#it's not that important (i think?) but the game is still in active development. so they're still adding weapons and stuff. act 3 is yet to

[automatonknight]

hey if thats not trouble, can i ask you what ultrakill is and what is it about? i keep seeing those cool looking robot characters on my dash and i wanna know if i should check it out

ok!!! so not to spoil too much ultrakill is esentially about v1, a war machine that runs on blood, venturing into hell where it fights demons and other machines to survive. (<i know that's really barebones but i think the rest of the story is best left out) it's a first person shooter and it is SO SO INTERESTING in how it's built. the movement is amazing, the healing mechanic kind of really forces you to get right into action in my opinion. the weapon roster isn't super big BUT you can usually mix certain weapon's abilities with others which allows you to do really fun combos. the soundtrack bangs too. there's a demo on steam! i don't think it's too different from what the game looks like right now but i definitely recommend checking it out! <3

[leverage-ot3]

okay I absolutely get and adore harry being oblivious about ot3 developments, but consider:

after breanna makes it explicitly clear she’s queer in the card game job, harry starts Researching™

he’s trying to be good, be better. he likes this girl and wants to be there to support her and be her friend, someone she can trust. it doesn’t help that she’s around the same age as his daughter, who barely wants to associate with him anymore

he learns breanna is queer and dives into researching. watching TED talks in his spare time. reading ebooks on his phone in between playing roles in a con (bringing a physical book is less convenient and he doesn’t want to wave around the fact that he’s researching like he’s trying to be performative about it). he reads about legislation and book bans and wonders about how they could work their magic through a con to fix those things. he reads about asexuality and recognizes the flag colors from the sticker on breanna’s laptop, which he files away for later

he learns a lot! he has been peripherally aware of queer stuff- it’s kind of hard not to be in the 2020s, but now he is much more informed on a lot of issues. he has memorized at least 50 different labels and terms and has an index of resources in his head (and on his phone) if anyone might need them. he wants to understand the people he loves and cares about, whether it’s breanna or one of his daughter’s friends, or anyone in his life that is queer and he doesn’t know it yet. he wants to be ready and prepared to support them!

he learns about sapphicness and bisexuality and intersex rights and the gender spectrum. he learns about karyotypes and stonewall and other queer history. he learns about kink (blushing, but still reads because it’s important!) and relationship diversity… which leads him to discover the term polyamory

he tries not to actively apply the terms he has learned on the people in his life because he knows it’s wrong to assume things about other people. BUT. harry spends a few days reflecting on parker, hardison and eliot’s interactions and wonders. he thinks about the long hugs and lack of personal space and near telepathic communication not just between parker and hardison, but parker and eliot AND hardison and eliot. how parker knows how to make eliot take care of himself, how he knows when she forgets to eat because she’s so hyperfixated on planning a con. how parker jumps on his back for fun and no matter what, he always catches her. hardison’s absence is felt when he’s gone, deeply by the both of them.

it could just be a deep friendship, he knows. they have been working and living together for over a decade, of course they would be close!!! maybe they could even be queerplatonic! (another new word he learned!)

but. still. he quietly observes, watches closely, and thinks.

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[temis-de-leon]

He has a nightmare where he rejected you

Characters: Solomon and Simeon (x gn!reader, separately)

Part 1 , Part 2 , Part 3 , Part 4

Main Masterlist

CW: spoilers for Simeon's character development in the OG game (I haven't played NB yet).

A/N: brace yourselves for Simeon's part because I still can't write him.

.

Solomon – He will inevitably lose you

From all the things he thought he would miss when he reached immortality, being able to remember his exact age wasn’t one of them; and yet, there was the regret.

He tells himself is not that deep; that reaching the thousands is already an impressive achievement, but lying to himself has its limits.

Maybe, if he hadn’t been so occupied tracking demons of interest and travelling the realms in search of knowledge, he would’ve had the time to keep score and be aware of just how long he had been roaming amongst the rest of his kind.

Maybe, if those who cared for him stayed longer than their perishable bodies allowed, someone would’ve been there to remind him.

And there were only so many burials he could attend before finally throwing the towel and accepting the emotional safety of solely seeking the company of immortals like him.

But then, centuries later, the human exchange program happens and you make him feel like reuniting with an old friend, even if you’ve never met before.

So he listens to experience.

So he remembers all those funerals he’d attended in the past; all those faces lost to time and inevitable death.

You’re way too enticing to ignore and of course, there’s the need to protect the fellow human surrounded by demons (never mind he acts like one too), but he knows how to stay occupied and at a distance, keeping his feelings at bay.

Casual friendship is the limit he willingly stops at.

He knows that if he allows himself to accept and reciprocate your love, the only important number in his life wouldn’t be his age anymore, but the day he’d inevitably lose you forever.

Tears pooled in his eyes as a violent coughing fit made him bend over, lungs pushing themselves up his throat in an attempt to escape from the stench and the toxic effects of the room’s atmosphere.

Ventilation.

He needed to open the windows.

It was like a cloud had entered his laboratory; a dense, humid fog that barely covered the furniture and crushed against the walls like a rot-smelling milky tide.

Still, Solomon wasn’t sure whether his tears were caused by the abnormal air around him or that unpleasant nightmare he just had.

Although he tried not to think about it, especially the heartbroken expression on your face, the scene did nothing more but repeat in his mind. His words and reasoning carried some logic, yet he couldn’t imagine a universe where that would’ve ever happened.

He enjoyed risks and danger but had never been masochist enough to deny himself of your company; on the contrary, the sole idea of spending time with you was usually a strong motivation to finish his work quickly and make some free time in his schedule, so rejecting being your lover was the strangest and unlikeliest idea he could’ve ever had.

Making that damn potion sure was another one.

Ironically, it was supposed to be a gift for you to use with him as a bonding couple activity, a concoction he had been experimenting on for days to use as introspection into your relationship. His original intention was to glimpse into your possible futures and even your alternative pasts, to see which other ways you had fallen in love with each other; not to witness a rejection.

Had that happened, then? In another timeline? Or had that nightmare been a fragment of his sad imagination?

Thankfully, the air inside the laboratory started to purify the moment he opened the window. He felt his thoughts return to rational and realistic as the fresh breeze of the Devildom night hit him right in his face. The fog, icy and moist, slithered around him and past the window into the darkness, dissipating and completely disappearing from his line of sight. However, behind him, the potion was still bubbling and rattling the cauldron, threatening to throw it to the ground.

Was it the measurements? The temperature of the fire? The direction of the stirring?

Trial and error; success didn’t come one’s way by dumb luck.

With a flick of the wrist and a sour scowl, he magically extinguished the overworked flames and threw the dangerous mixture down the drain.

It would be better to leave his experiment alone for a few more days, though. Perhaps even a week. That would be enough time for him to forget the dreadful nightmare, or at least try to do so. Until then, he’d leave the windows open, hoping the scattered fog didn’t affect any unsuspecting creature on the street, and close the laboratory under lock and key.

Solomon would buy you flowers and sweets and each good thing you deserved in life until the day came when he could give you something better.

Trial and error.

Simeon – The consequences could be fatal

You see.

He lived through the cautionary tale, a horrific incident that affected everyone involved, so he is painfully aware of how any potential intimacy between you two could end.

It doesn’t necessarily have to be like that, of course, but he knows that if he gets to love you, he’ll take risks and chances. Everything you could ever need, Simeon would give you, and not even the pearly gates of the Celestial Realm would be enough to stop him.

Lillith’s treason against their home in favour of her human lover would repeat in his hands if the situation required it.

His love runs deep and he knows so from the very first moment he sees you.

Although, at first, there isn’t anything extraordinary about your friendship.

He still appreciates it. It’s a carefree arrangement, for lack of a better word, light and kind in nature, and it helps him ease into the Devildom in a way he didn’t think existed.

You hang out sometimes, mostly because of Luke and his strong angelic need to protect your pure human soul, and you study together every once in a while, but your shared time isn’t enough to spark the flames of romantic attraction.

It’s easier to let you go when you have seven demanding demons trailing behind you like lost puppies; an amusing sight and a welcomed one.

And still, you choose him.

Why?

Is it his gentle demeanour? Or the determination shining underneath? Is it because he’s so different from the brothers, who show no remorse in admitting their darkest desires regarding their love for you?

He feels forced to reject you and he does as such, basking in the reassurance that you’ll both keep your friendship intact.

Don’t be mistaken; he loves you as well, but he doesn’t feel like that love belongs to the angel he used to be.

It was a melodic sound what woke him up, a tune he recognized as a warning coming from his new laptop.

Frowning and groaning in discomfort, Simeon brushed his hair away from his forehead and tried to rub off the imprints left on his skin by the keyboard. The document in front of him was full of random letters and numbers, no wonder a product of his unconsciously moving head, and a message on the screen asked for his authorization to carry out some type of order.

He didn’t quite fully understand what it asked, so, as per your usual requests, he closed the laptop and kept it inside his backpack.

Now at least he had a reason to visit you.

Not like he needed one, but the brothers, especially Lucifer, tended to leave you both alone more frequently if there was.

Thinking about them made the nightmare reappear and remain fresh in his mind, but somehow, surprisingly, it didn’t bother him as much as It should’ve. While the aspect of rejecting you hurt his heart in a special way, he knew he ultimately didn’t do it and chose the better option; but it was everything else what was stopping him from forgetting about it before leaving to see you.

He was changing, wasn’t he? It wasn’t your fault, you were merely an adding factor, but the truth was undeniable.

No longer the angel he used to be and neither a human, there were parts of himself he couldn’t keep ignoring. The darkness within that could compete with a demon’s, Lord Diavolo’s inability to read him as fast as he would anyone else and his willingness to bend the rules he had been taught should you ever need him to.

