#it's about the power balances with them
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ssaalexblake · 2 years ago
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Actually, you know what? Josh and Donna’s first kiss absolutely was always meant to happen with her fully clothed and him in his underwear and yes this is my hot take. 
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pinacoladamatata · 4 months ago
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blink and you'll miss it moments around skyhold....
#solavellan#solas#gotta put out some tender stuff to balance the chaos target team leader solas has caused.#look i just need to go feral in the tags for a moment#okay the fucking. what's he call himself? the great adversary of her people's mythology....falls in love w a woman being forced into a role#not unlike his own#i t makes me c r a z y#like at one point he's all ooooh we're elves need to make sure the humans trust us to ensure safety. gives them a castle......#then he's all ''ooh you cant change the way your legend is getting out of hand. might as well accept it''#but he disapproves if you lean into it/call yourself the herald.#he approves of you fighting against the status quo. encourages sera to sow chaos and has a VERY interesting convo w her about power#''what lop of the top?'' ''yes.'' ''well what's that do except make room for a new top to come and fuck it all up?''#at which point he fuckin STUTTERS and is like. oh fuck. you're right. my bad. and then he shuts up in quiet contemplation#he's clearly wrestling w himself. and Ohmygod the felassanstuff.#like the Guilt. the Regret.#haunting that fucking rotunda.#and yet he's so in love w lavellan if they go that route.#like clearly some stuff was missing/fumbled in game. but like#how he fuckin screams for the inquisitor at the well?????!?! OK BOI?!#im just. the dread wolf. great adversary of the dalish pantheon.#turns out to be some somber grim guy with a fatalistic sense of humor who hates tea and greatly values free will#pina art
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skyeoak · 8 months ago
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The main difference between Archives and Protocol so far is that the Magnus Institute was a tea workplace and the OIAR is a coffee workplace
What makes a person a monster? Tea
What makes a monster a person? Coffee
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luxaofhesperides · 10 months ago
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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?
He has no idea how his parents did it. 
Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 
Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.
That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 
This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 
So here they are. Standing in the empty living room of their new apartment in Gotham. 
Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 
Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.
It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?
Ellie smacks a small palm against his cheek and babbles lightly.
“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”
He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 
“Can you be good for five minutes?” he asks Ellie. 
She babbles again and smacks his shoulder.
“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”
Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 
He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 
This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 
He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.
He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.
Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 
“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.
It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 
A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 
It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 
Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 
Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 
Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.
He’s finally feeling more settled, energized from sleep and food.
In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 
. . .
Four months ago, Danny had hope. He was optimistic. 
Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.
He had just gotten Ellie to sleep. She was actually peacefully taking a nap.
And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.
They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 
“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 
Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 
“I know it was scary, but you’re alright. You’re always safe with me, El.”
Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.
The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 
“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”
“Hey, you alright?”
Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 
The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”
Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”
“I’m Duke, by the way. I don’t think I’ve seen you around here before.”
“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”
“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”
Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”
“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.
“I’m so sorry. That drive by woke her up and it’s really rattled her.”
“Hey, no need to apologize. I get it, Gotham is rough to kids.”
Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.
Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”
“Thanks. Um, actually, I might need help opening mine?”
Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 
“If I could just get my keys,” he starts.
“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 
Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 
“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”
Ellie babbles lightly, and Duke turns his head to futilely hide his grin.
He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 
“I can’t believe this. Betrayed by my own blood.”
Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”
“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”
“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”
“Family,” Danny says in a tired, fond tone.
“Family,” Duke agrees.
With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.
The key word being tries. 
Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.
“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”
Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 
She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 
“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.
Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”
“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”
“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”
“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”
Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 
As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 
It should make him nervous, but Duke is calm and easy going and kind. 
He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 
Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.
All he needs to do is take that first step, reach his hand out, ask Duke to stick around.
He can do this.
