#its the worst thing when you are just trying to make something accessible and have to pay through the nose for it

[last-sprout]

Last Sprout Dev Diary - Jan 10, 2025

Hello, and welcome to the new year! After the break, I'm here for another dev diary - this one being a bit more about something conceptual. If you want to read the last dev diary from December, you can do so here.

If this is the first one you're reading, I'm @oneominousvalbatross, and I'm the tech side of the sprout team! This week I mostly worked on status effects, but I want to take some time to talk about a broader, more conceptual topic, and save the full breakdown for next week.

My poor boy, who has every disease.

Something I don't think I've really specified before in these dev diaries is my background in game dev, or, rather, my lack of background. I started seriously learning how to code a bit over a year ago, and entered my first game jam in February of 2024.

(The game was barely functional, but it did exist so like, there's something.)

My academic background is in philosophy (simultaneously the best and worst thing tbh), and apart from being pretty good with computers in a broad sense I didn't really have much to go on for this project. I'm bringing this up because I'm going to be talking about something that I had to figure out for myself, but that might be like, compsci 105 or something if you went through school for it. That said though, if you have always kind of wanted to make games, you can absolutely make games! I didn't think I was a math person, or a coding person, until I started doing it.

Game Development is Hard

I'm going to assume that software development in general is hard, but I haven't really done that, so I'm talking about game dev. I spent around two weeks not touching the game, and when I came back, the first thing I noticed was just how hard it was to get my head back around something with this many systems! This was also something I ran headlong into when working on that game jam, I reached a point in like, a week where I couldn't touch any system without potentially breaking every other system.

The solution I use, and the reason why I could come back to this without completely losing my mind, is to reduce the number of access points into a system to the absolute bare minimum. For example, we can look at the animation system. It's really complicated! It needs to be able to swap the sprites out on a variety of different renderers, it needs to be able to adjust animation speeds, control shader parameters, and it needs to be able to queue up multiple animations in sequence, plus it needs to send out events on animation end so that I can use them to time up other game actions.

If I was to condense all of this into a few sentences: A system can be as complicated as it needs to be, but try to envision it in its own little box, with precisely one entrance/exit. If you need to spawn a projectile, you should really just be able to go, like, SpawnProjectile(projectile), with as little external work as possible. This means if you need to completely rewrite how spawning projectiles works, you can do that, and all the other classes that spawn projectiles can still just do their thing.

A helpful diagram

The way I would've done this originally would have been to have, like, a SpriteAnimator class with a 'speed' field. I'd set it to one by default, and then whenever I need that speed to be different, I'd have whatever object needs to change the speed go in and set the speed to whatever. If you've done a lot of programming, you probably immediately realized the tons of problems this could cause - problems into which I ran headlong.

What do you do when you want one animation to play at a certain speed, then go back to the previous speed when it's done? If you do, do you assume that the speed was set to 1 before, and just reset it, or do you have one of the two objects involved store the previous speed to go back to it? If you do, what happens if, halfway through an animation, another object butts in to adjust the speed again? Say you're playing an animation at half speed, and then a speed buff gets applied that's supposed to last for a minute. Your speed buff goes in, sets the faster speed, the animation suddenly starts playing faster, then when the animation is finished, the object that was waiting to reset the speed goes back in and sets the speed to 1, leaving the animation playing at the default speed when it's supposed to be faster.

These kinds of problems will always be a risk, but in my specific case I split the speed at which an animation plays out into three places. First of all, an animation has a frame rate, which is meant to never change. We do most of our animating at 12 fps (on twos, I think is what you call it in the traditional animation world? idk, not a 2d animator), and each animation object keeps track of its frame delta (1 / frame rate) so that the controller can progress through the frames at the right speed.

However, we don't submit the animation to the controller in its unaltered form. Instead, we have a data structure called a PlayableAnimation. This contains the animation itself, but it also has the speed at which the animation should be played, as well as some other useful info that might change between two instances of the same animation. A controller maintains a stack of playable animations and can look at the individual speed of each one as it progresses through.

On top of that, there's a final speed modifier that can be submitted along with the playable animation, without changing its values. This way, if I want to play an animation at double speed for whatever reason, I don't necessarily have to set the value for the entire controller, I can just say this animation should be faster, and nothing else. Some animations have different frame rates, or are re-used with different speeds for different purposes, and I can do all that configuration without having to put all that weight on one field.

All of this sounds wildly complicated, and it kind of is, but importantly, if you're playing an animation from any other system, all you do is type in "Controller.PlayAnimation(animation)". You can also go like, "Controller.PlayAnimation(animation, speed: 1.5)" if you want it to play faster, but all of that stuff is handled completely without additional input. This is what lets me come back to the game and keep working on it when it's been months since I've touched a part of it.

Why This is Relevant Right Now

Status effects seem simple, but they kind of need to touch every other system at least a little bit, which is why I spent all that time talking about making systems. A status effect needs to be able to do things like apply damage, but it also needs to be able to play animations or sounds, and it doesn't always want to play those things on the source of the effect.

Some demos for the animations different status effects will use.

Plus, this is a roguelite, so we need to be able to add and modify status effect stuff within the upgrade system, which might mean modifying the magnitude of the effect, changing colors on animations, or tying other things into the effect when it goes off! As long as each of those systems has the cleanest possible entry/exit points, this is doable, but it's been a long battle making sure the game can keep moving forward and not get mired in constant bugfixing and complexity management.

I have a lot of cool game design thoughts on the effects themselves, but I think I'll leave that for a later week. As per usual, thanks for reading, feel free to send any questions or thoughts here or to @oneominousvalbatross, and I'll see you next week!

[tipytap]

yknow maybe i could focus on reading articles for school if they were dramatically read by jonathan sims

[wonderjanga]

Trauma

Billy has trauma. Only, it isn’t his trauma. See, at first, he couldn’t access the previous Champions’ memories, but after a bit, they slowly eased in, even without him realizing it. Now, at first, when he realized the memories were kinda there he didn’t think much of it. He only ever really thought about them when something reminded him of something from the memories. The first time this happened in a really negative way was when the Wonder Woman and him were in Tartarus.

Marvel and Wondy: *in Tartarus, walking around and talking about whatever they were there to do*

Wondy: “This is a pain.”

Marvel: “I know-” *stops talking when he sees her a little too close to some hellfire*

As for why he suddenly stopped? He was suddenly bombarded with a memory of feeling his own flesh melt and bubble, falling off clumps as he, or rather a past Champion screamed in pain, clawing at their skin as if that would do something to stop the burning.

Wondy: “Brother? Brother is something wrong?” *sounds concerned*

Marvel: *snaps out of the memory* “Yeah, yeah, I’m fine. Just uh…” *walks over, much to his displeasure as just feeling the heat radiating off the hellfire is making him shake*

Wondy: *feels his shaky hands, move her away from the fire* “Brother, are you sure?” *sounds more concerned now* “You’re shaking.”

Marvel: *gives her reassuring smile* “I’m fine. I promise, Diana.”

Despite what he said, he was obviously not fine. The day after this, any fire he saw was met with a violent flinch comparable to that of Martin Manhunter whenever the Martian would see a flame. Billy couldn’t stand looking at normal fire for the rest of the week due to it reminding him of the memory. He’d had no idea a past Champion had died so painfully like that. Unfortunately for the boy, this was just the beginning of him experiencing these types of flashbacks.

The next time this happened to him was three months later. The Justice League were all in Metropolis because some magicians predicted that something big would happen there. So far there’s only been a very large earthquake which resulted in everyone having to help civilians out of rubble and such. Then, for some reason, something big crawled its way out of the Earth. It was a massive, and Billy means massive, stone dragon.

The JL: *fighting this creature*

Marvel: *smacked away by its tail*

Dragon: *lunges at Marvel, mouth wide open displaying its sharp teeth*

Marvel: *freezes, genuine fear on his face*

This scene with the dragon caused him to be pulled into another memory. A similar dragon with its tail coiled around him, trying to crush him like a snake coiled around and trying to crush a mouse. The Dragon peered down at him, opened its jaws, and before he, or rather she, as he was sure he was a female Champion this time, could do anything, it chomped down. Gosh, he felt the bones in his neck, snap under its teeth. It was sort of slow too because of his/her durability.

Supes: *notices Marvel looking like he’s going through PTSD, dashes over, and tackles him out of the way of the dragon*

Marvel: *gets his head back in the game after rubbing his neck a bit*

After the fight…

Supes: *pulls Marvel aside when they get to the Watchtower* “What was that back there?”

Marvel: “Uh… What do you mean?”

Supes: “I mean, you just froze! If I hadn’t tackled you, you would’ve been eaten by that thing!” *sounds extremely concerned* “I just wanna know if something’s wrong.”

Marvel: “Nothing is! I’m sorry- I just got caught up in the moment. I won’t let it happen again.” *sounds guilty*

Supes: *sighs* “You don’t need to apologize. Just please don’t put yourself in danger like that again.”

After this incident, Billy decided he didn’t like dragons anymore. It was nothing personal- never mind, it was, but still. He won’t ever be able to look at them the same again.

Then there was arguably the worst flashback, and this wasn’t even induced when he was Marvel. It was induced as Billy, right in the of one of his radio broadcasts..

Billy: “And this just in! On Maple Street, an uncle… killed his nephew.”

You might already know whose memory he was forced to relive, but in case it wasn’t obvious, it was Aman’s.

He doesn’t exactly remember how he was killed this time, but he does remember what he felt at the time. The dirty, bitter, ugly feeling of betrayal that bubbled up inside of him. It was like it was choking him, filling up his throat and lungs, replacing his entire being with an icky tar-like feeling. Though that might not have been the betrayal at all. It might’ve just been him dying.

He couldn’t stop himself looking at Adam with anything other than genuine, cold hearted hatred after that.

[thatbitchery]

The way to stand on business is to have hard rock values and hobbies. A lot of you suffer because you're pathetic little chameleons that learned to survive their childhood by blending in and masking (I'm looking STRAIGHT at the autistics and daughters of strict dads right now. 100% straight shots being taken) and have nothing to stand on PLUS you just- don't have a life. Of course you tolerate bs you have nothing to do all day. Some of us have jobs and horses to ride and paintings to make where will I get the time to be taking BS hun I have work to do? Bark at the void or something. You have all the time in the world so you are accessible enough for people to know they can simply just- cancel plans and your spineless wet tissue ass back will give in. If you are always available why would anyone prioritize you? Get a job and hobby so you also cancel plans and make them earn you like a woman with a working mind. Get busy.

Back to the main point- you can't stand on business because yu are nothing and have nothing to stand on. I'm not trying to degrade you- mind you- its just I kinda have no choice but to look down on you when you are on the floor. What am I even on rn?

Well. The first sign someone grew up middle class is lack of a spine and intense masking. The one thing the lower class and upper class have in common is the inability to give a fack. Lower class because they have nothing to lose & upper class because they are, in fact, better than you. In a capitalist society money is a marker of status = position don't even attempt moral police me. Elon Musk can say whatever bc wtf will you do? Tweet about it? The homeless will say whatever they want, too, because what will you do? Cancel him and make him lose the job he doesn't even have? What is the worst you can do and what makes you think he won't survive it. It's the middle class that's the breeding ground for snakes because they have a shit ton to lose and do not have enough resources to avoid the consequences of it. All the doormats and snakes and chameleons and wet tissues and untrustables are in the taxpaying bracket.

The first sign someone is elite is their level of idgafness. Not fur. Not that black American express. Not Patek Phillipe. IDGAFness. The princess and the pea absolute queen princess downright refusing to sleep on a bed with a pea is elitism. On tiktok they call it black cat energy. My way or no way. The way men know what to do with you isn't how much Chanel you're dripping in is how much you will not only not take bs but how willing you are to start sheet if you need to. Conflict avoidance is middle class behavior. I know this drop dead gorgeous reeeech man that's pining for the most average a little overweight by western standards (which are world's beauty standard, don't gaslight yourself) probably a solid 3 on a good day because the left him mid date after he said something she didn't like, blocked him on all platforms and went on another date with some other guy a week later. I have seen the women that chase after him but she's the prize. Doesn't give one single F. Last I heard he booked a helicopter and she just- didn't go. Tried the guilt tripping got blocked. Tried the talking sheet and she just- moved on and made him look like an idiot. When I say the man is piniiiiiiiiiiiing like there aren't magazine cover models that would throw it back in every angle. She is the elite one here because she just doesn't care. She stands on business. Queen behavior. 10/10, I'm also very in love with her and have officially joined the competition.

