#it's been on my mind for the whole day-

[xskullytonx]

Three words or two-

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WoodElf Finn

That's it- that's the post 💀

[hinamie]

sry i have chronic only draws megumi disorder the doctor said it's terminal :/

[wistfulwatcher]

ONE LIGHTHEARTED CRIMINAL MINDS GIFSET PER EPISODE | 1.01 Extreme Aggressor

[anewp0tat0]

Happy Fathers Day, I'm finally on time for something!!! I don't have that much flavor this time though folks. just sweetness. that's it. hope that's cool, never too bad.

if you think this is anything but platonic then no, plz. away

[screamsofanoutlawbrain]

You know, the cookies of darkness is kinda like a cult. Cause most of them were taken in at their lowest of lows or had no other choice but to join. So here's what I think of em. (under the cut)

And I'll name most of em off.

Licorice Cookie: Dude was literally an outcast in every sense, it's assumed that his tribe literally fluffing DIED and that the magic he was good in (necromancy) is relatively frowned apon. He was an outcast, and likely starved of attention due to having no peers around him that he could really connect to beyond VERY surface level things, and Dark Enchantress probably took advantage on it, I could see him being given praise for his magic early on, but never getting any of that attention later. That very want for attention from one of the few who actually expressed any interest in his talents being the only reason he's still around.

Poison Mushroom Cookie: That's a child, probably an orphan, possibly alone because of their poisonous shroomies driving most away. Similar case to Licorice, the kiddo got attached to the ones around them and doesn't want to leave.

Red Velvet Cookie: He was born into this, came out the oven without an arm, and is (what I'm assuming) part cakehound, he was born an outcast, and likely has nowhere else to go. Red Velvet clearly cares about the cakehounds and soldiers more enough to keep him to stay. He has little other choice at this point.

Pomegranate Cookie: She was literally trained to be a high priestess to her village, and then learned that she was fated to effectively destroy it. I'm betting my right leg that she was probably DEVASTATED when she learned that, to learn that everything she has worked up to, she would betray. She trusted the mirrors vision over her own wants, and so she left to serve darkness, and (like Licorice Cookie) was given praise at what she done to her village, but that praise became less and less frequent over time. the combination of her having no other place to go, effectively destroying all allys she could have, the same starvation of praise, and her blind trust in Dark Enchantress Cookie leaving her unable to leave, not without a fight.

Dark Choco Cookie: I think this one was pretty simple. He was already pretty vulnerable and broken down on his own after losing everything to a sword he's stuck with. He got manipulated and brainwashed into thinking he had no other chance and that he was stuck forever. No lovebombing, no praise, just manipulation from somebody with a silver tongue. (His abandoning of the C.O.D. is something that could happen to any of the rest, but his already fragile connection made it a lot easier for him to break ties.)

Strawberry Crepe Cookie: A (possibly robot) child who thought they were abandoned by their kingdom(and which they sadly kinda were). They were alone with only robots to comfort them, do I even need to explain this?

Matcha Cookie: Like Red Velvet, but kinda worse. She was deemed a failure and had EVEN LESS TIME TO GROW OR DEVELOP BEFORE BEING THROWN INTO WORKING FOR THEM (At least, I'm guessing she didn't), plus she didn't have cakehounds to connect with, just her plants.

Butter Roll Cookie: Dude was kiddnapped. Need I say more?

Affogato Cookie: If he didn't join, he would probably be dead. Again, need I say more?

So far, I think this kinda matches up with a cult, but if anyone has a better definition for it, do tell in a reblog or comment.

That's about it, if any more of these guys come out, I'll update this.

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)

[millionsknives]

bait / hook / line / sinker

[scrawnyghstts]

do any of you ever lay awake at night thinking about how Kremy gifted Gideon a comb even though, obviously, lizardfolk don't have any hair.

because that means that Kremy went out of his way to get Gid this gift. A comb isn't just something an alligator would have or just collect somewhere to have it for later, Kremy likely never needed or thought of having anything of the sort.

But Kremy noticed how roughed up Gideon was, how he didn't have anything on him to take care of himself and Kremy came up with the idea and then spent time and possibly money (or he just swiped it but still) to find a nice comb just for Gideon and then gave it to him.

Nikkie described it so beautifully that it was the first time someone saw Gideom as his own man and that also makes my heart ache so much. But I just can't stop thinking about how freaking Kremy Lecroux, went out of his way, to get a thing he likely never even thought of getting, just to give it to his partner (in crime). Like yeah sure we can talk about how Kremy wouldn't want to travel with someone unkept but I don't think it's that. He'd get Gideom a bath and a haircut or something at an inn and done, issue solved. But no, Kremy specifically wanted to get a thing for Gideon, he wanted him to have something that's just for him, something to help him get his sense of self back, his looks and help him find his confidence.

