#its late and this probably makes no sense

[marvelfanfn2187a113]

Burn Out

Sam and Dean Winchester & little sister!reader

Requested by Anonymous

Synopsis: you try to juggle hunting with school, but one day you just can’t do it anymore.

“Hey kid, we need you in the war room.”

The knock on your door followed by Sam’s voice had your head shooting up from its position on your notebook.

“What?” You mumbled under your breath, before you got your bearings. “Oh no…”

You looked down at the notebook in front of you—under the drool, there was a half-finished history report. It was due tomorrow, and you hadn’t been able to get started on it until an hour ago, because you and your brothers had been on a hunt. How could you have fallen asleep on it? You had to get this done!

“Y/N?” Sam knocked again. “Can you hear me?”

“I—yeah!” You closed your notebook—hunting was more important; people’s lives were more important. You could finish the report later. “I’m coming.”

…

“I think we should call it a night,” Dean said. You stole a glance at your watch as you put down the lore book that you weren’t even halfway through—it was almost 2 a.m.

“Good idea,” Sam agreed, slamming his own book shut and heading for his room.

“Go and get some sleep,” Dean told you, reaching over your shoulder and closing your book for you. “We can finish this tomorrow.”

You weren’t sure how that was possible, since tomorrow was a school day, but you didn’t argue with Dean. You stumbled back to your bedroom, heading not for your bed, but for your report.

…

You never did make it to your bed. You were pretty sure that you dozed a few times—or at least blinked really long—but you still ended up finishing your report in time.

As soon as it was done, you got yourself ready for school, taking a quick shower and hoping it was enough to make you look refreshed.

Your next stop was the kitchen; you were hoping you had enough time for some breakfast before Dean took you to school. Only, Dean wasn’t in the kitchen like he normally was. Curious, you checked the library, the war room, the shooting gallery, and finally the garage—not only were Sam and Dean not there, but neither was the Impala.

There were only a few options; a last-second hunt (except they would’ve told you they were going), the local library for more books (which hadn’t been necessary lately with all of the books in the bunker library), the grocery store (except the kitchen was fairly well stocked), or a diner for an excuse to get out of the bunker. You figured the last option was most likely—none of the others made sense, and the guys had to be stir-crazy after all the research. They must have wanted to let you sleep in, which meant they must also have forgotten you had school.

“It’s ok,” you mumbled to yourself. “I can still make it.” You’d have to skip breakfast, but if you ran you might still make it to class on time even without the Impala.

It was going to be a long day.

…

You didn’t make it in time, but you were fast enough to just get a tardy instead of an absence.

“Glad you could join us,” the teacher greeted as he gestured towards a seat—in the front.

You didn’t respond as you collapsed into the seat, reaching into your backpack to pull out your report when your phone buzzed.

Dean: Where r u?

So he had forgotten about school. He was probably too sleep-deprived to remember what day it was; you could relate to that. You were just typing out a response when you noticed a shadow over your desk.

“I’ll take your report,” your teacher stated, holding his hand out. “And your phone.”

“But I was just—“

“Your phone, please.”

You handed your phone and your report over without another word, hoping Dean would remember where you were on his own—the last thing you wanted was to freak him out.

“Now, if we’re done with distractions, we need to get started.”

…

You tried to get your phone back at the end of class, but your teacher assured you that—

“You’ll get it at the end of the day. Just stop by the office before you go home.”

—which was bad enough, but when he followed it up with—

“Oh, and I think you should take this back.” He held out your report.

“Wha—why?” You asked, your heart sinking.

“It was supposed to be three pages, not two. If you get it back to me tomorrow with three pages, I won’t have to dock as many points. I think it’s your best option.”

“Um—ok.” You took the report, hoping that you’d actually get the chance to get that third page by tomorrow.

“Just a page more,” your teacher said. “Maybe expound a little more on the individual paragraphs and you’ll be good. And try not to stay up too late doing it,” he added. “I’m guessing things have been pretty busy with you lately—you never used to forget stuff like this. Are you—“

“I’m fine,” you assured him. “I just…I have to get to class.”

