#t. (saying this as metaphor bc obviously humans are not things to be owned) but i want my own model to pose and study

[skunkes]

guy liker moment

[incorrect-ikevamp-quotes]

pls scream about Leo a lil bit cause my love for that man is neverending and i live for you guys' blog,,, and ur comte love fuels me??? head empty except for those two pureblood clowns

HNGNGNG I hope that both you and everyone that reads my shenanigans knows how utterly understood I feel when I see anyone stan Comte, if not both of those idiot purebloods bc good lord...I live for two tired fossil men that just want DOMESTIC BLISS. Literally they have no brain cells beyond respect women and we love that for us, it’s spectacular!!

Under a cut bc I went off and is long:

That being said I’d be happy to yell abt Leo!! Where do I even begin, this man was the reason I got into Ikevamp in the first place, and I’ve read just about every single one of his events at this point. He just makes me so TENDER!!!!!! For whatever reason the first thing that came to mind was this one time he lies about being jealous and MC is lolol u a fool if you think I can’t tell when you lie to me. And he’s so fuckiNG SHOOK?????? It’s even funnier because she’s internally like [I’m not 100% sure but for a second there he almost looked mad...time to test this theory even if it’s just A GAME T H E O R Y] And he’s so fucking pikachu meme that shit sends me. I can’t handle the fact that he’s so used to people just assuming he’s fine, that he can handle himself. That he’s lived for so long without really anyone noticing at all. (Comte absolutely notices and will lightly roast him, but doesn’t really push him about it or wants to overstep). And so when MC just actively pays attention and is so gentle with him he’s just floored???

God I’m crying now, but I will just never forget the funeral scene in his fucking rt. This asshole, this absolute moron, straight up tries to come at us with “yOu GeT uSeD tO iT aFtEr HaLf A mIlLeNiUm, i’M nOt SaD”. Like are you serious. Come here and let me hold you before I throttle you. Absolute clown. He’s just always trying so hard to get by on his own and it breaks my heart. How long...how long has he lived just getting by, nursing his own wounds and dragging himself up all by himself. HE LEFT HOME AT LIKE 14 (whatever the fuCK SOME TOO YOUNG AGE) AND RAN STRAIGHT INTO THE HANDS OF PEOPLE THAT HATED HIM FOR HIS TALENT. HE REMEMBERS HIS MENTORS DESTROYING HIS UTENSILS WHILE TRYING TO ESCAPE PARENTS THAT WHOLEHEARTEDLY REJECTED ANY EXPRESSION OF LOVE OR COMPASSION FOR HUMANITY THAT HE CHERISHED SO DEEPLY. I DON’T NEED SLEEP I NEED TO HUG HIM IMMEDIATELY FUCKING HELL.

Like.........there’s just........I don’t know how to explain it, but I once saw it explained so well in a post. It was basically talking about Castlevania, and how in that show Dracula sees humanity’s folly and develops so much hatred he just goes straight to murder rage. And while in some ways I understand that, I understand even more deeply Trevor’s response to humanity’s fear and violence. He says that he knows they’re short-sighted, that maybe we all just don’t deserve saving...but that he’s going to do it anyway. Leonardo just so much gives me that energy of knowing there’s so much pain in the world, but all we can do is keep walking--keep trying, even if we have to claw our way forward. Because if you only see the awfulness in front of you, you forget the way that strangers make silly faces at babies to make them laugh on the train, how a friend will put everything down to race over to someone and comfort them with some ice cream--do anything they can to distract them from the hurt. How the sight of a child crying will prompt careful cooing from a stranger as to their bravery, an offering of cool water, the gentle placement of a bandaid. How a pair of teenagers will spot a lost child in milliseconds and help them seek out their parents protectively. There is so much wretchedness, but also so much beauty in it all, and the older I get the more I see myself wanting to believe in the latter. I want to be hopeful, and easily impressed, and full of love. To be bitter and jaded accomplishes nothing, and only becomes a worsening self-fulfilling prophecy. The more you seek negativity, the more you will find it; and worse, create it.

I also scream a little bit bc like. I’ve gone on and on about how Comte is very obviously in love with MC all the time, and sure that may be true. But...I really don’t think Leo is exempt from that either if I’m honest lmfao. Only because what does Leonardo do when it isn’t his route? He almost never shows up. Once in a while he might appear for a split second in a scene, but he almost never converses with MC beyond those short moments. While Comte is the one to pine openly, I’d wager Leo is the opposite. He pines in absolute silence, because he knows that if he gets any closer--he’s going to fall. He’s going to enjoy it too much, going to keep seeking out more before he can stop himself. And losing another person he loves...he just can’t do it anymore. In his first meeting story he talks about seeing MC’s eyes and feeling like he’d known them all his life, and even in his MS he speaks to just being completely fascinated by and enamored of her. She doesn’t hesitate, always does her best, meets people head-on and without much hesitation. After a lifetime of people that are probably just immediately interested in him for his talents, or always seeking out his company for the novelty, this is someone that doesn’t give a single fuck if he’s Leonardo da Vinci. Sure she’s aware, and sure she’s impressed to some extent, but her respect--her attraction and admiration--is something that has to be earned. 

There’s something so refreshing about how their love was written. Sure it’s the whole fake marriage to a real relationship, but it’s also a kind of subtle enemies to lovers pulled off masterfully. MC is 100% minding her own business, just wants to do what she must in order to get home, tries to focus on her work to keep from thinking about how much she misses her old life. She doesn’t rely on anyone, doesn’t talk about how hard it is or how scary it is or how confusing. And even Leonardo forgets in his curiosity, is just chillin and also just trying to do the bare minimum to keep from getting too attached--figures he can admire her from a distance. And then he sees her staring at the hourglass. And suddenly, he can’t just watch her do that herself. Just wait for the hard times to pass, just sit with her own loneliness--that hollowing silence. There’s something so moving about it because he reaches out precisely because he knows that feeling to his fucking marrow, and literally just cannot watch somebody else do that to themselves. Sure he’s been dealing with it for three hundred years, BUT THIS GOOD BABIE CHILD DOES NOT DESERVE THIS. SHE WORKS HARD AND DESERVES NICE THINGS!!!!!!!! And so he drives her crazy as he races ahead of her, intercepting any attempt for her to preserve that silence and hide. She doesn’t see any pattern to it, and that’s just how he likes it--he doesn’t want her to worry about the how or why. 

