#its so funny though that a lot of the OVA staff is the same people that made the TV version. including said producer

[sacchiri]

A little interaction that happened on twitter yesterday:

A large anime account (toarutoa) posted the following image set of "Anime adaptations that angered their original creators", including a screenshot of Hellsing (OVA) with the subtitle "<Author: I sold the DVDs I was gifted on Mandarake>[popular secondhand shop]".

Hirano saw the tweet and made the passive-aggressive reply, "I wonder what the value of an anime twitter account that can't even distinguish between an OVA and TV series is."

(Apparently the comment about Mandarake was something Hirano actually said about the TV series back in the day, which he was known for being extremely critical of. Some of his other comments included "It's a waste of Nachi Nozawa" [Anderson's VA in the TV version and Hirano's dream casting for the character] and "There's no point in staying up late on Wednesdays.")

The OP ended up deleting their post a few hours later, but Hirano tweeted a follow-up:

"I really like the Hellsing OVA. I can't believe they adapted something so, y'know, into an anime so well. The entire staff has my utmost thanks. I don't have a single negative thing to say about it."

[arcaneranger]

Final Thoughts - 2018 Long Shows

It’s finally here! I’m so close to being done with 2018 (...mostly. We’ll get to it) that I can taste it, but in the meantime, this list is gonna be weird, because there will be things that were already on other lists since I revised my rules of what should be classified how. This post is specifically for any show that ended in 2018 and lasted longer than 13-ish episodes (including shows that aired a second season during the same year or within six months of finishing the previous one), which means that there’s about as much on it as a usual season of shows, but they all had more time to impress - or disappoint me. I’m doing a better job in recent seasons of getting to everything, but last year there were unfortunately things that I missed (I was burned out in the winter) and just have to leave aside for now because I can’t wait any longer for these lists.

Anyway! As usual, let’s start with what I skipped!

* The Seven Deadly Sins: Revival of the Commandments, The Disastrous Life of Saiki Kusuo S2, Cardcaptor Sakura Clear Card, Garo: Vanishing Line, and Mr Tonegawa: Middle Management Blues because I haven’t seen their previous seasons or parent works. (Yes, even Cardcaptor Sakura. Y’all can shoot me later.)

* Hakyuu Hoshin Engi, Beatless, and Basilisk: The Ouka Ninja Scrolls because by the time I was rounding things up, I hadn’t heard a single positive thing about any of them.

Next comes what I dropped -

WORST OF THE YEAR: Steins;Gate 0 (4/10)

What a fucking mess this show was. Aside from a very noticeable downgrade in production talent from its predecessor, the plot meanders and flirts with maybe actually happening this time before just dropping out again, over and over, to the point where I was perfectly willing to drop it two episodes from the finish line because it was such an insult to fans of the original. (Also, continued disgusting mistreatment of the transgender character.)

Gundam Build Divers (4/10)

Taking the Build series from being a well-written kids show to an averagely-written kids show that hides itself in decent mech designs.

Katana Maidens (4/10)

I remember so little about this show, and granted that I did drop it after one episode almost nine months ago, but what I did remember was that it gave me strong KanColle vibes with laughably inconsistent animation and flat characters. Meh.

Darling in the FRANXX (5/10)

This should probably be lower on the list, but I got out of Darling while the getting was good, sixteen episodes in. I understand that future episodes of the show cemented it as crappy right-wing nonsense in addition to pushing worldbuilding out of its fortieth-story window, but the moment it lost me was much sooner, when the crazy yandere female lead was reduced, almost instantly, to Good Anime Waifu as a reward to the protagonist for going against his friends with his selfish motives.

Persona 5 the Animation (5/10)

In addition to not actually finishing in 2018, Persona 5 just did not give me a single reason to watch it when I’d already finished the source game, with middling-to-bad visuals (thanks to the switch from Production I.G. to A-1 Pictures, and not even the team that created the much better-looking Day Breakers OVA before the game was released in the U.S.) and phoned-in music, which is especially unacceptable in a Persona adaptation. Also, we all absolutely called that the studio couldn’t tell the story of the entire game in just 26 episodes.

Record of Grancrest War (6/10)

There’s people that like this one a lot, but I didn’t see much that interested me in the first two episodes. I’ve heard better things about the manga.

Golden Kamuy (6/10)

I had problems with the first half of Golden Kamuy that the second half simply didn’t fix, and it became difficult for me to keep watching - the show still interrupted almost every fight scene with a dick joke, but still wanted to maintain a serious and occasionally frightening tone - and those things simply don’t go together. It needed to either spend more time being funny, or keep its lowest-common-denominator humor out of the fights.

