#it’s not my best work but it’s Work period!

[lmaonade]

there's no easy way to do this, but i need to ask for serious help. i recently started the process of getting dental work and my insurance does not help cover what i need done at all. thankfully the place i go to offered a discount on things, so it's not nearly as bad as it could be, but it's still not cheap by any means. here's a breakdown of what i'm going to ultimately owe

root canal - $800 firm quote

root canal filling - $250 estimate

protective crown - $800 firm quote

this brings my total without taxes to roughly $1800... i know this is an absurd amount of money to ask for, but i'm still out of work because of my disability, on top of many other struggles going on in life, things just will not seem to stop piling up. thankfully i've already had the root canal done, and my months of pain has been greatly aleviated, but this has added onto my debt in a way i cannot handle and i need to take the proper steps to make sure this process is completed properly so i don't have any further issues.

anything helps at all, especially shares. thank you for reading. i will do my best to update this post periodically

paypal

venmo: @radioaky

currently at 0 / $1800

[alastorthirsty]

Hooray For Makeup Sex! - Alastor x f! fallen angel!reader

Request: Hi! I recently read one of your alastor pieces & ohhhh my god! It was amazing. I was wondering if you would do something alastor x f!reader where they have an argument, add some angst, some fluff, some heavy heavy smut? Almost like alastor begging for reader & wanting to do anything for her to forgive him ?? Just a little idea. :) thank you so much for your wonderful work!’

Hey nonnie! I’m absolutely thrilled to fulfill your request. I hope this hits the mark! Let me know if it does! 😘

Word count: 6678

Warnings: established relationship, breakup, angst, fluff, Alastor is a very jealous and possessive but also in love man, thigh riding, (angelic) bloodplay, vaginal intercourse

Please like, comment, and reblog to sustain me! Let me know if you'd like to be on my tag list and remember that requests are open!

‘Sorry’ is not a word in Alastor’s lexicon. He stares at the heatless green fire in front of him, whiskey in one hand, the other tapping against the arm of his chair.

That was Charlie’s unsolicited advice, a rehash of old material. It starts with sorry, Al.

Well, he stubbornly doesn’t believe he’s in the wrong to begin with, so why should he go and grovel at your fucking feet?

‘Sorry’ is not a word in Alastor’s lexicon, and that’s that.

He throws the whiskey across the room suddenly, with such force that the crystal crashes into the opposite wall, forcing him to look at it.

Oh, it’s luxurious. A four poster bed with a white linen canopy. A mattress that adjusts itself to your whims, night by night. Silken sheets in the exact shade of your favourite colour. All of it for your benefit and yours alone—for fuck’s sake, he doesn’t even sleep! He doesn’t need to sleep, he just needs…

Alastor stares at the bed, imagines how he’d sit next to you as you slumbered, glancing over at you occasionally for the sake of your comfort and security. He remembers how you’d snore lightly and how he would push hair out of your face as you snoozed. He remembers smiling…

He remembers smiling.

He also recalls other little activities the two of you got up to in this bed, satisfying a hunger he’d never known before you, but that isn’t something he craves anymore. That’s what he tells himself, anyway.

‘Sorry’ isn’t a word in Alastor’s lexicon, even though… even though…

It needs to be.

He sits there thinking of everything from the beginning. The day you first met, all those mysterious luminous creatures floating along, moving your furniture past the lobby. Your soft and kind smile, the one that sickened him at first. That damnable dress you wore the first time the two of you hit the sheets, and how fun it was to rip it off your body. The way his shadow always tried to steal feathers from the wings of your shadow. The first time you yelled at him for that.

He thinks of where things went wrong, the man that caused that incredible din, but the only thing he can think of, if he is finally honest with himself, is himself. His own jealousy, his controlling nature, thinking he knew what was best for you. That was what sparked the argument, wasn’t it?

It his fault, certainly, but ‘sorry’ is not in Alastor’s lexicon, period.

The lilies are still on the bedside table. They are dried, desiccating, the little leaves and petals falling onto the surface. He had gotten the lilies to say ‘sorry’, in his own way, but you never did come back to his room.

He lays back on the bed and plucks a dying lily from the bouquet, keeping it in his hand. It's not difficult to imagine you there beside him, your arms wrapped around him as he presses his face against your shoulder, and oh, that’s when it really hits him.

Your scent. He remembers it so well that he smells it now, a phantom chased by nothing. His eyes close and he rolls until his head meets your pillow, breathing in your scent deeply.

‘Sorry’ is not in his lexicon, but goddamn it, there are lilies.

