walking away when she received a deadly look from her owner.
“(Y/N), I… I, I would like… Well… That you would stay for dinner with me,” Donna said, with an innocent and nervous look. “I'm convinced that the Duke doesn't feed you properly.”
“You got it right,” you said amused. “I'm sick of that damn soup,” you joked again, pretending a grimace of disgust.
“Good, because… Because I would like… Maybe you want…”
“It will be a pleasure, Donna,” you said nodding, making her smile widen.
That dinner marked a different stage in your ostentatious stay in the village. Her gaze was tender, it was almost as if she was looking at you for the first time. As best she could, she explained some details of her life, her childhood, her loneliness…
You knew there was something she wasn't telling you, something she was hiding, but you didn't insist. That comforting feeling next to her grew, turning dinners into a pleasant routine. You couldn't find out anything else about the village, you weren't even interested in the living doll anymore. Donna seemed to be the only thing you had to pay attention to.
As time went by, that closeness went beyond the limits of a pure friendship. Tension began to be present in your encounters. You never believed in love at first sight, but you didn't believe in living dolls either, so... It was never too late to discover something new.
“It was delicious... That tidamisu was the best thing I've ever tasted in my life,” you said, wiping yourself with a napkin.
“Tiramisu,” the lady corrected you, with a pleased smile at your praise. “I'm glad you liked it.”
“Yes, you should sell them, I can help you,” you said amused, pointing at yourself, earning a tender laugh from the lady in black, who shook her head.
That phrase seemed innocent, but, certainly, a strange feeling accompanied the tension of your dinners with Donna. The feeling that maybe you weren't uncomfortable in that place, the feeling of leaving your travels and staying there permanently. You had work, food... A friend, or at least that's what you thought... You couldn't be happier.
“I have enough with the dolls,” Donna commented, smiling.
But there was something else that night, something that made you sad, something you had to tell her.
“The Duke told me this morning that the car is ready,” you said in a whisper, making the lady look at you briefly and then go back to finishing her dessert. “I can leave tomorrow.”
“Oh, well… It's, it's good news,” she said in a strange tone, like sad or disappointed.
“But I don't know, maybe, maybe I'll stay here a little longer. I'm very comfortable in this village,” you said sighing, rocking in the chair.
You almost fell when the lady in black suddenly slammed her fist on the table.
“No,” she said with a dangerous hiss, shaking her head. “You have to go.”
“But, but…” you stammered confused, blinking erratically. “I would like to stay here, with you…”
“No! You can't stay! You can't!” she shouted, furiously throwing the plates off the table, breaking them into a thousand pieces.
“Donna, Donna!” the doll shrieked, trying to calm her owner's fury.
“Donna, hey, calm down…”you said, getting up to put your hands on her shoulders. She seemed out of it, terribly nervous. “I, I've been thinking about it and… Well, maybe, maybe it's okay here…”
“No, no, no… You have to leave this place, it's, it's dangerous,” she murmured, letting you take her sweaty hand. “Please, go, I’m begging you.”
“Dangerous?” you asked curiously, frowning. “Donna, what's going on in this place?”
“You don't want to know and, and it's better this way, okay? You have to go as soon as possible, you have to go before… Cazzo… Please…” she whispered, now squeezing your hands with a pleading look. “I don't expect you to understand but… You have to get out of here. (Y/N)…”
“Okay, I…” you said, feeling the lady's fear, one that seemed impossible for someone like her. Maybe she was serious. “Then, then come with me. Let's go on a trip through Europe, the two of us…”
“I can't…” she whispered, shaking her head. “I can't get out of here…”
“Donna,” you sighed sad, disappointed. The story ended before it started.
“You're the only person I've really talked to in many years… I… I'll always remember you…” she sighed again, searching for something among the broken plates, taking out a kind of medallion hanging from a golden chain. “I wanted to give you this so, so you wouldn't forget me…”
“I could never forget you, Donna,” you whispered, getting a little closer, putting one hand on her cheek while the other played with the medallion. “But, but I don't have anything to give you.”
She laughed, letting a tear slide down her cheek, caressing you with her soft hand.
“But I have something in mind…” you sighed, closing your eyes, slowly approaching her lips, kissing them softly.
It was a short kiss, but one that confirmed the rumors you heard in your heart. Goodbyes were always the worst part of your trips, and even more so, having to leave such a wonderful woman.
“Don't forget about me, okay?” the lady sobbed, kissing you again and resting her forehead on yours. “I will never do, (Y/N)…”
You nodded, deciding it was the best time to leave, to let her hands go and get away from the warmth of her gaze.
The cold of the night cut your skin, tears froze on your cheeks. Why did you have to leave? It seemed like an absurd question because, even though you wanted to stay, you obeyed that woman in black, the woman you were terribly in love with.
The Duke and the Heisenberg guy kept their word and your car was waiting for you. Sobbing, finding a growing danger in that place, you put the key in the ignition, taking a last look at the village.
“Danger... what danger? Damn it...” you protested, hitting the steering wheel.
It was time to go back, to go back to your old life. You had no family, no friends, no one waiting for you, no promising future. All you had was Donna, and you were going to leave her behind because of an absurd fear that you didn't understand.
