#it's one of the only ways i can think about my future and plans and not fall into panic and depression

[ace-of-bass]

Also: Building community is not just an outreach tool. It is a tool of keeping ourselves safe and keeping resources available to all. Offering things on social media like rides to abortion clinics, or diy hrt, or anything else that is perhaps not-totally-legal in all places, is not a great strategy. For one, you shouldn't trust strangers on the internet with information that sensitive, so those you are offering those services to would do well not to trust you. If you want to meaningfully contribute to providing things such as the above, or even more legal-but-logistically-complex things like feeding a large number of people, handing out narcan, etc, you need to organize in person. How do you organize in person? By meeting people in person, aka building community.

If this is your goal, you can start with people who are very similar to you! You don't have to start by reaching out to Alt Right David or even Annoying Uncle Bill - you can start by going to a local show or a group that meets at the library or hanging out with your D&D group when you're not actively playing D&D. Then, you have friends that you can rely on to take care of you, and who you might be able to plan some cool mutual aid shit with. I've been working on building community for awhile, at first not intentionally and lately very intentionally, and here's how I met the group of friends I started a monthly free store with:

1. Met Friend A at a choir thing since I like to sing and was looking for friends after moving somewhere new. Friend A ultimately left choir but we stayed friends, and at one point I told Friend A I'm ace.

2. Friend A said, "oh you'd love my friend B, who's also ace! She's doing a comedy show, let's go see her perform together and then you can meet her!"

3. Friend B and I become friends, and start a local peer support group for aspec people, based mostly on Friend B's existing communities and our sheer determination.

4. Fast forward a year and a half, Friend C comes to our aspec peer support group and I become friends with her.

5. Friend C and I are talking about activism, and Friend C says a lot of the things I'm interested in aligns with what Friend D has talked to her about. Friend C introduces me to Friend D.

6. Independently, I have been building a community space on my street, in the rough neighborhood of where Friend C, Friend D, and I live.

7. Friend D and I want to create a solarpunk future but decide to start small. Friend D ropes in several of his friends, one of whom I happen to know from the community space mentioned in 6.

8. This group of friends runs a free store once a month in the community space, open for all to donate to and all to attend. As we find out about others who are doing/want to do similar things, we try to join forces. In this way we've expanded from just a free store to a free store + clothing swap, and we're only on our third time hosting it.

All of these friends are lefty, and all of them are queer in some way or another. The free store friends are explicitly anarchist, like me. I think OP's point is useful for deradicalization and for growing the movement, but if you are alone and you are scared, encouragement to build community is just as much about finding your people in person as it is about forming coalitions with those different in you.

Another important note is that finding people like you should be a starting point, not an ending point. The goal of this is not to find friends, though that's a good start. The goal is to build dual power, which is done by working together with others and having open doors to join the movement. Once you've found some friends or communities, work to ensure that they are open to all, that you are reaching the people who most need the work you are doing, and that you are not simply making yourself feel good or just having a good time with your friends.

Activism is not cold-calling.

Activism is not cold-calling, and this is critically important to understand.

I'm seeing a lot of posts on here about 'building bridges' and 'finding community,' and then (extremely valid) response posts saying "BUT HOW??" And I'm going to explain something that can be very counter-intuitive: there is strategy involved in community.

As a longtime volunteer labour organizer, I’ve taken and taught many trainings on the strategy of talking. Something that surprises a lot of people is the very first thing you do in a union campaign. You sit down with your organizing committee, take out pen and paper, and literally map it out. You draw a physical map of the workplace: where are the entrances, exits, break rooms, supervisor offices. Essentially, ‘where is it safe to have a union conversation.’ Then you draw another physical chart of your coworkers. You sort out who is union-friendly, openly hostile to unions, or somewhere in the middle, and then you plan out very deliberately and carefully who talks to whom and in what order.

Consider: If Vocally Leftist Jane walks up to Conservative David and says "hey what do you think about unions," David is going to shut down immediately. He's not inclined to listen to Jane. But if Jane talks to Moderate Jason and brings him into the fold, then Jason is a far more effective strategic choice to talk to David, and David may actually hear him out without an instant reaction.

IMPORTANT CAVEAT: If Conservative David turns out to be Alt-Right David, and could be dangerous to follow organizers, we write him off. We are not trying to reach Alt-Right David. We are trying to reach Conservative David, who may actually be persuaded to find solidarity with other employees as fellow workers. Jason is a safe scout to find out which one he is. It does no one any good if Leftist Jane (or even Moderate Jane who is a visible minority) talks to Alt-Right David and puts herself on his radar. Not only has she done nothing to convince Alt-Right David to join a union - she's probably actively turned him against the idea - but now she's also in danger and the entire campaign is at risk. NOBODY WANTS THIS. Jane was NOT a hero for doing this. The organizing committee was foolish and enacted a terrible strategy to everyone's detriment.

Where you can make a difference is with people who will listen to you. You having a conversation with your well-meaning but clueless Centrist Democrat Auntie, and maybe gently helping her understand some things the media has been glossing over, is way more strategically useful than you marching up to MAGA Neighbour You've Met Once and trying to "build community" or "understand" them. They don't care. They're impervious, dangerous, and cruel. But maybe your beloved auntie will think about what you said, and then talk to her friend Anna who IDs as "fiscally conservative" but didn't vote because she can't bring herself to get on board with Trump. Then perhaps Anna talks to her brother Nic who has MAGA leanings but isn't all the way there yet. Proto-MAGA Nic would not have listened to you, nor would he have listened to Centrist Democrat Auntie, but he might absorb some of what his sister is saying.

This is not a cop-out or an echo chamber. This is you spending your time and energy strategically and safely. You are not a useful activist to anyone if you’re dead. Anyone who is telling you to hurl yourself directly at MAGA assholes like cannon fodder has no understanding of the strategy behind community building, and you should feel comfortable writing them off.

Last point: If you are tired, emotionally devastated, and/or in danger: take a break. This post is for people who would feel better jumping into action, not for people who are too overwhelmed to even think about it right now. You are worth so much even if you’re not actively Doing Activism, and your rest is worth more than “a break period so you can recharge and Do More Activism.” We all deserve the individual dignity of being worthy of comfort, rest & safety just on the basis of being human, outside of whatever we're doing for others' benefit. To deny ourselves that dignity is to devalue ourselves, and that’s the absolute last thing any of us should be doing right now.

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[feuillesss]

how is the other riize members seeing seunghan's situation? are they planning something too?

