as soon as i added a very vague letterbox review for this film some guy from work texted me and it took me .5 seconds to realize he had no idea what the plot was actually about… certified ‘bruh’ moment lads
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🏳️🌈🏳️⚧️ GOOD queer news for the TL: a bunch of students across the U.S. are using grants to make their schools more welcoming for LGBTQ+ youth
Queer students deserve to feel safe at school! We're in our third year of giving grants to put the power in their hands to make their schools more welcoming - students know what they need most in their own communities and their own schools.
Through 50 States, 50 Grants, 5,000 Voices, we've awarded over $1.5 million in grants across the U.S. to support student-led projects. Our third season has some of the most badass projects yet, like these:
❤️ “With this grant, we’ll establish an LGBTQIA+ community space in the library, open to all students, with guest speakers, arts and crafts, LGBTQIA+ books and literature, and LGBTQIA+-specific resources.” - Pocatello, Idaho
🧡 “Our project aims to support LGBTQ+ students through teacher training, development of gender-neutral bathroom protocols, and the organization of a district-wide Queer Prom.” - Gypsum, Colorado
💛 “We’ll take students from the 3 middle schools and our local high school to Honolulu Pride to make local LGBTQ+ friends, feel accepted in a large group, and see the community beyond just school.” - Ewa Beach, Hawai'i
💚 “We’re going to increase access to queer literature by working with a local nonprofit to expand our school’s collection, host storytelling events, and foster community connection." - Mobile, Alabama
💙 “Our plan is to create new Inclusivity Zones across the state in critical areas for local GSA clubs to meet, plan shared events, and be their own safe space.” - Charleston, West Virginia
💜 “We’ll host the Rainbow Youth Summit for LGBTQIA+ youth from across southern California to network, learn, and have fun in a safe, judgement free and supportive environment.” - Cathedral City, California
These students are truly the definition of making things better - you can see the rest of the amazing projects lined up across the country on our blog here!
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
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Skip has always found a way to work through his problems and turn them around with relative ease, but the sudden death of his wife, Brandi, has brought his mostly carefreeness towards his children to a stand-still. With two freshly traumatized children and a newborn under his belt, can Skip juggle turning his shitty ass life around for his family, or will he crumble under the weight of his past mistakes?
Darleen hasn’t been the same since her husband, Darren, died, though she’d be quick to argue with you if you said anything of the sort. She’s FINE! She misses her husband, undoubtedly, but she’s not going to let that very, very, very tiny thing wreck her whole life, and she’s not going to let people give her grief about ANYTHING. Sure, she got fired from her job a few months back and hasn’t made any strides to find a new one, and she’s losing touch with her son as she goes and squanders all her responsibilities by partying and drinking on par with younger years, aaaaaaaaaaaaand the almost obsessive idealistic crush she’s developed on her neighbor is clouding the second half of her judgment, but she’s bounced back from worse and knows everything’s going to come up Darleen :) …………. hopefully
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okay very preliminary thoughts on mitski's new album BUT i think there's something with how "laurel hell" felt like a goodbye to the music industry (can't find the source but i remember reading that it was intended to be her last album under her contract) like i'm sorry anthony fantano but if you interpret the back half of "laurel hell" as being generic breakup songs you're missing like 80% of the context. to me TO ME it feels so clearly about her negotiating her relationship with fame, how she can't love her fans the way they love her, and how she feels like she sold her soul to her job, so the only thing to do is step away. but THEN "the land is inhospitable and so are we" was created after mitski decided to renegotiate her contract, specifically because she loved making music enough to deal with the negative aspects of the work. and then all the songs are about the ghost of love she can leave behind, despite the present pain or emptiness, and like. do you see it. do you see it.
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#121
The barrel of the supervillain’s weapon turns a bright white as it charges. The villain is ready for this—they’ve planned it, they’ve imagined it, they know that this has to be the thing that redeems them.
The supervillain laughs as he turns to face the weapon towards them. The heroes never really believed they’d changed. Why would they? A villain once is a villain for life. Whispers followed them, hard glares burned into their back, the odd ‘accidental’ shove followed by laughter that could’ve been as cruel as a villain’s.