You put your hand on the keys, but you didn't turn them.
“What am I doing? Fuck it, throw me all the living dolls you want, I'm staying with you…” you hissed, leaving the vehicle with a bang and throwing the keys into the darkness, returning to the warm lights of the village.
It didn't take long for you to arrive back at the estate to hear some pitiful sobs coming from inside the house.
“You're stupid, Donna, why did you let her go?” the doll's shrill voice asked, which seemed to comfort a broken lady, who was crying uncontrollably.
“It's the best, Angie, if Miranda finds her…” she murmured.
“You're stupid, aren't you a Lord? Miranda won't do anything to her, she's always let you do whatever you want,” Angie said.
You listened carefully behind the door.
“But, but she is an outsider, and she doesn't like outsiders... She will kill her...”
“No, she won't, besides, the girl is stupid, she doesn't even know what's going on here,” the doll whispered.
“Gods… Angie, you're right… Cazzo, cazzo, cazzo!” Donna shouted, seeming to be running. “I have to stop her from leaving! Angie, the veil, quick! Angie!”
The door suddenly opened, making the lady freeze when she saw you.
“(Y/N)…” she murmured nervously. “You haven't left…”
“No, I haven’t” you said amused, moving the veil away from her face and kissing her slowly. “I don't know what's going on here but… I don't care, Donna, I want, I want to stay with you…”
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how do you divorce your fears and distrust of men and your want to transition?
ive read a lot of your posts about anti-transmasculinity, and it all really struck a chord with me. ive been questioning whether or not i wanted to transition cause i was terrified i wouldnt be able to be soft or sensitive, or be able to cry and be empathetic. it was silly, because i never got that from trans men before i started self-harming with terf rhetoric, but now im petrified of becoming an angry abuser. and admittedly, a lot of the stuff regarding physical appearence got to me, i dont really think id be a pretty guy and its scary. though its not lost on me that the number one thing they always go to to dissuade trans men and mascs is physical appearence because as someone whis afab, your physical appearence seems to be the most important thing to people.
i keep going in circles and wondering if maybe im just a woman. im pretty femme so it sounds like its easier, i even try to compensate by trying to call myself a fem-aligned identity like demigirl or something. but the thing is i dont think ive ever felt like a girl. i dont feel like a boy either, but boyhood feels like a warm light that i desperately want to be a part of— but it seems like people are so quick to view you as a monster or a traitor if you do …. its scary. im sorry if any of this came off as weird. im just very lost.
good question!
the best way to do this is to look at it like this. constantly associating men with danger shows everyone that men cannot get better, and that men will always be dangerous and predatory. saying "men are just like that" makes it so they cannot improve, and that if a man does not behave that way, responding like 'wow, he's not like other men!' we're implying that men are always bad and pieces of shit and it's very rare for them to not be rude, mean, aggressive, etc. we're creating this cage that we place men and mascs inside of. it's not nature. it's not biology. it's not inherent or innate. it's a human invention, a cage of our own design.
men are not inherently abusive. a lot of men have been abused, themselves, and become victimized as opposed to abusive. others don't experience this at all. men are not going to inherently torture, abuse, or harm those around them. men having emotions around others is not an issue. men existing around others is not bad. it's okay to have that fear, but you're not destined to be abusive because you are or might be a man. it's not an inherent thing. men get abused too. many men are victims of abuse. many men are submissive and passive. it's not an inherent part of manhood
a lot of fear is placed on to men's shoulders from the moment they become or even realize they are one. the fear to be masculine and manly enough not to be degraded. the fear that if you don't work hard enough you won't be taking seriously. the fear of being harmed if you're too feminine or don't pass. the fear of people being rude or mean to you if you're too nice, friendly, dress a certain way, and so on. we harass men who don't conform to cisheteronormative manhood and hurt them if they aren't "manly" enough. is it any wonder men come out of this damaged, hurt and confused?
it's not your fault, you're responding to a complex issue that's not easy to grapple with. it's okay to be lost and confused, but it's also okay to be a man. men aren't inherently violent, shitty, dangerous, or predators. men are inherently men. that's it. i hope you feel a bit better soon, feel free to ask any more questions you may have! take care!
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"The canary curse and why I absolutely hate it" - an in depth tumblr post by celebi 3lsmp (in a state of covid sickbrain) (with assistance from my friend fern)
Hi. as many of you know, i fucking hate the canary curse Jimmy headcanon. It sucks. I hate it here. but have you ever wondered WHY? Celebi, WHY do you hate jimmy solidarity canary curse headcanon. WELL LET ME TELL YOU !!
In general I try not to be a hater, fandom spaces generally hate unpopular opinions so I keep my mouth shut but Ive decided today I have the audacity to argue my case. You may think I'm being a nit-picker with this but. hear me out.
For starters, IN MY OPINION, a lot of the fandom has forgotten what the real story of the canary in the coalmine is. Canarys were used in coalmines in the 1900s to aid coal miners in recognising when harmful gasses were within the cave and when the canary would collapse and die they would exit the cave to safety. While yes, Jimmy does run out of lives (permadie) first in 4/5 seasons of the life series, he doesnt actually die first. He permadies first in 3rd life, but doesnt lose the first life! This honour goes to scar with the grian creeper prank. In last life, the first life lost is Grian! in Double life it's . technically Tango. In Limited life it's Skizz, in secret life it's Martyn. So would their deaths not be considered omens of death also?
