#it's about this normal person who's kind of vibing

[fix-it-darlin]

rhav (fullmetal alchemist oc, doctor and former state alchemist)

david- they probably appreciate his pragmatism and prioritization of others, finds gruff demeanor appealing but not much thought given beyond that, if the two of them got closer, they'd probably bond about trying to keep the people they care about from getting hurt, but those people not listening to them and then getting hurt

huxley- immediate short circuit of the brain and then lots of questions about how his 'earth based alchemy' works, they're a bit thrown off by his carefree attitude, but genuinely enjoy their interaction with him

vega- wtf even is this guy?, feelings are definitely mixed and their fight or flight is going off but they also get the sense that people will get hurt if they don't do something about him so definitely a fair amount of hostility that's feeding him

porter- thrown off by his charm initially and then realizes that he's got very little sense of self preservation and views himself as a weapon, gets real rattled about that and has to fight the urge to try and check him over for wounds

geordi- so glad to finally meet a normal person in this universe, they think he's a bit paranoid but they get it

blake- honestly just really disappointed in this guy, like c'mon, you've got the ability to see the future and help others and you've centered your whole being around one person when you've got the potential to be so much better than this, but ~no~ you have to go and be a massive racist asshole who's willing to hurt everyone to get what he wants, they don't even hate him, it's just more of a 'come on man, you're better than this. where is the board of ethics on this?'

hush- you know what, after everything else they've seen at this point, they're just glad that the god child isn't trying to kill them

rowan wagner (space cowboy)

david- he finds him pretty cute, thinks he'd be a fun guy to take out for a drink and get him relaxed but nothing too serious, discussion over drinks would likely be about taking on some kind of job, rowan's a flirt, but he knows when someone's out of his league

huxley- the accent? is something else, but once he gets past it, probably vibes with this guy quite a bit and talks shop on the quality of the earth in the area and what kind of wildlife hangs around the area

vega- well, doesn't look strange enough to be an alien, but is too strange looking to be a human, if vega tries to rile him up, his first reaction is going to be to flirt relentlessly while vaguely alluding to his gun but no one's sure if that's a euphemism or threat

porter- there's an accent he's familiar with, two flirts can play this game, definitely gets rich guy vibes from him and hasn't decided whether he wants to schmooze or antagonize him, the vampire part is the clearest cut part about this fellow and rowan's not even phased by it

geordi- rowan actually knows that star trek exists and is a pretty big fan of it (his space colony had recordings of all the episodes and some of reading rainbow available when he was growing up) so he catches the reference almost immediately and is delighted, he chats him up and teases him a little but is also just on the cusp of nerding out and has to hold himself back from instigating a star trek infodump, he's just got this big stupid grin on his face the whole time he's talking to him and has used some of his cheesiest pick up lines on him just to see if he can get a laugh

blake- this isn't his first rodeo with folks who've gone and gotten themselves possessed by some eldritch horror, he's this close to trying to shake this man by the shoulders and ask him why the fuck he's gone and doomed the universe, rowan is frustrated, annoyed, and just generally enraged by him, but he's handling it significantly better than he did the first eldritch possession he came across

hush- strange little fella, honestly not sure what to do with him, but he's happy to answer any questions, he's not spooked by him because he looks like a slightly less strange version of the aliens he deals with regularly, and he can relate to the whole not understanding people

joey (morally grey lie detecting detective)

david- they appreciate his honesty but also see way too much of their old boss in him and being prone to butting heads with authority, they're not a fan and just try to avoid him because they know that if they don't they are going to start a fight

huxley- they're intimidated at first because they're relatively short and huxley's kind of a big guy, a bit weirded out by the hole digging thing, but they have seen weirder in their line of work, wants to ask more questions but they're reminding themself that it's best not to go asking about things that might be more personal if they want to stay on people's good side and they really want to stay on his good side because they view him as a decent connection to have because they take notice of how much he seems to notice

vega- they're honestly pretty unphased as a sadistic super powered being is more their speed, yeah, he's a liar but he's a predictable one, they're used to people trying to manipulate them but they're able to see through it and brush it off, glad to find something that's relatively familiar in this new environment and has somewhat positive emotions about him

porter- they can not trust a word out of his mouth and they're so tired of it because they're not able to turn off their powers and it's just a constant ping of 'oh, that ones a lie' when they even try to talk with him, and they're probably holding their tongue about it because they've already come to the conclusion that he could probably kill them if he felt like it and it was beneficial to him, probably tries to return similar energy and probe him for information

geordi- confused as to why he thinks that they're a telepath as in their world, most telepaths are pretty damn invasive and loud about stuff in their experience (this is not normal and actually they have high mental paranoia and so that makes it hard for even the most skilled telepath to make it into their mind unannounced), vaguely annoyed by him but also find him endearing, they won't admit it of course

blake- they're immediately repulsed by him purely on the principle that they're reminded too much of themself by him, he figures out pretty quickly that they're "empowered" in a sense and he's spouting his bullshit and they just hate him so, so much and they want him and his lies gone, legitimately contemplating murder

hush- once the wtf is his deal wears off, it's just kind of like, oh yeah, vaguely murderous superpowered being who could crush them like a bug if they pushed things too far, this is just a typical tuesday, astounded by how not a single thing he says is a lie even though they're sure the stuff about him being a force given form is made up, but you know what, they'll humor him, stepping on eggshells around powerful beings is just their default mode

ok cmere listen

take an oc you have from literally any universe that you have (other than redacted)

tell me what’s happening if they were to run into

- david

- huxley

- vega

- porter

- geordi

- blake

- hush

you can doooo as many of them as you want to

(this is just an excuse to hear about peoples OCs btw)

[friendlycursedspaceotter]

ok, but with the Odd Squad UK thing actually happening, there just.... has to be (if both parties agree to it)....

drumroll please...

a Doctor Who and Odd Squad crossover.

No propaganda except that there, in some cases is a pipeline between the two shows based off general vibe. If one showed up in the other, there would be mass panic in the streets and on the socials, but overall? Both have enough weird stuff going on in them already. No one would really question it.

Also, OSMU needs to show up. I know it had issues, but I liked the format a lot and that was peak "if the Doctor showed up in the same place they would probably have a great time" era.

Thanks for coming to my random ramble-- if I have time, I might make a short comic or something.

[thatgoddamngingerundercut]

Jimin 'Who' MV

[camscendants]

I found the Craziest Arcane take in a YouTube comment section

[nellasbookplanet]

No but I have thoughts on the reception of socially awkward characters like Keyleth and Yasha, and how many fans will only accept them if they appeal to their brand of 'acceptable' social awkwardness.

Keyleth took up space in her awkwardness. It wasn't cutesy and attractive, couldn’t be romanticized. She stumbled and fumbled and never stopped letting her voice be heard, even if she sometimes was wrong. And people hated that. How dare this female character be loud and daring in her flaws! How dare the narrative not punish her for it but rather let her grow powerful in her self!

Yasha, meanwhile, didn’t take up space. She was quiet. Shy. Disappeared in the group. And for the longest time, her character was largely left alone. Then she, too, dared to take up space; she started to heal, express herself in ways that were no longer quiet or threatening but still equally as awkward. And suddenly, there was the Yasha hate. I've seen claims that she has no personality simply because she's quiet, that her goofier moments are out of character, that her awkwardness in conversations is cringy, that she's only a good character when she sticks to the strong quiet type.

Keyleth isn’t cutesy in her flaws the way her character archetype often is. Yasha isn't the strong quiet type you would expect when first meeting her. Why would you want them to be? They shouldn’t have to adhere to these stereotypes to be appreciated as characters.

[thedreadvampy]

I tried listening to Olivia Rodrigo and I'm sure this is really good for its target audience of Teen Girls Going Through A Breakup but has she actually ever put out a song that isn't about a guy cheating, breaking up with her and moving on to someone else?

like babe he's not coming back it's been 2 years you gotta find something else in your life

[vulpinesaint]

absolutely unreasonable over this coworker that i rlly like rn. thank god i don't like men or i would have fucking Lost it by now! as it is i don't even know what has me so dkfjghsdf about him i'm just sitting there with my head in my hands going "he's so normal about trans people..."

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[baekuras]

I so far enjoy Dragon Age Inquisition enough to continue on but also why is there so much of nothingness or what feels like it gsdgfh It's so different from the previous game I am surprised they are of the same series but like...aight sure let's do open world with nothing in it-I know that genre at least

Look I've played like 10 hours and I do wanna look into everything but alas every climbable looking mountain won't let me and around 5 hours were spent with the same 3 non talkactive companions so give me some time to get into it when I am used to the closeness and...chaos of Kirkwall and that crew

i JUST found Iron Bull (nice guy) after getting Sera(girl help) and Vivienne (apparently a bitch but so far I only get business woman vibes off her so....guess it fits?)

i still maintain that Solas in this looks goofy due to his big head to body ratio, mitigated by giving him bulky looking armor Varric is Varric no notes Cassandra is also cool, no notes

[xcziel]

.