Lillith’s presence is blurry in his memories after so many years, but he would never be able to fully forget her; how could he ever do that? She fell in love and risked what she had and what she was to preserve it, although it ended in tragedy.

And still, he understood her.

Solomon’s and Luke’s voices reached him from the living room, bringing him back to reality. Besides his slow breathing and an unclosed faucet, the bathroom was otherwise silent. Droplets of water ran down his face like tears, but his eyes were dry and hardened by his thoughts. His reflection in the mirror seemed tired and he dreaded how his actual appearance might look. You would ask about it, no doubt, but what would he answer? He didn’t even know the full truth himself.

Glimpses of self-reflection and fragments of a realistic nightmare weren’t enough to dissipate your worries, so it’d be better for everyone if he kept hiding, at least for the moment.

Sweet actions and sweet words shielded by the honest love he felt for you.

The truth would come out eventually, but, until then, let the nightmares remain a mere fragment of his world-renowned imagination.

.

.

Taglist: @ilovecandys2010 @ollieoven @kingofspadesdelusion @whimsybloom @books-and-catears

[gremlinmodetweeker]

König's Kids Headcanons

I think König, when he's there, would be a great dad. He's a bit of a gremlin, but this just makes him a better dad. He's also a bit of a menace at parent teacher meetings.

Anyways, have some silly headcanons

Art from This Post

König is a surprisingly good father (when he’s there). He’s strict, but also knows how to relax and let things slide. He will play-wrestle with his kids and make sure they have plenty of time to run around in nature and read books. He’s passionate about his kids’ hobbies and encourages them to learn and explore what they love.

He’s the type of dad to teach them how to fight but also play pretend games with them

He does not like having tea parties, but he will endure for his children. He will endure great hardship and pain for them, and if this includes sipping water from a plastic teacup while sitting on a tiny stool, so be it. He can endure. However, he draws the line at makeup. He can’t endure (nor can he sit still long enough)

When König is home from work, he drops his military titles at the door and focuses entirely on being an important part of their lives. The sad part is that you can see he’s actively trying to make up for time he’s lost. This is part of what leads to him retiring early to a local security job.

Without a steady father figure in their lives, his kids do grow up to struggle with certain things. However, all things considered, they turn out pretty well adjusted and healthy. Honestly, pretty solid people. They turn out to be the kind of people you feel like you can respect and appreciate.

But when they’re young his kids are little shits. They’re the type to break stuff for fun. They also will run and hide from you. At a certain point, you’ll have to resort to using child leashes because they will run away from you in public. So when they’re young, they’re terrors in your house. When they get older, they have their father’s streak of intelligence and are snarky assholes. They have brutal teenage years.

This is exacerbated by the fact that for the first ten years of his youngest kid’s life, he’s still in a PMC and going on military contracts, so the kids have large periods of time where they’re missing their father.

König realizes too late that he missed a lot of his kids’ development and chooses to retire to a more local security job to spend more time at home. It’s a big change in the household, but not an unwelcome one. His older kids struggle the most, but they do grow to form strong bonds with him because of his choice to stay home

König makes a good deal of money early on so he can go on to take a lower paying job later in life. His kids never have to worry about if they have money. They have to worry about whether or not their parents will say yes.

König is a pretty strict father. He’s a military man, a former colonel. He’s not going to be a horrible abusive father, but he will be a bit much sometimes. You might find yourself stepping in to defuse the tension sometimes.

Thankfully, König doesn’t yell at his kids (unless it’s something stupid and it’s pretty obviously a joke) or hit them. He’s actually pretty bad about disciplining his kids. You might have to take over in that department. Having been in the military for so long, König’s terrified of going overkill on his kids and doesn’t want to risk hurting them. He can dish it out, yes, but he’s extremely cautious when doing so.

He’s also quite fair. He does his best to treat his children equally. He’s surprisingly good. He focuses on encouraging their individual hobbies and finding their own personalities. They do grow up to be quite self-confident with their father’s teachings in their heads. They’re not arrogant, but they’re confident and assertive

They’re not popular in school, but not hated. They do pretty decently. Academics are a bit too easy for them, so König has to step in to teach them study habits and keep their passion for learning. Thankfully, his father was a professor, so he’s pretty good at this.

That said, König will sometimes be pretty silly when disciplining. Sometimes, you can hear his full colonel voice booming from outside about someone pulling some silly prank on him as he’s mowing the lawn. He’s not the type to pull pranks on his kids (but he’ll happily torment you) but he will play silly games with them. I think his kids learn that when he’s yelling, he’s not actually that angry, he’s just playing around. It still scares the shit out of your kids’ friends when he does it when they’re over

König has a tendency to scare children in public. He tries really hard to not make them nervous, but with the hood and the height and the tired look in his eyes? Nah he’s terrifying.

König’s kids grow up not being afraid of anyone because nobody’s as scary as their dad. This also means all the kids know that those kids have the scariest dad.

When your kids’ friends come over, they’re terrified of König. Unfortunately, he finds this slightly funny and takes advantage of this. You might have to step in and diffuse the tension to help those poor children realize that when König is yelling about things, he’s not actually mad. Maybe make cookies with him or something, it’ll help break the ice.

Your kids and their friends are all taken under König’s wings for protection. He’ll go up to bat for any of those kids. He genuinely cares so much about them. Having very select few friendships as a child himself, he’ll go out of his way to ensure his children have healthy social lives.

Sometimes the parents are unsettled by him. This is König’s unsettling form of social anxiety at play, so you’ll have to mediate between other parents and König to make sure they realize that no, he’s not an abusive monster, he just makes horrible jokes about his children. He has very dark humor but plays it straight, which is a horrible combination.

He has had a teacher call CPS on him before, but it was quickly resolved. However, most people are frightened by König when he steps into a room and it’s no different at parent-teacher interviews

He always blows teachers out of the water for how much he cares about his kids getting a quality education. He’s also quite receptive to their advice (if it’s good) and is willing to step in when needed. Teachers also typically find that he’s quite a fun parent volunteer to have on field trips (he is extremely popular)

Some of the more timid kids grow to like König because he tries to ensure all children are included when he’s around. He’s good at making sure everyone feels noticed.

Of course, as said, in the beginning everyone is terrified of the giant foreign soldier man. His kids have to teach their friends to not be afraid of their dad when he’s home.

Later on, this means in late high school his kids' friends consider him a DILF. He’s horrified. Flattered, but horrified. He has a serious talk with you about how to not be a DILF. He genuinely is so upset by the concept. His kids laugh at him all the time because he’s miserable about it.

Konig Dump

Konig Headcanons

[gotham--fc]

Rivals - A Jessie Fleming Imagine

Request: Jessie and R both play at UCLA but R plays for the US national team and the media invents a rivalry between them, both Jessie and R get annoyed at being constantly asked about their 'rivalry', they both talk to each other about it and confess their feelings

A/N: I will probably even less active than I am now (if that's possible) I just started school again and I'm very stressed and booked n busy

“So Jessie,” The reporter began. Jessie looked over to where she heard him speak. “You’re about to start at UCLA after these Olympics, and I’m sure you know, but American player Y/N Y/L/N committed to UCLA as well. Do you think your rivalry with her will effect team dynamics at UCLA?”

Jessie really hated media. She was an introvert at heart and if she had it her way, the media wouldn’t be allowed with 500 feet of the team after a game. They weren’t even scheduled to play the US this tournament unless they both made the finals. Still, all they want to ask is about Jessie’s ‘rivalry’ with Y/N. Jessie doesn’t have a rivalry with anyone, and she hasn’t met Y/N off the field even once. They don’t even really interact on the field when they do play, so Jessie has no idea where the ‘rivalry’ theory came from. Except that they’re both the youngest members of their teams, the same age, both midfielders.

“I don’t think that’s going to effect the team at all,” Jessie says, “I have nothing but respect for her as a player and I think she’s a really strong midfielder and she’s very skilled, so I’m confident that we’re both going to play important roles at UCLA and I’m just excited to get started.”

“You might end up facing the US in the finals, the US obviously are the reigning gold medalists, is that something you and the team are thinking about?”

“Not really,” Jessie said honestly, “That’s not our focus right now because nothing is guaranteed, so our focus right now is on our next game. We put ourselves in a good spot coming out of the group stage, uh, in first place, so we’re just focused on the quarterfinal games.”

***

“Y/N, your focus is obviously on winning gold, but can I ask how you’re feeling about joining UCLA this fall?”

“Yeah,” Y/N says, “I’m thrilled to be joining UCLA and I’m excited to further my development as a player and hopefully help the team win a championship.”

Y/N doesn’t really understand why they always ask her to do media. She doesn’t believe anyone really wants to hear from her over some of the vets. But still, here she is, trying not to pull her hair out at these stupid questions.

“Jessie Fleming is also joining UCLA this year, have you spoken to her at all? We know you two have a sort of on field rivalry, have you spoken to her about the both of you joining UCLA?”

“No, we’ve never really crossed paths outside the field, so I haven’t spoken to her. She’s a great player, though, and I think she’ll be an important part of the team at UCLA.”

***

A lot of the players at UCLA are roommates. Even the freshman in their dorms tend to get paired up with someone from the team.  Jessie ends up rooming with Teagan Micah, a keeper from Australia. Jessie likes her, she’s funny, and she’s pretty outgoing, so she drags Jessie along to frosh week activities and Jessie knows if she was left alone she would’ve spent the entirety of her first weeks at school either in class, at practice, or at home.

They have their first practice pretty soon after they move in, since the season starts up right away. The first practice is mostly getting to know each other and the coaches and the style of play they want. It’s different than how Canada plays, so it takes Jessie a second to adjust.

After practice, one of the senior girls calls the team over. She invites everyone to a team bonding night at her place that night.