Secondly, Jimmy's permadeaths are often considered "omens of the end" or "omens of future tragedy" which, have you watched the series? have you watched the seasons? were they not tragic from the start? This idea almost implies that the life series isnt tragic until Jimmy dies? Which I do not like. Jimmy has plenty of tragic moments to his own character before his death.
This brings me onto the fandom's "woobification" of jimmy. If you take nothing away from this post other than this I will be happy, because people need to be more aware of the fact that he is completely being infantalized. Jimmy is an adult man. AN ADULT MAN. He does not need to be saved from the big bad curse of death or the "coal mine" or anything. Just because he sucks at minecraft does not make him a sweet little baby bird that needs to saved. You wouldn't treat Bigb, or Ren or Martyn like a wet kitten in a cardboard box because they die a lot. Shockingly, other people suck at minecraft in this series too. Have you seen Joels traps? is he the canary of the tnt minecart? are we gonna make him a sweet little baby bird too? No, we aren't. Jimmy is an adult man with balls. treat him like one.
Lastly, creating this headcanon which entirely around Jimmy's death, to me, erases the importance of the things he did when he was alive within the series. Would the Flower Husbands have gone to war against dogwarts if Jimmy hadn't burned the dogwarts flag in front of Ren & Martyn? Would The southlands have ended the same if Jimmy hadn't robbed the life from the lifeswapping ritual? Jimmy has more impact in his story than his deaths. He is not a character who dies off to further 3L! Scott's arc, he is not the silly background comedy of the southlands and he is more than just a death curse.
TLDR : use your brain and be more creative and please for the love of god free me from canary jimmy.
also im sick of everyone being birds. where is the flavour. where is the variety.
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Ive already posted this in my server, so you may see it twice, but In case you don't see it there im posting it here too.
Im assuming most of you have seen the news about the us election. Honestly im feeling nothing less than devastated, and i would assume Americans are feeling ten times worse. Im so fucking sorry to you all, and I know that doesn't help at all. I feel angry, hopeless, and sad as fuck, and i dont know how to comfort anyone or advocate for the hope i think we deserve.
What I can do is remind you all who you come from.
Women, queer people, disabled people, indigenous people, black people, new immigrants- anyone who experiences marginalization- we have been through this before. Many times. So many lives have been unjustly lost and our rights have been trampled on over and over, and we shouldnt have to be dealing with any of that still in 2024. It feels insane that im even having to write this post right now.
But even with that crushing history, repeating itself over and over, we haven't been silenced. If anything we've gotten louder. We've been having mainstream conversations about oppression and liberation in the past few years that were completely undiscussed when I was a kid. The vocal support for trans people alone, even with the rise of transphobia, is unprecedented.
None of this is meant to tell you that it's alright, or that it's not that bad, because it is that bad. But what I'm telling you is that its been this bad before, only this time we're louder than we ever have been before and we'll be louder still next time. There are more of us than there ever have been before, and if they couldn't take us all out when there were fewer of us they wont manage it this time.
There were drag shows happening in gay bars when it was still illegal to be gay at all. There were Natives preserving language and knowledge out of residential schools, and black people inventing whole new types of art and resistance while they were still being actively enslaved, and those are just a few examples. The point is that we dont stop, we never have. We will keep making art, finding love, and joy, being fucking loud and fighting for each other.
It's ok to hurt, to be angry and scared. Let yourself feel all of those things because its the only rational response to this.
But don't let it shut you down. Your history is one of resilience, survival, and compassion. We're so much more than the oppression we face and we always have been.
Reach out to the people you love and tell them you fucking love them. Make plans to see them. Gather with your community and organize to support each other, find ways to protect each other, and above all else don't stop looking for joy. Don't stop making art. Don't stop showing compassion.
Solidarity is the most important thing we have right now, so don't give up on it.
I don't know how to close this message really, but i want to repeat I'm not telling you to have hope, I'm not telling you it's not so bad. What I am telling you is that you're stronger than you think. You come from strength, you come from people who faced odd that seemed insurmountable so that you could be here today.
If they couldn't take us out before they wont succeed now. We're only going to get louder, angrier and stronger. And when the tide swings back in the other direction, like it always has in the past, they better be fucking grateful that most of us will be fighting for equality instead of revenge.
#keep fighting#i fucking believe in you#queer solidarity#anti racism#anti ableism#womens rights#trans rights#immigrant rights#decolonize palestine#decolonize turtle island#indigenous lives are sacred#black lives matter
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thinking about the narrators lines in the beginning of the game
"no more birds"
self explanatory. the long quiet is represented through birds, theough feathers. the narrator is represented through birds, but a more grounded version of them. less draconic. but the princess is tied to birds more abstractly- HEA exemplifies this. the construct is her birdcage
birds are highly symbolic throughout the entirety of slay the princess. they represent death, change, the concept of free will. is it any question that the long quiet is a bird, when he acts of his own free will the most?
