#its still not done. this thing has so many details

[mechawolfie]

WAAAA I wish I talked more during the trans gathering there were so many ppl I wanted to talk to.... curse u social anxiety!!!!

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[velvetjune]

i played the remastered alan wake a while back and am replaying the original on steam, and, honestly, they’re so similar, I couldn’t tell which is which if you held up comparisons. ive come across reviews about the game looking outdated and bad (mostly compared to other releases in that time), but the original looks great and I like the hazy dark lighting for both this and awan

[catboydan]

fiance got me a kindle for my birthday <3

[ekingston]

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

PLEASE check my later versions of this post via my main page to make sure you have the latest version of this post before you reblog. All the information I’ve been able to gather is in my reblogs below, and it's frustrating to see the old version getting passed around, sending people on wild goose chases.

Thank you all so much!

[vanrougenui]

georgian girls always like the wrong vefxistyaosani men 💀 if avtandili was real he would be those male manipulator 2000 type of dudes that wears dior sauvage:/// leaving your soon to be wife to "help your bro find his boo" and also because you felt a connection with him IS GAY AS HELL 😨 i will never forgive that bitch for doing my woman fatmani wrong NEVER (plus he cheated on tinatin in the process not cute NOT CUTE). now TARIELI i have read that whole poem five times NOT ONCE DO I REMEMBER TARIELI MAKE A RIGHT DECISION AND THAT MAN WAS IN LINE FOR THE INDIAN THRONE GET YOUR SHIT TOGETHER weird suicidal man with hysteria all he was doing was fainting crying fainting more and crying не мужик а пиздострадалец AND DONT GET ME STARTED ON THAT SCENE WITH THE LION AND THE TIGER CRAZYYYY MAN CRAZY... AND LAST FRIDONI 😍😍😍 MY MANS LOVE HIM HE IS BEST ONE IN THIS SHIT SHOW yes he is a bit gay too BUT ALL HIS POSITIVE QUALITIES CANCEL THAT OUT READING THIS POEM SO MANY TIMES NOT ONCE DID HE ANNOY ME OR MAKE ME CRINGE sadly he doesnt have that many appearances and he shows up half way through the poem BUT STILL OH GOD DO I LOVE HIM SELFLESS MAN HE GAVE THAT истеричка HIS BELOVED HORSE BECAUSE HE DIDNT HAVE ANY AND HE WAS A GOOD MONARCH TOO I LOVE A CONFIDENT LOUD AND A GOOD MAN DIDNT DO A SINGLE WRONG THING IN THIS POEM ONCE AND HE IS MOST UNDERAPPRECIATED ONE OUT OF THOSE THREE I NEVER GOT WHY EVERY LIKES AVTANDILI SO MUCH AND FIDONI IS UNDERRATED HE DESERVES SO MUCH MORE LOVE

[bogleech]

Scanning electron microscopy is awesome and I personally think the images it produces are gorgeous but objectively speaking I feel like it doesn't do any favors at all for the "scary" cultural image of insects, because I mean, here's a closeup of a carpet beetle in its true colors:

And here's an SEM image that comes up for carpet beetles on google:

And the thing about SEM images is that they aren't "photographs;" they are computer scans. They're 3-d digital models generated by scanning an object at the molecular level. Color is not preserved by this process, and if it were all the specimens would look like metal anyway (I'll explain this is in a moment), so images like this had to be colored artificially. This isn't done to recreate the true colors, but to make different body parts more visible as study material, resulting in scientific images of wacky blueberry fleas:

The subtly varying transparency levels of living tissues are completely lost as well, which is why the fine hairs of insects stand out more like cactus thorns in SEM imagery, and tardigrades look like opaque leathery things with no eyes:

...Even though a tardigrade actually has eyes, they're just under the surface of a crystal clear exoskeleton:

Another thing that probably contributes to the uncanniness of SEM images is also the fact that they can only show us embalmed corpses encased in liquid metal.

It's not possible to do this fine level of scanning "instantaneously" enough for it to work on anything that's still moving, so even when you see scanning electron images of animals in various lifelike poses, it's because they're preserved specimens that were carefully positioned, or they were live specimens basically "flash frozen" by a sudden dehydration process, mummified so fast they never knew it. Many specimens are then "sputter coated," meaning they're sprayed with a thin (like microns thin) layer of liquid gold, platinum or other fine metal in order for the electrons to perfectly bounce off of every subatomic detail and produce that perfect scan. So this is a live fruit fly:

And this is a fruit fly mummy with probably some sort of chrome plating:

[reasonsforhope]

"California has approved a bill to help address the dark side effects of the externally glitzy fast-fashion sector, putting the onus on manufacturers to implement repair and recycling programs. 

According to CalMatters' Digital Democracy project, California Gov. Gavin Newsom signed the Responsible Textile Recovery Act of 2024 on Sept. 28, more than a year after the bill began making its way through the state legislature. 

The act seeks to address the growing problem of waste from the fashion industry. CalMatters notes in its analysis that the Golden State tossed more than 1.3 million tons of textiles in 2018. 

As it stands, the state ships 45% of the items that are donated overseas, which contributes to environmental pollution, and once there, much of it still ends up in landfills, where it produces potent heat-trapping gases such as methane. 

In Ghana, for example, which has seen its beaches polluted by fast-fashion waste, 40% of the 15 million garments received each week are discarded. All in all, despite the fact that 95% of California's materials are recyclable, only 15% of clothing and textiles are reused. 

Democratic state senator Josh Newman, the bill's sponsor, told the Guardian that these concerning figures inspired him to take action.   

"We worked really hard to consult with and eventually to align all of the stakeholders in the life cycle of textiles so that at the end there was no opposition," he explained. "That's an immensely hard thing to do when you consider the magnitude of the problem and all of the very different interests."

According to the Guardian, the program is expected to go into effect in 2028, with its numerous backers anticipating it could create as many as 1,000 jobs in the Golden State. 

Details are still being hammered out. However, garment manufacturers who aren't already participating in eco-friendly programs will have incentives to adopt greener practices, with recycling collection sites and mail-back programs among the possibilities.  

And while some have worried that small businesses and mid-sized brands could be disproportionately impacted by the legislation and end up passing on the prices to consumers, Newman estimates that the cost should be less than 10 cents per garment or textile."

-via The Cool Down, October 3, 2024

[nightingale-prompts]

Godling-DCxDP prompt

Many don't understand what it's like to gaze into the abyss. To truly know the haunting moment it gazes back. Even fewer can see still stand to throw themselves into that abyss.

Tim never understood why cultists worship monstrosities, being that promised the end of everything for nothing in return. He had seen the remnants of human sacrifices, rituals gone wrong, and man-made horrors beyond human comprehension. Part of him regretted agreeing to partner with Constantine to solve these cases. But another wanted to know more.

After searching through another half-destroyed tome he found something. A location to a summoning circle, an ancient one that these cultists were searching for. The one they needed to finally successfully summon their god.

But they got there too late. The cult had finished their ritual and the "god" they had summoned stood before them.

That god was...perfect. Disgustingly perfect, dreadfully beautiful, and horrifyingly enchanting. His mind etched every detail in his memory. It felt like his mind had conjured this person from his dreams, day and night. It was like looking at an illusion. But his eyes were a hellishly bright Lazarus green.

The cultist bowed to him and his smile, his perfect unnaturally white smile was full of soft warmth. Tim understood at that moment why they worshipped him. Their minds couldn't escape this web of divine energy. They were so enraptured by finally seeing prove of the divine.

"You all have done enough. Your souls will come with me. To the abyss." He said calmly as he waved his hand and each cultist dissappeared.

He sighed softly as he turned his gave to Tim and John.

"You offed 'em? I thought they were your followers." Constantine said gruffly.

"I have no followers. These souls have caused so much damage to this world. They can't be allowed to stay here."

"So you decided to rapture them?" Constantine raised an eyebrow.

