#it's y'all's problem now

[mozart-the-meerkitten]

So someday I’ll have brainpower and be able to make the masterpost I want of the similarities between my boys but for now I’m exhausted and braindead and I’m here to tell you how similar Hector from Coco and Dustfinger from Inkheart/Spell are

- Traveling performer, left their families and never came back through no fault of their own

- Unwillingly transported to another world (death counts as being transported unwillingly I feel)

- Left their wife and small daughter(s) alone, accidentally abandoning them

- Not a similarity, but it’s really funny that Roxanne got over Dustfinger coming back REALLY quickly but his daughter Brianna was furious at him, and while Imelda was furious for Hector never coming back Coco apparently loved and remembered him anyway.

- Increasingly desperate shenanigans to get home, including, but not limited to, using a 12-year-old to help them

- Really nice and good with kids in general

- Sad trash hobos

- Accidentally get REALLY ATTACHED to the kid they’re trying to use to get home

- Again, not a similarity, but it is ironic that Dustfinger has so many people who would like to kill him and keeps avoiding death (even at the hands of the author of his own book!) and Hector had no enemies trying to kill him but still couldn’t avoid death it just came to him at the hands of his best friend. Also Hector should have lived a long life and died young and Dustfinger was supposed to die young (in his book) but didn’t because he got stolen out of the story.

- Has a good heart really, it’s just buried under trauma

- Really, really good at the one thing they perform- Hector with guitar/singing and Dustfinger with firedancing.

- Unfairly missed their kid’s lives

- End up trying to teach a kid their special skill and whoops turns out the kid’s a natural (Farid at firedancing, Miguel at performing)

- Can’t catch a break

- Doing their best

- Love their wife and daughter(s) SO MUCH

- They just want to go home and see their families! Let! Them! Go! Home!

Also now I really, really want an AU where when Dustfinger gets yanked into our world he meets recently ’abandoned’ Imelda and Coco and befriends them, and Hector finds Rosanna (Dustfinger’s daughter who died while he was gone) in the Land of the Dead somehow and since she’s the same age Coco was when he left he just adopts her. You’d have to either set Inkheart in the past or Coco in the future but I love the idea so much I think it’d be worth the shenanigans.

[moongothic]

Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives

Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy

Madoka made that promise and became the very embodiment of it

[schneiderenjoyer]

Help...save me...it won't leave my head...

[the-juicywizard]

What a charming man Ghoul.

[cozylittleartblog]

not even fictional 6 year olds are safe from identity theft

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[respectthepetty]

Pride Petty Watch - LiTA (Sky/Prapai) 1/3

The crowd picked Love in the Air as the first show to ever move off of my Petty List, so I'm watching it and recapping my experience, and oh boy, is it an *experience*. I wrote about the first seven episodes in two parts [here and here], so it's time to dive into the next six episodes!

Woot woot!

I had to make sure I didn't click on episode one again because it's the same scenes showing again. This is the third time they have been shown? Fourth? I'm here for one thing and one thing only. Quit bullshitting LiTA and GIVE ME WHAT I CAME FOR!

Oh my God, my heart just jumped into my throat with this music and this lighting behind this devil.

I know how their story starts. I already knew. I will be not be upset at him. I will not get into my feelings about this even though this music and lighting are hellbent on making Prapai seem like The Worst™

I would love to claim "pink = 💕love💕" but not today, Satan.

Sky saying "Where's the condom?" as more of a demand rather than a question and the arch of his back are an appreciation post in themselves. This is transactional and he is not here to make friends.

WHY AM I BEING SHOWN RAIN AND PAYU AGAIN?! If you don't have enough material for thirteen episodes, just say it! Because my boy disassociated, went on autopilot, and is now tucking this nightmare away in a dark corner of his mind in true Trauma Compartmentalizing 101 fashion, yet I gotta see Payu and Rain's Daddy x Baby nonsense another round?! I only respect one person in this house and the rest of these men can choke. I wrote what I wrote.