"no more trees"
the woods are the first thing the long quiet ever truly sees. before awakening, it is the first thing he even knows. trees are the anchor of the construct, and the last to change as the long quiets perception of the princess changes the construct itself. but they are discarded by the heart of the shifting mound- only the cabin is visible, something created of the woods. trees constructed into something new. trees are not static, even as the narrator relies on them being so
just as significantly, the princess is on occasion depicted through vines, and trees. even the shifting mound is highly reminiscent of the shape of a tree. more specifically, she calls to mind a deciduous tree- a tree that changes through the seasons. life that is not static, but is still sturdy, long lasting
the long quiet, however, hears the narrators description of a forest and immediately thinks of coniferous trees. trees that retain their leaves, and remain relatively static through a year. but they still grow. they are still, but not forever. the construct retains the shape of these even as the cabin and the woods erode away, leaving nothing but the imprint of the woods
and perhaps most problematically of all, no more people
ive discussed this before, just how deeply tied to people that the long quiet and the shifting mound both are, so i wont repeat it all, but above all else, the two are deeply interested in and care about people. people are the reason that the nature of reality is questioned at all, and it is the narrator- the original narrator- who grants them humanity at all. the shape of something human. as far removed as either may be or become, that humanity is never fully lost. it can never be discarded or forgotten
being a person is not a "you are or you arent" thing. the long quiet often thinks of himself as a person, but the shifting mound discards it entirely. they are both right, and they are both wrong. because being a person involves the experience of life, but also the experience of death. and yet it is also the capacity to know what you are experiencing, to feel the world around you and to know that it is. the long quiet and the shifting mound arent 'people' in a literal sense, but how else would one describe the experience of being? the ability to care about others? the ability to care about yourself?
'people' are just one lens that can be looked at to interpret the world. the two are many lenses, but those lenses are all their own people. the voices and the vessels are all people that make up the sum of two vast people
the narrator, within his first moments acting in the construct, is calling to mind all the most important things to the long quiet and the shifting mound immediately, intentionally or not. the capacity for agency and free will and the nature of the self, change and permanence as concepts that can and do coexist as forces in nature, and above it all, how these concepts tie into the experience of life itself. a constant that does not last forever and is experienced by and to life. from a writing perspective, it is incredible how one line feels so powerful with the context of the whole narrative
#slay the princess#also its silly to say but birds live in trees. and also the cabin is very obviously made of wood#at least from the outside#the construct is comprise of trees shaped by people and occupied by metaphorical and literal birds ok...#ive thought abt this for a while#im particularly invested in the idea of#deciduous trees:shifting mound#coniferous trees:the long quiet#also maybe theres smth to be said about birds and people. something about bird watching maybe?#humans love looking at birds man. the princess watches this bird and this bird watches her back
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Illicit Affairs | Chapter I: Willow
Pairing: Neteyam x f!Human!Reader
Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X
Warnings: Cursing, mentions of death and disease
WC: 3,4k words
A/N: Sooo.. I kinda did something. This is the first fanfic I have written that will actually see the light of day, and also the first piece of writing (outside of master's dissertations, papers, scientific essays etc) that I have done since probably high school, which is longer ago than I'd like to admit. Anyway, I have been hyperfixated on Avatar recently, ATWOW fully bringing back my love and obsession for Pandora that I have had since 2009. I adore the new movie and the Sully kids, but I have a special place in my heart for Neteyam, so here we go. Let me know what you guys think. I work full time as a PhD student, so I'll try my best to write in my spare time and hopefully I can get this done the way I truly want to. This story is also loosely inspired by the incredible @forever--darling and her "One of Us" Neteyam fanfic, which I adore and have probably memorised by now with the amount of times I have read it.
I'm like the water when your ship rolled in that night Rough on the surface but you cut through like a knife And if it was an open-shut case I never would've known from that look on your face Lost in your current like a priceless wine
“Wake up, Ace. It’s late already and there’s so much to do today, remember?” Norm’s voice pulled you out of a beautiful dream, one where you were flying on your chosen Ikran, high above the clouds, the worries…this lab. Albeit hard to swallow, you were almost relieved to be woken up, as feeding out-of-reach fantasies and dreams could lead to no good, anyhow.
“I’m up… Jesus, Norm.” You felt yourself rise from your warm and comfortable bed and the feeling of your bare feet touching the cold, hard floor of the living quarters of the lab made you swallow a curse.
“We left you some breakfast, get ready and meet us in the lab in 30, okay? We have the samples ready for you and you can run them after we’ve talked it through.”
“Aye, aye, captain.”
This was your life. You, among a few other people, were one of the only humans left on Pandora after the war took them back to Earth more than 17 years ago. Unlike the others, though, you were born here, on this foreign planet, the only home you’ve ever known. There was one more, a beautiful, feisty young man with a dark heritage, who liked to think that he is as much Pandoran as the actual natives. His name was Spider, and although you grew up together, there was not much you could say you had in common. He was wild and adventurous, has been his whole life; fully willing to immerse himself in the Na’vi ways and almost demanding a place amongst the people.