"It's complicated. Yes, they did horrible things but if they hadn't discovered the tomes of the old king they wouldn't have ended up this way. Have pity on them. They are just mortals scared and confused searching for meaning. Like I was. I have sent them to the abyss. Their souls with dissipate into the void. There will be no pain. No eternal punishment. Just an end. They will be at peace, I promise. It is what they want." The god's voice echoed, his features rippled as he moved showing afterimages of alternate forms he used.

It was odd. Every fiber of Tim's being screamed for him to bow, to worship, and to give himself to this being. Yet, his feet remained stubbornly planted on the ancient dusty floor.

"Don't look directly at it," Constantine whispered hissed.

Right. You probably shouldn't stare at the otherworldy being that likely has mind warping abilities. Especially one that just said he erased his own followers from existence and saying it was a good thing.

"I'm really sorry. I should make it up to you. Clockwork will be pissed enough that I interfereed so I have to do something to at least make up for this mess."

"You can kick off by doing one and buggering off" Constantine said immediately.

"So cold. How about you? What do you want?"

"I think an explanation would help," Tim said only to get elbowed by Constantine.

"You ain't gotta know nothing, mate. The more we know, the dodgier it gets." Constantine said firmly. "Whatever you are, you need to bugger off. You’ll wreck the noggins of everyone around you."

"I don't mean to. I don't ask people to become obsessed with me or worship me. Mortals have such weak minds they cave at my presence. But I can't help it. I lost my human body recently and can't turn this off."

The being groaned but to human ears it was similar to a purr.

"Seriously, everything I do is filtered through some sensory thing that makes you little mortals think its the greatest thing ever no matter how simple. Touching you would probably melt your brain with how good it would feel. So the trench coat man is probably right."

"You said you lost your human body. How?" Tim asked still staring at the floor as he felt the godling came closer.

"A bad fight. My mortal form wasn't indestructible but saving my family made it more than worth it. But...I haven't seen them since. Im still getting used to this while thing. I just wanted to reach out and find some answers so i reached into this universe and well...you can probably tell what happened next. I just wanted to make it right and fix it. The other ancients said this was the best option and..."

Every moment he spoke the less godly he seemed.

Constantine still wasn't willing to help and had to drag Tim away. When Tim actually tried to look up the fodling was gone.

"Never do that again." The brit said sternly. "Now help me clean this mess up."

[marvelstoriesepic]

Whumpcember (day 15)

Pairing: Avenger!Bucky x Avenger!Reader

Prompt: Broken glass

Word Count: 5.4k

Warnings: slight mentions of panic attacks; crying; slight injury and blood; Bucky being a sweetheart because I love him so much

Author’s note: This got unnecessarily long somehow. Again, this was meant to be a shorty. Also, I was in my feels when I wrote this. Anyway, thank you for reading!

Masterlist | Whumpcember Masterlist

The final box of Christmas decorations thuds to the ground as you let it down with a heavy huff. You straighten up your back with a grimace, rolling your shoulders.

You might think as an Avenger, carrying a few boxes, would be an easy task. After all, you are trained to thrive under the most punishing conditions, with sharp skills and boundless stamina. But after hauling all those cartons stuffed with tinsel, garlands, and ornaments up from the storage room to the towering Christmas tree in the compound’s common area, you are left panting like you’ve just run a marathon.

It’s almost laughable. Thankfully, you are alone for now. Sam would have a field day, smug grin plastered across his face at the state you’re in.

Wanda, Natasha, and Clint meant to help you with this but they were all still glued to the desk, writing reports, but Bucky is supposed to be back from his latest mission any minute now and you wanted to do this nice thing for him at least. He did sound a little worn out on the phone earlier when he called you to tell you they were on their way back.

So perhaps decorating the Christmas tree would lift his spirit a tiny bit. It’s the first step in what you hope will be a cozy and inviting scene - something Bucky might walk into and, for once, not feel like a soldier returning from a war zone but a man coming home.

The tree is a statement, of course. Tony insisted on it. It’s so tall, it might even brush the high ceiling of the room and there is no way you’ll get some ornaments all the way up without risking your life. And Bucky would definitely not brighten up if you tried it out.

So you’ll absolutely be needing Wanda’s help sooner or later. With a flick of her wrist, she could make this whole thing a hell of a lot easier but you don’t have the time to wait until she is done writing her report.

You let your eyes roam over the many ornaments lying neatly in the box before you and one of them immediately sparks your attention. Your fingers brush against the delicate surface of the red ornament placed almost carefully beside the others.

Its glass is smooth and cool, the color a deep crimson so much more in depth than all the others. You hold it up to the light, turning it slowly, marveling at how the glow from the tree’s string lights catches on its curves and the unique and detailed pattern all across.

It’s heavier than expected, the weight surprising for something so fragile. The gold clasp at the top gleams faintly, tarnished just a little with age. A thin ribbon dangles from it, curling at the end like it has been tied and untied countless times.

There is something about it, some intangible quality that draws you in - a sense of history, of significance.

And then it happens.

The ribbon slips from your grasp, too quick for your fingers to snatch it back. If you weren’t so enamored with the beautiful piece, you would have gotten access to your reflexes a little earlier.

It’s too late now though, and you can only watch in stunned silence as the ornament tumbles to the ground, the crimson surface catching flashes of light as it falls.

It hits the hardwood floor with a sound that is both sharp and final - a crack, then a splintering.

Disappointed in yourself, you crouch down to the shattered remains. Tiny shards of glass fan out like a constellation, glinting under the glow of the tree. The ornament is no longer whole, splintered into different-sized fragments.

Annoyed that you were so stupid and careless to let this special ornament fall to its devastation, you begin to pick up the many red pieces into your palm.

It really was unique. It would have looked great on the tree-

Your movements freeze. Your heart leaps to your throat. A rush of panic claws at your chest and rises up to your ears where it floods and pounds tremendously.

Rebecca B.

It’s a name ingrained into the largest surviving piece of the glass - a faint, looping scrawl. Clearly written by hand.

Rebecca Barnes. The realization makes you weak in the knees and you fall back onto your heels, your ass hitting the floor with a thump.

This isn’t just some random ornament. This isn’t another piece of holiday cheer to hang on a tree and forget about for the rest of the year after packing it back into boxes to store it in a corner of the storage room.

This ornament belonged to Rebecca Barnes. Bucky’s sister. Something Bucky kept all these years, hidden among the other decorations like a relic of a life he’d lost long before his own had been ripped apart.

The air around you feels heavy. The smell of pine from the tree now stings in your nose. Your heart might actually have fallen along with the ornament because it too is shattered in pieces.

The shards tremble in your palm and you stare at them along with the rest still lying helplessly on the ground, as if there is actually something you can do right now to go back in time and not pick it up ever again, just to make sure.

But there is nothing you can do.

Your heart breaks even further at the thought that Bucky might have put it here deliberately. Maybe it was an attempt to move forward, to share the memory of his sister. Maybe he thought the ornament didn’t belong in some dusty package hidden away, but out in the open, a part of the holiday warmth he’s been so hesitant to feel. Maybe it was his thought of remembering her with someone else this time, instead of alone.

This would be such a huge step for him. And you would feel so proud if you weren’t on the verge of a panic attack.

Because it’s broken, divided into so many pieces. You just dropped something so carelessly that probably meant the world to Bucky. And, god, did he deserve the world. But you took it. You contorted the precious memories of his little sister. Unwillingly, of course. But that doesn’t make you feel any better right now.

You have known Bucky for a few years now. Though knowing him feels like a word too shallow for what you share. You never labeled it, both of you walking the fine line, and never crossing it.

But you see that Bucky trusts you - the kind of trust he doesn’t hand out freely. And for good reason, after all. In fact, you’re not even sure he’s ever given it to anyone else in quite the same way, not even Steve. And that’s saying something.

You see it in the small things, in the way his guarded demeanor softens when it’s just the two of you, the soft smiles that seem to be reserved for you. It’s the kind of friendship where silence doesn’t have to be filled, and words don’t have to be spoken to be understood.