Hold up, Prapai was AWAKE when Sky left looking like that? And now he is reminiscing about it in all black with that black rose of death lapel pin? *Arthur Fist*

I support queer rights AND queer wrongs, but this show is testing me like I'm fucking Frodo having to deliver a ring to the depths of hell in the month of Pride. Sky just went home and cried on his bed, while this woman is talking about getting over heartbreak because Prapai can't stop thinking about this one-night stand. I cannot be queer and *here* in these conditions with el diablo smirking every two seconds.

KinnPorsche, my old enemy, we meet again. Didn't think I'd see you here, but it tracks because where there is a rich bastard incapable of getting over the poorer man he wrongfully exerted power over, there will be a robe, wine, and a sex worker. (That boy looks like the Memory in the Letter lead)

"I feel sorry for your prey" - Everyone is too busy looking at the metaphorical weather that represents the characters to notice the red alert standing right there.

On God, if a man called me like that without telling me his name and proceeded to just . . . be creepy, it'd be on like Donkey Kong. I was raised by Sidney Prescott from Scream and if a man wants to play games over the phone, then he needs to be prepared to die. And what is it with this show trying to distract me with with these problematic men working out? I know they are attractive, but as Michelle Visage stated "stop relying on that body!" AND NOW CREEPY TEXTS, and the only thing Sky thinks is a "man like that wouldn't be into [him]" . . . BL boys would greatly benefit from feminism.

Prapai, you have to get less creepy. You just have to because this is not it, my man. You are throwing out the beginning-of-a-psycho-killer vibes and I cannot. I simply. Can. Fucking. Not.

Sky is pissed at Rain, threw the flowers, and has Prapai listed as "Psycho" so it's clear who has the brain cell of these weather boys, and it's the one whose back is hurting FROM CARRYING THE WEIGHT OF THE DAMN WORLD ON HIS SHOULDERS!

I will not be swayed by the sunflowers, the fact that Prapai is aware Sky is a Sad Boy, or the blue. As far as I'm concerned, by the end of this episode, Prapai is still the devil. NEXT EPISODE!

The energy between these two is giving me GMMTV "brothers," and that is not a compliment.

I'm not going to fault Sky for not throwing away the flowers because reuse, recycle, re-

WHAT THE FUCK IS HAPPENING?!

*took a six hour break and contemplated the meaning of life, made an avocado smoothie then poured rum in it, started doing yoga then ended up in savasana, which means I just laid there and looked at the ceiling, and finally I remembered the gorgeous Zani is in this show, so I returned*

This boy is me and I am him. I'm so chill that if I got any cooler, I'd be an ice cube. Just chilling. So chill. The chill is immaculate. I am meditating. I am praying. I am one with the storm. I'm the chillest. Climate change no longer exists because I'm just, so, fucking, chill. ~Let's continue~

I don't want to give Prapai any credit because I already told my mom I hate him which means we are sworn enemies in this life and future ones as well, but him noticing that Sky spaced out even though he immediately jumped back into flirting mode, and him reinforcing that he thinks Sky is attractive in any state including this one should be an issue because he is still focusing on Sky's body, but he doesn't know Sky well enough to have anything else, so . . . one whole point for Slytherin, I guess.

Rain is not a real one and if Sky was a rapper, this in when he would have dropped the ultimate diss track cementing his place in academic rhetoric for all eternity. Even if I didn't know about his ex, I could have read that expression, but Rain? Once again, one brain cell, and Sky has it.

I want to give Prapai the points for the food, but he doesn't even know what Sky likes, so this is White Man Ambition at its finest. Thank goodness that Sky is throwing it awa-

NOT THE FUCKING RED AGAIN!

