#its very likely i fear

[jackwhiteprophetic]

Oliver and Ryan having to hold me back if I find out Chris actually isn't gonna be back until Christmas

[athlast]

there's something about butches reclaiming protectiveness and chivalry from an imposed "caring, nurturing" character associated and often forced upon women. something about how while straight men often try to present as careless as possible, masculinity and care are not only not conflicting in the butch identity, but inherent to it. there's something there.

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..

[todayisafridaynight]

[roxiusagi]

The strugglersss

[invye]

We are interrupting our regularly scheduled program to bring you a snippet of a potential ZoSan undercover as a married couple fic:

(Timeline wise shoehorned in sometime shortly after the timeskip, before the Strawhats make it back into the news big time.)

(People need saving from a exclusive circle of nobility, but most of the Stawhats have already been seen around the island, so the lot ends up on Zoro and Sanji to try get in posing as a freshly married couple on their honeymoon to try get more information.)

[after coming up with the plan and Zoro and Sanji hesitantly agreeing]

Robin: "You seem a little stressed, Cook-san."

Sanji, chain-smoking his third cigarette: "I'm fine, I'll do this… I just… I don't like lying about something as significant as marriage, alright? I know it's stupid, but that's just how I am."

Luffy, perking up from where one might have thought he wasn't paying attention at all: "Oi, Sanji, promise to protect Zoro?"

Sanji, puffing out smoke: "Obviously, the Marimo would get lost within all of two seconds without me having his back."

Luffy: "Good! Now, Zoro--!"

Zoro, already rising to the bait: "Oi, if anyone is protecting anyone, I'll be guarding your lanky ass, shit cook!"

Luffy, laughing: "Alright, then as the captain of this ship I hereby pronounce you married!"

Zoro:

Sanji:

Robin: "Oh my, congratulations!"

Brook: bursts into song

Luffy, grinning at Sanji: "See, now it's not a lie anymore, so you don't have to feel bad about calling Zoro your husband."

Zoro: "LUFFY!!! YOU CAN'T JUST--"

Sanji: wordlessly walks off to get ready for the mission

Usopp: "Wait, wait!" runs after Sanji, grabbing his wrist

Sanji: stares

Usopp, sweating nervously: "Need your ring size…"

Sanji: staring intensifies

Usopp, scurrying off as quickly as humanly possible: "Wedding gift!"

Luffy, in the distance, still being yelled at by Zoro: "Too bad we don't have time to celebrate, I really want some wedding cake… :("

[zarnzarn]

Epic post canon fluff for the soul!

-

"Athena, help, help!" Odysseus hisses, darting behind her. Athena tenses up, grabbing her spear. "Your wife is after me!"

"She is your wife," Athena rolls her eyes, relaxing and letting the weapon dissolve. Odysseus presses himself between her stature and the wall, arranging her robes around him to make it seem she was sitting on the settee alone.

"As are you," Odysseus says pointedly. The delusion never fails to make an odd rush of emotion go through her, something both bashful and giddy and embarrassed to be feeling both. "And speak softer, she's going to hear you."

"What did you do anyway?" Athena sighs, leaning back against him and stifling a grin as he squawks at the heavy weight of her. "Penelope is a calm, rational woman- she's not one usually to send you running like this."

"What are you talking about?" Odysseus says, outrage muffled behind her. "Calm and rational- do you know she once made me fistfight a merchant who she thought was giving us low quality carpets for our wedding? Carpets, Athena!"

"I don't know how you two keep this kingdom running," Athena sighs, shaking her head as she picks her weaving back up. Two arms sneak around her waist, and she shifts downwards with a soft smile no one can see, letting him hug her tight as if he can squeeze his affection into her body. She does not know how it continues to feel like this, even ten years later, like every day is filled with nothing but satisfaction and content and happiness. "What-"

"Athena!" Telemachus crashes into the door as he loses grip on the marble flooring with his old sandals that really need to be burnt. He shakes his head and turns to run at her, throwing himself at her side like intends to crawl behind as well, like he is not a lad of twenty-six summers now. "Mom is- oh, hi, dad!"

"Hey, Tele," Odysseus says warmly, and Athena begs for patience as they both try to adjust themselves behind her. "Did she see you?"

"No! But-"

"What," Athena slams her hands down on the loom. "-did you two even do? And why am I collateral in your foolishness?"

"Because we're your favourites," Telemachus says shamelessly. She regrets the day she and Penelope decided to leave the sweet child alone with his insufferable brat of a father for that holiday they took together around the island. He was never quite the same ever again. "And shhh, she's gonna hear you!"

"Let her," Athena says mutinously. "And you're wrong- Diomedes is my favourite. The calmest, quietest one of all of my students."

"Then stop sending him away to guide youngsters on magical quests!" Penelope snaps as she storms in. Athena is ashamed to admit she quails back at the furious entrance with wide eyes. "Maybe then I'd get someone else in this house who isn't an absolute fool!"

"Penelope-" She says, as if she's done something wrong and she is also not an ancient goddess of war who fought the Titans themselves.

"Athena," Penelope says dangerously. "Where are those rascals?"

Said rascals are frozen still like deer behind her, so much so she barely remembers she's there. "What... rascals?"

Penelope wears a look of incredulity at the terrible attempt at a lie, something that Athena also shares in vague disbelief at her own self, before suddenly changing her tune, looking for all the world a weary, middle-aged, fond woman.

"My darling Athene," she coos, sweet as honey. "Beloved husband mine. Where are those annoying brats, please tell me?"

Athena's heart skips a beat and her fingers stutter on her shuttle.

This nonsense had all started some accursed months ago when she had woken up one morning beside Penelope, Odysseus already gone ahead for the morning to bathe, Athena pressed into the warmth he'd left behind after a particularly bad migraine the previous night.

"I am- not your husband," she manages, trying not to blush at the words. "I do not why you insist on calling me so."

Penelope pouts.

Then Penelope had stretched and thrown an arm and leg over her, and suddenly she was wide awake as the other nuzzled into her neck and murmured, "Good morning, husband."

Athena had burned for that one brief moment, then abruptly teleported out of there to Odysseus in their bathhouse, wading into the water with all her clothes on, babbling apologies and awkward explanations to the bewildered man, while fighting the sudden mortifying realisation of Why have I been sleeping in their marital bed? followed shortly by WHY HAVE THEY BEEN LETTING ME?

And after Odysseus had gotten the whole story out of her- she had not been hysterical, fuck off, Odysseus- he had almost laughed himself sick with mirth. Then after she'd bellowed at him to take it seriously, he'd chuckled and swam closer to her.

Athena had not slipped into the water in shock.

"I won't lie, I do like the sound of it, though," Odysseus had purred. Swam closer and placed his hands on her hips, scalding hot and real. "Penelope would look good with two husbands, don't you think? What say, Pallas Athena, will you be my wife too?"

It had hit her like a sword to the gut, the realisation that he was teasingly seducing her, and it hit like a second sword to the face that even if he didn't really mean it, she wouldn't mind, which was a horrifying development to suddenly be aware of, and the result of that was-

"CEASE!" She had shouted and splashed the entire floor in her mad scramble to get away from him, Odysseus cackling behind her. She had promptly gotten as far away from the entire mad island of Ithaka as she could, and then picked a fight with poor Eros, who was probably the only innocent party in this whole situation.

