#it's not really relevant either

[schadenfreudich]

This is somehow a very funny way of getting rid of a significant amount of my intrusive thoughts, because I didn't even do it on purpose. I wasn't thinking about my intrusive thoughts I just needed to know this because I was already hyperfixated on it before I decided to read the entire wikipedia article.

And then it took me almost two days to notice that I had a lot less intrusive thoughts.

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[hughmanbean]

Pest Control

So if you've been looking at my posts lately you'll realize I've been fixating on Queen Danny. And I'm going to keep doing that. But let me grind up some new concepts to throw in.

You think that bugs can become ghosts? Other than singular ones like in Doctor's Disorders? Not really. They're not as obsessed or driven enough to be fully formed, and areas where they become even blobs via excess ecto would probably have a bunch of blob eaters or something balancing it out. So the singular ones in that episode would be much more rare in comparison.

And ghosts who control bugs don't count. We're talking about bugs being the ghosts.

But what about those mass insect killings? Pest control, or when a full apartment building lights on fire and there's enough ectoplasm around? You get a Hive.

Hives always prefer to work together, since even at their creation they are made up thousands or even millions of the creepy crawlies. They either form a body from tiny bodies or chose a majority that can represent it properly. So they can just meld and split without concern.

And in the bug and insect world, more often than not, the Queen is at the top. Pariah didn't count, he didn't even like the Hives. On the other limb, High Queen Phantom had created a clutch of her own.

Once she came into power, the Hives wish to fulfill her desires, as insect kingdom instincts demand and through newfound loyalty. They do so, to the detriment of everyone else.

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.

[katoska]

"Proceed with caution as sandworms can be extremely dangerous, for both the Living and the Dead. If a Deceased Soul is eaten by a Sandworm, they will still remain in the Afterlife. The same applies to the Living, they must live in the Afterlive as a million tiny particles."

[86future]

[ 2ND CHILDREN / 5TH CHILDREN ]

— The truth is, Unit 02 simply isn’t compatible with the other EVAs. (E14)

— I never imagined this boy could synchronize with Unit 02 without replacing its core. Quite astonishing. (E24)

Death & Rebirth Pamphlet / Cruel Angel’s Thesis OP / EVA-02 wiki / DEATH (TRUE ²) / E16 / E24 / DEATH (TRUE ²) / E22 / 3.0: You Can (Not) Redo Cover / E09 / The End of Evangelion / E09 / E24 / NGE Manga / The End of Evangelion

[fromtheseventhhell]

I'm not sure how to get it into people's heads that Arya is a female character. She's not a boy, not nonbinary, trans, agender, or genderless. I don't intend this in a way to be negative or wanky, but her girlhood is imbedded within her character. The problem isn't that Arya stans are missing the point by overemphasizing her femininity and wanting her to be a barefoot tradwife baby making machine, but that we're stating it exists when the majority of fandom and the show itself have gone out of the way to minimize the relevancy of her gender. I'm fully convinced there are a lot of people who think Arya would be the exact same character had GRRM created her as a male character named Arry instead, perhaps they'd do a better job at acknowledging her importance.

What's most ironic to me is how these same fans will gush and coo over the sisters being more alike than we think, but only if it involves giving Arya's characteristics to Sansa. Well acktually, Sansa likes to ride horses just as much as Arya does! They're so alike uwu! But dare acknowledge that Arya has traits and aspects commonly associated to Sansa then not only does that get accusations of wanting Arya to become Sansa, but that it's solely about showing Sansa up and wanting her to grovel in Arya's shadow and superiority 🙄 Hypocrisy and projection showing itself.

Somewhat of an aside, but I recently saw a post on reddit complaining about the fact that all four of Daemon's children survived the Dance specifically focused on the fact that both Rhaena and Baela lived. According to the OP, one of them should've died and their post-war roles in the story should've been given to only one of them. Which at its core is really the main conflict between Sansa and Arya stans, no matter how much the Stansas want to cover their ears and play dumb. It's not about Arya stans projecting their sibling squabbles onto the two of them but simply the fact that it's not possible for two characters to fulfill the same role in the story, specifically when it involves two female characters. The existence of two Stark sisters is an inconvenience for the people who want the story to revolve around Sansa.

