#its 3am and im having thoughts

[sakebytheriver]

It's interesting, I don't think my father really ever thinks about the ways his identity as a mixed race Japanese man has affected his life and the way he moved through the world, because most of his life was spent around other poc and in communities that didn't really view him as an oddity so he never really had that explicit discriminatory experience where his race was made the defining piece of his identity if you know what I mean, but I have this distinct memory in my mind of the way he would talk about the movie "Harold and Kumar Go to White Castle", the way his eyes sparkled and his face lit up when he talked about this movie versus other films with similar vibes, but with all white casts instead. There was something about seeing the face of young John Cho dressed in clothes that could have come from my father's own closet go on a stupid stoner boy adventure with his brown friend that made my father happy in a way no other stupid stoner boy movie ever did before, it was the only one of those movies I ever remember him even talking about let alone the amount of times he would bring "Harold and Kumar" up in conversations completely unprompted, and maybe it was just the writing that hit him differently, but I have this vague memory of him saying something about how it stuck with him more because there had never been a movie like that starring Asian guys before, that the fun and cooky oddball roles never went to men who looked like my father, but it was his personality, he was the type of guy to try to go White Castle and end up on fifty comedic tangents when he was the same age as Harold and Kumar. It's just one of those things that I've never forgotten, I doubt he even knows how much those comments stuck with me all these years, but it was one of those moments as kid you can't forget, when you see a certain emotion on your parent's face that you've never seen before. It took me years to realize exactly what it was on his face and what it was about "Harold and Kumar" that made it so special to my dad, I don't even know how much he's aware of the fact that the representation in the movie is a big part of what endears him to it, but I think about it a lot. About how that one small bit of representation, in a movie most people would probably write off, made my dad feel seen in a way he never really did before

[hinamie]

binding vow

[definitelynotarabbit]

I don't think we talk enough about how Stargate's wraith aka space vampires had one of the most outside the box vampire powers to ever grace TV. Like kudos to whoever said "hey fuck it we're gonna take one of the most one dimensional villain races we've ever made which can very accurately be described as space vampires and just completely blow that idea out of the water with a single scene showing that they have miles more depth than you could ever guess".

I mean come on why am I not seeing more vampire fanfic where the vamp can give life in the same manner that they can take it?! It's such a groundbreaking idea in a trope that short of this the most recent big change of pace was glitter.

That single scene where it looks like Todd just killed John but then he turns around and gives him back more years than he took? Mwah chefs kiss. Possibly the most efficient story telling I've seen.

Anyway I support queer agenda that episode suggested and am eternally devastated that Todd didn't become a Teal'c level character but with extra gay because telepathy.

[chimerahyperfix]

This loop has to be the one. Nevermind that you said it last loop, and the one before, and the one before that, and most of the ones before that. THIS was the one you'd stop the King in his tracks. You push a few of your many potions to the side to make room on your desk. None of them worked to stop him, so they were useless. He's still about twelve, fourteen? hours away, so you have enough time to make the bomb, eat and take a fat nap before you go pick a fight. Maybe this time, it'll work! It has to!

You've gotten better at making the Craft Bomb. It hasn't blown up on you before you intended to use it in... a long time. You can make it fast enough, now, for it to still be light outside! You've become silent while you work, which Mirabelle has told you is ''worrying'', but you don't see why it is. Are you really that loud? (Yes. You are.)

It's hard work. Soft light bathes your desk, your work, you. You reach out, past your potions, and grab your water bottle. Take a big swig, and

Hmm. That's not water.

How. HOW do you keep making this mistake. You look at the bottle in your hand, and sure enough, it’s one of the potions; your water bottle is shoved in the back of the collection of other containers. The taste is caustic, your throat begins to burn. You shouldn’t be this calm for having just drank something that’ll kill you in a handful of minutes, but it’s happened before. Despite the pain you don't bother trying anything. Just push the finished bomb to the side and lay your face against the wood of the table. Feel the blood start to pool in your mouth and dribbling out, staining the wood. Mirabelle, or Euphie or whoever comes in next, they can use it this loop. It's not the first time you've drank one of the many, many dangerous potions on your desk, and it's probably not the last. Maybe you'll actually clean the crabbing thing off before you work.