How The Other RIIZE Members Feel About The Situation

***DISCLAIMER***

I do not know these idols personally! This is just my interpretation of the cards that I pulled, please take this reading with a grain of salt. For entertainment purposes only.

( day/month/year - 12/11/24 )

How do the other Riize Members feel?

Wonbin: (Death/TheWorld/2pentrev)

He wanted to go first, his energy was very open with this, though he didn't have much to say. It seems like Wonbin saw this as a period in time where a lot was changing, he was struggling to accept these changes and put them into action. He feels hopeful that after this situation, they can make a new beginning for themselves, there's a lot of hope here. There's some anxiety for the future, like will he be able to achieve his dreams and his goals. He's been feeling overwhelmed and exhausted by this situation, there's a lot to work through, a lot on his plate.

Shotaro: (7ow/10os/Kiow)

This situation has made Shotaro more determined to fight for what he wants, I get the feeling that he admires the effort that people are putting into this, the way they're standing their ground. He's working extra hard to maintain Riize's position and success as a group. "There's nowhere to go but up." is what I got from this. He really feels like they have nothing to lose, this is making him bolder, more stubborn and assertive. I think this situation hit Shotaro pretty hard, and it's been an exhausting period of time mentally, physically and emotionally. There was hopelessness, like his hands were tied, he didn't have a say in anything. He's being very bold now, a lot bolder than he was, like I said, he doesn't think they have anything to lose, so he thinks why shouldn't he be? He's looking at the big picture, he has a vision of what he wants Riize to be and he's taking the steps to achieve that. He feels like they're at the end of a long, difficult journey, their hard work is about to pay off, good things are around the corner. There optimism here, Shotaro's got a plan, and he's implementing it.

Sohee: (8pent/6ow/4ocrev)

Sohee believes that Riize will come back stronger after this situation. He's been throwing himself into his work, practicing his skills and really focusing on bettering himself. With the four of cups, I got such a strong feeling that it's toward Seunghan, 'get up, stop moping, work hard and come back'. I feel like Sohee was encouraging Seunghan a lot during this period. This situation maybe made Sohee realise the bad sides of being an idol, it broke his illusion in a sense. He felt like his life and career were turned upside out, just a general period of chaos and uncertainty. The six of wands was a little difficult to interpret since it came out sideways, but I got the feeling that he receives a lot of praise, like he should be feeling confident and happy and proud about everything, but he doesn't?

Eunseok: (Kiocrev/8oc/10os)

I think Eunseok was really being hard on himself during this period, like beating himself up over his mistakes or something. This affected Eunseok a lot, he really bottled up his feelings and withdrew into himself. I think he was just creating a lot of distance between him and the fans, there was a lot of pressure there. like pressure of making a mistake? He's very frustrated, like his heart's not in it anymore, he lost a lot of his passion for being an idol. He felt like people were being overdramatic and doing too much over Seunghans scandal.

Anton: (Kiocrev/6ocrev/6osrev)

Okay, I got all reversed cards in this reading, so I think Anton was one of the members that was more affected by this. I think Anton also lost a lot of his motivation and passion for being an idol, this situation made him realise the bad parts of being an idol. Like Eunseok, he thought people did too much about the scandal, and did too much with the funeral flowers. There's a general sense of annoyance, he's just done. He could be being colder towards people, and just a general moodiness and anxiety. He seems to be holding onto the past, missing how things used to be. He's realising that being an idol isn't all it's made up to be, not what he thought it would be like. The rose coloured glasses are coming off, and he's seeing it for what it really is. He feels like they have unfinished business, he does not want to move forward without Seunghan. He feels like they were forced into this situation, they had no say or control, he's resisting this change and is pretty annoyed by it.

Sungchan: (TheEmpress/2osrev/2oc/5osrev)

I think Sungchan is feeling hopeful! I got a huge optimistic vibe, he's looking forward to the future. I definitely think Sungchan was also encouraging Seunghan to come back during this time, he seems very in touch with his feminine, nurturing side. He feels like they've reached a stalemate, likely referring to this current situation with the boycott. They can't move forward, and they can't move back, neither party is giving up. He believes that they can only put this decision off for so long, eventually they will have to make it, I'm interpreting this in regards to SM's decision on whether they will bring Seunghan back; since in my reading of whether we would hear anything soon, I got that they were still deciding. I'm kind of getting the vibe of like, 'can't please everyone', and it's creating this stalemate of who they will choose to please. He's very confused about this, there's a lot of anxiety here, he knows there will be negative consequences either way. They're stuck between a rock and a hard place. He feels like now is the time to take action, to stop being passive and make moves.

Are they planning something?: (Kiofwa/Kiopent/2ow)

They're definitely stepping up right now, being bold. A huge theme that I got when doing this reading was their boldness, they won't be complicit. I definitely feel like they're working behind the scenes as well. They want Seunghan back, they want to be 7, that's clear. 2 of wands is all about planning, they're taking risks and working out what they want and how to get it. There's a lot of determination here as well, they won't stop until they reach their goal.

Are they going against the company?: (Knioc/3oc)

They're being very diplomatic right now, they're all planning and discussing, though it seems to be a positive environment. I'm just getting a vibe of optimism and positivity, a celebration, I think it's a good sign, I'm lowkey excited guys.

[clockwork-carstairs]

“You made yourself a different person than the one I loved” – on Kit’s letter, his projections & idea of Ty

aka where i try to make sense of kit’s letter in the context of who ty was to him. basically i think that understanding that kit may not have had an accurate image of ty in his head helps to contextualise why kit believes the things he does, regardless of whether they’re fair to ty or not. it makes more sense reading lines like:

“in all the world, kit had never met anyone he believed to be so incapable of evil”

“all his energy had gone into ty, all his devotion and hopes for the future”

because you can see so clearly how much kit was projecting onto ty. ty, more than a friend—or whatever you might call it—was also the personification of this new world and all it meant for kit. kit saw him as this overwhelming force of good, beautiful as an angel, someone who not only wouldn’t do evil but was “incapable” of it.

so you can kind of see why everything was lost for kit once ty went through with the necromancy: because by doing so he was breaking the image kit had of him. of ty as a saviour of sorts from kit’s previous life, the person who convinced him to stay, who made kit feel like he was really a part of something, something magical and exclusive that not everyone got to be.

further evidenced by other lines:

“he had been too fixated on losing ty to tell him what he needed to hear” -> kit knows he should have told ty much sooner how he really felt about the situation. kit knows he deflected and in various ways lied to ty about trying to bring livvy back. but kit had wanted to stay by ty’s side, stay included in ty’s plans, more than his desire to tell ty the truth that he hated the idea.