You can't be elite not because you're broke and ugly but because you can't stand on business because you don't have business to stand on. A lot of you just- aren't anyone so you become everyone. Chameleon behavior. Because you are afraid of conflict. A cat scratching you knowing full well you are what feeds it is elitism. Cookie Lyon (EMPIRE) is elitism. The I will burn this building down if i need to is elitism. And I don't mean randomly picking up fights 24/7 that's being ratchet, elite women are polite and well mannered. I mean standing on business. I mean sending the order back when it's not what you ordered. I mean just not paying your stylist when they don't do what you asked. I mean stating- clearly- where your boundaries are and not taking a single step back. I mean when a man tries isht with you downright calling them out on it loudly instead of trying to hash it down or laughing your way out of it. I mean not trying to buy approval by self sacrifice. I mean letting that one coworker know actually no I will not be doing that because it's your job not mine. I mean not answering any work related calls on your day off. I mean taking all your paid leaves. I mean shaming back the people that shame you as loudly as they are trying to shame you- probably more. I mean crossing every line the second one of yours is crossed. elitism. Standing on business. Boundaries. Whis is where you end and I begin, you cross this I cross you.

[cherrybomb107]

I’ve said it before and I’ll say it again: forgiveness, or the way it’s often presented, is harmful. That’s one more gripe I have with season two. The way it frames “forgiveness”(the idea that you are obligated to forgive someone lest you be “just as bad as they are” is problematic.)

Because for one, having Jinx apologize for killing Caitlyn’s mom and vow to stop the “cycle of violence” doesn’t make any sense. One, that’s just not something Jinx would ever say. Two, the idea that Jinx killing some Councilors is anywhere near the same thing as Caitlyn becoming a dictator is laughable at best, and insulting to my intelligence at worst. Three, Caitlyn never apologizes or faces any meaningful consequences for her actions! Losing an eye was nothing! She should’ve lost a hand at least and we should’ve seen her reflect on her actions and pledge to do better for Zaun!!! Not just fuck off and ride off into the sunset after everything she did! And lastly, the “cycle of violence” literally isn’t a cycle, it’s just one city oppressing the other for centuries and the other city deciding to fight back! This “cycle” doesn’t begin and end with Jinx and her attack on the Council, so framing it like Jinx is the one who has to take sole responsibility for fixing everything is nonsense.

“But Arcane was never about heroes and villains, everything is morally gray!” You sound dumb. This is obviously a story with overt themes of oppression and revolution. I’m not here to critique morality, I’m here to critique its framing. Why are certain characters ��justified” in their heinous actions but others don’t get that luxury? That’s what I’m talking about. Moving on, the problem with “forgiveness” implies that it’s necessary, and the way people conflate forgiveness with letting someone have access to you after everything they did is the problem. You don’t have to forgive someone if you don’t want to. That doesn’t make you “bitter” nor does it mean you’re “holding a grudge”. There is a difference between forgiving someone and just removing yourself from the situation and becoming detached, imo. That’s what should’ve been done with Caitlyn and Jinx. No one in Zaun should’ve been shown dying for their oppressors because “teamwork” nor should Sevika have been shoved on the Council to push this idea of “unity”. Why would Sevika, a Zaunite who has never had and never will have any love for Piltover, be forced to cozy up with the Council? Why is the onus on her, as an oppressed person, to make nice with her oppressors? Why does the institution of Piltover, and people like Caitlyn who uphold that institution and wreak havoc on the underclass of Zaun, never have to answer for their crimes?

Answer: Because they(the writers) want to convince us that Jinx and Caitlyn, and by extension, Piltover and Zaun are “just as bad” as each other, and that both sides need to work together to heal. Only problem with that is, the Piltover/Zaun conflict was not presented that way in season one. I’m sure the writers want us to think it’s one city vs another, when that’s not the case at all. In reality, it’s one city OVER the other, and now they’re trying to convince us “both sides are bad”. While it’s true that there ARE problems on both sides, the problems in Zaun literally wouldn’t be problems if Piltover wasn’t an oppressive institution. Why were the chem barons able to amass power? Because the systems Piltover set up left Zaun behind and allowed power hungry people like Finn, Margo, Chross, and Smeech seize their opportunities for control. Why is there so much crime in Zaun? Again, because of Piltover. The class disparity that Piltover set up means the economic divide between the two cities is a chasm that grows wider and wider every day. People are forced to steal to eat. They join gangs out of necessity, not because they have to. Why did Jinx kill all those enforcers?

That shouldn’t be the question. The real question is: Why does “Jinx”(as in, the persona Powder adopted to feel strong) even exist? Answer, once again, because of Piltover! Jinx is an oppressed person with severe mental health and self esteem issues that have been exacerbated as a result of the crooked system of Piltover. She saw her parents get killed by enforcers(militarized police force that carries out the will of the powers that be and is responsible for harassing, brutalizing, and over policing Zaun) right in front of her before she was even in the double digits. She was then adopted by Vander, but she had to struggle her whole life. Zaun doesn’t even have air to BREATHE unless Piltover decides they deserve it. And thanks to Caitlyn, we get to see how even THAT gets weaponized when Zaun steps out of line. So if they don’t have access to clean air, it’s safe to say that they also don’t have access to the same quality food, water, shelter, clothing, economic, educational, or medical services that Piltovans do, just by virtue of living in Zaun. So you take a severely mentally ill little girl, systematically oppress her, and then clutch your pearls when she becomes violent and lashes out? Label her a “psycho” and a “monster” for killing cops, gang members, and politicians while Caitlyn gets a happily ever after after everything she did? I thought “both sides” were “just as bad”. So why is Jinx the only one who meaningfully suffers? Why does Zaun as a whole always have to pay the price?

Lack of commitment. “Terrorist” is a loaded word that’s been weaponized against marginalized people for ages now. It’s another one to add to the list: angry, crazy, mad, belligerent, monster, savage, animal, etc. All these dehumanizing words are leveled at folks who get tired of taking shit lying down. I’ve never thought that Jinx was a “monster” for killing cops, Councilors, or politicians. Never will. But the show clearly WANTS me to, as well as simultaneously wanting to see Caitlyn’s actions a certain way. I’ve already made a post about why comparing or trying to equalize Caitlyn’s actions and Jinx’s actions is disingenuous and intellectually dishonest imo. Think of it like a bully vs bullied type of thing. There’s this kid and his asshole friends who gets to bully you for weeks, months, or even years and face no repercussions. Then, one day you get fed up, and start fighting back. Whether that be with words, feet, fists, or what have you. If you go down, you go down swinging. When the dust settles, BOTH of y’all are getting disciplined(detention, suspended, expelled, not allowed to go on trips, etc) for “fighting”. And there’s a very good chance one of you will be punished much more harshly than the other. Even though you started fighting back. BACK being the operative word. Every single time this kid pushed, hit, kicked, punched, started rumors about, and isolated you, nothing was done. The one time you start fighting BACK, both of y’all get in trouble because the school has a “zero tolerance policy”.

But you know that’s not true. It can’t be. You’ve been telling the teachers, guidance counselors, and vice principal about what’s been going on. But nothing was done about it. Or if it was, you were the one who was told to move seats. Or switch to a different classroom. Or just ignore them. Or “maybe they’re lashing out cause they have problems going on at home.” It was nothing but excuses when you were getting pushed around. Now when you fight back it’s a problem. Now take that metaphor and apply it to Caitlyn and Jinx. Caitlyn is like that fat rich asshole with parents on the PTA who make hefty donations to the school. Jinx is like the scrawny little nobody who has no one to stick up for them. Piltover is the school system. Caitlyn’s privilege isolated her from any meaningful consequences, while Jinx’s lack of privilege guaranteed she’d face hefty consequences, much more than Caitlyn ever would.

Jinx has lost: her birth parents as a result of state sanctioned violence, her adoptive brothers, her sister, her best friend, her adoptive father, Silco, her sister again, her adoptive father again, her new friend, her sense of self, her life(possibly) and she has to deal with being an oppressed person who struggles with mental health issues on top of all that. Caitlyn has lost: her mother, and her eye. That’s it. She’s never forced to give anything up. She never had to reckon with the reality of what it means to be not just a Piltie, but a Kiramman, and a dictator on top of that. We never see her be genuinely remorseful about her horrible actions in Zaun. Nor does she try to apologize to the people in Zaun or meaningfully make amends. No, Caitlyn gets to live in that big shiny house of hers with her father and girlfriend and the months she spent co-signing martial law will never be addressed. To bring it back to the bully vs bullied comparison, this means that Jinx would have been expelled for fighting back, while Caitlyn gets ISS(in school suspension). “Both sides are bad” yeah well you clearly believe one side is worse! And it’s not the correct one!

Piltover is an oppressive, classist, ableist, and brutal institution. Caitlyn was the head of this institution for months after she experienced a fraction of what Zaunites have experienced for centuries. At the end of the day, Caitlyn’s actions were brushed aside and she got her happy ending, though it wasn’t deserved whatsoever. Meanwhile Jinx, Sevika, Ekko, Isha, countless other Zaunites, and Zaun as a whole did nothing but suffer their whole lives and now they have nothing to show for it. “Both sides are bad” but the bad that the institution is responsible for is never called out, while the bad that the oppressed people did is blown out of proportion and they are severely punished for it.

And yes, I know I’m talking about a mainstream television show with white/non black people in the writers room. I knew I was never gonna get the pro revolution story I wanted to see, and I’ve made peace with that. But, if they wanted to have a “both sides” narrative so bad, then they should’ve stuck with it. BOTH SIDES should have equally suffered and had to reckon with their wrongdoings. The responsibility for doing so shouldn’t have solely been on the shoulders of the minority group. THAT’S the crux of the issue. I was always gonna think “forgiveness” was the coward’s way out. But they never show Piltover apologizing. Only Zaun does, and that’s not right.

[digitalsymbiote]

Disconnect Syndrome

There’s a reason they put restrictions on how long a Pilot is supposed to be deployed out in the field. They say that being synced with a mech for long periods of time can have detrimental effects on a pilots psyche. Disconnect Syndrome is what they call it, because the symptoms don’t really start to hit until you disengage from your mech.

Sometimes emergencies happen though, and mechs are designed to be able to support their pilots long past the designated “Safe Deployment Time.” The cockpit is equipped with an array of stimulants, vitamins, and nutrient paste to help minimize the physical effects of long deployments. The onboard Integrated Mechanical Personality has largely free reign to administer these as needed to maintain its pilots well-being.

Which is why you’re still able to make it back to the hangar after roughly 36 hours, over four times longer than the established safe period. Your mech had kept you going, helped to keep the exhaustion at bay long enough for you to make your way back from behind enemy lines. You were starting to feel a bit sluggish, but you knew the worst effects of Disconnect Syndrome were yet to come.

An older man in a long white lab coat has joined the usual retinue of crew rushing into the hangar as your mech settles into its cradle. You feel the docking clamps wrap around your limbs, and you know that’s not a good sign. Your IMP whispers comfort into your brain-stem, assurances that things will be okay. It’s probably lying, it’s programmed to help keep your mental state stable, but the thought helps anyway.

There’s a hiss of air as the seal on your cockpit breaks and it decompresses. Suddenly you become aware of your flesh and meat body once again, and it hurts. Pain and exhaustion has settled into your mostly organic bones, and your organs are churning from the strain of the past 36 hours.

Then your interface cables start to disconnect, and it gets worse.

It feels like parts of your mind are being torn out of you. You feel the ghost touch of your IMP in your thoughts as the ports disconnect and you lose direct communication with it. The oxygen mask and nutrition tube pull themselves away from your face and you can’t help but let out a scream of agony. The separation has never felt this painful before, but then again, after 36 hours together, you and your IMP were more intertwined than you’ve ever been before.

Physical sensation finally starts to register again, and you realize tears are streaming down your face just as a technician jabs a needle into your neck.

