#it's all in the tone and also his eyes

[potatopassenger]

Zoro allows himself one soft moment before taking charge and ofc it's towards Luffy

[introspectivememories]

im sorry but i choose to believe that tim drake is the most insufferable "my man, my man, my man" girl about bear. he does not shut up about him. steph is cooking smth in the kitchen? oh my man can do that. bear cooks really well. dick triaging some poor victim on an emergency site? oh my man is really good at that. mhmm, bear is on his way to becoming a paramedic. damian building something? oh my man is really good with power tools. have you ever seen him build ikea? it takes him less than an hour. for our anniversary, he built me a coffee table. mhmm isn't he amazing? yeah my man did that. yeah my man, mhmm that's my ma-

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[veinsfullofstars]

★ Kirbtober 2024 Day 5: Royal ★

(ID: Kirby series fanart of Shadow Dedede, standing with a confident lean and smiling fiercely at the viewer, one hand propped cockily on his hip, the other holding his great mechanical hammer over his shoulder. Around him, red stars drip darkly. END ID.)

Previous Day | Next Day | Prompt List (made by @/paintpanic)

Started on 09/03/24, finished on 09/04/24. | Kirbtober 2023 Comp

[zaahvi]

aaand the final two for my DA-themed six fanarts challenge: elgar'nan suggested by @vitaeplaysda & bellara suggested by @the-veil-jumper! 🖤

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[explodingstarlight]

"who gave this child coffee?? WHO GAVE THIS CHILD COFFEE?!??" my reblogs cry

it was me, i'm not sorry >:)c

*taps microphone* yes, thank you for tuning in 😌✨ now go follow the creator of the Alpha Stage/de-aged!Donnie AU, @snailsnaps and consume their content (not literally /j)

[blueskittlesart]

nintendo hire me i have tons of marketable skills like uhh *checks notes* drawing your characters wrong

[piyo13sdoodles]

day 5 on chapter 15 of Hands of the Emperor:

He played until the full moon sailed high above them, his last song one of the endless longing of a poet who had fallen in love with the Moon. [...] "It is nearly the eclipse," his Radiancy said in a quiet voice, and Cliopher realized that he probably knew its coming far more intimately than any of them.

[quatregats]

I'm rereading Master and Commander and I'm deeply in danger of just posting every single passage from it ever but I did love the way that the capture of the prize in Chapter 6 was framed on either side by the logbook's entry, and also the way he transitions out of it to set the scene and tone:

Sunday, July 1 … Mustered the ship’s company by divisions read the Articles of War performed Divine Service and committed the body of Henry Gouges to the deep. At noon dº weather. Ditto weather: but the sun sank towards a livid, purple, tumescent cloud-bank piled deep on the western horizon, and it was clear to every seaman aboard that it was not going to remain ditto much longer. The seamen, sprawling abroad on the fo’c’sle and combing out their long hair or plaiting it up again for one another, kindly explained to the landmen that this long swell from the south and east, this strange sticky heat that came both from the sky and the glassy surface of the heaving sea, and this horribly threatening appearance of the sun, meant that there was to be a coming dissolution of all natural bonds, an apocalyptic upheaval, a right dirty night ahead. The sailormen had plenty of time to depress their hearers, already low in their spirits because of the unnatural death of Henry Gouges (had said, ‘Ha, ha, mates, I am fifty years old this day. Oh dear,’ and had died sitting there, still holding his untasted grog) – they had plenty of time, for this was Sunday afternoon, when in the course of nature the fo’c’sle was covered with sailors at their ease, their pigtails undone. Some of the more gifted had queues they could tuck into their belts; and now that these ornaments were loosened and combed out, lank when still wet, or bushy when dry and as yet ungreased, they gave their owners a strangely awful and foreboding look, like oracles; which added to the landmen’s uneasiness.

[...]

Jack leant back against the curved run of the stern-window and let Killick’s version of coffee down by gulps into his grateful stomach; and at the same time that its warmth spread through him, so there ran a lively tide of settled, pure, unfevered happiness – a happiness that another commander (remembering his own first prize) might have discerned from the log-entry, although it was not specifically mentioned there: 1/2 past 10 tacked, 11 in courses, reefed topsail. AM cloudy and rain. 1/2 past 4 chase observed E by S, distance 1/2 mile. Bore up and took possession of dº, which proved to be L’Aimable Louise, French polacre laden with corn and general merchandise for Cette, of about 200 tons, 6 guns and 19 men. Sent her with an officer and eight men to Mahon.

[sukugo]

Do you think gojo makes those freaky ass feral expressions while getting dicked down?

YES YES YESSSSSSSSSSS RAAAAAAAAAHHHH THIS IS SOMETHIGN IM PASSIONATE ABOUT OKAY!!!!!!! YES HE DOES

like, pleasure looks such a specific way on satoru. we can see it in the tojigo fight, the hanami/jogo fight and the sukugo fight. they're the only moments where we truly get to see raw pleasure on him and it's that. eyes popping out and manic grin and laughter bubbling in his torso and body charged, and mannerisms especially crude.

there's something so animalistic about it, his "human" mask slipping from him and showing him in all his monstrous glory, unfiltered and raw and like the freak of nature he truly is

and it's exactly the same thing when it comes to sex. it's all pleasure after all.

[daily-hanamura]

[sysig]

Utterly Defeated (Patreon)

[chevvy-yates]

[NC_RES]-13062047-EUR-BU-NED de_wit_m_portraits_026_AFF_WA.file ///core:_thyjs_de_wit.file\\\

—

⚠️ READ: Please do not repost/reupload any of my art here or to any other platform, or I will be forced to do anything to get it annihilated.

[divinekangaroo]

Was thinking while watching that scene where Pol tells Ada about her abortion.

Polly really doesn't take on the mum role in the family to my mind, or even the matriarch/aunt tbh. And I think, there was some summary somewhere that referred to her as the consigliere and while she does perform a certain bouncing-board, plan formation role with Tommy (and only with Tommy, and only with insight into certain parts of his plans; I'm struggling to think of times the others listen to her without Tommy backing her up, S3 as example of when they don't), her other behaviours in the family also mean this isn't her role at all.

She's the wild older sister who is loving and explosive and hurtful, and incredibly, incredibly fragile, afraid and she feels so very scared, vulnerable and alone, most of the time. She just wants all her loved ones to be happy and safe and in achieving that, Tommy is frequently as much of an obstacle as he is the vehicle to get her that. I do headcanon that Polly lives 99% of her life in fear and on that edge of breakdown, it's just that she's lived with it so long she probably doesn't even acknowledge it any more. Her reactivity is so high.

So yeah, it's no wonder Tommy sort of plays that joint patriarch-matriarch role (arranging marriages etc), because Polly is *not* playing the matriarch.

[vampthropologist]

You know he has to flip for it!

No text + flat under cut

I've been working on this for a bit, and it is done! Two of my f/o's interacting for a silly meme. Ichimatsu's getting held by the scruff like a cat because Harv can't be normal /j/lh