“you made yourself a different person than the one i loved” -> ty as a person being shaped by kit’s projections of all his hopes and dreams, the face of this new world kit was drawn into, the first person he really got close to after he was pulled from one world to another, the person who convinced him to stay.

was the “person [kit] loved” an accurate reflection of who ty really was, flaws and all? unlikely. and the image of ty in kit’s head didn’t allow room for the real ty’s complicated, overwhelming grief, either, and the ways he would try to cope with it: and i believe this is part of why kit was so shocked by what happened and why he’s still so angry at ty. because ty proved to him that he wasn’t what kit believed him to be, and so all of kit’s hopes for his new life came crumbling down.

do i think it’s fair to ty? no, i don’t. but i think both can be true: that kit is upset and had gone through a traumatic situation, and has valid feelings about it while also understanding that he had a very skewed perception of ty that wasn’t fair to him.

mostly i think we need more room for understanding ty’s feelings*. how it must have felt to lose his twin sister in a horrifying way, devised a plan that (to him) seemed completely reasonable** only to have his best friend switch up on him last minute, tell ty he loved him mid-ritual, later say he wished he’d never met ty and basically tell ty that he was selfish and then on top of that leave without saying goodbye.

i also stand by my belief that “how long do you think it will take you to forgive me” is something both ty and kit could/should be asking each other, not just one way around. i honestly don’t understand why both kit and ty would think only kit needs to forgive ty and not both ways. mostly i just don’t think the narrative that ty’s the only one who needs forgiving is very fair, or makes much sense with their characterisation + the context + what actually happened.

in sum, when kit says “you made yourself a different person than the one i loved”, the person he’s referring to is an idealised version of ty whom he had projected all his hopes and dreams for the future onto, and by going through with the necromancy ty completely shattered kit’s understanding of him. this is consistent with other lines in his letter: “you wanted that more than you wanted me”, “when you brought livvy back, you changed yourself” (did ty really change? or did he just prove to be different from kit’s idea of him? genuine question), and perhaps most strongly evidenced by this line: “i don’t know the person you are now. you took yourself away from me. i can’t forgive that.” i don’t understand why he can’t forgive ty for not being the person kit thought he was, nor how on earth ty was supposed to know this, but i digress.

* i hope this is addressed in TWP because between TDA and now, we’ve had FAR more insight into kit’s thought processes than ty’s and as such we’re only really seeing one side of the situation.

** i also think part of the glaring misunderstanding between kit and ty can be understood from their respective backgrounds. obviously for kit, growing up away from the shadowhunter world, something like necromancy is completely out of the question. the way it would be for you or me. but ty grew up in a world where bringing people back to life was something that could and had actually happened. so it’s a far crazier, more impossible idea to kit than it would’ve been to ty.

[thatonecrookedsmile]

I decided to finally color and post this thing I made a few months ago since we're getting close to BATDR's anniversary.

Consider this a fun concept based on a few things at the very least,or a Headcanon Based On Nothing At All at most. The "basis" for this comes from the fact that the Keepers' body and head are some kind of suit, with the zipper and "lens" being the most notable details of this. Which I found interesting.

Now,could the fact that they look like suits just be a side effect of them being offshots of the Machine? Yeah,yes it could. At the end of the day,the fact that they look like that can only be summed up as "they were created that way". Wilson just accidentally created cool-looking OCs. I doubt we'll get any kind of lore drop for the Keepers in the future beyond what we already know about them (but I could always be wrong).

The moment of inspiration that led me to do these sketches was when I was reading FTB and I was thinking about Gent and their experiments for a bit. The Keepers ended up getting into those thoughts at some point,which resulted in me doing… this!

So,yeah,what if the Keepers, before the Dark Revival,were old GENT containment suits?

Essentially,in my head,when JDS closed its doors,Gent continued the ink experiments in its own workshop,and the suits above were worn by the company's scientists while conducting some of these experiments. While we don't know what else the guys at Gent were doing beyond what we saw in BATDR and FTB,I don't think it's far-fetched to say that not even their scientists would want to touch the damned ink,which,as we know,is best kept away from. So,the suits are used.

In 1952,the workshop was condemned and closed. Eventually,the location and by extension - the technologies,the experiments and things like the suits - ended up in the Ink Realm. Fast forward to 72/73,the whole thing about Wilson finding out and taking control of the Cycle happens. When it came to creating his own "guards" to help with his plans in the Cycle,I guess he just. Took stuff from the Gent workshop like the suits and other stuff like gears and pipes,threw it all through the Ink Machine and uhhhhhhh,boom,the Keepers are created.

Again,I wouldn't take this as a serious theory/speculation,and as said,more as ideas and concepts based on so little that I decided to put on paper. (Might as well consider all of this potential AU stuff)

Additional stuff:

- I didn't make the outlines and the helmet's lens glow in the first 2 sketches because I realized that it wouldn't make much sense in the suits? The Keepers,sure,make sense,but for the suits themselves? Not so much. So I left them "switched off",with the exception of the third sketch,done at the time when I hadn't thought about this detail any further.

- The idea for the fourth sketch,the gas mask,came to me while looking at reference images of real-life hazmat suits. I thought it might be intriguing to have Gent scientists wear these masks under their suits,so I sketched it out to get a better idea. The mask itself was based on one of the scrapped Keeper designs, the ones that had the more "alien" feel to them. I don't know if it would fit inside the Keeper suit,but it's still something I wanted to consider.

I also like this whole concept of the suits for two other reasons. First, it gives the Keepers an origin that predates Wilson and the Dark Revival. Second, reusing old Gent suits to create his own guards isn't that far-fetched for a man whose entire rise to power within the studio and plan to overthrow the Ink Demon has depended on the work (and existence) of others to come to fruition. So that wouldn't be so absurd.

Also,here's 2 bonus sketches. The second one has nothing to do with what I've said so far, it's just something I was playing around with at the time.

[firinnie]

What if...

So what if Zeus received the prophecy about Metis' son only during her second pregnancy? When he was still young and stupid, not absorbed in his position but instead delighted with his wife and daughter? And what if he didn't blame his change in behavior for the disintegration of Olympus' first true family? The blame would be on the littke boy who would be called his own son.