You turned on your heel, and your teacher didn’t try to stop you. You knew he was just concerned about you, but in your life you couldn’t afford to have people be curious about you. It never turned out well.

And you just couldn’t take anything else going wrong.

…

You’d forgotten to bring your lunch or any money to buy some from the cafeteria, so you hid out in the bathroom for most of your lunch hour. You got told off by three separate teachers for dozing in class, and there was a pop quiz in the last period over reading that you hadn’t had time to do.

When the final bell rang, you couldn’t get out of your seat fast enough. You made a beeline for the office, hoping that your phone hadn’t been blown up with messages—hoping that Dean wasn’t freaking out.

You didn’t get a chance to find out; you’d forgotten to charge your phone last night, so by the time you picked it up from the secretary, it was dead.

“It’s fine it’s fine it’s fine,” you muttered to yourself over and over on the walk home. You would get home, your brothers would be fine, you’d take a little nap…

You opened the door to the bunker, but you didn’t make it halfway down the stairs before.

“Sam! She’s here!”

Dean caught you at the bottom of the stairs, his hands going to your shoulders, which he gripped tightly.

“What is wrong with you?! Where were you? Why didn’t you answer your phone?”

“Dean, I—“

Dean wasn’t listening.

“You can’t just disappear like that! Sam and I have been going insane! Of all the stupid, irresponsible things to do—“ Dean cut himself off, waving an angry hand in front of his face as if waving off the rant. He didn’t even notice the way your face was scrunching up, or the tears that were beginning to track down your cheeks. “You know what, forget about that. Forget about how you scared the crap out of us, and people are dying out there because we had to stop researching the hunt to look for you. Forget about how you made us think you coulda been dead. Where. Were. You?!” Dean’s grip was back on your shoulders, and he was shaking you. His face was tight with rage, his form towering over your own.

“I-I—“ your voice squeaked and broke, but Dean was still stiff with rage and waiting for your answer, so you tried again. Your voice was as tiny as you felt right now as you finally managed to choke out. “I was at school.” You didn’t notice the way Dean’s face changed—the anger melting from it as realization hit him like a train—because your eyes were too full of tears. “They—I—“ you wanted to tell him they took your phone, you wanted to tell him that you tried to find him before you left, you wanted to tell him you were doing your best…but you couldn’t. You couldn’t find it in you to give any excuses that could make him yell at you like that again. “I’m sorry, I…I’ll go help Sam with research.”

You ran past Dean, heading for the library.

“Dang it,” Dean mumbled under his breath, smacking the wall with his fist as he huffed. “So stupid, I’m so stupid!” He took a long moment to breathe, not wanting to look angry when he saw you again.

He had enough of a mess to fix already.

…

No one was in the library when you got there, so you went right to pulling books off the shelves.

After the first few books, you spotted one on a higher shelf. You were just reaching for it when you heard—

“Y/N!”

You turned around to see Sam heading right for you. You were already stumbling out an apology before he even reached you.

“I’m sorry, I didn’t mean to—I thought you—“ you were blubbering, having not stopped crying since your encounter with Dean. Sam noticed immediately and his approach slowed as his hands rose innocently.

“Whoa, hey, it’s ok, you’re ok.” Sam continued to step forwards, but that just made you feel cornered against the bookshelf, and you started to panic as you couldn’t make yourself stop crying.

“I’m sorry Sammy, I was at school, I’m gonna help you now, I’m sorry I’m sorry—“

You didn’t notice the books slipping from your hands until they clattered to the floor. Your hands were starting to shake, and your knees were shaking so hard that you had to slowly lower yourself in a crouching position on the floor before you fell. You tucked your head into your knees, finally letting out all the stress of the past weeks as you sobbed.

“Hey hey hey…” Sam knelt down next to you and grabbed onto your shoulders. “It’s ok, just take some deep breaths. You’re ok.”

You could hardly breathe between sobs, but you tried your best to listen to your big brother’s instructions.

“Kid?” Your head lifted just a little when you heard Dean’s voice. He joined Sam next to you. “Slow down, sweetheart. Breathe.”