I have to believe there's some bubbles that they don't want to admit will burst if TWOW will ever be released and that's why they cling to the idea that Arya stans are the delusional ones. They have to believe that the parts of Sansa's seasons 5-8 storyline they like came from GRRM instead of D&D or else their Jonsa and QITN fantasies will fall apart. I have no idea how someone can watch the scene where Sansa tells Arya she couldn't survive what she had while Arya can only sputter out that she was training and believe 1) it makes sense for their book characters and 2) D&D didn't blatantly favor Sansa and Sophie over Arya and Maisie.

This ask came literally seconds after I drafted a post talking about this exact topic and it's so wild to me that we were both up thinking about Arya + her girlhood and wanting to discuss it 🥹

As for this ask, you really hit the nail on the head. Arya's gender is an essential aspect of her journey but fandom ignores that because they've decided that there's only one "right" way to exist as a female character. Arya's self-esteem issues stem from her being a non-conforming Lady in a misogynistic society, she has to disguise herself as a boy in part because of the threat of sexual violence, in Harrenhal she is assigned gender-specific tasks/labor, political matches are made without her knowledge/consent, she is threatened with sexual violence multiple times, and even her role within the FM is influenced by her gender. Her being non-conforming doesn't mean she's the complete antithesis of everything feminine. The obsession with propping up Sansa has ruined people's ability to perceive complex female characters, ironically including Sansa herself. They genuinely would've respected Arya more if she had died passively rather than fight for her life and you can't tell me that isn't misogyny.

That Reddit post is a great example of how people genuinely can't (or refuse to) comprehend the idea of two female characters occupying the same space. Cause you're right, that is the root of the issue. I think the only reason they bother with the fake "Stark sisters uwu" crap is because they've backed themselves into a faux-feminist corner and they don't want to look hypocritical for disliking Arya. So instead, they pretend to care all while rewriting her to serve as Sansa's prop. This is also why so many Queen!Sansa truthers are also anti-Dany + think that Sansa becoming Queen depends on Dany's downfall. They desperately cling to the show as canon, when D&D have openly admitted they changed the story because they favored Sansa/Sophie. They're fine with how show!Arya is written because to them, that's exactly how she should be; a subservient lapdog for Sansa. TWOW is definitely going to ruin that illusion, and one of the reasons I'm optimistic about it being released is getting to see fandom's reaction.

[kaurwreck]

OH YOUR VERLAINE AND RIMBAUD POSTS AND THE TENDENCY OF ASAGIRI TO FLIP FLOP THE MENTOR/MENTEE OR ADMIRED AND HOW RIMBAUD WAS THE YOUNGER ONE BUT IN BSD VERLAINE WAS SOCIALIZED BY RIMBAUD

With Rimbaud and Verlaine, it's worth remembering that bsd!Rimbaud is Verlaine. His skill is Illuminations, but he gave Black #12 his birth name, Paul Verlaine. bsd!Verlaine was not originally named Rimbaud, but his youth, passions, and duality are Rimbaudian, while bsd!Rimbaud's more coddling temperament, at times paternal and at times impassioned, and last sentiments for bsd!Verlaine, are seemingly references to irlVerlaine's poetry about irl!Rimbaud. (Such as Watercolors: Green, an English translation of which I shared in a separate post.)

Notably, Verlaine published Illuminations on Rimbaud's behalf and influenced the content and arrangement that was published. His legacy is often related more to his relationship with and publication of Rimbaud than his own poetry, according to the journal articles I've been reading. bsd!Verlaine's Brutalization incantation also comes from Arthur Rimbaud's Les Sœurs De Charité.

But the bsd iterations of Rimbaud and Verlaine aren't wholly distinct either, each carrying fragments of the other, sometimes blurring together. That, too, is a homage to the philosophies of the irl!poets. For example, Rimbaud, at times, writes from Verlaine's perspective in Une Saison en Enfer.

Rimbaud's poetry is also marked for its dialogic perspective-shifting, and he wrote through and lived within a philosophy of ambiguity, duality, and self dissection (at least during his youth):

irl!Verlaine, too, had a dual personality at times:

So, I don't think Asagiri flip/flopped Rimbaud and Verlaine's roles; I think he's commentating on, illustrating, and interpreting where their poetry, legacies, and passions became thoroughly entangled, as filtered and processed through bsd's themes. I think Asagiri enjoys plucking tragedy from reality and asking, "What would it have taken for them to have found reason and purpose absent any?"