Like I fully remembering playing in Japanese and being like oh my fucking god this is hilarious, this man is just a wild fucker and I love this. I was enjoying myself, mostly laughing and shaking my head. But then it just gets so, so serious. I was having so much fun that I, like a fool, forgot the anime effect. If you’re having fun, it’s going to come crashing down without mercy soon enough. And it does. He helps a little girl without any hope play her violin again, and maybe I’m just too English major but I was fucking FLOORED when I realized I didn’t see that that was straight foreshadowing. That little girl without hope? That was MC (and by extension depending on how you play, us). Though the metaphor isn’t quite so easily mapped without a physical space, the connection is clear when you think about it. With his careful social awareness, he makes a place for MC to exist in the mansion so naturally--as though she was meant to be there from the start, crafts a positive impression of her presence with each of the residents. And he does it with zero expectation of anything in return; he’s just happy to see her not stressing herself out anymore or trying to do everything alone. MC doesn’t fall in love with him despite their differences, she falls in love with him because they are the same in a singular and all-encompassing way that matters; they both care about other people so deeply, to the point where they will forego any personal needs in order to make that person’s life easier. Whether it be muting their own hardship, or working to involve another person in a new space (or opening up to the point of self-destruction to keep a person from feeling alone), they go above and beyond what anybody asks of them--perhaps strong to the point of their own detriment, in some cases. 

It’s why I always laugh when he says to Sebastian “That cara mia, she has a good heart.” Of course she does, Leonardo; it certainly takes one to know one. 

And because I literally have no brain cells beyond being in fucking love with Leonardo THE LAKE SCENE IS AN AFFRONT TO MY DIGNITY AND SELF-CONTROL. HOW DARE YOU, SIGNORE. HOW DARE YOU ASK ME TO SIT THERE AND WATCH YOU OPEN YOUR HEART TO ME AND NOT BAWL MY EYES OUT AND TRY TO KISS YOU ALL AT THE SAME TIME. SIGNORE “hAhA yOu’Re So SmAlL yOu LoOk LiKe YoU’rE DrOwNiNg In My CoAt.” I WOULD DROWN AND DIE HAPPY--BITCH I TELL YOU THAT.

Like. I can’t think of another route I’ve ever done where I spent a good amount of time like “lmfao this guy is so wild im gonna punch him” to just be in a whirlpool of my own tears, regretting my entire fucking LIFE days later. Like Leonardo’s cultural impact???? Fucking immeasurable, I wish every white man disaster I ever met had a hidden heart of gold in all of his boyish dumbassery, an ICONIC himbo of our time. 

Also because I remembered it before posting and I am Dying^TM. The event where MC was a pureblood and he was human. That entire fucking event. I literally can’t think about it without screaming and crying. Her just so flustered at his reaction to her like “oh look, free real estate” as he plops her in his lap, absolutely no fear, treating her like a princess because of her noble title despite NO NECESSITY BEYOND PLAYFULNESS BUT ALSO STILL MEANING IT IN AN EARNEST WAY, being charming to no END just to see her laugh or look away shyly. 

WHEN HE SAID. WHEN HE SAID “...Can’t leave you alone, or you might go off someplace I can’t follow.” I. CONGRATULATIONS, YOU STRIPPED DEVOTION DOWN TO ITS BARE ESSENTIALS!!!!!! GAH HOW MC HERSELF SAYS “I would tell him the truth but...he’s much too generous for a human. I know he would offer his life without a moment’s hesitation.” How Leo describes the aftermath of her biting him: “Lucky for you, I’m a true gentleman, Unlike my principessa, who took me like a storm” HELLO??????? H E L  L O ???????????????????????? ARE WE JUST GOING TO SLEEP ON THE FACT THAT HE LOST HIS ENTIRE SOUL WHEN SHE BIT HIM???? I--

Thank you for coming to my TED Talk.

(Also as much as I love him the cigarillos have got to go at some point, boy do you have any idea the shit secondhand smoke does good lordt)

[startwithbrooklyn]

THE GREAT ND REWATCH OF 2021 / SEPTEMBER 30, 2019 // larkspur lane/the whisper box

this post is a double whammy cause they have 2 eps happen in the same day if u can believe it (thats how awful judging timelines in this show is!!)

-"hi josh..." LMAOOOOOOO

-BESS just breaking in lmaooo how many god damn times does bess just shit the bed in this show

-LOVE her frowny face at nancys closet ("my expectations are low" lmfaoooo but this would totally be me)

-"bet she meant it metaphorically" okayyy but then why did lucy say that at all? i feel like theres defo more to this story, combined with josh's cagey behavior (part of which is to get nancy to stop looking into shit d/t him and karen but still)

-"they dont accept visitors unless they're family" .....🙂

-ace "youre really good at that" to bess i fuckin love this friendship with all my heart (also love their talk at the claw mirroring nick & nancys talk in the last ep)

-also PINK AND ORANGE BESS ARE U BLIND (also 1) why tf would nancy own this and 2) where would she wear it??)

-okay wtf is vampire dip

-"boss??" see this is what i meant yesterday about nancy ruining everything for nick/george

-god DAMN she sucks at dealing with this news lmaooo that emotional competency babey + love george literally agrees to help bc she feels bad (AND nicks immediate look of "you just reprimanded me for helping her last ep and i know why youre doing this rn" lmaoooo)

-LOVE george noticing nick "shout out to jean valjean" lmaooo once again nancy would never have noticed/commented on something like that

-"get the hell out of here" was this foreshadowing for an epic dad joke for these two eps? "how do you make holy water? you boil the hell out of it" 😂😂😂😂

-so what i dont get about the whole haunting is the ball + kids' laughter but its all the emphasis on "mr roper" the adult? wtf like what kind of entity is this

-"how did you ever have a solo career??" 😂

-okay amaya's hair is gorgeous here (also "you feel like a snack" ....👀) *ahhh so the reason bess feels so off balance is bc its like a top vs a top scenario

-has anyone who's ever been to prison confirmed this is what it looks like?

-love how ace is the only employee there when they all leave so he had to fucking close the place when he goes

-why does she take the whole file? time constraints? it'd be smarter to take pics + replace it (better sleuthing) but this place is clearly not well run anyway 😂

-so this is a pretty decent cover she invents but theres no way she would get away with it so easily for a real guard

-love how ace recognizes ryan's car (+ is able to find it by driving around)

-"my father wouldnt do anything like that" LMFAOOOOOO SIS WHY ARE U DEFENDING HIM ironically, ace is actually the best person suited to engage w ryan here d/t the car accident + connection with laura being ryans SIL. its a unique set up

-i am fascinated by the concept of priests + holy water being so effective here combined with mcginnis' beliefs and basically nondenominational ghosts/seances etc after that. the show is very clearly big on diversity but definitely steers clear from too much WASP stuff yk? wonder if other stuff from christianity works against the ghosts/demons like taking refuge in a church "holy ground" or using silver etc

-"did this start after the night of sept 10?" *this is where you get the time line for the seance if you didnt know

-this is so fucking funny when u realize that patient sal talks to is actually a ghost so sal really is psycho i guess 😂

-bitchsplain/tall jar of mayonnaise 🙏🏻😌 2gether 4ever

-how did ace get this van? also heart attack when he yells at carson (but then grins at him like a goofball lmaooo)

-"for nancys sake and yours" damn she owes ace big time for all this shit

-"what do we do for 7 minutes?" ...ummm play 7 minutes in heaven lmaooo 👀🥵

-was not expecting ace to look this sexy holding an axe but okay (*ah, its his short sleeve shirt showing his arms. usually hes a sleeves guy)

-"desperate for attention" nancy (from gomber) vs "bc she's starved for attention" patrice --> lucy (and candace also...) we know nancys detective work makes her seem like an attention seeker, but what was lucy doing to make them all think that? she was trying to hide her relationship with ryan, not expose it. unless they just mean the rumors about her?