Next, I have two shows that are (potentially permanently) On Hold, simply because it’s time for me to move on and I don’t have the time or energy to marathon them when the Winter shows are starting to wrap up:

Kakuriyo: Bed & Breakfast for Spirits, because even though I initially dropped it, I’ve heard a lot of good things since and I want to eventually give it another shot.

Yowamushi Pedal Glory Line, because despite the fact that I still enjoyed the previous season, this one started right in the middle of my burnout and I only heard bad things about it. I’ll get to it eventually, but it’s a shame that this series has been on a clear trend downwards since its revival.

And finally, the stuff I finished!

The Ancient Magus’ Bride (6/10)

Keep in mind that this is here entirely on the merits of its aesthetic and its side characters - in the end, Ancient Magus’ Bride is a Beauty and the Beast story where the beast gets what he wants without learning to be less of a dick or even apologizing for his clearly wrong actions.

Major 2nd (7/10)

Always pleased to have even just Good sports shows around, and this one is a very effective reboot of a classic series that’s never made its way stateside (man, the underperformance of Big Windup! really did a lot of damage to this genre in the West). With good character development and a decent second-generation premise, Major 2nd has the potential to be the beginning of a solid baseball story, assuming that it gets a needed followup.

IDOLiSH7 (7/10)

I dropped IDOLiSH7 when it first aired, and though I wound up enjoying it after I was very strongly urged to revisit it, the problems it started with never quite left it behind - that is, it has an okay cast of characters but doesn’t present even passable performance sequences, and if you’re going to include big song-and-dance numbers, they have to be good, or you may as well just be UtaPri.

ClassicaLoid Season 2 (8/10)

In 2017, I gave the first season of ClassicaLoid a near-perfect 9/10, and while this season gives us a satisfying conclusion to the story, it does things both a little better than the first, and also not quite as great. It’s story is much more well-integrated over the runtime so it doesn’t happen all at once in a few chunks, and the jokes that work are still absolute genius, but there’s simply too much that doesn’t quite land correctly, and a little too much immature humor, for it to reach the same lofty Hall of Fame heights as the first season. Still, one of the most underrated shows I’ve ever seen.

My Hero Academia Season 3 (8/10)

God, Izuku in that onesie is too damn cute.

My problems with Hero Academia are frustratingly persistent - the show is at its best when the students are competing with other students, because outside of last season’s Stain (a villain whose motivation is specifically related to the world of MHA), the villains are just not at all compelling and they all seem a little too generic for their own good. I just want Horikoshi to be a little bit less predictable of an author and do a little less reading of the Standard Shounen Playbook. Luckily, when it works, it works magnificently.

March Comes in Like a Lion S2 (8/10)

March remains director/auteur Akiyuki Shinbo’s most accessible work, and one of his masterpieces, as a well-paced and marvelously moody story of a depressed shogi prodigy learning to be a normal teenager before his youth completely passes him by, and the fantastic characters that surround him with their own complex problems and motivations. I just really, really hope it gets a third season eventually, because this one did not leave off on a satisfying conclusion.

Speaking of which...

Food Wars! Shokugeki no Soma S3 (9/10)

It’s almost a shame that My Hero Academia became hugely popular purely based on its accessibility to American audiences, because Food Wars pretty squarely deserves to be the reigning Shonen Jump king - each season has only improved on the previous one, and this one was based entirely on a continuing arc that could only have happened in the universe of this show, Fighting Food Fascism. That being said, it also leaves off right in the middle of the arc (because it had almost caught up to the manga), meaning that we have to hope that it can remain relevant long enough for there to be enough source material for another season. I’ll be crossing my fingers until they snap.

Banana Fish (9/10)

Yes, this has risen a point since my review, but Banana Fish still deserves to be thought of as both a complete masterwork of crime fiction, being fantastically paced and expertly plotted in the use of its many, many twists, and a work that disappointed the side of me that hoped that, in adapting it into the modern day, MAPPA could have managed to get the author to let them depict what is clearly a queer relationship with the authenticity and legitimacy that it deserved. It’s still amazing, though, and Amazon should be pushing it with their most lavishly-made originals. At least it was the last noitaminA show they’ll get to totally bury.

And, finally, the one you all saw coming.

BEST OF THE YEAR: Lupin the 3rd Part V (10/10)

Lupin is, quite simply, one of the pinnacles of the medium. A simple idea that can (and did) go in thousands of different directions, handled by highly creative writers and an animation staff that has been knocking it out of the park for years, despite the fact that it is criminally (heh) unrecognized in the West. To put it simply, there’s a very, very good reason that it’s been around since the 70′s.

Okay! All I have left to do is finish Dragon Pilot (waiting on a friend) and we can get the last two lists out of the way! We’re almost done...