He lets you sit with him on the couch in the living room on nights when his past pulls him under and doesn’t allow for him to get some shut-eye. You are usually awake yourself, sometimes just running on adrenaline after coming home from a mission and accompanying him silently. He always seems to linger out here when you are away on a mission anyway, so you usually meet him here after getting home, watching his shoulders slowly droop and his back rest more comfortably against the back of the couch.

You are the first at his bedside when his nightmares claw at his mind. You’ve seen him at his most vulnerable - shirt clinging to his sweat-soaked chest, hair plastered to his face, his breaths coming in uneven gasps as you help him fight to pull himself out of his memories.

Those nights, you never push him to talk. You don’t ask him to explain or tell you what he saw. Without a word, you would hand him a glass of water and wait while he drinks, his hands trembling so slightly it makes your stomach feel heavy every time. Sometimes you tell him to breathe with you, in and out, until the panic subsided and his shoulders stopped shaking.

You were never sure how much touch he needs in those moments so you usually stay at a small distance from him, but it seems your presence alone does wonders.

When he would be ready, he always searched your face so long and intensely, before croaking out a heavy but meaningful “Thank you.”

And his small acts of kindness always fill you with a jittery feeling that makes your knees weak and unfortunately doesn’t help at all when fighting against Natasha in the ring.

Just a few weeks ago, Bucky spent an entire Saturday afternoon fixing the squeaky hinge on your bedroom door because he heard you muttering to Wanda about how annoying it was.

He never even told you he was going to do it. You just came back to your room later that evening to find the door silent as a ghost. It took a whole week for you to find out how this happened. And it wasn’t him, who told you. It was Clint, who saw him walk around with a toolbox and a satisfied smile on his face that Clint, as he told you found a little terrifying.

Additionally, he always seems to know when you need a break during training sessions, tossing you a water bottle before you even realize how tired you are. Or he would plant himself wordlessly between you and your opponent for the day, with his arms crossed and a chastising glance at you when you’ve been fighting for hours without acknowledging the way your movements already grew sluggish and wobbly.

You are always aware when his hands linger on your shoulder a second longer after a sparring match, his metal fingers cold but careful, as if he’s memorizing the feel of you there. Or the way your stomach twists when he catches your eye across the room, and for just a moment, it’s like the rest of the world falls away. And the way he talks to you, even when people are around, his voice lower, softer, words chosen with an almost uncharacteristic care, makes you feel like you’re the only person he truly is interested in talking to. You also love the nights he shows up at your door with takeout, wordlessly handing you your favorite meal, and striding into your room to settle at the foot of your bed with a contented sigh.

Through it all, however, was always this persistent question you had. The one that molded into an ache inside your chest. Because what if? What if you took one step closer and stopped holding back? What if you risk everything you have with him now for something more?

But right now you feel like those questions don’t hold the same energy anymore. The same weight. No, they just got weightless. Pointless. Because you just ruined everything without even risking it.

You just destroyed something that can’t be fixed with glue and an apology. It can’t be fixed with you sitting with him and comforting him in the dark while his mind goes to the same cruel place like many times before.

This feels like you’ve crossed a line you can’t uncross.

The wrong line.

Shaking hands pick up the largest fragment, the soft loops of her name still visible through the fractures. The sharp ends bite into your palm like the memory of something sacred that’s been lost. You don’t feel the sting. You don’t feel the sensation of the few droplets of blood sliding over your palm where the ends nicked your skin.

The only thing you register is that this foolish mistake might actually unravel everything you’ve built with him.

He let you in, further than anyone, but that doesn’t mean he won’t push you back out if you give him a reason. And this definitely feels like a reason.

Your mind presents you with his reaction when he comes walking in here and sees what happened.

At first, there’d be nothing - just the stoic silence he uses to sink into, the kind that makes it impossible to tell what he’s thinking. But you’d see it in the smallest of things - the way his jaw tightens just enough to be noticeable, the flicker in his eyes that he’ll try to hide but won’t be able to, the stiffening of his shoulders. And then the desolation, like a tide pulling back just before it crashes. You wonder if he would say anything at all, or if the silence would hang heavy.

You swallow hard, begin to feel the sting behind your eyes, and try to force the lump in your throat down.

You’ve worked so hard to be someone he could rely on, someone he could trust in ways he hasn’t trusted anyone else in decades. You’ve sat with him, listened to him, stayed silent with him. Learned to know him so well, you even memorized the subtle shifts in his expressions, the things he won’t say but still lets you feel.

And now, here you are with broken glass in your hands and a painful feeling in your chest, terrified that this could be the moment that shatters the thing between you.

He might pull away, retreat behind those walls he’s spent years building. What if he doesn’t let you sit with him anymore. Or what if he does, but his shoulder would only grow more tense. What if he starts holding back, measuring his words, locking the parts of himself away that he once entrusted to you?

The idea of losing him - not just losing him, but losing this connection, this unspoken, almost-more-than-friendship thing that you’ve both been too afraid to name - makes your breath catch and something rise in your chest that might be bile.

A sob comes out instead.

It comes out like a wound ripped open before it could begin to heal. You press a quivering hand to your mouth, in hopes of muffling the sound, but it’s no use. More broken sobs come anyway.

You try to pull yourself together, to force the tears back, but your body feels so weak under the guilt and shame.

More parts of the broken ornament bite into your skin, red droplets welling up and sliding down your skin, pooling at the curve of your wrist, before falling soundlessly to the floor.

Pain should ground you. It should pull you out of this spiral, force you to snap back to some semblance of control. But it doesn’t. It doesn’t do anything at all.

Instinctively, your hand gives way, the pieces tumbling from your fingers and scattering across the hardwood once more.

You only sit there, frozen, your breath hitching and catching in your throat as tears streak down your face, warm and unwelcome. You can’t stop them.

You’re not supposed to be this weak. You’re not supposed to break down like this, over something so small. And yet that makes the sobs only harder to contain. Because this isn’t small - not to Bucky. And that’s the part that leaves you as shattered as the crimson glass. Perhaps as shattered as your relationship with the person you fell for as hard as the ornament fell to the ground.

It’s Rebecca. His sister. His past. His grief. It’s a tiny piece of his life that he trusted enough to bring out of hiding, to put here with the rest of the world, in the open where it could be seen. Where it could be touched. And you touched it, only to let it fall. Only to ruin it.

Shame knocks down on you so hard, you draw your knees up to your chest, curling into yourself as though you could make yourself smaller, invisible, anything but this.

You don’t even know what to do with your blood-streaked palm, only letting it hover in the air, the shallow cuts glistening under the still-glowing lights of the tree. It’s a mess. You are a mess. Curling your fingers into a fist, you wince in pain at the stinging of the cuts but you leave it like that.

Perhaps you are overreacting, sitting here on the floor in the common area of the compound with a bleeding hand and the shattered remains of Rebecca Barnes's memory, but you feel so helpless and remorseful, you can’t really think straight at the moment.

The sound of the elevator is faint, but it’s enough to reach your ears. You freeze. You just sit there, knees drawn to your chest, blood smeared across your palm, the shattered glass of the ornament glittering like broken stars on the floor.

You are tear-streaked, trembling, your chest still hitching with uneven breaths and Bucky just got home.

Those approaching footsteps are so familiar to you, you would always recognize his gate. Usually, it’s comforting, grounding to know he got home and would leave you with relief in your chest.

But there is no place for relief in your chest right now.

His footsteps sound normal, steady, perhaps a little hurried but he hasn’t reached this room yet.

You don’t look up. Instead, you bite your lip to stop the sob that threatens to escape. The shame is too sharp, cutting deeper than any piece of the ornament and making your heart bleed as well.

Maybe if you stay still, if you stay quiet, he’ll miss you somehow.

But then his steps come to an abrupt halt and you know you are screwed.

Burning tears spike once more and the sob breaks free.

“Woah, hey-” he calls out, so urgent, so worried.

Bucky is across the room in a heartbeat, dropping to his knees in front of you with a speed that catches you off guard.

“Sweetheart, hey.” It falls from his lips so softly, so worried, it nearly breaks you all over again.

Tears fall more freely at the kind of tenderness in his tone and suddenly his hand is cupping your face, thumb, and knuckles brushing the streaks of wetness from your cheeks.