That said, I also don't think Asagiri is ever really inversing mentor/mentee roles, even in regard to Akutagawa and Dazai. irl!Akutagawa was not irl!Dazai's mentor, he was a profound influence who lived and wrote just prior to the era of modern Japanese literature in which Osamu Dazai made in his name. I think Asagiri is commenting on (i) where they were deeply alike in mind and heart, which is why Dazai found solace and reflections of himself in Akutagawa, and (ii) on the stylistic dexterity Dazai could have lent to Akutagawa had he been in the position to do so, specifically regarding the way Dazai intepreted the I-novel genre through perversions of the truth as a means for expressing sincerity and gut-wrenchingly raw autobiographical candor without flaying himself apart the way Akutagawa seemed to when bullied into confessional literature by the cultural zeitgeist.

(Akutagawa was criticized for his sharp brilliance since the era was consumed with confessional literature, in comparison to which Akutagawa's stylistic precision seemed to many distant and aloof. Parasocialism is older than Christ, and BookTok is a descendent, not the progenitor, of corrosively vapid takes.)

The choices in bsd are playful but sincere inquiries into + conversations with the works, legacies, emotional turmoils, and overwhelming humanity of the referenced authors. But, while I think there's immense profundity in call and response, especially across eras, literary cultures, and artistic mediums, I also think Asagiri is more consumed by revelations than reflections.

I'm also not so sure whether we can call Rimbaud socialized by any contemporary connotation of the word—

[erdariel]

I hate how much of scrolling tumblr is just like. Seeing people yell about the next piece of horrible news from somewhere in the world, probably also guilt tripping you about scrolling past it/not paying attention. People begging for their lives, they need money or they and their families are going to die - money that I do not have to spare, and I wouldn't have the time or emotional energy to try and check if they're a real person in need or a scammer anyway. Oh and yet another celebrity, maybe someone I've never even heard of or maybe someone whose work I've admired for years, turns out to have done something horrible! USAmericans arguing with each other about if voting in the next elections is even worth it, and I'm once again grimly reminded that I'm not american, I don't have a vote, and yet the result of the election is likely to have consequence on life in my country (and even more consequence on many other countries out there) too. People from my country either complaining about or venting their frustration through jokes about our idiot government. The faint echoes of some stupid fandom drama. Someone telling me that if I don't pay attention to a post/do something about whichever bad thing somewhere out there is the current piece of news, I'm literally the worst person ever. And oh do you wanna hear what bigoted bullshit JKRowling is spewing this time???

And it's just. I don't even know. I'm just tired. Like I know it's the consequence of living in a world that's pretty fucked for a lot of people, but I can barely even keep my own life together and generally I already see from actual news media all the bad things that are happening currently. And just. I would like to not have to play whackamole with tag blocking and still have it only help maybe half the time. And I know it's not something I can feasibly make happen without unfollowing a lot of friends whose other posts I generally want to see, but just... I would love to have even this one place for unwinding, for seeing funny stuff and thinking and talking about my favorite characters and stories, without having to be constantly reminded of all the bad things.

Like, I already know shit's fucked. Could I not just have a break

[emry-stars-art]

I’m wondering (and not sure if this has been talked about yet in a post I simply missed) about how Abram copes with Andrew’s physical affections (or lack thereof) in your lovely royal AU. With the history behind ‘pretty’ that you described for Abram in that last post, I feel like there is so much potential of him expecting to be touched, even before they are courting (but especially during/after), and wondering why Andrew doesn’t—especially once it’s established that he thinks of Abram as ‘pretty’. They are of different station so it would be so easy for Andrew to act entitled to Abram’s body like so many before, especially with Abram in a position where he’s basically serving him in some way. I wonder if it makes him relieved (due to professionalism/personal comfort at the very beginning) or anxious (due to having no ability to tell what is coming for him/later due to doubting if he is really wanted that way if Andrew doesn’t act the same as his point of reference) or a little bit of both for different reasons.

I imagine Andrew to be both a very tactile person and not necessarily so because he is so very aware of boundaries and only crosses them with invitation or purpose. I wonder how that translates here and how his touch plays into how Abram perceives him (and honestly there’s the whole part too where it’s something they have in common, trampled boundaries and bad associations and bone-deep understanding of such) or if they would ever have a conversation about that where Abram wonders about the curtesy of distance and space he is being given.