What would it take, what flowers would fix things, if lilies were not enough? Pink roses? White orchids? Tulips? A hundred dozen daffodils, flooding the entire hotel?

Alastor notices now how his hands are shaking at his sides. He clenches his claws into fists and closes his eyes, breathing in your scent again. The best thing to do is to incinerate the pillow, the bed, the lilies…

No, no. His jaw tightens. No, that would be the easy thing to do. Not the best, or even the smartest. It was the cowardly thing to do.

‘Sorry’ is not in Alastor’s lexicon, but he’s no fucking coward.

He can almost hear your voice in his ears, whispering his name with such sweet affection. He remembers your laugh, a sound like music to him. A laugh reserved for him and him alone. Something special.

He's never needed anyone else's company before. He never bothered with the emotional needs of other people. You’re the only person he's ever cared for, the only person who has ever truly meant anything to him. He feels weak and vulnerable over your absence. He doesn't like feeling like this, but you’re the one woman that can break down his walls.

Alastor doesn't like needing you, he doesn't like letting you have this power over him. But at this moment, he doesn't care. He'd give anything to just hear your voice again, even if it’s just to yell at him and tell him to fuck off.

Again.

The sound of your voice, the way you looked into his eyes, your little imperfections that only served to make you all the more perfect in his eyes. He remembers how your lips felt against his skin, the soft warmth of your touch.

He doesn’t like to need you, but he does love it.

He opens his eyes, clutching the now withered flower so tightly that all but a few brown petals fall from the stem. He stares at it for a long moment, trying not to let the memories overwhelm him. A green fire erupts from his palm, scorching it first, then turning it to ash. He stares at it, the lightness of it in his palm.

He's always had such strict control over himself, even under stress or grief, but not anymore. Not when it comes to you. You’ve always been able to cause feelings of weakness and helplessness within him. He hates himself for feeling this way, but at the same time, he can't bring himself to hate you. No, never you.

He closes his eyes again, imagining you lying beside him. You would have wrapped your arms around him and pressed your lips to the side of his neck. Sometimes, you’d start leaving the tiniest of kisses down his neck. It would make him shiver, it would make him…

Just like that first night when things turned physical. Your hands would always find a way under his shirt, running your fingers over the muscles of his chest and stomach, your fingers tracing reverently over his scars.

He can almost feel the softness of your skin, the warmth of your body.

Alastor sighs in consideration of his current position. One of, if not the most powerful Overlord of hell, lying in a bed he does not need, pining after a fallen angel who once (admittedly, accidentally) broke a horn off his shadow. He breathes in your scent again. A fallen angel who made his mama’s jambalaya for him. A fallen angel who was never once intimidated by him. A fallen angel who created life, “along a certain slant of light”, as you put it, most of them visible only to you, except for shimmers of light, like oil on water.

A fallen angel who wouldn’t speak to him even if he said sorry.

Alastor sighs, sits up, holding her pillow like a child holding a fucking teddy bear.

“Fuck.”

He smacks himself on the forehead and drags his hand down his face.

“Fuck.”

He says it again, getting a taste of the word, the pride of it in its coarse formation and meaning.

Alastor sighs, holding the pillow, looking at the bouquet of dead lilies. “Fuck.”

He wants to feel the softness of your lips again. To feel the warmth of your skin, the press of your body against his. But more than anything, he wants to hear you laugh again. He wants that beautiful smile back, the smile you give to him and only him.

But he doubts that will happen. You’ve probably already moved on from him, and honestly, he wouldn't blame you for doing so. Well, that’s a lie.

He knows he's difficult, and demanding—sometimes too demanding. You’ve always been far more patient with him than anyone else, but even that has its limits. And he's certainly pushed those limits.

You’re probably in the arms of some other man right now, maybe even him, laughing as he whispers sweet nothings in your ear. You probably don’t even think about Alastor anymore.

‘Sorry’ may not be in his fucking lexicon, but like hell he’d ever allow another man into your bed, and certainly not…him.

Alastor makes sure he’s impeccable before riding the dark to your room. He decides it would be a rather stupid idea to appear inside your room without permission, so he settles on the hallway and knocks on your door.

“Come in!”

The sound is muffled, and he feels the sharp need to lecture you on not checking who is at the door before letting them in, but he refrains. He turns the doorknob and walks into your room for the first time in a while and finds you—

Down on the floor, halfway underneath the bed.

“This seems like a cliche pornographic film,” he comments as he shuts the door.

Herbert, the only one of the little light creatures that he can see, floats towards him.

You try to sit up right when you hear Alastor’s voice, banging your head. You get out from under the bed and stand up.