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akai-anna · 1 year ago
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Hattori Heiji: *effortlessly jumps over traffic barrier*
Kudou Shinichi: *leaping over the same traffic barrier and stumbling*
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romantic-ageru-yo · 3 months ago
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On one hand I'm kinda sad we never got to see the 17 & 18 fusion '35' they teased at a few times, because yeah they're already good at fighting in unison and would be perfect fusion candidates
But on the other hand I feel like their fusion would have twice the apathy they individually have, and just be like 'well I don't see why any of this is my problem' and not even help out xD
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gingermintpepper · 2 months ago
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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thephoenixcave · 4 months ago
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Edgar: This is my beautiful gorgeous angel who has never done one thing wrong in her entire existence ❤️❤️❤️
Also Edgar: this pile of lard has a warrant in three counties
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sciderman · 3 months ago
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Which do you prefer, Spideypool or Poolverine?
glances at my decade-long running spider-man and deadpool blog
...hm. good question. i'll have to think about th
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hyperfixatinator · 5 months ago
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DPxDC Headcanon: the title "King of the Infinite Realms" is misleading
Sure, there are indeed an infinite amount of worlds and dimensions across the multiverse. However, the name "Infinite Realms" is actually referring to the space in between said realms. The malleable borders that act as cushions to prevent all these realities from constantly colliding with each other. If you compare the worlds themselves to bones, then the Infinite Realms would be the cartilage preventing friction whenever they move.
So if Danny ever became the king of the Infinite Realms, he wouldn't actually have authority over whatever goes on within said realms. After all, each world has their own set(s) of afterlives and deities already taking care of that. No, Danny would only be in charge of that squishy, ectoplasmic stretch of space that portals need to punch holes through in order to cross over.
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undead-moth · 4 months ago
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
#The Bear#SydCarmy#I was like a casual fan of this show two days ago#and now seeing how little respect this show gets from it's fanbase I'm losing my mind#I mean I shipped SydCarmy before anyway but now it means so much to me#it means so much to see such a realistic and purposefully well paced romance take place#so many shows portray romantic relationships and their beginnings in ways that just don't really happen in real life#and this show very purposefully said no. These are characters who are strangers. who are working together. Who are in a tense environment#and each of them has problems - one of them the type of problems that makes developing new relationships pretty difficult#these two would not get together right away. It would take a long time. And there would be ups and downs.#And even when that's the case. Even if when it takes a long time and doesn't go smoothly and is hard -#it can still be beautiful. It can still be romantic. It can still happen and here's how#and I'm just so inspired genuinely. It is so difficult to write romance without being cliche and so difficult to write it in a way that#could actually happen in real life and I really do hope I can write something half as good some day#and then to know so many people have no appreciation for it at all#because they prefer the shows that have characters make eye contact a few times and then confess their love for each other like#it's just fucking sad. So sad that so few people have any appreciation for good writing especially the difficult of romance writing#like I really just don't even know what to tell you. In real life these two would not have confessed to each other yet. They would not have#kissed yet. They would not have even realized they have feelings for each other yet because those feelings would still be developing#and I also want to point out that given the disparity in power between Syd and Carmy in season 1 it wouldn't have been healthy for them to#get together much sooner. He was her boss. He was also her idol. Before they can even get together that needs to be balanced out.#And then on top of that don't you see the value in Carmy realizing the dream girl he's romanticized in his head - Claire - isn't actually#what he wants? Don't you see the beauty in him being disillusioned from that? And realizing that Syd is what he wants?#Don't you see the beauty in Syd having an idealized vision of what Carmy The Great Chef is like realizing she was wrong and that he's human#and flawed and then realizing - she loves him anyway? She loves him more for not being on a pedestal and for having his flaws?#Are you telling me that even thinking about this doesn't move you? Doesn't make your heart ache a little?#And again - ship and let ship - but what is Luca? What is Luca if not just what she was hoping Carmy would be when she wen to The Beef?#What is he if not just another man who she has not seen under pressure yet? Not seen reliving trauma yet? Not been her boss yet?#It's easy to look at him and think he's better than Carmy - and that's the point. That's the point The Bear is making.#It is easy to want someone you don't know. It's hard to want to someone you do know. But that's what love requires and that's the point