But after that, they had not stopped, the bastards that they were- went about calling her that all the time, introduced her to people with the title they felt like inflicting on her that day, held her close with the same casual possession they used with each other.

"Are you worried about being the second?" Penelope says brazenly, bangles jingling as she puts her hands on her hips. "Don't worry, love, once I get my hands on Odysseus, you will be my one and only, and we can replace that donkey I call a son as well. Now, I heard you talking to them, where are they?"

"Aw, how come I don't get the title of donkey?" Odysseus says as he peeks out from behind her, and Penelope's face becomes full of rage.

"YOU-!" She hitches up her skirts and chases her laughing husband around the room, shouting insults and curses.

Athena sits there silently, still trying to recover from what Penelope had said so casually to her.

Maybe- maybe it wasn't a joke after all? Were they actually serious-

"You know they are not joking, right?" Telemachus says, sudden sharp knowing in his voice. She looks over at him, and he smiles softly, lifting himself to his knees as he makes his way past her open hair to press a fond kiss to her cheekbone. "They really love you, ma."

Athena makes a truly undignified gurgling noise. Then narrows her eyes. "Manipulation."

"It can be manipulation and truth!" Telemachus says as he reaches out and straightens out the threads of her look that had gotten tangled in all the mess. "I am the product of your intellectual labour, am I not?"

"Are you?" Athena grumbles darkly, and he laughs high and sharp. He has dozens of suitors of his own now, children of heroes and gods alike- and he has every last one wrapped around his finger as easy as breathing, toying with them all so gently they can't do anything but enjoy it as he lazily chooses between them, all father's charm and mother's beauty and smile as sharp as any wolf's.

Athena is so incredibly proud of him.

"Yes," He says, then slumps against her as they watch Penelope pull off her sandals to throw at Odysseus. She misses, and a vase goes crashing to the floor instead as Odysseus slips past her once more. "Mom really is in love with you, though. I can tell."

"I-"

"She knows that too. But maybe come for dinner more often, that's enough to make her day." Athena turns to look at him, raises an eyebrow. Telemachus smiles sunnily. "And there isn't a mortal or Olympian alive who knows what the hell kind of insane dynamic you have going on with dad, so I'm not going to bother asking."

"You used to be such a sweet child," Athena says despairingly. "Why were you tainted so."

Telemachus guffaws.

Another vase crashes to the floor and Athena sighs.

"My most beloved," She calls out, words fitting awkwardly in her mouth. Still, it's worth it to see them both freeze and whip around to stare at her with wide eyes and red cheeks, strangulation and excuses forgotten. She snorts, Telemachus giggles excitedly. "Please. May we forget these petty squabbles and go to lunch? I find myself hungry today."

"Yes!" The two of them practically teleport to her side, looking up at her with adoring, worshipful expressions. Telemachus gestures something encouraging in the side of her vision, and goes on ahead to get the cook ready, successfully escaping his mother's ire.

Athena smiles. Builds up her courage and leans down once on either side to peck them both on the lips and pushes down a smug smile at their stunned expressions as she straightens back up, relishing in the satisfaction of getting one over them after weeks of teasing.

"Well?" She says as she reaches the door, turning back to see them clutching at each other and staring at her, cheeks scarlet. Such beautiful idiots they are, the both of them. She huffs in amusement. "I'll let whoever reaches first call me their wife in front of Hermes tomorrow."

Odysseus and Penelope both shout in dismay and start tussling with each other to reach the door first and Athena laughs as she shifts into an owl and flies overhead, towards yet another day with her favourite people.

[s0fter-sin]

ghost fucking soap so hard and so good he passes out but he utterly panics about it

he thinks he must’ve ignored soap asking to stop; was it pain that made him pass out? how bad could it have been to make him pass out when he’s been shot and kept going? should he bring him to medical? he’ll never touch him again, he’ll never so much as look at him again; he’ll ask for a transfer- fuck that, a dishonourable discharge. there’s no coming back from this

he spirals, guilt chasing hatred chasing despair chasing fear, until soap finally wakes back up

soap's still floating, loose-limbed and buzzing; fucked so thoroughly out of his head that it takes him a while to notice ghost isn't in bed with him anymore. he frowns, lifting a heavy head off the pillow and freezes. ghost's on the other side of the room, curled up tight in the corner as far away from soap as he could get without leaving him alone

(he would've left, would've made sure soap never had to see his face again and be reminded of what he did to him, of the monster he’d let into his bed- but he couldn't just leave him unconscious; what if he didn't wake up, he had to make sure he was safe first even if he'll rightfully hate him forever when he does wake up)

soap's voice when he calls out to him makes him flinch, his head burying deeper in his knees. cold worry chases the bliss from his blood and soap pushes himself up but his shaking arms can't hold his weight

the sound of him collapsing back onto the bed makes ghost rear up, his panic growing and soap's heart breaks at his red rimmed eyes

it takes a long time for soap to coax him back to the bed, countless loops of, "sweetheart, please, come here, what happened? it's okay, everything’s going to be okay.”

(and how ghost’s self-hatred grows hearing soap comforting him; hearing the concern and love in his voice when he doesn’t deserve a drop of it)

it takes even longer for ghost to believe soap when he says that he passed out because he felt so good; that he never asked ghost to stop, never wanted him to stop. that he trusts him more than anything and knows he'd rather die than ever hurt him, especially like that

���you’re not a monster, love,” he promises, soft with conviction and it’s as much a surrender as a relief when he collapses into his lap and lets him hold him close

ghost believes johnny but he still can't bring himself to be intimate with him for a while; that fear still haunting him, but soap doesn't hold it against him, doesn't complain about ghost's perceived "step back" in their relationship

hell, ghost seems to hate it more than he does; he misses being with soap, misses the connection, the closeness they shared, the safety and quiet he found in his embrace, but he's always trusted soap more than he trusts himself

soap doesn't let him be consumed by his fear or worse, sabotage them and turn it into a punishment; doesn't let him even get through the suggestion of switching because he knows how much he hates it and he won’t let him twist something as good and pure as their physical love into something self-harming

instead, he brings them back to the basics, working through the steps to get ghost comfortable with intimacy again, to get him to trust himself again; spends happy months just grinding and exchanging handjobs like when their relationship first started

and it's a happy day for them both when soap finally falls apart on his cock once again, anxiety the farthest thing from ghost's mind when his arms are wrapped so tightly around him, kissing a smile against his lips

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[twentyfivemiceinatrenchcoat]

THERE WAS NO PLACE IN NATURE WE COULD MEET ; SUGURU GETO

synopsis; it’s never fun to run into an ex; especially when the ex in question is your unfairly handsome high school sweetheart. and just so happens to also be a wanted mass murderer.

word count; 3.3k

contents; suguru geto/reader, gn!reader, geto-typical angst, exes to [redacted], lots of longing, geto is kind of a cunt but also disgustingly charming, reader is understandably upset, biblical imagery (i just think he’s so serpent coded), curse user geto is his own warning tbh

a/n; i wanted this to be a drabble so bad but it ended up just a little too long for me to get away w it so … :’3 yeah. i hate suguru geto (said w affection)

the moon is out.

in the shadows of the street corner you find yourself in, seated comfortably on the sidewalk, it’s a welcome distraction. something to look at, in the midst of your loneliness; the evanescent glow of the moon, illuminating your solitude.

a solitude soon to be broken. shattered into pieces, battered and bruised beyond recognition, jagged shards littering the asphalt. digging into the soles of your shoes.