Jessie gets ready in her dorm with Teagan. Jessie wants to leave so they’ll arrive a bit early, but Teagan just laughs at her, and tells her if a party starts at 8pm, people won’t arrive until 9pm. Jessie wants to say it’s not a party, it’s just for the team to get to know each other, but she doesn’t.

Turns out, it’s a party.

Not only is the soccer team there, but so is the basketball team, the football team, teams that Jessie can’t recognize. She stays near Teagan most of the night, not feeling the most comfortable with the loud music, the drinking, the number of people crammed in a tiny living room. Jessie loses track of Teagan after someone bumps into her, then someone steps in between her and Teagan. Instead of continuing to struggle through people to find Teagan, Jessie goes into the kitchen which is mercifully less full.

Jessie grabs a clean cup and fills it with water from the sink. She hears a commotion and turns, seeing Y/N with a small group enter the kitchen. They make eye contact, and Jessie waves. Y/N nods in acknowledgement. The group begins yelling about shots, and Jessie takes that as her cue to leave. She tries to find Teagan, but it’s impossible, and instead she finds Hallie Mace.

“Hallie!” Jessie yells over the music, “Can you tell Teagan I left? In case she wonders where I went?”

“Yeah, sure Jessie,” Hallie says, “Are you having fun?”

Jessie smiles and nods, and she knows it looks forced, but it satisfies Hallie, who Jessie figures is a little tipsy.

Jessie makes her way outside and walks home, the cool air a relief after how hot it was inside.

Jessie is asleep by the time Teagan comes home, and either Teagan was really quiet, or Jessie was really asleep, because Jessie didn’t hear her come in. The only sign that Teagan did come home is Teagan sleeping in her bed in the clothes she wore last night, hair sticking up in all directions. Jessie sets some Gatorade and Advil on the nightstand for her before she leaves for class.

***

It’s not that Y/N is intentionally avoiding Jessie.

There is truly no bad blood or actual rivalry or whatever people want to believe. It’s just that there’s not much overlap between them except on the field. They’re not in the same program, so they don’t share classes together, they don’t really share the same friends, outside the team. Y/N is friends with the people in her class, other student athletes, and Jessie is friends with people from her classes, and the soccer team. Y/N doesn’t even really notice it, until the online comments start.

It starts with a clip from one of their games. Jessie and Y/N were both on the bench, after being subbed out, and Jessie sat after grabbing water and her pinny, and Y/N stayed standing.

omg they haaate each other

they won’t even sit together its so over

LMAO Y/N really can’t stand Canadians there’s miles of space on that bench to sit and she STANDS???

Y/N frowns when she sees it. It wasn’t intentional, she wasn’t not sitting because she didn’t want to sit with Jessie. She prefers standing for a bit after she’s subbed out. It’s a mini cool down, and she likes bringing her heartrate down before she sits and fully relaxes.

Then it’s the clip from the Olympics, when Y/N said she doesn’t talk to Jessie. All Y/N meant by that is that they hadn’t crossed paths, through no fault of theirs, it’s just how things happened. Of course, everyone decided she meant that she refuses to talk to Jessie.

There’s rumours on campus about a bad fight the two had, about how they played against each other with their national teams and after they got into it off the field. Another lie, because they’ve truly never encountered each other after a game. Still, some of Y/N’s new friends ask her about it, ask her what Jessie did, what really went down. Y/N tells them the same thing each time, nothing happened, there’s no hatred or rivalry, they’re simply two people whose lives don’t really overlap and that’s all there is.

***

USA and Canada don’t even play each other at the next FIFA window. The US plays in the SheBelieves Cup and Canada plays in the Algarve Cup. All Jessie wants to do is focus on the games. She can’t, however, because the first media appearance she does, the first question is about Y/N.

“She’s a great player,” Jessie says, “She brings a lot to the team and I’m happy that for most of the time she’s on my team and not playing against me.”

It doesn’t help that her teammates bother her about it too.

“How is it really?” Janine asks, “Does the team have to build a barrier between you guys?”

“Janine,” Jessie sighs, “We don’t hate each other. We’re literally normal teammates.”

“Oh, come on, you won’t even tell me the juicy details?” Janine whines, “I’m your best friend!”

“Beckie, leave her alone,” Sophie Schmidt says. Jessie almost thanks Sophie, then Sophie keeps talking. “Jessie doesn’t want to spend her rare time away from her enemy thinking about her.”

“She’s not my enemy!” Jessie snaps, “You guys suck.”

***

“Sooooo…” Kelley slides in next to Y/N at the lunch table. “How are things at school?”

“Good?” Y/N says, “Why?”

“I’m just wondering!” Kelley says, “I want to make sure you’re handling things, you know, balancing school with soccer, all those things.”

“Yeah, it’s good. I’m good.”

“Aaand the team is good?”

“Why are you being so weird?” Y/N says.

“I’m not! Alex, am I being weird?” Kelley yells over at Alex across the room.

“You usually are,” Alex comes over and joins them at the table, “What are you being weird about now Kel?”

“I’m just asking her how school is!” Kelley insists. Alex rolls her eyes.

“Kelley wants to ask how Jessie Fleming is, but she’s trying to be subtle about it.”

“Alex!”

“Jessie is fine,” Y/N interrupts before the two can start bickering.

“Do you guys get along?” Kelley asks.

“Yeah, we’re fine,” Y/N sighs, “Are you seriously talking about that stupid rivalry thing? That’s just a bunch of BS.”

“Do you guys hang out? Are you friends?”

“Oh my god,” Y/N groans, “Can’t I eat without everyone bringing up Jessie? They’re not even in the same tournament as us, can I not get a fucking break?”

Kelley and Alex share a look.

***

It only gets worse from there. As Canada and the US start playing each other more, and the longer Jessie and Y/N play together at UCLA, and seemingly don’t get along, the more they get asked about it, the more comments are made online, the more frustrated Y/N gets.

Y/N sludges through the mud on her way to practice. It’s been unexpectedly rainy the past few days. Y/N thought LA was supposed to be hot and sunny all year round, and she thought she would spend her days basking in the sun, wearing suntan lotion and getting tan, not stepping in mud and puddles. When she gets to the field, she’s surprised the only other person there is Jessie.

“Am I really late or really early?” Y/N asks.

“I was asking myself the same thing,” Jessie says, “I’m always early but usually the coaches are already here.”

Y/N sets her bag down on the least muddy spot, and shakes her head.

“I thought LA was supposed to be sunny,” Y/N says. Jessie laughs.

“The rain is actually a relief for me,” Jessie says, “There’s not this much sun in Canada, I’m not used to it.”

Y/N laughs. Of course the Canadian likes the rain.

“I’m not surprised no one else showed up,” Y/N says, “The field is a bit waterlogged.” Y/N points down at her feet, her cleats sunk an inch into the mud.

“You can leave if you want,” Jessie says, “I’m gonna stay and run around for a bit, but you don’t have to stay if you’d rather get out of the mud.”

Y/N considers it. She would really like to go back to her dorm and take a hot shower. But she thinks of Jessie, here all alone, and she can’t leave.

“No, I’ll stay, might as well get some work in for the game this weekend.”

Y/N thinks Jessie means she’s going to stay and run drills, so Y/N waits for her to be ready to warm up. She’s too focused on the way her cleats are getting caked in mud to notice the mischievous smile on Jessie’s face. Y/N gasps and jumps back as a wad of mud hits her chest. She looks at Jessie who’s laughing.

“Oh, it’s on.”

Y/N pounces before Jessie can run, tackling her into the mud. They roll around until they’re both covered in mud and laughing so hard their sides hurt. They run around, trying to push each other into puddles. After a bit, Y/N suggests they play 1 on 1 against each other to ‘see who’s really the better midfielder’. They go back and forth a bit, and the score remains even, both equally matched. It goes until Jessie’s up by one, having stripped the ball from Y/N on defense. Jessie dribbles up to Y/N and Y/N knows immediately that she made a mistake, committing too far one way and Jessie easily goes the other. She does it without thinking, one second watching Jessie cut the other way and the next she has her arms around Jessie’s waist, pulling her back until the two of them are tripping backwards into the mud.

Jessie sputters, mouth gaping open.

“That’s a foul! That’s a red!”

“There’s no refs!” Y/N says, “No refs, no rules! We’re tied again, you didn’t get past me.”

“We are not tied! That doesn’t count!” Jessie says, “I had you beat! I fooled you so bad you had to foul me to stop me!”

“What foul? I didn’t hear a foul call,” Y/N knows she’s being annoying, but she refuses to concede the point. “The rules were you had to get past me, and you didn’t get past me. You lost the ball, therefore, my point.”

“You little…”

Before Y/N can react, Jessie is up and running to the ball. She starts dribbling it away from Y/N.

“There! I recovered the ball and got past you! My point!”

“Get back here!” Y/N chases after her.

Y/N runs after Jessie, yelling the whole time, with Jessie yelling back at her. Y/N almost has her, has her fingers in Jessie’s jersey, ready to give it a tug back, and she startles to a stop when a voice rings out.

“You know practice was canceled today, right?” Teagan stands on the edge of the field.

“We sort of figured that,” Y/N says, out of breath.

“Are the two of you going to clean up before team dinner, or is being covered in the mud the new style?”

“I forgot about dinner,” Jessie says, “We should go shower. It’s going to take a while to get all this mud off.”

“And who’s fault is that?” Y/N yells after them as they walk away.

***

They don’t necessarily start hanging out after that. They still exist in different circles, but it’s more like they partner up in practice, or sit together at team meals, or Y/N plops into the seat behind Jessie on the bus.