I’m like two seconds from passing out bc it’s pretty late here so idk how much sense this ask really makes but I’m having thoughts. I love your AU and your work and hope you have a wonderful day <3

YOU GUYS ALWAYS FIND THE MOST INTRIGUING THINGS TO EXPLORE I LOVE YOU (and your comments/etc, apostrophe-philosophy, are always a joy to read hehe)

(First: find the royal au writing masterpost here 💕)

I’ve been working on/thinking about this ask long enough that I’ve straight up forgotten if this was a thought I had when writing that first post (here) or if you brought it fully to my attention but we can safely assume it’s the latter so thank youuuuu for that truly. I love exploring Abram’s slow inch (and Andrew’s, but he’s had more time to get adjusted) towards finding a healthy relationship with touch 🥲 and oh my GOD don’t let me forget to tell all of you about Abram and gloves

I wrote a scene/lil collection of scenes about Andrew clearing things up here too because I’ve been wanting to explore Abram’s POV for a while 👀 there are references to canon abuse, so take care. As always, sparknotes version and additions below

I LOVE your points about Andrew, I totally agree that once it’s established and he’s allowed, he’s very much a tactile person, he just needs to get there first 💕

We all know for obvious reasons that it never once crosses the prince’s mind for Abram to be anything more than a professional bodyguard, even if he does find him attractive. He’s very good at courtesy and polite distance. How I imagine this goes down in the timeline is this:

1) Nathaniel shows up at Palmetto and he’s never allowed close to important people. Certainly never allowed close enough to touch. Totally safe there. It doesn’t take him long to understand Day really won’t take advantage of him since he never did in Evermore either, so that’s safe. There’s not much else to worry about for that long stretch of time.

2) Nathaniel/Abram becomes the prince’s guard. There’s probably a little anxiety just because there’s plenty of opportunities for the prince to try something, but as time goes on and Andrew keeps the previously mentioned distance, even acting apathetic (as he does), Abram starts to assume that the prince is straight/doesn’t care. It wasn’t as if every single person in Evermore was trying to get at him. Just the ones that wanted to. Obviously, the prince doesn’t want to. It gets to the point that Abram feels comfortable and doesn’t try to constantly watch his own back when he’s on duty.

Then the prince, perhaps feeling a little bold or hopeful or just wanting to say something so he doesn’t keep feeling like he’ll explode, makes a single comment on Abram’s “pretty face”. Even something that could be brushed off as friendly jest, if he really wanted. But Abram completely freezes up. Andrew, of course, notices. He doesn’t try to ask about it then, but he definitely notices. But he assumes that Abram took it as the genuine compliment it was, and that Abram is entirely uninterested or even wary of those advances. So he makes no more comments, he leaves the entire concept as far away as he can get it.

Now that Abram knows the prince finds him pretty, he’s just waiting for Andrew to be the same as everyone else. He didn’t even directly answer to the nobles in Evermore and they were still so bold - but he’s Andrew’s servant in the most direct way, and Andrew is a prince. Surely the prince is even more entitled to him than they were. (When he realizes this is what’s happening, Andrew tells Abram in no unclear terms exactly what is and isn’t expected of him. It takes longer than that for Abram to shake the anxiety he grew up with, but at least after that he can start repeating the prince’s words to himself when he needs to.)

3) that’s cleared up well enough, but then (much, much later) the prince wants to court him. At first Abram can’t think much beyond “there’s no way this is real” but then the more he thinks about it, the more nervous he gets again. He doesn’t know Palmetto courting traditions, what if he’s expected to do something he isn’t ready for. What if now that he’s accepted the courtship he can’t tell Andrew no anymore. It wouldn’t be fair of him to, he thinks, he shouldn’t have agreed so quickly.

But there’s a time they’re out doing whatever courtship things (maybe another horse ride for funsies idk), Abram’s getting nervous about it again, and when Andrew asks for a kiss or to hold his hand, Abram doesn’t answer. He’s also a little confused when Andrew doesn’t just do it anyway, because he hadn’t said no, but Andrew is watching him in the way that usually means Abram is acting too much like he’s at Evermore again. He tells Abram, “Nothing’s changed. You can say no.” And Abram does immediately - not because he doesn’t want whatever he was offered but because he scared himself. Andrew’s still watching him. “Don’t forget that again,” he says. Abram takes a shaky breath. “Yes, prince.”