“I didn’t mean to,” you whimpered, taking deep breaths between words. “They took my phone and I didn’t know what—“

“It’s ok, don’t explain,” Dean insisted. “Just keep taking deep breaths for me, ok?”

“Ok.” You sniffled, grabbing on to Dean’s offered hand and breathing slowly until your sobs subsided.

“Good, good.” Dean sat back on his heels, running a hand over his face. “I should’ve slowed it down, I should’ve known we were burning you out.”

“I’m sorry,” you sniffled. “I thought maybe you would figure it out—I can help you now—“

“No, no” Sam interrupted. “This isn’t your fault, don’t apologize. And the research can wait—I think you should get some sleep.”

“And food,” Dean added. “Did you eat today?”

You rubbed your sleeve over your face, trying to stop your tears.

“You don’t have to baby me,” you said finally. “I-I can still help you guys.”

“Not today,” Sam countered. “And maybe not for a little while. We’ve been burning you out too much.”

“Look,” Dean added before you could argue. “Sometimes we can forget that you’re still just a kid, and you still have kid stuff to worry about—like school. That’s on us, not you. This isn’t your fault; we need to do better. And that starts with making sure you take care of yourself. So go get some food, and get some sleep. Everything else can wait, ok?”

You hesitated. “Ok.” You let your brothers help you to your feet, and then you couldn’t help yourself—you pulled Dean in for a hug, burying your head in his jacket. You felt his body shake a little as he chuckled.

“You’re ok kid,” he said, rubbing your back. “I’m sorry about earlier.”

“It’s ok,” you said, your voice muffled against his shirt.

“Ok.” Dean was smiling as you pulled away. “Now get going.”

Taglist:

@nyotamalfoy @mrvlxgrl @chocorade @aestheticdaisies @inlovewhithafairytale @that-wannabe-vangoghgurl @casmustdiee @987coley @deadlymistletoe @wayward-impala83 @whump-loverz

[vigilskeep]

do you have any refs for Minerva’s relationship with the other dao companions? I did not realize she and leliana was estranged 😭 also if im remembering correctly she makes loghain do the dark ritual? sorry I do like spinning her around in my head and knowing the little details she’s such a great character!!

leliana and minerva did not have a clear breakup in the alistair minerva sense but they did grow apart because of the simple reason that post dao minerva becomes politically at odds with the chantry while leliana is serving its leader. leliana is not a type of person minerva finds very easy to like or trust so while they did grow on each other over the course of dao they never had a simple friendship in the first place

alistair you probably know about bc its kind of the cornerstone of minervaposting but theres a post fully explaining it not much further down in her tag

zevran is her romance <3 i hesitate to use the word “soulmates” exactly but they definitely fit together in a way no other minerva pairing could match

morrigan she has a weird close complicated vaguely homosexual friendship with, i’m sure this is par for the course for f!wardens. they probably could have been in love if morrigan had been willing to pursue it in the start and if minerva hadn’t already gone for someone else by the end, and all that is unspoken but very present in everything about them

sten is i guess kind of the typical high approval relationship as presented in game? not much more unique. a lot of respect a lot of arguing a lot of dry humour. they could hang out in silence comfortably and they’re also both know and respect that they’re very capable of killing the other if their greater purposes ever demand it

oghren she kind of doesn’t pay much mind in origins when she doesn’t have to but he becomes part of the family in awakening. they bond over having their insane shared experiences of the blight, and also over him trying to quit drinking and her trying to quit blood magic which leads to some really wild out of context conversations for the others. and hey, eventually over first attempting to parent at similar times

wynne she has a bit of a sharp relationship with. i think this could vary a lot if i pick her up earlier, but in my main minerva playthrough i picked her up late by which time minerva had absolutely no fucking interest in getting the kind of lectures she grew up with. sorry grandma </3

uhhhh who else. shale idk man im sorry for being a fake fan but shale’s dlc truly does nothing for me it’s unfunny and i dont think abt it at all 💔 this would be written in less harsh terms if i wasnt sleepy