Although you have your doubts, he says the people were accepting of him, as he managed to befriend the most important family of the nearby Omatikaya tribe: the Sullys. Jake Sully, a former dream walker, rose to prominence as Toruk Makto, rider of Last Shadow. He brought multiple clans together to defeat the Sky People in their brutal quest for wealth and colonisation. He succeeded, after which he became Olo’yektan, leader of the Omatikaya. He is now fully Na’vi, after completing a consciousness transfer that allowed him to leave behind his human form and forever live as one of the people. It had never been done before. Jake was a great man, who became a mediator between the Na’vi and the humans left on Earth. His children, Neteyam, Lo’ak, Kiri and Tuk, were brought up to know English and be accepting of everyone, regardless where they came from, as long as they had pure intentions and a strong heart. Spider was considered one of them. And, surprisingly, you were, too.
Your mum was a medic and researcher, brought here many moons ago to assist the Dr. Grace Augustin and her team in their quest to understand Pandora and its miraculous biology. Your dad, a former Master Sergeant in the US Air Force, joined the RDA for their military purposes. You never met your dad. He died when the Sky People attacked, although no one knows for sure which side he ended up taking. Your mum didn’t even know she was pregnant with you at the time, that’s how new everything was. Your mum loved your dad and she maintained her belief that he ended up doing the right thing in the end. You believed that as a child, but now are not so sure. Nevertheless, you still kept his dog tag, in a drawer at the bottom of your desk, a reminder of where you come from and what mistakes not to repeat.
Your mum died where you were 10. It was the worst day of your life. The cancer, which slowly spread in the beginning, overtook her being one faithful day, which you will never be able to erase from your memory. There is no chemotherapy, no radiation therapy, no drugs that could have prevented this, not here, not on Pandora. Your mum made a decision to remain on this planet she loved more than her own and it eventually killed her. She had no regrets, she said. She was happy to have lived and loved and died here, among Eywa. The Na’vi loved her. She was good friends and a mentor to Neytiri and Jake, both of whom agreed to give her a Na’vi send off. You were there that day, one of the few times you had visited the Home Tree. You remember the pouring rain, falling so hard it washed away the tears spilling from your eye almost as soon as they emerged. You remember Lo’ak and Kiri, your beautiful friends that have always been there for you, mourning with you. Your mum was their favourite aunt. She introduced them to music and films, and showed all of you her favourite books and painters and made sure you all understood that humans, despite their many flaws, have beauty and love and good in them, that no matter what, will prevail. “It will prevail because of you. Because you will carry it along and share it. You will revel in the beauty and fight to bring it back because what better way is there to live?”
You finished breakfast quickly, some dry toast with some fruit Kiri brought you the last time she visited and made your way back to the lab. You found Norm and Max, alongside two other human scientists, Tim and Claire, sitting on chairs next to the lab benches, discussing plans for the week.
“There she is, the brightest of us all.” You smirked at the compliment, raising your eyebrows in amusement and sitting down next to Claire.
“You’ve done great work last week, Ace The ELISAs show promise that Relensa might have some effect against this type of Pandora virus. I need you to now repeat it with the samples we’ve provided and also include a different type of positive control to the experiment, if possible.”
“Will do. How about a combination therapy? I know Relensa is not the only type of anti-viral therapy we have available. Amantidin, maybe? We have to go at this from all angles, you know?”
“Our Amantidin reserve is running severely short, but give it a try. Try a dose-response? Maybe 100 nano molars to 1 micro molar? Try 1milimolar as a positive control?”
This was your life. Unlike Spider, you avoided the clan. You did not want to be the walking reminder of everything they’ve lost. You were happy to sit back and dedicate your life to helping from the shadows. Your mum was a medic and a researcher, one of the brightest in the world. She wrote the book on Na’vi anatomy and physiology, she wanted to understand the people and hopefully help them mitigate losses brought by disease. You continued that work. Although young, you learned everything there was to learn. Not like you had anything else to do. You worked as a scientist and a nurse and a doctor if needs be. You patched humans up, stitched their wounds, ran experiments on Pandora pathogens and tried to find a cure against viral and bacterial diseases that plagued the Na’vi. You spent your life in the lab, and in the adjacent hub, learning, working out and playing the guitar and piano your mum taught you when you were really young. You couldn’t say you loved it, loved being here all the time, but you were content knowing you were, in your own way, making up for your species’ past mistakes.
Around lunchtime, you heard commotion from the entryway. A very familiar voice reverberated through the hallways. Your lips raised in a soft smile. Lo’ak.
Removing your lab coat, goggles and gloves, you made your way towards the origin of the sound. The tall, much-taller-than-you young man picked up a breathing mask from the designated shelf and waved at you with unwavering enthusiasm. You loved this boy. Your brother, for all intents and purposes, your partner-in-crime for all time. He loved you, too, you knew that, and you thought in a different life, in a different universe, you were soulmates, braving life’s tough storms together.
“Brought you lunch, angel.” Your nickname for you made you roll your eyes. You hated it, but the more you hated it, the more he used it so you remained silent. “I thought you could use a break from the stale excuse you guys call food around here.”