[cra5hinglikehips]

.

[insanechayne]

~ ~ ~

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[httpsserene]

Jealous sex with Charles 🤩

𝐲𝐨𝐮 𝐠𝐨𝐭 𝐦𝐞 𝐭𝐨𝐮𝐜𝐡𝐢𝐧𝐠 - 𝐜𝐥. 𝟏𝟔

summary: there’s no reason for charles to be jealous of men who are stupid enough to think they have a chance with you. content warning: 18+ only. mdni. explicit sexual content. jealous sex. tennis. monte carlo masters winner stefanos tsitsipas used as a plot device. porn with a side of plot. mildly possesive!charles leclerc. jealousy. reader’s kindness is misunderstood for flirting. no infidelity. vaginal sex. unprotected sex(don’t do that!). fingering. missionary & cowgirl. rough(ish?) sex. the clothes stay on. uhm, reader gets railed stupid, lowkey. cumplay (i’m so sorry). pairing: charles leclerc x fem!bpoc!reader word count: 2.8k words.

from serene: surprised i finished this when i said i would. to make a long story short, i’m breaking up with my boyfriend 🤪✌🏽ANYWAYS, i listened to the beauty behind the madness and my dear melancholy albums by the weekend to lock in the smexxy vibes. idk if it worked, it took me two days to write less than 3k words 🙂 y’all lmk if you think the wait was worth it, and enjoy reading lovelies x

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The car ride home was quiet. You figured it was post-tennis exhaustion keeping your boyfriend quiet; the entire match was viewed with the Monte Carlo sun radiating down on the stands. Secondarily, the silence could’ve been induced by a little social exhaustion even though Charles thrives in crowds—the two of you spent a couple of hours before the match chatting to anyone who approached him, which felt like every person at the event had to have his attention for a brief moment. Then after the match, the two of you spent another hour speaking with the Master’s Winner, Stefanos, and the Prince, before you were able to take your exit.

So, you attributed his low energy to being sun-tired and talked-out. In retrospect, you should’ve known that it was more than fatigue from how Charles failed to put his hand on your thigh as he drove, and how he sat through slow-crawling traffic without ever moving to turn on music or talk. Your weariness prevented you from prodding further when the Monegasque responded with a nearly inaudible hum when asked if he was tired—the lack of presence in his answer felt like confirmation.

Yet, you realize it wasn’t an answer at all when you entered your home.

Your comments and questions about the match and dinner plans were met with one-word answers and off-timed hums of indifference in response. It’s not until the two of you are in your bedroom getting unready that Charles speaks more than a single word.

“Stefanos was nice, wasn’t he?” 

You pause in your action of taking off an earring, a puzzled tilt to your brow at the odd tone his words took, eyes examining him in the reflection of your vanity’s mirror. He stares down at his forearm as he unclasps his watch, his expression unreadable from his side profile. 

“Yes…he was,” you answer slowly, your confusion growing as you see Charles’ jaw clench, “I didn’t imagine him to be so, normal, I guess? After winning the Monte Carlo Masters, of all things. And, he’s done it three times! I mean, that’s incredible, no? For him to be so friendly and relaxed after was nice, I think.”

You rambled endlessly, the feeling that you’ve talked yourself into a corner flaring at the base of your skull. Charles turned to face you fully, shrugging his suit jacket off and calmly placing it on top of the dresser, rolling up the sleeves of his white dress shirt before he leaned to rest against the furniture as well.

“Ah,” the hair on the nape of your neck rises at the sound, you continue to remove your necklaces with hesitant fingers, “Did he charm you into being your favorite tennis player today, mon amour?”

A humorous scoff escapes your lips, “You know I’m not a fan of tennis. But, if there happens to be a match playing within my view, and he’s playing, I suppose I would want him to win. I wouldn’t say I was ‘charmed,’ I just think he’s a nice man.”

“I think you were too nice to him.”

You slowly place your diamond-studded, golden tennis chain away before your eyes flicker back to meet Charles’ in the reflection of the mirror. You raise a brow, unsure how to respond to his statement. Intelligently, you’ve deduced that he’s jealous, which is odd—considering he’s Charles Leclerc, the prettiest, sweetest, and kindest man on the face of the Earth, in your humble opinion. Stefanos doesn’t hold a candle compared to your boyfriend. Your fingers struggle to undo the clasp of your final necklace; the gold, diamond-paved, Cartier necklace with Charles’ name carved on the back—it was expensive enough that he refused to tell you the price when he gifted it, only saying that “the cost was nothing compared to the love he has for you,” the smooth-talker.

“Arrête,” he speaks firmly, pushing off the dresser and making his way towards you, his dress shoes clicking on the floor sending your heartbeat racing. He stops mere centimeters behind you, the heat of his body radiating against your back.

“Leave it on,” he murmurs, darkened eyes running over your form in the mirror indulgently. 

You do as he says, arms shakily lowering to rest at your sides, fingers tugging at the hem of your sundress as your heart skips and body flushes with heat. The Monegasque reaches around you to center the necklace on your clavicle, the sensation of his fingertips barely ghosting across your brown skin has your mouth parting with an inaudible gasp.

“If only he knew that you wear my name locked around your neck,” the brunette pondered aloud, “Maybe then he would remember that your pretty eyes, sweet giggles, and flirty words are for me—since you seemed to forget.”

“I was not f-flirting with him!” You stutter over the word as if it were an insult.

“You were not,” Charles sounds like he agrees, “But, you know very well that people mistake your kindness as more than that. It’s happened before, no?”

It has happened before. More than you can count. The number of men who mistake politeness and your overall niceness for interest is frightening; you don’t want anybody but Charles.

“What was I supposed to say to Stefanos? Nothing? Should I have just ignored him? And stood at your side quietly like I was just there for decoration?” Your tone peaks with annoyance, heated at the idea of being reduced to an accessory.

“No,” his voice cuts through your train of thought, “You should’ve agreed with me when I mentioned we needed to leave after he said ‘the only thing he’s missing to celebrate is a beautiful woman’ as he stared directly at you—instead of forcing me to stay for another twenty minutes to talk.”

Your mouth drops open disbelievingly, a scoff following a few moments later when you slowly realize that Stefanos wasn’t interested in being set up with one of your friends as he asked. You should’ve known when he asked if you had a twin sister he could meet.

“Okay, in hindsight, I can see that he was flirting,” you clarify, “But, I definitely was not. You know in that entire conversation, I was just being polite—and I made you stay for longer because the Prince wanted to talk to you. Not because I was entertaining a man who doesn’t respect my relationship with you!”

“You were being polite when he kissed your hand?”

“Yes! I thought that was just him laying it on thick?”

“He’s not royalty,” Charles snorts, “The only person allowed to put their lips on you is me.”

“You keep talking about who’s ‘allowed’ to do anything to me and you’ll very quickly find out that I’m ‘allowed’ to reconsider this relationship if you continue speaking about me as if you own me.”

“I don’t own you,” Charles pauses, and a smile spreads across his lips, dimples deepening in his cheeks, nearly forcing you to forget your previous statement as you admire them in the vanity mirror, “But—you own me.”

You turn around quickly at the words, breath stuttering at the lack of space between you two. Tilting your head upwards, you examine your boyfriend’s face with narrowed eyes and cheeks burning so hot the red flush is apparent. His smile has softened to a smirk, his eyebrows laced with a smug undertone, his pupils blown wide enough for you to have to focus to see the green ring around them. You languidly raise a hand to trace a finger across the edge of his jawline, then cupping your hand along the side of his face, gently resting your thumb in the indent of his dimple. Your chest tightens when Charles leans into your palm, slowly shifting to press a kiss on your wrist before nudging you back to holding his face.

Sighing gently, you shake your head, “What do you want from me?”

“Je veux que tu me laisses baiser ma jalousie sur toi, s'il te plaît.”

“S-say it slower please,” you request meekly, “I think I heard you wrong.”

“I want you to let me fuck my jealousy out,” Charles emphasizes each word slowly, his tone becoming teasing as he sees you fluster with each added syllable, “Ple–”

Your lips meet his desperately, your other hand flying upwards to grasp at his shoulder when you feel his laughter through the kiss. You’re sure his amusement is multiplied as you try to dominate the kiss, even as you rise on the tips of your toes and arch your body towards his. Needily, you whine into his mouth as he refuses to meet your rushed rhythm, digging your nails into the meat of his broad shoulders to convey your urgency.

The Monegasques’ hold on your waist turns rough and you pull backward with a gasp when he pinches the skin of your arm. You glower at him in displeasure but it’s quick to fade as he guides you back to his lips with a heavy hand on the nape of your neck. His thumb and pointer finger are weighted from their position at the base of your skull, directing the tilt and movement of your head as he licks into your mouth and bruises your swollen lips further with pressure and stings of teeth.