”hey.”

for a second, you think you must be dreaming.

the figure obscuring the light of the lamp post in front of you is familiar. too familiar, a little too dear for your liking. as you grasp your shitty cup ramen, seeking the warmth seeping through the polystyrene, all you can do is stare. blinking dumbly, drowsily.

geto looks something like a bad omen.

sharp facial features, even sharper eyes. so dark they almost shift from an amber-tainted cedar into an obsidian black — two abysses, staring into your soul, beckoning you closer. they were always enchanting, but now you think they look almost hypnotizing. not at all in a good way. dark hair frames his face, cascading down his back, longer than you remember it being. and he’s wearing robes.

still has those fucked up bangs, though. of all the things to keep.

the gears of your mind turn, endlessly, untangling the mess of thoughts inside your brain. ensuring you that no, you are not hallucinating, and no, you didn’t fall into a deep slumber somewhere between the moment you exited the convenience store and sat down by one of tokyo’s empty street corners. this is real. a reality you can’t comprehend, can’t even begin to process.

what stands in front of you is a ghost. but ghosts don’t exist, can’t be seen, can’t touch the living.

(so how is he able to haunt you like this?)

what eventually jolts you out of your silent stupor is not the questioning tilt of his head, nor the suffocating sensation of your heart crawling up your throat, but the feeling of soft fur against your leg. the stray cat you met further down the street meows at you, sweetly, trying to get your attention. you think she must be asking for more grilled fish.

so, completely ignoring the apparition in front of you, you turn to reach for the little plastic bag you bought as a midnight snack — digging out a bit of fish for the kitty to enjoy. she seems happy, settling down by your feet. purring softly.

geto watches, eerily silent. 

(maybe he’s upset that you’re ruining his dramatic entrance. you hope so.)

finally, you have no choice but to look at him. a lump forms in the back of your throat, clogging up a little more for every second spent falling into the trap he’s laid out for you, trailing over his moonlit features with your tired gaze.

mouth full of noodles, staring holes into his attire, you narrow your eyes. suddenly disgruntled.

his lips quirk up. ”something the matter?” he asks, and you can’t even begin to describe how much you hate his voice. how devastatingly deep it is, during the late hours of the night, even deeper than it was back in high school. 

slurping up the soggy noodles, you lean back a little, licking some broth off your lips. finally meeting those abyssal eyes. 

”… i was gonna say those robes look like shit on you,” comes an exhale, weary, ”but you actually kinda pull them off. that’s…” 

a beat. you struggle to find the right word. 

”annoying.”

geto’s lips curl up, smoothly, and you find a hint of familiar amusement in the vague crinkle of his eyes. barely visible crows’ feet. then he’s moving — plopping down right beside you, robes fluttering with the breeze.

”well, thank you.” he hums; crossing his legs.

the silence that festers around you is odd. not quite suffocating, nor especially fragile. definitely not comforting. it’s familiar, yet different, and it hurts a bit more than it should. but you choose to look at him, out of the corner of your eye, and he looks right back at you. still smiling that eerie smile.

when your eyes settle on the particular cloth wrapped around his torso, you just barely manage to bite back a taunting chuckle.

”a gojo-kesa, huh?” you grin, and geto doesn’t flinch. he doesn’t miss the meaningful glint in your eyes, either. ”you miss him that much?”

”just a coincidence,” is all he answers. smiling, but you think it looks a little stiff.

your grin widens, for a second, before settling back down. a sad transition. you let it go. 

”whatever you say, geto.”

at that, he visibly reacts. barely noticeable, but it’s there — a twitch of his lithe fingers, an unknown something that flickers through the scope of his iris. when he looks at you, a neutral smile is playing at his lips. 

”ah. i take it we’re not on first name basis anymore, then?” he asks, casually, hiding a tinge of something mildly displeased.

a shrug. you pick at what’s left of your ramen with your chopsticks, a little too nauseous to enjoy it. ”call me what you want. i just don’t see suguru when i look at you, y’know?” leaning forward, you begin to pet the kitty by your feet. ”he was sweeter.”

geto smiles. almost a grin, but not quite there. a chuckle spills out from his lips, and something about it irritates you. ”was he?”

”yeah,” you nod. without hesitation. a summer-stained memory blooms behind your eyelids, but you try not to look at it. all you catch is a glimpse of cherry blossoms. ”you just seem bitter.” 

the grin that finds its way onto your lips is self-deprecating. a shadow falls over your face.

”guess we’re in the same boat, huh?”

a hum buzzes in his throat. he casts a meaningful glance towards your hand, scratching behind the cat’s ear. ”oh, i don’t know about that.” his smile grows with the drawl. ”.. you seem just as sweet as always.”

to your grave annoyance, you can’t control the way your face changes at his words. a twitch of your lips gives away your discontentment, and something sour settles on the tip of your tongue.

(your blood begins to boil, beneath your skin.)

geto sighs, suddenly, filling the tense silence between you — a little theatrical. ”ah, but that’s a shame.” he turns to you, soft pout playing at his lips. ”i was hoping i could hear you call me suguru again…”

”— i was hoping you’d come back.”

a beat.

somewhere outside your vision, a crow takes flight into the night sky. swallowed by darkness, melting into that sea of black. no longer perceivable, by you or the world.

”but you never did,” the polystyrene of the plastic cup crinkles beneath your fingers. your eyes look dull. ”so what the fuck do you want, exactly?”

…

”i heard.” geto rests his jaw on the heel of his palm, gazing at you with those piercing eyes. like he’s trying to see inside your brain. ”… about your decision.”

”ah,” a grin splits across the curve of your lips, showing off the white of your teeth. ”of course. that’s what this is about, huh?”

with groggy movements, you throw away your nearly-empty cup of noodles, haphazardly aiming towards a trash can across the street. it bounces off the steel cover, landing on the ground with a soft thud. leftover broth spilling out across the pavement. geto doesn’t bother to hide his amusement, lips twitching upwards before he sends a curse to eat it from the asphalt.

you furrow your brows in embarrassed annoyance.

a moment passes, and something in you knows that he’s waiting. it’s like you can practically sense it, like it’s etched into your bones. the same way you always knew exactly when he would begin to get impatient during your nightly convenience store runs back in high school — after you had spent about ten solid minutes struggling to decide what kind of chips you wanted. 

”what can i say?” you lean back, palms against rough concrete, breathing in the midnight air. ”you inspired me.”

geto tilts his head. smiling. always, always smiling. he smiled at you the day before he massacred that village, too. ”oh?”

with a deep breath, cool air courses through your body. burning your lungs. ”i realized being a sorcerer is completely fucking meaningless,” you exhale through your nose. ”and that trying to change that fact is even more meaningless.” 

a wicked, rueful grin rests on your lips. ”so i left.”

geto doesn’t say anything. you continue, voice dripping with venom.