It was thoughtful gift from Kremy who probably is the last person to do thoughtful gifts to just some people. But he made that gesture for Gideon.

like do you ever just lay there and think about all that and how they both must have felt almost an instant bond forming between them, doesn't matter if it's platonic or romantic, like do you just-- yeah.

[junespriince]

Pride month

Bruce: Alfred, it's time.

Gotham City media: Batman has been seen in his pride month suits, it's wonderful to see Batman support the lgbtq+ community.

Jason: glad you support the gays, but when are you gonna lose the underwear over those suits? It's embarrassing.

Dick, stitching up Wally's suit again (he's inpatient y'all): he won't, the underwear is for the gays.... Don't look at Meower (Twitter but own by our queen Catwoman), my eyes can't unseen the thirst traps

Bruce: I'm just supporting my gay kids, is that so bad?

Tim: yes, mixing Brucie Wayne and Batman thirst traps, horny comments, and the league and villains blowing up your work phone I use is horrible... Aunt Diana shouldn't be calling you baby girl in front of my own eyes.

Steph: also homophobic you wearing that, nah, not on my watch I'm going to make suits so gay so cunty you will serve so bad joker will go to jail without fuss.

Cass: thank god, if I have to see those underwear again I will unadopted myself from embarrassment.

Bruce: the first suit was a good suit, haters gonna hate.

Them: ew... Stop

Duke: hey steph of not too overwhelming, think you can make all of us pride suits?

Steph: on it. Excuse me loser I have a job to do.

Dick: do you want to fix dipshits suit for me?

Steph: your boyfriend your duty to fix his shit.

Dick: he's lucky he's pretty.

Damian: Stephanie, a word on my suit colors... I think I want the trans flag.

Steph: is this you coming out or supporting trans kids?

Damian:... Both.

[myokk]

🥺

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[balsee]

okay normally i like the way oda writes a story, but man oh man do i hate how sanji and nami part ways in whole cake island. it just leaves such a bad taste in my mouth. like i get it, nami doesn't understand why sanji is leaving them, and she has every right to be hurt and upset when sanji and luffy start fighting. how could she be anything but? however, i think nami's decision to slap sanji was completely uncalled for. and even then, i can still see why she does it. nami is deeply afraid for her captain and her crew, and in this moment, she probably thinks that sanji really isn't coming back to them. after everything they've been through together, she still sees someone she loves hurting another person she loves and leaving, and she's helpless to do anything about it. all of those emotions manifest themselves when she hits him. it's not a mature or logical or compassionate response by any means, but it is just a tad bit understandable when you try to put yourself in her shoes.

or, at least, it would be, if oda had resolved this particular issue differently.

once nami finally understands why sanji decided to leave in the first place, once it finally clicks for her that sanji is sacrificing himself for the sake of his true family, it would've been so great to see anything resembling some sort of an apology or heart-to-heart between the two of them. but we don't get that. obviously, nami being there with luffy when sanji leaves the crew is done on purpose, and how amazing would that purpose be if nami, at some point, (be it before or after she discovers why sanji left), tried to reach out and tell him that she knows exactly why he's doing all of this. if anyone can understand why he decided to push them away, it's her. she understands his mindset of cutting ties with the crew, because the darkness he's spent so long trying to run away from feels so much bigger than them at their best, and all he's trying to do is save them from it. it would've been such a wonderful call back to nami's own struggle with arlong, and would provide an important piece of character development for the both of them. nami would be the one to give sanji that verbal and emotional support he so desperately needs, and luffy would be the one to give him the tangible proof of it.

a lot of people say that the whole altercation between luffy and sanji would've been way better if zoro or usopp had taken nami's place, but i don't think so at all. i think that nami had to be there, because who else could've given sanji that comfort but the one who had been the first to pull away? who else could've told him: you saved me. you didn't let me go, now let me do the same for you. only nami, in my opinion, could've been the one to give that to sanji.

or, at least, she would have, if oda had written it differently.

[buttercupshands]

rewatched Kurogiri's holiday story from ultra impact (not related to sketch at all)

(but it did inspire me)

on another note

finally!!

[sluckythewizard]

FIIIINALLY almost nailed my designs for lizzie and caspian can i get a HEEEELLL YEAAH???? i think these two make a vvery cute duo and i cannt wait to see them again. i also hope they both get hurt reaaaallly really badly. togeter

[silvers-starrway]

So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!

I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!

[poorly-drawn-mdzs]

King the silly guys, Lupin III!

(for @dying-suffering-french-stalkers)