He walks himself backward, one hand firm on your hip to guide you with him, the other rucking up the skirt of your sundress and sliding underneath to tug your panties down your legs with ease. You kick the fabric off your ankles distractedly, falling to straddle Charles’ lap as soon as he sits on the edge of the bed. His hand slips between the cradle of your thighs, cupping along your warmth and toying within your folds.

“Wet for me already,” he discovers delightedly, breaking the kiss to suck a mark into the sensitive skin behind your left ear and peppering more nips and teases of teeth down the stretch of your neck. Hisses of pleasure slip from your parted lips and you slant your hips forward to guide Charles’ fingers inside. You exhale breathily at the slide of a single finger in your cunt, rolling down onto his hand when you deem his pace too slow.

“Another, please,” you beg, moaning throatily when your boyfriend fulfills your plea without hesitation.

Two fingers turn into three, and three fingers turn into Charles flipping you over and pushing you into the bed so he can hover over you. With rushed hands, you both shove the zipper of his slacks and the hem of his briefs low for him to slip his cock out and press into you. The brunette shudders as he sinks within your depths, falling to his elbows, your moans and gasps of breath spilling into the same pocket of air when his hips rest against the back of your thighs. 

“M-move, please, Cha,” you cry, knees pressing into his sides and body rolling upwards to get a glimpse of friction during his stillness.

Charles drops his head to quiet you with a chaste kiss before matching the rhythm of your rocking hips, his rumbling groans quieted by your lips. He holds himself steady on one arm while he uses the other to reach above your head and drag a pillow downwards, tapping your ass briefly to wordlessly command you into rising upwards as he slips the cushion underneath you. As soon as the pillow is properly positioned, Charles’ slow grinds are exchanged for slamming thrusts, sharp flares of pain-dipped pleasure shooting up your spine and tightening the knot in your navel. Your breath is lost quickly and you struggle to recover, eyes screwing shut and exhales of expletives and whimpers of encouragement are all you can offer.

The Monegasque roughly slides his hand down your leg and grasps you by the ankle digging into the small of his back to keep him close, moving it to rest over his shoulder, and letting his hand fall to squeeze at your thigh for purchase as the change of position tightens the fluttering channel of your cunt around him. This angle feels like he’s digging deeper inside you; one of your hands scrambling to drag your nails down his toned back while the other fists in his hair as you shriek high-pitched into the heated air between your bodies.

“All mine,” you can feel the possessive lilt to his tone rumble through the thin skin of your throat as he sucks along the rapid beat of your pulse. Your nails decorate his back with red scores and it has Charles biting out sharp putain’s and rabbiting his cock into you forcefully, yet remaining conscious enough to realign his thrusts as he bullies his way inside of you to pound against your g-spot. His leaned forward position stretches the limits of your comfortable flexibility, but it allows his pelvis to barely scrape against your clit, sending a wave of overstimulating pleasure to your brain, your eyes rolling as the sensation knocks any form of rational thought from your brain.

He pauses to tug the front of your dress down, the hem tucked under the spill of your breasts. His fingers flick teasingly over a pebbled nipple while he folds himself lower to drag his tongue against the other and nip small marks around your areola. You fight against the assault on your chest; arching your back towards and away from him—chasing and running away from the pleasure simultaneously, yet you continue to grind onto his cock.

“Charles, f-fuck, lemme–uhuh—lemme ride ‘ou,” you whine out incoherently, pushing at his shoulder with a closed fist, hoping he’ll understand your slurred words as your tongue begins to feel heavy.

Your boyfriend pulls away from your breasts in question, panting roughly as he stares up at you to see a pure look of want in your dampened eyes,  lashes clumped together and brown skin flushing deeper when the eye contact is held unendingly. You know that Charles debated denying your request, or at least thought about making you beg for it, but he decides to kneel and drag you upwards into his lap without a fight. He allows you a brief respite to adjust your legs and anchor your arms over his shoulders, then tightens the hold of his hands on your waist, fingertips sure to leave indents as he assists your first upward motion, before solidly dragging you back down. 

The strength you regained in your legs from the short break disappears, knees weakening and body slumping into Charles’ chest, your head drooping to rest in the crook of his neck. 

Charles steadies your head and tilts you back gently, checking in, “Is this too much, mon amour? We can stop.”

“No,” you murmur, “You fucked the feeling out of my legs, Cha.”

He laughs warmly, situating his hands on your ass to direct your motions, the tone of his voice light as he coos, “‘s okay, mon coeur—I’ll do all the work.”

You brush your nose along his, moaning softly at the sweetened drag of his cock. Charles chases your bitten lips, groaning lowly as he deepens his thrusts, fingers dipping to circle your clit—always ensuring your release is prioritized. Your thighs begin to shake and his thrusts skip beats as he begins to near the precipice as well. Shuddering, you gasp into his mouth, attempting to alert him to your nearing orgasm but you’re unable to speak the words.

“It’s okay, mon amour,” your boyfriend soothes, “Cum for me—I’ve got you.”

“yesyesyes,” you babble mindlessly, Charles continuing to pound into you, not slowing the search for his release now that you’re orgasm is imminent. A few well-angled jabs of your g-spot and you’re gone; release frying your nerve endings and vision blurring as your boyfriend continues to ride your high to its very end. 

The Monegasque pulls out the moment your hips fight his hold, dropping his hand drenched with your pleasure from your clit to grab his cock, and with one stroke, he spills. Charles paints your navel and inner thighs white with whimpering moans, and lilted French. He milks himself into over-sensitivity, only stopping when the orgasmic relief shifts into pain. He kisses you on the cheek as he drags a finger through his cum pooled between your thighs. His hand rises to your mouth and he hums approvingly as your lips part and suckle his spend clean off.  

“Hm,” Charles sounds, staring down at the claim he’s spilled, his free hand rubbing his cum along your navel, “All mine.”

© httpsserene2024

[marvelsswansong]

perfectly poisonous pair

summary: the three times Coriolanus realizes you're his perfect match, his eternal soulmate: darkness and all.

tags: coriolanus snow x fem!reader, possessive and dark soft!Corio with equally unhinged reader (an anon previously said morticia x gomez addams vibes), fluff, violence, non-canon compliant, CW for graphic descriptions of violence, kidnapping, murder, possessive/dark thoughts - please take care of yourself first!

☆ word count: 6K+ words ☆

⚠️ 𝐰𝐚𝐫𝐧𝐢𝐧𝐠: 𝐈 𝐝𝐨 𝐧𝐨𝐭 𝐠𝐢𝐯𝐞 𝐚𝐧𝐲𝐨𝐧𝐞 𝐩𝐞𝐫𝐦𝐢𝐬𝐬𝐢𝐨𝐧 𝐭𝐨 𝐜𝐨𝐩𝐲, 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞 𝐨𝐫 𝐫𝐞𝐩𝐮𝐫𝐩𝐨𝐬𝐞 𝐚𝐧𝐲 𝐨𝐟 𝐦𝐲 𝐰𝐫𝐢𝐭𝐭𝐞𝐧 𝐰𝐨𝐫𝐤𝐬 𝐭𝐨 𝐚𝐧𝐲 𝐨𝐭𝐡𝐞𝐫 𝐩𝐥𝐚𝐭𝐟𝐨𝐫𝐦 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐟𝐢𝐫𝐬𝐭 𝐜𝐨𝐧𝐬𝐮𝐥𝐭𝐢𝐧𝐠 𝐦𝐞.⚠️

Marriage is, at first instance to Coriolanus, an institution and an act that he doesn't quite see the point of.

The legal and financial benefits, sure. But committing himself to one person, to be bound to them body, heart and soul for the rest of his life? That level of vulnerability and permanence feels too foreign. Too abstract, even, that thinking about it quickly makes his stomach churn with sickness.

Coriolanus spends the majority of his upbringing, consoling himself that he doesn't have the time to worry about such things as romance. After all, there was always the next bill to pay and the next threat of eviction to dread.

Not to mention, he thinks, no one will truly ever get him. Not even grandma'am or Tigris understands his inner being. The man deep within his guts, the cunning voyeur who enjoys violence and manipulation. And if they only knew, he believes, they'd be horrified.

No one really knows Coriolanus for who he is. And no one will truly be able to understand what it's like to feel and think like him.

So marriage is completely out of the question for him.

At least for a long time.

Until he meets you.

------------------------------

the beginning: "must be a coincidence."

You're the first person (other than the wide-eyed idealist, Sejanus) to treat Coriolanus with kindness at the academy.

You come in as a transfer student mid-way through the semester and he comes to notice the small ways with which you show your appreciation for him. Slyly backing up his answers in class discussions. Smiling at him in the hallways. Sticking up for him in conversations, not caring if the others give you odd looks for defending a 'clear outsider' amongst them.

"If you ever need anything, you can always count on me." you'd once told him after school, his knees barely brushing against yours in the car you've invited him into so that he wouldn't have to walk home in the freezing cold.

Suppressing the urge to interrogate the reasoning behind your kindness, his numb fingers felt sudden warmth when you delicately placed a crumbled up note into his fist with your address in it.

"Stop by whenever you need something. Don't suffer alone, okay?"