”i’m a civilian now,” you purr, mocking, a sardonic coo on your tongue. ”does that bother you? feel like killing me?”

…

his smile looks a little off, now. tilted in a direction you don’t want to recognize. you don’t care to examine it further, don’t care to figure out if it might look just a little bit sad, because that’d only hurt more.

so you look away.

a click of his tongue. then he speaks, with that honeyed voice, raspy and husky. almost a groan. ”well, i can’t say i approve.”

he’s looking at you. sharp eyes digging into your skin, dissecting you, a million words he expects you to grasp from that look alone.

”you’re better than them,” he states, matter-of-factly, and you try not to squirm when his eyes trail over your features. ”worlds better.” his voice sounds almost motherly, a twisted concern that makes you cower a little. like he’s scolding you. a crease between his brows.

”i don’t like the thought of you surrounded by these animals.”

a huff pushes past your lips, but it sounds shakier than you’d like it to. you hope he just chalks it up to the chill of the air. then again, when has he ever made anything easy for you?

”what, you got a problem with cats now?” you reach for the little furball licking grilled fish off the concrete, picking it up. cradling it close. ”gonna go on a cat-killing spree?”

an amused exhale. geto narrows his eyes. ”funny,” he hums, but his eyes say you know what i mean.

it takes you a moment to regain control over your breathing. there’s still something tense in your shoulders, and your heart still feels a little like it might jump out of your throat and crawl into his lap. the stray cat slips from your grasp, moving towards geto, curiously sniffing at his robes. he looks at it with no ill intent, and it puts you at ease.

”well, i appreciate the concern, buddy,” you pat his back, trying not to flinch at the contact. trying to appear relaxed. ”but frankly, i don’t give a shit. i actually like my job, unlike literally every single sorcerer on planet earth.”

geto stills.

”.. buddy?” he echoes, ignoring every other bitter word you just graced him with. for some reason, he actually seems visibly bothered. ”i’m buddy now?”

you click your tongue. muttering, tiredly. a little exasperated. ”.. what else would you be?”

and then he smiles, again. only this time, it looks oddly genuine. the same as you remember, framed by cherry blossoms and the fizzle of youth.

his movements are smooth. like he’s completely unguarded, like this situation doesn’t bother him in the slightest. elegant, in the way he leans back, palms on the concrete to support his weight. keeping eye contact with you, all the while.

when he speaks, his voice has a sweet tinge to it. nostalgic, maybe. wistful. if you hear a touch of longing, you choose to ignore it.

”i seem to recall you calling me baby quite a lot,” he hums, and you stiffen. gritting your teeth. eyes darkening, but he continues. ”what else was there? angel, i think… it was sweet.”

then he’s leaning forward. scratching the cat under its chin, gently. ”ironic, though.”

an inhale. then, an exhale. they’re a little shaky, a little meek, but at least they make the lump in your throat feel less like it’s blocking your windpipe. air fills your lungs, but it tastes like nothing at all. 

something like sorrow simmers in your eyes. or maybe more like fatigue. god, you really want to cry.

(you wonder if he gets some sickening satisfaction out of seeing you like this, out of breaking you. maybe it just makes him feel rotten. you don’t know what you’d prefer.)

”suguru,” you murmur, at last. voice dripping with exhaustion. defeated, the sigh that flows from your lips. ”why did you come here?”

…

”join me.”

the words spill out into the open air, slicing the silence in half. heavy. a request, not a question. against your better judgement, you turn your head to meet his gaze.

”we could use you,” he says, and there’s hope in those keen eyes. he maintains his distance, but for some reason you still feel like prey being sized up by a predator. like he’s weighing your value.

a chuckle slips from your lips, but there’s no humour to it. ”use me…” you echo, a tired murmur under your breath. ”you're just straight up admitting it, huh? kinda refreshing.”

”that’s not what i meant.”

he inches closer. slowly, as if trying not to scare you. reaching out, to brush through your bangs, his fingertips ghosting over your skin. tangling them between your locks, inserting himself into your space. testing the waters. 

you don’t look at him, completely still. barely breathing. like a wounded animal.

”i want you there,” he says, and it comes out almost as a whisper. ”with us.”

unable to resist the temptation, you indulge in a single brief glance his way. his eyes look warm, and his lips look soft as they part.

”with me.” 

there’s a devotion to his voice when he continues, one he’s always had. one you thought you’d always be able to trust. ”i’ll create a world where you can be happy,” he vows. ”i swear it.”

a moment passes.

(you swallow thickly. it takes everything you have not to burst into tears. when you remember how he brushed you off, back then, it gets a little easier. when you remember all the skipped meals.)

”.. like you give a damn.”

geto smiles. you loathe how soft it looks, how similar it is to the one suguru always had. when you used to eat your ramen too quickly and started choking on it, and he brought a palm to your upper back, patting it gently. he’d chuckle, and tell you to slow down, and the softness of his smile would almost be enough to distract you from the amusement in his eyes. 

”my love.”

you flinch. breath drawing back at the base of your throat, heart screeching to a halt, and some part of you emerges; the shy, sweet kid you used to be. hanging on to his every world. like he was your sun, your guiding light. back when that purr of my love had you blushing furiously, not choking back a string of curses.

it’s sudden, and you can’t react the way you want to. you want to kill him for calling you that. for thinking he has any right to call you his, anymore.

but that sweet, naive, innocent little kid still exists. even if you want to pretend otherwise. it’s there, somewhere, that part of you — peeking out from behind the curtain. and it stops you from saying anything that might hurt him.

(it’s so hard to hate him when he calls you that.)

if geto notices your inner turmoil — he must — then he doesn’t mention it. you don’t say anything, but you hope the amused, harsh exhale you partake in is signal enough for him to cut it off. now.

yet he continues. there’s love in his voice when he speaks, barely contained. if he’s trying not to hurt you he’s doing an awful job.

”… i never stopped thinking of you,” he whispers, so low you almost miss it. ”not once. i left for you, not just for myself.”

and, despite every part of your being resisting it, a sweetness settles on your tongue. so sweet it’s sickening; the thought that maybe he’s telling the truth, maybe he really has been thinking of you. maybe you’re more to him than just a means to meet an end, or a memory yet to be buried.

geto looks at the moon. bathed in moonlight, he looks a little like a god. like something reverent. his voice is honeyed. low, like a secret.

”this world doesn't deserve you.”

silence.

a subtle anger trickles through your veins, a kind of fury, subdued, carefully tucked away. sparking to life inside the depths of your eyes when you look at him. bitter, given everything. but your voice still comes out sounding something like a plea.

”and you think you do?”

another smile. this time, it looks a little sad. remorseful, maybe. ”… let me prove myself.”

his touch burns. the pads of his fingers against your cold skin, cupping your cheek. slithering down to grasp your hand. and you’re pliant, unable to react. just sitting with that aching hollow feeling in your chest.