But they keep coming.

“Look at me, please! Doll, look at me,” he murmurs, his voice impossibly gentle, but dripping with so much concern. His metal hand is on your face as well and he tilts it upward, guiding your gaze toward his.

His brows are drawn so deeply, lips parting slightly as he studies your face - the tear tracks, the desolation in your eyes, the shame and guilt, the trembling of your shoulders.

You can’t look at him. Can’t bear to see it. So you squeeze your eyes shut, hoping you’ll ever be able to forget that look on his face. Not when you know what’s coming. Not when you know what you have caused.

Just wait until he sees it, you think. That look will change.

“No,” he whispers, his voice so soft again, but there is a firmness in it. The pad of his flesh thumb smooths gently across your cheek again, while his metal fingers move to your hair. “Hey, no, don’t do that. It’s okay. Y/n, it’s okay!”

You shake your head quickly and try to say something, anything, but all that comes out is a choked sound, half-sob, half-breath. He doesn’t understand. He doesn’t know what he’s saying. He doesn’t know what this is about.

You want to stay hidden behind the veil of your closed eyes, safe from not seeing what you know will be there in perhaps seconds when he figures it out - disappointment, maybe anger, the grief of what you’ve broken.

“Open your eyes, sweetheart, please.”

There is something in his voice you can’t ignore. It sounds unshakable and steady, yet fragile and thick.

Slowly, reluctantly, your eyes flutter open to meet his, but when you do, you freeze.

Because he already knows.

He looks at you. Just looks, but you see he already put the pieces together. He saw the shards scattering around your knees. His expression is softer than you’ve ever seen it but he looks at you with an intensity that is new to you. There is that understanding in his eyes. But it’s so soft. So gentle.

There is no anger, no frustration, no disappointment.

There is nothing of the reaction you had feared for.

Yes, there is pain in his eyes as well. It’s unmistakable, flickering in the soft blue of his irises. But it’s not the pain you expected.

It’s not for the ornament. It’s not for what it meant.

It’s for you.

You can see it in the way his brows crease, the frown that tugs at his mouth. And the way he never once lets his gaze stray to the shards on the floor. All he looks at is you.

Bucky keeps his hands on your face, continuing to swipe over your cheeks like he’s afraid you’ll crumble if he lets go. Then, his thumbs still, resting against your cheekbones, his touch so achingly gentle that it only makes more tears fall.

“Sweetheart,” he says again, and the word cracks, quiet and uneven. He still doesn’t look angry. He still doesn’t look disappointed. He looks devastated - not for what you’ve done, but for what it’s done to you.

Your lips tremble, barely able to form words.

“It’s okay, baby. It’s okay. Come here.”

Baby definitely is a new one. It’s something he’s never called you before. But there is no time to linger on it, no chance to unpack the flutter it sparks in your stomach because he’s already pulling you toward him.

His flesh arm wraps around your body, tugging you against his chest, while his metal hand finds its place at the back of your head, cold but reassuring fingers threading through your hair.

He lets you cry against his chest. Cradles you so tightly to him, you might actually get worried about your ribs, but it feels so good. His chest rises and falls beneath your cheek, his heart is pounding. The fabric of his tactical suit presses against your skin, rough and worn from the mission he just came back from, but it grounds you to some extent.

“It’s okay. Just breathe, alright? Breathe,” he keeps whispering, exaggerating his breaths against your body to invite you to follow his lead. You try.

“I’m so sorry,” you sob, the words spilling out in a choked, broken rush as you bury your face in his chest. The tears won’t stop, soaking into the dark fabric of his suit.

“Shh,” he keeps on with his soft voice. His arm around you tightens, holding you closer, while his metal hand stays solidly at the back of your head. His fingers brush through your hair in slow, soothing motions. “Don’t be. Don’t you dare be.”

He continues murmuring to you when you try to apologize again, his voice low and warm. He talks so calmly and sure, you feel something inside of you churn.

Bucky tilts his head slightly, resting his cheek against your hair, and you feel the warmth of his breath as he talks to you.

And yet, biting guilt gnaws its way through your ribs. You feel terrible - worse than terrible - because it should be you comforting him, not the other way around.

It’s him who lost something precious, something you had broken. And here he is, holding you, brushing tears from your face, whispering words meant to stitch you back together.

But somehow, he doesn’t even seem to care. He holds you like you are the only thing that matters right now.

Remorse burrows deep, heavy, and shaming, until it pulls you back to yourself - slowly, shakily, but enough to loosen the sobs caught in your throat.

You sniff and take a breath, a real one this time, ragged but yours.

Then, you shift in his arms, gently pressing against his chest to put space between you. His hold loosens, slowly, with a hesitation that tugs at something in you. As if he is reluctant to let you go. Still, he relents.

His flesh hand slides away first, but his metal one lingers, brushing through your hair one last time before settling on your shoulder. He keeps you close, his thumb brushing absentminded sweeps across your sweater.

His gaze never strays and it’s heavy. You can’t meet his eyes for long. They’re too full of that care you don’t deserve, the care he shows you in so many small gestures all the time.

So your gaze falls to the floor, but then you freeze again.

The broken shards that had glinted so mockingly against the floor just moments ago are gone. Instead, settled carefully on the coffee table as though it had never fallen at all, is the ornament.

Whole.

It takes you a moment to process it, to trust what you’re seeing. The cracks are gone, smoothed over seamlessly. The gleaming red glass catches the light of the Christmas tree, its golden little details shining like something out of a memory, timeless and unbroken. As beautiful and aesthetic as before.

For a moment, you even wonder if your eyes are playing tricks on you, but then you notice Wanda standing at the far side of the room. Her hands lower slowly, the telltale red glow of her magic fading from her fingertips.

She doesn’t say anything, doesn’t step closer - just tilts her head slightly, offering you the faintest, knowing smile. Her eyes are warm.

God, of course. You should have thought of that. It even makes you feel a little ridiculous. You live together with people who possess supernatural abilities, powers beyond comprehension. You should have thought of Wanda. How her hands could have mended it back together in seconds.

A choked breath stumbles out of you, somewhere between relief and disbelief. Bucky follows your gaze, his brows furrowing, only to soften when he sees the ornament resting perfectly intact on the table. He stares at it for a moment.

But then he looks back at you and his sweet smile could melt any ice this winter has to offer.

His flesh hand moves a few strands of hair out of your face and tugs them tenderly behind your ear. His hand stays on your cheek. “Told you it’s okay.”

You let out a shaky breath. “I still broke it,” you say, words slipping out quietly, somberly. Your gaze remains fixed on it. Wanda seems to have slipped out again.

“Stop,” Bucky cuts in, his voice more firm than before but still gentle as always. He shakes his head, moving closer to you again, gaze fixed on you.

You feel his hand brush against yours, but then his shoulders stiffen up. He stops. His eyes catch on something and his expression shifts in an instant.

“Jesus-” His frown deepens, something like a shadow crosses his eyes. Sharp eyes lock onto the red streaks lining your palm, the cuts where the shattered glass had broken your skin.

You hadn’t even realized you were still holding onto the pain - too caught up in everything else to notice the dull throb of your hand or the sting of the scratches.

“You’re bleeding. Why didn’t you say anything?” The words are a quiet exhale, soft but weighted. There is no reprimand in his voice, no anger - only concern coloring every syllable.

His thumb ghosts over your wrist, careful not to brush against the cuts. His intense gaze flickers from your injured hand to your face, searching your expression.

“It’s not a big deal-”

“Don’t.”

Bucky shakes his head. His jaw tightens and he exhales sharply through his nose. It’s not frustration - not with you, anyway. It’s something deeper, something that seems to pain him in his chest as he studies the scratches like they’re a personal failing.

“Bucky,” you say while trying to pull your hand back from his grasp when he tilts it more toward the light to get a better look. As if he hasn’t the eyesight of a super soldier.

“Doll. Let me see.” His lips press into a thin line, the faintest hint of exasperation ghosting across his face.