The supervillain says something, but they’re not listening. Well. The villain’s about to show those stupid heroes what change looks like. They’ll die here, the hostages will have that extra time to escape, and the heroes will finally see the villain as one of them. As a person.
The villain closes their eyes. The machine in front of them whirs excitedly. This is it. This is it.
Something hard collides with their side, sending them crashing to the pavement. No! their mind shrieks. Gravel digs into any bit of skin it can find, the sharp ache of future bruises under their clothes. Painful, but not as much as this was meant to be.
The supervillain grunts in frustration as the villain risks opening their eyes. A hefty crater is smouldering in the concrete where they were just standing, puffing smoke into the air like a grim image of what they’d have ended up as—ash, at best. They can’t move; somehow, seeing the destruction that could’ve so easily been them is paralysing.
“Oh, god,” someone says from behind them. “You’re not dead, are you?”
The villain finally notices the tight hold around them and manages to wriggle out of it. “Wh—” They push away from the hero, incensed. “What are you doing?”
The hero lugs themself to their feet. “Making sure you don’t die?”
The villain follows them up, ignoring the hero’s hand held out to them, as the supervillain tuts irritably. “Heroes cannot save you, [Villain],” he calls with a cold smile. “You really think you are anything more than a stain to scrub out to them?”
The villain lurches back towards to supervillain, the hero grappling for them and missing. “Then give them something they’ll physically have to scrub out of this road!”
The hero appears next to them, their hand around their arm. “[Villain], stop.”
The villain shrugs their hand off, but it’s back immediately. “Go away, [Hero]. Let me do this.”
The supervillain’s weapon lights up. “No,” the hero snaps stubbornly. “Why are you so set on this? What is dying really going to do?”
Whirring hums in the air again. The barrel turns that heavenly white. “Because maybe then you’ll see me a little more as a person and less as a mindless criminal.” They shove the hero away. “There’s hostages, you know. Go be a hero and help them.”
“The other heroes have that sorted,” the hero says coolly, “because I’m a bit busy trying to save someone else right now.”
The villain doesn’t get a chance to pull away from the hero this time. Their hand tightens on the villain’s arm, and before they can react they’re pushed to the side and out of harm’s way a second time.
“Stop!” the villain cries, their voice barely a rasp. “You think I’m blind? You think I can’t see that all of you would rather I was dead?”
“Maybe a few of the nastier guys, sure. They don’t like anyone,” the hero says sharply, “but I promise you, [Villain], not everyone wants you dead.”
The supervillain’s weapon clicks. The villain recognises the sound; a reload, a brief respite in the war. The hero pulls the two of them behind a slab of upturned road, out of the weapon’s line of sight. Not that it wouldn’t blow this thing to smithereens if the supervillain wanted it to.
“You are a fool to think the heroes will ever think of you as one of them,” he says with a grim smirk. Another click, another bolt in. “But if you do not want to accept that, I am happy to erase the thought from your mind.”
“I need this,” the villain snaps. The hero’s still clinging to their arm. “Let go of me.”
“No you don’t,” the hero says shortly. “You need redemption.”
“This is redemption.”
“No it’s not.” The hero’s hold on them tightens, almost painfully. “This is sacrifice. For nothing.”
“I’m— I’m buying time, the hostages—”
“You realise,” the hero cuts in, “you can buy more time if you don’t keel over.”
The villain stares at them. The supervillain’s weapon clicks one final time. “Come out, [Villain],” he says brightly. “Let us relieve the heroes of their moral duties. I’m sure they’ll thank you for it.”
“Dying doesn’t fix anything,” the hero says lowly. “Don’t make amends by avoiding what you’ve done. Surviving—living with your mistakes—is the biggest atonement you can make.”
“Come on, [Villain],” the supervillain says again. The smile is audible in his voice; coy, knowing, confident. “I’ll make it nice and easy for you, I promise.”
The villain’s stare has long stopped focusing on the hero. They’re well beyond looking at anything. “Okay,” they say weakly. “Okay.”
When the shot of the supervillain’s machine crushes their hiding spot to pieces, the two of them are long gone.