Comments start to swirl again after one of their games against USC. USC is one of their biggest rivals and the stands are always packed, each team fighting for a win. UCLA pulled out the win, thanks to a goal from Jessie. Jessie gets pulled into an on field interview after the game and Y/N sneaks up behind her and dumps her almost full Gatorade on Jessie’s head.

“I’ll get you back for that!” Jessie yells, before clearly remembering she’s in the middle of an interview. “Sorry,” Jessie says, “What was the question?”

The clip circulates, people asking if they’ve squashed their beef, if it’s all for show, or if they’re really friends. Y/N rolls her eyes at all the comments.

They end up playing against each other with their national teams in a friendly. While in the tunnel waiting to head out on the field, Y/N finds where Jessie’s standing in line.

“Psst, Fleming,” Y/N gets her attention, “Can I get your jersey after the game?”

“Sure,” Jessie says, “But I don’t want yours. I’d rather die than wear American colours.”

Y/N sticks her tongue out at Jessie, but smiles when Jessie has to turn away to keep from laughing. She catches Kelley staring at her, raising her eyebrows. What? Y/N mouths at her. Kelley raises her arms in surrender and focuses back at the front.

After the game Y/N and Jessie meet in the middle of the field. Y/N already has her jersey off. She holds it out to Jessie.

“The whole point of a jersey swap is the swapping of jerseys, now give.”

Jessie rolls her eyes and pulls off her jersey, handing it to Y/N. They put on the others jersey and Jessie makes a face.

“This feels illegal.”

“Let’s take a photo,” Y/N drags Jessie over to the nearest photographer. She’s more than happy to get one of the two of them in each other’s jerseys and promises to send it to both of them.

***

After the game, a lot of the teams plan to meet up since a lot of them are friends and teammates on their club teams. Jessie isn’t 21 yet, and she really doesn’t know anyone on the US team very well, so she stays behind. She should probably do some homework anyway.

Jessie’s finished showering and doing her post game routine and about to pull out her textbooks, when there’s a knock at the door.

“Hey,” Y/N says when Jessie opens the door, “Everyone’s out drinking, except us it seems. Wanna hang?”

Y/N doesn’t wait for an answer before she pushes into the room and flops on the closest bed.

“That’s Janine’s bed,” Jessie says as she closes the door. Y/N groans and moves to the other bed.

“It’s so lame being under 21,” Y/N says, “Everyone ditches us to go to bars and stuff.”

“I don’t like bars anyway,” Jessie says, “I’d rather stay in.”

“I don’t mind staying in, I guess, I like hanging out with you, I’ll skip the bar if you’re here.”

Jessie doesn’t answer, looking away before Y/N can see how her cheeks grow red.

“Did you see this?” Y/N turns her phone to Jessie, “People are going crazy over the picture of us from the game. They’re trying to prove it’s a PR stunt since we tooootally hate each other.”

“All that rivalry stuff is pretty stupid. There was never anything to it.”

“You know everyone wants to create drama when there isn’t any.”

“I never…” Jessie turns to look at the wall, talking quietly, “I never had any problem with you, even before we became friends. I hated the rivalry crap. I always thought… I thought you were cool and I wanted to talk to you, but I thought you might’ve really hated me.”

“I didn’t hate you,” Y/N says, “Jess.” Jessie hears Y/N shifting on the bed and Y/N gently grabs Jessie’s shoulder and turns Jessie to face her. “I didn’t hate you, I thought you were cool too. You’re such a good player and everyone liked you so much. I didn’t know what to say to you.”

“I don’t think I’m that cool,” Jessie mutters.

“You’re way cool!” Y/N says, “You’re one of the best midfielders in the world and you’re still in college! And your photography stuff is really good, and everyone likes you, and, I think you’re really awesome Jess.”

Jessie feels like she might cry, and she doesn’t want to. She doesn’t want Y/N to see her cry, she doesn’t want to try to explain why a few nice words from Y/N are making her cry. She panics, because she can feel the tears coming and she doesn’t know how to stop it. Y/N is looking at her intently, and Jessie stops thinking. Before she knows it, her lips are on Y/N’s. She pulls back almost as quickly as she leaned in.

“I’m so sorry,” Jessie says. She feels like she might cry even more now.

“Oh,” Y/N breathes, “Oh. I didn’t realize…”

“I’m so sorry. I get it if you don’t want hang out with me anymore. I’m so sorry.”

Jessie keeps apologizing, not able to do anything else. She’s expecting Y/N to slap her, or to just walk out of the room and never talk to her again. She wonders how easy it is to transfer schools, she doesn’t want to leave UCLA, but she doesn’t know if she can face Y/N again. Lost in her thoughts, she freezes when Y/N kisses her again.

“Sorry,” Y/N says, “But I didn’t know how else to get to you to stop apologizing. I’m not mad, I like you too. I didn’t think you liked me back, so I didn’t say anything. I like you, Jess.”

“Really?” Jessie asks, “You… you like me?” Y/N nods. “I-I like you too,” Jessie says shyly.

Jessie covers her face and falls back on the bed. Y/N laughs and follows her. When Jessie uncovers her face, Y/N is facing her, looking at her with a soft smile on her face. Jessie takes a deep breath and works up her nerve. She reaches a hand out and slides her hand over Y/N’s. Y/N grins and laces their fingers together. Hours later, they fall asleep like that, hands clasped between them, and Jessie wakes up to the sound of a camera shutter.

“Sorry, didn’t mean to wake you,” Janine whispers, “I felt like we needed photo evidence of this moment.”

“Please don’t post that anywhere,” Jessie says, and she rolls over and falls back asleep.

[felassan]

From Game Informer:

Solas plays an important role in the game as a central figure and significant character, but the game is not about Solas, hence the title change

Rather than focusing on a specific individual, the focus and centerpiece of the game is Rook's team, stopping the end of the world with this group of specialists

"I think you could argue [these companions] are the best the franchise has ever seen". We will have the opportunity to interact with them in a way that both shapes their story and also influences the main story, including having the opportunity to impact their fate

"Arguably, this game has kind of, in a way, been called Dreadwolf to some degree since its earlier days"

Excerpt:

"When I ask about Solas' role in the story after I learn his namesake is no longer in the game title, Darrah says Veilguard is still taking the Elven God's narrative in a good direction. He adds, "It allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole." Talking to Epler, I learn more about how Solas isn't exactly the big bad I expected before seeing the opening hours of Veilguard. There's a lot more nuance to everyone's favorite bald elf.  "The most interesting villains to myself, and honestly most people, are not just straight up, 'I want to end the world.' To them, they are the heroes of the story, and Solas is no exception," Epler tells me. "Solas always feels that he is a tragic hero but a hero nonetheless, so he's coming into this believing firmly that what he did, that which you stopped him from doing, was the right thing – that you made a mistake. But now he's trapped and can't reach out and actively affect [Thedas], so he needs to work with you. "That allows us to provide a lot of nuance to that relationship," Epler says."

Solas is literally trapped in the Fade after the game's prologue. Rook and co stop his attempt to destroy the Veil. Rook passes out and wakes up in a dream-like landscape to Solas' voice. He explains that he was trying to move Elgar'nan and Ghilan'nain to a new prison because the old one wasn't containing them properly anymore. The two blighted gods are now free and roaming Thedas. Rook has to stop them, but it seems that they will have to work with Solas ("or at least listen to his guidance and advice") to do so

Excerpt:

""So one of the principles we took to when we were building the story of The Veilguard early on was we wanted the beginning of the game to feel like the final chapter of an earlier story and you're coming in right at the end, you're coming in as if you've been chasing Solas – the [Solas at the end of Dragon Age: Inquisition's Trespasser DLC] who said he was going to end the world and tear down the Veil," Epler adds.  Epler says players will see early on (and as the narrative develops across Veilguard) that Solas sees much of himself in you, the player-controlled Rook, especially "the parts that maybe he doesn't like to face." As a result, there's an interesting push and pull between Solas and Rook. He says players can define the relationship between these two characters with their choices in dialogue.  "You can continue to be suspicious and hostile towards him, or you can start to see him and find that common ground, that connection between the two of you, and really develop a different relationship over the course of the story," Epler says."

[source]

[thydungeongal]

I think the thing that people are trying to get at when saying "combat isn't roleplay" is that it's very different from social roleplay in most systems (if youve seen a system that handles character arcs, development, and interaction with the same granularity that rolemaster or Pathfinder approach combat please tell me that sounds so cool). Repeatedly calling people elitist snobs for trying to articulate that, albeit poorly, is kind of snobbish and is missing an opportunity to educate someone. You are talking past people due to not having defined your terms (assuming people engage in good faith of course)

I mean even if they mean "combat" as a shorthand for play which involves a lot of mechanics, they're still wrong, because as I keep saying all the time rules and roleplay are not and should not be seen as the opposite ends of a spectrum and the rules should in fact be seen as one of the important participants of a roleplaying game. And also, respectfully, I don't see it as snobbish of me to ask people to stop using definitions of "roleplaying" that implicitly create a hierarchy where certain activities, ones traditionally seen as plebeian, are not real roleplaying.

So yeah sorry that my defense of different playstyles as equally worthy of engaging with and not inherently less roleplaying than others seems snobbish to you, but like I'm going to keep saying that rules-mediated play and combat and dungeon-crawling are valid expressions of roleplaying and asking people to not define the act of roleplaying in such a way that excludes those things, even at the risk of seeming snobbish. Because these people are regurgitating poorly formulated elitist memes like "combat ≠ roleplay" and "rollplay not roleplay" which not only are elitist but actually do a disservice to the medium of TTRPGs and discredit game design.

And as for games that model character interaction and arcs with a lot of granularity, to varying degrees: Burning Wheel, The Shadow of Yesterday, Hillfolk, Fate, Monsterhearts, just to name a few.