”i wasn’t worthy, back then,” he hums, bringing your hand to his lips. ”but now…”

a kiss to your knuckle. featherlight. reverent. you try not to shiver, but when he says your name, dragging each syllable out, like they belong on his tongue —

a chill runs down your spine.

when he speaks, you feel his warm breath on your skin. it’s dizzying. ”i’m not the same suguru you once knew,” he admits, a forlorn look in his eyes. and devotion, frighteningly sincere. ”unlike him — i’ll never let you go.”

what a twisted desire. he wants to take you with him, drag you down to hell. the suguru you knew wouldn’t put you through that. but maybe you’re even more twisted, for wishing he had; for wishing he had taken you with him, ten years ago, instead of leaving without a single goodbye.

geto’s voice is soft. coaxing, like he's handling a frightened mouse. join me, he whispers, and you think of eve. when you look at his mouth you think you see serpents’ teeth behind his lips.

(you're almost sure he notices it. and you're almost sure his smile widens, lips curling up, as if preparing to open his maw and swallow you whole.)

a sickening sense of resignation roots itself somewhere in your gut. 

you pull your hand away, and he lets you. the loss of warmth hits you like a freight train, but you aren’t sure you could think clearly with his skin on yours. when you part your lips to speak, only air comes out, just barely forming a sentence. like there are no more words to say. like the world stopped spinning around you both a lifetime ago.

”i don't love you.”

…

for just a second, his smile falters. 

”no?” he hums, and you wish it didn’t hurt so bad to see him hurt. his eyes carry a kind of patience, something gentle. ”it’s fine… these things take time.”

a bitter chuckle. ”like you’d know anything about waiting,” you spit, and it comes out sounding venomous. a phantom ache sprouts in the spot where his lips touched your skin.

geto closes his eyes.

”you don't need to love me,” he says, finally. kind. you hate that he still sounds so kind. so understanding, like nothing you do could be wrong in his eyes. ”as long as you're beside me, that's enough.” 

he turns to look at you, and his smile looks very real, for a moment. impossibly fond. ”i have two daughters. i’ve told them about you,” he smiles. ”my family… you’d like them. i know they’d like you.”

dark clouds cover the moon, suddenly, and a shadow falls across you both. illuminated only by the streetlight. in the distance, you hear a car whooshing by.

”don’t stay at the bottom,” he beckons, and your name slips from his lips again. soft, his tongue bending around the vowels. coaxing. stirring your heartstrings like a puppeteer.

then he’s standing up, dusting off his robes, large hands smoothing down the fabric. turning around, towering over you; obscuring everything else. all you see is him, under the glow of the lamp post. a halo of artificial light.

”come. let me show you the world we can create.”

he gives you a sweet smile, two abysses gazing into you. the promise of something twisted, new, forbidden. you think of red skin and yellow flesh; the bite of sin.

and for a second, you see it. the world. a world where laughter comes from the bottom of your gut, and the trees are always ripe for picking, red apples hanging from the branches like glowing rubies. a world where sweetened fruit never give way to rot.

paradise.

geto stretches a hand out towards you. fingers unfurling, one by one, like a blooming camellia. close, right there in front of you, so close that you’re tempted to take his hand in yours, let him carry you away. burn everything else to the ground. 

(you think of the serpent. you think of god.

only one of them banished eve.)

”so,” he smiles. ”what do you say?”

[silverskye13]

Helsknight showing up bloody at Welsknight’s base please I need suffering 🙏

There was something to be said about the stupid things he was willing to do in the name of self preservation. Damn his fears, and the unfairness of the universe, and the uncertainty of living [and dying] and everything else. The unknown had always been his greatest weakness, his greatest betrayer. Pity it was also one of the few inescapable things about living in general.

To say Helsknight stepped into Hermitcraft would be a terrible injustice of what stepping normally, let alone gracefully, looked like. What he actually did was stagger and drag himself into Hermitcraft on unsteady and shaking limbs. There were holes in him. He hadn't really taken inventory of them yet. Admitting he had a wound [or several] was enough. The minute he admitted the wounds were bad, in certain terms his mind could comprehend, was the minute shock would steal his senses. He was on Hermitcraft for the specific reason of dodging death, and it seemed to him shock, on any level, meant dying. If he wanted to die and roll the dice of respawn, he would have died in hels, in the alley he'd been jumped in, where he could at least take comfort in familiar cobblestones and the knowledge he'd dragged all his attackers down with him. But he didn't want to die, so he was here.

It was dark. He was inside a building. He was bleeding. Wels was nearby. Those were the only things he needed to know for certain. Helsknight looked around, trying to ignore the sluggish tilt his vision offered when he moved too quickly. The double vision of trying to parse memories of a place that weren't his battled with his wounded animal double vision and together they made him feel nauseous, more so than his wounding already did. Helsknight balled a fist against his sternum, like he could hold himself together that way, and concentrated very hard on walking and nothing else.

Helsknight didn't like being this close to Wels. Not while he was this injured. He could feel the awareness of his other half like a spider on his skin. There was a reflex-like urge to shout and try to shake it off, the instinct-like certainty that if it rested on him long enough it would find a reason to bite him. And he knew, in the way only experience could teach, that if he could feel Wels, Wels could feel him. Helsknight had the sensation of walking a tightrope: his body insisted speed was the only thing that could save him, while his mind insisted he must stay unnoticed. He must balance necessity with making his thoughts and emotions small, and it was hard work to do when he was losing blood.

Helsknight blinked slowly, tiredly. He picked a direction and walked, a hand pressed to the wall, keeping himself upright. Wels's potion room was nearby, a borrowed half-memory informed him, he just had to get there. He searched his drifting thoughts for a poem to repeat in his head, to keep fear and uncertainty from rising. His heartbeat was quickening, a symptom of something; panic, or fear, or blood loss, or all three combined. He was fixing one of those things. He needed to carefully manage the other two, before Wels felt them. The only poem he could think of was in Middle English, and mostly gibberish to him, which told him it came from Wels's memories somewhere.

Why have ye no routhe on my child?

Have routhe on me ful of mourning;

Tak doun o rode my derworth child,

Or prik me o rode with my derling!

[Rhyming child with child was a lazy, but this was written back when one could convincingly spell "down" as "doun" so he supposed he shouldn't be overly critical. The real trick was figuring out if "derling" was supposed to mean "darling", or some other archaic word lost to time. He could only figure out so much from context clues. "Mourning" apparently transcended centuries, and that seemed fitting. Everyone knew mourning, in some form or another.]

An ache opened up beneath his clenched fist, or it had always been there, and his body was only just now reinforcing the fact that it was important. It felt like the mother of all cramps in his muscles, and he stubbornly pretended that's what it was. He needed more potassium in his diet or something, and the gods would forgive him the smear he left on the wall when he leaned on it, waiting on the intensity of his pain to ebb. The doorway he was walking towards seemed close, but also very, very far. Closing distance with it was going a lot slower than he thought it would, and it was only one short hallway. He was glad he'd decided to do this, instead of his other half-considered option of attempting to walk across hels to the Colosseum. He wouldn't have made it.

Dread pooled in his stomach. Dread, and other more physical things, like blood, probably, but he pretended the dread bit was more important. He could feel Wels pricking on his skin again, an insistent spider twitching at a breath on his web. Helsknight breathed out the steadiest breath he could manage.