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🏳️🌈🏳️⚧️ GOOD queer news for the TL: a bunch of students across the U.S. are using grants to make their schools more welcoming for LGBTQ+ youth
Queer students deserve to feel safe at school! We're in our third year of giving grants to put the power in their hands to make their schools more welcoming - students know what they need most in their own communities and their own schools.
Through 50 States, 50 Grants, 5,000 Voices, we've awarded over $1.5 million in grants across the U.S. to support student-led projects. Our third season has some of the most badass projects yet, like these:
❤️ “With this grant, we’ll establish an LGBTQIA+ community space in the library, open to all students, with guest speakers, arts and crafts, LGBTQIA+ books and literature, and LGBTQIA+-specific resources.” - Pocatello, Idaho
🧡 “Our project aims to support LGBTQ+ students through teacher training, development of gender-neutral bathroom protocols, and the organization of a district-wide Queer Prom.” - Gypsum, Colorado
💛 “We’ll take students from the 3 middle schools and our local high school to Honolulu Pride to make local LGBTQ+ friends, feel accepted in a large group, and see the community beyond just school.” - Ewa Beach, Hawai'i
💚 “We’re going to increase access to queer literature by working with a local nonprofit to expand our school’s collection, host storytelling events, and foster community connection." - Mobile, Alabama
💙 “Our plan is to create new Inclusivity Zones across the state in critical areas for local GSA clubs to meet, plan shared events, and be their own safe space.” - Charleston, West Virginia
💜 “We’ll host the Rainbow Youth Summit for LGBTQIA+ youth from across southern California to network, learn, and have fun in a safe, judgement free and supportive environment.” - Cathedral City, California
These students are truly the definition of making things better - you can see the rest of the amazing projects lined up across the country on our blog here!
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Brick may seem to have a bit of a double standard here when it comes to labels, but they don't consider "halfhouser" (half housecat) to be a bad thing, much less an insult. But "half-cat" is too far into icky and demeaning and invalidating territory; they are very much not cool with that, and they're eager to call it out.
On another note: the escaped prisoner is Stonefur.
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Part 1: Friend and Family
See up to thirty pages ahead, with timelapses, on Patreon! Deputy and Leader tiers are temporarily 33 pages ahead due to a double update! :D
Backgrounds, brushes, and other assets for sale on my Ko-Fi!
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Reconciliation
Old dome squadmates Trito and Kinoga get together at Trito’s place to catch up after years apart and a meeting by chance on the surface.
⚠️Warning for suggestive content below + implied chest trauma
After several weeks of chipping away at this, the comic is finally done! Very happy to have rendered a full 7 pages of oc stuff. Please give it a read!!
read the full 7 page comic on twitter! <-please do not click if you are a minor and view at your own discretion, this link contains explicit 18+ content. Thank you!
For the lore, includes stuff from splatoon Octo Expansion: Trito and Kinoga were a part of an octarian military squad living in the domes, Kinoga being their squad leader that many looked up to and admired. There were 6 of them who considered each other to be their closest friends. Upon hearing about the tests from Kamabo Co. and the allure of the Promised Land, Kinoga wished to seek it out in order to find a better life for their squadmates. A difficult decision, since it meant leaving them all behind, promising to come back and take them there.
Kinoga enters the metro trials and soon realizes that the Promised Land isn’t what they expected, their hope crumbling when they encounter one of their sanitized squadmates Agara, who followed suit to the metros soon after. Kinoga narrowly escapes, eventually making a break for the surface, carrying the shame of unwilling to return for their squadmates with them (it’s justified, of course, there might not be an easy way in, they might get caught again, Agara is gone)
Trito enters the Metro not too long after Kinoga does, wanting to catch up to them, and an accident that occurs in a test early on results in Trito’s near sanitization, giving him his scar. Terrified, and realizing what happens to his fellow octolings, Trito is unable to return to his squadmates, not wanting to break the news of their loved ones’ untimely fates. He hides away on the Metro until the events of OE happen and Agent 8 dismantles Kamabo, opening an opportunity to escape to the surface. Unwilling to face the possibilities of going back, Trito takes his chance to leave, starting a new life and feeling that it’s for the best if he doesn’t acknowledge it, though he missed his friends dearly.