[victorgrwrites]

Gortash Age/Timeline

For my prelude, see live footage of me at work below. (PS: Mac on the right there is basically my wife, she was very kind to let me ramble about this.)

Here we go. And I think it goes without saying, but spoilers ahead.

So, we have a better idea of Durge's timeline than Gortash, which is helpful since we know that they knew one another before the events of the game. On top of that, we know what each was doing when the other was doing something else. At least, to a point.

We'll start with Durge.

Exhibit A: We know that Sceleritas Fel appeared to Durge on their "age of majority", which is generally accepted to be 18. Could be 16, but we're going with 18 for the timeline.

---

Exhibit B: We know that in the prequel Blood in Baldur's Gate, the main antagonist is Dark Urge, and Sceleritas himself appears multiple times in the story. We also know for a fact that this happens in 1477, 15 years before BG3.

Therefor, we know that Durge CANNOT BE YOUNGER than 18 in the year 1477, and therefor cannot be younger than 33 in BG3.

It's important to note for later on that at this point in Baldur's Gate in 1477, it is very likely Durge has already started the cult of Bhaal or is on the verge of starting it. --- Like I said, easy as Hell, now on to Gortash. Cause he is definitely trickier; we'll be needing to work backwards for this guy. Exhibit A:

Gortash is intent on making a memoir of his life, and has given us a helpful order of events, if without dates and such.

Exhibit B:

We'll start with the heist at the House of Wonders. If you don't know what the House of Wonders is, imagine a giant museum/research university run by NASA. It's a big fuckin' deal, and holds some insane things.

We don't know everything they stole, but we do know some. 1. A Bhaal torture device and some preserved Bhaalist bodies (unimportant for our conversation), and 2. Schematics which served as the basis for the Steel Watch, as well as the submersible.

((I can't find the specific screenshot for the Steel Watch schematics, but just trust me, it exists.)) We can assume that Karlach was sold right around this time, maybe before, most likely right after. The reason why she was sold around this time is because... ---

Exhibit C:

Karlach is a proto-prototype Steel Watcher, or at least of the infernal engines the Steel Watch use. What Gortash most likely got for Karlach were plans/materials/development for the infernal engines.

So let's recap. We now know that ten years ago Durge and Gortash pulled their heist, traded Karlach, figured out infernal engines, and started production or development on the Steel Watchers. Neither were the chosen of their gods yet, and the Crown of Karsus wasn't even on their radar.

Let's keep going. --- Exhibit D:

The first and second listings in Gortash's memoirs are him founding the Bane cult, and then discovering that there was a Bhaal cult already started. I would posit that Gortash established the Bane cult right around the time of the previously mentioned Blood in Baldur's Gate. At the bare minimum we know that Durge had to have been already active and Sceleritas already trying to guide him. So we can likely say that Gortash established the cult of Bane in 1477. Which means he was not in the House of Hope any longer in 1477.

The Crux of the Issue:

Here is where we get into speculation, and there's several questions we have to answer that don't have a clear answer. 1. How old was Gortash when he was sold off?

2. How old was he when he escaped the House of Hope?

3. How long after that did he establish the Cult of Bane?

I'll give you my answer for these questions, and my reason why.

Given my previous post, you might know that I subscribe to the idea that Gortash had a knack for artifice when he was young. There's no way a devil/warlock would pay even a small amount for a useless kid. So, at what age is a kid "useful" while still being a kid? My guess would be as old as ten, as young as eight.

Based on the conversation with Nubaldin, I would say he was still fairly young when he escaped. The way he talks about Gortash establishes that the jailor remembers Gortash as a 'sniveling little shit' and 'mischievous little blot of a boy'.

I would put him at about sixteen, absolute tops.

3. I believe he would have started the Bane cult very, very soon after leaving the House of Hope because I have a sneaking suspicion that Bane's influence started at the House of Hope. Might be how he escaped in the first place, or maybe he heard about Bane while there. Either way, I don't think he took very long.

In my head, he's probably around 17-19 when he starts the Bane cult. But also, if there's age discrepancies, this is probably where they come in.

---

And there you have it. I don't focus on his in-game model much, because looks can vary so wildly. Especially when there's years of demonic torture, obsessive artifice study, and dead god cults. The game narratively describes him as a young man, so I generally erred on the side of "young" when figuring out this timeline.

If you've got questions, comments, additions, go on and lay them on me.

[rubberduckyrye]

You know I've seen quite a few people say they're wanting to make v3 rewrites lately--and as someone who is actively working on one by myself, I feel like I should give some advice. I know I'm nowhere NEAR done with Twins AU, but I've made a ridiculous amount of progress and I think these things have greatly helped me out personally

So here are my tips for making a V3 rewrite and actually making it stick/not to burn out before the first chapter!

This is important. Don't try to please everyone. You will never please everyone. Write this for yourself, and you will find an audience. People can and will hate your fic no matter what you do. Don't try to please them, they are not your target audience-- so Write this story for, first and foremost, yourself. It'll feel so much more rewarding if you do I promise.

V3's main theme is extremely muddied due to how the narrative was and how open ended the game was left, and from my own research, no one can agree on what V3 was trying to say about truth and lies, or Reality and Fiction. If you want to rewrite this story, you're going to need to narrow down what you want your rewrite to say about the themes presented.

PLAN THE EVIDENCE AND MURDERS AS THOROUGHLY AS YOU CAN. I think not knowing what I was going to do for the cases and trials really scared me for the longest time until I essentially sat myself down and fleshed out all of the cases for Twins AU. Make evidence lists, do research on how your murder cases might go, the works. It's a lot of work but I personally followed this post and also made an evidence list to help me out plot out the murders for Twins AU. This is also a great way to flesh out your protagonist as well, since you get to explore their note-taking style and what kind of language they'd use for taking notes and if they have opinions about certain things.

Write a summary of each character in the story. DR games have a big cast and V3 has an even BIGGER cast than usual, so it's good to write down summaries for all of the characters. I also suggest really studying each character too, even if you plan on changing a character to better suit your tastes (or to get rid of offensive material.... looking at you Angie) you still want to keep the core of their character intact for fans of that character.

Speaking of characters, make sure to try and remember to write each one as a human being, even if they aren't human (Kiibo for example). Develop them, give them quirks and flaws, motivations and wants and desires and dreams. Even if you hate a character, doing this much character study will help you keep them in character and keep their motivations reasonable and understandable.

If you don't have a good grasp on a character, study harder. Don't go looking for other people's interpretations or try to be a crowd pleaser. Make your own interpretation, and that interpretation becomes special to your rewrite.

If you plan on changing a character, for the love of GOD do your research first. Don't go accidentally making Angie into a worse racist caricature of Pacific Islanders Please and Thank You. Actually, just do a ton of research in subject you think might be relevant to a character or the plot--like Gonta and how ableism prevails in his story. Like how Shuichi has anxiety up the wazoo and how Maki has learned helplessness. Study and research hard.

Pace yourself--I don't think people realize how GIANT a V3 rewrite project is--remember that this game is extremely long and you cannot write this in a single month. Once all of your planning is done, write a reasonable amount for it each day. For me, I'm able to crank out 2k a day because I type absurdly fast, but most people would probably want to start at maybe 500 words a day.

If you're not having fun, step back. You might be burnt out and need a break, or maybe the scene you're writing is just not working. Take time to assess your own feelings and do what is appropriate to resolve them.

Don't feel too discouraged if you need to rewrite a whole scene--it happens to the best of us and sometimes things are just not working. It's not lost progress to retry--consider the scene you are replacing as a rough draft you need to remake. I've had to erase huge 1k chunks due to this.

Reward yourself for big accomplishments! When I finished the prologue, I threw myself and my editor ( @trans-shuichisaihara ) a pizza party, and I plan on doing something like that again, albeit probably cheaper. Reward yourself for huge milestones! Hell, I owe myself at least one treat for two chapters I've written, but tbh I've been having so much fun just writing that doing so is rewarding within itself. That doesn't mean external factors can't help, so if you finish a chapter and you're proud of it, buy yourself a treat for working so hard!

If you got a friend who likes editing/beta reading, invite them to beta read for you! They can help you find errors and typos that you might've missed. If you plan on editing your fic, I highly recommend reading your writing out loud to help you find weird sentence structures and awkward phrases. This should have the bonus of making it easier for people who use screen readers/just prefer audiobooks to enjoy your fic as well!

EDIT! Here are two more:

It's okay to be scared writing something new! Getting out of your comfort zone is going to happen with a giant story like this, and maybe you're going to flop at the best parts. That's perfectly fine!!! You can always edit it later--or even just call it "good enough" and move on! This is fanfic for fun, not a professional project you're making money off of. It's okay if things are less than ideal and incredible imperfect. An imperfect story is at least written. That's better than not writing it at all.

For the love of everything that is holy, remember that the characters should be people--and remember that their talents do not make up their entire personality. Their talents should not solely dictate what they wear, how they act, or the worst offender in this fandom--how their executions go. When writing a character Execution, think instead of what would be the worst way for that character to die--that is to say, what would bring them the most despair upon their death. DR1 and DRV3's executions all play with the despair of the blackened in each execution (with DR2 being noted to heavily miss the mark and to be the set of executions that are the most disappointing to Kodaka, from what I've been told.) So if you're stuck on writing a new Execution, try to think about what each execution from DR1 and DRV3 does to play with the despair of the blackened. What about their executions are giving them despair in their final moments? Do they at all relate to their talents, or are they completely separate from their talent? Study them, and you'll be able to use that information to write your own unique executions that are miles better than most of the fan made executions out there.

And I think that's my advice for now! Happy writing, everyone!