[courage-a-word-of-justice]

Houseki no Kuni 3 - 6 | Girls’ Last Tour 3 - 6 | Boueibu OVA | Netjuu no Susume 6 | Juuni Taisen 7 | Mahoutsukai no Yome 6

Apparently there’s a bonus if you watch until the end of the 5th ep of Netjuu no Susume…I’ve seen it, or else I wouldn’t be telling you it exists.

I’ve rolled out the simulcast commentary tags for the seasonal shows that don’t have tags yet (aside from Netjuu no Susume’s replacement when that time comes).

Plus, as you can see in the title…there’s the Boueibu OVA in this bundle of notes, for completion’s sake.

Houseki no Kuni 3

That snail sure is a lively thing.

Really? A poop joke? Well, that’s one way to rub Phos’s new state into Dia’s face.

…welp, not much to talk about this time, I guess.

Houseki no Kuni 4

What the heck? The snail has a type???

This OP is lovely. Its best aspect is the visuals, though. It sounds kind of plain compared to even Saturday Night Question (Netjuu no Susume).

That snail makes a nice wig for Master Kongo, doesn’t it?

I’m listening to this show for the first time, and Phos uses “boku”, interestingly enough.

The snail's urge to go back to its home in the sea reminds me that lots of Chinese people go back to their country for Chinese New Year. I wonder if the same sentiment is involved in both instances?

The ED is nice, but not as good as the OP.

Houseki no Kuni  5

Watermelon? I feel sorry for the gem which has that name.

Ahh! These jellyfish are cute (and practical)!

“No getting all weak-kneed now!” – Says Phos, who’s got legs potentially harder than their body.

Houseki no Kuni 6

Trust exercises. I did some with some members of my anime club once. (Haha.)

I noticed the spikes were blue, so they might be Sapphire. It’s kind of like Rabbit’s necromantistry (Juuni Taisen), but…in a slightly different form.

Girls’ Last Tour 3

Kanazawa???? *thinks about King’s Game, where the protag and the author share the surname Kanazawa*

There’s some extremely glaring CGI during this episode. For a moment, you can discern Chi’s made of CGI while in her Kettenkrad.

Please don’t ship the grown man with the loli.

That’s some grim humour they attempted with Kanazawa. Kinda like Zetsubou-sensei (Nozomu Itoshiki).

Boueibu OVA

I almost wasn’t going to cover this, because it’s an OVA, but hey, why not make an exception? This may be the last time we Boueibu fans can talk about this stuff again…(Plus I think I’ll have volume for the entire thing if I hurry.)

Haha, the volleyball scene. Notice En talks first.

Yumoto’s being basic as always. *sighs happily*

Trump, eh? The word for playing cards is trump, but…y’know?

(about “graduating in a storm of cherry blossoms” and En saying it sounds lonely) I was just about to say that, En. However, that may just be OVA feels speaking.

Itsumo Ichiban? Rememer that guy? Well, there’s Itsumo’s brother on Kin-chan’s list. You can tell because he’s literally Itsumo Nisan. Geddit?

(about Zundar’s meeting with Kin-chan) The manga! It was correct after all!

Yep, that’s exactly how it went 2 years ago. In fact, I think it might be recycled content…(?)

Wombat speaks very formally. I learnt about keigo in the past year so I only picked up on that this time around.

The word used by Aki is “sad” according to the subs, but hazukashii means “embarrassing”, which puts a new spin on it.

They’re literally just using montages of s1, which is why I want Pony Canyon to bundle the OVA with s2. It’s more money, but for the consumer, it’s more worth it. However…having Bi…Egoism in an anime segment at all is new.

Akoya must be popular in the fandom. Either that or the staff are acknowledging how unloved he is.

Yay! It’s Star the VEPPer!

It’s good that each of these side characters is getting their own montage. Plus we’re getting official translations of the character songs, which is the best thing you can get for free when character songs aren’t distributed normally in most cases.

4th wall breaking! I guess you never expected that, eh? (Actually, you probably did, considering it’s been a montage for almost everyone now.)

(I love En’s little snarks in the middle of the song.) The only one left after this is Atsushi, right? Update: Oops, forgot Kin-chan. Sorry Kin-chan.

I never really realised Atsushi’s song was so hard rock compared to En’s more pop-like one.

“But do I really have that fire inside of me?” – I think I heard the song go atsui which is a real funky (in a good way) pun on Atsushi’s name.

Aww, they missed out in such a good pun! Haru went haru and Aki went aki. The translator didn’t pick up on that though…aww.

Whoa! Yumoto got all scary! Botan Yuzuru though…gotta look into that later for magicalgirlsandcerulean.

This (Spanish?) guitar reminds me of this track from The Dog Island.

A-ha! This is what you get when you translate the Japanese in the ads too.I was quite right indeed, although it really is the dang 132nd graduation ceremond.