WELL! Metis' case is very interesting and I think I like what I did recently so I want to continue it. A few aspects here:

First of all Athena, I would not take away her aspect of war strategy but think it would be given to the 3rd plan in this universe, but handicraft would go hand in hand with her wisdom. Athena was born in armor because Metis knew that if anything happened on Olympus no one would defend her. But in this world? She was the first child of Zeus, conscious and wanted so she did not have to worry about it, at least not at the beginning. I also gave her some sea motifs, from her mother, and instead of full armor, aeigs from her father.

Metis became queen. Unfortunately to him, she broke up with Zeus when sealized that the position was more important than a son of his blood, so they have an arrangement - she has the crown and her husband still has a lot of women. That's enough for Metis because thanks to it she has her children close and safe.

In this comic Metis had just given birth, Zeus had forbidden anyone to enter her labor room. Her "sisters" (Hera, Demeter and Hestia) were at her daughter's birth. When her husband wanted to be alone with his wife she knew she had to fight for this boy, as soon as she gave birth, fed him and put him in the crib, knowing that the king was standing and watching her every move. She hated not knowing something but this time she knew perfectly well that she could only count on a miracle because she didn't know what her son's father would do.

And "the boy from the prophecy". Wiki says that Metis had a son named Porus, but he is supposed to be the father... of Eros? In general, it sounds like it was pulled out of thin air and doesn't suit so let's absolutely leave this idea. What I came up with, on the other hand, is a god named Caerus (Kairos)... someone who fits us perfectly! He was considered younges son of Zeus with an unspecified mother and is considered the god of opportunity! We know so little about him that I can add own story to this, okay? Wiki believes he was supposed to be the one to overthrow his father but that has no source, either way this is the closest possible son of Metis we can find.

He is very mysterious even in my comic but got eagle wings from his father & freckles and colorful lock of hair from his mother. His sacred animal is a lion. I chose yellow for his color, not only is it associated with the blood of the gods that he will spill in the future but it also symbolizes betrayal. What will Athena feel if her beloved brother stands on the other side.

I'm glad you like what I did because at this point I'm probably doing everything not to finish my fic lol.

[an-annyeoing-writer]

idol!Baekhyun x fan!Reader: truth be told.

Word count: 2382

Date of release: 11th November, 2024

Genre: angst, slice of life, half ounce of a fluff, established relationships, mentions of break up and dysfunctional relationships, way too much emotional yapping as for barely any plot.

I'm as surprised as y'all that I wrote something like this. You know, no vampires, no action, no one's actively dying? It's very much not my kind of writing, but I was feeling very emotional at the time. Just don't get used to it.

„It’s not good for you. I don’t think it’s good for me. It’s not healthy for either of us.”

He felt as if the knife you were cutting vegetables with cut right through his heart as well. You deliberately distracted yourself with the activity while he stood nearby, staring at you blankly, but not knowing how to respond.

In the recent weeks, he felt the two of you falling apart. It was like an avalanche that started with a small rock which he didn’t notice at the time, but which escalated into a disaster. Talking less, avoiding meeting up, and until today – the day you announced, as gently as you could, that you wanted to move out and live on your own. You said that it’s just because you want to become more independent, that you shouldn’t rely on him this much. But what will his apartment feel like without you? Your presence here, doing small things such as cutting vegetables, became a staple part of his life.

“Are you still talking about living together? Or about… us?”

Your movements were more frantic than he knew you for. With one a bit too sudden of a motion, the blade cut through the skin of your finger, and you let out a low murmur to cover up the hiss of pain, putting the finger to your lip in mild annoyance. It was more than clear that the cut was not the only reason behind your frustration.

Baekhyun didn’t move.

In any other situation, he would react – mock you a bit for being clumsy while being the first one to bring the first aid kid, maybe pretend to be a vampire struck by the scent of your blood, maybe even panic a little in this cute, puppy-like way if he felt that the amount of blood is greater than acceptable.

But now he didn’t, and it sparked a bit of hurt in you as well, but also brought your attention to the fact that maybe dismissing things and try to make them gentle only worsened the pain that would eventually come. The anxiety of the future that you exposed him to was not like the boil-the-frog that you planned to perform. You wanted to avoid confrontation for as long as necessary, until things dropped naturally. You didn’t expect him to hold onto it.

“Can you be honest with me? Are you able to?” His tone started to show that he, too, was growing frustrated. “Tell me what’s going on. Did something happen? I’m sorry if I can’t catch the clues, but if you made it obvious, then I’m just plain stupid.”

“Nothing… happened. And I’m sorry, I didn’t make it obvious. I didn’t know, how.”

He frowned ever so slightly, taking a step towards you. You backed against the kitchen counter, placing your hands on each side – your finger stung a little, but it was merely a scratch. The real wound was growing in your soul.

“If nothing happened, then why? Did you grow bored of me?”

“Of you?”

“Yeah. Please be honest with me. Just no more sweeting things up, alright?”

His tone was calm, but it lacked softness, it was almost business-like.

“I don’t know how anyone would get bored of you, Baekhyun” you admitted in a breathless whisper. You were starting to feel foolish, really. “And especially myself. That’s why I don’t think I can take it. I don’t think it’s fair to you. But I’m also not fair to myself. You just mean… too much to me.”

 “Too much?” The frown of the man’s face only deepened. “Why is something telling me I should not feel flattered?” A bit of frustration was slipping into his own tone as well.

You let out a deep sigh.

“I started off as your fan, Baekhyun. I thought that with time, it’ll be more… normal. That you’ll feel like a normal person. But somehow it’s not like that. Somehow… it feels like my life is even more about you than it was before. I feel like a creep. Like I’m using you to fulfill a fantasy.”

“Are you?”

“No!” You denied right away, but your voice faltered. “I… don’t know.” You crossed your arms on your chest, fixating your gaze somewhere down below.

To your surprise, Baekhyun let out a breathy laugh. The laughter didn’t feel light and cheerful, like his usual ones – it was heavied with worry, with some sort of underlying agony.

“Okay, let’s talk about this. We need to talk about this.”

His hand reached towards you and he pulled you by your arm, almost throwing you off balance when he pulled you towards the living room, snatching a paper towel on his way and putting it into your still bleeding hand. “You’re right. Do you think I didn’t consider it? That this wouldn’t work out? That it would feel fake? Heck, I talked to so many friends about it, and most of them said it’s not a good idea. But you know what?” He pushed you onto the couch and sat himself on the stool, bringing it close so that your knees almost touched – if only you let yourself relax, they would rest against each other naturally, but you were stiff and trying to almost shrink within yourself. “You know what? I’ve known you for a year. And I could always trust you. You’ve had so many chances to take advantage of me, and you didn’t. So I don’t want to think about how you could – potentially – hurt me. But we need to talk about the other part.”