loghain is. well that’s a kettle of fish. minerva spares him because it happens to be a preferable move for her agenda and her way of thinking, it’s not rlly about him as a person at all. she doesn’t absolve him of anything he did, like, she still thinks he’s a bastard it’s just that she doesn’t really believe at all in the concept of justice being done if it doesn’t serve a purpose. when he’s in the party they do build up respect and a weird kind of friendship. he sucks and she’s bitter about what sparing him cost her, but that isn’t relevant, it’s not going to stop her learning from him, or fighting at his side as the best team she can quickly make them, or simply finding him entertaining to talk to. so by the end it’s as a friend that she asks him to do the dark ritual, whatever that means. post dao she agrees with weisshaupt that him being assigned outside of ferelden is wise but they continue to write to each other extremely regularly, mostly on matters of news and strategy but occasionally on the more personal

is that everyone i think thats everyone

[mariacallous]

Everyone, it seems, wants a piece of Moo Deng. The baby pygmy hippo is barely two months old and already famous. So beloved on TikTok, Instagram, and X is Moo Deng that workers at Khao Kheow Open Zoo, the place in Thailand where she was born, are doing all they can to keep up with her fans’ appetite for more. They post videos, photos, updates. They also welcome thousands of visitors a day and find themselves having to defend Moo Deng when tourists throw shells at her while she’s just trying to chill.

Moo Deng, a name that means “bouncy pig,” has probably been all over your timeline lately—on Sephora makeup tutorials, on X’s main feed. She was born in July and in the past few weeks has become the Internet’s New Favorite Animal. A tradition almost as old as the internet itself, Favorite Animals—Maru, any of the dogs on the shiba inu puppy cam, those two llamas who just happened to run free the same day everyone was trying to decide what color The Dress was—come into the public consciousness seemingly out of nowhere. Some, like Doge, stick around; others disappear, or simply outgrow their cuteness, within a matter of weeks.

All of which makes capitalizing on their fame a matter of some urgency. It seems heartless to think of animals this way, but if their owners don’t, someone else will. Perhaps that’s why zoo director Narongwit Chodchoi told the Associated Press this week that the zoo has begun the process of trying to trademark and patent the hippo to avoid her likeness getting used by anyone else—a smart move considering Moo Deng mugs, T-shirts, and other merch are already popping up online. Income from these efforts, Chodcho told the wire service, could “support activities that will make the animals’ lives better.”

Moo Deng might need it. Fandom is getting a bit out of control these days. As pop stars like Chappell Roan have amassed online and offline fame, they’ve also had to use their platforms to ask for space from boundary-less fans and stalkers. Social media celebs like Drew Afualo, on whose podcast Roan appeared to talk about the subject, also tell stories of being approached in public by people who simply know them from the internet.

It may seem odd to compare them to Favorite Animals, but the ways in which people feel entitled to their time aren’t that far apart. Everyone wants something for the ’gram, even if that something is a living being with its own sense of agency. One of Moo Deng’s most popular TikToks has 34 million views, and zoo staff have had to limit her visiting time to five minutes on Saturdays and Sundays to keep too many people from trying to get content of their own.

Trademark protections may be the best way for Moo Deng’s caretakers to ensure others don’t cash in on her viral fame. When Jools Lebron made efforts to trademark her “very demure, very mindful” meme, one of the hurdles that emerged was that it’s hard to claim ownership of a phrase. As Kate Miltner, a lecturer in data, AI, and society at the University of Sheffield’s Information School, told me at the time, memes with audiovisual elements, like Nyan Cat or Grumpy Cat, are easier to register. “People will invariably try to make money off of viral or memetic content, as we've seen time and again,” Miltner says when asked about trademarking the baby hippo, adding that the Cincinnati Zoo has already done this with Fiona the Hippo. “It's smart of the Khao Kheow Open Zoo to (at least try to) ensure that they’re the ones that do so.”