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cream-and-tea · 29 days ago
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oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,
#haven’t been able to write in days so i am posting instead. forgive me.#it’s just so. like. okay pallas has all of the material power here that’s not a question they’ve got much stronger magic they#know how the library works they’re directly placed in a mentorship role at the beginning re agnes she depends on them#for everything.#but also#pallas is very much Not Doing Well mentally (<- understatement of the century) and is pathologically incapable of processing their own#emotions related to this AT ALL. and in the process of trying very very hard to get to Know pallas (so pallas will Like her so pallas will#want to keep her alive) agnes kind of comes to understand a lot of pallas’s issues even better than pallas does and pallas starts to depend#on her for emotional support in a way they NEVER have with anyone else.#and pallas’s ability to show vulnerability has been soooo wrecked beyond belief that to them doing things like sharing part#of their backstory and being visibily hurt around someone is tantamount to placing a knife in someone’s hand and#then circling all of their weak points with a giant red marker while going ‘HEY STAB HERE’#so in their mind by doing this they’re giving agnes an IMMENSE amount of power over them like enough to kill them dead even though very#little else has changed about their dynamic. so pallas believes that they’re standing on much more equal ground then they really are#and agnes partly believes it too she thinks that by seeing this much of how broken down pallas is she’s finally found the balance in their#relationship she’s finally found a way to make it stable. and yeah. to some extent this is true!#pallas DOES listen to agnes more than any other person agnes IS the first person in years to understand them this much pallas’s dependence#on her for their mental wellbeing DOES give her some measure of power over them. but that power is given out on pallas’s terms is the thing#whether they’re aware of that or not. agnes wouldn’t have anything if pallas didn’t actively choose to be vulnerable with her there’d be#no way she’d learn about anything no way she’d get to play this role in their life#they believe that this thing is much more equal much more sustainable than it really is (pallas especially) and they’re#literally all each other have#grabs your face are you listening THEYRE ALL EACH OTHER HAVE IN THIS PLACE THEYRE BOTH IN SUCH HORRIFIC SITUATIONS AND THEY R EATING#EACHOTGER TO SURVIVE!!!!#head in fucking hands#wip: ghost story#pallas and agnes
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murdockhawkeye · 10 days ago
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this is *maybe* a bit of a stretch but i still find interesting to think about? don't know if i have everything right
but
i feel like with the elemental opposite duos - emma & rikki, cleo & bella - you could reasonably say their arcs'd mirror each other in a way
like
emma and rikki have issues with responsibility/expectations but on opposite ends of the spectrum
emma was a gifted child, everyone had high expectations for her and she tried to meet those expectations the best she could. she’s responsible emma, who makes sure everyone is looked after, and everyone “knew” was going to become a top athlete, because look at all those trophies on her shelf
and then rikki on the other hand, was alone for “her own good.” she admitted to elliot that no one really liked her growing up, so when somebody did, it made her feel weird and she pushed them away. she stayed away from other people, made sure they never had any expectations of her
they both avoided disappointing others, by going to opposite extreme lengths
and then they overcame these issues, with emma facing a sudden change in her life (becoming a mermaid) that meant she had to give up her swimming dreams and disappoint the people in her life (that had to suck for her, honestly.) she had to come to terms with that - but then, she also found a whole new world that she’d never have been a part of, if things had gone the way she planned
and as for rikki - her biggest change wasn't the tail, but becoming friends with emma and rikki. had she'd her way and zane’d never gotten cleo stuck on that boat, she’d never become friends with them. rikki had to learn the hurdles of friendship and of keeping them, like when she mistook the different kinds of fish, when cleo and emma didn't support her relationship with zane, etc. they had their issues - but in the end, they were there for rikki, and rikki was there for them back. she'd have never gotten that kind of solidarity, had things gone the way she thought it would
and then there’s cleo and bella
bella - unfortunately, didn’t have much in terms of development, since the writers prioritized will’s relationship with her over expanding her character background+ for some reason ??