Lo’ak spoke English with you most of the time. He took to your parents’ (and his dad’s) culture the most out of all the kids. You spent a lot of your childhood together, hunched around a computer with old reruns of shows your mum loved in her youth, shows and movies that were way before even her time. She said she loved seeing what Earth looked like before humans killed their mother. Shows like Gilmore Girls, Friends and Modern Family were some of her favourites. You devoured them as a child, and Lo’ak did so too, with you. You drove her crazy as children, and drove Norm and Max crazy as teenagers, both trying to understand references and sayings, buildings and activities, games and idiosyncrasies. The Earth you grew up watching and reading up was beautiful, a star in the night sky you will never be able to touch.
Lo’ak made his way to the dining room of the hub, and lay several carefully-packed items on the table. Fresh teylu, cooked over fire and Pandora vegetables, all full of colour and flavour, all much better than anything that could come out of this place. You realise that you are starving as soon as you lay your eyes on them. Before you even sat down, you dug your fingers in and quickly ate some teylu, groaning at the delicious sweet meaty flavour. It was your favourite, and Lo’ak knew. He laughed at your apparent desperation and motioned for you to sit down. You obliged, and you both sat in silence for a while, just enjoying each other’s company and the food he provided.
“How’s training going? I haven’t seen you in a few days.”
“I die a little bit inside every time you make me remember I spend my days training like a little robot. It’s going fine. Tiring, you know? My dad is fully back in his Marine ways. He knows it’s been enough time that the humans are bound to return sooner or later. He says they’d never leave this world, and all its untapped riches alone without a fight. So it’s a lot of military training… if we walk like them, talk like them and fight like them, it might bring us some sort of advantage, you know?”
“Yeah, I know. I know it’s a pain, but he’s only doing this to protect you guys. He’s right. The humans are bound to return one day and when they do, we have to be prepared.” He doesn’t know this, but you have also been training, learning about guns, going through your dad’s old manuals and whatever else the RDA has left behind that could possibly be of use. You use the guns that are in the hub to learn how to aim, shoot, strip field, reload and clean the weapons, so you too can be prepared when the time comes. You might be stuck in a weak human body, but you will not be weak.
“Neteyam’s driving me nuts. He used to be fun, remember that? He’s such a killjoy, it’s hard to stomach being around him anymore. He’s always giving out orders, always making sure everything is in order and perfect, like him. He’s been training like crazy, and sticking to my dad like he’s some sort of fungus you can’t get rid of. Drives me crazy.”
“Hey, don’t talk about your brother like that. There’s a line, Lo’ak. Neteyam only wants the best for you guys, and he’s the oldest. He has to carry the burden of being the responsible one while you guy cause mischief all the time.”
Neteyam, Jake and Neytiri’s oldest, is more Na’vi than all the other children combined, in both looks and personality. Whilst the two middle children, Lo’ak and Kiri have five fingers, eyebrows and a more human appearance, Neteyam is all Neytiri. He’s tall and lean and seems like he was born with a bow in hand. A true warrior, you always found him a tad intimidating. Just like his mum, he has his apprehensions about humans and avatars, and although he used to come to the hub quite often when he was younger, mostly to keep an eye on his siblings, the visits have become a rarity as of recent times.
You wonder how the young man changed in the time you haven’t seen him. You used to be close as children, or at least that’s what you thought. Whereas Spider took to Lo’ak and Kiri, their mischievous personalities a good match for each other, you took to the oldest Sully boy. He was quiet and thoughtful, and he used to look at you like a puzzle he was trying to solve, but couldn’t. He used to sit in the back as you used to play piano, and his gaze on you used to make your skin blush and your heart race. You tried not to think about the pang of hurt that rose in your chest as you remembered that he essentially abandoned you, without so much as a farewell.
“Earth to Y/N, are you still there?” Lo’ak interrupted your train of thought and you were half grateful that you didn’t have to think about Neteyam anymore.
“Sorry. You were saying?”
“I was saying you’re right, I know I should be more understanding, I am happy I don’t have to be the one to carry all of responsibility, but it’s hard not to hold a grudge when it seems my brother was abducted by aliens and replaced with a weird, no-fun replica of himself.”
You groaned at the young Sully’s ongoing verbal attacks, but said no more. Whatever was going on between the two Sully boys was, at the end of the day, none of your business.
“Anyway…” Lo’ak started, a mischievous grin appearing on his beautiful face, “I know something you don’t.”
“Mmm, what is that?”
“I’m not telling you, but let’s just say I think it will make you very happy.”
“Well that’s just cruel. You know I hate surprises.”
After lunch, Lo’ak joined you in the recreation hub, where you kept a guitar and the piano that the humans left behind. You didn’t feel like going back to work just yet. You sat down on the cold floor and picked up your copy of Pride and Prejudice, your mum’s favourite book. The book was coming apart at the seams, worn down from all the times you have held it in your hands, as if gripping it tighter would bring her back to you, even if for only a split second. You sighed as you passed the book to Lo’ak and motioned for him to put it on the table next to him.
“Sing for me, will you? I missed hearing your voice.”