“What do you mean? Isn’t it obvious that…”

“No, no. You’re thinking about what it’s like, for me, to date a fan.” He didn’t even let you finish, but it was as if he could read your mind, already knowing your thought process. “I want you to be honest and tell me what it’s like to date an idol. Because you’re right, you could be using me. But you also said it’s not good for you. And you’re right, because I could be using you, too. So be honest with me and tell me if I ever hurt you.”

So many memories came flooding at once – not of pain, not at all, but of all things that could have led to one tragedy or another. Your whole relationship, like a videotape.

Sure, your relationship was not always perfect. Barely a year has passed. Not long enough to develop a deep understanding of each other, but long enough for many things to happen, to get to know each other at least.

Not all of it was beautiful. There were arguments, some of which almost ended in a breakup. But they made you stronger, that much was undeniable – with each and every single time you almost fell apart, it felt like you knew each other a bit better, knew what things not to do and not to say, but which helped to soothe the atmosphere and help you get back along.

You had one, most important rule in your relationship.

That no matter what happened between the two of you, you would play fair.

That one time he lied to you about being at work while he was not – that one hurt. When you found out he’s not at the office in the first place, you even thought he was cheating. Wouldn’t that be understandable to assume in such a situation? You had every chance to cause a scandal on spot. But you didn’t. You knew that pulling his whole career down because of your relationship wouldn’t be fair. No matter how much it hurt, it was completely out of the equation.

It turned out he was with his friends – he really wanted to go out, but felt bad for not giving you much attention these days. You felt almost pitiful, seeing him crumble in front of you, all worried that you will feel like he doesn’t want you, when he genuinely didn’t have that much time, and it was just one evening with friends. You smacked him in the head for feeling bad about spending time with friends. And he learned that he can be honest with you.

Another time, you were all excited upon his album release. Seeing him on the stage later on made you feel all kinds of things, the way he moved, all the effects, clothing, makeup – all putting emphasis on his heavenly physique, as if you were watching an angel dance. He came back home disheveled, with remains of makeup on his face, but as excited as you were. You would give all of you to him at that exact moment, more than he would ask for, more than you would feel confident to give any other time.

But it was still early in the relationship, and Baekhyun knew that you weren’t ready. That, drunk on him as you were, you could regret it later, even feel disgusted with giving yourself in this easily, that your gentle mind wouldn’t be able to trust yourself with your own body. So he indulged you with kisses here and there, and then gently tucked you into bed, making sure that it all went smoothly, that it didn’t feel anything like a rejection, but a gesture of utmost care.

It took a few more months before you opened yourself to him fully, and he never rushed or reminded you of how eager you were back then. He could have had it all back then, but he decided to wait. That’s how you learned he’s more selfless than you ever even aspired to be.

“You didn’t” you spoke after what felt like ages, to the point you wondered if you even responded to the correct question. “You didn’t… hurt me. Did I ever hurt you?”

“No, you didn’t. You’re just hurting yourself all the time” he mentioned, jokingly motioning towards your hand, which you wiped hastily with the paper towel. “So if nothing bad happened, why the ifs? You realize it’s not going to stop if we just break up?” It was a rhetorical question, and you glanced up at him with a pout, feeling almost schooled by the way he talked. “You believe it’s a matter of just us, but, as much as it sounds ridiculous to say it, it’s all in your head. No matter who you’re with, you’re going to assume the worst. Won’t it be like that? Be honest with yourself.”

You crossed your arms again, feeling defiant for a moment, because his words were almost too much for your ego to take.

But there was some small part of you, somewhere at the edge of your consciousness, that not only knew that he’s correct, but also wanted it to be correct – because if it was just you, then you could learn to maybe keep those pessimistic parasites at bay, and… you wouldn’t have to suffer the loss that, despite weeks of preparation, didn’t feel like any less of a torment and regret that would come, were you to finish things as you originally intended.

All the beliefs, all the dogmas, that you carefully built over the past weeks, were falling apart in front of your eyes, confronted with very simple logic on Baekhyun’s end. You almost felt stupid for letting things get this far without confronting him earlier. Weren’t you the one who demanded honesty? Wasn’t he the one who proved you can trust him with your vulnerability?

“I’m… sorry.”

You felt yourself fall apart as well. Your body slumped down, relaxed knees rested against Baekhyun’s, and he put his hands on top of your thighs, as if in this exact moment, while knowing that he has you with him, he didn’t want to risk losing you again.

“Don’t be for feeling like that, things are never easy, now are they?” Here it was – the signature smile, the warm one that tore through the clouds of the darkest of your days, warm and welcoming. “But I am upset that you held it from me for so long” he whined. With the whine, he finally moved from the stool and onto the couch next to you. His arms shamelessly snuck around you, engulfing you in the close embrace that you knew so well, felt so good within. Partially pulling you into him, and partially leaning into the back of your shoulder, Baekhyun released a long sigh against the skin of your back, warm air slipping underneath your blouse – you missed it. You almost didn’t realize how distant the two of you became, and how long has it been since you felt his body against yours. But now, despite all of that, it felt good, it felt right. As if your souls have never detached from each other.

Maybe there was some form of destiny between the two of you; maybe it was not just a parasocial relationship that evolved into something that could turn dysfunctional so, so easily – maybe it was written in the stars that one way or another, the two of you would find each other, and it just so happened that you spotted him first, from afar, slowly making your way.

How else would the two of you find each other, after all?

Maybe you learned something this time, too. Maybe it wasn’t much, just the beginning of a stronger, even more intimate bond that would last years and years, and light years, and through all your reincarnations, with some of them as pitiful as they could be. Maybe it was just an accident that this time you were in such a position – in another life, would you be a princess, and he be a peasant?

But these were only some other ifs, fun to think about, but not worth spilling your heart over.

In this life, in this universe, you were his, and he was yours. And everything else was just more or less accidental circumstances that brought you closer together.

Only at the back of your head, you wondered if one day, the tale of hopes and stars would fall, and that dream would turn into a nightmare, fueled by your lives’ imbalance and selfishness that neither of you knew in each other.

Maybe you just didn’t have to think about it just yet.

[thydungeongal]

Hey! I've been sitting on an idea for a cheesy 90's tv show inspired campaign for years, convinced that I'd homebrew the perfect system for it myself... And I'm now ready to admit my hubris. Would you have any recs?