Years later, Trito and Kinoga run into each other on the streets of Splatsville by chance, and the implications of them both being on the surface and alive hit them, having to carry the burden of leaving their loved ones behind and finding out the truth, knowing the other felt exactly the same, not knowing the fate of their squadmates and not wanting to think about the possibility of them being gone. They have a tearful reunion about it, and set up a meet later, to sit down and really talk, and get into a brief argument when the topic of returning to the domes comes up. Trito’s in disbelief that Kinoga never went back down to check on the rest of their squad, wanting them to have been a better person than him, who was too cowardly to do so. Eventually they do reconcile, and end up at Trito’s place to hook up, where the above comic takes place :]
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the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?
Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.
Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.
With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.
So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.
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I’m a trans man that recently got diagnosed with hyper mobile eds, so now seeing Steve makes me extra happy, because cool disabled ftm rep. Thanks for making the radical dude bro, he’s funky.
same disability (waving hand emoji)
Always extremely fulfilling to know my work makes people happy in some small way, it means a lot. Thank you for sharing with me
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🏳️🌈🏳️⚧️ GOOD queer news for the TL: a bunch of students across the U.S. are using grants to make their schools more welcoming for LGBTQ+ youth
Queer students deserve to feel safe at school! We're in our third year of giving grants to put the power in their hands to make their schools more welcoming - students know what they need most in their own communities and their own schools.
Through 50 States, 50 Grants, 5,000 Voices, we've awarded over $1.5 million in grants across the U.S. to support student-led projects. Our third season has some of the most badass projects yet, like these:
❤️ “With this grant, we’ll establish an LGBTQIA+ community space in the library, open to all students, with guest speakers, arts and crafts, LGBTQIA+ books and literature, and LGBTQIA+-specific resources.” - Pocatello, Idaho
🧡 “Our project aims to support LGBTQ+ students through teacher training, development of gender-neutral bathroom protocols, and the organization of a district-wide Queer Prom.” - Gypsum, Colorado
💛 “We’ll take students from the 3 middle schools and our local high school to Honolulu Pride to make local LGBTQ+ friends, feel accepted in a large group, and see the community beyond just school.” - Ewa Beach, Hawai'i
💚 “We’re going to increase access to queer literature by working with a local nonprofit to expand our school’s collection, host storytelling events, and foster community connection." - Mobile, Alabama
💙 “Our plan is to create new Inclusivity Zones across the state in critical areas for local GSA clubs to meet, plan shared events, and be their own safe space.” - Charleston, West Virginia
💜 “We’ll host the Rainbow Youth Summit for LGBTQIA+ youth from across southern California to network, learn, and have fun in a safe, judgement free and supportive environment.” - Cathedral City, California
These students are truly the definition of making things better - you can see the rest of the amazing projects lined up across the country on our blog here!
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Madk's mangaka is one of the few people who truly understands the old adage
Love and hate are two sides of the same coin
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Hold on something's just hit me.
If everyone in the Plex were to believe that Gregory dropped Cassie at the end of Ruin to keep himself from being found, whether he did it or not, wouldn't that make Roxy to one most able to understand him?
As Mimic's guard dog, surely she would know the lengths you have to go through to keep that fucker trapped. A whole team of Raceway construction workers went straight to their deaths down there. Roxy won't let the Raceway be repaired and re-opened in order to keep people safe. She's probably been able to see Mimic and its victims through the floor this entire time, she knows what it can do and what it's done, even if she doesn't know the full extent of it.
She's willing to sacrifice her Raceway and Salon to keep people from finding Mimic. Her pride and joys, basically her whole reason for being built in the first place. They're not worth the risk to her.
Whether Gregory sacrificed Cassie to keep Mimic trapped or not, surely Roxy would realise some sort of similarity. She may think doing that to Cassie was too far, she may think he's a monster for even considering it and she may feel as though nothing could justify what he did... But there's a part of her that gets it. The absolute terror that comes at the slightest possibility that Mimic could escape. She gets that sacrifices have to made, fuck she's made those sacrifices herself. She would never have sacrificed someone for this, that's why she ran headfirst at Mimic instead of just sealing the exits again, but there could be that tiny little part of her that feels the need to constantly to remind her that Gregory was trying to do the same thing she was.