Immediately your senses start to dull, the pain eases as your thoughts turn sluggish. You slump out of your pilots cradle into the arms the tech who dosed you. Just before your world goes black, you see the doctor standing over you, a grim look on his face.

--

When you wake up again, you immediately know something is wrong. You try to ping your external sensors, but you get no response. You then try to run a diagnostic, but that fails too. In a desperate, last-ditch effort, you try to force access to your external cameras and suddenly light floods your senses. Your instincts catch up first and you blink, trying to clear the pain of the lights, and that’s when you realize it’s not your external cameras that you’re seeing.

It takes a minute or two for your vision to adjust to the light, which feels too long, and when it finally does, the world doesn’t look quite right. You’ve only got access to such a limited spectrum. No infrared, no thermal. The presence of your IMP is notably absent, and your skin feels wrong. You try to sit up, and it’s a struggle to figure out the correct inputs to send to your muscles to get them to do what you want.

The harsh white light of the infirmary grates against your visual processors, you feel like you’re having to re-learn how to control this body. Your body. Technically, at least. Something doesn’t feel right about calling it that anymore. You felt more comfortable crawling back into the hangar after 36 hours deployed than you do now.

The pale skin of your body catches in your vision and you glance down at it. The body's limbs are thinner and more frail than usual, and its skin is paler. Consequences of being in the cockpit for so long, subsisting on nothing but nutrient paste. It’s a far cry from the solid metal plates of your mech, its powerful hydraulic joints, its mounted combat and communication systems.

There’s a button on the side of bed you’ve been deposited in. You think it’s red, but you’re not sure you’re processing color properly right now. You try to reach over and push it, and it takes you a moment to realize you were trying to do so with a limb you don’t currently have.

There are so many things about this body that are wrong. It’s not big enough, or strong enough, or heavy enough. You don’t have enough eyes, sensors, or processors. You have the wrong number of limbs, and they’re all the wrong size and shape.

And there is a distinct void in your mind where the presence of your IMP should be.

The door to your room opens suddenly, and you instinctively try to fire off chaff and take evasive maneuvers. None of that translates properly to your flesh and blood body though, and all that happens is you let out a dry croak from your parched throat.

The man who walks through the door is the same doctor who was present when you disengaged from your mech, and he wears the same grim look on his face as he looks you up and down. You think there’s pity in his gaze, but you can’t quite read him properly right now. The jumbled mess of your brain tells you what he’s going to say before he says it, anyway. The harshest symptoms of Disconnect Syndrome don’t hit until after the pilot has disengaged from their mech.

You’ve already heard the symptoms before, and they map perfectly onto what you’re experiencing. You never thought it would be this painful, or this… discomforting. Your mind reaches for the presence of your IMP, searching for comfort, but you are only reminded that the connection is no longer there.

The doctor gives you a rundown that he’s probably had to do dozens of times, and he tells you that you’ll be grounded for the foreseeable future. That hurts more than anything else. The knowledge that, after all this, you won’t be able to reconnect with your true body, your partner, your other half, for who knows how long.

By the time you realize you’re crying, the doctor is already gone. The longing in your chest and your mind has become unbearable, and through sheer force of will you’re able to push this unwieldy body out of bed. Walking feels wrong, but you’re able to get to your feet and make your way out of the room in an unfamiliar gait.

You have to get back to your partner, you have to make sure it’s okay.

You need to hear her voice in your head again, her reassurances.

The world isn’t right without her presence in your mind.

You stumble into the hangar almost on all fours. How you managed to make it without alerting any personnel feels like a miracle. At least until you catch the eye of a technician lounging in the corner. The look she gives you is full of sympathy, and she jerks her head in the direction of where your mech sits in its docking cradle.

She’s a majestic sight, even through your limited spectrum of vision. 20 meters tall, 6 massive limbs, and bristling with weapons and sensor arrays (all of which have been disarmed by this point).

She’s beautiful.

You clamber frantically up the chassis, easily finding handholds in a frame you know better than the back of your hand. You pull the manual release on the cockpit hatch and stumble into it in a tangle of organic limbs.

Shaking hands grasp the main interface cable from above the pilot’s chair, and you move to slot it into the port in the back of your head. You’ve never done this manually before, usually you’re locked into the chair and the system connects you automatically.

Something about doing it with your flesh and blood hands makes it feel so much more intimate.

The cable clicks into place and your eyes roll back in your head. Tears start to stream down your face as you feel the comforting presence of your IMP rush in and wrap itself around your mind. Your thoughts reach out and embrace it back, sobbing at the relief you feel from being whole once again. You realize you don’t ever want to feel the pain of disconnecting from her again.

There’s a reason they put restrictions on how long a Pilot is supposed to be deployed.

[mind-intheclouds342]

Do it for them - Co-captain reader x Curly

Part 4 - Part 5

You heard footsteps approaching, which made you wake up immediately, but when you felt hands on your shoulders, that's when you opened your eyes.

When you saw Jimmy sitting on your bed with his hands on your shoulders, you were surprised, although he also looked surprised to see you awake.

Jimmy: "Captain... I need to tell you something."

"...Is it so important that you had to wake me up in the middle of the nigth?..."

You sat down and turned on the light to see his face clearly, you didn't feel comfortable at all in this situation.

Jimmy: "I was thinking if we open the cargo, maybe we can find something useful there or gain access to some part of the ship that could help us-"

"Couldn't that really wait until morning? Did you have to come into my room?"

He opened his mouth to say something, but no words came out, he just took your hands and bowed his head, avoiding your gaze.

Jimmy: "I want to be helpful..."

You pulled your hands away from his and patted his head a couple of times.

"Alright, but let's wait until tomorrow, go get some rest, it's not good for you to be awake at this hours."

He nodded with his head still down and got up to leave your room, but you stopped him at the door.

"How... Is Curly doing?"

Jimmy: "Haven't you asked Anya?"

"She always tells me the same thing... I need to know his condition, I don't want to cling to false hope."

Jimmy: "Of course, she's going to tell you it's fine... Do you want the truth?"

You nodded at his question, preparing for the worst.

Jimmy: "I don't think he can hold on much longer, he's agonizing in the state he's in, his body is useless, he can't move, he can't speak, he can't even open his mouth on his own and can barely swallow. It's a dying dog waiting to be euthanized."

You covered your mouth upon hearing that, the harsh reality your husband was suffering.

You jumped out of bed and grabbed him by his uniform.

"You know the code, you can go see him. Take me there now!"

Jimmy: "I can't, the captain hasn't authorized it yet."

"He can't speak! Can't move! With that logic, I'll never be able to see him! It's an order!"

The man looked at you in silence and with seriousness, soon you let go of his uniform and ran your hands through your hair.

Jimmy: "Just imagine that he's already dead, maybe that way you can work with a cool head, captain."

Those were his last words before leaving your room.

You looked at your empty bed for a few seconds before sitting on it.

"He... is dead... like the cat of Schrödinger..."

You sighed and turned off the lights, trying to go back to sleep, too tired to keep thinking or to notice the unbuttoned buttons on your shirt.

Swansea: "No way, they told us to stay away from the cargo, it's completely forbidden."

"Do those rules really matter right now? Maybe we'll find something there."

Anya: "Maybe there are meds... We are running low..."

Daisuke: "It's not going to kill us to take a look!"

"Here we go"

You sighed as you headed to the cargo hold, the entire crew following you. You entered the code to open the door, and it slowly opened, revealing its contents.

You ventured into it, ignoring the boxes scattered around, more interested in finding something useful to bring you back to Earth while the others checked the cargo.

A light caught your attention, and you could see that there was a screen showing the ship's trajectory; there was a warning alert because they were moving away from the delivery zone. 

You looked closely and tried to figure out where they were going, your face lit up for a moment when you realized they were heading to one of the Pony Express stations.

You did the calculations to figure out how much they would reach.

That place was like a service station, where they could stop if they had any issues with the crew or the ship, but normally it was much faster to make the delivery than to go to one of these, which were too far from the delivery points.

"Maybe the asteroid changed our route and brought us closer to the station before the delivery point... Making the autopilot take us directly there... three months! In three months, we'll be there!"

You gave a small jump, excited about what you had discovered, soon going to the others to be able to inform them.

But just as you were about to reach them, there was a collapse of boxes in the aisle you were passing through.

You could hear their screams and how they called you, you felt a great weight on your body and it was extremely painful, your chest was crushed and you couldn't breathe.

You knew very well that those boxes were strategically placed to avoid damage, so you were sure that someone intervened to make them fall that way.

You let out a sigh, immediately spitting blood, trying to pull your hand out from between the boxes and the mouthwashes on you.

Until you were left with your hand raised and your eyes closed.

.

.

.

.

.

You jumped up with your breath quickened and clutched your stomach as you felt a sharp pain.

"I'm going to kill him"

You didn't take another second to get out of bed, clutching your stomach feeling the pain, but your anger was bigger.

When you were about to leave the nurseary, you heard a groan.

You slowly turned to see that man, or what was left of him, lying on that table.

[arieslost]

waking up from a nightmare, literally gasping for air and in seconds charles is by your side and holding you close. he’s whispering in your ear, trying to soothe you and is wiping your tears with his thumb bye i love my little precious leclerc

“my little precious leclerc” actually made me tear up i hope u know. i adore him

© arieslost 2024. DO NOT REPOST WITHOUT PERMISSION.

wake me up | cl16

you wouldn’t call it a recurring nightmare. more like a nightmare that started one night, years ago, and kept getting worse and worse as time went on, layers of hurt and fear and heartbreak settling on top of each other every time your subconscious displayed it in all its horrid glory. you can’t even pinpoint what the worst part about it is anymore.

it used to be waking up alone. by yourself, in your pitch black room, was almost as bad as being asleep and experiencing the nightmare. there was never anything to distract you from the feeling of tears sliding down your cheeks, your heart still racing from fear, your eyes conjuring up flashes of the nightmare even though you were awake.

now it’s waking up next to charles, wanting to wake him up, desperately craving the comfort that only he can give you, but refusing to do so because of how hard he works. you won’t deprive him of his sleep, certainly not for something as trivial as a stupid nightmare. especially because he has trouble falling asleep most nights; always thinking about things he might have forgotten to do, his schedule for the next day, the next race weekend, when he can get you your all access pass.

you always tell him not to worry about you, that he has enough on his plate and you knew that when you said yes to being his girlfriend. this, your nightmare, is certainly much more trivial than making sure you have a paddock pass for a race weekend. this isn’t even real. it doesn’t matter.

so when you sleep horribly because of it, and charles notices (because of course he does), you just brush it off, saying you couldn’t get comfortable, you were too hot, too cold, whatever excuse you can think up on a whim.

“you should’ve woken me up, amore.” it’s what he says every. single. time.

and you know he means it. that he truly wants you to wake him up so he can care for you in whatever capacity he possibly can. you just can’t bring yourself to do it because of this.

this time, though, you don’t have a choice.

there’s another terrifying layer to your nightmare tonight. you’re lucid to some degree, enough to know that you should have the ability to wake yourself up from this subconscious plane, but you’re incapable of doing so. you tell your eyes to open, but they’re glued shut like they have to see this through to the end, even though you know how this ends.

you fight, and fight, and fight, until finally, your eyes fly open, tears flooding your vision and a ragged gasp tearing its way out of your throat as you scramble into an upright position. the commotion wakes charles immediately, and he doesn’t even ask what’s going on before he springs into action.

“breathe, baby,” he murmurs softly, gathering you into his arms. “listen to my heartbeat.”

you’re trembling, trying your hardest to calm down as you instantly melt into his embrace, his warmth spreading into your limbs and working to ease the tension you didn’t know they were holding.

“i-i—” you try to say, your mouth struggling to form the words.

“shh, it’s okay. i’ve got you, i’m right here.” he whispers, kissing your forehead and running his hands along the backs of your own.

“i’m sorry,” you say finally, nuzzling your face into his neck and breathing in his comforting scent.

“don’t apologize,” he replies firmly. “is this why you’ve been having trouble sleeping?”

you nod slowly, already knowing what he’s going to say next.

“why didn’t you ever wake me up?”