The core concept is Future Teens Escape from Space Juvie + a fun spooky conspiracy to investigate. I've thought abt using Eureka, but they seem to really want you to use pre built modules (which is not my plan at all) and i expect it would take at least a little adaptation to work for the silly-played-straight sci-fi i had in mind. I do like the idea of framing the player characters as investigators within the story though, and it seems like it'd be a fun choice in a lot of other ways.

Do you think it'd be worth square-pegging my campaign into Eureka's round hole, have i underestimated Eureka's versatility, or do you know of any systems that would be a better fit?

This sounds like a fantastic campaign idea! Now, I am not entirely sure it would work with Eureka as is: first of all, Eureka assumes a relatively contemporary setting and also carries some expectations of the setting being grounded in the sort of logic we can expect from our everyday environments, so getting it to work in a somewhat less serious sci-fi environment would require a bit of work.

Having said that, I also can't think of any other system that would fit this type of concept as is, so if investigative gameplay is what you're looking for I can't recommend Eureka enough, if only as a source of inspiration.

Also, to assuage your fears a bit: while the creators of Eureka are very opinionated about the use of premade modules it does not come from a place of "you should never create a custom mystery:" rather, the logic behind recommending premade modules is that planning a cohesive mystery takes a lot of effort and trying to improvise a mystery on the fly does not result in the type of experience the creators of Eureka want the game to produce. Eureka as a game is the type of game that feels there should always be one solution to a mystery and the gameplay is a test of the investigators' skills to see whether they can figure out that solution. So, provided you're willing to put in the effort to plan out the conspiracy/mystery you want the party to poke at as well as having a coherent set of leads and clues for getting to the bottom of things, you should not see Eureka's recommendation to use premade modules as discouraging.

I will also tag @anim-ttrpgs here because I feel they may also have more to contribute to this ask :)

[eikichi-supremacy]

hey so do you think wtv keiko had to deal with growing up with yusuke could be considered a type of parentification

[trash-bin-ary]

I can go on that ramble about the future and housing and aromanticism though now. It’s like man, the future is already something that is so inconceivable to me. To then have the sexuality that does not allow me to slot in the cookie cutter you find a romantic partner that you end up moving in with is terrible. And like In this economy I sure can’t live alone, and I know at least when I’m sick I desperately want someone to be there. And then there’s I’m likely to move around a bunch how do you deal with that housing, other than the work having paid housing. like constantly having to find somewhere that’s looking for roommates and it isn’t terrible? And then long term, when I find a job I stay at for a while (that’s remote so I’d love to live in a remote place) is it like I find a place to stay and then I’m stuck there forever and I just have to hope that I make good friends at this new place. (Friends that don’t want to live exclusively with a romantic partner no less.) I want to live with close friends so bad and I’m not sure if that’s a feasible thing for my future. I’m a person that has so much hope so I have to assume that yes it will work out, I do believe that. But man just hearing someone mention it, sparks that hope.

[yesplsnothankyou]

I only come on tumblr when I'm at the very end of my rope and barely hanging on by a quickly disintegrating thread and I don't know what that tells you about me

[niktheniknik]

sometimes i do that neurodivergent thing when you pretend to be somebody else for a period of time

i pretend to be a rising popular actor/writer and the setting i pretend to be in is those live comedy interviews with people who are not as much interviewers but comedians, 10 to 20 years in the future

and i imagine what questions they might ask me and i try to answer them as best as i could

(in my imagination the host is rude and insensitive, asks private questions as for awkward laughs)

it helps me in so many ways, like, i have a fear of stage and crowd watching me, i'm not a fast thinker, i have bad pronunciation in english, i have doubts as to my looks and my body and how people might perceive me

and that play helps me with all that, since it's one of my dreams to be an actor/writer, that play helps me find words for some weird/insensitive questions and avoid awkward situations and embarrassing myself without actually being put in these situations irl!

(it also helps me plan out my future and affirm my hopes!)

at this point in that play it's somewhere between 2030 and 2040, i have been in 3 movies as a lead and in 4-6 as a secondary/background character, i was on many interviews for roles, some of them were weird. i wrote and published a book and writing a novel currently, i have a rising fandom on various social media!

when i was even younger i did that too, but i played as a mystical being, a god of sorts, a spirit if you will. it helped me with growing up and taking responsibilities, with understanding myself and coming to understand other people, with realization about how this world works, it helped me learn and unwind through somebody else's eyes and mind. now that being is separate from me

there was a time that i talked to them and they talked to me, she was my thoughts and desires and bad dreams and habits, sometimes they were sabotaging me if i had to do important but boring work, pleading to have some fun instead. and it actually helped getting things done, because it wasn't i who didn't want to do the work, it was them and i could fight them off and not feel guilty for wanting to take a break i knew i didn't need

i think most of the kids do something similar to this, but i learned that it's most common in neurodivergent kids, it was one of the things that lead me to realization that i was one of neurodivergent kids

[humanityinahandbag]

I'd like to tell you all a story about my grandmother.

My grandparents raised their children, four girls (one of them my mother), to be fighters. My aunts marched in Washington for women's rights with babies strapped to their chests and like to joke that all of the grandchildren who came from that line (including myself) were born with picket signs in their hands.

But it started with my grandparents. They fought hard for what they believed in. They marched against Vietnam. They marched for Martin Luther King. They marched for women's rights. They marched for a better future.

But let's talk specifically about my grandmother for a moment.

My grandmother unfortunately passed away in 2016. She had to watch the first Trump election and did so knowing that it would probably be the last election she'd ever see. And there is some argument there that she could have given in to fear and defeatism. She could have decided none of it was worth it, and she could have decided that fascism had won and the world was over.

But she did something else instead.

To give some context, my grandparents had friends who were Republicans. I say were, because they shifted from the normal Republican towards the MAGA Republican we see today. And despite a very clear message from my family about how we felt, they were more than ready to still come to the funeral as if everything was normal. Like their beliefs were normal. Like they were welcome to celebrate someone who had fought so hard for the rights of other people.

These were people who would have absolutely used their rhetoric to scream and shout if they were left out or disinvited.

And so my grandmother, even past her final moments, pulled the most brilliant, petty move I've ever seen.

She'd decided ahead of time that everyone who had known her was more than welcome to attend but that she wanted everyone attending the funeral to donate money. That was the requirement to be invited. And so everyone did just that. There was no talk about what the donations were for, just that they were appreciated. I want to say that the assumption was the money would help pay for funeral expenses and give the family some support while we grieved.