It’s literally a button monster. Don’t wanna mash his buttons! (I bet you’re all groaning from my jokes, ahaha…)

Dadacha’s voice sounds kinda ridiculous now because Yasumoto is clearly using the deeper voice he normally uses for Zundar.

Notice the monster’s face is made from the character 高 (the first character in the Japanese word for “high school”).

Salty Sol is still salty after all this time…sad life.

That train station is the same one from the beach episode!

I’ve seen enough spoilers so I know where this is going…I already identified in the spoiler chat what Wombat is going to catch as a reference to a Kenji Miyazawa work.

This train is somewhat obviously CGI…

Spinach curry? When’d Wombat eat that?

Ths slideshow appears to be all the clean art for everything they’ve ever produced in the Boueibu canon! Even events and collabs!

“So wipe away your tears.” – I’m not crying, you are…*tear leaks from corner of eye*

I don’t recognise two of those pictures…(EnAtsu beach pic and a yukata one with the Defence Club on the roof.)

Oh…my…it’s over? Well, frankly I was expecting the fandom’s end in 2015…so, here’s to the future. Farewell, and remember: love is forever! Separations are only a new beginning!

Netjuu no Susume 6

That was a really bad Glico man in the back (of Koiwai)…

I think something’s wrong with my eye. It just gave off a few tears…(kidding tone)

Whose car is this that Morimori-chan is sitting in??? Update: It’s a taxi. Whoops.

I think Morimori-chan used the word douryou (colleagues, coworkers) instead of employees. The word for employees would probably be very different.

Nikunokiya??? (thinks about Kinokuniya)

(Koiwai goes Ai no chikara ne…) Boueibu reference…kind of.

Notice Koiwai said he was low on health in the text but he said zombie in the Japanese. That’s where Fruits de Mer comes in for Morimori-chan.

“There’s no way I’d say something like that!”

I think the cup this ED is new. Plus the headphones.

Oh! I spotted Morimori-chan with the medium length hair in the background of Sakurai’s bit of the ED.

There are some blurry pictures of Koiwai in the ED and they’re so hilarious!!!

So the ED actually evolves along with the show. Interesting.

Juuni Taisen 7

Rabbit stores his blades in his tail. That’s weird, but funny.

Literally, the episode title is “Dragon Head, Snake Tail”.

Dragon and Snake really are like the Beppus! I keep thinking that. I want a crossover fic now…

Tatsu = dragon.

I only just realised but…a naga is a snake. Nagayuki is the younger bro, isn’t he? Dangit, Nisio Isin! You bested me again.

150 doesn’t have any significance in regards to the number 12 now does it?

It’s Rabbit! Who’s not wearing his trademark booty shorts or high heels! Rabbit in a waiter’s outfit is really something, though.

“Hot guy”? Not by most people’s standards Tora/Kanae, considering he’s currently missing his head.

It’s tiger versus…aww. It’s not tiger vs dragon…

How can Ushii still talk after being strangled by Snake’s arm???

Whoa! Incendiary components are cool in Bond movies, but fiery liquid? That’s a step up!

Mahoutsukai no Yome 6

Admit it. You saw it in the next ep preview (unless you skipped it or read the manga)…It’s TITania time!

“She touched me for the first time.” – Elias, what a dork you are…

The birbs around Chise are so fluffy and adorable! It’s cute.

Geez, it really is TITania…these fanservice wiggles are destroying my Mahoutsukai no Yome experience…

Seing the Faerie Queen facepalm…is something else. *sweatdrops*

In the same way I want a koala sheep from Avatar the Last Airbender, I want one of those sheep bug things.

“Every creature of the night, including she and you, are my adorable little children.” – No wonder you have such big hooters, TITania…

A wild SIMON appeared!…Thought we’d forgotten about him for the rest of the episode. He would’ve made a better brick joke if his return were prolonged, y’know.

Strange question, but do priests wear pants?

Girls’ Last Tour 4

I’m listening to Ugoku Ugoku for the first time and it’s…strangely catchy…

That thing with the face is really creepy…

That thing is a stone statue???

“What IS cheese?” – Considering sometimes cheese tastes pretty bad, I don’t blame you for not knowing what cheese is.

Couldn’t they check the camera for what Kanazawa was doing with it?

I just saw the number 3230 on the camera’s inside frame for taking pictures (whatever you call it). That might be the year this show is set…

Notice the word for temple that’s used is jiin, a Buddhist temple. A Shinto version of that might be jinja.

Kanazawa was voiced by Akira Ishida? The guy who did Kiku (SGRS)??? NOOOOOOO! I missed a prime opportunity! I’ll have to go back for it later.

The ED is even more catchy than the OP. Is that even possible???