More pine ne may me ben y-don

Than lete me live in sorwe and shame;

As love me bindëth to my sone,

So let us deyen bothe y-same.

[Sorwe. What medieval idiot thought "sorrow" was spelled like "sorwe"? Maybe it had something to do with inflection. Poetry was half words, half rhythm. Maybe "sorwe" was supposed to indicate they wanted the reader to pronounce "sorrow" as a single syllable, so it sounded more like "sore". That's also probably why "bothe y-same" was sitting there like word vomit. They meant "both the same", but wanted it read without a pause between the first two words. It was really the method for the madness that mattered with poetry.]

Helsknight blinked. He was in the potion room. He couldn't fully remember the walk down the hallway, but that didn't matter. What mattered was there should be health potions in here somewhere, his salvation. Relief edged his vision in stars, and he once again felt Wels's attention cant in his direction, confused and curious. Wels didn't associate feelings of relief with Helsknight. It wasn't an emotion they felt in each other's presence, and it was far too strong to be muffled by the distance to hels.

[He knows I'm here.]

Helsknight opened a chest and rifled through it. His vision was protesting. Stars and tilting that would turn to spinning soon made a clutter of his eyes. It got hard to distinguish the colors of the stoppered bottles. He picked up one that felt overly warm to his cold and shaking fingers. He was pretty sure it was a health potion. It felt too hot, but he reminded himself he was cold from losing blood, so it should feel hot. Hesitantly removed his fist from where it was balled in front of his sternum, and let his eyes unfocus when he grasped the bottle's stopper. His hands were so unsteady, it took a couple tries just to grab it, and when he pulled on the cork, his fingers slipped off weakly. He tried again, eyes closed with concentration, pouring every ounce of his strength into the act of pulling a stopper out of a bottle, only for his hand to slip right off again.

Frustrated, nearing desperate, he looked down at himself for a clean place to wipe his hand on his tunic. It was a mistake. He knew it as soon as he did it. His eyes were inexorably drawn from the fabric to the poke-holes in it, to the wine-dark stain that flowed down his front and still dripped tak-tak-tak slow and inexorable onto the floor. It was a woeful amount of blood. He was honestly surprised he wasn't dead yet. Chalk it up to fortitude, and ignorance, and size. He had more blood to lose than some people did.

Helsknight's world suddenly gave an awful twist, vertigo and the crescendoing, cramping agony of his wounds, only staved off by how his now shattered ignorance, kicking him off his feet just as surely as a horse could. He slumped against the wall, and then to the floor, and the awful jarring of it hurt him worse. Half a dozen other wounds on him aired their grievances, and the big one near his sternum pushed blood onto his fist when he clutched it. Helsknight sat pinned, unable to breathe for many long seconds, feeling a bit like he'd been struck by lightning. The pain was blinding and numbing and overwhelming all at once.

Why-- have no-- have ye no-- something something...

[Words. Breathe. Think of words.]

[Gods... But it hurts......]

Why have ye no routhe on my child?

Have routhe on me ful of mourning;

[And what the hels did "routhe" mean, anyway? He knew the word "route". He knew the name "Ruth". Neither of them fit, unless his bloodless brain was missing something. There was a chance "routhe" was supposed to be read like "bothe", as a double word slurred together, but that still left "routhe the" which made less sense in context than "routhe" did.]

Right. He was supposed to be doing something other than bleeding to death on the floor. Helsknight blinked, looked down at his hand and realized the health potion he'd grabbed was gone. He must have dropped it when he slumped over. Looking around, he spotted it just to the side of his left boot, unbroken, thankfully, but it might as well be a lifetime away for all the good it did him. Helsknight knew without a shadow of a doubt he couldn't reach it. The idea of tensing his muscles and dragging himself forward to reach was exhausting, and he hurt so much he knew the movement would feel like tearing himself in half, and there were just some things a mind couldn't power through. Helsknight laughed dismally and let his head fall onto his chest. Both motions were white hot agonies, but all his pains were starting to blur together into a smear of overwhelming sensation that took thought away. It occurred to him he was breathing too fast, like he'd run too far too fast, and his fluttering heartbeat agreed.

[... It hurts...]

[Gods and saints it hurts.]

[I'm dying.]

A feeling he could only describe as doom fell on his shoulders, a cold grasp of fear that wrapped stony hands around his heart and squeezed. He'd heard of this. Never felt it himself. The utter sureness that if he didn't do something now, he would die. All the unconscious bits in his body in charge of keeping him working all unanimously agreeing they needed divine intervention, preferably right now, before they started shutting down. It wasn't something he often had occasion to feel, though he had heard people tell of it after particularly grizzly matches and bloody tournaments. Death was normally too quick in the Colosseum, or else he'd won his match, and even if he was falling to pieces there was a health potion too close to hand to let him dwell on his harms. This was so terribly different. Death stalked toward him unhurried and unbothered, waiting on him to finish drowning in blood. He might panic, if he wasn't already so cold and scared.

"Ah. This makes some sense, anyway."

Helsknight, who had stopped seeing the world in front of himself without really closing his eyes, refocused his vision on the open doorway. Wels stood there, an angel of death in azure and silver, his sword in his hand. His eyes were the ruthless blue of hels freezing over and lifeless corpses, and Helsknight thought there was no one else in the world he would rather not watch him die. But the universe hated him, so here Wels was, just as surely as if he was fated.

"I didn't think all that fear could possibly be for me."

Helsknight tried to reply, but all he managed was a dying-animal noise that strangled itself out when he tried to breathe a little steadier. He tried again, and this time managed a very weak, but vaguely defiant, "Fuck off."

"Rude," Wels said chastisingly. A glow of something like smug satisfaction prickled Helsknight's skin. The feeling came from Wels. "Especially given I'm the only person who can save you."

Helsknight chuckled, and then stopped when his body seized painfully around the motion. "We both know you don't want to save me."

"No," Wels admitted. "But I don't want to do a lot of unpleasant things I agree to do anyway."

"How... charitable."

"It is a virtue."

"Sure."

Wels didn't move. Well, he did move, but only to sheath his sword. He crossed his arms and leaned against the door frame, the image of patience, as though they had all the time in the world.

[Hungry spider. Waiting on a web for something to struggle.]

"If you're waiting on me to beg," Helsknight informed him through staggering breaths, "I won't."

"Too prideful?"

Helsknight searched himself momentarily for pride, and came up short. Pride would've dictated he die in the alley, instead of here where Wels could lord it over him. This was something different than pride.

"No."

"Then why not?" Wels asked, raising an eyebrow. "It's easy. Just say, 'Welsknight, please give me a health potion'. Or if you're feeling monosyllabic, just 'please' will work."

Helsknight managed a smirk. "Why not help me out of the kindness of your heart?"

"I don't have any kindness for people like you."

[People like you. What a loaded phrase.]

Have ye no routhe on my child?