-so is patrice hiding lucy's "truth" talking about lucy being a whore or lucy being a ghost? what is lucy's secret? did patrice guess she was pregnant or did patrice's somehow garbled mind remember tiffany trying to show patrice the video with lucy on it?

-wonder what captain thom thinks of this stand off w ace lmaooo

-"like you do?" top v top shenanigans

-how awko for carson to talk to karen again like this

-"oh no" ACE 😂

-love how amaya says "be a human" like shes kind of admitting people in rich circles typically arent (^this is an interesting focus in s2 when bess's rich family rejects her, thus making her human again, but nancy embraces her rich fam and experiences subsequent moral struggle which is predicted with the wraith)

-wonder what ryan thinks he could get from the marvins (which he cant get now lmaooo)

-this damn whisper box. so many questions. who named it the whisper box? why are the ropers' old possessions still there? who decided to build a mental hospital on top of it? and patrice! she "hid lucy's secrets" hannah gruen thinks tiffany tried to show patrice video w lucy on it, which patrice then specifically says she hid in the thin mans book. so patrice knows of the thin man? can she see him? does she know he was a ghost/supernatural? she must have a supernatural sense to know about him (unless sal told or some shit) so then when tiffany shows up w/ lucy being supernatural in it patrice hides it to protect her? is this why she is "crazy" kinda like victoria? supernatural elements or ability to sense ghosts makes her unstable? this is why lucy being a ghost/nursery rhyme that she repeats makes patrice worse/"stroke"? how did patrice even get into the whisper box to put the key in the bible and get out without getting trapped? also, her dementia --> lucidity is really fucking off, some people mildly switch like that but usually with dementia they cant even register new shit anymore

-...so did bess take the ride? 👀

-interesting how celia says "your father will be disappointed" but nothing of her own opinion. wonder how much celia truly puts up with to keep everett calm and nonhomicidal

-like george asking nick follow up questions that nancy never really would have asked

🥞🥞🥞(ep13)🥞🥞🥞

-is this bitch just eating a plain pancake with her bare hand?

-"extra case load and excessive volunteering" ugh. nancy's family here are like, gross in how "good" of people they are // unrealistic, trying to paint carson in the best light/ no way ryan could ever compare (but the reality is theyre not that good of people for lying about nancy) **and shes arrogant to think shes better than everyone else ie the only one who truly lives virtuously, thinks she can do no wrong sometimes even tho using sex to cope, breaking and entering, etc is not morally "good" stuff she still thinks she is the only one who doesnt lie and plays fair (like in the pilot she lists everyone else as a suspect but herself- obviously we know she isnt guilty but no one else does. (i mean in theory we really dont, what if nancy was an unreliable narrator and was actually guilty, that would be a hella cool show)its reactions like that where she cant understand why others like the chief suspect her

-ooooh ironic that in the Good Place carson readily agrees to pay her for helping with cases as opposed to s2 in reality

-nick's house has "problems" so why does he need a lawyer? as opposed to an interior designer, plumber, or realtor?

-in the Good Place nick and george realize they are not going to work out after one date. does this failure in the Good Place predict failure in reality, or merely an easier way of figuring out the truth? does this mean that the "opposite" of the Good Place is reality, or only an opinion of what is better? (nancy says "you all like me" as her opinion of them liking her is skewed; does this then only reflect nancys version for what is the "perfect life"?)

-why is bess a hippie??? and love how george curls her hair and wears pink lipstick here

-if this dream is so realistic then why is the one thing it cant conjure smoke? like how random

-love the locket being a key realization bc with things like jewelry you dont notice the weight of them until theyre gone

-"you all like me" in her perfect life nancy means they "like" her objectively/regardless of circumstance even though liking her is still an objective choice (like they "like" her because of other reasons instead of her working at the claw? (like how you make friends with coworkers/people at school every day but after you leave the job/graduate you never speak to them again) and her "thanks for showing up!" as if theyre not doing exactly that in reality 😐like where is she getting this shit? she sort of acknowledges in earlier eps she is hard to like/that she puts mysteries before friends, but also pushing them away to avoid danger like the previous ep "why do u show up" etc

-is it just me or does the inside of nicks "house" look like the drews'?

-nick has a dick scar lmaooooo (or more likely was hit in the balls or smth)

-love how nick + george match their anger in confronting sal 100% on the same level

-so when did ace go back to work after having such a busy day earlier?? lmaooo

-damn father shane is a creep (casting defo hired him for his voice) and how tf did he just poof + escape? and what did he request???

-love bess's white hair bow here 😌+ her jacket, whole outfit on point as usual

-like how bess is right that nancy has to find her way out but thats kind of a nonstarter for a room full of panicked people wanting to help

-in the Good Place theres no bad blood between drews + hudsons bc nancy is really theirs

-"the only one who has the key is you" in the Good Place nancy has the key (smaller picture, to finding out what happened to lucy but bigger picture, post-reveal) but ryan has the clues nancy needs- following the Good Place's mirroring, this just means that in reality ryan will either be completely useless or an active hindrance (but you KNOW this is a dream bc in what universe would ryan remember clues like that 😂)

-so in a perfect universe ryan acknowledges his family's "criminal empire" as opposed to reality where he only makes under cover jabs about disengaging with being an "entitled corrupt legacy criminal" ie finding the bonny scot relics but does nothing about them, etc

-"strippers" 😂

-okay what is nancys obsession w her beanie?? bc her mom made it? "wear beanies do crimes?" idk

-making the call: nancy -unable to make up for lost time/both her mothers had to find out/suffer alone / in the Good Place nancy was able to be with kate while she called, and in reality she had carson; somethig about seeing the mother looking to the daughter for strength in the Good Place instead of the reverse (which is what reality sounded like, kate being strong for nancy through the illness despite the struggle)

-concept: nancy & nick "let's wait out the storm"

-"i believe that you believe it" nick in the Good Place + owen in reality both trust nancy when she says she's seen things (owen's is the teeth) but nick in reality (and not really knowing details) doesnt think much of their "moment" bc it wasnt real (so she had to leave the Good Place to save carson- but if she had known then he wasnt her real dad, would she have stayed to be w nick?)

