Is there Oneion facts we can know about?
THIS HAS BEEN ON MY DRAFTS FOR SO LONG OMG IM SO SORRY, HERE'S SOME FACTS ABOUT THE BABY BOY
(the baby boy in question is ten years older than me)
I'm gonna go canon stuff first, then some fun crossover stuff:
The version that I'm using is 35-ish years old (a few years before the movie events), he's been the leader of the resistance for around a decade
He still has all his brothers and loves them very much, would kill and die for them
Way more chill than One is right now, still a beast on combat
One can manipulate vines only using the seeds Draxum makes, Oneion can summon them at will from the ground with little issue
In the story he mostly goes by Leo now, very few people call him One (but lets keep calling him Oneion to avoid confusion)
The protesis he uses is an old one from Raph, but he outgrew it and gave it to Oneion when he lost his arm. It was a bit ridiculously big for him at the time, it's still a *little* too big for Oneion, but by the time he's 40-something (movie events) its gonna fit right in
The scarf he has is not the same One has, but as One's it was a gift from Draxum, he has carry the same scarf the whole apocalypse
Still has a lot of gold accents on his clothes
He's still the best fighter out of the four turtles
He loves being around kids but doesn't, he's afraid of hurting them. He knows he didn't had a normal childhood but is not 100% aware of what part was normal and ok and what part is not, and he rathers not take a chance and do something wrong.
He ends up enjoying teaching martial arts, tho he doesn't like being called sensei, and he wont spar with anyone bellow his level (again, being afraid of hurting them)
Casey Jr becomes the exception to these
Crossover stuff!
he can and will beat the shit out of One, he knows how much One can take so he's not really worried about that
when the apocalypse started he basically lost contact with the multiverse, so no fun crossovers for him. Until by the power of "@intotheelliwoods started doing fanart of Oneion before I even had finished his design" he had access to the multiverse again!
First of his "old frieds" he saw was Poptart and Sprout (2al huggy leos) and first thing he did was to hug Sprout<3 (well, he first kinda yelled at him but I'll draw that some day)
I don't think he has met again with the rest of the separated council? I don't remember if I've stick him in any crossover situations
he loves hugging Poptart, he's teddy bear size<3 and he'll never get tired of calling him his friend and loving him "the way he deserves" because he still hasn't forgive himself for the shitty way he treated Poptart (dont worry about it)
he fucking destroyed the attempt of a slau/2al crossover time line
he says he's fine by it but he keeps bringing up the "jawbreaker" incident, I dont think he got over it, actually
he hangs out with Sprout a lot
something something, being with Sprout makes him feel like a kid again, and it makes Sprout feel like a kid again because Oneion reminds him of Big Leo
Sprout and Oneion have a spa day, they deserve it<3 they also go shopping together. Also, they are not exactly good at cooking but they try and they love working together on the kitchen
Oneion got the "Oneion" nickname by Sprout and Poptart
he stronk. he can lift Sprout with no problem, and even Toast
if you wanna have a good time scroll down the besties tag on ell's blog or mine (2)
53 notes
·
View notes
@davekatweek day 1: plush!
in which dave does not want anything remotely puppet-like to watch the proceedings
(+ my rushed attempt at dialogue below)
DAVE: hey karkat sorry to totally crush your wildest selfcest dreams here but do you think maybe we could put that cool guy away before we go any further here
KARKAT: WHAT?
DAVE: your squishy dude over there with the sideways mohawk
DAVE: lil kat
KARKAT: ARE YOU REFERRING TO MY CUSHION EFFIGY?
DAVE: ok theres absolutely no way thats actually the troll word for plushies but ill let it slide without completely derailing the conversation this time
DAVE: yes that guy
DAVE: could we maybe do this without him watching
DAVE: idk something about the way hes been staring at me with those big yellow depression eyes is just killin my vibe
KARKAT: ANY OTHER COMPLAINTS YOU WANT TO GET OFF YOUR NUB WHILE YOU'RE ALREADY SCUTTLING YOUR EFFRONTERY GASH?
KARKAT: WOW DAVE, REALLY GLAD THAT AFTER ALL THIS TIME YOU FINALLY FOUND IT WITHIN THE ECHOING CAVERNS OF YOUR HOLLOW PUMP BISCUIT TO TELL ME THAT MY "DEPRESSION EYES" ALLEGEDLY "KILL YOUR VIBE".
DAVE: i love your depression eyes you know i love your depression eyes
DAVE: dude what
DAVE: thats totally different
KARKAT: ONCE AGAIN I AM COMPLETELY MYSTIFIED BY THE BOUNDLESS GENIUS OF YOUR ATROPHYING SPONGE. HOW COULD I EVER HOPE TO KEEP UP?