The camera breaks in the ED…that’s so ominous…

That post-ED scene was cute. A little bit.

Girls’ Last Tour 5

The slightly-electronic-sounding OP doesn’t quite fit the show, does it?

The phrase used was definitely ie dake ni. I’m not quite sure what that means, but…okay. I’ll just believe the subs on that one.

I wonder if Sentai is planning to dub these…I can imagine this show being dubbed.They wouldn’t need to pay too many VAs for it, for one thing.

Akogare is the word for desire or longing. It would be no surprise f there was an akogaru or akogarareru made from it as well.

Notice it’s “Yay!”, but with the word for house (ie) emphasised.

What is this fish dream, a metaphor for lesbians…?

The soundtrack guys must’ve had lots of fun striking cans or whatever.

I think this ED is different to the one last ep…Its name appears to be Amadare no Uta and it’s sung by the main VAs.

I bet the soundtrack guys hit a bell or two there…

Girls’ Last Tour 6

Oh no! It’s an Anime Scientist! Last time we had one, it was Shinawa (Kado), and you know how badly that went…

Interesting that the word for “takeoff” is “separation [from the] ground” literally.

Okay! I’m caught up to the weekly episodes now!

[deltaengineering]

Spring Anime 2017 Part 1: woke up late

This time I prepared so I could get to the procrastinating right with the first post! Yay! Let’s get this show on the road.

See also:

• spring anime 2017 part 2: girlfriendship is magic

• spring anime 2017 part 3: comfy and easy to wear

• spring anime 2017 bonus round: things you already knew were good

Alice to Zouroku

So get this, a pretty girl with psychic superweapon powers escapes from a lab she’s been in her whole life and now has to adapt to the real world with the help of a guy she stumbles upon, all while being chased by her superweapon former friends. But in a shocking twist, this is actually better than Elfen Lied! Not being written by someone as brutally incompetent as Lynn Okamoto is a start, but the real change here is that our heroine is less murder machine and more genuinely cute, and more importantly the guy she ends up with is not a harem ringleader dorklord, but a grumpy elderly florist. Yeah, we’re skipping the recent trend of dadfeel anime and diving headfirst into granddad feels (I don’t know if aging otaku are quite old enough to fully self-insert yet, but the same principle applies). It’s a low hanging fruit, but that’s what makes it work; a deliberate, contemplative pace and delightfully whimsical music by TO-MAS also help. So far, so good, were it not for the fact that this is only one aspect of the show. Of course a show like this would have an action half as well, and that one’s pretty garbage. Not only is it directed with zero impact or excitement, it also relies on horrible CG a lot - I really don’t want to be reminded of Hand Shakers this quickly again, thank you very much. Plus, it runs with a Alice in Wonderland metaphor, which is baby’s first literary reference and doesn’t bode well about the intellectual ambitions of the project. So we have one half that’s admittedly effective, but also very predictable and which desperately needs to go somewhere to pay off. The other half just plain sucks and has little chance to improve. I think I’ll give this one a few more chances to sort out its priorities, but it’s definitely not a sure thing.

Busou Shoujo Machiavellianism

A cocky guy walks into a school full of pretty girls with weapons who have managed to sissify all the dudes by forcing them to crossdress. He then proceeds to troll them with his rugged charm. You know, it’s really not that easy to offend me but damn this show is trying. Apart from bottom-tier harem crap setup, this show also looks like ass and is tremendously boring; a few well done action cuts do not in fact excuse “fights” that mostly consist of exposition about special attacks, or terminally uninspired direction. Macchiavellism is the worst of shounen fightmens crossed with the worst of harem LNs, plus some of the worst jokes bad anime comedy can come up with. It’s not even audacious enough in its badness to boggle the mind; I could watch this if I was interested in adding another 1/10 to my MAL, but that’s about all I can appreciate about it.

Frame Arms Girl

Speaking of unholy combinations, here’s Gundam Build Fighters x Rozen Maiden x Strike Witches: A girl stumbles into a sentient mecha musume model kit that spends its time explaining the technical details of model building to her and attracts other model kits that want to fight. It’s an ad for model kits, what do you expect. There’s no characters, the plot is utterly uninteresting, the action’s bad, it looks subpar to bad, and the only high point is how brazenly it reads to you from the manual.

Gin no Guardian

Here’s your latest Chinese webcomic adaptation from your friends at Haoliners Animation League (Shanghai) Inc., whose output has been asymptotically approaching the quality level of a bad Japanese cartoon for years now: Closer than ever, but still not quite there. Maybe they should stop picking bad webcomics with incomprehensible nonsense plots as source material, just sayin’. So this is about a dude who beats up CG zombies in the spirit world but the actual story is how he got there? Or something? It manages to look barely alright and even has some visually striking design work, but its half-length run time prevents it from forming any semblance of coherence and I’m not about to ask for further clarification.