He never takes you up on your offer.

At least, not until a few months later, when he finds himself knocking on your door late at night. Three in the morning to be precise, with a busted lip and dark red stains blossoming across his white shirt.

And when you open the door, you don't react to his disheveled state in the same way he'd expect from his family. No pity and shock like grandma'am, nor is there a trace of light apprehension and fear like there would be from Tigris.

Instead, your eyes crinkle with kindness as you invite him inside your home and sit him down on a nearby chair in the living room.

"How bad is it?" you ask, cutting him off with a stern glare before he can lie. "And don't lie to me, Snow. I need to know if you're going to need a drive to the hospital instead of my attempts at first aid."

Sighing, the blonde gives in, his bones aching too much to put up a fight.

"Not that bad, I promise." he grumbles, trying to keep his breathing normal as you lean in closely to examine his injuries. At this proximity, he can see the reflection of the overhanging yellow lights in your irises, your eyebrows furrowing in concentration before you leave the room and return with a soft towel and warm bowl of water.

"Could you look up for me?" you question, your cold fingers steadying his neck to carefully crane it upwards.

The warm, wet fabric in your hands then trace the edges of his jaw, picking up the droplets of blood scattered across his face.

Keeping his eyes forward at the line of bookshelves by the fireplace, time seems to slow down. His senses are overwhelmed by your hairwash - rosemary and vanilla, he thinks - and the room is awfully quiet. All he can hear is the muted sounds of your soft breaths and the rustling of leaves outside, the pale moonlight creeping in through the gaps of the floral curtains in the dead of December.

"Do you mind me asking what happened?" you ask, now switching your attention to the trail of blood buried into the crevice of his neck. You cringe right afterwards, almost wincing at your audacity. "Sorry, you don't have to say if you don't want to."

If anything, it just makes him smile. He likes seeing you embarrassed, he thinks.

"No, it's fine. I'll say. It was just... a party gone awry. Felix managed to convince everyone to go downtown."

You frown at the mention of the downtown area - it was common knowledge that it wasn't safe to wonder the south of the Capitol this late at night, especially if you were obviously from central.

"And then?"

"Got jumped. Felix and his friends ran away quickly. Sejanus got caught up in the mix and I couldn't just... leave him."

Coriolanus hates admitting the slightest sign of weakness, that perhaps he had a friend he cares for, so he's eternally glad that you don't dwell on it. Humming in response, you squeeze the towel in your hands, the water below now a murky shade of brown.

"And how much of this blood is your own? Do I need to get the sewing needles out?"

"I-"

His response is staggered by brief flashes of the fight playing in his mind. He recalls there being a lot of heavy breathing and fast movements. A slash there. A broken nose there. His feet driving down onto the man's chest repeatedly, down, down, down - he hears bones cracking at some point and Sejanus is suddenly pulling him backwards, begging him to stop but Coriolanus can't-

"Coriolanus."

Your voice snaps him out from his dazed state. He then swallows nervously, not knowing how much is safe to disclose.

"I'm fine. Really. Just some bruises and a split lip. The blood is from dodging a few knife attacks and the criminals stabbing one another."

It's a half-truth, really. Coriolanus had dodged a few stabs his way, but only because he tripped the man charging him and grabbed the knife instead to drive it into the man's sides. Enough to severely wound, but not kill. He feels the soles of his left shoe drag on the floor, the fabric nearly coming off from the repeated force with which he'd stepped on the other accomplice's ribs. It makes his jaw clench with embarrassment.

If you notice it's a lie, you don't say anything.

You ask him if he can undress, so that you can wash his clothes for him. After all, you tease in a lighthearted manner in an attempt to lift the mood, you still have school tomorrow at eight.

"You can leave the dirty clothes hanging by the chair outside the bathroom. I think you're overdue for a long, hot shower."

All arguments die in Coriolanus' mouth when he realizes how nice this feels. The foreign comfort of being cared for by someone else, of having his guard down and following someone else's lead for once. So he wordlessly follows you to the bathroom in the back and discards of his dirtied clothes outside.

The hot water is a nice luxury, the scalding temperature starting to erase his memories of the fight. He rubs his scalp raw and watches the water beneath his feet fade into the drain, the steady dripping of water droplets calming his mind.

When the blonde finishes, he comes out and sees that you've folded a set of new, clean clothes for him by the door of the bathroom (your father's old clothes, he learns). Once changed, he wanders outside and finds you hanging the freshly washed clothes outside on your front lawn.

"You should go home, Corio." you say quietly. "Your cousin and grandmother must be worried sick." you look back at him, a reassuring smile on your face.

"How... how can I ever repay you for all this?" he finds himself asking, desperate for an answer. Surely, you'll want something back for this. Certainly, this was all to get something back from him-

You shake your head sideways, waving your hand in dismissal.

"There's no need to repay me. I like to think you help me out every day at school, so think of this as more of... a much delayed gift."

Once you're both back inside the house, no longer shivering from the cold, he finds the silence to be oddly tense. You're in your sleepwear, after all, a silky night dress stopping right above your knees with a gray knit cardigan on top.

He swallows, nervously. He hopes you can't tell how fast his heart is beating.

"Uh, thank you. Seriously. I owe you."

"You really don't."

"I really do."

You roll your eyes playfully.

"The only person who owes me anything is Felix. He shouldn't have suggested you all go to downtown when it's dangerous, and he especially shouldn't have left you and Sejanus to nearly get stabbed to death." you spit, and your angry expression makes him chuckle.

"Ah, well, but he is the president's son. What can we do." he jokes. A small grin flickers onto your lips for half a second at that comment.

"So he is. Good night, Corio. I'll see you tomorrow."

It's initially an uneventful day for Coriolanus the next morning when he walks into the academy, naturally catching your eyes from across the room. You give him a reassuring nod from behind the door of your locker, where the majority of your attention is being held up by an overeager Felix - your assigned partner for the week.

Due to his schedule, Coriolanus doesn't see you again until lunch time. By which the newest rumor sweeping the academy has been the sudden violent illness which has fallen upon the president's son.

"I heard he was puking blood." he hears Clemensia whisper to Arachne, who nods furiously.

"Sejanus had to carry him to the medic's office - Felix looked like a half-dead ghost."

He's itching to speak to you as he quickly rounds the corner and runs up the flights of stairs leading to the library, where he's shared many lunches with you before. He knows your favorite sport by heart, that being the cozy seat under the large arched windows overlooking the front lawn.

As expected, he finds you there, sitting cross legged and gazing out towards the lawn. Upon closer inspection, he sees that you're watching Felix get escorted into a dark vehicle, an unreadable expression on your face.

"Have you heard that Felix is sick?" Coriolanus carefully asks, sitting down from across from you. You turn to him, your face scrunching up in sadness.

"Yes I have. Terrible news, really. Something about nasty nausea and uncontrollable vomiting."

Your tone is sympathetic and your face has all the features of genuine worry, but there's a small twinkle in your eyes that indicates a secret.

It makes Coriolanus delirious with want.

"And would his illness have anything to do with you being close to him as his project partner?" he questions, sliding in closer towards you to keep his voice down.

He looks down at your lips then back up at you, smirking.

"Just seems strange, don't you think? Given that he seemed just fine last night?"

A half-second smile, you shrug.

"Must be a coincidence."

He kisses you right then and there.

---------------------------------------

the point of no return: "you're quite a messy lover, Coriolanus Snow."

Finding you is a miracle to him.

And now that you two are officially dating, he sees the glimmer of hope for something permanent like marriage in the future.

But Coriolanus is still unsure of the publicity of that kind of arrangement, which leads him to request that you two keep the relationship under wraps. At least until graduation, he justifies, to keep the romance hidden away from the judging eyes of the faculty and fellow classmates.

You don't seem the least bit bothered by the news, your lips only quirking up into a warning smile as you tease that you may then have to bring other men as dates to public events to save face.

At the time, he'd just shrugged at that, playing it cool. "I don't get jealous easily." he'd said confidently.

Oh, how he was wrong.

It's only after he becomes your boyfriend that he becomes acutely aware of and sensitive to how desirable you are to others. Visitors to the academy flirt with you openly, not knowing that Coriolanus is watching from the background, fuming with anger. Your male classmates are too eager to carry your books for you, their body leaning ever too close towards yours when you ask them to pass on the papers in class.

But this, right now, seeing you with another man at the spring gala... It feels different.

Those people, the strangers and classmates, you let down firmly but gently. Those people, you wouldn't even let their hands hover above your skin, always placing a firm distance between you and them. Those people-

Fuck.

You didn't smile at those people like you're smiling at this date of yours. The tall, dark haired man's arm is lingering just above your waist, too close for Coriolanus' comfort, and his thoughts turn lethal when the man leans down to whisper something in your ear that seemingly makes you laugh.

It takes everything within him to not lose control then, when Sejanus speaks up.

"You alright?"