You smiled up at him. Nobody knew you like Lo’ak did. Nobody accepted you the way Lo’ak did. Both of you felt out of place in this world, like you didn’t quite belong anywhere. He has spent many an hour confessing how alone he’s felt all his life. You’d like to think you helped. You picked up your guitar and played a familiar song, one you knew he loved.
“Life was a willow and it bent right to your wind , as if you were a mythical thing
Like you were a trophy or a champion ring, and there was one prize I'd cheat to win
The more that you say, the less I know
Wherever you stray, I follow
I'm begging for you to take my hand, wreck my plans
That's my man”
You sat like this for hours, laughing and playing and singing. You tried to teach him a couple of chords on the guitar, which looked puny in his massive hands. With a loud thud, the open to the recreation centre swung open, making both of your heads turn in shock.
“Lo’ak, what the fuck?”
The harsh tone came from a man, a man you barely recognised anymore. Tall and muscular, he was not the same Neteyam you last saw. He was adorning a carefully crafted neck piece that matched his hunter’s chest piece and the knife holder he kept by his hips. You took a second to adjust to the man in front of you, that you haven’t seen in so long, that will always have a special place in your heart. Your gaze eventually fell on his face, which, like the rest of him, matured so much in all that time apart. He was beautiful. His hair was freshly braided and you couldn’t help but stare at the beaded strands that framed his face. As much as his body and face changed, they didn’t hold a candle to his eyes. The big yellow orbs that always looked at you curiously and intently were now focused on Lo’ak with rage flashed across them.
“You were supposed to meet me at the Home Tree a fucking hour ago, Lo’ak. Dad asked you to join the hunting party and pull your weight for once, remember that? Are you physically unable to do anything that is ever asked of you?”
He is yet to even spare a glance in your direction. You felt your blood pressure rising at the oldest Sully, but you pushed it down to look at Lo’ak, who was staring daggers at his older brother. As he was opening his mouth to undoubtedly say something that would get him in even more trouble than he was already in, you cut him off.
“It’s my fault.” You say in Na’vi. You doubted Neteyam was in the mood for English, so as to not escalate the tensions further, you opted for your semi-decent Na’vi. “I needed his help with some samples Norm got for me that I couldn’t identify. I’m done now, though. Sorry for taking him from his duties.”
His eyes finally snapped from Lo’ak and laded on your frame. You saw his lips parting in confusion and then settle in a firm line. His eyes scanned your body from head to toe. You changed. A lot. Your hair was now close to reaching your narrow waist, which he hated himself for noticing. You were wearing what the humans called a “top”, that was cut above your abdomen and had the word “Stanford” written across it. He’s sure he’s seen it before, although he couldn’t place where. You were wearing bottoms, short and blue, with cuts in them, which Neteyam didn’t get. Why are your clothes ripped? It’s not like you fought some animal in the wild, you never got out. He couldn’t help noticing how lean you had become, so lean, in fact, he could trace your muscles with precision, something he is rarely able to do with humans. Your species was puny and weak, which is why they needed avatars and exo-suits to survive on Pandora. Realizing he was staring, his eyes moved from you back to Lo’ak, and motioned for him to get up. Although he huffed and puffed, Lo’ak obliged without saying a word. He turned around before exiting the room, giving you one last exasperated look. You winked at him and clicked your tongue in the direction of the forest, a small smile on your face. This skxawng.
“Hey, you.” You called after Neteyam in English, as soon as Lo’ak disappeared from your line of view. You don’t know what you expected, but you had to try. He turned around and his eyes met yours. It was like looking at a stranger.
“I really have to go, Y/N.” He said, with a deep voice and slight accent, and his eyes fell on the floor as soon as he noticed the look of hurt that crossed your face.
“Fine, go.” You said, quickly composing yourself. You refused to give him the satisfaction of knowing he can hurt your feelings. You turned around, and busied yourself cleaning up, not sparing a second look in his direction. His gaze shifted back to your frame, and with a sigh, he made his way out of the lab and your life, once more.
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something i think about with regards to og!shang qinghua
i totally think he smashed mobei jun's face in with the rock
like okay the scene plays out basically the same, except instead of thigh-hugging, the original goods was groveling and hiding and dodging and only BARELY managed to survive for long enough for mobei jun to faint
so here he is, surrounded by corpses and a fainted demon and theres this big ass rock over there and he's like "yeah, thats the pragmatic thing to do"
but see, airplane and the original goods both vastly over-estimated the ability of a rock to kill a demon lord. so yeah, mobei jun has a nasty broken nose and he wakes up feeling like death warmed over in the middle of the woods but he's alive (this is btw the exact reason that the system was willing to let airplane do it, bc it wasnt gonna kill mobei jun anyway and it was what the og goods did)
and he was JUST conscious enough to see the original goods bash his face in
so mobei jun is sitting there like "okay, yeah, so imma find that fucker and imma enslave him and then when he runs out of use to me, imma kill his ass" because he's angry enough right now that simply killing og!shang qinghua just does Not feel good enough
and their relationship over the years is basically a big game of cat and mouse with them trying to fuck each other over. mostly the original goods trying to kill mobei jun and mobei jun just like "no imma wait to kill him until AFTER ive had a thorough revenge but fuck he makes it tempting to kill him right now" and og!shang qinghua highkey actually reminds him of his uncle. they're both the two-faced type who can smile to your face and stab you in the back and he's sorta thinking "if i cant resist killing one stupid human until the opportune time, how am i going to not kill my uncle??"