-stranger - suede james 💙👌🏻

-"really anxious as a kid" v telling bc of her desire to know everything to remain in control of situations like she always does now

-"the medicine or the metaphysics?"/"you cannot beat supernatural with science"

-i love nancy playing with her pinky while saying goodbye 🥺

-"always seek out the truth even if it hurts" this is straight irony bc kate never told nancy anything. like does that include the truth about nancys parentage? they taught her to seek out the truth, but who taught her that the truth is the only thing to live by? ie things dont count anymore like carson and kate straight up raising her is tossed out bc she finds out its not "the truth" like all that work/stress to protect carson + she just drops him? with kate maybe shes just upset thst she spent all that time mourning for someone who lied. and would she do the same to ryan if needed? probably

-bess and ace head tilt 💙

-like how for all the time she spent there nancy only has a subconscious memory of blue curtains

-YESSSSS i LOVEthese beautiful overhead shots of hannah's hands. so out of character for the show lmao but so gorgeous

-i feel like future eps/grand future will be nancy going through the lock boxes to help people who asked hannah for help

-the video is officially dated Aug 22, 2019

-soooooo in the first ep nancy breaks into the hudsons house and finds tiffanys secret drawer w the nail polish and finds the amulet with a note that says "for your protection HG" yet on this video tiffany says she talked to a medium who gave her the amulet sooooo am i just confused? HG is hannah gruen obvi so is the address for the medium what hannah gave her? or was the address on the amulet which nancy dissolved in salt water to see? so how would tiffany know where to go? its chicken and the egg which came first hannah or the medium?

and lastly:

i close these two eps with a thought that everything in this show is sealed in death. all the lies, the imagery, the fake constructs people put up to get by all crumple the second someone dies- all the secrets come clean just like these doors have been unsealed.

[diminished-fish]

References for “A Portrait in Synesthesia”

This fic is COMPLETE now, so anyone who might have been hesitant to follow a wip, here you go! The whole synesthetic package, wrapped up with a nice lil bow on top. :3

For those who might have missed the masterpost: the fic was my contribution to the good omens big bang and is a sweeping, canon-compliant romp through history, told in (almost) all original scenes, with lots of nature imagery and T.S. Eliot. Kind of my own cold open, but with way more feelings and flowers. Also the sea. And an emotionally significant comet.

I had the opportunity to throw all of myself at this project and really enjoyed making it an intense focus for a while. In a way, it was an experiment to see how much I was capable of, which as it turns out, is more than I thought! (there’s a lesson here, probably...). Going this deep with the research and worldbuilding is not something I will likely be doing often for fic writing, but since I did with this one, I figured I’d share a bit of the process.

Under the cut are major spoilers for the timeline, story, and historic events in my recent fic, A Portrait in Synesthesia. I had originally planned to post this information in the end notes of the fic, but at some point, the list got way too long and posting it here became the sensible choice. There is a link to this post in the end notes of the fic, so it will be easy to find your way back here if you get to the end and want to know a bit more about the writing and research process. 

The Title:

Putting this bit at the top because I don’t know where else to put it: The working title for this fic throughout the entire writing process was “In Synesthesia.” I almost changed the final title in the eleventh hour to “The Still Point of the Turning World” because of what a prevalent theme Eliot became (that line was also slipped into the story three times at important moments — once for each POV character). I also briefly considered “Always, We Were Enough” as a title, since the conversation with Adrielle at the lighthouse kind of... accidentally became the thesis of the whole story, but that was a bit too sappy even for me, a Confirmed Sap. 

And while I’ll be questioning my choice of title for the rest of forever (titling things is hard, y’all), I ultimately thought the more descriptive title was best, and wanted to keep the nod to the song that inspired it all.

Speaking of the song... have you listened to it yet?? It’s great, I promise!

Synesthesia:

This was my research starting point. Before I dug into any of the historical or astronomical research or even started any serious plotting, I started reading about synesthesia, or, as Psychology Today defines it: the neurological condition in which the stimulation of one sensory or cognitive pathway (for example, hearing) leads to automatic, involuntary experiences in a second sensory or cognitive pathway (such as vision).

Full disclosure: I do not have synesthesia. I spent a LOT of time researching it for this fic and did my best to portray it accurately, in spite of the fantastical elements I added. If I’ve overstepped or gotten something wrong and there are any synesthetes out there who would like to talk about it, I am very open to those discussions. The AO3 comments are always open to that, or you can message me/send me an ask here if you would like a less public forum.

I probably read r/Synesthesia in its entirety, but this thread of first-hand accounts was one of the most interesting to me and provided a lot of the inspiration for how I used the emotional synesthesia imagery. 

Besides everyone’s favorite research staring point of Wikipedia, this link is one I got from Boston University’s Synesthesia Project, and it is a pretty exhaustive list of research and books, as well as art and poetry about synesthesia. I have also been working my way through The Man Who Mistook His Wife for a Hat and Other Clinical Tales, by Oliver Sacks which is the book that came most frequently recommended to me in my search. It’s an extremely approachable and interesting look at neurological conditions, synesthesia among them.

As it appears in the fic:

In a broad, generalized sense, Aziraphale and Crowley have a few types of synesthesia in this story. Obviously, I gave it a supernatural/celestial twist and a healthy glug of magical realism, but I did try to keep it firmly rooted in the actual condition. The types of synesthesia they have are:

Chromesthesia: they both have this. Sounds, specifically each other’s voices, have a color association

Lexical-gustatory synesthesia/emotion-flavor synesthesia: Aziraphale has this. Words (in this case, emotions, specifically Crowley’s emotional state) have a taste.

Odor-color synesthesia/emotion-odor synesthesia: Crowley has this. Words (again, emotions, specifically Aziraphale’s emotional state) have a smell.

One of the defining characteristics of synesthesia is that it is constant. If a synesthete connects the number 9 with the color blue, for example, then they will always connect them in this way. This was the major difference between real synesthesia and the fantasy synesthesia in this fic. The sensory/emotion connections for Aziraphale and Crowley changed in subtle ways as their relationship evolved through the ages.

The “binding thread” also had nothing to do with synesthesia. That was me wanting to make the spool analogy work for the body swap, baking it into the entire fic because I liked how the imagery fit with the synesthesia, and then leaning into the magic and the soul memory so hard that I fell flat on my face into magical realism. (A True Fact: I have spent a fair amount of time lying on the floor in the past 6 months, shaking my fist at the cute little plot bunny who grew fangs and claws and dragged me down a rabbit hole that ended up being 100k words deep). 