His friend's voice cuts into the tirade of violent thoughts playing in Coriolanus' mind, the whiskey starting to taste sour in his mouth. Forcing another sip of alcohol, he meticulously coaches himself to nod along, feigning disinterest in you and the mystery man.

"Just fine, Plinth." he grits out, but with his steely blue orbs not deviating from where you and your date are standing, it's obvious to any bystander that he's lying. So Sejanus chuckles, nudging the blonde playfully.

"Yeah right. Though, I'm not surprised that (Y/n) brought him along." Sejanus takes a sip of his wine, before pausing at seeing the blonde's expression remain hardened. "You do know who he is, right?"

"Am I supposed to?" Coriolanus scowls.

"That's Harrison Bramford. His grandfather was one of the main generals back in the days of the war and his family single-handedly leads the weapons manufacturing industry in Panem."

"Hm." is all Coriolanus says in response, the revelation doing little to appease his anger. His left arm rises in a reflex to force more alcohol down his throat, only to find the glass half empty.

"I need another drink." he announces, not caring to hear his friend's response.

Sliding into the bar, he hears your soft laugh and whisper before you disappear into a nearby hallway, leaving your 'date' alone. Out of the corner of Coriolanus' eyes, whilst he leans forwards and pretends to watch the bartender grabbing him another glass of whiskey, he sees the tall dark haired man also beelining towards the bar.

"Vodka on the rocks." Harrison growls, nearly slamming his glass down onto the counter. It's only then that Coriolanus lets himself look into the man's light green eyes, taking care to keep his expression fairly neutral and his voice calm.

"Rough night?" Coriolanus asks, deciding to play the unassuming role of a concerned stranger. Harrison chuckles, wiping his hands on his thighs whilst shaking his head.

"You have no fucking idea. Women are such pieces of work."

The blonde tastes blood with how hard he bites his cheek in an effort to stay silent.

"Your whiskey, sir."

He's grateful for the interruption of the bartender sliding his drink down towards him, as with every word leaving your date's mouth, Coriolanus is feeling his rage boiling and threatening to spill over like toxic waste.

"This chick asked me to come here tonight, you know? Me. A Bramford. I put up with her annoying stories and stupid questions all night, I even held her fucking bag for her to go to the bathroom." the man rants, his skin starting to twinge red with how fast he was speaking. "But will she even let me kiss her? Nooooo. Apparently it's too quick. Wouldn't even let me grab her ass."

It's then that your boyfriend finally loses it, and there's a muted sound of something shattering and the feeling of something sticky and hot running down his right hand. There's a few gasps of shock, the bartender hurrying over with a spare napkin as Coriolanus' blue eyes adjust to the blurry scene in front of him.

He's shattered the glass in his hand.

"Shit, you alright?" Harrison asks, leaning over to see and then pulling back with a disgusted expression after seeing the bloody sight. Remaining calm whilst pulling out the chunks of glass, Coriolanus chooses to play nonchalant, shrugging his shoulders.

"Yep. Sorry, not used to..." he pauses, trying to find the right excuse. Instead, he finds a brilliant plan. "Not used to going so long without smoking."

The dark haired man nods in agreement, seemingly sympathizing.

"Ah, I get you. Nasty withdrawal symptoms, huh? Seen a lot of my buddies get them whenever they try to quit smoking."

Securing the makeshift tablecloth wrap around his injured hand, Coriolanus pushes his chair in with his legs, his uninjured hand strategically reaching into his pockets.

"I think I need a cigarette. Care to join?" he asks, already knowing the answer from the overwhelming scent of cigarettes spayed over the man's clothes.

"Why not."

Suppressing a smile, the blonde leads the drunken man out the door and far away from the venue, down a few shady alleyways and into narrow dirty streets crowded by graffiti and trash bags.

"Uh... you sure this is the right way?" the man behind nervously asks, and Coriolanus almost wants to roll his eyes at how pathetic he finds the man's fear.

"Don't worry, Bramford. Just avoiding the 'no smoking' signs and security guards by the venue."

Once the blonde is sure that they're both sufficiently far away from the venue, at a dead end alleyway sandwiched between a run down bike shed and abandoned dumpsters, he stops in his tracks. Coriolanus then uses the split second of confusion felt by the other man to strike him directly in the chest, forcing the taller man's entire body down.

Grabbing the nearest object next to him - a wooden crate- Coriolanus smashes it into bits on the man's head, whose face is now pressed up against the dirty cement.

"You absolute piece of shit." Coriolanus swears, adrenaline pumping through his veins in irregular rhythm as his boot kicks into the pained man's ribs repeatedly. "You disgusting, vile, privileged piece of shit."

Each insult is compounded by a stronger kick, the three glasses of whiskey and pure rage emboldening his thoughts and strengthening his attacks. Coriolanus thinks he may have heard a bone or two cracking, but he isn't sure. He can't even bring himself to care, not when his mind's fixation switches to the enticing sight of a broken glass bottle laying to his right, the jagged scars glistening under the moonlight. Coriolanus snatches it up in half a second, before pressing the edges of the makeshift blade against the whimpering man's throat.

"W-why are you doing this?" Harrison barely gets out, mouth already filled with blood, his gasps stuttered in pain.

The blonde only chuckles, his left knee coming down to press the man further into the ground, right hand beginning to trace the edge of the glass down the man's neck.

"Because, Bramford. You denigrated the love of my life. You dare try and place your filthy hands on her. Hell, for the crimes of your family and your disgusting behavior tonight, I should do the Capitol a favor and ki-"

"That's enough, Corio."

Your boyfriend nearly drops the bottle in his hand out of shock at hearing your voice ring out from behind him, the development so unexpected that for a second he almost wonders if he's hallucinating. But no, when he tilts his head backwards, he sees as clear as day you standing there with an amused grin on your face.

"Darling, I-" Coriolanus begins, stepping back up carefully and setting the glass bottle aside (but far away from Harrison's reach).

You just shush him, that ever-so-understanding twinkle in your eyes, your heels clicking on the uneven cobblestone as you stand with your body right up against his.

"I warned you about this, you know." you sigh. Coriolanus frowns, confused.

"What?"

"That you'd be jealous. He's just a toy, love. Nothing happened nor was ever going to happen tonight." you assure him, taking his uninjured hand in yours and squeezing it in comfort. You frown at the sight of his other bloodied hand, but he waves it off as an explanation for a later time.

"It's not that I don't trust you, petal. It was just... this scumbag was speaking about you in a revolting manner. I just couldn't contain myself." he slowly explains, a mix of guilt for being caught and anger for not being able to finish his actions creeping in. "He deserved it."

"Not denying that, love." you assure him again, smiling. "But goodness... What a mess you've made. You're quite the messy lover, Coriolanus Snow."

Coriolanus then can only watch, mesmerized, as you walk up next to Harrison's squirming body on the floor. Crouching down next to the man, you tut, as if you're saddened by the sight in front of you.

"Here's what's going to happen. We'll do you the favor of making it looking like you had too many drinks and got robbed. We'll take your wallet and expensive jacket. You'll survive, only a few major injuries but nothing life-threatening, and that's the story you'll tell your father and his friends." you pause, letting out another sigh, as if explaining this whole ordeal is tiring you. "In return, I will keep quiet about your nasty drug addiction to your father. One more strike and you're out, as your daddy said, so let's not aggravate him further. Deal?" you ask, smiling sweetly.

When the man stays silent, only letting out pained breaths in response, your right hand snaps out to press his face further into the concrete.

"I said, do we have a fucking deal, Bramford?"

Coriolanus finds himself completely transfixed by the attractive sight playing out in front of him: your pretty face scrunched up in fury, your delicate fingers dipped in blood as the man beneath you pathetically sobs and agrees. You then smirk, harshly dropping the man's head back down. Your boyfriend is by your side immediately, taking off the man's jacket as you pocket the wallet, your eyes finding Coriolanus' once more.

"I think I'm in love with you." the blonde confesses, the words coming out faster than he'd anticipated. It's a mix of things that causes the sudden confession, the adrenaline from having beaten a man nearly to death, the way your hair is being caressed by the harsh winds, the smell of your sweet perfume mixing with the harsh stench of copper in the air...

It's all making him dizzy and lovesick.

But all you do is roll your shoulders back and chuckle, kissing him quickly on the lips.

"I know."

But, Coriolanus thinks, you can't know - the real depths of his love, the unbridled fire now lapping at his skin, the overwhelming desire to claim you as only his.

And when he finally comes back home, he digs through his cabinets and finds the family ring. Swallowing thickly, he stores it in a small jewelry box and tucks it right underneath his bedroom's windowsill.

One day, he knows. He'll marry you.

----------------------------------------

the final act: "sorry for worrying you."

He'd meant to propose sooner.

He really did.

But then the games happened, his victory came with the assistant position to Dr Gaul and a full ride scholarship to university from the Plinths, and you'd be called away to District 2 to assist on your family's business operations.

Coriolanus missed you, fiercely. No amount of blurry phone calls and monthly visits lasting no more than the short weekend could satisfy his ache for you. Your melodic laugh. Your soft touch. Your witty observations and jokes, your soft breathing on his chest when he'd hold you at night.