Oushitsu Kyoushi Haine

In a vaguely 18th century Germanic kingdom, a grown ass man with the body of a ten year old and a snarky disposition is hired to become the tutor of an instaharem of fabulous princes. I really don’t get who this is for; obviously the harem is straight out of a PSP otome dating sim, but it’s lacking the obvious self-insert dimwitted main girl, and no, it isn’t gay romance either. Even though it’s a comedy, that aspect does not seem to be played for outright parody. The source material is running in GFantasy, a shounen title (but not one as specifically elementary schooler-focused as Jump, it also carries fujo favorites such as Black Butler). Dubious provenance aside, Haine is moderately funny if nothing else, mainly due to the deadpan reactions of the main character to these ridiculous dreamboats. It just also drags more than a little, with long conversations that aren’t very entertaining all the time. It’s watchable compared to a lot of the stuff out this season, but I remain unconvinced.

Rokudenashi Majutsu Koushi to Akashic Records

After Macchiavellism already obliterated the battle harem bingo, here’s our next winner. The setup’s more or less the same and in some respects it’s even more formulaic (the school is actually a magic school for magic people, princesses, duels, &c), but Akashic Record is not quite as odious simply by focusing on being a comedy first and foremost and pulling that off at least on a technical level - it has good visual execution and comedic timing. The question is just how much credit you want to give it for that when the jokes themselves still suck, and that’s of course ignoring the entire setup being Light Novel as all fuck. Kinda seems familiar actually, because this is not entirely unlike to what KonoSuba did to the isekai genre, and people keep trying to tell me that that was totally great. Well, go watch this one then, motherfuckers.

Sagrada Reset

But there’s always the other kind of light novel, the one where high schoolers talk about life, people and the world. Think Bakemonogatari or OreGairu. Sagrada Reset wants a slice of that pie and starts by stealing the magical realism conceit from classic™ visual novel Wind ~A Breath of Heart~: There’s a remote town in Japan where everyone has superpowers, but if they leave the town they instantly forget about it. Oops, i guess I just spoiled Wind’s midgame, but I have to since Sagrada Reset puts this stuff right upfront because it has to discuss technicalities (at length) to make its plot work. Yeah, that’s how I like my magical realism, thoroughly explained and conceived by people who should write wikis, not fiction. There’s a girl who can reset time, but only once per arbitrary period of time and also including herself, which means she only finds out she already did it once it doesn’t work again. So that’s pretty useless, except there’s a guy whose superpower is having his memory unaffected by this. They have to work together to solve... some problems, I suppose. This whole idea seems to have potential in a JoJo subplot sort of way, but it’s completely sunk by the way the thing is written, since apparently the writer has never met a human being in his life. It’s entirely made of these pseudo-deep highschool stoner philosophy conversations presented in a lifeless inflection by people who stand around like robots on battery saver mode. This seems to be intentional (at least the term “robot” is thrown around a couple of times, which is certainly ominous), but it also makes for an excruciating and interminable watching experience.

Sakura Quest

Since Sakura Quest was announced, I have been gleefully throwing water on the hype of people who expected this to be the next Shirobako. After all, how likely is it for lightning to strike twice, especially considering Mizushima is not in the director’s seat? Surely it was all just wishful thinking, I want a S2 of Shirobako as much as everyone but I just don’t trust anime. Well consider me fucking told, since apparently among the parties wishing for more Shirobako is P.A. Works, and unlike the anitwitterati they can make it happen. The actual brand name seems to be reserved for a Mizushima project, but I would have no trouble believing that Sakura Quest is a spinoff about Aoi’s sister in the boonies; Shirobako Sunshine, if you will. The initial setup is mirrored here; Yoshino is not a young professional starting her dream job, but a young professional unable to score a dream job (or any job) so she settles for a random one she’s very skeptical of, but will undoubtedly learn to love. Apart from that, well, it’s Shirobako: The positive tone, the large cast of likeable oddballs, the relatable writing about post-highschool problems, and it even looks completely identical. I’ll still be realistic about it: Shirobako isn’t great for what its ideas were, but for how thoroughly it delivered in the long run, and this is by no means guaranteed to also happen with Sakura Reset Quest. For an episode 1 though, it’s like a dream come true, and P.A. are setting themselves up for seasonal double domination with this and Uchouten Kazoku S2.

Souryo to Majiwaru Shikiyoku no Yoru ni

Enough gushing, here’s 5 minutes of porn. Okay, it’s josei porn so there may still be gushing involved if you know what I mean, nyuk nyuk. Er, sorry about that. Sooooo there’s a sexually frustrated woman who meets her school crush who’s now a priest, and then they fuck. With a staff made up mostly of (non-josei, but hey) hentai OVA veterans, there is really only one way this could go. I appreciate the brazenness as usual, but I really don’t know how much steamy harlequin romance tailored to TV broadcast standards I want to watch.