Anyway! Research!

Before I get into space and history and flowers... Yes, I admit to absolutely making up some wacky shit about Europa for the sake of fun banter and making a metaphor work. All those pre-Fall scenes on abandoned Earths are 100% a fantasy setting and I exercised the super fun right of a fantasy writer and embraced the worldbuilding (moonbuilding?). I also just thought Crowley would have delighted in tying a moon’s guts in knots, and Aziraphale would have delighted in the idea of whimsy-for-whimsy’s-sake. Please don’t lose sleep over the scientific inaccuracies.

Halley’s comet:

I promise not to bog this down with a billion comet facts, but there were a few particular things about Halley’s comet that had me gasping dramatically about how it’s “A.J. Crowley, but a comet!!” Specifically, it’s orbit and it’s structure. 

Halley’s retrograde orbit gives it one of the fastest velocities (relative to Earth) of any object in the solar system. I never explicitly worked the “you go too fast for me” line into the fic because I was trying to do original scenes (this particular story lived between the lines), but... just know that tidbit is there and join me in these emotional dire straits. If you like.

The comet’s structure is what is known as a “rubble pile”, meaning it’s made up of a bunch of smaller rocks held together by gravity (read: a hot god damn mess held together by stubbornness). 

As it appears in the fic:

The nucleus of Halley’s comet is shaped like a weird lopsided peanut. In fact, one could almost look at it and say it resembles a contact binary star, if such a thing could be a shriveled, misshapen pile of rubble.

Officially, Halley’s comet might have been recorded as early as 467 BC (a comet was recorded in Greece that year— unclear if it was Halley’s, but the timing and the fact that it was visible to the naked eye suggests that it probably was). This was the year I had Aziraphale making the scroll that causes Crowley’s panic in Athens (390 BC). I like to think that some human, at some point, caught a glimpse of it and tried to bring it to light, only to be written off as a crazed conspiracy theorist.

The apocalyptic depiction of Halley’s comet in chapter 9 (Bithynia) is actually based in fact. The comet made its closest approach to Earth (in human memory) in 837 AD, passing within 5 million kilometers. Its tail stretched halfway across the sky and it appeared as bright as Venus to the naked eye.

1910 Halley’s Comet panic. Bonus: c o m e t  p i l l s

Where 1910′s appearance was a spectacular sight and one of the closest approaches on record (coming within 22 million kilometers of Earth), 1986′s was the worst viewing conditions in 2,000 years. The comet passed within 63 million kilometers at its closest approach, and had the sun positioned between it and Earth, making it impossible to see from areas with any amount of light pollution, and almost invisible to all of the northern hemisphere. 

Historic events and settings:

Chapter 6 (Ostia): This was one of the chapters that I did a bunch of arguably unnecessary research for, since the history and the meat of the setting faded into the backdrop as the scene itself focused on dialogue and train of thought. The port town of Ostia was incredibly engrossing to read about, and between wikipedia’s ever-branching paths, ostia-antica.org, and ancient history encyclopedia’s entry, it ended up being one of the deeper rabbit holes I went down. My original intent for Aziraphale being in town was as a response to pirates sacking Ostia in 68 BC. I had him stationed there to guard against further attacks as the town rebuilt, and had him lingering because he was swept away by the romanticism of the art and the sea and the constant ebb & flow of people. I never found a way to work this in that didn’t feel super awkward and expository since the chapter was Crowley POV, so it was just left it as background noise.

Chapter 6 (pyramid of Cestius): Beyond being a magistrate of one of the four great religious corporations in ancient Rome (the Septemviri Epulonum), little is known about who Gaius Cestius actually was. As the city expanded, his lavish tomb was absorbed into the city walls (circa 3rd century AD), where it remains what he is remembered for to this day. I took most of my information from here (cross referenced with our lord and savior, Wikipedia) and had a chuckle at this poem by Thomas Hardy.

Chapter 8 (Plague of Justinian): The Yersinia pestis bacterium leaves no indicator on skeletal remains, meaning we rely on written records to track its path through history. The 6th century plague pandemic is the first recorded outbreak of bubonic plague, and for the purpose of our story, a certain distraught chronicler was the one on site, writing that history.

A note/cw: I wrote chapters 8 and 12 in October and November, respectively, and did much of my research for them over the summer. I imagine, given the current covid-19 pandemic, these sources would be less fun to follow up on now. Please be aware that the podcast episodes linked here, and the book cited in the miscellaneous refs section, get into pretty grisly details about illness and pandemics.

Chapters 8 and 12 (bubonic plague/The Black Death): I took a fair amount of my notes on bubonic/pnuemonic plague, specifically it’s path of destruction through Europe in the 14th century, from the two plague episodes of This Podcast Will Kill You. It’s pretty fascinating stuff and the Erins are great hosts, so check it out if you’re into delightful nerds bantering about epidemiology! 

Chapter 9 (the death of Peter of Atroa): Peter of Atroa was an abbot whose fame as a miracle-worker landed him in a scandal accusing him of exorcising demons by the power of Beelzebub, rather than God. Theodore the Studite’s letter cleared his name enough to avoid execution, but his reputation didn’t fully recover until after his death in 837 AD, when he was canonized as a saint. Peter and Theodore were tough to find extensive information on without passing through a paywall, so I took these scraps and ran a mile with them.

Chapter 13 (Tlatelolco, the Aztec Empire, the Feast of the Dead): I used this site as the source and starting point on much of my research on the Aztec Empire. And listen… I know it looks like a website for babies, and yes, I’m aware that a lot of the articles are literally written for a pre-teen audience, but it’s also one of the most concise, thorough, well-researched, and — perhaps most importantly — easily-searchable sources I found. Most of the pages cite papers and archaeological journals and I was able to jump to SO many other great sources of information. Mexicolore has my undying love and devotion for making my research process easy and fun and also having lots of pretty pictures.

Most of the physical descriptions for Tenochtitlan and Tlatelolco (surrounding landscape, canals and causeways, chinampas, etc.) started here.

Tenochtitlan and Tlatelolco were independent cities, but shared a border (kind of like a city and a suburb) and the small island on Lake Texcoco (located where present day Mexico City is). Tenochtitlan was the capital city of the Aztec Empire, and besides cross-referencing Mexicorlore, the link in the previous bullet point, and Wikipedia, I got a fair bit of information from these essays. 

Tlatelolco’s market was the major hub of trade and commerce, and saw 20-40,000 people trading PER DAY. Research on the market started here.

Chapter 14 (Terschelling and the Brandaris lighthouse): While I strove for historical accuracy as much as possible in this fic, I did take some liberties— especially with the island of Terschelling and the Brandaris lighthouse (yes, it’s real!) circa 1350-1435. 