The sigh you let out drags down your chest and you don’t resist when Bucky keeps cradling your bleeding hand and studies the scratches. His brow is furrowed in concentration that feels too much for something so small.

You want to tell him it’s fine, that this is nothing, but the words die before they reach your tongue.

“Let’s get you fixed up,” he says tightly, the tone of his voice all business and leaving no room for argument.

But you shake your head. It’s your fault the ornament broke in the first place. You’re aware it’s whole again, but it was in shambles just moments earlier and you cut yourself thanks to your own stupidity.

“Bucky, you just got back from a mission-” you protest, your voice quieter than you’d like.

“Not too worried about myself right now, doll,” he interrupts, his voice insistent but warm. The hint of steel beneath his words not directed at you but at the way your guilt is still in control, trying to downplay yourself.

“Come on.” He says it softer now, but before you can argue any further, he’s already moving.

Without so much as a pause, Bucky stands and scoops you up into his arms as though it’s the most natural thing in the world.

You barely have a second to process the shift, before you’re pressed securely against his chest.

“Bucky!” you exclaim, startled, your uninjured hand reaching for his shoulder to steady yourself.

“Relax, doll. I’ve got you,” he murmurs, his voice low and almost amused, though his expression remains calm, focused.

You sigh again, but there is a laugh on your breath. “Buck, I can walk. You don’t have to-”

“Not hearing it,” he says simply, almost flatly. He just continues striding along the halls with you in his arms. His steps are heavier, but you know it’s not because of your weight. He holds you like you weigh nothing at all. “You’re hurt.”

That doesn’t sound like a plausible explanation to you, since you’ve come home with way worse injuries from missions over the last months alone. But the gruffness of his voice, the one that always accompanies him when you’re injured, no matter how small - the seriousness, the concern - it shuts you up for the time being.

You let your head rest against his shoulder. He smells a little like gunpowder and dust, but you only latch onto the parts that are him and breathe them in.

“I didn’t mean to break it, Bucky,” to whisper, gaze dropping to the tightly pressed ball that is your bloody fist. “I’m so sorry.”

You feel the intake of Bucky’s breath against your body and his eyes warmly falling down on you. You don’t meet his gaze.

“You didn’t break anything, sweetheart.” His voice is like velvet, brushing so softly against your skin. So reassuringly. So profoundly gentle. “You’re okay, doll. We’re okay. I promise.” His hands curl tighter around you.

You blink, your head tilting to glance up at him, and your breath catches when you meet his gaze.

It is intense. His brows are pulled together - not with anger, but with concern. Like the only things he cares about right now are the tears that linger in your eyes and the way you’re still trying to curl in on yourself, still letting your body slightly shake with the guilt that he refuses to let you carry.

Something stirs in your belly. Something flutters, as if thousands of tiny wings brush against the walls of you, demanding to be seen. To be felt.

Because you let your mind spiral so much earlier, bracing yourself for a reaction of disappointment, frustration - that flicker of something unnameable that might pull the two of you apart.

But it still isn’t there.

Not even close.

It’s the opposite, really.

[sirfrogsworth]

Smartphone cameras are NOT getting worse. (See below for phone photography tips)

I've now seen 3 pro photographers reviewing the iPhone 16 and complaining the cameras are "worse" and blaming Apple for not including revolutionary new camera technology.

And I suppose this is partly Apple's fault. Their marketing and hype machine always goes overboard. But also, that's just how marketing works. Samsung has a "200 megapixel" sensor and Sony has a "Zeiss" lens. And I think it is unrealistic to expect smartphone companies to say "This product has entered the iterative phase and each new model will only be marginally improved over the last one."

Smartphones (from any brand) have become an appliance. You don't buy a new model of microwave every year. And you don't expect every new model of microwave to have new revolutionary technology. And that is pretty much the expectation you should have with most computer hardware from here on out.

And in some ways, that is a good thing. That means the design of the phone has pretty much been perfected and it will last you a long time if you take care of it. You will not be left behind and your phone will be able to handle any new software for most of its lifespan.

So, is Apple getting lazy or is there a reason their hardware is stagnating?

It seems that neither money nor marketing can change the laws of physics.

They cannot make transistors much smaller. Phones and computers are about as fast as current hardware designs can make them (unless there is a shocking scientific breakthrough). From here on out, heavy compute tasks that are beyond your phone or computer will be done in the cloud on giant computer clusters. Thankfully computers and phones seem to be plenty fast for the majority of tasks we ask of them.

I remember Katrina telling me her new computer didn't seem any faster. And I explained the computing tasks she does regularly were not really affected by the increased power and speed of her new computer. If something took 0.1 seconds before and now it takes 0.05 seconds, that is twice as fast. An increase in speed that looks fantastic in advertisements. But it is hard for our brains to perceive. She just didn't do anything on her computer that took it long enough for her to notice. But having a faster and more powerful computer/phone will increase its lifespan and resale value, so it is still prudent to get the best things you can afford at time of purchase.

And I'm afraid smartphone cameras are hitting their own hardware limitations. They can't make the sensors much larger to get better depth of field and low light performance. And cramming in more megapixels doesn't actually add much more detail, if any.

It's physics.

Again.

You cannot get any more performance out of a small plastic lens. Why do you think pro photographers haul around 10 pound lenses still?

There is a formula for detail that never seems to be explained in any camera marketing.

Here is the simplified version...

Detail = Sensor x Lens

Let's say 1 is perfection. You have a sensor that performs at 0.5 and a lens that performs at 0.2.

The total detail will be 0.1.

But in the new model you increase the performance of the sensor to 0.8. WOW! That's so close to 1!

The total detail will be... 0.16.

Now let's imagine we've discovered a magic, physics-defying tiny plastic lens that performs at 0.8 as well.

The total detail jumps to 0.64!

But we all get sucked into a wormhole because we violated the laws of the universe.

Even if you were to design a near perfect (perfect is impossible) sensor that scores 0.99.

Without that magic plastic lens... 0.198

This is why I put Samsung's "200 megapixel" sensors in quotes. Because when paired with the same tiny plastic lens, there isn't much improvement. And that's why a 12 megapixel DSLR from 10 years ago with a giant honking lens can still capture more detail.

Most of the quality from smartphone cameras comes from the computational software processing. Phones actually take many photos at once and combine them to get you a decent image.

While that is still improving a little bit each generation, those improvements are stagnating as well. Until image processing can do a better job of inventing more detail realistically, smartphones are going to have to obey the laws of physics.

So... why are photographers saying the iPhone cameras are worse?

First, the ultra wide angle lens looks softer in low light.

And if you zoom between 1x and 5x, the images look less detailed.

But neither of those things make the cameras *worse*. In fact, the cameras are better for the most part. It's just that Apple decided to compromise on one aspect to improve another. Probably due to market research telling them most people prioritize certain things over others when taking photos.

They increased the resolution of the ultra wide angle sensor to match the detail of the main sensor, but that seems to have lowered the low light performance of the ultra wide. So in good light, you will see an improvement in sharpness. But they could not increase the sensor size to compensate and smaller pixels can have trouble with dim conditions. They probably discovered that people mostly use that lens in good light and they would appreciate the bump in detail more.

But pro photographers often photograph in more challenging lighting conditions because you can capture a more artistic shot. I don't think I could have gotten this shot on a smartphone.

But photo normies are just taking pics of their kids doing weird kid shit.

They aren't really trying to push the limits of their ultra wide angle lenses.

And they increased the zoom of the telephoto lens to 5x from 3x because most people never used the 3x. So images at 5x look great now, but unfortunately if you use anything between 1x and 5x, your image will be *digitally* zoomed. Which is never as good as optical zoom. They basically crop the photo, zoom in, and add sharpening.

So they prioritized people having longer reach and more zoom at the expense of that middle zoom range. Every camera system makes tradeoffs and compromises.

And I hate that I always feel like I am defending Apple, because they do have misleading and dishonest marketing regarding a lot of aspects of their tech. But hating on Apple gets more clicks so content creators also make misleading and dishonest claims.

And so we are just surrounded in a circle of hyperbole from all sides.