There was an entire philosophical debate that could happen in the phrase 'people like you' that Helsknight had neither the time or the energy to bother with. Besides, it was all words Wels knew. Wels pretended to be a chivalric knight. Chivalric knights helped the weak. Chivalric knights saved the defenseless. Helsknight, for all the grievances of his existence, was both right now. Then again, the chivalric knights were also supposed to make war against their enemies mercilessly, so he supposed Wels would be in his rights, as a chivalric knight, to walk away and let him die slowly and painfully on the ground.

As if sensing his thoughts, and likely because he could actually sense his thoughts a bit, Wels said, "You are always going on about how I need to be a better knight. There's something ironic here. No matter what I decide, I think you'll owe me an apology regardless."

The feeling of doom, of bone-deep, agonizing dying mantled over Helsknight again and Wels stopped existing to him. His sense of urgency, of desperation to live clawed its way up his throat. He tried to move his arm, his leg. He got his fingers to twitch. He tried to lean forward, to drag himself with willpower alone towards that stupid potion just out of reach. The potion he wasn't even strong enough to open. His vision collapsed in quickly, and he only knew he'd cried out because he was breathless. But he hadn't moved, besides managing to lull his head forward onto his chest again. Cold fear crawled around in his empty guts, a relentless, caged animal that refused to stop squirming.

[I'm dying.]

[Breathe.]

[I'm dying.]

A shadow fell over him, a presence freighted with hate, and deserving, and dissonant guilt. Wels had come forward, only to stop short when Helsknight's terror swept over him like a wave, and he stood baffled by it, and guilty for it. The fool knight probably thought Helsknight was scared of him. If only. Helsknight thought he would prefer that. At least then he could manage to die gracefully. Wels's fortitude bricked itself up against him then, a bitter soul trying to will itself to be cold and cruel, and Helsknight was thankful for it. It staved off his fear, if only a little.

"What did you do to bring this on, anyway?" Wels asked breathlessly, trying to recover his resolve. Looking for a reason to hate him.

"I was... walking home."

"That's it?" He sounded so skeptical, it was almost funny.

"I committed the terrible sin..." Helsknight laughed out a breath, "... of being fearless when I should have been cautious."

"Hubris."

"Habit."

"Yeah right."

"If I got stabbed like this every day, I wouldn't have come crawling here."

Wels glowered, parsing this statement for truth. Helsknight might have mustered some hate in him for it, if he wasn't so scared. His vision had taken on a permanent blur, and he was getting cold. He hadn't gone numb yet, which was something he found profoundly cruel. He wanted to be numb. To stop hurting. To stop fearing.

[Breathe.]

Why have ye no routhe on my child?

Have routhe on me ful of mourning;

Tak doun o rode my derworth child,

Or prik me o rode with my derling!

[Derworth... "Dearworth", probably. Beloved. So "derling" was probably "dearling", which turned into "darling". Middle English was strange. Just slightly to the left of normal. He didn't think "tak" was a word anymore, except where it existed as pieces of words. "Tak" to "take", to take hold, maintain, maybe. "Tak" to "tack" like a nail. "Prik" also, like "pricking" flesh, like a point digging.]

"Hold down the road, my dearworth child," Helsknight muttered. "Or pick me a road with my darling."

"What?"

"Stupid poem."

"How much blood have you lost?"

Helsknight laughed, and his whole body flinched, and for a moment he couldn't breathe because his pain was so alive and electric it almost stopped being pain. The concern from Wels was laughable. He wished Wels would make up his mind about whether or not he cared. Then he could get on with dying, and the terror would stop, and the universe would take him or it wouldn't, and if it didn't, he would respawn and sleep for a week. He felt Wels's hand on his wrist, which was its own kind of hilarious.

"Trying to figure out how many heartbeats I have left?" Helsknight asked.

It would be nice to know. If Wels figured it out, he hoped he would share the information. Then Helsknight could keep count.

"Your heart's too fast."

"That happens."

Wels stood up and paced, all nervous energy, back and forth across the room.

"You don't deserve my help," Wels told him scathingly, angry for how conflicted he felt. "You don't. You've been nothing but cruel ever since we met."

More pine ne may me ben y-don

Than lete me live in sorwe and shame;

["Pine", like pining. Or pain. More pain? Punishment maybe. "Don" to done. Something like: More pain to me could not be done than to let me live in sorrow and shame.]

Helsknight decided whoever wrote this poem had never been stabbed. He'd felt both sorrow and shame, and neither of them packed quite this amount of punch, in his opinion.

"It probably goes against my tenets anyway," Wels continued, still pacing. "And yours too. Aren't you the one who follows some crazy death god?"

"... Saint... of Blood and Steel."

"He probably thinks dying in a puddle on my floor is glorious."

"... they."

As love me bindëth to my sone,

So let us deyen bothe y-same.

[Maybe he was just getting better at this, or maybe this part was just easy. "As love I'm bound to my son, so let us die, both the same." It didn't flow very neatly when it was simpler. Maybe Middle English wasn't that stupid.]

"I can't help but think you did this on purpose to... I don't know. Test me somehow. Prove you're better. Weak again, Welsknight! For helping your enemy when you should have let him die, or speed him along. Don't you know knights are supposed to be cruel?"

Helsknight tried to call up his own tenets, or Wels's tenets, or anything to do with knights and their duties. He got a little lost on his way, his thoughts meandering and dying, and gasping back to life again when they remembered they were supposed to be searching for something. Something he was scared of. Dying. A wave of fear crashing over him that made Wels flinch, and bid Helsknight keep breathing, because any agony was worth not confronting that one, great, crippling unknown.

"What would you do in my place?" Wels asked him suddenly. "Answer me that, perfect knight. What would you do if the person you hated most showed up one day bleeding on your floor?"

That... was an excellent question. Helsknight searched briefly for the answer, and found it wasn't very hard to find.

"I would help."

"You're lying," Wels said guardedly.

"I... can't lie."

"Then you're dodging the truth. What would you do?"

"I would heal you if I could. Or I would kill you if I couldn't." With strength he didn't know he even still had, Helsknight leaned his head back against the wall. It was easier to breathe that way. To talk.

"Why?"

"No creature is deserving of dishonor or pain."

"That's not a tenet."

"It's not a chivalric tenet." Helsknight shrugged one shoulder weakly. "Chivalry states you can hang my guts from the ceiling if I'm your enemy."

"It does not."

"It might as well."

Wels didn't seem to have a ready reply for that.

"What is routhe?"

Wels blinked down at him, guarded and confused. "Routhe?"

"Routhe." Helsknight repeated, as though it were helpful. "Middle English."

"As in?"

"Poetry."

"Use it in a sentence."

"Why have ye no routhe on my child?"

"Ruth." Wels said, a bit too quickly, like he'd known what Helsknight was asking and was trying to avoid the answer. "We don't use it as ruth anymore. It shows up in rue, like regret, or sorrow. And... ruthless."

"Merciless."

"Yes."

Why have you no mercy on my child?

"Why are you asking about Middle English while you're bleeding to death on my floor?"

Helsknight let out a breath. It hurt, but everything did. "Stupid poem."

"Can I hear it?"

"I'm busy bleeding to death on your floor."

"Tell me and I'll heal you."