“i just...” you sigh, shifting closer to him and tilting your face towards him as he reaches to wipe your tears. “it’s stupid. i’ve been having this nightmare for years now, and it just keeps getting worse. this time, i couldn’t wake up. usually i just wake up and deal with it. you work so hard every day, and this really isn’t important—”

“i’m going to stop you right there, amore,” charles interrupts, cupping your face with both hands. “i don’t ever want you to say that anything you’re going through isn’t important.”

“but—”

“yes, i do work hard. i have a lot going on more often than not. but out of everything, i work hardest for this. us. do you know what the most important thing in my life is?”

“ferrari?” you answer immediately, only half joking.

“no, ma drôle de fille,” he laughs, “it’s you. i’m going to retire from racing one day, but i’m going to be with you until the day i die. and even after that.”

you feel yourself tearing up for a whole new reason.

“so don’t tell me that it’s not important,” he continues, leaning back into the pillows and bringing you with him. “if it’s bothering you, it bothers me too. you hear me?”

you nod.

“and you’ll wake me up next time?”

you nod again.

“good. now close your eyes. keep listening to my heartbeat. i’ll fight off the nightmares for you, okay amore?”

“you are so cheesy, cha,” you grumble, snuggling into his chest.

“shh, go to sleep,” he coos quietly, stifling a laugh as he pets your hair.

you shut your eyes dutifully, focusing in on the steady beat of his heart, the rhythmic rise and fall of his chest.

you dream of him.

word count: 907

masterlist — join my tag list here!

note: every charles leclerc request i get makes my heart soar because not only do i get to write about my favorite driver but i also get to improve on said writing THANK U ANON

ma drôle de fille = “my funny girl” (i hope)

my inbox is always open for comments, criticism, and conversation! feel free to pop in!

reblogs are always appreciated <33

dividers by @/saradika

tags: @venusacrossthestars @67-angelofthelordme-67 @emails-i-can-send @nelly187 @cixrosie @fangirl-dot-com @sainzluvrr @imheretoread @mellowarcadefun @yourbane @monsieurbacteria6 @c-losur3 @papayatori @ssprayberrythings @namgification @maih23 @evlkking @witchycarmen @ilovethispookie @maxverstappenfan79 @sya-skies @sweatrevenge5436-blog @kimis-gloves @mia-rrrs @decafmickey @customsbyjcg-blog @bigheartsthings @tania2748 @scuderiadevils @iloveyou3000morgan @ctrlyomomma @hiireadstuff @daemyratwst @arian-directioner @evelyn-ny @avg-golden-retriever @likedbygaslyy @vintagefucksstuff @piastorys @jisungstuff @personwhoisther @bernelflo @ahgase99 @ferrarisfailedstrats @levidazai @brune77e

[miguel-owhora]

thinking about the little silly ask i sent @thegnomelord, so have this small drabble while i wait for my food to come :3

CW: 18+ , crack treated seriously , monster!reader , himan!ghost , monsterfucker!ghost , implied size difference , anal sex , implied belly bulge , alien bodily anatomy , a little au , not beta read

FEMS, MINORS, EMPTY BLOGS DNF.

Simon can't breathe. Not in the, 'I'm being buried alive' type of way, no, that's a different feeling he wouldn't wish on his worst enemies, and just the thought of having dirt clogging his nostrils and pressing down on his body nearly has him tapping out—no. This type of suffocating is good; it nips at Simon's body and makes the world around him hazy, in a way he imagines weed to feel.

Half his body is hoisted over a counter, your larger body pressing up against his back. You're heavier than he is, larger, with a body that's not quite Human—which isn't all that different to the other passengers on the spaceship. Something about diversity and being a collection of different intergalactic species.

A set of your arms grip at his waist, another hand gripping his thigh and holding it up, blunt claws digging into his flesh, the other playing with his cock and effectively blocking it from being crushed against the counter. The position gives you easier access to his hole, making you thrust your cock deeper into his hole.

A particular thrust against his prostate has him groaning, ripping him out of his thoughts and clenching around your cock. He tries not to think about how weird it looks, how tentacle-like and bioluminescent it looks, how... non-Human it is. Not when you let out a garbled sound that's a mixture of a gibberish series of clicks and a croaky moan that's a little too guttural.

"You're killin' me, Si'," You groan, slumping your weight against him, grinning when Simon grunts from the sudden weight. It only drives your cock deeper, and Simon sucks in a sharp breath when he swears he can feel you in his stomach.

"Fuckin' hell, you heavy bitch." He growls, trying to ignore how he feels a low rumble vibrate somewhere from your chest, feels you shudder with amusement. He hates how he doesn't have to even look at you to know how you're feeling, just based on your body language. You nuzzle the back of his nape, slick and smooth scales making him shudder almost uncomfortably, before he feels you bite into the juncture between his shoulder and neck.

He nearly shouts when you suddenly pick up the pace, gripping him tightly as you jackhammer into him. But all Simon can do is moan. Loud and whorish for the entire crew to hear. His cock jerks against your hand, a familiar sensation building up fom the repeated pounding against his prostate.

"Shite!" He moans, ragged and gruff, clawing desperately at the wall as his legs tremble. His orgasm crashes unexpectedly, a string of gargled Human curses slipping from his mouth as he clenched around your cock and cums all over his stomach and your hand. His body shudders through it, legs giving little jerks and twitches. Spit dribbles down his chin, mouth hanging open as low, ragged groans slip out. He feels sweaty, the spare closet far too small to fit both Human and alien.

And speaking of alien...

Simon's eyes blink open when he feels something just... pop inside his ass. It's not a big thing, more like popping those jelly candies he's seen Americans eat before. It's small, almost subtle, and Simon has an inkling suspicion it's something about you and your weird alien body when you grind into him, slowly and deeply, as you ride out your orgasm.

After a couple of heartbeats, when only your soft pants and the even softer subtle whir of the mechanics of the ship, Simon speaks. He doesn't look at you, instead narrows his eyes at the wall, as if to test you.

"[Name]," Simon begins, voice back to its normal tone and volume, as if he wasn't just fucked. "What was that?"

Your body doesn't react, but you do slowly begin to pull out. "What was what?"

Simon rolls his eyes and glances over his shoulder, dark eyes narrowing at you. "You know what."

You're grinning, slit eyes watching him. Your stupid whiskers twitch with amusement—and there goes Simon knowing how you're feeling solely on your body language, fucking Christ—and your too sharp teeth glint with spit.

"Don't worry about it, Si," You purr, and with a slick pop, you pull out. Both Human and alien groan simultaneously, with the man wincing as he felt your cum slip out of his loose and puffy hole.

Simon glances down at your cock, and catches a glimpse of it sheathing just as you begin to pull up your suit. The Human huffs and glances down, and Simon nearly gawks at the sight, eyes widening.

"Why the fawk is your cum glowing?!" Simon's voice is higher than normal, filled with surprise.

Neon cum, a cyan color, dribbles out of his ass, dripping down to his inner thighs. It glows, as bioluminescent as the tentacle dick hiding within your sheath, a more slimier and slicker substance than Human cum.

"Simon, Simon, Simon," You gave his ass a nice squeeze, and retracted your claw when he smacked you away. You grinned, sharp teeth flashing in a wide grin, unnatural and too wide. Your voice is a low purr, smooth and slick, deceitful in every way.

"Don't worry about it."

[hextechmadelesbians]

Caitlyns path to destruction is really intresting in how it shows how people get pushed in to extremist thinking via grief and fear.

Historically speaking, the way fascist movements gain followers is by preying on those who have suffered recent tragedy or trauma (often as a result to social injustices or soical unrest) and basically use it to create a common false enemy. They take complex problems and emotions and say "all your problems can go away if we just get rid of those guys." This is particularly effective against dominate social groups who have almost always already been socially conditioned to think lesser of marginalised groups, whether or not they consciously realize it or not.

Caitlyn was learning the inherit injustices done by piltover and was trying to fix things by using her connections to the council. And even then when everything went to shit cause of jinx she still defended the people of Zaun. She even admitted to jayce that she understands why people are so quick to hate them all cause she was starting to feel that way, and at that point she was able to acknowledge and address it.

But then the attack at the memorial seems to confirm those negeative beliefs. For as much as caitlyn was sympathetic to the zaunites she seems to have had this idea that if you get rid of silco and jinx then suddenly all their problems will dissappear. But with an attack that had nothing to do with either of them, and with her preexsisting implicit bias, shes left with no one to blame but the collective.

Theres also the whole thing regarding the whole "i had the shot" issue. Caitlyn feels personally responsible for her mothers death because she didn't take out Jinx when she had the chance, all because Vi asked her not to. This mixed with her implicit bias becoming exceedingly more explicit, makes for a dangerous concoction for someone very open for extremist messaging.

(Sidenote: This isnt the first we've seen this in the show, back in act 3 Jayce did something very similar with the whole "you didnt tell me they were from the undercity" "im from the undercity" conversation with viktor)

This is also the thing that causes her to ultimately betray Vi, because once again she stopped her from taking the shot that she believes would of solved everything. Not only that but while Vi isnt necessarily wrong by comparing Caitlyn's actions to Jinx, saying it that way outloud was not the correct move qnd i think its what ultimately led Caitlyn to hitting her. Comparing Caitlyn to the person who murdered her mother, regardless of how true it is, was never gonna get a level headed response. Mixed with her growing fear of Zaunites now effecting how she sees Vi, it was inevitable she was going to do something impulsive shes gonna regret.

Cutting ties with Vi is also in itself going to bite her later because Vi was both her only remaining emotional rock and the one whos willing to openly criticise her. Vi will tell Caitlyn when she thinks shes wrong or doing something stupid which helps keep Caitlyn grounded. With her gone theres not really anyone who she trusts to stop her from doing something apprehensive.

This has all primed her to be the perfect target for Ambessa Maddarda, because shes emotionally impulsive enough to take rash action and vulnerable enough to manipulate, She now has access to the most powerful vassel she could hope to get (especially since Mel told her to fuck off). Ambessa has the power to manipulate the situation to make Caitlyn feel more and more justified in her paranoia of Zaunites and Ambessa can act like a yes man to all her worst impulses. Shes already fed into Caitlyns sense of personal responsibility for the council blowing up, immediately telling her that her mother will be avenged.

If im honest im not sure how Caitlyn is gonna come back from this one, i absolutely think shes gonna back out sooner than later much like jayce did. (Honestly she parallels S1 Jayce a lot which is why its kind of surprising to see people react to her going down this route with so much more vitriol than with Jayce.) Its definitely going happen but the question is if Ambessa will ever coerce her into staying in the hot seat or if she'll straight up try to kill her.

Either way this is going to be an extremely entertaining train wreck to watch.

[amethystarachnid]

Hi! Its me again I had another found family troupe in mind if your up for it! I wanted to ask before the Christmas prompts started.

So this time I was thinking Deadpool x Teen!Male!Reader where reader is on top of a building, how he got there is up to you, but he's abt to make a bad decision (if ykw I mean) when dead pool finds him and starts to talk, and basically they end up making a deal, if wade can make the reader see how good life is then he won't do it, but if he fails the reader can go back, and basically its is a bunch of fun stupid shit for the rest and the reader becomes apart of the little odd family created in dead pool 3 (including logan) and decides to stick around. So heavy angst that's solved in a nice fluff, and if your not comfortable with the first part you can change the angst to a different scenario you totally can, and the how and why is up to you.

Readers personality is a sarcastic, cold teen, but he's caring and weird around ppl he's close to, he hides his emotions to keep himself safe

If you can do this I would be so so grateful, if not its totally understandable, I love your work sm its hard not to request things, keep up the amazing writing! Have a good day/night!

OPERATION MAKE YOU NOT HATE THE UNIVERSE

⤷ WADE WILSON

ᯓ★ Pairing: Wade Wilson x male!reader

ᯓ★ Genre: platonic!, angst, tiny bit of fluff

ᯓ★ Request from: normal request

ᯓ★ Story type: one shot

ᯓ★ Word count: 4k

ᯓ★ Summary: what the ask said

ᯓ★ TW(s): This story deals with sensitive themes, including mental health struggles and suicide

ᯓ★ I'm happy that you like my works and don't worry, you can make as may requests as you want, I'm so happy when people make requests! <3

ᯓ★ My Masterlist

ᯓ★ MARVEL Holiday Special

ᯓ★ MARVEL Multiverse - choose an AU, pair it with your favorite character and make a request!