Except that wasn't the case.

Because in those final moments of the funeral, the rabbi stepped forward to thank everyone, and then very cheerfully announced;

"Arlene was so happy to know just how many people were coming to join us here today. She couldn't have been more proud of her family. And I'm sure she would have been elated to see just how much money you all gave today to Planned Parenthood."

When I say that the faces of those people are enshrined in my memory, I mean it. The anger, the devastation, the rage, the betrayal. It was an absolutely gorgeous display of true defeat at the hands of a boss ass old lady who literally fought with her last breath and threw up both middle fingers all the way out the door.

What I'm saying is this.

It is very easy to feel defeated. It is very easy to think that everything is over, and there's nothing left for us to do. It's very easy to say that fascism won, that fear won, that hate won.

But that's only true if you let it be true.

There is always more that we can do. There is a future that is still worth fighting for. And it's more than possible, even when it doesn't seem like it.

And fighting is going to look different every time.

Some days it will look like picket signs in our hands.

Some days it will look like spending time with friends and family and people you love and knowing that you have a community that supports you and your vision of a brighter future.

And some days, it's pulling absolute natural level 20 petty trickster shit even after you've left the world.

Because you can always make an impact and you can always add a little brightness to life, and if that means tricking a group of MAGA idiots into throwing their money behind Planned Parenthood in the middle of your own goddamn funeral then that's what it means.

Keep fighting. People have done it before you. People will continue to do it after you.

And enjoy the little victories.

(Even the petty ones)

[secretmellowblog]

People who try to analyze what happened on Tumblr on November 5th, 2020, often really overstate how much it was actually “about” Supernatural. As someone who has never been in the supernatural fandom ever but dID join in on the hysterical destielposting—it was really more about the stress of the pandemic and the 2020 presidential election.

The two biggest Youtubers I’ve seen try to dissect “what happened that November 5th” in video essays both weren’t American—- and I think that explains why they both tried to explain the hysteria primarily via analyzing the Supernatural fandom/the original show, rather than through the lens of the election. And while those videos are cool, valid, informational, and make lots of really well-considered interesting points— I can tell you that me and almost all my mutuals had literally no knowledge or interest in the fact that “oh supernatural had made nods at the ship in the past but the creators were adamant that I wouldn’t be canon” or etc etc etc etc. the first time I learned about any of that context was way later, watching videos where people claimed that fandom history context (that I did not know anything about) was the actual reason for the hysteria.

But the reality is that people latched on to the Destiel stuff because it was a piece of big useless inane zero-stakes fandom news in a time when we were desperately waiting for serious high stakes election news. We were latching onto a “positive “ piece of inane stupid fandom news in a time of great stress, with all the desperation of a drowning man who latches onto whatever piece of wood will keep him afloat.

The core of the hysteria was that Americans (who make up a huge chunk of tumblr’s userbase) were currently glued to their laptops watching the live presidential election vote counts come in. These vote counts were taking an extended amount of time due to the pandemic causing high numbers of mail-in ballots, resulting in a constant state of Election Day Stress for multiple days straight.

This was also during the height of the Pandemic. People had predicted Trump’s presidency would be bad; no one had predicted it would be this apocalyptically bad. No one had predicted pandemics and lockdowns and hospitals overflowing with bodybags. remember Trump spreading Covid lies and conspiracies?? There were so many Qanon conspiracies about democrats being Satanic child traffickers who had to be put to death, and coup threats were mounting from the right wing side. It seemed like this election was a choice between ‘centrist democrat’ and “apocalyptic right wing conspiracy theory authoritarianism,” in the midst of pandemic conditions that people feared would never ever improve— and it seemed like a close election.

Another major point was that Trump voters were more likely to be antimaskers/Covid deniers, while Biden voters were more likely to take the pandemic seriously— so Biden voters were more likely to send in mail-in ballots instead of risking the in-person voting crowds, which meant their ballots would take much longer to count. And so, in many state electoral vote counts, it would initially seem like Trump was very far in the lead— only for Biden to slooooowly build up an agonizingly small lead as the mail in ballots came in, and then defeat Trump at the very end.

So you’re just watching these news sites giving live election updates, refreshing the page every 2 minutes to see if you’re going to live under a spineless centrist democrat or a literal Qanon Dictatorship. And then you go on tumblr to distract yourself, and there’s more election posting, and more agonizing over the votes, and more stress and despair—-

And then it’s been days and we’re right at the crucial tipping point where it’s anyone’s game and the next few hours will determine whether Trump will win, so you need to keep your eye on the vote count, because the next hours will determine the future of the pandemic and your country and your plans for your entire life—

And then stupid Destiel becomes canon! And it becomes canon in the silliest way possible!

If Destiel had become canon at any other time, it would have been a big goofy tumblr celebration? But we wouldn’t have gotten the insane explosion of hysterical interaction.

The entire core of it was the contrast between the inane meaningless stupidity of fandom news vs the actual stressful election news you wanted to hear! It really is best conveyed in that meme where Castiel says “I love you” and Dean indifferently responds with a piece of important election news.

It’s about the contrast between the low-stakes inanity of fandom and the massive life-destroying stakes of a terrifying election. There really was no reason it had be Supernatural specifically, except that Supernatural was a thing everyone knew basic things about from dashboard osmosis— it could’ve been any other equally huge silly fandom ship news about a ship everyone *knew of* but might not necessarily be invested in (ex. Stucky becoming canon, Johnlock becoming canon, Kirk/Spock becoming more canon somehow, etc etc etc.)

I think it’s true that people who weren’t paying agonizingly close attention to the American election news got swept up in it, and that non American Supernatural fans also were extremely excited for purely fandom reasons — but the entire reason it blew up to an unprecedented degree was because of that core of stressed out terrified Americans glued to their computers watching election results and suddenly receiving stupid fandom news instead, and deciding to just hysterically parodically hyper-celebrate this absurd useless zero-stakes news.

I think it was also all elevated by the fact that, as I said before, this happened at the crucial “tipping point” of the election where the next few hours would determine the winner. The fact that Biden began to slowly develop a lead in the hours after made it feel, hysterically, as if the hours after Destiel became canon was somehow the turning point where he began to win; so celebrating Destiel felt like celebrating that slow turn towards victory.