The village of Brandarius is based on present day West Terschelling— a settlement founded as a direct result of the lighthouse. In the middle ages, both the village and the lighthouse were named after Saint Brandarius (or Brendan of Clonfert: ‘The Navigator’, ‘The Voyager’, ‘The Anchorite’, ‘The Bold’; patron saint of divers, mariners, and travellers). It’s still a relatively small village today, and it was a surprisingly difficult task to find historical records for Brandarius/West Terschelling dating back to the 14th century that say much beyond “it existed.” I loosely based the village off information found here, and named it “Brandarius” instead of “West Terschelling” based on the information found here. 

The original lighthouse was built in 1323, destroyed by the sea in 1570, and rebuilt in 1594. Since there were no records (that I could find) of what the original lighthouse looked like, I loosely based the height and floor plan on the current tower, and made up everything everything else about the interior. The interior was based on information about other live-in lighthouses, specifically this one which is roughly the same height as the Brandaris.

The present day Brandaris lighthouse sits directly in the middle of West Terschelling. For the sake of that sweet Self-Imposed Exile + Cryptid Lighthouse Keeper drama, I took the liberty of making my fictional village of Brandarius teeny tiny and setting it slightly apart from the lighthouse. 

Miscellaneous references:

In addition to the podcast, details about plague in chapters 8 and 12 were gleaned from the book The Great Mortality by John Kelly. It’s a cool read if you’re into nonfiction that reads like fiction, but does have some rather graphic passages so proceed with caution.

Yaretzi’s maquizcóatl/Aziraphale’s memento. To clarify, they were NOT the same item. I pictured Aziraphale cherishing the memory of the day by the lake with Yaretzi so much, that once he acquired the bookshop and had a place for all his kitsch, he hunted down a bad luck dragon of his own.

Here is the Aztec creation story about sun cycles and Earth’s rebirths that Yaretzi told Aziraphale. Another version of it.

In the scene in Mexico where Aziraphale briefly remembers, I used an analogy about a moment that hovers and flits away as “quick as a hummingbird.” Besides just liking the words, this was a nod to the legend of the cempasuchil flower. I originally had Yaretzi telling Aziraphale that story too, but the chapter was just way too long and something had to go.

In my very first outline, I had Aziraphale’s grief and personal growth chapter taking place at a Día de Muertos festival in Mexico. When the plot and the timeline finally got ironed out and I realized only half of that story was going to take place on Earth, I ended up focusing on Aziraphale’s brief relationship with Yaretzi instead of the festival itself (she was always the important bit). I also found myself married to the idea of that chapter happening in the 14th and 15th centuries, which meant the scenes in Mexico take place before Spain invaded and the festival was based solely on its Aztec roots. Because the plot shifted in this way, a lot of research went on behind the scenes that never made it into the fic, but for anyone interested in the Aztec Feast of the Dead, Mexicolore was my starting place again. From there, I found my way to reading about Mictecacíhuatl, the Aztec goddess of death, who was the main focus of the festival.

This isn’t research, but it might interest, like… three of you, so here you go. The scenes in Heaven (Aziraphale’s solo chapter in general tbh) were hard to write. One of those walls you hit with writing where you kick and punch and bang your head against it for months (literal months, I started wrestling with it in August and it didn’t come together until the end of January) but can’t seem to make any breakthroughs. Inspiration truly comes from unexpected places though, and when @gottagobuycheese sent me this Gregorian chant generator it actually… worked? I cranked that hum slider up to 100 and left it there for a few days (to the chagrin of my spouse) and lo— Zophiel.

There’s a cool legend about Saint Brendan of Clonfert’s sea-faring journey in search of the Garden of Eden that has nothing to do with this fic beyond being neat parallel. If that happens to be anyone’s cup of tea, the story is here. The tl;dr version is here. My original vision for the lighthouse included carved whales (St Brendan’s attribute) over the front door, and images from this story (the island of sheep, the Christmas island, the paradise island of birds) drawn on the walls of one of the bedrooms used by previous keepers’ children. Continuing the theme of “how stories echo” if you will. It felt really awkward and out of place once I wrote it in though, and that chapter was already so long once I got through all the plot bits I wanted, so it was left on the cutting room floor. 

Speaking of taking liberties with the 14th century, I did fudge the timing a bit on the art created by Crowley and Adrielle. Drawings, especially pencil sketches, have their historical roots in the late 15th century, and I’m chalking this one up to the fantastical setting of the Good Omens universe. In a fantasy world where angels and demons walk among us and the earth is literally 6,000 years old, I feel like inventing pencils 100 years early is small potatoes. ¯\_(ツ)_/¯ 

This is the edition of A Midsummer Night’s Dream that Crowley nicked in Norwich. There are some really wonderful illustrations and scans of full pages under that link. I may or may not have lost a few hours down that research rabbit hole for a few throwaway lines (no regrets, I fall like Crowley). 

One last rabbit hole...

I saved this bit for the end of the post since it’s not really research and I don’t know how interested people will be in this kind of thing. Also... this is a lot more emotional and personal than the historical aspects of the fic. This is just what I was feeling and thinking while I was writing, and this story is absolutely the kind of thing I expect everyone to take something different away from. If you read the fic, took your own meaning from it, and want to keep that meaning without me tarnishing it by babbling about symbolism (first of all, high five, I love you, thank you for hanging out with me and my stories), then feel free to skip the rest of this post. <3

But! For anyone who wants to know more about what I had in mind with the flowers and nature metaphors I worked into the story, read on!

The tag “it’s an OT3 where Earth is the third” is something I really worked to pull to center stage. In my mind, Earth was a fully formed character who also spent the pre-Fall storyline being jerked around by God and having its memory wiped. It experienced transformations, pain, heartbreak, joy, and love just like Aziraphale and Crowley did, and I wrote it as falling in love with the two of them over the course of the Earth Project, then remaining very much in love for the entirety of iteration 23 (the current iteration). “Memories that are buried in places deeper than the mind” referred to the soul imprints being formed, but also Earth’s buried memories— seeping through the cracks to connect them via synesthesia in emotionally charged moments, allowing them to find each other from orbit in iterations 20 and 21 (music and the sea), and pulling them together in moments of distress like Constantinople and Barcelona.

In the vein of “Earth as a character,” I used plants (mainly flowers), topography, and weather as Earth’s “voice” in the grief chapters when Crowley and Aziraphale were separated from each other and going through their individual arcs. I’m not sure it technically counts as flower language, since all the flowers featured in the fic were wild and growing in nature, but (almost) all of them served a metaphorical purpose.