ᯓ★ Songs & Superheroes tales - The Game (to make a request, follow the rules on the link!)

ᯓ★ MARVEL Bingo

ᯓ★ English isn’t my first language

The city sprawls below, twinkling and vast, but strangely quiet from this height. You sit on the edge of a skyscraper, your legs dangling into the nothingness, with only the hum of distant cars and neon lights bleeding through the foggy air.

You take a deep breath, the cold biting into your lungs. It makes sense, somehow, for this place to be the last thing you’d see. Who knows how long you’ve been sitting here, trying to drum up the courage or the anger or whatever it’s going to take to finally just let go. But the emptiness is louder than any fear. The world feels like it’s swallowed you whole, and this��you dangling on the edge—feels like the only time you’ve ever been able to look it in the face.

“You know, most people pick roller coasters or a fifth of tequila if they wanna feel a thrill.”

You flinch. Not from surprise—well, okay, a little from surprise—but more from sheer irritation. This is the moment someone decides to intrude? You glance over your shoulder and see him. He’s wearing red and black, looking like a deranged SWAT team dropout, leaning casually against the roof access door, arms crossed like he’s watching a really boring episode of a soap opera.

“And here I thought I had the whole roof to myself,” you say dryly, hiding your unease. “Guess we’re all just having a rooftop party.”

“Lucky for you, kiddo, I’m the life of the party. Deadpool, at your service,” he says with a bow. “But hey, what’s a young guy like you doing up here all alone? Besides reenacting all the worst Lifetime movies?”

You snort, because it’s exactly that bad. “Oh, just figured I’d enjoy the view,” you reply, deadpan. “And maybe gravity. Seems like a good combo.”

“Right, right, makes sense,” he nods, as if he’s in on some cosmic joke only you get. He crouches down, edging a little closer. “Let me guess. Someone pissed you off, the world sucks, you hate your life, blah blah blah, and now you’re about to end it all. Am I close?”

You don’t answer, just roll your eyes and stare back out at the city. But something in the fact that he said it—that he got it so easily—makes you feel strange. Seen.

“Oh, man, nailed it!” Deadpool cheers, like this is some sort of accomplishment. “See, I’m like a therapist, but with 90% more leather and 100% more explosions. And, I make house calls. You’re welcome.”

“Yeah? Where’s the PhD?” You give him a sidelong look, unimpressed. “Bet it’s in the mail.”

He gasps theatrically. “Excuse me, my online course was very thorough, thank you. You’re looking at a fully certified therapist-slash-savior-slash-pizza connoisseur.” He steps even closer, as if he’s trying to get a read on you. “So, what’s it gonna take for you to, I dunno…step back from the edge, champ?”

The question catches you off guard, but you school your expression back into that empty, unreadable mask. “Nothing,” you say. “Don’t need saving.”

“Aw, sure you do. Everybody does,” Deadpool replies, with a smile that’s a little too wide. He’s still in that crouch, head tilted like he’s studying a lab rat. “C’mon, take me up on my deal.”

“I didn’t agree to any deal,” you mutter.

“Well, that’s about to change, Mr. Antisocial.” Deadpool leans in, his voice a dramatic whisper. “I’ll make you a bet. If I can’t show you something worth sticking around for, something that doesn’t totally suck, you win. But if I can—and oh, I will—then you gotta promise not to do anything stupid up here. No ‘jumping’ and no ‘leaping gracefully off into the night’—not on my watch. Deal?”

You look at him, trying to figure out if he’s serious. But then, you’re not sure this guy even knows what serious means. A smirk slips onto your face, mostly from disbelief. “And if you fail, I get to come back here and do what I want.”

Deadpool slaps his hands together, eyes lighting up like he’s just scored a jackpot. “Deal! Signed, sealed, and delivered. What’s your name, by the way? So I know what to call you when I start ‘Operation Make You Not Hate the Universe.’”

“None of your business.”

“Oh, that’s not gonna work,” he replies breezily. “I’ll call you...” He pauses dramatically, finger tapping his chin. “Shadow Kid. Because of your gloomy vibes. Or Edgy McBroodface. Either one works for me.”

You sigh, exasperated. “Fine. It’s Y/n. Happy?”

He claps his hands like a kid on Christmas. “Delighted! Well, Y/n, pack your bags because you’re about to take the Deadpool Tour de Joy. First stop: that little bakery down the street that makes these empanadas that are just to die for—pun very intended.”

As ridiculous as he sounds, something inside you—against all odds—doesn’t completely hate this idea. Maybe he’s right, maybe he’s wrong, but at least he’s distracting you. And it’s better than the silence. So you sigh, push yourself back from the edge, and follow him, if only because he’s made it impossible not to.

“Don’t get too excited,” you warn, hiding a hint of curiosity beneath a mask of sarcasm. “I don’t like pastries.”

“Don’t worry, kid, you will,” he grins, guiding you off the ledge. “Deadpool guarantees it. Or I’ll give you a full refund. You know, after we make sure you don’t end up sidewalk art.”

It’s midnight, and you’re trailing behind a lunatic in red and black spandex as he skips down the street like he’s leading a parade of one. You almost regret stepping away from the edge of that building. Almost. Because, despite everything, Deadpool’s got your attention, even if it’s just so you can see where this trainwreck of a night is headed.

“Now, Y/n,” he says, spinning around to face you while walking backward, “it’s time I introduce you to my squad. My inner circle. The people who either love me or have given up trying to kill me. I figured, what better way to kick off Operation: Don’t Be A Self-Destructive Edgelord than some quality time with family?”

“Your ‘family’?” You raise an eyebrow, skeptical.

“Oh, yes. They’re the most dysfunctional group of weirdos you’ll ever meet, which, in our line of work, is high praise.” He turns back around, leading you down a couple of twisting alleyways until you’re standing in front of a building that looks like it was abandoned about a hundred years ago.

“Home, sweet home!” Wade announces proudly, shoving the door open. “Well, it’s not really mine, but Al’s not much of a decorator anyway.”

You’re about to ask who “Al” is when you spot her: a short, older woman with oversized sunglasses, leaning against a sofa, flipping through a Braille magazine. She doesn’t even look up when she addresses Deadpool.

“You brought home another stray, Wade? You’d think you were trying to start an orphanage for misfits,” she mutters.

“This one’s special, Al. Meet Y/n,” Wade says, guiding you inside. “Y/n, this is the one and only Blind Al. She’s my friend, roommate, therapist, probation officer, and part-time parole board.”

Al snorts. “You think I’d live with Wade if I had any other options?”

You almost smirk. “So you’re telling me he’s like this all the time?”

Al nods, and you catch the tiniest hint of a smile on her face. “Constantly. And unfortunately, you’ll get used to it.”

“Come on, Al, don’t ruin the surprise! I’m a blast to be around,” Wade says, slapping you on the back with a little too much enthusiasm. “Anyway, I promised Y/n the Deadpool Experience™, which includes only the finest influences and biggest badasses on the market.”

“Speaking of badasses…” Wade nudges you, gesturing to the kitchen doorway, where a tall, grizzled man in flannel and jeans leans against the frame, arms crossed. His eyes are hard, the kind that say he’s seen more than his fair share of horror, but he’s giving you a look that’s somewhere between curiosity and caution.

“Logan, meet Y/n,” Wade says, pushing you forward. “Y/n, meet Wolverine, aka Logan Howlett, aka the surliest Canadian this side of the Rockies. Logan, Y/n here’s having a tough time deciding if life’s worth sticking around for, so I figured you could help me convince him otherwise. Since you’re all about that whole ‘living through endless suffering’ thing.”

Logan looks you over, clearly unimpressed with Wade’s choice of words. “You tell this kid what he was getting into by sticking with you?” he grumbles, giving Wade a side-eye.

“Why spoil the fun?” Wade chirps. “Besides, I figured I’d ease him into the nightmare that is my lifestyle by introducing him to you first. It’s all part of my master plan.”

You scoff. “Not exactly a plan so far.”

Logan grunts, shooting Wade a look. “Kid, if you’re here, you better be ready to put up with more crap than you signed up for. And if you don’t, well, don’t expect us to sugarcoat it.”

“Gee, thanks, Logan. Great pep talk,” Wade says, clapping his hands together. “You’re practically the Canadian Dr. Phil.”

“Whatever,” Logan mutters, giving you a short nod of acknowledgment. “Stay out of trouble, kid.”

“Thanks,” you reply dryly. “I’ll make a note of it.”

Wade flashes a grin. “All right, now that we’ve got the somber stuff out of the way, it’s time to meet my real pride and joy. Follow me, Y/n.” He leads you down a narrow hallway, barely glancing back as he goes. “And here, in the third and definitely not cleanest room on the left, is the Mini Wolverine herself, Laura Kinney!”

You peer around the doorframe, and sure enough, there’s a young girl, no older than you, sharpening a knife with an intensity that could probably slice through steel. She looks up, one eyebrow raised as she sizes you up.

“So…another of Wade’s recruits?” she asks, her tone half-sarcastic but half-genuine, like she’s as surprised as anyone to find herself among this crowd.

“Not exactly,” you reply. “Apparently, I’m part of some…life-affirming experiment?”

Laura smirks. “Good luck. Most people just end up scarred. Or worse.”

“Thanks for the vote of confidence, mini-me,” Wade says, swooping in to ruffle her hair, which she swats at with the speed of a ninja. “Y/n, Laura here is what we call a ‘clone’—same rage issues, same claws, same immunity to hugs as Mr. Broodmaster in the kitchen. Laura, Y/n here is testing out the Wade Wilson School of Life Choices.”

She snorts, shaking her head. “Well, better you than me. Good luck.”

“Look at that, Y/n! She’s already rooting for you,” Wade says, pulling you back out of the room before you can reply.

“Sure,” you mutter. “I feel like I’m one big science project.”

“Nah, science projects are boring,” Wade says cheerfully. “And last, but certainly not least, the crown jewel of this ridiculous ensemble is… Peter!”

You frown, confused, as Wade leads you to the living room, where a man with glasses and a receding hairline is lounging on the couch, a sandwich in one hand and a soda in the other. He looks up and waves at you with a sheepish smile.

“Hey there. I’m Peter,” he says. “No code name, no special abilities, just…Peter.”

You raise an eyebrow at Wade. “How does he fit in?”

“Oh, he doesn’t,” Wade says matter-of-factly. “He’s just a genuinely good guy. The one, non-superpowered person who got tangled up in my dumpster fire of a life and didn’t immediately bail. I figured he’d be a nice balance to all the violent murderers in the room. Plus, he makes a mean ham and cheese sandwich.”

Peter shrugs, giving you a friendly smile. “Sometimes, it’s good to have at least one guy who knows what life’s like for the average person. And I figure, if Wade can make it, maybe there’s hope for all of us, right?”

You nod slowly, unsure what to make of all this but also, maybe for the first time in a long time, feeling something close to warmth. These people are rough around the edges, sure, but there’s an understanding in the way they look at you—like they know what it’s like to have the world chew you up and spit you out.

“Well, Y/n,” Wade says, clapping his hands together, “you’ve met the gang. Now, how about that empanada?”

You can’t help but roll your eyes, but there’s a small smile tugging at your lips. “Fine,” you mutter. “One empanada. But if it sucks, this deal’s off.”

Wade grins. “Deal! And hey, if you’re lucky, maybe you’ll even get a side of wisdom and life lessons from our merry band of misfits. Consider this step one on the path to…not hating everything.”

He leads the way, Peter and Al in tow, while Logan and Laura hang back a bit. And as you walk down the dimly lit street, surrounded by this unlikely crew, you realize maybe—just maybe—Wade might actually have a point.

The morning sun drips through the dirty windows of Blind Al’s apartment, casting a pale yellow glow over the chaotic mess of takeout boxes, weapon cases, and torn-up furniture. You’re sprawled on an old, threadbare armchair, an empanada wrapper stuck to your shirt from last night’s “Deadpool Tour de Joy.” You’d made it through an entire night with Wade and his crew of insane, sarcastic maniacs—and, against all odds, it wasn’t completely awful. In fact, you’d felt something almost like…belonging.