so i'm just mostly going to talk about cleo here first - but i'll get to bella in a second
cleo by s3 is a very confident and self-assured person; but she didn't start out that way. she was insecure, somewhat naive. she grew up overshadowed by her two best friends, the both of them being gifted in their own rights - emma, the young up and rising athlete, and lewis the science genius, they were sure to go places. cleo, on the other hand, was overlooked. she didn't have much going for her - except for adequate grades and a love of the marine life that was hindered by her fear of water
and then cleo became a *literal* mermaid. either she was going to avoid it or overcome it. in the end, she didn't just overcome her fear of water, but she also took a risk by taking that job at the marine park, where she'd be working right by the marine animals. she let her fear control her before, and she wasn't going to let it stop her from wanting to pursue things anymore
(funny, she started out with a fear of water, then became a mermaid. she struggled with her grades, then became a science genius)
bella, much like cleo - had her own issues when it came to the kind of attention she got, but the other way around. her first appearance, she was being catcalled. same ep, nate is drooling over her. they've made her beauty a point throughout s3. even cleo and rikki's brought it up. it. could not have been easy for her to deal with that, especially with her secret in mind
seeing that, even with the different issues when it came to attention, i think they'd still have had the same feelings about it. a younger bella, probably would've been similarly insecure/anxious as cleo had been - until she learned to be more sure about herself and grew into the bella we know and love today
(we should've gotten way more lore and background about bella, agh)
tldr; emma and rikki have same feelings but opposite reactions (people pleasing and people avoiding.) cleo and bella opposite situations but same feelings (overshadowed and center of attention)
yk, rikki was right in a way i think about the "universal law," but like, more about keeping in balance and not about trios. emma and rikki balance each other out, cleo and bella were *meant* to balance each other out. but in s2, bella wasn't there - charlotte was
do i blame the antagonizing of charlotte and cleo's out of characterness on the writers, or do i blame it on some magical semi-canon mermaid universal law about balance
blaming it on a mermaid universal law sounds more fun, and could have interesting implications. (though the writing grates me, still)
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triglycercule · 26 days ago
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killer eating food in front of horror as a way to taunt him. duuuude do you see this delectable parfait he has in his hands right now. he just put a spoonful in his mouth. horror is scratching at his own arms right now (trying not to jump this bitchass). killer can't even taste it LMAOOO another bite ‼️ imagine not being able to eat food 🤣🤣🤣 killer can't even taste it and enjoy the food but horror can't even EAT food
then horror grabs the parfait glass out of his hands and oh killer you should probably teleport away before horror does to you what undyne did to his eye
#this SOUNDS mean but this is actually just their daily behavior. average horrorkiller interaction#the nice version of this is that killer eats the foods in place of horror#horror cant eat anymore but at least he gets to see someone else he doesnt mind eat. which is ok for now#however that's only a pipe dream for now we get horrorkiller mauling at eachother like rabid animals#something i like about horrorkiller is that they are NOT evenly matched at all#in kist i feel like dust could win if he gives like 400% but with horrorkiller????#NO DAMN WAY‼️💀 horror gives 400% and then killer just knocks him over again like a badly balanced figure#horror's strong but hes not strong enough to do anything to killer that he wont allow#which is just so funny. horror could have his original eye back and be at full power and killer just pins him down again#also people think that horror would hate killer for what he did in smthnew but it lowkey could be equal#like horror's rambling to killer about all the bullshit that happened in horrortale with queen undick and alphys the betrayer bitch#and then he gets to the part where he tricked snowdin into eating humans#and OBVIOUSLY horror's lying and trying to make himself seem innocent but killer's smarter than that#and after all