There it was again, asking for an excuse. That was Wels's real cowardice, his failing as a knight. He was scared of making decisions. Scared of dealing with the consequences of his actions. Paralyzed by indecision. He wanted to hate Helsknight because it was justified. He wanted to watch him suffer, because hatred allows suffering. He didn't want to label himself cruel, nor be accused of weakness, or softheartedness, if he showed mercy. And he didn't want to pick up his sword and kill, if it meant killing someone defenseless. He wanted Helsknight to give him a reason to act, so he could blame it on him later if it turned out wrong. Given it would likely be Helsknight rubbing his nose in it later if it was wrong, he couldn't really blame him for that.

Helsknight closed his eyes and counted his heartbeats, and pretended he wasn't scared.

"Do what you will."

An hour long minute ticked by. Helsknight felt the time moving like it was physical, like he was falling through it and he couldn't catch himself, and he was nearing his limits. He thought the only thing stopping him from begging for it all to stop was the crushing weight of his fatigue, the exponential strength it took to take his next breath, and that stupid poem, skipping in a circle in his head. It kept his thoughts away from his fear, from bearing the weight of the unknown that came next. It was still there, a nameless, formless anxiety that formed the undercurrent of his thoughts. But he didn't have to think about it when he was busy being annoyed about a poem stuck in his head.

Wels moved. He stooped to pick up the potion Helsknight had dropped and unstoppered it deftly. He was surprisingly gentle as he helped him drink, aware that every movement could cause pain. Helsknight could feel Wels's caution in the air like wings, like a bird hovering before it lands. The first potion wasn't enough to heal him completely, so he got a second from his chests and helped him with that as well, one hand hovering over Helsknight's wounds, waiting on the skin to knit back together. Helsknight got to his feet, shaky, and feeling like he'd been wrung dry of all vitality. There was no pain to speak of, but he was thirsty, and hungry, and exhausted.

"You should rest before you go anywhere," Wels said, words of pragmatic care that sounded stilted coming from him. "I can get you some water."

"I'll be fine," Helsknight told him, allowing himself some hesitant pride now that the smothering pain was gone. Even exhausted, he could think so much more clearly now -- think at all, really. And he thought the longer he stayed here, the higher the chance Wels would come to regret his decision to heal him. They were not made to like each other. They didn't even respect each other as enemies. And Helsknight knew if they fought now, he would lose, and he might lose very badly, if Wels decided to leave him to bleed out again. It was something Wels had never done before, but if he could convince himself Helsknight deserved it, he would.

"Do what you will, then," Wels said, bitterness creeping into his tone. He probably thought he was being coy and ironic. Helsknight mostly thought it was annoying.

"The poem isn't mine," Helsknight said. "It's one you've read before. Middle English. Why have ye no routhe on my child. I don't know the title. It might just be the first line. I think it's a lament."

"... I see."

"Next time you find yourself bleeding out on someone's floor," Helsknight snorted, "Pick something stupid like that. It makes things... manageable."

"Right... manageable."

Helsknight gave a helpless sort of shrug, as though what he'd just said were perfectly normal.

Wels mustered an enviable facsimile of concern when he said, "I've never felt terror like that before."

Helsknight felt his already parched mouth somehow go drier. The sympathy he felt rolling off of Welsknight was sickening. Literally. He could feel himself becoming nauseous.

"What are you so scared of?"

Shame, red hot and searing, clawed at the inside of Helsknight's ribs. He wished so badly he could hide it. Distract himself from it. At least turn it into anger. But he was tired, and he didn't know how to bring his emotions back to heel, and Welsknight was already giving him an open, piteous look like maybe they'd stumbled onto something significant. He could feel hope there, like maybe there was a reason they hated each other like they did, and if Wels could figure out where that fear came from, they could find common ground -- or at least the leverage Wels needed to make Helsknight relent.

"I don't need your pity, white knight," Helsknight snarled. "Go sate your savior complex somewhere else."

Wels scowled. A cold wall of loathing, resigned and inevitable, closed itself around anything else he could possibly feel.

[As it should be.]

Hours later, home and safe, Helsknight cracked open his journal and wrote:

Why have you no mercy on my child?

Have mercy on me, so full of mourning;

Take down the road my dearworth child,

O give me a road with my darling!

More pain to me could not be done

Than to let me live in sorrow and shame

As with love I am bound to my son,

So let us die then, both the same.

[hivemindscape]

the buddy-buddy act ends now

[bacchuschucklefuck]

one thing I really really appreciate abt riz gukgak as a character is that he is un-self-aware to the max. he inhabits his body so completely. the arc that would usually be run as "I'm different and unable to connect with my friends in this way that everyone seems to be able to do and so something's wrong with me and I don't like myself" when it comes to riz is actually like no! I have literally no problems or praises for myself personally. I don't stand outside of my own self and judge it. it's phrased as "other people will eventually find someone more important to them than you" rather than centering it on his self-perception. he doesn't know why he doesn't have the best social life on earth even though he's not afraid at all to talk to other people. every time he sees himself in someone else's actions or behaviour he gets startled by it. his latest epilogue is realizing seemingly for the first time that he's not just an agent of causes but an actual character. he's my hero and I want to be him when I grow up

[otrtbs]

PUTTING UP MY FIRST EXHIBIT EVER RN CURATED ENTIRELY BY ME !!!!!!!!!!! RAHHHH 😈😈😈😈😈😈😈😈😈😈😈😈

IT’S OPEN 2 THE PUBLIC NEXT WEEK ‼️‼️‼️

[dadrielle]

I can't stop thinking about just how emblematic everything in those conversations of Ashton being "a child" are of how, even at her most beaten down, triggered and traumatized, Laudna is not and will not be what Delilah wants her to be.

For Delilah, "they're still a child" is dismissive, a bit derisive, but doesn't even merit being truly hateful. She doesn't find Ashton worth the attention Laudna is giving them, not when there are such more interesting, important things to pull the attention of an adult. Children are only important when they are useful. She will indulge Laudna on the subject, because Laudna is useful, is her vehicle for action in the world, but she only cares about it in the context of getting Laudna to do what she wants. Calling someone a child is calling them unimportant. (Laudna is a child to her)

But for Laudna, who loves children and who understands intimately what it's like to have the helplessness of child, to be trapped under the authority of someone who will never treat you as a full person, even when they are being ostensibly kind, to be so confused and lost and powerless...a child deserves attention more than anyone else. Of course children lash out. Being a child IS in many ways quite awful because the world is so big around you and you don't know yet how to react to any of it, how to soothe yourself - and if you aren't given the attention, you never learn how. Ashton never learned how. Her instincts - instincts trained into her by manipulation and abuse from inside and the world around her - may say kill him, but she fights them the whole way because her heart is stronger and her heart says that the angriest, most volatile child needs care as much as any other. More, even.

Laudna hears Delilah call Ashton a child and agrees on the word, but they have diametrically opposed understandings of what that means, and diametrically opposed instincts on how to treat a child. Laudna doesn't want to hurt anyone, especially children. She loves children. She loves so much and so selflessly. And Delilah is so very very good at manipulating her but she has tried for 30 years to change the bedrock of Laudna's psyche, the truer thing that drives her beyond the base animal instincts of survival, and it hasn't worked.