[thefaiao]

Do you remember what hooked you on the LISA series? It's a decently impactful set of games so I'm curious as to why you've created so many drawings from it

A great question. I don't think I can answer this with absolute precision, but I'll try. I'll begin explaining how exactly I first got into drawing LISA, and we'll work from there to the reason I believe I am still compelled to draw more of it.

I first played and finished LISA at the end of 2016. I was decently active at that point, but hadn't garnered much attention to my drawings. I had made a Hotline Miami post that had gotten decently popular, and a few Yogscast(1)(2)(3) drawings that also did decently well, but overall nothing super noteworthy. Most Yog fans at the time weren't into what I liked mainly, which was Shadow of Israphel.

I was immature at the time, so had a hard time connecting with people in fandoms. Not to mention, I was a Brasilian in a sea of Americans and Europeans. You'd be surprised how hard it was to relate with people in that setting, but I tried here and there.

I felt pretty strongly about the HM post though, since it felt like a great personal achievement. I felt a drawing I had a clear vision for had achieved what I set out to do with it. Seeing how much people liked it, it was pretty magical when you've never had a post "do well".

Anyway, people were hopping out of tumblr and onto twitter, and I did as well. Twitter, despite everything, sort of puts you way closer to other people. Your reply to someone important is very visible and hard to ignore. It was a type of equalizer. There I had gotten to get my drawings actually seen and shared by Austin, the guy who made the LISA games.

Having had my drawings shared and recognized that way had a strong impact on me, and I even got to talk with an artist I really looked up to at the time, Maren, who had also gotten into LISA. She had done art for SBFP and TF2, so it felt surreal to me to be acknowledged by someone like that. Up to that point I really felt like more of a passive observer to everything.

In 2014 I finished high-school, and 2015 I spent the whole year learning how to draw better. I tried so hard that I ended up dissociating, a very scary emotion, that I didn't even know was a thing at the time. It felt like all that time and effort was starting to pay off, and that there was a way forward here.

First I posted sketches, and the passion I had for the game and motivation from the recognition led me to put a lot more effort than usual into my drawings. I ended up making these, which got really popular, it was very validating.

So because of all that I kept drawing. I'll be honest, a lot of the time I just wanted to get even more of the attention of these weird new cool popular friends that were paying attention to me for some reason. I was very lonely at the time. I think I stayed lonely for a long time after too.

But eventually people move on, as is normal with fandoms. I didn't really feel my passion for drawing and LISA die out though. I had started a massive LISA art project at the time, that took me 5 long years, and also was more focused in college, where I did Game Design.

Drawing wise, eventually I branched out to other RPGmaker games, but LISA was very easy to draw. It was sort of a home-base for me. Something I could come back to when I was uncertain.

I think Urasawa put it quite well, with Billy Bat:

Drawing the same characters over and over is extremely rewarding, and a great way to reflect on your progress so far. I suppose it's meditative, but that's not quite the right word. It's very fun and constructive, and people can also keep track of your progress through that. I did the same with OFF characters, a game I had drawn way before all this.

Of course, I had a lot of issues because of how things developed. I related a lot of my self-worth with the validation I received from people online, and I still do, to an extent...

When I started taking the game I'm making, Meanderer, more seriously, and started living alone, posting anything felt awful. I didn't have the energy for bombastic posts, or the time spent developing the way I draw the characters like I did for LISA, that is, with ease and style. It felt very humiliating, but I understand it was a warped view of things.

It was a long and depressing time in my life, but it taught me a few important lessons, and made me sort of re-evaluate how I engage with "online" overall. But I still liked drawing LISA throughout all of this, I almost felt ashamed of it to a certain point.

All of this isn't to say I didn't love the game itself. It wasn't all just context. I really, really love LISA. It drove me to sobbing tears, which I don't think another game has gotten out of me. It's a fantastic game, that really showed what fresh things you could do with the medium. When I played it I'm not sure I fully understood how much I loved games.

I just grew up with the characters of LISA. Maybe not in my adolescence, but definitely in my adulthood, and with my art. These characters help me orient myself, understand my limits. And it's damn fun to get better at drawing them. Even just a character on an empty blank canvas, with only black and white lines. It's the most fun in the whole world.

To finish it off, I have a general philosophy of not republishing drawings. So whenever I want to do a LISA post I have to draw a LISA post. Just keep drawing and drawing. Don't get hung up on one drawing or idolize one thing you did. Keep making things. It doesn't have to make sense. Just keep drawing.

(There was a power outage while writing this and I had to retype this whole damn post by the way. Appreciate it!)

[loveandlegacy]

ngl i think there are a lot of cool/interesting things to say about the sex scene between jayce and mel, but i am not wild about justifying it by pointing to its plot relevance. its presence IS justified, i just think the furthering-the-plot argument is using the wrong framework to understand the function of sex in media at all and kind of belies a deeply conservative impulse about what sex is or does or what it's for in art. and like i don't really blame anyone for this. i think this attitude of 'well it has to be plot relevant to be present' particularly in film is born partly out of a reaction to a long history of film & tv having gross attitudes about women and very unpleasant assumptions about roles in sex.

in tv in particular, hbo comes to mind as having been the only prestige network for a really long time where nudity/semi-explicit sex was permissible. and like while it was/is permissible, a lot of hbo productions deploy sex in a way that feels deeply unimaginative and misogynistic. obviously hbo isn't the sole culprit. the whole concept of the male gaze was developed bc of film's treatment of women, and the games industry stacks on top of that by being so misogynistic in its sexualization of women that it feels like a joke. so i get why people balk at that — i do too — but these media properties and outlets shouldn't be the gold standard for sex in media anyway and the solution to them shouldn't be "well sex is only Allowed when it serves the very utilitarian and quasi-calvinist purpose of furthering the plot".

if nothing else, sex is an important part of life and connection for many people. including it in art to demonstrate or reflect that fact is ideally something normal, or could be if we in the united states could at least deconstruct our neuroses about sex. my one friend always says that sex in itself is a kind of character study, which is valuable regardless of how much it furthers the plot. you can even see this with jayce and mel! people joke a bunch about jayce being the little spoon and not to be like too annoyingly into close readings of a sex scene but the entire arc of his encounter with mel tells you a lot about both of them as people that arguably could not really be presented in any other context. mel initiates but she does so in a moment of vulnerability, right after talking about her family, a major pain point in her life (and not lol after she supposedly like...bamboozled him with Sexual Allure and alcohol or whatever people say). jayce follows her lead for a while (she kisses him first, he is happy to have her push him onto the bed) and eventually breaks from this pattern to go down on her, not to demand something for himself.

either this says something about him as a person or says something about gender and expectations for sexual courtship overall in the world of arcane. like in our world men who "submit" (lol) to women's sexual desires or who give primacy to a woman's sexual interest are still framed kind of as a joke in mainstream US culture even though 'mean mommy dommy' jokes abound on the internet. but is that also true in piltover & zaun? is jayce the exception to the rule or is he in keeping with the rule? we kind of don't know ironically bc we have no other information about in-world sex in the whole of season 1. even with the brothel, there are open-ended questions: is trading sex for money illegal? is it illegal in piltover but a weird grey-market activity in zaun? what kinds of sexual mores exist in piltover, zaun, or both, and what relationships to people have to them? vi describes the brothel as 'the one place where all the secrets are spilled' and that seems like it's in keeping with how civilian clients are about sex work irl in the united states but that's more or less all we have to work with.

i'm not saying arcane should seek to answer all these things or to deliver a complete taxonomy on in-world sex and sexuality. the story is dealing with other themes. it just seems strange to me to laud arcane for it's skill in efficient but well-textured worldbuilding and then to abjure the possibility of the presence of sex outside of plot-relevant reasons when sex would tell us as much about the world as the touch that smoking is a sign of power in the undercity.

if the concern is that somehow any non-plot-sex would be too gross in its treatment of women, i guess i would say that it was amanda overton who advocated for the sex scene in the first place, not alex yee or christian linke. so like why not trust that she may be capable of writing/directing further instances of sex without defaulting to something unpleasant?

and if the objection is "well i don't want to be made to feel horny in an otherwise non-horny experience" my answer would be that the point of sex in media can be communicative sometimes, not always titillating. going back to jayce and mel and character studies, i wasn't (and i don't think most people were?) suddenly horny during that scene. i thought the literal art direction was weird, but mostly what i took from the scene about these two characters was that their mode of relating to one another was actually very tender. it cemented that mel was falling in love with jayce, and that the we the audience were supposed to understand their sex as sweet, not particularly provocative or designed to fulfill an assumed sexual fantasy on our behalf.

but there's also no reason to assume that any two other characters in the story would have sex in that tenor, even if they were in love. there's no reason to assume that any two other characters might NOT have sweet sex outside the context of love. the only way we could know that is if it were to occur on screen, and getting a greater diversity of sex and sexual encounters on screen requires the audience to be open to sex not just as a normal part of life, but as a semiotic object in art that has value beyond driving the plot forward.

tl;dr it's nice that the sex in arcane had some greater impact on the plot mechanics, but i don't think that's the primary value of its presence and i'm glad it's there with or without it mattering to the plot. it's unlikely but i hope s2 can give us a fuller picture of how other characters relate to sex as well.