Dear Reader, I'm going to level with you here one and a half episodes into this arc: I now fully understand The Fuckery. I greatly appreciate the 126 people who picked this show because this is the perfect example of what I keep reading about a MAME series. The abrupt shifts between aggressive flirting, dick jokes, and trauma is jarring. I knew the kidnapping was coming for Rain, but hearing Stop say that Rain would be sexually assaulted by his gang of men if Payu didn't stop fighting back was the most violent moment of an already physically violent event that, strangely, did not affect me until that very moment. I know what is coming for Sky, yet having these intercuts of Sky's abuse, although effective, are humbling in a way I was not expecting. Because what I had thought I was walking into was a trashy watch with gratuitous sex talk and some drama, but what I'm experiencing is a lot of emotional discord as the story swings between extremes while refusing to balance itself out. There is no middle ground in this show. I will continue to be petty about this watch, but I get it now in a way I was never going to grasp without watching one of her series and I'm graciously realizing I would not have survived TharnType because even as Prapai connects the dots that something *very bad* has happened to Sky based on his interactions with Sky, he smiles because . . . well, because.

So even though Sky and Prapai's arc is smaller than the first, my watch is going to be in three parts instead of just two because . . . well, because.

~Let's continue~

I'm going to try really hard to give Slytherin points here, *grinds teeth* so even though this man is stalking Sky, he gets credit for showing up, which according to the great philosophers, is half the battle. Also, I know his lapel pins are important, so the sunflower and the bee after he gave Sky meaningful sunflowers is a nice sentimental touch, but he gets no points because HE COULD'VE OFFERED THE BOY A RIDE! The perfect pitch was right there, yet he swings and misses.

I don't listen to true crime podcasts, but I feel confident that most cases start with a stalker using several devices to contact their victim after his primary mean is blocked. Basically, I need Prapai to do as Sky's shirt says and "CHILL THE FUCK OUT!" I'm trying to give him points but he refuses to exhibit any level of chill. None. No chill. Not ice cube. Just sad hot puddle of zero chills.

I felt *something* between Sig and Som when they were arguing across the tables in episode seven, but now I know Sig is trying to instigate a fight with Som just so he can have that boy's hands around his neck. I respect it.

Sky is having a breakdown because of the onslaught of texts Prapai keeps sending him from multiple devices and as he huddles in the fetal position begging to be left alone having bursts of anger, the phone begins to vibrate signaling more texts are coming through. The director, Ne, also served as an editor on Only Friends, and if he whispered in Jojo's ears to make Ray's bathtub scene just as gut-wrenching as this, I just wanna eat some soup with Ne and know like "You good, boo?"

I am fighting for my life in these trenches!

Rain picked up Sky's phone and told Prapai to come to the hospital. Rain? Rain who was on his knees begging for Sky's forgiveness after he gave Sky's number to Prapai? As in the Rain who was told to stay out of Sky's business? Like the same Rain who Sky looked in his face and told him he would never be with Prapai? THE RAIN WHO IS NOW GIVING PRAPAI THE KEY TO SKY'S APARTMENT?! That Rain?!

"I made a promise to Rain" - Pero like . . . why do you have to make promises to not fuck with unconscious and sick people? Cause shouldn't that be a given? No? Mmm. Interesting development.

I have only watched two episodes. TWO! I'm not even halfway through this AND I know how this ends. No amount of knowledge or spoilers has properly prepared me for this journey, and now I'm scared and I want my mom to come pick me up.

But here I am. Clicking on the next episode.

pinche cabrón

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20's Fantasy High: Junior Year episode 20 (finale)

[novaliae]

begging white trans people to think for one (1) second before choosing a name with a strong nonwhite ethnic/cultural background. especially if you have no connection to that background beyond liking a show etc

[magnus-rhymes-with-swagness]

What do I say when contacting the United States government about Palestine?

What do I say when calling for a ceasefire?

What do I say when calling for the government to restore funding to UNRWA?

How do I contact politicians?

