#it's all how you view it

[summercourtship]

thinking about one of the potential mini-sequel ideas for STBOTDI (that's literally only canon if you want it to be lmao) but it wouldn't take place in Gotham so like. would that ruin the vibe? maybe. but do I emotionally need to write it? probably.

[mobius-m-mobius]

#there are two types of actors 😂💖

[lotus-pear]

i love you royal trio (minus akechi)

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[derpycatsu]

icarus

[somewhereincairparavel]

whenever there are jason slander reels on instagram and basically 99.9% of the comments are defending him and saying 'you aren't cool for hating on him for absolutely nothing' and 'its not 2013 anymore, all of us have matured now, and we realize how overrated jason slander is' angels gain their wings :)

[cartoonguy08]

Guys. I’m begging you. Don’t crucify me PLEASE

Cigarettes out the Window by TV Girl plays when they’re around him

OKAY I’M DONE I’M DONE— 🙌🙌

I don’t know if this will get me banned from Tumblr

[shiverhohojiro]

the slightly unsettling realization that your ex-boss is also a person with wants and desires, and that those wants and desires are closer to your own than you might previously have imagined. aka "why does DJ Octavio get to be at the Grand Festival can you imagine how the octolings must feel about this"

Bonus doodle:

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[fungh0u1]

but what can you do

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[wyyvoren]

You have just returned to your own world. Your hunger is no longer able to be satisfied by your cheap pleasures as it once was. You know what you lack now. It kills you, thinking of that version of you that is loved. The version of you that was good.

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[littlefankingdom]

It's kind of annoying (and weird) how DC keeps trying to rewrite how Jason and Bruce met to paint Bruce in a worst light.

Originally, Batman finds Jason stealing the Batmobile's tires, the kid runs away, and Batman finds him. Discovering the kid is homeless, he gives him to the authority and Jason finishes at Ma Gunn's school. Ma Gunn is actually teaching the kids to be gang members, so Jason tells Batman. Together, they win again Ma Gunn, and Bruce takes Jason in because he sees himself in him.

Well, in Nightwing: Year One, they change it for "Batman kidnapped Jason when he found him stealing his tires and forces him to become Robin", with Jason ATTACHED AND GAGGED in the batcave. (I like this comic except for that because wtf)

In Red Hood and The Outlaws (2011), they changed it for "Jason stole drugs from Leslie and Batman was ready to beat and throw a young teen in jail, but Leslie begged him to give him a chance", which again, wtf. Batman beating up a child. Okay.

In Red Hood and The Outlaws (2016), they changed it for "Bruce put Jason in Ma Gunn's school because he couldn't handle him after taking him in". The only good addition they made is "when Batman caught Jason stealing his tires, he bought him food".

I do not understand why they need to make him awful to this 12 years old so bad. What do they want to make it as if Bruce forced that life on Jason but also didn't want to deal with him. Why they cannot let it as it is, with Bruce having fun dealing with this lil shit that stole his tires and being there for him when he needs him later on, until he finally craves and takes Jason home.

And that's why I am so critical on how Batman and Bruce is written in Nightwing and Red Hood stories, because the writers are incapable to make their main character have conflict with Bruce, without changing his character and their story to make him abusive. They need him to be the bad guy of Jason's, and sometimes Dick's, story because they don't know how to make you side and care for their character without making the other side a monster.

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home