Lebron seems to be figuring out how to market her moment, and Moo Deng’s keepers seem to be doing the same. Being online in 2024 means living in a state of near-constant vulnerability. You could get hacked or turned into a humiliating deepfake. Having a public opinion on a video game or The Acolyte could turn your mentions into a hellscape. And that’s what happens to filthy casuals. When you’re an ascending pop star or a baby hippo the weak spots multiply, because the world always seems hungry for more of you. It’s possible to protect yourself, even monetize yourself, but you can lose yourself, too.

Like Boaty McBoatface, Moo Deng was named by the internet. The zoo held a poll on social media. Unlike McBoatface, Moo Deng is a living thing; she’s a member of an endangered species and needs protecting. Moo Deng is more than a meme.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[mobblespsycho100]

smth so good abt labru besides the obvious thing (narrative foils) is also the fact that laios is such an open book / wears his heart on his sleeve and honest down to earth guy that he just loops back around to being unpredictable . like the fuckin, “its not even a monster??” laios fav food reveal is such a funny bit because like . okay. its hilarious that kabru who’s whole thing is being able to read people super well and remember all these details abt them is just so utterly blind when it comes to laios. hes like shooting a dart everywhere and it hits the general direction but at the same time the trajectory is just so off because laios does something bizarre that kabru has to reorient his chart of “stuff abt laios touden” and scramble things around. its like a game. a flow chart of . whatever the fuck

basically Kabru, the guy who knows everything there is to know about everyone. V.S this enigma who isn’t even that mysterious just autistic and easily misunderstood

[puppyeared]

my stardew farmer ^_^ he doesnt have a green thumb for shit so he keeps animals and does mining

some tidbits i came up with while playing hehe

reclusive and doesnt really go out of his way to talk or visit people unless its an errand. but he also doesnt try to befriend others to get something out of it, so he has a very easygoing approach to making friends. on good terms with linus and sebastian since he runs into them most often.

if he respects or takes a liking to someone, he'll greet them with miss/mister (name). if you get close to him he starts using first name basis. if he doesn't like you, he'll refer to you by your title without using your name. only a few people have caught on to this.

the farm he inherited, Milky Way Farm, was the site of a meteorite crash and sometimes you can find shards of meteor debris littered around the farm (i picked the hilltop farm bc of this lol)

lost his sweater and pants a long ass time ago and doesnt have the time to look for them, so hes been working in his sleep clothes ever since

isnt actually grandpa's real heir to the farm... ;)

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[muchmossymess]

uh oh guys, hot take alert:

i think revali may have invented hand held aerial archery HEAR ME OUT- (this is a long one boys)

okay. evidence one: why the fuck would a rito shoot like that. like, it makes nearly zero sense, it would be such a hindrance to their flight and their main stake is that they can be higher than you can shoot whilst still pinging you... which revali has overcome with his gale

evidence two: tulin and the concept arts. obviously rito style archery would be held in their talons. before totk came out idk if anyone had really thought about it too much, but the developers had, as you can see in concept art (from the creating a champion book). and like, its logical, powerful, and allows for peak maneuverability. also, when in flight revali (and teba) holds his bow in his talons before switching to his wings. surely its easier to keep it in your wing (obvi ignoring the effects to flight but hes doing that anyway firing the damn thing) rather than switch back and forth- unless you were taught that way, because why would you hold it elsewhere, you need it in your talons to shoot.

evidence three: we dont see any other rito do it (...kind of). throughout botw and totk, we never see another rito flying with a bow in their hands. in totk, its mostly tulin, who holds it in his talons, but in botw the big one is teba. during the medoh quest, he actually gives *link* his bow, and therefore does no shooting in the sky. teba and harth had both tried to take on medoh before, but we never see this, and while they holds their bows in their hands *on the ground,* we dont see it.