But as soon as Abram’s past that anxiety for the second and probably final time? Andrew is still as tactile a person as before and gods know Abram is touch starved to hell and back, he’ll take any kind words or touches he can possibly get and he craves them. Specifically from the prince. Who loves to give them.

I’d love to come back and make a fluff post specifically about that point in the timeline if we can collectively come up with enough ideas for said fluff 🥰 for now thanks again for the ask, swear to GOD we’re gonna get these idiots a happy ending, but I’m having way too much fun in the meantime 😂

[secretly-a-catamount]

If Victor gets Dol, Eli deserves to get a cat.

[arabian-batboy]

When you really think about it, some of these new shounen shows like JJK, BNHA and Demon Slayer are lowkey as bad as older shoenen shows when it comes to how they treat their female characters.

The only difference is that new shounen learned this neat trick where they will allow their female characters to have one epic moment in a side-fight that can easily be removed without effecting the plot too much and somehow that’s enough to gaslight people to think that they’re watching peak feminism.

[prolibytherium]

I've got big opinions on dream sequences in writing. Which is mostly that they really shouldn't be there like 90% of the time because they grind the narrative to a halt, but I think they CAN have value. It's just that they tend to be executed in a way that's kind of pointless.

It's mostly that a lot of writers have the sequences be literal 1:1 depictions of the character's anxieties or feelings, or otherwise the absolute most on the nose symbolism possible. And it's not like dreams are NEVER like that, but why bother stopping the narrative to include a full sequence that essentially just repeats information the reader already knows?

If it's established that Character A is scared that Character B will get murdered by Jeff the Killer, and then A has an entire dream sequence of B getting Jeff the Killed and A wakes up sweating like 'Noooooooooo I do not want that to happen noooooo' it's jsut like. Yeah I knew that already?

[lacnunga]

In the wake of the IA situation, I've seen a lot more posts circulating about using your local library and I just. Sigh

[trashcanwithsprinkles]

Ive seenyou mention wuxia a few times now and i wonder what that is. Would you mind explaining it to me?

not the most qualified person to explain this as i'm not, in fact, from china; but i've read a couple of wuxia so here goes:

wuxia is a genre of fiction from china specifically, about martial artists in ancient china. i don't think a specific time period is like required? obviously some dynasties are more popular but idk how it goes in that front. it just has to be Not Today and probably Too Long Ago. like pre industral revolution i think. again idk if that's a requirement, but most i've seen are from around the same relative murky pre-electricity era.

xianxia is a subgenre of wuxia that's specifically more fantasy-like, and it's not just martial arts, but also spiritual powers and cultivation (which i have no fucking clue how to explain without two hours and three tangents other than chinese magic system. if you've ever heard of chi/qi as an energy, it appears there). so like- genshin is by all accounts a xianxia, it just doesn't use the more common specific xianxia terms like cultivation. some of those are very weird to translate and probably not common for the average non-wuxia reader, so it makes sense why they're going for alternatives.

chongyun and xingqiu and xianyun are very much straight out of a xianxia. xianyun's entire story quest was the closest genshin has gotten to a straight xianxia plot so far. i highly reccomend ashikai's video on unnecessary visions if you want more info on why genshin is a xianxia hahah

cyanide narwhal has some talk of some stuff from xianxia, but that's mostly because well- fucking liyue, that's how it works there. the whole light energy striking down someone who's getting powerful and giving them godhood if they survive the strike is, while not exactly like that, something that happens in some xianxia as well. like the way adepti work in general is just very xianxia. ashikai does a much better job explaining it than i do tbh but yeah

TL;DR: wuxia is chinese martial arts fiction in ancient china, and xianxia is a wuxia subgenre with more magic elements. also genshin is a xianxia

[idiotsonlyevent]

i kind of dont like the chilchuck interpretation that he's viewing the rest of the party as 'replacements' for his kids.... like not only does chilchuck not need 'replacements' for his daughters, bc he's still in contact with them, but also that framing very significantly changes his dynamic with the rest of current party (who are all adults). like i dont think a character who's been infantilized throughout his adult life and is very cognizant of party dynamics would do that?