that horror's just given this quick and barely discernable glance of contempt from killer#like MAN killing everyone is one thing but forcing them to eat humans?? that shit was so bad it made killer FEEL in stage 2 💀#it stings. horror doesnt wanna admit it (because WHY WOULD HE CARE ABOUT KILLERS OPINION!!!) but he's lowkey piiiiissed#its a mood swing but not one of those agressive loud violent ones. nah. horror ghosts killer#not that killer tries to get him to talk to him. he doesnt care enough. plus hes an eeeensy bit mad at horror too for what he did#i WOULD say horror gets over it but from what horrortale's shown he can hold 7 year long grudges. so erm#and thats why horrorkiller woukd never happen everyone! alright thanks for watching that's a wrap#you will never catch me talking about horrorkiller in a romantic way horror is an ARO man!!! he doesnt feel romantic attraction dare i say#and he'd rather die than be attracted to killer in any way anyways. and killer's just there. unlabelled uncaring unknowing king#killer doesn't have a stable sense of identity that just makes it even easier to slap a big ol HE DOES NOT CARE on his forehead#tricule rant#killer sans#horror sans#murder time trio#utmv#sans au#horrorkiller
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uncanny-tranny · 1 year ago
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Hey, you're being lied to about what fitness constitutes. If you can't work in an hour-long crossfit slog, but you can work in a five-minute walk, then that is still fitness. If you can't use your legs but you can do arm circles every now and again, that is still fitness. If you're moving around at work, that's still fitness. It can be intentional or incidental, but here's the best part: your body doesn't care if you're dedicating specific work-out times. It doesn't care if the "only" fitness it gets is your nine to five on your feet. It doesn't care, fitness is fitness is fitness. Some of us do it differently, but the end result is more or less similar.
If you can do any type of fitness safely, your body isn't going to care if you're doing it like an Olympic athlete or if you're just a casual.
#fitness#gentle reminders#i hate hate hate the idea that fitness must be done Intentionally and in a Hegemonic Way#like... fitness is whatever you make of it and whatever you do#your body isn't going to be like 'well you walked for fove minutes but you didn't do shoulder presses at the gym so it doesn't count 😊'#if you want more specific forms of fitness then SURE you might want to do more specific exercises and activities#but if your goal is overall movement for however much if your body then... you don't Need to be THAT specific#and your goals may be specific for only parts of your body and that's GREAT!#a wheelchair user may for example do more arm exercises so they can use a manual chair for instance...#...and to many people i've noticed they don't think it 'counts' because the chair user isn't using 'all' of their body...#...but it's like... using your arms in non-powered chairs can be really important so like. it's still fitness.#you don't actually have to equally focus on everything if you don't want to or can't#all this to say that fitness is Not hegemonic and you don't need to feel shame about what you do or don't do#even a tiny tiny TINY amount is significant and matters <3#this is definitely something i've gotten more passionate about since becoming a ~gym bro~#because you see just how different people are and what they want out of fitness#and it's taught me a lot more about my own disabilities and how i work with (and even against) them to find balance#this is what i love about those fitness video games too! because they're often made to be engaging and fun!#i LOVED just dance as a kid and that was fitness merging with video games (and i loved video games (still do!))#and i HIGHLY recommend people get video games like just dance or that one nintendo ring game because of these elements!#it combines the comfort of home with movement with engaging music/story/video game elements#and things like that make me believe in peace and love and care on planet earth <<3
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ghostclangen · 2 months ago
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moon one hundred seventeen - leafbare
augh dappledpelt :( i liked this guy quite a lot, they were a sweetie. but! midgeflight kits :") all's not bad for ghostclan.
honorable mention, since i'm trying to give my laptop a break:
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