...except for aoc (uh, spoilers?). there are two times we see a rito other than revali hold their bow in their hand for aerial archery. but it is not with any rito soldiers, either during cutscenes (the bows are only on their backs) or gameplay (they swoop down, and then hand hold bows on ground. they arent seen flying at all but thats prolly for the same reasons as botw: its very hard to code that (and so they write the lore around that fact)). the first time we actually see another rito do this, we dont see it. Its teba, as he comes thru the portal, but all we see is the arrow shot, and then him freeze frame with the bow in one wing. we dont see the bow in his hand for the rest of the fight. the second time we actually see him fighting like this, it *is* in the air, but its noticeably different to revali.

hes a lot slower, it clearly takes a LOT more effort to shoot the bow, and he only pulls off one arrow at a time. its canon that revalis bow is heavier/harder to draw, and he manages to effortlessly stream arrows whilst fucking floating midair. i think teba, forever a revali fanboy, heard of how the champion mastered his own style of archery and sought to teach himself, but lacked one key thing: revalis mastery of wind.

evidence three point five: revali could easily use his powers to hold him in the air longer/slow his descent long enough for him to fire his shots. it makes sense, really. if he can use his gale to propel him, he can sit on the updraft for a hot sec, or even curve the path to carry him along while he lines up the shot. this would mean he wouldnt need to flap as much as other rito, who would obviously need to keep flying

evidence four: revalis fighting style and his needs. revali works with non rito, obviously. he needs to be able to communicate with them on the battlefield, and they wont understand the muffled chirps if he holds his string in his beak, so he needs his mouth free to speak hylian. also, revalis main tactic is fly up with gale, shoot, fall, either shoot more or use velocity and weight to knock around opponents, and then fly back up. he often needs both feet planted firmly on the ground to get a good hold of his gale, something that is harder to do if you have a bow in the way.

also, take for example the kick he delivers link in their fight (aoc). that would possibly damage the bow, or give the opponent a chance to grab his weapon, if he held it in his talons. and to switch from feet to back is a risky maneuver during freefall, and could lose precious seconds, and then when you get back in the air you need to get it off your back again. its much easier to keep the bow loosely in your wing the whole time, meaning your free to attack melee, land and rise all while not wasting a single moment getting your next shot lined up.

so yeah, i think the rito used the talon grip for aerial archery, and would often use the hand held method on the ground for a variety of reasons (more powerful shots?, easier in some situations like hunting), but revali was perhaps the first to use hand held aerial, another reason he was one of the greatest archers ever.

[araneapeixes]

currently experiencing. sad autism where im scared that bc i post so slow everybody has already gotten over bg3 and theres no point in me getting to all the ideas i still have bc novody will care. can anybody just reassure me real quick that you will still want me to draw shadowheart once every 3 months in the future

[disastress-i-guess]

Watch me compare this book that has nothing to do with saiki K to saiki K with the power of brain rot.

First of, if you absolutely massacre the main character's personality this book is totally kusbosai. Like just look at these:

This one I feel is just Saiki in general.

I just really like this line:

[salad-storm]

I love sashisu because they all very much love each other and are best friends but the shoko erasure is so blatant that it makes for a very interesting dynamic. Like yeah obviously she was part of everything that happened. Not that any of them would realise if you asked them though.

[doodoodinklefart]

back for another jjk yap sess, this time abt geto LOL...

im honestly a little surprised i never noticed this before but the way that geto (who thought that his best friend was killed and saw a girl he was essentially willing to uproot his life for get murdered right in front of him) tries SOO hard to stay calm while toji's talking and then the MOMENT he brings satoru up again and trivializes riko's death, suguru loses it. i'm thinking suguru let him talk in the first place despite the risk of letting toji reveal his pact (and wanting to kill him Very Bad) cuz he figured it would be better to understand toji's deal since he beat satoru, something that suguru trusted would not happen

but then he starts referring to satoru strictly as "the six eyes", and i think that suguru, one of the few people that saw satoru as a person beyond his cursed technique or his family name could not help but get super pissed abt toji's dehumanization of satoru (and riko too, who he only refers to as the star plasma vessel). i just thought that it was very interesting....... suguru cared so much and it makes me CRAZY AS FUCK.

like, to begin with i think its sooo so interesting that suguru made it a point to be considerate of all the human parts of satoru despite the fact that im sure most other people assume he doesn't need to be worried about. i'll never stop thinking about suguru asking if he needs a break since he's overusing his technique, telling him he worked hard after getting back to the school, trying to rush to his side after he's been stabbed and being conflicted when satoru tells him to leave with riko and kuroi... he didn't just assume satoru could handle all that shit on his own cuz even if he could have he shouldn't have to.