The tl,dr is that it’s so important to Remember the Fifth of November …..in preparation the inevitable hysteria that will happen in the presidential election on November 5th of next year. XD. Personally I’m rooting for Johnlock or Frodo/Sam to somehow become canon in the eleventh hour right before the democrats win

[whirlybirbs]

— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍

summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.

You never did go pro.

Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 

The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:

What if someone helped Tenko Shimura?

How different would his life have been? How different would history have spun? 

You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 

Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 

You see it differently.

Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 

You could easily use your quirk with nefarious intent. 

You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 

Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.

What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 

Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 

He's just a boy given a quirk that needs more care. 

He isn't a villain-in-training. 

None of them are.

It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 

So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 

You usually keep your history as a graduated member of Class 1-A quiet. 

After all, you never did go pro.

And even still, Shoto Todoroki never stopped thinking about you.

He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 

It was the beginning of the end, then.

His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 

Touya's elbow digs into Shoto's side.

It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 

Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:

Endeavor's wing. 

There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 

Very different.

Touya scoffs. "I thought this wing wasn't open to the public yet."

"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"

"Oh, ho, no way!"

Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 

"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"

"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."

It is you.

You look... good. 

Happy. 

You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 

For a second, it's like he's seventeen again.

It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 

"It's prom, man! C'mon, this could be your last chance—"

Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.

Shoto is on the move.

The crescendo of gasps draws your attention first.

Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 

Shoto Todoroki.

He looks... good. 

Really good.

He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.

For a second, you're seventeen again.

It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.

They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.

There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.

"I think you and Shoto would be, like, the cutest couple ever." 

You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 

Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 

"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"

"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 

"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"

"Old classmates," you confirm, not daring to get into the finer details.

Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 

"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"

There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 

You're using him as a teaching moment.

Shoto's smile is soft.

You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."

"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"

Touya thinks this whole thing is just too cute. 

You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 

He hangs back. 

He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 

...It's kinda cute.

Just about as cute as Fuyumi said it was. 

Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 

And he deserves to be happy.

Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.

You hang back. 

Shoto's heart is hammering in his chest.

"Hey."

"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."

"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."

His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."

You gesture up at the statue, then wave around to the rest of the installation.

Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."

"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."

"He's happy, I think. Touya and I are working together and... things are...  good."

Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 

And the underdog in question can read a room. 

This is getting a little too sexually tense for even him.

"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"

You jump.

How long has he even been there?

"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.

"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"

"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."

Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.

"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"

"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."

Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."

"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."

There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 

It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 

"Would you like to—"

"Are you free—"

Hesitant, slow grins bloom on both your faces.

"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"

You make yourself available.

Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.

Little bro is nervous. Touya can tell. 

From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.

"Seriously, Sho'? A suit?" 

"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 

"Who the hell told you t' do that?" Touya quirks a skeptical brow.

"Father was the one who suggested it."

"...That old dog." 

Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"

The ones in Natsuo's hands have his graduation year on them.

Shoto winces.

"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.

"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."

Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.

"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.

Fuyumi nods, popping down beside Touya. 

"He asked. I'm not gonna lie to him."

"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"

"Yes," Shoto grumbles, "I called her earlier—"

"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."

"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 

"She wants me to call her after—"

"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"

Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.

"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."

Shoto lets out a long breath. 

Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"

"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"

It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."

Easier said than done.

You never did go pro.

Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 

You answer the door and he forgets how to breathe.

He has flowers for you. They're blue and blooming and beautiful. 

Fuyumi's contribution. 

You settled then you were going to kiss him at the end of the night.

The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 

It feels like you've been lit on fire.

You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 

Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 

The waiter is pouring you a glass of the chef's suggested pairing of sake.

You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 

For a second, you're seventeen again.

Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 

You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 

A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 

He was always so nervous around you. Now, he just seemed... happy. 

"I can't believe there is only one week left until graduation."

Graduation day was the last time you saw him. 

Until this morning, that is. 

You smile into your drink. 

"What?" you ask when his eyes never leave your face.

His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."

"Nothing?" you press playfully, cocking your head to the side.

"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."

Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."

He manages a half-smile. "Touya had me worried the suit was a bit much."

The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."

You rake your eyes up and down him. On purpose.

He notices.

Shoto's face feels hot. 

He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 

Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.

Now, less so. 

It's adorable. 

Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 

While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 

Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.

His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 

His face is close. It's so... intimate. Very. Nearly better than a kiss. 

But, you've wanted to kiss Shoto Todoroki since you were seventeen. 

The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 

It's sweet.

Really sweet. 

The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 

"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.

His hand settles there. 

Your stomach does a flip. 

You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 

Keep it together. 

He isn't seventeen.

He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 

...Right?

Green light.

His hand is still on your thigh when he pulls up to your apartment. 

The touch is relinquished in favor of putting the sports car in park. 

It makes your chest ache.

Shoto swallows thickly.

Do not chicken out on kissing her at the end of the night.

He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.

What if you don't want to kiss him?

When would he even kiss you? Now? Or at the door?

Why does he feel like he's going to die?

"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 

"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."

You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."

"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."

"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"

Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."

"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"

"I'm not being weird—"

"Then what's wrong, Shoto?" you tease in a sing-song voice.

"I'm nervous because I want to kiss you."

His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 

It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?

Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 

"You don't need to be."

Shoto's breath catches at that.

So, he makes his move.

His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 

Truth be told, he thinks he might be blacking out.

Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 

He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 

The touch pulls you in like he's got his own personal orbit.  

Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 

Then, his eyes stick to your lips.

"Can I kiss you?" he whispers, his breath fanning across your face. 

You never did go pro.

But, Shoto did. 

It shows. 

Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—

His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 

It's better than anything he could have ever imagined. 

And then you whimper. 

It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 

You melt against him, this time your hands trembling to grip his wrists.

He needs to slow down.

He is not having sex with you in his father's car.

That's shameless.

He needs to slow down.

He has to, or he'll lose himself in this and he refuses to fuck this up. 

Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 

You're glad you didn't do this when you were seventeen.

It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 

He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 

"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."

A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 

"Are you serious?"

"Very," he says, chastely pressing another to your other cheek as he leans back.

"Me too," you admit shyly, "Can we... do it again sometime?"

Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 

"Are you free this weekend?"

"I can be," you reply easily with a honeyed look, "And I will be. For you."

"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"

"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."

Shoto scoffs. 

Then, as you open the door and swing a leg out:

"Oh, and tell Touya I thought the suit sexy."

Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.

Then it hits him. He has another date with you this weekend. 

Not so seventeen anymore, Shoto Todoroki. 

[byoldervine]

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on