Tsugumomo

I’ve seen some warnings about Tsugumomo based on its source material which is a manga with 1. a very high level of art quality and 2. content that has been described as “makes To-Love Ru Darkness look family friendly”. This may explain why it has not been licensed. It doesn’t explain why this first episode is fairly tame though; sure, it’s very much an ecchi comedy, but you get those from time to time and Tsugumomo is not any more raunchy than what I’m used to seeing (and it accomplishes this even without obvious BD-advert censoring). That incidentally also removes any reason to watch it: The plot is as basic “guy gets magical girlfriend for purposes of fights and/or walking in on her naked in the bath” from 15 years ago as they come, and it’s suspiciously well animated, but not well enough for that to be a selling point. Maybe it will get real skeevy eventually, I won’t be around to find out.

Warau Salesman NEW

Warau Salesman starts strong with ultra cool, Saul Bass-inspired opening credits, but that’s about all it has to offer. It’s based on a “black comedy” manga from the 60s by one of the Doraemon authors, and oh boy can you tell. Not only are the character designs 60s-tastic (so at least the Osomatsu-san fujos can schlick to something while they wait for the S2 of that), but so are the sensibilities: The titular salesman goes around tempting frustrated office workers with doing something moderately irresponsible, such as drinking in your lunch break or spending above your means, and then ruins their life when they actually do it. It’s like Twilight Zone written by your HR department. In the 60s. This stuff would have been outdated even in 1989, when it was animated for the first time – hence the “NEW”. I don’t know, it just seems mean-spirited, obvious and pointless, and most importantly I put the “black comedy” in quotes because in addition to not being very black, it’s not funny in any way, and unlike regular anime comedy I can’t even see what’s supposed to be funny. 

[horrible-monstrosity]

the triggering continues................

Throughout episodes 5 and 6 the show acts like it's setting up some deconstruction-reconstruction thing regarding the place of witches in the modern day... buuuuut they can't quite make it work.

The main problem is that they haven't actually developed the magical part of the setting that well or deeply yet, especially how it fits in to the world outside the school. (Again it still fucking bothers me that magic doesn't work outside of the school and it hasn't been properly explained how you're ever supposed to get around this; that alone you'd think would disqualify any reason for it to be considered useful...) The magic system just seems to be pretty boilerplate with a little "quirky"-ness tacked onto it. The only really interesting thing I think we've seen is the ley line bus stop sign, which actually told us a bit about the world and magic system, that witches could ride these leylines on their brooms to somehow ease travel (given the sorcerer's stone thing, perhaps to save energy or serve as an alternative source of energy) and that it was like public transport to them. ... buuuuut then this was only seen briefly in episode one and promptly never brought up again. Why not have the kids ride the ley lines a bit in the Twilight episode once they escaped? Better yet, this one little detail destroys the ability of the setting to pass itself off as just le 100% generic magic witches school setting that might have been able to get away with minimal worldbuilding and just rely on "it's exactly what you expect, don't worry about it". Which would actually have been the setting you'd want to use for this if you're saying the silly frivolous idealized fantasy trope-world most people know and think of is outdated and flimsy. But now I find myself wondering about the details of this magic world, the exact culture and development and frame of mind that would have led to that sign... all of which would affect how it holds up to modern day tech.

Without that developed we can't really see how useful or useless or how out of date magic is supposed to be, so we just have to take characters' word for it... and that's basically what we've done. And then since there's no details to the magic, no one can say what it's actually good for so the only counterpoint we can have is Akko being so enthusiastic and shiny-eyed that her opponents just look at her and melt.

On the other hand, I find myself wondering why no one in the magic community has tried to modernize magic in even the slightest way. If there's some staunch traditionalists in places of power, that would explain why nothing's ever been changed, but not why no one's ever tried. You'd expect clashes of ideals. Especially given Akko is such a confrontational character- it would fit perfectly for her to end up having it out with some stuffy teacher over how magic is treated in the modern age.

Even weirder, Chariot's magic has been called "old-fashioned" before, even though it seems more flashy or modern compared to the staid structured no-nonsense magic the school teaches.

It also hurts the setup that we don't know how advanced technology is in this world that it can entirely replace magic. how technology is the technology that magic is *entirely* replaced? Even today, things like medicine and surgery aren't entirely perfect and have all sorts of risks and side effects. Technology- or rather, the energy used to power it- has costs like pollution. You'd think being able to magic someone well or power things with sorcerer stones or whatever would still be desirable as an alternative or at least a companion to modern tech. But all we get is dragon guy's comedical millions of screens with le funny graph things on them.

oh and then the episode right after this kills the entire thing by mentioning witches doing useful stuff with their magic like investigating crime scenes an shiet... so fuck that i guesssffff................