KARKAT: I DON'T KNOW, DAVE, IS THIS A THING THAT I KNOW?
KARKAT: YOU DON'T THINK THERE COULD BE ANYTHING CONFUSING ABOUT THE FACT THAT YOU ARE CLAIMING TO "LOVE" AN ANATOMICAL FEATURE OF MINE THAT YOU SIMULTANEOUSLY FIND SO DISGUSTING THAT YOU CAN'T POSSIBLY BRING YOURSELF TO ENGAGE IN CONCUPISCENT ACTIVITIES IN ITS PRESENCE?
DAVE: holy shit dude i cannot believe this is actually something youre stuck on
DAVE: this is a real unfortunate time to be getting into this but maybe its because your depression eyes are attached to the real life body of my sexy as fuck boyfriend and i can look at them and not get the weird fucking heebie jeebies about being watched or secretly filmed
KARKAT: OH.
DAVE: i mean look hes cute and all and on the one hand its genuinely hilarious that in a way were fulfilling plush karkats voyeuristic fantasies that he inherited from you
KARKAT: HEY!
DAVE: but on the other its kinda jarring that every time i glance up and see his weird little fabric face im getting flashbanged by my kid selfs fucked up programming and for a split second its like im seeing something completely different
DAVE: so yeah nothing wrong with his depression eyes specifically its just that theyre eyes and theyre not real and somehow that makes it way more real
DAVE: like maybe someone somehow snuck a webcam in there just now when i wasnt looking
DAVE: which doesnt actually make sense because first of all why
DAVE: and second of all im always keeping my eye out for that sort of thing anyway so i would definitely notice before we got this far
DAVE: but all this dumb shit just makes it kinda hard to focus on the actual depression bedroom eyes right in front of my face
DAVE: not to mention the rest of this effigy im tryin to get my ganderbulbs and prongs all over
KARKAT: OKAY I GET IT, STOP TRYING TO DISTRACT ME FROM THE FEELINGS JAM BY APPROPRIATING TROLL VERNACULAR.
KARKAT: I'LL PUT HIM IN THE OTHER ROOM.
...
i had more of the scene i could write, but it was getting long and im already late for day 1! maybe one day i'll actually write out a scene and post it on ao3
27 notes
·
View notes
Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)
First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.
I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!
Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.
It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.
I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.
So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......
The Rhythm Thief
NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!
How Do I Get To Carnegie Hall?
I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way
What Are All These Bands So Angry About?
Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this
I Married Myself
Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day
Ride 'Em Cowboy
My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to
My Baby's Taking Me Home
This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way
Your Call Is Very Important To Us. Please Hold
Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe
Ugly Guys With Beautiful Girls
Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it
Suburban Homeboy
Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)
One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course
24 notes
·
View notes
Okay, so years after its release I finished DAI, but tbh I only ever played it to see Hawke and hear what the world had to say about him and my warden. ok, also to meet the new companions personally
I did not enjoy it very much (don't want to say hated it because it had some fun bits), despised combat so much I chose to skip it altogether by using a cheat to instantly kill all hostiles, because dammit I just wanted to see the story for myself and the casual mode was not casual enough for me. No, I'm not going to rant about that game, that's not the point.
Even if it was not as emotionally engrossing as the previous 2 games, it still fucked me up. These last few days I spent trying to come to terms with it.
That Hawke was the one to stay in the Fade is a given for me now, because the story simply doesn't work otherwise. Yesterday I was thinking about how much I'd love to see Fenris and Carver working together, possibly somehow going into the Fade themselves to get Hawke out.
Then my stupid brain proposed to make it so only one of the three of them could get out (don't care about the details, those are basic concepts), and of course it had to be Carver, because we must protect him at all costs, and Fenris would choose to stay with Hawke no matter what where and when anyway. They would never be parted again, and i don't really understand how the Fade works, but maybe they could actually settle there? ascend to another plane of existence together, and how the hell do beings of flesh manage in the realm of spirits? And how do they die there and what happens to the bodies and aren't souls of the dead supposed to go to the Fade or something? I am so not good at processing Lore...
And then I thought to myself, what the hell, aren't I a pro at bending canon to my will? I overwrote the Mass effect universe to have Shepard, Kaidan and Ashley happily settle down as a throuple and my brain now accepts it as canon and nothing else matters.
Then why can't I overwrite the tiny relevant plot of Inquisition, and simply have Hawke and Fenris appear there together and work as a battle couple and solve the problems together like they're supposed to? Don't need to account for other variables and worry about fitting any technicalities.
I can make it happen.
16 notes
·
View notes