[ourflagmeansgayrights]

hey guys remember like a few days ago when a good chunk of this fandom thought ed and stede weren't going to reunite until like the very end of the season, or at least that they were going to spend a big chunk of the season separated? and then the full trailer dropped and suddenly we got all this footage of them in the same frame interacting and everyone realized how unlikely those predictions are??? and how literally just a tiny bit more detail changed everyone's perspective on things?????

anyway yeah maybe we need to all think abt that for a minute and like. rethink the way we're treating certain theoretical s2 plot points as if they're a given.

[theeminentlyimpractical]

well I guess I'm standing in the hall of broken dreams that's the way it sometimes goes Faithless Love, Linda Ronstadt

[cementcornfield]

Ugh I can’t stand how chiefs fans are making fun of jamarr and calling him a diva (among other names) when Travis literally screamed in his coach’s face during the Super Bowl and has been ejected from a game before for disrespecting the ref.

tbh i don't mind chiefs fans shit talking ja'marr, they have every reason to hate him. he's embarrassed their team plenty and has done more than his share of shit talking. let them have their fun (although i agree it's def hypocritical after that travis moment that i guess no one ever wants to talk about!)

what upsets me SO much though is seeing our own fans turn on him. calling him selfish for the hold-in, blaming him for the contract debacle, saying he's overrated, saying we should trade him and keep tee (when they were all saying the exact opposite when tee requested a trade TWICE a few months ago 🙄). and i do understand that ja'marr was in the wrong for this penalty, but getting ridiculous penalties against the chiefs is kind of just what he does! like it cannot be emphasized enough how much that man hates the chiefs lmao.

ja'marr has been STRUGGLING these past few months and it's obvious how much of a toll this has taken on him. i'm not at all surprised things boiled over to a tipping point when he thought he was tackled in a particularly dangerous way (whether he was right or wrong, he DID believe it). right now he's taking a huge risk being out on the field at all without any real guarantees for the future. that shit is scary, it's scary betting on yourself even when you do believe in yourself 100%. people play better when they feel secure, when they feel valued, and the front office did everything they could this offseason to make him feel the opposite.

i'm really hoping he can have a big game this monday. supposedly the commanders defense is Not Good, so that should help us! (i just hope it isn't a trap game for us. but the fact that we're 0-2 i think will make the guys take it seriously.) winning helps cure all ails for competitors like ja'marr, and i believe we've got a lot of that ahead of us!

[lagosbratzdoll]

On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom

This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.

Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.

Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned. 

Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people. 

I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement. 

In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.

How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.

Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.

The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures. 

Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery. 

However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.

Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.  

People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie. 

I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.

What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay. 

This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.

I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery. 

It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.

Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour. 

Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text. 

[1]  

Ooooooh, I am the last of the giants, my people are gone from the earth.

The last of the great mountain giants, who ruled all the world at my birth

Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.

And they’ve built a great wall through my valleys, and fished all the fish from my rills

In stone halls they burn their great fires, in stone halls they forge their sharp spears.

Whilst I walk alone in the mountains, with no true companion but tears.

They hunt me with dogs in the daylight, they hunt me with torches by night.

For these men who are small can never stand tall, whilst giants still walk in the light.

Oooooooh, I am the LAST of the giants, so learn well the words of my song.

For when I am gone the singing will fade, and the silence shall last long and long.

[bonesandpoemsandflowers]

honestly, I feel like Dave McKean's work elevated Neil Gaiman way more than the other way around and we don't distribute credit for that properly. I truly don't think--and, critically, never have thought--the early Sandman writing was so good that it would have gotten far without the heavy hitting art lending it such an air of respectability. McKean's work is so visually distinct still, let alone 20 years ago, let alone 30. "This is serious art for serious stories for serious people," those mixed media paintings say when they're surrounded by pen and ink put out on a brutal schedule. "I am a serious person with sophisticated tastes," the buyer says, given permission to be pretentious and smug as hell, which is very alluring to many people.

[thevioletcaptain]

...i see people are on twitter posting lies for clout again