But it's necessary, you'd remind him, lips trailing across his cold skin. It was how you and him were going to conquer the Capitol. Together.

On an assuming Tuesday in April, on the day you were due to arrive in time for Tigris' birthday, the phone rang in the mansion. The housekeeper, mid-way through dusting the library in preparation for your arrival, had come running into Coriolanus' room without even knocking. He'd woken up bleary eyed, a few swear words of annoyance on the tip of his tongue, all of which dissipated upon seeing the alarmed look on the housekeeper's face.

"It's for you, sir. Says it's urgent."

Brows furrowing, but not thinking anything much, Coriolanus answers the phone.

"Coriolanus Snow speaking." he mutters into the receiver, eyes still foggy from the remnants of sleep. The voice on the other end chuckles, a dark and pompous sound which makes him scowl in annoyance.

"Mr.Snow... when was Miss (L/n) set to arrive in the Capitol?"

The sinister question jolts the blonde awake immediately, a quick glance at the clock hanging by the door confirming his worst fears. It was four am, at least three hours past the time you were set to arrive.

"Is this a ransom call?" Coriolanus growls into the phone, his fingers clutching the receiver so tight his knuckles were beginning to redden. Teeth aching with how tensely he's clenching his law, his frantic eyes find the housekeeper's worried ones, before he urgently signals for the older woman to fetch the guards roaming the front of the property.

The stranger on the other side only chuckles in response, clearly gleeful at the distressed sound of Coriolanus' voice.

"I'm not sure, Mr. Snow. Would you like to perhaps ask her instead?"

The string of curses and violent threats bubbling under his throat never get spoken when he hears the sudden shuffling of feet and muffled arguing on the other side of the phone, before your voice fills his anxious ears.

"Hi, Corio."

Huh.

You seem awfully relaxed for someone taken as hostage.

Yes, he recalled having numerous discussions with you about such a scenario occurring once Coriolanus' status was elevated in the Capitol and you'd agreed to take on some share of the family business. And your boyfriend also knew that you'd grown up training in archery and fencing, so it wasn't as if you were wholly unprepared to defend yourself.

But still, it shocks him how your voice is completely aloof and calm, with even a hint of a smile at the end of your sentences.

"Hi, darling. Are you alright?" he carefully responds, pondering if you are perhaps being held at gunpoint and forced to speak in an unnatural manner. But you just hum in response, the same noise you'd make if he'd asked you something simple like what you wanted on your toast, nonchalant as ever.

"Yes, I'm perfectly fine. Just don't forget to water the lilies, they get very temperamental this time of the year. Wouldn't want a repeat of last April, now would we?" you joke, and Coriolanus feels himself slightly relaxing into the conversation.

"Of course not."

"And don't forget you promised me pancakes the moment I came back to the house. I've been missing your banana pancakes dearly."

He can almost picture your smile at that comment.

"Well then... you should hurry back soon." he calmly responds, only for the phone to then be ripped away from you and the stranger's voice returns - grating and aggravated. Coriolanus can tell that your kidnapper is frustrated and dumbfounded by your seemingly calm disposition and mundane conversation with your boyfriend, a revelation which fills him with great satisfaction.

"If you still want her alive, leave a suitcase of $20,000 by the coordinates sent to you. You have two hours."

As if on cue, the housekeeper rushes back in with a note - tied to a bird sent over to the house, she says - and the security team behind. Unravelling the coordinates written onto the piece of paper, and looking back at the clock, Coriolanus' mind whirls with endless possibilities.

Explaining the situation in brief, he directs three of the guards to go out into the location with a briefcase loaded with fake cash - one to drop off the bag, the other two to keep extensive watch to see who picks it up. The other two, he commands to stay by watch at the house.

Sitting in an unmarked van whilst staring at the spot where his security guard had placed the suitcase, Coriolanus' leg won't stop bouncing up and down.

He's riddled with anxiety and doubt, hating himself for being unable to protect you, worrying about your whereabouts. As even if you sounded awfully calm and capable on the phone, a part of him can't help but wonder if that was all for show, to prevent him from worrying too much.

A torturous hour passes before Coriolanus gets a call from the housekeeper.

"Sir, she's home."

He nearly drops the phone.

"What?"

"Miss (Y/n) is home. She is sitting in the kitchen, having a cup of tea as we speak."

It's a blur as Coriolanus commands the car to race back towards the house, his heart nearly pounding out of his chest as he bursts through the doors of the main hallway.

And there, calm as ever with a light grin on your face, is you.

You're sitting in his favorite velvet cushioned chair by the dining table. Your face smeared with blood, your clothes are torn and hanging in loose threads, and your hair is wet, red crimson droplets falling onto the floor in steady drips. And as the sun rises over the estate, the golden light illuminates your hairline and Coriolanus swears he sees a halo above your bloodied form.

"Hi, love. Sorry for worrying you."

Without a single word, he rushes over to you and nearly yanks you up to a standing position, backing you up against the wall to kiss you fiercely. Your knees almost buckle from the force with which he grabs your neck, his shaky breaths so desperate, his hooded eyes still looking into yours as his left hand suddenly shows a ring box in his hand.

"Marry me, darling."

You blink twice, surprised at the sudden action, as he chuckles and laces his fingers with yours - blood on blood.

"We're perfect for each other. You are my soulmate, my perfect pair: body, heart and soul. Truthfully, I've had the ring with me for almost two years now, but it never felt... quite right." he pauses, taking in your shaky, happy smile. Your cold hands warming in his embrace. "Not until now. You're the one for me."

"Even if I bleed all over your kitchen?" you croak, as he slides the cool metal onto your ring finger, before kissing your bruised knuckles.

"Especially if you bleed over my kitchen. As long as it's not your own blood, of course."

It's you who closes the gap this time, nearly tackling him with the force with which you kiss him, arms encircling around his back. Smiling into the kiss, he tastes the mix of your strawberry lipgloss and the metallic hint of blood on your lips, an intoxicating combination.

When you two finally part for air, the silver band now glistening on your ring finger, Coriolanus chuckles.

"Now, would you like those banana pancakes?"

------------------------------------------

epilogue: "nonsense, darling. I'd clean blood off of you forever."

"I think I'm starting to see a gray hair. on you, Corio."

Your husband scowls at the playful joke in the bedroom mirror, standing up to straighten his tie as you get changed in the walk-in closet.

"Please, I'm barely 30. Are you sure you're not hallucinating, darling?" he fights back, and you peek out half-dressed from the closet, pouting.

"You're questioning my eyesight now? How could you be so cruel."

Your faux sour expression is quickly kissed away by two cold hands cupping your cheeks, and you would've lost the balance in your heels had he not steadied you immediately, his hands dropping to your waist.

"Aw, I'm sorry, petal. Will you ever forgive me?"

You pretend to think about it, cocking your head sideways.

"That would depend."

"On what?"

"Mom! Dad!"

Your snarky response is cut off by the sound of small feet pattering on the marble floor, the front doors swinging open as a small figure runs straight to you and crashes into your legs. A spitting image of you and Coriolanus, your daughter, looks up from your knees before grasping onto her father's hand.

"Up, please."

Clearly amused by the sudden burst of energy in the room and his daughter's politeness even in moments of silliness, he crouches down and picks up the squealing child who comfortably settles into his arms.

"Guess what."

"What is it, honey?" you ask, brushing the stray hair out of her eyes.

"I got the highest score in my entire class on my math test."

"Wow, that's incredible, sweetheart." Coriolanus practically melts on the spot, bouncing the child up and down as she giggles into his neck. "You are the smartest person ever, Belle."

"Not as smart as mommy." she sasses in response, looking up at you for approval. You coo, ruffling her hair affectionately before looking up at your husband with raised eyebrows.

"See, Corio? Even our daughter is kinder to me than you are."

He rolls his eyes in response, left hand sneaking out to pull you in close as his lips kiss the top of your head.

"Nonsense. I love both my girls equally." he says, only for the picture perfect moment to be interrupted by another figure rushing into the room.

"Mrs Snow, the car's just arrived for you by the fr-" the intern freezes in his steps, having clearly caught the Snow family at a private time. You of course don't mind, just being amused by the situation, and your daughter is just curious at the new person who just walked in. All the while, Coriolanus' reaction couldn't be more different, his glare sharp and mean.

"I thought I made it clear, I don't want to ever be disturbed when I'm with my family. Unless it's an absolute emergency." Coriolanus states, his tone icy and unforgiving.

By the furrowing of his eyebrows and the cold stare in his eyes, you can already anticipate the flurry of murderous thoughts filling his head before you cut in. After all, the interrupting intern, a 17 year old boy by the name of Elijah, is only trying his best. And you find him oddly endearing and sweet, particularly with how badly he tries to impress your husband.

"It's fine, Elijah. Please ignore my husband's rude comment. I'll be right out."

