#its going well id say

[reallybadblackoutpoems]

allegory of the cave (380 bc.) - plato

“socrates: now consider the following. barkbarkbark”

[eydilily]

would you bite the hand that feeds you?

[puppyeared]

my attempt at making a fursona

[xxplastic-cubexx]

crusty evolution redraw. in theory.

[dawnatlas]

hello, you are one of my most favourite artists and I was wondering if you had ever considered drawing Robin Cross? I’d love to see her in your style, your artwork is so so pretty, I check our blog regularly to see if you’ve posted because your art style makes me so happy, thank you so much for posting your incredible work here for everyone to see!!! :)

thank you anon that's really sweet omg it makes me soo happy that you like my art enough to do that :') admittedly i dont think too much about the stuff in the EC, esp the foxes freshmen but i DO like robin actually!! i wish we knew a bit more about her

[buwheal]

Hello, Spamton!

How's life? Also, do you have any opinions on the Addisons? (Pink, blue, orange, and yellow)

If so, what do you think of them?

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[feelo-fick]

I WANT ENDLESS BLISS!!!

HALF-AWAKE, HALF-DEAD, HALF-LIFE CRISIS

ALL NATURAL POMEGRANATE PULP.

FERMENTED TO PERFECTION, SAVOUR YOUR SAVIOR.

Q: What's your favourite food? A: THE ALE THEY SERVE AT THE TAVERN!

other versions : )

[mitskikissme]

My very rushed love letter to @rowdyknives fanfic what it means to love her. hes such a talented writer no jokeee

[yeyinde]

“When your need grows teeth” is so good I literally bite the pillow like a dog while reading it!!! I need to know more about Ghost and the ‘unlucky person was misfortune enough to unleash the muzzle on that particular dog’.!!!!!

haha i really didn't think people would pay much attention to it, tbh! i like adding little things like this into the stuff i write. a little story within a story, i guess. but i would love to flesh it out, since where it was this undertone of "oh, you..." (sort of cheeky, kinda sly when you looked at the bigger picture) with Price, it would more-so be, "oh, no..." with Ghost.

Price's original convo with Ghost would have been acknowledged as gospel and adopted into Ghost's own scripture for the longest time (since it's my weird little hc that Ghost uses Price as a yardstick for normalcy—or, almost like a needle in his morality compass), and then seeing Price give into those needs was sort of like this big moment that caused that compass to go haywire.

essentially, if Price is a starving dog, then Ghost is one on the verge of death, willing to sink his teeth into anything just to survive. and that's sort of the crux of it. in my head, Ghost would have been unleashed by this, but what took the muzzle off is his own MC, who thinks they're taking in this sick, old dog from off the streets, and helping it as much as they can, only to wake up and realise this dog is rabid. and it already bit them. but what really caused this poor person such misfortune was that little tossed in line by Price when he's volleying with Laswell about his status. Or damn near close to it. and that's what sealed their fate lmao. the implication that this baby is somehow more permanent than a ring.

idk! i like the idea of someone sweet, if a little naïve, being bit by him, a man who wakes up most days thinking he's still buried in a grave. or what happens when a living corpse feels heat for the first time in ages after being given a bed and a warm body with a soft touch. quite catastrophic, imo.

[isuggestwishcraft]

hey guys rate my Super Ultra Antistress Setup 9000 (the prayer circle background has +5% to ward off evil)

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[puppyeared]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[birb--birb]

Soooooo I did lich emmrich...for science..

AND IM SORRY I DONT LIKE IT HOW IS IT MORE COMON THAN SAVING MANFRED??????????

[rainingincale]

[banished-away]

artemis and dahlia are so good. the contrast between the supposed hero drizzt always keeping her at an arm's lenght, preferring the "soft look" she puts on to please him where she acts and looks softer and covers her tattoos and scars, knowing she had a painful past but not bothering to ask or look into it because it would shake his morals and he would rather pretend to not know than to actually confront it or even help dahlia through it. meanwhile the supposedly cold killer artemis with just a few looks saw the pain in her, let her have the kill against herzgo because he realized it was important to her even if he had just as good reasons and he didnt know dahlia's yet, and when they were alone he let dahlia be vulnerable to him, asked her about her pain, and when she was not comfortable to speak about it he just stayed near her and comforted her