Now, if you know these limitations, you can change your approach to photographing stuff to keep them from being an issue. You can reap the benefits without dealing with the new compromises.

Here are some tips to help owners of the new iPhone, but also everyone else too.

Smartphone Photography Tips

Whenever possible, try to use the main 1x camera at only 1x zoom. This has the largest sensor with the most detail and works best in the lowest light. Only use the ultra wide or telephoto if you cannot get the photo otherwise. If you aren't sure you have enough light for ultra wide, take the photo, and then as a safety, take two photos with the main camera side by side and stitch them later with a pano app.

"Zoom with your feet" and don't use "in-between" zooms. Let's say your lenses do 0.5x, 1x, and 5x zoom. Even though you have the option to use other zooms, like 2x or 3x, that is going to compromise your picture quality. It is essentially going to crop your photo and enlarge it, which causes a loss of detail. If fact, if you use 4.5x instead of 5x, your picture will probably look like trash. You are always going to get better results if you can move closer or step back so that you are using the native focal length of your chosen lens. For example, let's say you are taking a photo and you judge the best framing to be at 4x. But you still have 10 feet of space behind you. If you back up and then zoom in to 5x, the phone will switch to that lens and you will get a much clearer picture.

Rule of thumb...

1 to 3x... try to move closer.

4 to 5x... try to move back.

If you hit a wall and end up at 4.5x, you might see if you have a panorama mode and try that instead. Switch to your 5x and do the pano. Or you can take two photos and then stitch them together with software later on. (Stitching panos with an app later will give better quality than pano mode, especially in low light.)

Low light needs stability. Get some sort of stabilizing device for low light photos. Either a phone case that lets you stand up the phone on its own or a mini tripod.

This thing folds to the size of a credit card.

Your phone will detect when it is stable and not being handheld. It will then automatically extend its shutter speed allowing it to drink in more light and give you a better picture.

Tripods are photography magic and will improve your low light photos quite a bit. Motion blur of moving subjects can still be an issue, but photos of a cityscape or landscape will look great.

For selfies, shoot a little bit wide and then crop in. This goes a little contrary to my earlier advice saying cropping lowers detail, but this is specifically for shooting a face. The 0.5x and 1x lenses on smartphone cameras are fairly wide angle. This can cause unflattering proportions with human faces. Wide angle lenses exaggerate distance. Near things look very near and far things look very far. To a wide angle lens, the tip of your nose looks like it is super close but your ears seem like they are a mile away. And that's why you may look a bit "alien" in your selfies.

People's natural instinct is to "fill the frame" with a face. The outer edges of a wide angle lens are more distorted than the very center. So try to keep faces away from the edges of the frame.

And one other trick you can do for selfies and pictures of faces is step back a few feet. Sometimes this is hard, especially with selfies, as your arm is only so long... but if you can take your face photos from just a little bit farther back, you will almost entirely eliminate unflattering distortion. In some cases, just stretching out your arm as far as it will go is enough.

Then you just crop the image with the framing you originally wanted, and your facial proportions will look great.

An example...

Here the distortion is bad because I am not in the center and the lens is too close to my face. The lens thinks my nose is really close and my ears are in Canada.

But when the lens is farther back the edge distortion is less prevalent and my nose and ears (relative to the lens) seem roughly the same distance away. So my proportions look great, but I don't quite have the framing I want.

But with a little cropping...

For social media there is still plenty of resolution to crop in. Cropping isn't bad, it's just always better to use it as a last resort or in a special circumstance like this. I get roughly the same framing as in my wide angle shot, but I don't look like I'm behind a door's peephole trying to sell you the Good News.

I wish they made a "mini" selfie stick that only extended a foot or so. With the main camera that is usually all people need to undo any wide angle issues. I have one of those mini tripods and that works well, but there is no activation button so I have to do a timer. Mirrors work great to help you get some selfie distance.

In any case, all cameras have limitations and compromises. Clickbait titles saying something is WORSE THAN THE OLD ONE are frustrating and wrong.

And people upgrading phones every year are silly. All current name brand smartphones have promised at least 5 years of software updates. I think Google and Samsung are offering 7 years on some models. And Apple has always just let you use your phone until it literally will not work with new software. Which has worked out to 8 years in some cases (with a battery swap).

Phones are now appliances. For now, hardware will improve 10 to 15% from generation to generation until physics breaks. So if you want a 50% improvement, wait 5 years and you'll think your new phone is awesome. If you upgrade every year, it is going to be difficult to see the change.

I hope to be starting a little course on smartphone photography in the near future. All modern phones are capable of taking amazing pictures. And as long as you understand their limitations you can mitigate or avoid them. And that is what I plan to teach.

[moonsaver]

The isekai trope is burning my brain. Pls have this yan!alhaitham with isekai'd reader who actually tells him the deal.

---

What if you got isekai'd into genshin? (specifically sumeru for my taste of scenario)

And alhaitham actually got to know? Maybe you don't even hide it while he's talking to you and writing down whatever you're saying while you're half dazed, sitting up on the stretcher, mentioning an entirely different world. Investigations show no result for it, meaning you really must have come from a different world – which isn't entirely impossible. But it seems yours is a slightly different case.

Regardless, alhaitham still doesn't want trouble. Leaves you be with the matra to discuss and sort out your own situation for the most part.

And then you get assigned to work at the Akademiya.

Its temporary, just until you gain your bearings. And the higher-ups (ahem, Nahida), determine he's appropriate to look after you for a period of time. He's a pretty well-adjusted guy, doesn't bother much, and simple enough to not complicate things (you may protest regarding the kinds of books he reads, but to his standard, it is simple. Just don't bother with that.)

Regardless, he's now in charge of you.

He teaches you the main language Teyvat currently uses, or at least the main language talked in major parts of Sumeru. Stays with you after work hours from time to time to help you learn – but only in exchange for knowledge about your own world. He studies you – or rather your subjects, your culture, your languages. If he's teaching you, you have to appeal something to him, and of equal magnitude aswell. So for the most part, your time is spent trying to piece together how to get you back to your world, or simple cultural and linguistic discussions. Unless that isn't your thing; but you both can find a common ground even then, considering Alhaitham doesn't shy away from different areas of study.

It's only natural your bond progresses. You both go from "somewhere between acquaintances and strangers" to "might occasionally greet while passing by". It's not soon before some of the other higher ups approach you to help get a task done from him, since it always seems like he manages to evade them, going who knows where during his working hours. Maybe it's an important task that can't simply be left on his desk. But you're a bit of a special case - Alhaitham doesn't mind sharing a few details with you; as long as you can appropriately determine what is and isnt worth his time. So you somehow manage to find him and get things done.

Its a bit strange. There's only a few ever constants in his life when it comes to people, and doesn't expect much in return. But having you around is different. Having you around feels.. strangely understanding. Although he doesn't mind the solitude, a part of him has always felt secluded from the masses. And you seem to be stuck in a similar situation. It's only natural you two seem to stick together. It's natural. That's what he tells himself.

And then you start to fizzle out from his grasp.

You make new friends. Newer people who may or may not know about where you really might be from. You learn newer things, far beyond Alhaitham's scope (or rather, just his scope of teaching), you get involved with many, many, people, even get invited to events he doesn't. It hurts a bit when he sits silently at your usual table at the library, cozily tucked away from most prying eyes, sitting across where you should have been, but aren't. but he won't admit it. You did mention you're busy and might not be able to come. But something inside him twists the slightest bit.

And he will admit it– only to himself. He has no grasp on his judgement nor principle when he decides to destroy all your documents, leaving you to hopelessly and despairingly run around to somehow, someway, recover them, trying to revive all the information you earnestly gathered.

He begrudgingly gets up to attend the door in the middle of the night, almost regretting not having worn his headphones, when he stops thinking for a moment. Its you. Of course it is. The corner of his mouth threatens to twitch up, but he resists. He invites your shaking, teary form inside with silence and serves you some tea, before sitting down in front of you. It's almost funny how familiar the scene is – except this time you're alone much later at night with him, and this time you're so distressed you can barely get the words out before you break down.