Setting your daughter down, Coriolanus leans forward and growls into your ear, watching the young boy scatter away quickly.

"You're too nice to him, darling. Don't you think we should dispose of him and get a new intern...."

You slap his shoulder.

"What do I always tell you? No need to create unnecessary messes. Besides, he's really good with Belle and easy to control."

He smirks at that, irises filled pink.

"You're probably right. Can't have another bloody mess on your hands to clean up."

"Or vice versa."

He leans in close, cold lips touching your forehead.

"Nonsense, darling. I'd clean blood off of you forever."

And he truly means it.

a/n: andddd that's another major Corio fic down! thank you to everyone who showed me love on my last Corio oneshot ("melting snow") and for those who answered my poll - dark soft! and possessive Corio won out but girldad!Corio also got a TON of love so I included it a bit here and will probably write a whole standalone fic with girldad!Corio as the concept. thank you again to everyone for remaining patient, I had writer's block for a bit and I've just had the most awful few weeks ever (mental health wise and life wise) so it was difficult to find moments to write.

as always, please leave a like/comment/reblog/ask if you enjoyed. the interactions is what motivates me to write! I hope you liked it hehe x

[carriesthewind]

Oh dear.

So as some of you may know, I love to point and laugh at bad legal arguments. And as fun as legal dumpster fires are when they are made by people who aren’t lawyers but think this whole “law” thing seems pretty simple, it’s even funnier when an actual, barred attorney is the person dumping gallons of kerosene into the dumpster.

And oh boy folks, do I have a fun ride for y’all today. Come with me on this journey, as we watch a lawyer climb into the dumpster and deliberately pour kerosene all over himself, while a judge holds a match over his head.

The court listener link is here, for those who want to grab a few bowls of popcorn and read along.

For those of you who don’t enjoy reading legal briefs for cases you aren’t involved with on your day off (I can’t relate), I will go through the highlights here. I will screenshot and/or paraphrase the relevant portion of the briefs, and include a brief explainer of what’s going on (and why it’s very bad, but also extremely funny). (Also, I’m not going to repeat this throughout the whole write-up, so for the record: any statements I make about how the law or legal system works is referring exclusively to the U.S. (And since this is a federal case, we are even more specifically looking at U.S. federal law.) Also, I don’t know how you could construe any of this to be legal advice, but just in case: none of this is, is intended to be, or should be taken as, legal advice.)

First, let’s get just a quick background on the case, to help us follow along. In brief, this is a civil tort suit for personal injury based on defendant’s (alleged) negligence. The plaintiff is suing the defendant (an airline), because he says that he was injured when a flight attendant struck his knee with a metal cart, and the airline was negligent in letting this happen. The airline filed a motion to dismiss on the grounds that there is an international treaty that imposes a time bar for when these kind of cases can be brought against an airline, and the plaintiff filed this case too many years after the incident.

The fun begins when the plaintiff’s attorney filed an opposition to the motion to dismiss. (So far, a good and normal thing to do.) The opposition argues that the claim is not time-barred because 1) the time bar was tolled by the defendant’s bankruptcy proceedings (that is, the timer for the time limitation was paused when the defendant was in bankruptcy, and started again afterwords), and 2) the treaty’s time limit doesn’t apply to this case because the case was filed in state court before the state statute of limitations expired, and the state court has concurrent jurisdiction over this kind of case.

I’m struggling a bit to succinctly explain the second reason, and there’s a reason for that.

You see, the whole opposition reads a bit…oddly.

This is how the opposition begins its argument, and it’s…weird. The basic principle is...mostly correct here, but the actual standard is that when reviewing a motion to dismiss for failure to state a claim (which is what the defendant filed) the court must draw all reasonable factual inferences in the plaintiff’s favor. But even then, you don’t just put that standard in your opposition. You cite to a case that lays out the standard.

Because that’s how courts and the law work. The courts don’t operate just based on vibes. They follow statutory law (laws made by legislature) and case law (the decisions made by courts interpreting what those laws mean). You don't just submit a filing saying, "here's what the law is," without citing some authority to demonstrate that the law is what you say (or are arguing) it is.

Again, this isn’t wrong (although I'm not sure what it means by new arguments?), but it’s weird! And part of the reason it’s weird is that it is irrelevant to the defendant’s motion to dismiss. The defendant filed a motion stating that based on the facts in the complaint, the plaintiff has not stated a claim based on which relief can be granted, because the complaint is time barred by a treaty. There is no reason for this language to be in the opposition. It’s almost like they just asked a chatbot what the legal standards are for a motion to dismiss for a failure to state a claim, and just copied the answer into their brief without bother to double-check it.

The opposition then cites a bunch of cases which it claims support its position. We will skip them for now, as the defendant will respond to those citations in its reply brief.

The last thing in the brief is the signature of the lawyer who submitted the brief affirming that everything in the brief is true and correct. An extremely normal - required, even! - thing to do. This will surely not cause any problems for him later.

The next relevant filing is the defendant’s reply brief. Again, the existence of a reply brief in response to an opposition is extremely normal. The contents of this brief are…less so.

Beg pardon?

Just to be clear, this is not normal. It is normal to argue that the plaintiff’s cases are not relevant, or they aren’t applicable to this case, or you disagree with the interpretations, or whatever. It is not normal for the cases to appear to not exist.

Some highlights from the brief:

Quick lesson in how to read U.S. case citations! The italicized (or underlined) part at the beginning is the name of the case. If it is a trial court case, the plaintiff is listed first and the defendant second; if the case has been appealed, the person who lost at the lower court level (the petitioner/appellant) will be listed first, and the person who won at the lower level (the respondent/appellee) will be listed second. There are extremely specific rules about which words in these names are abbreviated, and how they are abbreviated. Next, you list the volume number and name of the reporter (the place where the case is published), again abbreviated according to very specific rules, then the page number that the case starts on. If you are citing a case for a specific quote or proposition, you then put a comma after the beginning page number, and list the page number(s) on which the quote or language you are relying on is located (this is called a “pincite”). Finally, you put in parenthesis the name of the court (if needed)(and again, abbreviated according to extremely specific rules) and the year the case was decided.

So the plaintiff’s response cited to Zicherman, which they said was a case from 2008 that was decided by the 11th Circuit Court of Appeals. However, the defendant was not able to find such a case. They were able to find a case with the same name (the same petitioner and respondent), but that case was decided by the U.S. Supreme Court in 1996, and the lower court cases associated with that case weren’t in the 11th circuit either. (The United States Reports is the only official reporter for the U.S. Supreme Court, and only includes SCOTUS decisions, so it’s not necessary to include the name of the court before the year it was decided.)

Just to be clear. The defendant’s brief is saying: the plaintiff cited and extensively quoted from these cases, and neither the cases nor the quotations appear to exist. These “cases” were not ancillary citations in the plaintiff’s brief. They were the authority it relied upon to make its arguments.

This is as close a lawyer can come, at this point in the proceedings, to saying, “opposing counsel made up a bunch of fake cases to lie to the court and pretend the law is something different than it is.”

That, “Putting aside that here is no page 598 in Kaiser Steel,” is delightfully petty lawyer speak for, “you are wrong on every possible thing there is to be wrong about.”

By page 5, the defendant has resorted to just listing all of the (apparently) made up cases in a footnote:

(skipping the citations to support this proposition)

This is where I return to my struggle to explain the opposition’s second reason why the motion to dismiss should not be granted. I struggled to explain the argument, because they failed to explain why the argument they were making (that plaintiffs can bring lawsuits against airlines in state court, and the state court have specific statutes of limitations for general negligence claims) was relevant to the question of whether the plaintiff’s specific claim against the airline was time barred by the treaty. Because 1) this case is in federal court, not state court, and 2) federal law - including treaties - preempts state law. Again, it’s almost like plaintiff’s attorney just typed a question about the time bar into a chatbot or something, and the machine, which wasn’t able to reason or actually analyze the issues, saw a question about the time to bring a lawsuit and just wrote up an answer about the statute of limitations.

We also end with a nice little lawyerly version of “you fucked up and we are going to destroy you.” The relief requested in the defendant’s original motion to dismiss was:

In their reply to the opposition, however:

“The circumstances” in this case, being the apparent fabrication of entire cases. Because courts tend to take that pretty seriously.

And the court took it seriously indeed. The defendant’s reply was docketed on March 15th of this year. On April 11th:

AKA: you have one week (an extremely prompt time frame for federal court) to prove to me that you didn’t just make up these cases.

On April 12th, the plaintiff’s attorney requests more time because he’s on vacation:

The judge grants the motion, but adds in another case that he forgot to include in his first order.

On April 25th, the plaintiff’s attorney files the following:

(And he lists the cases, with one exception, which he says is an unpublished decision.)

But he says of all of the cases except two, that the opinions…

Which is…nonsense?

First of all: if you cited a case, you had to get it from somewhere. Even unpublished opinions, if you are citing them in a brief, you are citing them because you pulled them off of westlaw or whatever. Which means you have access to the case and can annex it for the court. (There are even formal rules for how you cite unpublished opinions! And those rules include citing to where you pulled the damn case from!)