Whatever. You have next time. You have all the time.

Perhaps a bit too much, actually.

[tepli-mravenci]

I love being delusional <3

[saturnniidae]

Ngl atla AUs are so funny in the sense that white people don't really exist in the original avatar universe.

I think these concepts of putting your favorite characters into such a rich and interesting world and the allure of making them benders is fun and I enjoy it myself from time to time but. There is Something be said about inserting white characters into an inherently poc centered story and world that draws inspiration from those cultures, so it falls kinda flat. (And could even come across as tasteless since the story is again inherently a poc one and has such political? I guess. Themes as like the main conflict ignoring it kinda takes away from half the worldbulding or whatever. Whaaateeeverr idk)

Again this isn't like hate to people with atla AUs I enjoy them but idk food for thought.

[tinyfantasminha]

👍

[sleepy-achilles]

Love tumblr

But fucking hate it when i want to read about my favourites fucking each other.

How are you going to tell me I can search a ship but to actually find anything I have to scroll for hours just to find one piece of work, through y/n x characters.

Fuck y/n

That bitch doesn't do anything for me.

Do you know how nice it is reading mlm. I can easily imagine its me. But y/n? Fuck no. Because y/n always ends up being female with a few, very slim, non binary peeps and no fucking male ones.

So how is it y/n if I cannot related to it at all because this ballroom has fucking balls?

Rant over.

[gl00mxstar]

imagine if Sun had light sensitivity and Moon loved light but since it's the only way for them to come out they'd either had to stay in all the time or out and suffer in sensory hell

and what if they fought over being the one in control but not because they want to be but because they don't want the other to suffer so one of them sacrifices himself for the other

at least we have dim lights ig

[crescentfool]

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

[snailcubezz]

i think bugsnax is the one fandom where i cannot give a shit about any ship except the canon ones but like queerplatonic wiggle/gramble is so real to me . in my heart. they're both aroace but so so affection starved and kind of idiots about it so they mistake it for romance Do you see my vision

[haemosexuality]

*sits up in the middle of the night* in this next universe where vampires seem to have taken over the world, marceline probably either never met simon or he died soon after they met, which means that since her mom also died when she was really young (too young to remember a lot about her i bet), she most likely raised herself completely alone through the apocalypse and never really learned about Morals which is how after getting bitten she joined the vampires and, became evil i guess. we see that even with simons good influence in her formative years she went through a rough path after getting bitten so it would make sense that shed turn out nasty if it wasnt for him. she is part demon. we just saw an universe where simon lost marcy and was fucked up and now we're gonna see one where marcy lost simon and became fucked up

[diodellet]

my ears aren't trained enough to spot em all (except the Obv ones) but these references and callbacks to prev sagas are making me ascend i want to shed my mortal coil and get mixed into the music like a beaten egg

[pineappical]

I always thought is very tricky to draw that wrinkle that goes from the nose and around the mouth and still male it look good, but gosh you nail it in every art, super expressive and pretty. Looking at all your drawings 🔍🕵‍♀️ to properly appreciate and study it. But wow really in love with your art style is so expressive and pleasing to look at, and the colors are so pretty 👌👌👌👌

i LOVEEE drawing wrinkles!!! it makes faces soso so expressive and i try to add wrinkles to every character i draw whenever i can. and the fact i also love drawing characters smiling (they make me happy, so i want to be able to share my joy to other people by drawing them smiling too!) which of course makes that wrinkle around the nose and mouth more prominent :-)

im not a person that can draw well from memory, i use references excessively even if it doesnt turn out the same way from the reference im copying from in the end 😊

i drew these out real quick but i have no clue how to explain any of these so i just thought about sharing it with you anyways!

call it "cheating" or whatever, but most of the time i even trace over the reference just to have a base i can copy the expression im trying to draw from. i do art for fun and if it makes my process that much easier then. well!

anyhoo, ignore the fact these are all mr lassos... i just love him a whole bunch 💛

[lottieurl]

sic transit gloria mundi / burial

[discountsoysauce]

What if I gave Victor asthma