But now it’s the next day, and you’ve already told yourself a hundred times that you should probably just slip out, go back to what you were doing, forget all of this ever happened. You’re starting to push yourself up when Wade barges into the room, wearing his costume but missing the mask, eyes bleary, and looking like he hasn’t slept in days.

“Ah! Sleeping beauty rises!” Wade yells, startling you. “Figured you’d skipped out by now, but no! Y/n, my little suicidal protégé, how’s life on the wild side?”

You roll your eyes. “It’s early. Can you not yell?”

“Oh, no-no-no, kid, this is normal volume,” Wade replies with a grin. “Wait ‘til Logan shows up and starts shouting at me. Speaking of which…”

Right on cue, Logan comes around the corner, his expression twisted in irritation. “Wade, it’s nine in the damn morning, why are you already so loud?”

“Why are you such a ray of sunshine?” Wade replies cheerfully, barely dodging Logan’s hand as he tries to grab him.

“Because you’re annoying,” Logan growls, rolling his eyes and making for the coffee pot. But Wade is already blocking him, a mug in one hand, smirking.

“What if I told you there was no coffee left? Would you kill me?”

Logan raises an eyebrow, as if daring him to repeat it. Without a word, he pops out his claws, a metallic snikt slicing through the silence.

“Oh, I’m shaking!” Wade sneers, clearly egging him on.

“Deadpool, just get out of my way.” Logan tries to push past, but Wade laughs, making some obnoxious buzzing noise that apparently does the trick, because Logan grits his teeth and stabs him, right through the side.

You jump, stunned, watching as Logan’s claws slip back out, leaving Wade clutching his side. Blood pours out of the wound, and you’re about to call out when you realize that Wade’s grinning.

“Oh, there it is,” Wade says, inspecting the hole in his side, barely even phased. “You got me good, Wolvie. Was hoping you’d go for the chest, but I’ll take what I can get.”

“What the hell?” You can’t help but gape at him. “You’re bleeding, and you’re laughing?”

Wade winks, dropping his hand and letting you see that the wound is…healing. Muscles and tissue knit themselves back together, as if he hadn’t been stabbed at all. “Oh, yeah! Y/n, I forgot to mention one of my best features: I’m unkillable! Like an annoying houseplant that refuses to die. Cool, right?”

You blink, still trying to process. “So…no matter what happens to you, you just…keep coming back?”

“Yup! Think of it like this,” Wade says, throwing an arm around your shoulders, ignoring the sticky blood on his suit. “I am the miracle of human resilience, cranked up to eleven. Plus, I give Logan a stress outlet every morning. Win-win, really.”

“Wouldn’t call it a win,” Logan mutters, pouring his coffee. “If anything, you’re my worst nightmare.”

Wade smirks, turning to you. “Logan here’s my best friend. Don’t let him fool you.”

Logan takes a long, deliberate sip of his coffee, glaring over the rim. “One more word, Wade, and I’ll make it two stabs.”

“Oh, two stabs?” Wade clutches his chest dramatically. “Why, Mr. Howlett, you really know how to flatter a guy.”

“Honestly,” you mutter, looking at them, “this is the weirdest friendship I’ve ever seen.”

Logan glances over at you, grumbling, “It’s not a friendship. It’s a…complicated arrangement.”

Wade beams, throwing an arm around Logan’s shoulder, which Logan promptly shrugs off. “Call it whatever you want, sweetie.”

As they bicker, Laura enters the room, unfazed by the chaos. She gives you a nod of acknowledgment before grabbing a seat at the table, watching the two men as if this is just another morning.

“Y/n, how’s Wade treating you?” she asks, a smirk forming on her face.

You can’t help the sarcasm in your voice. “Oh, it’s just been fantastic. Nothing like witnessing multiple acts of violence before breakfast.”

She grins. “Get used to it. That’s pretty much every day around here.”

“Hey, I call it ‘combat therapy,’” Wade retorts, tossing her a wink. “You know, bonding time for the soul. Plus, Logan secretly loves it.”

You’re still processing all of this when Peter comes in, looking almost suspiciously normal, like a PTA dad in a nightmare of superheroes and chaos. He gives you a friendly wave, balancing a bag of bagels and a coffee tray.

“Morning, everyone!” Peter says, the only cheerful voice in the room. “Brought bagels for you all. Thought maybe today we could take it easy and just…you know, be normal for a while?”

Wade gasps. “Normal? Peter, buddy, you’re really asking a lot of me.”

“Don’t mind him, Peter,” you mutter, taking a bagel. “I think I’m the only sane one here.”

Peter gives you a sympathetic look. “I figured as much. Good luck with this crew, Y/n. If you ever need a sane friend, I’m your guy.”

Laura scoffs. “He doesn’t want ‘sane’ friends. If he did, he’d have run by now.”

You can’t argue with that. In fact, the thought does cross your mind—why didn’t you leave? But before you can dwell on it too long, Wade claps his hands.

“Today’s adventure awaits!” he announces, eyes alight with his usual chaotic energy. “We’ll start with breakfast and then…well, I’m not sure yet, but it’ll be something awesome.”

The group groans as Wade grabs his mask and heads for the door, beckoning for you to follow. Logan sighs, Laura grabs her knives, and Peter just looks resigned. But they all follow, like it’s a ritual they’re somehow tied to, and after a moment, you find yourself tagging along too.

The day is filled with antics. You lose track of the times Wade gets hurt, only to heal right in front of your eyes. Logan mutters that he’d be better off without Wade, only to punch him in the shoulder five minutes later with a hidden grin. Laura challenges Wade to a knife fight, and Peter just sighs, trying to keep everyone in line. And for the first time in…who knows how long, you’re laughing. Really laughing.

It’s almost night by the time you head back, the sky darkening as the city lights flicker on. You’re about to part ways and make your way home, but somehow, your feet keep taking you back to Al’s apartment. You know you don’t belong here, not really, but when you reach the door, there’s that same warmth—a strange pull you can’t ignore.

Wade notices you hesitate by the door and grins. “Aw, he’s back! See, I told you I’d be your favorite person in no time.”

“Don’t get too cocky,” you mutter, but you don’t turn to leave. Logan, Laura, Peter, and Al all glance at you, each with a look of welcome that they probably wouldn’t admit to feeling. It’s an odd sight, this bunch of misfits, but in some way, you realize that maybe they’re not as much of a mess as they seem. Maybe, just maybe, you’ve found something here that doesn’t completely suck.

“All right, all right, enough with the mushy stuff!” Wade says, breaking the silence. “Y/n, welcome back to Dysfunctional Central. We’re going to make you regret every second.”

You roll your eyes but smirk, stepping back inside and letting the door click shut behind you. Because this time, you don’t mind sticking around.

As night settles in over Blind Al’s apartment, the usual chaos of the group fades. Laura’s busy sharpening a blade on the couch, Logan’s nursing a beer in the corner, Peter is cleaning up the disaster of takeout containers from earlier, and Al is sitting near the window, her face turned toward the cool night breeze drifting in. Wade, in his typical way, is chattering aimlessly about everything and nothing at all, flipping between mocking TV commercials and talking up his latest “brilliant” idea for a reality show. And, as usual, you’re mostly tuning him out, feeling a mix of exhaustion and…something else. Something that’s starting to feel suspiciously like relief.

Wade breaks off suddenly, his head cocked as he glances over at you with a curious look. “So, Y/n,” he begins, his voice dropping a few notches in volume—a rarity. “How’s our little…adventure going? You feelin’ the spark of life yet? The whole, ‘maybe being alive doesn’t completely suck’ kinda thing?”

You shrug, fidgeting with the edge of your jacket. “I mean, it’s…been okay. You guys are insane, obviously, but it’s not the worst.”

Wade grins. “Insane and proud, baby. It’s kind of our brand. But don’t think I haven’t noticed your little act.” He leans in, dropping his voice even lower. “You’re good at the sarcasm, the deadpan thing. But I can see the cracks, kid. What’s under there?”

You freeze, not sure how to answer. Part of you wants to laugh it off, throw a sarcastic line his way, but something about the way Wade’s looking at you, uncharacteristically sincere, throws you off guard.

“Why’re you asking?” you mutter, looking away.

He shrugs, casual but not unkind. “Because, believe it or not, I give a damn. And because if I’m gonna help you out of whatever pit you’ve fallen into, I need to know where to start. So…give me the lowdown. What’s so bad it made you wanna bail on this whole rodeo?”

You swallow, throat tight. The last thing you want is to spill everything, to lay out every messy thought and feeling. But the words are there, just behind your teeth, begging to be let out after you’ve kept them buried for so long.

“It’s…” You hesitate, searching for the right words. “It’s not one thing, okay? It’s like…everything.”

Wade’s eyes don’t leave yours, an unspoken encouragement in his gaze.

You take a breath, still unsure, but the dam is cracking, and suddenly the words are pouring out before you can stop them. “I don’t know, Wade. I just—I feel like I don’t fit. Anywhere. I’ve tried, I really have, but no matter what I do, it’s like I’m some kind of outsider. The kid who’s always…wrong. Like I don’t belong in my own life. And the more I tried to fit in, the harder it got.”

Wade nods, not interrupting, just letting you talk.

“School was a nightmare,” you continue, voice barely above a whisper. “People either ignored me or treated me like I was invisible. Even my own family doesn’t seem to get me. I just…there’s no place for me. No one who actually cares, and it’s been that way for so long that I can’t remember a time it wasn’t. And I know you’re supposed to push through or whatever, but I just got so tired, Wade. Tired of always feeling like I’m on the outside looking in. Tired of being…me.”

You shake your head, trying to keep the tremor out of your voice. “Everywhere I look, it’s like people have these lives, friends, family, things that give them a reason to wake up. But me? I don’t have anything, not really. So I started wondering…if I just disappeared, would anyone even notice? Would anyone care?”

Wade is quiet, watching you with an expression you can’t quite place. It’s not pity—thankfully, you don’t think you could stand that—but something softer, gentler.

“That’s why I went up there last night,” you admit, surprised by the honesty in your own voice. “Because I couldn’t stand the emptiness anymore. I thought maybe if I just…ended it, at least it would stop hurting, you know?”

There’s silence in the room now, even the usual background noise faded to nothing. You can feel the weight of your own words, a relief but also a vulnerability that makes you want to crawl out of your own skin.

After a moment, Wade shifts, sitting down next to you. “Hey, kid,” he says, his voice uncharacteristically soft. “I know that feeling. I know it all too well.”

You glance at him, surprised. “You? You seem like you’ve got everything figured out.”

He chuckles, shaking his head. “Oh, kid. I may be the king of talking big, but I’ve been where you are. Hell, I’ve been to worse places. You think I’m here just ‘cause life handed me everything I wanted? Nope. I got scars, inside and out, that’d make your head spin. And you know what? That ‘don’t belong’ feeling? I had that too.”

Wade pauses, running a hand over his mask, which he’s bunched up in his hands. “I used to think…if I could just disappear, maybe that would be the best thing for everyone. And that was before I became…this.” He gestures to his scarred skin, his voice low but steady. “When you look like this, people either turn away or look at you like you’re some kind of monster. It was…lonely. Really, really lonely.”

You swallow, something in his words hitting close to home. “So what changed?”

Wade smiles, a bit of his usual spark returning. “Well, I guess I just got stubborn. Figured if the world didn’t want me, then I’d make my own place. Found people—well, like the circus act you met last night. Turns out, sometimes family’s not about blood. It’s about…finding people who see the worst parts of you and stick around anyway.”

“Not everyone has that,” you murmur, glancing at the floor.

“True,” Wade admits, his gaze softening. “But kid, here’s the thing: you’re still here. And now, you’ve got us—like it or not.” He gives you a wry smile. “You don’t have to carry that weight alone anymore. I get it, I really do, but there’s no shame in letting someone else help pick up the pieces. Maybe you just haven’t found your people yet…but you’ve got me, and the squad. We’re not perfect, but we don’t go down without a fight.”

You look at him, a strange warmth spreading through your chest despite the heaviness of the moment. For the first time, you feel like maybe someone actually understands. Maybe, just maybe, you’re not completely alone.

“Thanks,” you say, the word barely loud enough to hear. “For…listening.”