Flowers:

Jasmine (for the moon): Aziraphale’s flower. Love, beauty, sensuality, good luck, purity. The rational hedonist.

Marigolds (for the sun): Crowley’s flower. Grief and remembrance of the dead, lost love, the fragility of life, creativity, winning the affections of someone through hard work. The fallen artist.

Purple Hyacinth: Earth’s flower. Regret, sorrow, a desire for forgiveness. The witness. These were the wildflowers that grew in the orchard/vineyard on the penultimate Earth, where Aziraphale and Crowley managed to work out the differences they couldn’t by the sea. Hyacinths are also the hazy images they would see in those moments of vulnerability, compassion, and compromise. 

A fun aside! In very early drafts, the placeholder name I was using for angel Crowley was Jacinto, which is a Spanish/Portuguese name meaning “Hyacinth.” It was meant to be a reference to both the flower and the Greek myth of Apollo and Hyacinth, but my brain absolutely could not disconnect it from Manny Jacinto (and kept insisting on imagining Crowley calling Aziraphale homie and calling everything dope). Eventually I leaned into the Latin and landed on Joriel, then attached my banner to the Achilles and Patroclus myth instead of Apollo and Hyacinth, but the name Jacinto still makes me think of starmakers.

Honeysuckle & morning glory, climbing the oak tree: Aziraphale + Crowley + Earth. Seen in chapter 10, when Aziraphale and Crowley shake hands on the Arrangement. Two plants whose vines grow in opposing spirals. In nature, they have a symbiotic relationship, twining around each other in order to climb trees, walls, and fences, allowing both of them to grow higher than they could alone. 

Or: local woman sees this tweet, hasn’t known peace since.

The deasilwise / widdershins (clockwise / anticlockwise) thing got sprinkled throughout the story, with deasilwise being the “angel direction” and widdershins being the “demon direction.” Halley’s comet, with its backwards orbit, orbits the sun deasilwise, even after Crowley becomes widdershins.

Amaranth: Immortality, unfading affection, finding beauty in inaccessible places. 

The garden in the dunes and Petya’s travelling garden:

Where Aziraphale took a methodical, Kubler-Ross approach to dealing with loss, Crowley’s process was meandering and chaotic. The garden in the dunes was where it all came to a head— his way of throwing all of his emotions on the ground like a big jumbled pile of pick-up sticks, then slowly sorting through them and putting himself back together. There was a whole lot of Earth/flower speech going on in those scenes.

With the exception of zinnias, the garden was made up of perennials or self-sowing flowers. This happened “off-screen” as I could never find a decent way to work it in, but... the zinnias which Crowley bullied into being perennials returned to being annuals and died off after he left Terschelling and sometimes I still cry in the shower about it. 

Zinnias: Adrielle’s flower. Endurance, lasting friendship (especially friendships lasting through absence), goodness, daily remembrance. This one is also a small self-indulgence on my part since Adrielle was something of a self-insert. My mother loves zinnias and, growing up, our house was absolutely surrounded by them in the summer. Anywhere there was a free patch of dirt, Mom planted zinnias. They’re a scrappy, weird looking flower that doesn’t have a smell and a lot of people find rather ugly... and I love them with my entire heart. There is no flower on this earth that fills me with more whimsy, nostalgia, or childlike contentment. Also butterflies love them.

Chamomile: Patience. Fresh chamomile flowers are very aromatic and smell like apples.

Daisies: Transformation. Also simplicity, loyalty, and new beginnings.

Poppies: Restful sleep or recovery, peace in death, remembrance.

Tulips: Each tulip color has its own meaning, but the most common thing they symbolize is deep love. That said, I mainly chose this one for their prevalence in the Netherlands, as well as being very colorful perennials.

Pansies: The love or admiration that one person holds for another, free thinking, remembrance.

Lily of the valley: Rebirth, the return of happiness. They also have a very strong, very sweet smell and can grow in cool climates. These were the main reasons I chose it, rather than any of the religious connotations.

Lavender: Silence, devotion, serenity, grace.

Orchids: There’s... actually no deep symbolism with this one. Nothing intended anyway. Orchids, lavender, and cranberries are the dominant native plants on the island of Terschelling. I thought they’d be pretty in the dunes.

I am also a music-must-be-playing-at-all-times kind of person and I came out the other end of this project with FIFTEEN (15) playlists. Some of them are all instrumental playlists that I used to set the mood while I wrote certain scenes/segments, others are lyrical and tell a story or helped me sort out the story, some chapters got entire playlists all to themselves (looking at you, 14th century). The main playlists are linked in the notes on AO3, but I may collect them all in a tumblr post at some point if there’s an interest.

This entire project was an enormous labor of love that took up pretty much all of my free time for six months. So, if you read this far... thank you for coming on such a long journey with me!! Truly, deeply, and from every corner of my heart, thank you for reading. <3

[joannalannister]

hi! i know u dont like the tyrion targaryen theory (understandably so), but how do you feel about tyrion having chimerism? (if u dont know what that is, it's when a person biologically has 2 fathers bc a woman had intercourse with 2 men within a short period of time, so the kid would have one mother and two fathers)

Hi! Thanks for asking me! This is a great question, and there are several things to unpack here:

the definition of chimerism and what you’re describing

the claim that Tyrion is a chimera

how this all relates to the Tyrion Targaryen theory

what this all means for Tyrion’s story as a whole

First, let’s define some terms, because what you have described is not my understanding of chimerism. I don’t claim to have extensive knowledge of biology – I’m basing my understanding on things I read in Scientific American, Time magazine, Wikipedia, etc – so if someone more knowledgable wants to correct me where I err or link me to some published scientific articles to help me learn more, it would be most appreciated. 

You seem to be describing superfecundation, not chimerism. Superfecundation results in two (or more) babies, not one. 

Superfecundation is the fertilization of two or more ova from the same cycle by sperm from separate acts of sexual intercourse, which can lead to two babies born at the same time from two separate biological fathers. While possible in humans, it is extremely rare, and most instances in humans occur from artificial insemination. (A technology which Westeros obviously does not have.) Superfecundation results in two babies born together who are half-siblings, meaning the two children have the same mother but two different fathers. I would like to stress that, while technically possible, superfecundity is rare in human reproduction outside of a laboratory. 

Superfecundation is more common in mammals with an estrus cycle (which humans do not experience). Superfecundity is often found in cats. “Superfecundation occurs when a female mates with two or more males. One litter can potentially have multiple fathers as long as they all mate with the female in the optimum time of conception. A single kitten cannot have multiple fathers; each individual kitten in a litter has only one father.” 

In cases of superfecundation, each individual has only one set of DNA. 

