#it's about choosing to stay

[mrs-remarkable]

The Remains of the Day (1993)

All Creatures Great and Small (2020)

“It's about the little moments, isn't it? That relationship, there's a sort of Remains of the Day element to it.”

- Jamie Crichton. (X)

[dykesbat]

help a palestinian doctor evacuate his three family members in gaza

vetted by operation olive branch (line 85)

$25,830 raised of $50,000 as of november 5

since this fundraiser has started back in early 2024, we've only managed to help fund the escape of dr moath and his mother, basma. three family members remain in gaza including moath's father and his two younger brothers.

please help his family. this fundraiser has been stagnating badly and i'm incredibly worried for yusuf, ahmed, and their father. we need less than $5000 in order to evacuate one of them. if you have any money to spare please please please contribute to this campaign.

[bobombun]

Great ESO choices

[vitreouspositive]

alright guys fun quiz time!! is megatron insinuating he knows that optimus' true feelings for him! or is he stating how he knows optimus would never choose him over the autobots...

[rystiel]

shipping chart thoughts

(billford always happens and they always break up. ford was obsessed when bill was his muse, then bill is obsessed after they’re no longer together and he realizes what he lost) (this dynamic is just canon, really)

(fiddauthor is always present at some point but in one route they end up together after canon events, and in another route fidd moves on) (it’s possible that they had a thing in college but consider it “typical college experimentation” because it’s the 70s and denial is strong. they still go through canon events)

(fiddlestan only happens during the fiddlestan route. otherwise canon events stay the same and they barely actually interact with each other. in the fiddlestan route they work together in the 80s and grow old together)

(billstan isn’t really romantic but it is a one-sided obsession. bill just can’t stop obsessing over the stans… for very different reasons…) (dare i say an unrequited kismesis dynamic?)

(ford and stan are brothers. that’s it. leave them out of the shipping dynamics.)

(fiddlebill isn’t really included here but i feel like the only way this would happen is if bill was possessing ford and wanted to fuck with fidd by using his crush on ford against him) (this one’s basically only possible if it’s fiddauthor-adjacent)

[surreal-duck]

strawberry sunset and blue piercings

[horsegirlhob]

The thing is I really do understand the raised hackles reaction to Mark leaving Gemma at the door but like. Do you really think innie Mark leaving and killing himself for his outie's emotional convenience, and Mark Scout getting to be with Gemma, and everything goes back to life as normal and Mark Scout never has to confront the choices he made or grow as a person or undergo any character development he gets to win grief no consequences he gets to take everything do everything on his terms and be an asshole all he wants and he's rewarded. You think that's better writing? Mark at the cabin constantly saying "I need her back I need to get her back" he's still acting like his grief is what matters, his wife, his Gemma, her in relation to him. The only way for Gemma to get out (which I'm glad she did) and for it to not undermine like, 80% of the rest of the show was for Mark S to make this choice. And if you're so concerned with Gemma as an independent character why is the only win condition for her that Mark goes with her? Doesn't it matter that she got out? Yes it's tragic and heartbreaking but tragedy and heartbreak are essential parts of the story. It's not like Mark and Helly are going to have a happily ever after here they're just trying to get ten more minutes.

[mohntilyet]

actually sorry dav reads like a game that was written by people who think da2 is about found family. in every other game my ending feels earned and my choices are my own and then veilguard asks the bold question what if we could bring the hr mandatory team bonding experience into a video game?

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[nibeul]

uncle aaron in spiderverse fucks me up so badly because here is a man who has done terrible, unforgivable things, and he loves his nephew very much

[galacticlamps]

To-Do List for Today:

1) Don't think about how alarmed Charles is when Edwin's straining against the mirror in 1.2, how he yells at him to stop before he 'rips his arm clean off,' or about how Edwin (almost uncharacteristically) has no retort at all to that but immediately composes himself

2) Also don't think about how, judging by the already-somewhat-unnecessary explanation Edwin provides in 1.7, Charles must be learning for the very first time that (at least some of) his 70+ years being Tortured In Hell consisted of a giant spider demon repeatedly tearing him apart

3) Especially don't think of those two facts in tandem--

ah damn I've fucked it up already, oh well I guess there's always tomorrow

[the-crooked-library]

I don’t think it’s a coincidence that Ellen’s sex scene with Thomas is weird, unsexy, frantic, fully clothed and disturbing, while Ellen’s sex scene with Orlok, literal corpse, is slow, detailed, sensual, and they are both naked. The juxtaposition.

exaaactlyyyy!! it's about the INTIMACY

regardless of how desperate both Ellen and Thomas may be to conform to their socially acceptable marriage (they're both distinctly queercoded, Ellen wants passion, Thomas cannot give it, both of them see each other as a duty), they still do not and cannot understand each other. Ellen, who comes from a wealthy but abusive home, cannot imagine prioritizing material success over love and connection; Thomas, who self-deprecatingly refers to himself as a "pauper," cannot imagine ostracizing himself so completely from the society that very easily jeopardizes the livelihood of anyone non-conforming. There is a distinct lack of intimacy between them, only partially breached by anger and confrontation; which is, indeed, illustrated by their fully clothed, aggressive scene. It is more of an argument than sex.

Ellen's death-wedding with Orlok is entirely different - as you said, slow, sensual, reverent; it centers their closeness above all. They cling to one another, both overcome with emotion (self-professed inability to love be damned), perfect living skin against rotting flesh; the visual implication here is that there is, quite literally, nothing between them. They know each other entirely, the flaws, the beauty, and that understanding is more important than their own life or death.

One is a sex scene that is actually a fight, the other is a lovemaking disguised as murder, and I am obsessed

[mobius-m-mobius]

-Julio Cortázar, from "Bolero" (trans. John Joseph Lyons)

Loki S2 Anniversary x Episode 2 - “Breaking Brad”

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[splinterclan]

surely whorlstar would let the kits see their mom??? why are they having to sneak around?

Kinda spoilers bc I'm gonna explain my reasoning behind this storyline

Main reasoning right now is that Bess has refused to join/stay near the clan and Whorlstar obv wouldn't want the kits leaving camp (esp with the Eagle attacks and other dangers). Not that she's been asked - Cedarheart hasn't spoken to her about the kits' mother since he brought them to the clan.

For her original reasons as well - Bess is living outside of clan life/the Warrior Code. She could turn her kits against Splinterclan's rules - like if she had rogue friends who wanted to hunt on Splinter territory, would she turn her kits against the clan and allow that to happen? Would she just get them to steal prey for her? Or herbs? What about just letting any rogue onto the territory who says they know her? Would a clanmate die because of a resource that was put to use outside the clan? Would the weakening of clan loyalty in some members cause the clan to fall to an attack? What if Bess got sick and that outside illness spread through the clan bc she wasn't quarantined?

It'd be wholly different if Bess was a known cat - if she had come to introduce herself to the clan and joined. But she didn't! And now Cedar is compounding that issue/worry by having his kids and himself sneak around and lie. When/if this comes out, I'm sure it won't end well.

[tategaminu]

Something about this scene shattered my heart into little pieces like‚ this has to be one of her saddest expressions yet. The way she must hate to leave him again and getting separated‚ and she knows he was ready to follow her but she couldn't let him choose her over Ezran‚ she wanted him to choose the duty of being his High Mage even if that broke her word about sticking together.

I think they should be glued together in the upcoming years, for their own good.