Secondly: remember that long digression I went into about how to read case citations? Remember that bit about how you include the name of the reporter (the place the case was published)? Yes, cases are published. They are printed in physical books, and they are published online in databases (e.g. lexis or westlaw). If the specific online database you are looking in does not have the case, you look somewhere else. If you have a judge telling you to get them a copy of the case Or Else, you track down a physical copy of the reporter if you need to and scan the damn thing yourself. You - literally - can’t just not have a copy of the case! (Especially published federal circuit court opinions, which multiple of these cases are! Those aren’t hard to find!)

And what kind of “online database” doesn’t include the entire opinion anyway? I’ve literally never heard of a case research database that only included partial opinions, because that wouldn’t be useful.

Maybe if we look at the attached annexed copies of the cases, that might give us some answers.

...

My friends, these things are just bizarre. With two exceptions, they aren’t submitted in any sort of conventional format. Even if you’ve never seen a legal opinion before, I think you can see the difference if you just glance through the filings. They are located at Docket entry #29 on Court Listener (April 25, 2023). Compare Attachments 6 and 8 (the real cases submitted in conventional format) to the other cases. Turning to the contents of the cases:

In the first one, the factual background is that a passenger sued an airline, then the airline filed a motion to dismiss (on grounds unrelated to the treaty's time bar), then the airline went into bankruptcy, then the airline won the motion to dismiss, then the passenger appealed. And the court is now considering that appeal. But then the opinion starts talking about how the passenger was in arbitration, and it seems to be treating the passenger like he is the one who filed for bankruptcy? It’s hallucinatory, even before you get to the legal arguments. The “Court of Appeals” is making a ruling overruling the district court’s dismissal based on the time bar, but according to the factual background, the case wasn’t dismissed based on the time bar, but on entirely other grounds? Was there some other proceeding where the claim was dismissed as time barred, and it’s just not mentioned in the factual background? How? Why? What is happening? Also it says Congress enacted the treaty? But, no? That’s…that’s not how treaties work? I mean, Congress did ratify the treaty? But they didn’t unilaterally make it!

In the second case, there’s an extended discussion of which treaty applies to the appellants claims, which is bizarre because there are two relevant treaties, and one replaced the other before the conduct at issue, so only the new treaty applies? There isn’t any discussion of the issue beyond that basic principle, so there is no reason there should be multiple paragraphs in the opinion explaining it over and over? Also, it keeps referring to the appellant as the plaintiff, for some reason? And it includes this absolutely hallucinatory sentence:

…the only part this that makes sense is that the argument is without merit. I’m not going to discuss the actual merits of the legal arguments in the opinion, because they are so bizarre and disjointed that even trying to describe them would require a Pepe Silvia-sized conspiracy board. Like the previous case, both the facts and the legal posture of the case change constantly, with seemingly no rhyme or reason.

The third one…oh boy. First, large portions of the “opinion” are individual paragraphs with quotations around the whole paragraph. What’s happening there? As far as the content of the opinion itself - I can’t. I mean that, I literally can’t. What is being discussed seems to change from paragraph to paragraph, much of it contradicting. It makes the first case seem linear and rational by comparison. The court finds it doesn’t have personal jurisdiction over the defendant so dismisses the case based on a lack of subject matter jurisdiction? But also the defendant hasn’t contested jurisdiction? And also the court does hold that it has both subject matter and personal jurisdiction over the defendant? And then it denies the motion to dismiss the case? Also, at one point it cites itself?

…also, even if this was a real case, it doesn’t stand for the propositions the plaintiff cited it for in their opposition? I’m not going to go into the weeds (honestly it’s so hallucinatory I’m not sure I could if I tried), but, for example, the plaintiff’s reply brief states that the court held “that the plaintiff was not required to bring their claim in federal court.” The U.S. District Court for the District of Columbia is a federal court, and there is no discussion of any filings in state courts. The closest the “opinion” comes is with the statement, “Therefore, Petersen’s argument that the state courts of Washington have concurrent jurisdiction is unavailing.” (This statement appears to be completely disconnected from anything before or after it, so I am unsure what it is supposed to mean.)

Moving on, case number four is allegedly a decision by the Court of Appeals of Texas. It includes the following line:

Honestly, the plaintiff’s attorney best defense at this point is that he wasn’t intentionally trying to mislead the court, because if he was doing this on purpose, he would have edited the cases to make them slightly more believable. (Context in case you’ve lost track: these documents are supposed to be copies of the opinions he is citing. The screenshoted line makes it clear that what he is actually citing is, at best, someone else’s summary of an "opinion". It would be like if a teacher asked a student to photocopy a chapter of a book and bring it into class, and instead the student brought in a copy of the cliffs notes summary of that chapter. Except that the book doesn’t even exist.)

The actual contents of the “opinion” are, as is now standard, absolutely bonkers. First, the court decides that it doesn’t have personal jurisdiction over Delta because “Delta did not purposefully avail itself of the benefits of conducting business in Texas.” This was despite the fact that the factual background already included that the appellant (sorry, the plaintiff, according to the “opinion”) flew on a Delta flight originating in Texas. Like, this is just wrong? It’s not even hallucinatory nonsense, it’s just facially incorrect legal analysis. Then the court starts discussing the treaty’s time bar, for some reason? Then it goes back to talking about personal jurisdiction, but now the trial court denied the defendant’s motion to dismiss for lack of personal jurisdiction, and the appellate court agrees with the trial court that it does have personal jurisdiction, even though this is the plaintiff’s appeal from the dismissal for lack of personal jurisdiction and the court already ruled it didn’t have personal jurisdiction? And even though on page 1, the plaintiff was injured during a flight from Texas to California, now on page 7 she was injured on a flight from Shanghai to Texas? Also the trial court has gone back in time (again) to grant the motion to dismiss that it previously denied?

Also, I’ve been trying to avoid pointing out the wonky text of these submissions, but:

Everything ok there?

Case number five is similar enough to number four that it’s not worth repeating myself.

Thank god, cases six and eight, as noted above, are real cases, so I’m going to skip them. The defendant alleges that the cases do not stand for the propositions the plaintiff cited them for, and I’m going to assume that is true, given the rest of this nonsense.

Case number seven looks legitimate on the surface. But neither the defendant nor I could find the case through any legitimate search mechanisms. The defendant looked up the purported docket numbers on PACER and found completely different cases; I was able to find a case with the name “Miller v. United Airlines, Inc.,” but it was for a different Ms. Miller, it was a California state case (not a Second Circuit federal case), it was decided on a different year, and the substance of the case was entirely different from the alleged opinion filed with the court.

On top of that, this might be the most morally reprehensible fake citation of them all? Because it is about the crash of United Airlines Flight 585, a real plane crash. Everyone on board - 25 people in total - was killed. 

The individual cited in this fake court case was not one of them.

I cannot imagine conducting myself in such a way where I would have to explain to a judge that I made up a fake case exploiting a real tragedy because I couldn’t be bothered to do actual legal research.

Now, I know you all have figured out what’s going on by now. And I want you to know that if your instincts are saying, “it seems like the lawyer should have just fallen on his sword and confessed that he relied on ChatGPT to write his original brief, rather than digging himself further into this hole”? Your instincts are absolutely correct.

Because obviously, the court was having none of this b.s. On May 4th, the court issued an order, beginning with the following sentence:

That is one of the worst possible opening sentences you can see in an order by the court in a situation like this. The only thing worse is when judges start quoting classic literature. If I was Mr. Peter LoDuca, counsel for the plaintiff, I would already be shitting my pants.

“I gave you an opportunity to either clear things up or come clean. Now I’m going to give you an opportunity to show why I should only come down on you like a pile of brinks, instead of a whole building.”

We are getting dangerously close to “quoting classic lit” territory here.

If I learned that the judge in my case called up the clerk of a circuit court just to confirm how full of shit I was, I would leave the legal profession forever. Also, the judge is now also putting quotes around “opinion.” When judges start getting openly sarcastic in their briefs, that means very very bad things are about to happen to someone.

So I’m guessing the delay between this filing and the court order was because the judge’s clerk was tasked with running down every single one of the additional fake citations included in the "opinions", just to make this sure this order (and the upcoming pile of bricks) are as thorough as possible.

If you are following along with Dracula Daily, the vibe here is roughly the same as the May 19th entry where Dracula demands Jonathan Harker write and pre-date letters stating he has left the castle and is on the way home.

Also, hey, what’s that footnote?

Wait, what?

Folks, it appears we may have notary fraud, on top of everything else! Anybody have bingo?

So on May 25, one day before the deadline, Mr. LoDuca filed his response. And oh boy, I hope ya’ll are ready for this.

Hey, what’s the name of that other attorney, “Steven Schwartz”? Where have I seen that name before…

...I ran out of room for images on this post. So I'm going to have to leave this as an accidental cliffhanger. Part 2 to follow once I refresh my tea.