So the more I think about it, the less I understand what the point of Lotte and Sushi's characters even is. Like, we understand Akko, but why are the other two here? Sushi's just there for mushrooms and doesn't give a fuck about classes, okay, but how much does she know about witching to begin with? Is she experienced or does she just only give a fuck about her one area of interest and just ignores everything else? The other students seem to be basically novices, is she older than them or something? I just don't get her... thing. What is she?

And Lottie, just... why is she with these cunts? She's not particularly, like, trying to be the voice of reason for them, going after them when they start shit because she knows she's the only one who even has a chance of keeping them in line. She just... continues to exist in their general area. The twilight episode (gaggg) show she has her vices, but it doesn't take her anywhere near enough to the other two to be a "not so above it all" thing. She doesn't steal pies, she doesn't fucking straight up try to fucking kill people... Her only "crime" is being late to the entrance ceremony because she was in the general vicinity of the others. Even if that gets her saddled with the other two, just looking at them you'd think she'd be out of there on good behavior in no time. Or she'd get directly pulled into their bullshit and be blamed along with them more often, but she's kind of just... there when they fuck shit up.

So the Stick Rod and the arch gate thing are both tied to the Big Dipper/Ursa Major... I'm not quite sure why. It's not really a significant constellation you'd expect to be tied to any magical power, like, say... the Pleiades, maybe? cause, you know, gainax did a pleiades anime, an we wuz gainax n shieeeeetttttt It's occurred to me that the teacher's name was probably Ursula even back in the original (and I can't really be bothered to check) and so the "seven stars" was probably always the big dipper... but, like, I'm sticking to my guns here. It really feels like Trigger wanted to drag Houkago no Pleiades into their little incestuous cycle of small reference circles and endless self-backpatting, but they either were stopped because unlike Gurren Lagann (which was done right before they split off and I think had a lot of the same staff members) they really had fucking nothing to do with it (the shorts would have been made before the split but I don't know how much staff overlap there actually was), or they thought better of it... but not better enough to stop them from doing an erzats version instead of actually coming up with something original. So they swapped out the Pleiades for a different seven-star constellation (because they were really attached to the number, I guess?...), except they couldn't find one with anywhere near the level of lore and actual meaningful-ness (because that's just so hard) so they just... this. Come to think of it, I said before that Sushi is like a shit version of Nanako, and Pleiades has sort of a witch-like motif with the car broomsticks... hmmmmmmmmm.

If they wanted to stick with the Big Dipper, they could have done something cute like use a bunch of constellations that're well known to children and make it kind of cutesy and nostalgic. So say the stick has the little dipper on it because it's the "child" of the arch thing which has the big dipper, the school has some other constellation or stellar object as its main motif (instead of a... triskelion? why the fuck is it that? I can get the crescent moon they use for some of it but why is the triskelion also a thing?)

...... Anyway episode 5: i like how this readaptation of the ova plot just has some lizards randomly fucking came up and took the fucking stone... guess we don't really need any protection on the most important thing to the school or anything....... oh and then the teachers fuckijg punish akko and redhair for ALERTING THEM TO THE FUCKING THEFT OF THE MOST IMPORTANT THING TO THE FUCKING ACADEMY BECAUSE THEY BRIEFLY STOPPED CLEANING TO DO IT... why is everyone in this universe just full-on turbo-cunt? also there's no backup systems at all? fucking nice

... the moon has the fucking trigger star on it? just like flatly pasted on. it's not like the moon is a sphere or anything. also why is it there? evangelion pandering? ... Come to think of it, for all the wanking Trigger does over its own works and anything from Gainax they can vaguely call their's, they've never really touched Eva even though it's a fucking cultural juggernaut. Well, there's a girl in Franxx who looks like an Asuka clone, but she doesn't seem to have the same personality at all (the first episode will probably be out by the time I post this but rest assured I won't be watching it any time soon..... gotta let that succ juice marinate)

episode 6: every second of akko's live is succ because she sucks at everything and fuck her, we get it already. something about this is just cringy and depressing to watch... this is the first time these girls have ever seen a male of the human species before

ep 7: akko is too braindead from trying to open a window all night and not sleeping to exams and if she fails she gets kicked out of the school and she's too shit fucking do anything right, we get it already urrrrrrrrhghg lol how'd she get a b minus for literally not flying at all. I... guess it's nice to see her getting a fucking break for trying for once, but still, what? and then akko fucking kills a professor and drops them down the sink. lol rip