[natsmagi]

some more natsume gender posting but i do admittedly get very annoyed when i see people claim natsume hates things related to femininity because thats just. Blatantly not true. i did make a post a little while back talking about natsumes gender generally (might be a lil dated by now but eh), but there are some additional points id like to make

first thing being natsume very much enjoys more feminine things!! particularly things related to baking/gardening because thats what he would do with his mom when he was little!!!! (plus his newly added skill being cooking!)

with this and his undying love for his mom in mind, does it not make sense for natsume to hold feminine activities fondly? not only is he quite good at it, but it reminds him of his childhood spent with his mom!! he looks up to her alot!! and hes also thankful for the childhood he had because it makes him feel more unique. literally how does any of this read as a hatred towards femininity or his upbringing??? his mom is literally his number 1 inspiration and shes the reason he had this upbringing to begin with. Frankly the assumption that he hates feminine things just flat out does not make sense

and he doesnt even necessarily mind things like "-chan" either. though this one depends entirely on the person. for example kanata is allowed to call natsume nacchan but if tsumugi calls him natsume-chan blood will be spilt. to re-emphasize the point made in my previous post; natsumes biggest concern is being viewed as weak. he hates being infantilized more than anything. when tsumugi calls natsume "natsume-chan" thats not tsumugi feminizing natsume, thats tsumugi reminiscing on the child natsume he used to know. when tsumugi calls natsume "natsume-chan" it feels like hes not being taken seriously, that hes still viewed as a child, that he hasnt matured (which is also why he doesnt like being called "cute" bc. yknow. kids r cute). and this is a REALLY big insecurity of his. he hates being viewed as naive. In the same vein though, natsume is insecure about not being manly enough too (such as him viewing his inability to swim as "not manly"). Which is also a really interesting point of discussion when it comes to natsumes character! but its important to note that his insecurity in his masculinity does NOT translate to a hatred of femininity. natsumes relationship with gender is an incredibly nuanced one and its so frustrating when people dont even bother trying to read into it and just completely generalize his character

with that said natsume DOES have some internalized misogyny though. But this ones kinda hard to navigate as. well. Almost the entire cast has had some to a certain extent at some point. esp in the early stories. which could all just be bad writing. But it adds to the complexities of femininity and womanhood, how the two are often associated despite being distinct from one another. and with this distinction between the two it adds ANOTHER interesting layer to natsume and his own relationship with gender, because we know he didnt mind being raised as a girl (its just incredibly fucking embarrassing that people know about it), yet his views on gender seem kind of........ Conservative. with him assuming anzu is bad at games bc shes a girl, claiming arashis lying to kids by calling herself a princess, worried that people will view him as less of a man for being unable to swim, etc etc. Like you truly cannot just read ONE story and think you now have a full grasp on natsume and his relationship with his gender. i cannot stress enough how complex it is. but this complexity is exactly what makes it resonate. if you're insecure, it makes sense for you to develop a toxic habit of punching down in order to get higher, esp since we know natsume doesnt handle his emotions super well

this section will be very speculatory and is just my own personal analyzis, so dont take it as gospel. But from my understanding it seems like natsume does genuinely enjoy more feminine things, but hes caught up in gender expectations (potentially due to him knowing both what its like to be a girl and a guy?) that this can cause him to say admittedly quite bigoted things due to his insecurities. natsume is a character that wants to be perceived a certain way; he wants to be cool, mysterious, alluring, but as we should all know by now This is a front he puts on. he very often puts on fronts and lies about his true nature and intentions. which all reads like a fear of authenticity. i dont think natsume genuinely holds those beliefs previously listed, he is just afraid of being vulnerable and, once again, having weak points exposed. he was told to be a girl when he was little and now hes basically told to be a guy without having the Common Guy Upbringing, which can easily turn into developing beliefs of toxic masculinity if you're the type who "plays the part" rather than being your authentic self. hes being told what a man is by the world around him so he tried to shape himself into it to play the part. He can be very blunt and cruel in his words to others, but i personally just see it as a projection from his end. its an attempt at making himself seem better and manlier than he actually is by using his words where hes lacking in action. You can pull off alot of mind games with a simple sentence alone. words can paint a deceiving picture if used correctly, and natsume is a fortune teller; if anyone knows how to say the right thing to get a certain impression from someone its him

i do also think its important to note that as time goes on natsume is starting to express himself genuinely more. Just like the rest of the enstars cast; his story is one of growth and bettering yourself as a person. coming to terms with who you are and learning to let others in

either way. im not one to gatekeep but i need ppl who dont read switch stories to stop speaking so definitively on natsumes relationship with his gender or im gonna start throwing rocks at people

TLDR this shit is NUANCED and to say its 100% this or 100% that does it a disservice to me

[glitter-stained]

Character design ideas for Tim, you know the drill

-black fingerless gloves. His hands may be cold but by god is he gonna show that black nail polish

-on that note: black nail polish. Tbf I'd give like half of the batfam black nail polish, and Tim is one of them for sure.

-sleep apnea. Idc that making that fit with canon is impractical, I saw that image of Tim falling asleep on a rollercoaster on a date and my brain decided he has sleep apnea.

-active noise-reduction earphones so he can hear himself think.

-I already ranted about this but that man doesn't drink coffee: he drinks energy drinks and these yfood bottled meals that got a meal's worth of nutrients in them, and he takes vitamin pills and protein supplements when necessary. My man knows the importance of a balance alimentation, but he's on a schedule.

-intense fixed blank stare. Oh, he's looking you in the eyes alright; and then he's not looking away.

-sensory issues around food; another reason why my Tim likes liquid food is that he doesn't have to handle and process all the different and weird textures. This isn't developed enough or associated with an emotional state of mind enough to classify as ARFID, but it's still important. (I describe it a little in The Protector).

-he has an elbow scar from a really stupid skateboard accident where he fell and then the skateboard fell on top of him snapped in half. He lies and blames the injury on Ra's.

- We know that Tim plays off-brand dnd, but what are his favourite builds? Easy: he's tried to recreate his perception of all of his teammates and family members as dnd characters, even the ones he doesn't like, and circles through them depended on his state of mind. (one day I might make a "batfam dnd build but according to tim drake" post idk). One time, his Nightwing insert dropped to 0 (didn't even perma die and got healed immediately) and he screamed like someone was getting murdered irl. Sometimes when he's in a particularly petty mood and upset at someone he'll get into a game playing that person's character and try his best to perma-die. One time he was so pissed at Jason he joined the party as Jaybin, got himself killed (by jumping into the dragon's mouth to stab it from inside), pulled out a backup character that was Red Hood and got himself killed again. He has a mini for each and everyone of his close ones' vigilante personas, which he has hand-painted himself.

-his right eyebrow tilts upwards when he is stressed.

-Sometimes my Tim is half-vietnamese (from Janet's side). That's because one of my favourite Tim fanartist draws him as vietnamese and their art and headcanons have imprinted in my brain.) so, no reasoning here, just a big shout-out to @axiliern for being cool af

-somehow he always has a human bone available when you need it. This is unrelated to any question about the no-kill-rule, he will not explain whose bones they are or where they came from but you need a femur? If he's at the nest or any of his safehouses, he'll just hand it over to you no question asked. He's the embodiment of that meme.

[spirit-meets-the-b0ne]

House of the Dragon was built to fail

Which the greatest shame of that is, I truly believe they got an incredible cast of talented actors, it's distressing to see them largely wasted. I've been an HBO fan (in a Stockholm kind of way) for the better part of two decades and even some of their usual pitfalls were accelerated here. While it's easy to just blame Ryan (5 spits for an enemy Condall) it still feels like there's more than just writing or directing so this post won't focus as much on the characterization follies but more on the story's infrastructure. While budgetary concerns with a show like this are obvious considering the dragons cost a great deal of time and money it is odd to me that this is a series rather than a mini-series. By that I mean, HBO for most of their big productions had seasons ranging from 10-15 episodes (Sopranos S1 13 episodes, True Blood S1 12 episodes, The Wire S1 13 episodes, etc) so this is exceptionally short of a season for House of the Dragon. Game of Thrones original run was largely a 10 episode format until the later seasons which were also notably shit.

This structure was never designed to give the characters or an audience time to breathe. While this is something that is continually brought up across the cinema/film community these days it seems especially important here. It also seems very easy for an audience to decide against investing time and energy into a series that only holds you for 8 weeks and then takes another 2-3 years of production. As most of the audience knows, it isn't like there is a shortage of materials for the show to incorporate. It's an active choice to not dive more into the lives and circumstances of these character and their relationships. Now, I'm not expecting Lost 2.0 where every character will get an episodic focal point and backstory. Still, you have plenty of non-dragon riding characters whom you could spend time with that don't require maxing out your VFX budget for. Because as of right now from the posts I've been seeing it's clear that most of the general audience at this point is more invested in the dragons than any human character in the show save for some Stans. I can't say I blame them. Most every character at this point is barely tolerable or straight up deeply unlikeable. That's a failure of the writers and directors explicitly. I think the actors are genuinely doing the best they could with the material they're given.

It's frustrating because while I was expecting this show to disappoint (both because of GoT's outcome and HBO's late game losing streak shout out to True Blood for getting so bad I never watched the final episodes) this production is hitting that wall way sooner than expected. If there was another 2-4 episodes to actually develop the characters and their relationships (even with piss poor writing) it might have helped tremendously but this structure is going to leave an audience wanting more and not in a good way. If there is a season 3 I can't imagine in 2 years that a lot of the current viewership would return. So even the "fix it" episode rewrites fans make don't seem like enough, to me you genuinely need more material, more for an audience to invest in or feel a part of. If this season was even 10 episodes there would have been so much room for improvement. The Last of Us was able to deliver a satisfying plot and character arcs with 9 episodes and there's a huge difference with the way that was received by audiences vs. HotD. The obvious difference is the amount of time they needed to tell that story vs. the amount of time you rightly needed to tell this one, which is case in point why HotD needed more time. So, while a short season can deliver satisfaction in some cases, I don’t believe as a rule it should all be common place to condense stories and characters. Especially considering HotD's compression is coming largely at the expense of the women in the show (Rhaena, Jeyne Arryn, Helaena, Nettles, Rhaenrya and Alicent's respective character assassination, etc). That's to say even if these character plots deviate from the canon they have the room to grow and develop a character completely to an audience. If you're going to change a character from the source material at least make them a well-developed different person.