And he takes care of you, silently. His large, warm hand soothingly rubs your back as he gives you space to cry and blubber out all your stresses, humming to let you know he's listening, tapping the saucer of the tea cup when you're sobbing a bit too heavy and need a break. It's enough to make you realize just who you really need to stick by. None of your friends would really care for you, would they? They're simply fascinated by the strange things you say. Alhaitham and you have a deeper connection, don't you think? Maybe if you're a bit of a romantic thinker yourself, he can twist his words just right enough to even imply you both must have been meant by fate to meet.

In the end, it all settles when you decide to sleep over, cancel your plans for the next day as you get ready to sort out your information with Alhaitham all over again. And this time, he can study you closely.

-

[wifeyoozi]

Svt with a high maintenance girlfriend, thank you <3

Ot13 seventeen : high maintenance girlfriend

Ceecee note - I literally don't know a lot about high maintenance girlies because I literally am too lazy to get stuff done even though I love doing it all and being a girlie lol so forgive me.

seungcheol : literally doesn't expect you to be any other way. if you weren't high maintenance before, he'll spoil you enough to be so eventually we all know it

jeonghan : he's equally high maintenance so the both of you better be rich or he be stealing cheol's money for you both

joshua : he is a man from LA with a J name I think he can really afford a high maintenance girlfriend. Secretly actually prefers that. Just because mindful that he's still The Bitch in the relationship you cannot take his spot.

Junhui : lowkey finds you tiring but simultaneously loves spoiling you. "Oh you want to get your nails done? AGAIN?? you just got them done! No problem tho I wired you $300 enjoy babe 😘😘"

Soonyoung : loves spoiling you in a way where he comes to all of your expensive appointments and shopping and likes yo personally pick your nail and hair and dresses

Wonwoo : I think he doesn't even notice you are high maintenance until his friends point that out. He's like "oh don't all girls like to get their things done like that?"

Woozi : on the outside he shows that he doesnt care as much about spending money on your maintenance but it secretly turns him on. To flex his money on your beauty. His black card has its first home in your wallet not his.

Minghao : this man is dressed up in Gucci and Versace all day long so I think he'd be really proud of a girlfriend who's the same. An equally high maintained couple going to get their nails and hair done together all the time that's you.

Mingyu : highkey intrigued by everything you do. He's that typa man. Would randomly show up at your saloon one day just to see how you get your manicures and pedicure and body spas done. Loves how you always get so happy after you've got it all done.

Seokmin : what's the use of him earning as much as he does if he can't spend it on you? Feels so entitled when you are by his side because of how strong your aura is with your luxurious looks.

Seungkwan : complains and pouts about you spending more time in the saloon than you do in his arms. Starts insisting you book home appointments just so he could cuddle by your side as you get all of your shit done and successfully make the aesthetician uncomfortable with the strong couple energy.

Vernon : I think he secretly knows a lot about manicures and pedicures and nails and hair and spas because of how close he seems with his sister so he just loves spoiling you like that and see you be all fresh and happy afterwards.

Dino : I feel you're gonna have to explain him why you need to get so many things done and why you gotta buy so many skincare and then he has that invisible question mark on his head everytime you go on and on talking about why you need it and all the other beauty details and why you love it ykwim

[madlori]

On Tommy and narrative threads

So some fans who are vehemently anti-Tommy frequently use the talking point that they need to have Buck confront Tommy about his past behavior while under Gerrard, or have him find out about it if he doesn't already know, and that he should break up with him about it. Or they need some kind of reckoning to happen with Hen and Chim in order to move forward.

I'm 95% sure neither of those things are going to happen, and here is why: the show considers that narrative thread to be closed.

It has run its course. It's done. It's been resolved. As fans and viewers - and as many of us are fic readers and writers - we always want to see things hashed out onscreen in exhaustive detail but that's not practically possible. The narrative sometimes has to signal that threads are resolved in other ways, in the way characters act towards each other and speak about each other.

Throughout the course of the three Begins episodes in which he appears, the writers clearly selected Tommy to represent the "firefighter who acted kinda jerky but got better through personal growth and friendship with new people" narrative. By the end of Bobby Begins Again, this narrative is more or less complete, as we've now seen Tommy act to support Hen and also be accepted into a friendly relationship with both her and Chim, not to mention Bobby. When he reappears in season 7, nobody acts like he's anything other than a friend, and Chim outright admires him.

This is the conclusion of this thread, as far as the show is concerned. Did he ever sit down with Hen and Chim and make some big speech or have some big discussion about how he's learned and changed? Probably not. Those kinds of direct conversations sometimes do happen in reality, but more often than not, you just spend years working with someone and your opinion of them shifts as all of you change. And remember, Hen and Chim worked with Tommy for years before Bobby even showed up.

And ask yourself this question: if Hen and Chim have both moved on, and have accepted whatever direct or implicit apology Tommy offered, how is it Buck's business to decide that no, that's not good enough, HE'S going to demand some kind of restitution on their behalf? That's patronizing as fuck. These are people with their own agency who don't need Buck to advocate for them and exact some kind of retroactive revenge for something they're not even mad about anymore. Would he be upset that Tommy ever made off-color remarks, or was less than welcoming to people who are now his friends? Maybe. Is he upset that Eddie nearly killed a man? Is he filled with moral outrage and disappointment that Hen cheated on her wife? Chim physically assaulted him, and so did Bobby. Is he still holding that against them? Is he upset NOW that nobody's speaking up on HIS behalf when Gerrard targets him? Buck's an adult. He knows that people frequently look back on their past behavior and cringe at what jerks they were, himself included.

Tommy has several times alluded to being ashamed of his past actions. He knows the score. The message we're meant to take from those comments is that he's taken steps to not be that guy anymore. Need he flagellate himself forever? Does this need to cost him and Buck a relationship they both value? It can't have been easy to come from a terrible father, go into the army, then into the LAFD with a terrible captain, and then to meet people who challenged your behavior and made you want to be a better person. The fact that he became a better person is something he should be admired for, not punished.

[erosiism]

GENSHIN MEN AND…

prompt: HOW THEY WOULD REACT IF YOU SACRIFICED YOUR LIFE FOR THEM

character(s): diluc, zhongli [part one] childe, ayato [part two, out]

warnings(s): angst ofc—mention of blood, my first post on tumblr so my writing style may be a little icky, inaccuracies since I haven’t looked up genshin lore for a hot minute 

note(s): male reader, second person, present tense, not beta read

DILUC

There’s a lot of things you haven’t told him yet. Things you wished you had told him—but everything’s fine, because in this single action you are willing to do for him—your feelings will come inevitably with it and it’s a torrent of emotions that you’re about to burden him with.

He’s been your childhood friend for seventeen years now. All those times you have seen him, smiling, his merry laughter carrying over the breeze, his lips purple from sampling grapes, to the time where that very laughter and smiles disappear to smoothen into a stone face. After the death of his father, Diluc has become reserved, cold, and rather distant. Bitter.

You two were close, once.

You two had a bond that many could not quite interpret— it was as clear as day that you both trusted each other fully, but each always had secrets to hide. Some say proximity is the reason why both of you got close — your manors were near to each other, but truthfully, it was as simple as it was: you two had the same social standing. Both you and Diluc were, for each of their families, supposed to be close for the sake of future alliances and unions, but the friendship soon turned genuine, only for it to crumble under the weight of guilt and grief.

Only for it to crumble on the day Crepus died.

You still remember it vividly; in all its sickening, gruesome, heart wrenching detail. You were fortunate enough not to witness it, but etched in your memory, all you can think of is Diluc’s ravaged expression when he trembled before his father’s corpse.

You were helpless then. You could have extended an arm, you could have done something.

You didn’t.

But now would be different. You know the archons have it in for him when the incident happens the same way it happened with his father: via a carriage incident. 

You laugh then at its bitter irony.

Bandits come, a whole load of them, and this time Diluc fights while you are there helpless once again, trembling when you hear the clash of swords and arrows. When you hear his claymore smash against flesh. You don’t have a vision. Diluc has. You don’t have any particular skill in handling a sword; Jean has tried to teach you once, but it has failed. Your brain may be quick and witty, but your steps aren’t. 

