HEAR ME OUT *breath in* an angst story of TWWL where yuu is used okay, but not by the students and dormleaders but by the teachers, The magic is luke slowly dying and they needed a sacrifice but the sacrifice needed to be a vessel for the magic to come and go since everyone allready had magic but not yuu the teachers saw an opportunity, if you want to know what happens let me know, also take caree!!
Don't leave me hanging, Anon!! What happens? (っ °Д °;)っ
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I love the idea of calling new girlies “wet” instead of having precum so much
Who cares that you haven’t had bottom surgery yet??? You’re a girl who made a mess in her panties because she’s so so horny, and what do you call that?
That’s right a wet girl!!!
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btw, the violinist in tmp 4? he's probably james smithson, of "founder of the smithsonian institute" fame
so what do we know about our violinist? he grew up in alnwick abbey, he was illegitimate and had legitimate full siblings, a father "certain of his celestial significance", and he has a nephew to whom he leaves his violin
and smithson? well, his father restored alnwick abbey in the 1750s, which was in ruins up until then. smithson was the only illegitimate child of any of the dukes there in the 1700s, which is when the statement is set
smithson also left his estate to his nephew after his death, with the condition that his fortune would establish the smithsonian institute if his nephew died without any children.
here's a point of divergence, however. in our timeline, smithson was a chemist and mineralogist. in tmagp's timeline, he was a violinist. however, as u/New_Helicopter836 pointed out to me on reddit, when smithson's body was disinterred by andrew graham bell, his right little finger was such that it suggests he played "the harpsichord, the piano, or a stringed instrument such as a violin"
looking at smithson's life, he left for university in 1782, so it's likely that tmagp 4 is set around the same time. it might be a bit earlier since the royal court orchestra moved from mannheim to munich in 1778 (putting smithson at about 13), it might be another point of divergence, or smithson is describing it this way to call back to its earlier significance. i'm not sure, but it's weird either way.
all that said, i'm not terribly sure why smithson describes his father (sir hugh smithson/percy, duke of northumberland) as "certain of his celestial significance", especially when the only other time he says celestial is to describe the violin's music. the user i mentioned before found that sir hugh, a major patron of architectural projects, had an observatory built, but i find smithson's language too specific. is his father an avatar too? mannheim is only a bit north of schwartzwald, after all, and this is about thirty years before tmag 23 where albrecht writes to jonah magnus.
let's look a little at smithson's bequest to found the smithsonian institute in the first place. smithson asked for it to be "an establishment for the increase and diffusion of knowledge among men". the magnus institute, notably, is described in the arg as a place of education, and it was founded in 1818. although smithson died in 1829 and his nephew in 1835, the original smithsonian (the columbian institute) was granted a charter by the us government in 1818.
the letter is strangely absent of any names for the violinist or his family, and i can't help but wonder if this is why. and if it is because this is smithson - is this related to why the magnus institute exists instead of the magnus archives? the smithsonian, before it was renamed, was originally granted a charter by the us govt in 1818 - the same year that the magnus institute was founded in tmagp.
this is set 30 years before we know anything of jonah magnus, at least in tmag, so is it possible that he persuaded smithson to fund his educational institute focusing on the supernatural? the changed course of smithson's life from scientist to supernatural violinist would certainly be conducive for that, not least to mention the strange absence of his fortune from his letter to his nephew.
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On the hidden repressed suburban white emo boy darkness in Laios’ heart
LET ME BE CLEAR: i like Laios, this is not a hate post, his flaws and darker parts of who he is round out his character and make him the character I love. Also this isn’t proper meta or analysis just my literal sleepy off the cuff rambling
I think Laios can be very comfortably summed up as someone who feels he was never indulged and the person he is in the series grew over those scars. I really enjoy how much Laios genuinely has a lot of darkness in his heart his emo-boy ness is really underrated. He canonically thought of (and is implied to sometimes still think of) his bullies (and sometimes people in general) like this
Aside being autistic, well into his 20s Laios really inhabits this very imo teenage mindset/outlook thats a combination of outsider and contrarian (the latter secretly). And the Winged Lion sees this immediately for what it is, this idea of being an alienated outsider due to your unique understanding of the world (I don’t mean Laios thinks hes like a nobel prize winner but more that he has a lot of resentment for how the things he’s interested in are not valued in the way he values them) and the percieved dull conformism of others (eg. his father), and how these feelings of his come from a deliberate (as in i feel hes actively trying to make himself think this as a coping mechanism) lack of intellectual and emotional curiosity about people or things that he’s unable to box into this Different category i.e the grass is always greener (of course in addition to his Traumas). For example monsters obviously, but also his fascination with Toshiro’s foreignness, like the island was probably full of strong cool warrior types but they weren’t so distinctly “exotic” (unfortunate but true 😔, many such cases see Japanism and also ironically cause thats how i hc the toudens, the way scandinavia is weirdly idolised by a great deal of the world, or even the way people will see an indie movie set in like small town absolutely anywhere else in the world from where they are and be like waow so cool and different unlike my LAME hometown imagine that meme of the ships thats like their barbaric practices etc.) and an emblem of this cool different world that he could idealise and escape into. Shuro represents a kind of escapist fantasy for Laios, like in addition to just being (to Laios) This Super Nice Guy Who Always Saves Me And Says Yes To Me And Never Gets Mad, he’s also Nothing Like Those Boors from the village/school/ the military. And he probably dgaf about Rin or like Eastern diaspora in Melini and would say offensive things to them running along the lines of what he said to Lycion (“so you only look different on the outside, nothing is different internally , how disappointing”). Like you can compare Kabru’s curiosity towards people which is driven by a genuine passion for humanity, to Laios’ at times objectifying curiosity toward Shuro which is shaped by the pain of the past and immediately see the sickness in the head Laios has lol. Unconsciously, Laios I think can also be a deeply self-centred guy at his core (evidenced by the nature of his curse at the end of the story too haha).
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