also related omg im almost done i promise but!! the scene where suguru gets to the star religious group and sees satoru again for the first time...

the way that he can't even believe his eyes, probably in part because he's acting way different but also because he thought he FUCKING DIED. and he had to drag himself out of the tomb of the stars and probably went to look for gojo's body before even going to shoko. and then he had to tell her he couldn't even find his body man WHAT THE FUCK!!! i think maybe saw a twitter post about this part in particular but he might have thought toji took riko's body and satoru's, so the thought that he went all the way there thinking he'd have to see two dead bodies of people he cared about... ugh. suguru geto i love you

[skunkes]

guy liker moment

[screechingfromthevoid]

Orym told derrig he didn't know why he didn't come see him last time he was home. That is a fucking lie. He knows exactly why.

He couldn't bring Dorian to his father and husband's graves.

Which. Is fine I guess. Grief is a bitch and not linear. But I'm going to write a fucking thesis on Orym and his inability to face the truly fucking hard stuff in his life.

Because sure. Being a widower and mourning your husband is super fucking hard. Especially when it came at the same time as the only home you've ever known no longer feeling safe. FINE. That is incredibly hard.

BUT. Orym will barely let himself admit that he has feelings for Dorian let alone navigate what it means to love again.

Orym feels such immense guilt about Will's death that he considers moving on to be the biggest betrayal. That survivors guilt combined with him swearing to put an end to the people that took Will from him truly stops Orym from actually feeling his feelings about even the idea of loving again. He can't process loving again because he feels like it's unfinished business. That he hasn't earned love again.

Which is bullshit you dumb little halfling man.

Then, holding love in your heart for your first love and spouse while finding yourself developing feelings for another is a hard thing to juggle. So he doesn't. Which only leads to feeling worse when he remembers Will.

If Orym really sat down and thought about how Will would feel about him moving on, he would probably come to the conclusion that Will would not want Orym to live his life alone for his sake. I feel like Will is the type to say "it is very sweet that you want to only love me. But you're not proving anything by not loving someone else"

Because Orym might want to be that guy? He always thought he would be? He was a widower. He loved Will with everything he had. He was not going to stray. He wasn't going to betray him like that.

But falling in love is messy. He couldn't help himself falling in love the first time. And he shouldn't punish himself for falling in love the second time. Because he couldn't help it. Suddenly he was just. In love.

And Dorian knows about Will. Dorian knows how much Will meant to Orym. He'd never make Orym get a cover up tattoo or stop seeing Will or tell him to never talk about him. Dorian understands that Orym will always love Will. He just hopes Orym might love him also.

If Orym was better at his feelings, if he was better at facing the hard shit in his life, he would have taken Dorian to see his father and Will. They would have mourned together. Dorian would have said hello like Fearne did. He might have left a stone or praised Orym. And Orym would have been able to see his two worlds together. He would be able to reconcile his past and future and anything in between.

[gurlbur]

bwa ii 16 spoilers ya

the characters not technically being real is a crazy reveal, sure, but also they are very very real. they're real people with personalities, even if they were invented with them in mind. They have relationships and complex thoughts and can grow and change!! Them not being real doesn't really change any of that, because there's only one version of them all. And it's the version we've known from season one to now !! They are capable of so much and being someone capable means just that !! not being "real" doesn't change anything in my mind (character wise, plot wise on the other hand this is fucking crazy)

[spamsandsuch]

I LOVE THE WAY YOU DRAW SPAMTON!! HE LOOKS SO SOFT AND SQUISHY I JUST WANNA HUG HIM!! I usually don't do ask like this but I just had to tell you how much I love the way your spamton looks! (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)⁠❤

Hi hi, while I appreciate you like my spam so much I wanna reiterate that he isnt a character that would enjoy being hugged or randomly touched from strangers — he is pretty touch adverse and is only comfortable with touch from close friends or family. A handshake or high five would be much more preferable!