The bandits have delusions. The archons really are cruel.

You see it before he does. There’s a burst of electric power that he's battling, the elementals clashing with each other—you’re still lagging behind, barely missing the whizzing arrows that skim your flesh, your heart wrenching as you see Diluc’s pained expression. You know what he’s thinking of, and it isn’t you. His memories are reverting back to his father’s death. His birthday. And perhaps that’s why his usual sharpness is wearied down.

You see the sword about to plunge his back before he does.

You scream to tell him.

Your body moves before anything.

Your fingers fumble to clasp the fabric of your clothes, before you tug him out of the way. You feel the weight of a sword against your back; you feel the way it slices through your skin before it presses against your flesh. You taste blood on your tongue, before a myriad of colors burst out; crimson, carmine. All the shades of red. You wobble then, choking out blood, before you stumble. You hear a few slices; razor, swift sharp ones. Then the last of the assailants falls down, and you are made aware that your decision has been the right one.

Diluc has survived. 

You stumble. You feel your body hit the ground. Murkiness runs your vision.

“[Name],” you hear a soft, whispering voice carry to your ears. You try your best to cling onto the words. But pain is burning within you—it’s ironic, how they feel more scorching than Diluc’s flames have ever felt. You try your best to swallow down your pants and your pained noises, but it ends up slipping from your mouth in broken, mottled syllables.

Your blurry vision makes out a face.

He cannot be Diluc. He’s crying. And the last time you have seen Duluc cry is when—

Oh.

“Don’t cry,” you say weakly. “Don’t cry, Diluc. I’m sorry I wasn’t of much help.” You try to reach out to his cheek. You regret it a split second afterwards because blood stains his cheeks wet from tears. You end up smearing red all over his face.

“Why?” Diluc says, and it sounds guttural, like the words have been punched out from him. “Why, [Name]?” You hear a flurry of footsteps behind. You assume it’s some surviving witness who has gone to call for backup. But you doubt you’ll survive.

You don’t even know why. To begin with, you aren’t even sure if you are in love with him. The swirling butterflies that flutter about when you see him tells him you are, but society’s expectations push those down. You have been in love with him for as long as you can remember; you have loved him. You have annotated every inch of him down to your memory, every contour, every bit. In your dreams he visits you, smiling sweetly. And you try to remember him when you wake up, trying to pretend that he’s still there, that he’s no longer bitter. 

“I don’t know.” Your words come out broken, punctuated by the gurgling of blood from your windpipe. 

It’s a half truth. You love him. You don’t know if you do.

“I’m sorry.”

Diluc is sobbing now. It’s uncharacteristic of him. You are brought back to the night when you saw him break down in front of his father’s corpse. And you aren’t yet a corpse: your heart is still beating faintly, your lips are still moving, your body is still trembling. “There’s a lot of things I wanted to tell you, Diluc.”

“Don’t die,” he pleads fervently. His lips graze your forehead, then—and before you know it, he’s embracing you, his tears wetting your shoulder. His begging is childish. Does he not know that the Archons have long abandoned their people? Does he know the sky is empty, and that no amount of pleads can bring a person back to life? You doubt so. “Don’t die, [Name]. I love you.”

He loves you. You smile. He loves you. Words have never felt so sweet befor, and it curbs the bitterness of death upon your tongue. “I love you, [Name]. I love you, so don’t die.”

He loves his father too. But still his father had perished. Similar to you.

“I’m so happy to hear that,” you smile weakly. Your finger starts to fall. “I’m really happy to hear that.”

You don’t have enough time to say those three words back, but it’s fine.

Your actions already did. 

ZHONGLI

note(s); reader is an adepti, takes place during archon war

A God has seen their fair share of grieving. So have Adepti. Some come with age—it’s normal for mortal alliances to die before those who are immortal, after all. There is also the Archon War, which has already torn away Zhongli’s beloved companion, Guizhong. And everyday he chokes down the bile in his throat and continues to annihilate and fight. He’s always been built for this, after all, he’s an Archon. He’s a ruthless one at that, known for his brutality and his power. And everyday he looks at you and can only pray again and again to Celestia, that you remain alive.

Guizhong and you have both been his favorites since you two have met. It was Guizhong and you first, before Zhongli met you. Both you and Guizhong were best friends; almost; like sisters and brothers. Guizhong was gentle and sweet, reprimanding at times. You were sweet too, but could be more uncouth. Strong language littered your sentences at times, and Zhongli would see it then; the way Guizhong tugged at you to scold you, or the way you would smile at her. Brother and sister.

Naturally, when Zhongli grew close to Guizhong, he grew close to you. It was funny to see that you hardly knew much about history, though Guizhong clearly loved it. And so it was almost a cycle. Whatever Guizhong taught Zhongli, he taught you. Guizhong had remarked a few times, what an incredible person he was to make even you listen to facts you had earlier called boring.

(“You mellowed a lot, Morax,” Guizhong had told him once. “[Name] mellowed you. You really do care alot for him, don’t you?”

“I suppose.”)

Gods aren’t meant to be mellowed. They are meant to be powerful. Strong enough emotionally so as to not bat an eye when it comes to deaths.

But everything falls apart when Guizhong dies.

He sees you fall to the ground, sobbing and sobbing and crying at the loss of your beloved sister. He sees the way  you touch her statue, turned to stone, cradling her face and wishing you were touching soft skin, instead of cold stone. Not sister by blood, but sister in name. He sees the way you break apart after that; Zhongli feels a human sense of emptiness and pain that comes with her death.

It’s all right, he told himself repeatedly. In his grief he has started to flood himself with reassurances. I still have [Name]. I still have [Name]. I still have [Name]. 

He sees the way you lose yourself in battle after that. Your attacks become sloppy, you become more careless. You become more injured. Zhongli never bothered with your skill. You were talented and strong enough. But now he finds himself protecting you the times you stumble, the times you start to choke out sobs during battle, the times you go wild and bloodthirsty against those you assume have contributed to her death. 

Guizhong has said once that he loved you. Zhongli never bothered to think about that. He assumed he would know it himself, when time came. He didn’t need to worry about being in what mortals called a relationship—he would get this war finished with you, become a mortal, and love you freely. It didn’t matter if you didn’t love him. Zhongli could love you at a safe distance. It would all be all right. 

He never imagined your declaration of love towards him would come so easily and devastatingly.

Zhongli sees you struck by a burst of elemental power before anything. He sees the way you shoved him inside; he sees the irony. He was so preoccupied with watching you. He hadn’t seen the enemy crawl up to him or nearly kill him. Like how he was watching you, you were watching him. And now his care has killed you.

“[Name].”

There’s an avalanche of emotions. First, he’s furious. He will leach out the killer and will inflict a thousand times more pain on them. Second, he’s heartbroken. He’s terrified of losing you. He can feel your life ebbing away with each passing moment, and he has seen enough wounds to know no healer can save you. He feels your pulse thrumming beneath your skin and he knows you’re dying.

You smile. It looks more like a grimace. “Just survive this goddamn war.”

Zhongli isn’t sure if he will. He feels like he might kill himself, that he might lay his body down next to yours, so that after death your souls would be intermingled, of sorts. It sounds romantic, but there’s absolutely nothing romantic about your death. He does what the Gods are not supposed to do. He feeds into his humanity; he cries.

“Afterwards, just live as a human. I don’t know. Be a dusty collector of antiques. Be a funeral planner or something strange like that. Just live, okay? You look like you want to die.”

You continue to ramble on. Your sentences become connected with each other. Your eyes start to flutter. Your words become faint and faltering.

“I can’t live with you,” he whispers. “First Guizhong, then you…” it’s all his fault. He should have seen it. He should have been more aware. He should—he should…

It’s too late. You’re dead, and he mourns just like a human; sobbing, aching, and dying a little inside.

For a brief moment Zhongli isn’t a God. 

hope everyone liked it! it’s my first post so im apprehensive haha be sure to like/reblog & leave a comment if u can