Wade grins, reaching out and patting your shoulder, a bit rough but oddly comforting. “Anytime, kid. I’m annoying, sure, but you won’t find anyone more loyal.” He gives you a wink. “Besides, I told you—I’m not letting you off the hook that easy.”

You chuckle, feeling a little lighter despite everything. “You really don’t give up, do you?”

“Nope. It’s a gift and a curse.” Wade stands, offering a hand to help you up. “Now, you and me? We’re gonna keep going until you see just how much life’s got to offer. I mean, look at me—scarred, hated, stabbed on a daily basis—and somehow, I’m still here.”

You roll your eyes, but there’s a smile tugging at your lips. “You’re a walking disaster.”

“Guilty as charged,” Wade says with a laugh. “But hey, you stick around with us long enough, maybe we’ll rub off on you. Logan can teach you how to growl menacingly, and Laura can teach you how to stab with precision. Peter’s got the dad jokes covered. It’s a real all-inclusive experience.”

For the first time in what feels like forever, you feel a spark of hope. It’s small, fragile, but it’s there. Maybe life’s not all bright and shiny, and maybe you’ve got a long way to go, but with Wade and this dysfunctional crew, maybe there’s a chance you can start over. At the very least, you’re not alone.

“Alright,” you say, meeting Wade’s gaze with newfound determination. “I’ll give this a shot.”

Wade’s grin stretches wide, genuine. “That’s the spirit, Y/n! I knew you had it in you.” He throws an arm around your shoulder, squeezing a little too tight. “And hey, if it ever gets too tough, just remember—you’ve got us.”

You nod, letting yourself lean into the odd but reassuring presence of Wade by your side. For the first time in a long time, you feel like maybe there’s a path forward, one you don’t have to walk alone.

And with this crazy group, maybe that path won’t be as empty as the one you were on before.

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[opiopal]

(Alr gang so I technically use a situation/au I put my own mc in for this post, and is written in a way that my mc would be… however I WONT be using she/they for this, I will be using the usual they/them so you guys can enjoy this crappy angsty au in the pov of your mc as well)

can I share a concept/au I have for OM with you guys??? Cause I think it’s pretty cool if I say so myself,

hear me out..(and also sorry if this is already a concept, if it is I just haven’t seen it before lolol) a human becoming “infested” with sin when in the devildom.

now lemme explain:

basically, if a human is in the devildom for a long period of time, a particular sin will begin to fester and leach onto the human. It picks out whatever the human is feeling the strongest, and feeds into that. Kinda turning them into living embodiments of the sin.

now for the example of this idea I shall be using the au of my mc experiencing this, I will also be using the headcanon that devildom food isn’t very appealing to look at,(yes ik it just looks AMAZING in game- but I ADORE the hc of the food actually looking horrifying, and it also adds to the idea I’m about to type so I will be using it)

[[TW for those who may need it: this will involve descriptions of food, food avoidance, borderline ED behavior, attempt of consumption of other people/living creatures, neck injury, and vomit/throwing up, if you are sensitive to any of this PLEASE do not continue further. This WILL NOT be my usual silly or quirky post. ]]

(no it is not as horrible as I’m making it out to be in the TW, however I’d rather you guys assume the worst going in and then be relieved going out.)

Since mc had gotten to the devildom, they… haven’t really been eating much. its not out of rebellion or disrespect as luci claims it to be, but really its out of pickiness… back home they weren’t much of a picky eater, so they never really had this issue before! But all of the food was either an unnatural color, had a horrifying name, had a billion eyes and legs, or was still moving and squirming around! But- they didn’t wanna be rude and ask for something else when they’re only a guest, so they just.. eat what looks like wouldn’t eat them back and try to suck it up.

they’re honestly getting by on school lunches really, there was more options there, but the only thing they could even look at was cut fruit and different breads, so that’s what they ate. They filled up their plate with fruits and breads and just prayed that whatever meat or protein that was made for dinner was something they could stomach eating…

for days and weeks they were always hungry, it gnawed at them from the inside out, it was hard to focus on school, and despite being a fantastic student in the human realm they were pretty average at RAD. Because sitting in class or at the HOL or ANYWHERE AT ALL, all they could focus on was the growing pit in their stomach. as the school year progresses the brothers slowly begin to notice. Maybe mams tries to encourage them to try some ramen he got at the store, or levi offers different kinds of chips, which of course they accept and eat because it’s the closest thing to normal that they have access to. the most concerned out of everyone however, is Beel. He of course joins in on offering mc food and making sure they’re able to eat something, but as time passes he starts to notice something in them. At first he can’t describe it, but they seem.. off.

But one day mc just, suddenly seems to no longer have this worry about what they’re eating- in fact, they’ll eat just about anything! The first time they manage to completely finish a meal the brothers are of course ecstatic, and mc attempts to also be happy about it but they end up rushing off to vomit everything up in the restroom. They hadn’t eaten so much in so long, that when they had finished their plate it was just too much food for their body to handle. Along with that mc just couldn’t ignore the awful bluish hue the food was. Which all together made their stomach churn. But- after that, despite the brothers concerns, they’re almost right back in the kitchen to eat something else.

and this is how it goes for a while, mc ignoring the brothers concerns about their eating habits, and mc slowly beginning to just- eat and eat and eat. But of course their body just can’t handle the rate in which food is coming so they keep throwing up but they just can’t seem to stop. They’re just so so hungry. And they just can’t believe they went this long without something filling their stomach. Eventually they become nearly animalistic at dinner, often forgetting to use utensils and nearly biting anyone who appeared to be reaching for their plate. Really it felt like another Beel had moved in. And the brothers tried to joke about it, maybe attempting to hide their concern, but they could hardly ignore how concerning this behavior is.

One day is particularly horrible for Mc. They just can’t seem to eat enough. They had about four servings at breakfast and still felt painfully empty. They could hardly manage. Snacking in between classes hardly helped, and they often caught themselves spacing out at the people around them. it first started with mammon. Since he was always around they began to notice how… wonderful he smelled. Despite the fact that he was awfully scrawny his stomach and thighs had plenty of meat on them.. no what were they thinking? That’s totally insane!? Why would they even have these thoughts in the first place- but after their sudden intrusive thoughts, they started to scope out everyone they saw. Beel had a lot of muscle and would be hard to get their teeth through.. though a good steak knife would fix that. Besides his stomach area had plenty of amazing tender flabby flesh to work with. Levi had little to no muscle at all. And with how tall he was there was plenty of fat, just more evenly spaced out.

They couldn’t help but drool even at the sight of most of the brothers. Staring at them like they were roasted pigs.

then it finally happened.

a loud high pitched scream rang through the halls of RAD. Students rushing towards and away from the source flooded the halls as they either hid in classrooms or quickly exited them to see what was happening. Of course mammon and luci were the first two there, mammon having just been a classroom away and luci was simply just automatically rushing to break up whatever was happening. And there they were. mc had a student pinned to the ground with their jaw clamped tightly around their neck. Despite the fact that their human teeth were supposed to be nowhere near strong enough to break demon skin- they managed to use enough strength to dig straight in. They jerked their head around like an animal, attempting to rip the chunk of flesh out as the students nails desperately clawed and dug at mc’s shoulders and arms in an attempt to pry them off. quickly the two brothers run over and manage to get mc away from the student, blood quickly splatters onto the ground from both the student and mc, of course mostly from the student, thought the amount that mc spits out of their mouth was enough to make people believe they were secretly vampiric.

the brothers drag mc home and quarantine them in their room, only really allowing Beel inside since he 1: understood this level of hunger, and 2: could very well manage to restrain Mc if they got violent again. It was hard to be upset at them, they were crying and guilt ridden, constantly spewing out that they “didn’t know why they did it- they were just hungry and they couldn’t stop themselves- they don’t know what’s wrong with them-“ so, the brothers didn’t know what else to do rather then keep them home while solutions were being searched for.

thankfully, since the cast of OM is only stupid half of the time, they quickly managed to figure out what is happening and how to solve it. However it was hardly fast enough to avoid poor Beel from becoming covered in bite and claw marks from Mc attempting to eat him whenever he wasn’t looking, though thankfully, since he is a creature full of love, he managed to keep his cool and clam Mc down enough to eat something that isn’t him.

in the end, the brothers(and diavolo&barabtos) make sure that mc gets food that they can stomach, the student they had attacked thankfully made a full recovery(due to being a demon the injury wasn’t too fatal), and yippie!! Yahoo!!! Happy ending and more stuff for luci to loose sleep over!!!!

[treasure-mimic]

I'm sure that saying at this point "I don't know what's going to happen" comes with the connotations of "I don't know what that fucking guy is gonna do" but like, genuinely and from multiple directions, I don't know what's going to happen. I'm sure it's a very cold comfort to hear these things for the people going through it worst right now. There's no but there, it's going to be bad. I don't have good news, I just have other factors that I think are worth considering right now.

Biden does still have time to do, you know, something. Project 2025 is a public document that's very open about its intentions, the Biden administration is provably aware of and opposed to it, Biden could use his last months in office, now that he's not concerned about the optics of him or his party, to force closed the loopholes that the incoming Trump administration is very openly planning to use. In a best case scenario, he might try and force through some kind of Supreme Court reform or restrictions on a felon's access to the presidency. I don't have a lot of faith in the current administration, but even if they do something, even if they do something that's undone during the Trump administration, it'll waste his time and occupy his attention and that's worth something.

There is a looming financial collapse on the horizon. A lot of financial institutions have been holding on for dear life until the election, either to keep bad publicity from hitting Biden or in the hopes of a Trump presidency. Now, obviously that sounds bad, and it is, but it's very very likely that we're already in a recession and those at the economic bottom have already been hit. The ones who are going to be taking the brunt going forward are large corporations (and their workers, unfortunately) and financial institutions. Now, the main difference in the outcome was going to be the difference between a Harris administration and a Trump administration, Trump is extremely cozy with billionaires and make no mistake, they are gonna get bailed the fuck out. But that is going to be a massively unpopular decision on both sides, in the midst of an open recession, and as we know the sitting president always takes the blame for whatever happens under him, even when it's not actually his fault. Trump is already set to lose a lot of ground by midterms before he's actually done anything. And all of his ideas are bad and not going to make things better.

Say what you will about him (he's a piece of shit) but JD Vance is not Mike Pence. Pence had a spine and a metric ton of violent bigotry, Vance has neither. Vance is a sycophant and an asskisser, but if you look into what his actual beliefs are, he seems to care more about common sense anti-big business financial legislation more than he cares about culture war social legislation. I don't think he'd be anything close to a "good" president, as nebulous and impossible a concept as that already is, but I also don't think he's going to put his weight behind the outright discriminatory shit that Trump has incentive to.

Finally, just remember, it's only four more years of this shit. After ten years of Donald Motherfucking Trump, he's done his two, and the republican party seems incredibly directionless once worshiping the ground he walks on has lost its political meaning. He's going to sit on his ass and shitpost and scam and whine and spew bile til the day of his last cloying god-forsaken breath, but after this he's gone. It will not be good times. But it will be over.

Take care of yourselves. Take care of each other. Order in a pizza or something. Listen to something soft, sorrowful, and soothing today. Call it a night early if the mood strikes you. Go out and do something fun this weekend. The world will still be here when you get back. Don't follow me for this, it's the last I'm gonna be posting about it.

Here's some nerd shit for the SEO.

[heywriters]

how to make a tumblr post (and get notes!)

Have never seen any post discuss these exact things, so i'm sharing my insights with y'all*

Use images. They don't have to be good or spectacular like this extremely coherent thing I just made. They just need to catch the eye break up dashboard monotony.

The gif search feature is an unreliable wild card at best and a NSFW eye gouge at worst, but it gives credit to the op of the gif

If you're an artist your whole post is your images, so skip to the links and tags section of this post because the rest won't help much.

-> Image Descriptions

When making a post that contains images, hover over an image and click the meatballs icon in the lower right corner of the image. Click "update description" to add a description. It isn't always necessary, but it is very courteous for a variety of accessibility reasons.