and basically it's just like..... lowkey shizaya (drrr!) vibes between them? and look, mobei jun is Very satisfied when he finally kills that worm og!shang qinghua but he also feels a certain loss because even though theres srsly no love lost between them, the original goods was basically mobei jun's companion for longer than anyone else in his life (enemy? frenemy? rival????) and it's just a sort of weird empty feeling after he's dead
and i just like thinking about how Different their relationship was because i like thinking about all of the changes that airplane accidentally created because he really didnt know that much about their original relationship. og!shang qinghua was such a footnote in the novel that there really wasnt any time spent on "oh yeah, og!moshang has a super weird hateship and shang qinghua did backstab mobei jun but that wasnt actually NEW, og!shang qinghua tried to kill off the king of the north at least once a month or so"
anyway i think the distinctions in the relationships are important for moshang reasons, because airplane and og!shang qinghua ARE different people, so they had to have made different decisions over the years, and those differences are why mobei jun was very much in love with airplane and not in love with og!shang qinghua
(altho i do enjoy og!moshang, but i will die on the hill that their relationship is different and whatever love might exist between them would be different. my hcs might not represent accurately how og!moshang's relationship was canonically but i just think it's important to make those distinctions)
but all these thoughts lend themselves to "what if pidw!mobei jun met airplane!shang qinghua?" because look, if they really were collaborating for so many years, he would KNOW og!shang qinghua. and as such, it wouldnt take him long to be like "okay but you're seriously NOT shang qinghua tho?!?!" and i love his confusion. like i dont think he'd show up and be like "guh, shang qinghua, gotta kill that rat again", i think he'd show up and be like "......well thats definitely shang qinghua's skin but that sure as fuck isnt shang qinghua"
and look, i want the chaos of that.
pidw!mobei jun and svsss!mobei jun discussing why the fuck shang qinghua is a completely different person and coming to their own conclusions (also naturally realizing a thing or two about cucumber-bro bc thats the other big notable change between worlds. bing-mei is fine, pidw!mobei jun always know that bing-ge is secretly pathetic)
also potential for kidnapping? like pidw!mobei jun nabs airplane with the intention of learning just who the fuck he is. leaving absolutely no room for discussion bc he's determined to figure this shit out. or maybe he just approaches his other self directly. or fuck it, if he goes straight to bing-mei because he's like "okay this is above my pay grade, boss of this dimension will prolly have an idea of whats happening"
also double penetration with two mobei jun's and one airplane lmfao. look im a simple man with simple pleasures
altho on the note of og!shang qinghua, thinking about this diabolical fuck does have my inner villain fucker thoroughly entertained and i wanna think about au's with both airplane and og!shang qinghua in play
there's always the good ol' sibling au's (which will always make me scream to the fucking sky "why the fuck wasnt airplane given a NAME so that i dont have to make one up for him!!!"), those definitely have the appeal of i can keep airplane!shang qinghua's design the same
so lets go with.... shang jingqi (original flavor) and shang feiyu (airplane), for simplicities sake while i explore stupid au ideas lol
so lesseee shang feiyu is born as shang jingqi's twin but since qinghua is a courtesy name and he doesnt actually know og!shang qinghua's birth name, he just knows that ONE of them is supposed to become "shang qinghua" and get killed by mobei jun. and look, he tries really hard not to get attached to his twin. he's used to keeping emotional distance from family, this should be fine, easy even. his twin even has a sort of asshole personality. so if he just doesnt get attached to shang jingqi and just lets the og plot eat up his twin, everything will be just fine and he can live a peaceful life, right? RIGHT???
but ofc he gets attached. bc even tho shang jingqi has a shitty personality and might actually be the original shang qinghua who backstabbed mobei jun and deserved what he got--look, thats HIS treacherous asshole and shang feiyu is ATTACHED okay
so shang jingqi and shang feiyu BOTH wind up joining cang qiong because shang feiyu isn't gonna just leave his twin to die but also he doesnt wanna die so he's really trying to figure out a third option to figure out how the fuck to dodge this all shang-murderfest thing when one day his brother comes home from a mission like "so i might have murdered a demon lord with a rock??" and shang feiyu is going to FREAK OUT bc either that was mobei jun and he is Not Dead and Coming For Their Asses or it WASNT mobei jun and its someone who would make mobei jun Very Angry if was harmed and shang feiyu is ready to hug as many thighs as he needs to so that they can get out of this alive!!! but shang jingqi already has a bit of a murder-boner for mobei jun, even moreso when he realizes theres like Chemistry between mobei jun and his brother and just Nope. that aint happening.
shang feiyu: i am trying to keep you alive wiLL YOU PLZ STOP TRYING TO PISS OFF THE DEMON LORD?!
shang jingqi: and IM trying to protect your ass from demon cock, thank me later
shang feiyu: ?!?!?! WHAT DOES THAT WHAT
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