A chimera is a person who has more than one set of DNA. The term comes from the mythical Chimera, a mythological creature that is part lioness, part goat, and part snake. Chimerism occurs in humans when:

a twin dies in utero and the surviving twin “eats” / absorbs the other’s DNA. “Most human chimeras were, at one time, twins. Current theories posit that genetic chimeras develop spontaneously when fraternal twin embryos fuse or when one twin absorbs the other. The absorption process is called Vanishing Twin Syndrome, a haunting phrase to describe the ingestion process.“ [x] In natural pregnancies (achieved without the use of IVF), Vanishing Twin Syndrome is estimated to occur in less than 0.5% of pregnancies; it is rare. 

blood is exchanged by twins in utero

a person undergoes an organ transplant, such as a bone marrow transplant [x]

a woman becomes pregnant, and a small number of cells from the fetus migrate into her blood and travel to different organs [x]

the DNA of a child lost in utero is absorbed by the mother, turning her into a chimera “and invisibly altering her body into a kind of living memorial” [x]

From what I understand, you would have to combine superfecundation with Vanishing Twin syndrome to achieve the chimera situation you’re describing. 

Additional articles I found interesting:

“No, women do not absorb and retain DNA from every man they have sex with“

“Here’s why ‘two-dad’ babies aren’t yet a biological reality”

Perhaps I am not looking in the right place, but the only thing I was able to find (outside of reddit) about a woman having multiple partners resulting in a chimeric pregnancy, was a theoretical discussion on a Quora forum, in which it was hypothesized that a superfecund woman had sex with two men in a very short period of time, resulting in two fertilizations (very rare), and during the pregnancy one of the twins was absorbed by the other twin (also very rare), so that the resulting baby was a chimera with two fathers. 

No statistical probabilities were given, but this seems almost statistically impossible to me, even before considering this situation in a world without modern medical technology. 

In Tyrion’s case … If we were to assume both (1) superfecundity and (2) Vanishing Twin Syndrome to create a very, very rare two-father chimera … shouldn’t we see some evidence of Aerys’s DNA, as well as Tywin’s? 

If GRRM wanted us to figure this out, wouldn’t he make it more obvious for us? Aerys had purple eyes, while Tyrion has a black eye and a green eye. Tywin has green eyes. Aerys had silver/silver-gold hair, while Tyrion has white and black hair. Tywin doesn’t have white hair, but Tommen does. Aerys didn’t have dwarfism. Tyrion has dwarfism. Tywin has metaphorical dwarfism. To me, all this simply points to Tyrion having Tywin’s (”real” and literary) DNA. 

(I mean, we’re talking about the author who referenced Olenna’s broken betrothal and “queer” right on the page in ASOS, and we were all trying to figure out for years about Olenna, and it was right there in front of us. GRRM ain’t subtle.) 

So I don’t think that Tyrion is the product of superfecundity and Vanishing Twin Syndrome, both of with would need to occur in order for Tyrion to be a chimera with Aerys as one of his two fathers. Which is very unlikely. 

(More on why Tyrion is not a secret Targaryen and #A plus J does not equal T) 

I am not even 100% certain that Tyrion is a chimera (at least not the medical definition of a chimera). Don’t get me wrong, it’s an interesting theory: Tywin and Joanna conceive a second set of twins (and twins are common among House Lannister!), and one of those twins dies in the womb and Tyrion “eats” it (more cannibalism!) and absorbs his twin’s DNA. It puts an interesting spin on this quote:

Tyrion wondered what it would be like to have a twin, and decided that he would rather not know. Bad enough to face himself in a looking glass every day. Another him was a thought too dreadful to contemplate.

If this Vanishing Twin theory were true, it’s suggestive to me of Cain and Able, a good son and a bad one, and Tyrion has both of them inside him. But as far as ASOIAF theories go, I don’t think this is one that could ever be confirmed, save by word of God, and I’m not sure that GRRM would play into such a strict dichotomy. ASOIAF themes don’t support the idea that evil could be something (or someone) separate from oneself, something Tyrion needed to “absorb”. I think GRRM would be much more likely to say that the potential for evil is inside all of us (without the need of an evil twin) and it’s something we need to fight, constantly. 

So, I mean, it’s interesting to wonder if Tyrion is a chimera! 

But I don’t think he is. 

The only observable characteristic I see that could possibly point to chimerism in Tyrion is his heterochromia (the difference in coloration of the irises, hair, and/or skin). And heterochromia can be caused by many things other than chimerism. 

Heterochromia in infants may be caused by:

Horner’s syndrome

Sturge-Weber syndrome

Waardenburg syndrome

Hirschsprung disease

Bloch-Sulzberger syndrome

von Recklinghausen disease

Bourneville disease

Parry-Romberg syndrome

“Though multiple causes have been posited, the scientific consensus is that a lack of genetic diversity is the primary reason behind heterochromia. This is due to a mutation of the genes that determine melanin distribution at the 8-HTP pathway, which usually only become corrupted due to chromosomal homogeneity.“

Tyrion’s parents were first cousins. I mean, 

Fandom: Incest causes genetic mutations! It’s bad! Won’t someone please think of the children!GRRM: Here is my favorite character, Tyrion, son of Tywin the Incestuous Blood Purity Bigot. I gave Tyrion heterochromia. Fandom: That can’t possibly be due to incest. GRRM: Maybe – just maybe – Tywin’s obsession with blood purity has really fucked his children over in more ways than one. Fandom: …nah. Tyrion is a chimera. GRRM: …is this what you all do in the years between my books? 

When there are both genetic and thematic reasons to explain Tyrion’s heterochromia in the story … well, the idea that Tyrion is a chimera seems a bit overkill. It’s really not necessary to, well, other Tyrion any more than he already is. He doesn’t need all these weird and highly improbable explanations for why he is the way he is.  

(I mean, Euron has heterochromia, and no one is suggesting he is a chimera or a secret targ.) (And I don’t want to know if anyone is; leave me in my ignorance please.) 

In terms of how I feel about Tyrion have differently colored eyes and differently colored hair, I think it is thematic. Like his brother Jaime, caught in an identity crisis halfway down the page of the White Book, halfway between the Lannister shield and the white one … I think Tyrion is caught between the Lannister ideology of dehumanization, greed, lust etc (represented by the green eye, the white blonde hair) and his own humanity (shown to us in those moments when he designs a saddle for Bran, when he speaks up for Sansa, etc, represented by the black eye, the black hair). 

(The interesting thing to me is that unlike most authors, GRRM is using black here to represent heroism and humanity, when that is traditionally represented by the color white. But black is soft, black is enveloping, like a blanket to wrap around you to save you from the icy searing white cold. "By night all banners look black")

The heterochromia is a signpost representing Tyrion’s duality, his potential to go both ways, which I talk about in detail here. 

I hope that helps explain my views, and thank you again for asking!