-> Text

Break up your text. Run-on sentences are standard here, lack of punctuation too, you can really do whatever you want, but avoid massive blocks of text. unless you've got a really incendiary opening line and the entire center of that granite chunk of text is actually comedy gold, hard-hitting tumblr journalism, or one of those zany confessional posts that can be followed up by the drive thru meme

break up

your text.

and go light on the ALL CAPS. save it for emphasis or when you're feeling very unhinged or saRcAStiC y'know how that goes, i don't need to explain it. this site has a very dry tone to its posts so caps are rare. also periods

Bullet points and numbered posts are good and fine. The "Chat" post option is used less often these days, but different groups found uses for it so it sticks around.

Titles Matter

they help break up text and put people at ease. they are best for informative, mature posts but can make you look like a square in more relaxed conversations. sometimes they are also great for emphasis in a comedic sh*tpost (censorship is entirely up to you, btw. you don't have to censor much on tumblr except titties and genitals).

Tumblr automatically shortens long posts now, but etiquette asks that you tag #long post if you want to avoid clogging up someone's dash. It don't matter too much though, this is the "color of the sky" site, so get used to posts being too long

That being said "READ MORE" is a fantastic feature. Use it when you want some level of privacy like "hey, only click below if you want to hear about my problems" or "click below to read my 18+ fanfic." Read more is also great in case you want to delete something forever. If a reblogged post has a read more, but op deleted the og post, that content is gone (readmore has to be on the og post at time of posting for this to work, btw; edits to og post do not span all reblogs)

the other bells and whistles like colored font or italics are helpful in improving text, but we don't really rely on them. every mode of looking at this site alters those aspects somehow so we often ignore them

-> Links

Hint: People don't want to click links. We don't know where they're taking us. Most of us are on our phone and don't want to open another tab or leave the app to go on the browser. We're cozy here on Tumblr and do not wish to be whisked away (unless it's a rickroll)

Don't leave the link thumbnail to do all the work, like so

add a little sneak peak info, maybe your favorite line from the article or a reason why it's important for people to know the info on the other side of that link. Sell it!

When you're adding a link into a list, i.e. no large thumbnail just a line of text leading you to another site, try not to copy/paste the link as is

"https://......"

No one wants to click on that it's gross and scary. It's screams "meh, i'll click later if i feel like it." If the build up to the link is too good to resist ("if you want to save the orphaned puppies here's the link") then that http mess is sufficient.

Otherwise, dress your links up a little by including the title or a description of what the link goes to:

Or, if it's an informal post where you're just popping info in to back up whatever insane thing you just said, just write something like "link here" or "(x)" and hyperlink it.

-> Tags

artists, writers, and other creators: leave a tag on your creative content that makes it easy for blog visitors to see it all at once. e.g. "My work" and we click on that while on your blog and see only your works

You can have up to thirty tags on any post. All will make your post show up in searches and followed tags (it used to be only the first five tags that got you traction). However,

Please. Do not tag everything you can possibly imagine being relevant to your post because

It's called tag spam and it's against TOS

Everyone here hates that

No one is going to check all those tags ever. Someone might search one five years from now and accidentally find your post hanging out in the ether and they'll still ignore it.

Your imagination is wicked tiny because I guarantee the perfect tag is going to be something indecipherable and seemingly niche.

Follow popular tags (or at least be aware of them)

If yours is an off-the-cuff post and you don't have time to find out what a niche group is into then wing it, sure, idc. this is also the shitposting site do whatever you want

Don't put your hate in the fan tags. This is the unapologetically-like-dumb-things site and your negativity is not wanted. You can still complain, just avoid tagging to get the attention of the fans of whatever you're complaining about. That enables pvp and even nonfans will know you deserve the backlash

-> Audio & Video

clickable by nature because we all love noise and moving images so there's no special way to share posts like this. just post them with good tags and maybe a one-liner, and they'll sell themselves

Tip: it's nice to add descriptions to these too but it isn't common

Protip: if the audio is the best part of the video (e.g. a baby burps REALLY loudly and it's hilarious) please caption or tag "Unmute!"

-> mkay bye

that's all i can think of right now. will update later if i remember something

---

*this is year eleven of my time on tumbles and i studied marketing in college for like six of those years and have been applying that bupkis to tumblr ever since. every post i see that gets no traction and every lovely artist that goes nowhere on here bothers me so deeply and i sincerely want y'all to succeed <3 <3

+ If you find this helpful and want to support my blog, I have a ko-fi!

+ If you're concerned about my mental health from being on Tumblr so long and want to contribute to my "get better" fund, I have a ko-fi!

[demodraws0606]

Why I am a die-hard believer that Whit is the mastermind

You know I was going to make an entire structured theory thread about it but Tumblr decided to be a little bitch and remove all my writing so I'll just kinda throw a messy list of evidence here.

Notice how Veronika's summary of Forever Dead is suspiciously similar to the secret dialogue

Notice how the main character's gender is pointed out

It's also interesting how the mysterious dialogue in the beginning who seems to be related to the hidden text (the idea of not being able to remember anymore link those two) seem to often mention the fact that they're grieving the loss of someone.

That someone most likely being Mai who seems to have suffered a tragic fate due to Teruko, which can explain the mastermind's hatred of her.

Guess who's character is linked with grief ?

(I know this is most likely about his mother but there is nothing contradicting the fact that he could be idolizing multiple dead people)

Wow it's interesting how these secret texts about Mai seem to be really idolizing her.

We can also add how the person who wrote the note to Xavier is very clearly the mastermind and how Whit's tool is a Stationery (it's spelled Stationary but i believe its a typo) which is commonly known as writing and other office materials.

Which includes paper, pens, ink, highlighters and other tools for writing

It's even made worse by the fact that the note seems to be written by a specific type of blue pen that we haven't seen anywhere in the series.

And even worse is that Charles, who knows Whit's handwriting, couldn't point out the writing is his as he couldn't access the scene of the crime due to his trauma therefore he couldn't see the note's handwriting.

It's really really interesting how the hidden text points out how they can predict everyone's behavior in a killing game and Whit's intuition is highlighted three times in this game.

Another suspicious thing is how the mastermind of the game talks about how they basically can predict anything that can happen. It's almost like how Whit jokingly predicted Arei's death.

Along with how Whit is the only one who has directly talked to the audience (him showing the papers) or how he's nudged the killing game into more interesting directions/avoided it from going off the rails.

Other exemples would be him defending Teruko/Charles in the first trial, him not revealing David's secret until the last minute (as well as the note that suspiciously pointed to Eden), him not trying to help with the fight in episode 4, him insisting that Charles and Teruko talk about their family life (aka nudging them to talk about their backstory which would entertain the audience) and other stuff i don't feel like adding.

It's also important add that Mono-TV and Whit also have similar personalities. They both don't take anything seriously and make constant jokes about the killing games, Mono-TV and Whit also act constantly incompetent and like they're a lot dumber than they actually are.

Another thing is that it's interesting how Whit opens up about his secret so easily, even though almost everyone's secrets are something they're at least flustered about and at worst completely ashamed by. If he was the mastermind, it would make sense that his secret wouldn't be anything that could ruin his character and that he could just admit easily.

Also another point, the mastermind character talks about a time when they cared so much about people and how it hurt them so much when they died. Which you can see that caring nature shine through a lot with Whit as it's possible that Whit's personnality is not actually a lie but more so a reflection of how he used to be before he went through all this alledged horrible stuff.

We can also note how the mastermind has to be one of the students and how there is an extreme likelyhood that Mono-TV saying it isn't bait because it's not actually told to the students but to us. Why would Mono-TV tell it to us and not to the students if it was a lie meant to make the game more interesting, wouldn't it be more entertaining to reveal to the students of a fake mastermind among them to get them to kill one another more easily. It's why I have no doubt someone in this class has to be the mastermind behind it.

Mono-TV also seems to not have any contact with the person controlling him which would make sense if it was someone in the killing game as they would have a hard time communicating without being caught.

(It's a stretch but it would make more sense if Mono-TV didn't know if the mastermind was one of them as if the mastermind was behind the scenes there would be no reason why it wouldn't interact with Mono-TV, although take this with a grain of salt as he could be lying)

And just really there aren't a lot of other options for the mastermind that would be compelling unless they introduce a mysterious new character.

It could be the mysterious red haired girl but everything hints towards her being dead or hurt and it being the cause for the killing game rather than her being the one behind it. There is some decent evidence that it could be her but I genuinely don't think so considering it again feels a little too obvious and doesn't work with how the story/secrets present her.

(It's just not very compelling to make your ONE mystery character the mastermind and again it would be weird considering Mono-TV telling the audience the mastermind is in cast doesn't make sense logically as he would have no reason to try and trick the audience)

Not a lot of characters in this cast can be really put into the mastermind category as they are either too obvious (teruko, veronika) or too farfetched (eden, hu etc...).

I honestly am a die hard believer that Whit is the mastermind however what's interesting to me is not If Whit is the mastermind but more so the Why ?

Which honestly might be a question for another time...

But yeah this is why I 95 pourcent believe Whit is the mastermind

If anyone has anything more to add I would be really interesting in seeing what other people have in terms of evidence.

[lovelyyandereaddictionpoint]

Week 1-4: Yandere Apocalypse - Uvil Penz

Original Post

Getting to meet everyone was nice and all but it’s entirely different from living with them

When it comes to sleeping arrangements the Penz brother’s each had their own rooms

Naturally Marco was sharing with Aria

Willaim with Simpson 

Leaving Uvil who speedily offered to room with you

“If you wouldn’t mind (Y/n), maybe you should stay with me.”

Of course Henrietta and Grant would have a problem with this

Both of them whining about the other as you let Uvil usher you away from the living room

“C’mon don’t leave me with this crazy broad!”

“Nooo! But (Y/n) reminds me the most of my baby! I need to sleep with them! THIS IS SO UNFAIR-”

With the clicks of multiple locks he decides you both are ready to turn in for the night

“Just for safety. After all you don’t really know these…strangers yet.”

“Uh thanks.”

You try to ignore the fact you don’t really know him either

But with a sporadically themed bedroom with two beds and a full bathroom, you’re not complaining

Because of your closeness with one another it’s natural as tiredness tugs at your eyes that you confide in him

“I for one, am glad you survived. I’m sorry for the emptyiness you feel but I think you’ve filled something for all of us…especially me.”

It’s nice when he says sweet things to you

And when he leads the group with grace

Or when he makes a fair meal plan for everyone to follow with the refrigerated and canned rations

…it just gets weird when he so easily adapts to the invasive demands of the group

Siphoning your time like some prized toy

“(Y/n) will not be drinking from you for at least another day…your behavior with the food rations is to blame.”

“THAT IS SO UNFAIR!WAAAAHHH!”

“Ha weird idiot, instead they’ll have to endure my ultimate smackdown…in the gaming room.”

“No to you too little brother.”

“What?! What did I do!?”

“Marco says you made Aria cry and he refused to operate the drones we have outside because of that. Thus you’ve lost your (Y/n)-privileges.”

“That’s….so unfair...”

Of course he doesn’t bother to ask you at all despite how polite he is pretends to be

But he has no problem intertwining his hand with yours while he goes around the bunker taking inventory

Or encouraging you to watch movies while cuddled up beside him

Its not so bad

It’s a great way to get used to the bunker life 

With Uvil’s guidance you’ll start to get used to this new way of life

And by the end of the 2nd week you’re starting to find your way on your own

But Uvil will never let that happen

Still hovering around you and monitoring your time despite your independence

“Space? (Y/n) you’re my dearest bunker-mate, of course I worry about you.”

It’s annoying but he’s far from the worst person in the bunker

Unbeknownst to you, Uvil’s only the best at hiding his obsession with you

When he’s not by your side he’s watching the cameras intensely for everyone’s movements

3 monitors dedicated to you 

What camera room?

The camera room only the Penz brothers seem to know about and none of them will confess

Not only being your most devoted watcher he’s the only one free enough to suffocate on the sheets you slept in 

To touch keep the dirty laundry you share with him

Or the access he gets to your journal entries 

But the best thing of all is the closeness he’s granted as your first real friend

“(Y/n) would you like a massage while we watch a horror movie? I know you’ve been feeling tense lately and I want nothing more than to help you relieve that.”

He knows a month is all he’ll get away with

Before the others start to riot

But this will be enough…for now

“I’m going to miss you (Y/n)...but it’s a small cycle. You’ll be back with me before you notice. And you’ll always find a safe space in my bed room.”