[punkpandapatrixk]

Full Sturgeon Moon in Aquarius ♦︎ Moon Magick Pick A Card

Ah, Aquarius Full Moon… The inventor, the engineer, the pioneer, the communicator. Yes, the communicator. A world-changer needs to communicate with the community to gain insight and also to communicate the changes they wish to roll out.

Being the last Air Sign, Aquarius is all about gaining insights/perspectives in order to understand fully and deeply the matter at hand. Aquarius endeavours to understand how the Devil ticks so it can begin a revolution and beat the Devil. Ya know?

This full moon is not a time to give up on you dreams and move on to a different, more practical things. This time around, honey, really allow yourself to be a lil crazier than usual. Bask in this over-the-top eccentric Aquarius energy because that’s how the genius bleeds unto your consciousness.

‘I think I mentioned in previous shows, I spent half my life in the military. And I used to come home, take off my little soldier hat, put on my painter’s hat and there, I’d build the kind of world that I wanted. It was peaceful, it was quiet, there was no hassle, nobody was yelling… and it was good. Everything was good. Nobody was going to get shot or hurt, not in my world… and it’s a happy place.’ – Bob Ross

From all the contrasts and oppositions you’ve experienced, what kind of new innovations can you bring Mankind? Can you develop the wisdom to bridge between personal truths and maintaining a social life? Your place in the world—your role—is important; you just need to figure it out first and this Full Sturgeon Supermoon in Aquarius will help with that🎣

[Masterlist] [Patreon] [Paid Readings]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – Your New World Begins Right Here Right Now In Your Mind

c o m m u n i c a t i o n – 8 of Wands Rx

You’ve been in the process of manifesting a huge, life-changing something in your Life for quite a while now. I think on a deep Soul level your heart and mind are sick and tired of waiting. You haven’t even been just waiting, you’ve actually been working actively to change something significant in your Life. But it’s only felt like nothing’s changed at all. It feels like you’ve been stuck in a strange loop of the same motions of emotions. Your train of thoughts has been circling the same miserable place again and again.

It feels like everything has changed and yet nothing seems to have changed at all. I’m still stuck in the same place—why?

Well, because your train has been held back from changing destinations. And I’ll have you know that it’s not your fault entirely. It’s your subconscious fearing to shift lanes but this isn’t because you’re incapable, it’s because there was a bad situation/environment that has caused you to become afraid of the unknown. This has slowed down your manifestation game…

m o t i v a t i o n – 5 of Wands Rx

Something terrible happened in the past that really broke your confidence in the benevolence of the Universe. You got disappointed after believing that things would get better but they didn’t. And now you have trust issues. You can’t really trust that the Universe would have your back if you tried something new and got into trouble because in the past, the Universe has let you down. At least this is how it’s felt for you. Was it the case that the Universe, your Higher Self and team of Spirit Guides really let you go? Umm… not exactly.

There’s this psychologist on YouTube (forgot his name) who has this to say about the nature of trauma: ‘Trauma is not what has been done to you. Trauma is how you perceive what has been done to you.’ It’s quite fascinating, so I hope you could understand this notion intuitively. Now, whatever happened that’s caused your trust to be tarnished, I’m not saying the people who let you down or hurt you horribly are excusable. The point is not that.

The point is that from now on you can take back control of your mind. By realising patterns and the sources of our internal chaos, gradually we can unravel the threads of trauma.

Before the battle of the fist, comes the battle of the mind. Everybody was kung fu fighting~

i n n o v a t i o n – 6 of Pentacles Rx

I’m seeing that right as you’re reading these words, you’re in the preparation stage(s) of a new beginning that will make you really HAPPY (you have the Priestess of Happiness in the bonus content). I think you’re leaving behind an environment, a job, a relationship, a mindset even, that isn’t serving your highest good. It’s been a long time coming, but the lane shift is finally possible.

It's like you’re finally getting out of a karmic loop that’s been halting your explosive manifestation. You’re no longer empathising with that kind of mindset, point of view, or way of life. You’ve held on for too long now you must go and leave that hopeless case however it likes to continue. It’s none of your business now. You’re not sharing your energy with these situations or people anymore.

You’ve got to give your attention to your real desires to be of service to this world. There is a place somewhere in this world where you’re needed and that’s where your Soul truly belongs.

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – An Alien Doesn’t Belong With the Mortals

c o m m u n i c a t i o n – I The Magician

Wow, I don’t pull this card very often😜You’re an eccentric alien who’s been hard at work mingling with the rest of the Humans, aren’t you? I think to a large extent, you’ve shielded this world from truly seeing your Light, which is such a shame because you have so many amazing gifts to share with Humanity. But the way I see it, it’s just a survival tactic. After all, this world isn’t very kind towards eccentrics.

You might’ve come from a family/school background in which you were ridiculed (maybe even bullied) for being different. It was really painful and whether or not you’re conscious of this, you’ve made quite an attempt to shield yourself from the world so you don’t get made fun of.

But right now, this full moon in Aquarius wants to let you know that you can’t hide forever. Your brilliance is too magnificent to hide forever. Your shield, your covers are all falling apart because the world is needing your talents, soon enough. You’ll see✨

m o t i v a t i o n – Knight of Wands Rx

I’m thinking right away of that theme song from Disney’s Big Hero 6. It keeps saying something along the line of, ‘We could be immortals~’ or something like that. That song is nice, and I think the lyrics could awaken something in you.

You are an immortal, when you really think about it. So, don’t be afraid of losing time or thinking you’re too old to begin now. Your dream doesn’t have an expiration date, OK? If something is your calling, it will keep calling you. So, whatever you’re thinking right now, if it gives you an unmistakably strong feeling that you’re meant to do it, that’s it. Your calling is calling you.

You’re meant to walk the plank towards a great big adventure. Of course, you could choose to ignore and brush it off and then go back to your ordinary Life that’s pretty much miserable on a spiritual level. But are you really alright with that?

i n n o v a t i o n – Knight of Cups

The change from the Knight of Wands Rx to this Knight of Cups tells me that you’re actually a lil afraid of your passions because you could have somewhat obsessive tendencies. You do know that a lot of people struggle with this, right? Once you’re into something you’re passionate about, once you get super excited, super into something, you go full deranged mode and become obsessive for like 3 weeks or 3 months straight. And you think this is crazy person behaviour and you try to avoid that as much as possible because that seems like the reasonable thing to do.

STOP RIGHT THERE.

This kind of tendency is actually your overcompensating for all the hours, days and weeks that you’ve starved yourself from basking in the glory of all the things that do bring you a sense of being ALIVE. Think about that for a moment.

Aaaand… Basically, this is your invitation to start bringing small elements of the things, activities, pursuits that do make you feel alive into your everyday Reality. If you’re surrounded by these things every day, they become such a natural part of your daily life and you’ll be rescued from any sense of temporary addictions☃️Relax, hon, you’ve got this~❄️

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

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Pile 3 – Flow Naturally to Where the Love Is

c o m m u n i c a t i o n – Queen of Cups Rx

You’re somebody who’s incredibly accommodating to other people. In spite of your best effort to be kind and affectionate, you still feel misunderstood. I think you’re also often taken advantage of and you know that, but you can’t really stand your ground, so you keep all your thoughts and laments to yourself, bottling up a lot of unspoken emotions that are quite heavy to carry alone.

With that, you often feel like you just wanna run away from all Humans. You want to be free from the chains of human connections and terrible interactions. I think you’re tired on a level that’s hard to put into words. You’re a free spirit incarnate in Human form and that’s quite suffocating. I think many aspects of the modern life don’t suit you.

At this point, you’re not sure yet what you’re supposed to be doing to change your world. You’re simply emotionally tired. And I think that’s fine. Being tired is not a mistake; it doesn’t make you a failure. It makes you Human, ironically🦩

m o t i v a t i o n – 9 of Cups

The way I see it, right now you’re needing to swim more in your dreams and emotions. Try to be one with those watery sensations. I’m sure you’ll find clarity of purpose when you actually let yourself feel all your feelings. It’s like, the answer you’re looking for can only come to the surface when you’re in the waters. I hope that makes sense.

Of all the piles, you’re like so magical and fluid and I’m totally not getting a concrete vision of what it is you’re supposed to be doing in terms of manifesting your ideal life in accordance with this Aquarius full moon energy. Baby, you’re not even here; you’re hallucination. Right now, you’re not even properly grounded in Earth Matrix Reality that it doesn’t even feel like you are part of the collective🤪

But ultimately, that’s also the very thing that makes you magical. You don’t play in the same dimension as most Humans do. It’s safe for you to listen to the whispers of your heart right now, because ultimately, I think your Higher Self just wants you to realise how deeply lovable you are, first and foremost, and for that reason alone you are deserving to see all your dreams manifest into Reality, eventually enough😉

i n n o v a t i o n – 7 of Wands Rx

The funny thing is, if you’ve decided you want to live in your desired reality right now, that’s also possible, right? I know there is logic and sequences in this rigid reality, but at least, if you’ve made up your mind about not wanting to participate in the rat race, that conviction will guide your actions accordingly. If your actions do not reflect your inner thoughts yet, it’s because you’re still resisting the change.

Don’t be afraid of being disliked by others. Their thoughts about you reflect more about them than actually yourself, so what’s your care? It will do you good to choose the path of least resistance. Flow naturally to where the Love is. Where is the Love, you ask? First, within yourself. The moment you decide that you will uphold Love and respect for yourself, you will stop tolerating people who do not show you the Love and respect you deserve to be treated with.

Go naturally with it. Your heart, when you’re honest with yourself, will lead the way towards a happier Reality. Just enjoy the swim for now🥰

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

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