The key difference here, is that if Gregory had done it, it would fall in line with almost everything else we've seen him do. The sacrifices he makes, are of other people, and not himself. He sacrificed Roxy, Chica and Monty to upgrade Freddy for his safety and possibly the safety of Vanessa. If he also dropped Cassie, then he's once again sacrificing someone else for the sake of his own safety. Not like he has that much else to lose, but I'm drawing comparisons here.
Roxy on the other hand, sacrifices herself. She sacrificed her Raceway and her Salon for the benefit of both herself and others. Unlike Gregory finding himself in a hopeless situation and hurting others to get out of it, Roxy was given this job (probably) and chose to give up what little she has in the world to keep the situation from happening. Even when Cassie deactivates her and ends up face to face with Mimic, Roxy jumps straight at it to buy her time to escape which could have easily killed her.
So now you have Roxy, who unfortunately does understand Gregory's choice to drop Cassie (if she believes he did it which yeah she probably does) but has absolutely no sympathy for him. She couldn't care less about him. There's potentially a fearful little voice in her head that she's the same as Gregory that fuels her anger towards him even more. She hasn't ever sacrificed someone else to keep the Mimic at bay and she's been doing it for fuck knows how long, what gives Gregory a free pass? Maybe if he hadn't stolen her fucking eyes she would have been able to stop the whole thing from getting that far anyway!
I'm not saying this to frame Gregory as a villain or anything. I don't think he dropped Cassie and I still think it was entirely Freddy's fault for what happened to the others in SB. I just think this is interesting from a character stand point. The one person that could understand the choices they've made to keep Mimic from escaping is each other, but they're both too hateful of each other for it to affect anything... If they were ever to settle their differences, I think it would have to start here. The only common ground they share, is the one thing no one else does.
But Gregory didn't even fucking do it so I bet that goes well lmao
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I feel like there's something to be said about the way fandom will treat characters who's trauma they can personally relate to Vs characters who they cant
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I have so many varied and fun WIPs I could work on but my brain continues to scream “BE WEIRD ABOUT CHILDBIRTH! SURELY YOU WON’T WEIRD ANYONE OUT IF YOU KEEP WRITING ABOUT CHILDBIRTH!” and I’d like it to sTOP
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🏳️🌈🏳️⚧️ GOOD queer news for the TL: a bunch of students across the U.S. are using grants to make their schools more welcoming for LGBTQ+ youth
Queer students deserve to feel safe at school! We're in our third year of giving grants to put the power in their hands to make their schools more welcoming - students know what they need most in their own communities and their own schools.
Through 50 States, 50 Grants, 5,000 Voices, we've awarded over $1.5 million in grants across the U.S. to support student-led projects. Our third season has some of the most badass projects yet, like these:
❤️ “With this grant, we’ll establish an LGBTQIA+ community space in the library, open to all students, with guest speakers, arts and crafts, LGBTQIA+ books and literature, and LGBTQIA+-specific resources.” - Pocatello, Idaho
🧡 “Our project aims to support LGBTQ+ students through teacher training, development of gender-neutral bathroom protocols, and the organization of a district-wide Queer Prom.” - Gypsum, Colorado
💛 “We’ll take students from the 3 middle schools and our local high school to Honolulu Pride to make local LGBTQ+ friends, feel accepted in a large group, and see the community beyond just school.” - Ewa Beach, Hawai'i
💚 “We’re going to increase access to queer literature by working with a local nonprofit to expand our school’s collection, host storytelling events, and foster community connection." - Mobile, Alabama
💙 “Our plan is to create new Inclusivity Zones across the state in critical areas for local GSA clubs to meet, plan shared events, and be their own safe space.” - Charleston, West Virginia
💜 “We’ll host the Rainbow Youth Summit for LGBTQIA+ youth from across southern California to network, learn, and have fun in a safe, judgement free and supportive environment.” - Cathedral City, California
These students are truly the definition of making things better - you can see the rest of the amazing projects lined up across the country on our blog here!
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Thinking about how "Don't Wanna Know" from Bo Burnham's "Inside" is a whole lot like the experience of talking to able-bodied friends about your chronic pain/disability:
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gamers i fear my arm is infected this might b the last of tamagotchikgs
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