“Herbert, leave him alone,” you say.

“Nonsense! Hello little creature,” Alastor says to the glowing bastard he had tolerated at best before the breakup. He summons up an apple for the mischievous little son of a bitch to snack on and Herbert quickly zips away with it, disappearing under the bed.

“How did you know that being stuck is a porn cliche?” you ask, sitting on the edge of the bed, your arms crossed. “Been watching a lot of it lately?”

“I think you know that I have not,” Alastor says, leaning forward on his staff. “We just so happen to live with an adult film star who tries to pull the ‘help me I’m stuck’ routine on Husker at least twice per week. What were you doing under the bed, darling?”

“Herbert! He’s been stealing from me,” you say. “I knew I didn’t lose those emerald earrings you gave me. I found those and then some in his little nest under the bed.”

He can’t help but swell with pride. One of his favourite things to do was present you with gifts and he loved seeing them on you every time.

“What do you want?” you ask, and that deflates him a bit.

Alastor takes a breath, his chest rising. “I need you to instruct me in something.”

“Go ask literally anyone else.” You open up the door, gesturing for him to leave, but with a bit of boldness Alastor flicks the door closed again.

“I’m afraid there’s no one better to ask than you, my dear.”

You sigh, pinching the bridge of your nose. “Alastor, I broke up with you so I wouldn’t have to deal with things like this anymore.”

Alastor pauses for a time. Honesty tumbles its way past his lips. “You are all that I love.”

The room goes silent, save for the sound of Herbert cronching his apple.

You give a sigh, a pained expression on your face, one that he hates to see. All of him wants to go to you, but you wouldn’t want that—not yet.

“Goddamn it,” you whisper. “Is that what you needed instruction for?”

“No,” he says immediately. “No, loving you needs no instruction.”

You let out a breath. That’s all you can do before your head is in your hands.

“My dear, may I sit beside you?” Alastor asks after a moment’s silence.

“Oh, fuck you!” You stand up and circle around him once. “Fuck you, Alastor!”

His eyebrows rise. “That is not the response that I anticipated or desired.”

“Oh it’s not?” you ask mockingly.

He’s never seen you act like this before, and it is surprising him. An unseen variable, one that choked him. His grip on his staff increases.

“My dear, I sense that you still harbour quite a lot of animus—“

“Shut up! Shut up!” You pace back and forth the length of the rug, also a gift from him. “Fuck you! Fuck you for saying the right things the wrong time!”

Alastor takes a chance and sits down on your bed, watching you closely. “Do you want more earrings?”

You immediately go to your armoire and start throwing jewellery at him. He’s quite literally stunned by this behaviour. Herbert comes out from underneath the bed and snipes a few rings.

“Darling.”

You say nothing, you just keep throwing things at him.

“Darling.”

“Just take it. Take it all back. Give it to someone else.”

Now he looks offended and straightens his posture. You run out of jewellery to throw at him.

“You know there can be no other,” he says, somewhat angry. “You know I’m not capable of having any such enjoyment with anyone else. You are all I love and all that I desire to love. All I can love. There’s none but you and nothing will ever compare, never come close. Do you understand?”

“Then keep them for yourself. Or let Herbert have it all, enable his fucking kleptomania.”

“They belong to you and you will have them. Every last jewel.”

“Alastor, you shouldn’t be here,” you say.

“That is a consideration I undertook before coming.” He leaves his staff on the bed and goes to you. “I need your instruction.”

“On what?” you snap.

He lets out a deep breath. “How many lilies will it take to be forgiven?”

You stare at him. “What the fuck are you talking about?”

“Forget the lilies then,” he says quickly. “Just disregard the matter of florals altogether. What token is needed?”

“Token?”

“It doesn’t need to be a physical object, not a coin one inserts into a slot in exchange for heroin or soda,” he says quickly. “I am explaining myself poorly. I’ll be truthful and direct, if you will allow me.”

Your arms cross again, a defensive posture. “Okay.”

“I need you. I don’t know how to be without you anymore. It’s maddening. I find myself missing you in all these vacant spaces that were not vacant before you. You created space in me that only you can fill, and now it is…empty. You made me this way, and it is your fault,” he says quickly. “And what am I to do, now? Accept that I am now empty? Accept that I will walk through eternity alone, with all this space within me, space that you and you alone can occupy?”

“And you hate it, don’t you Alastor? And you hate me for it.”

“I considered that,” he admits. “I tried to insist it to myself, that I did not need such adulations and that I didn’t need you, specifically. I tried not to need you, but your absence insisted upon you. I do not hate you. Nothing could force me to feel that way, not myself, not you, not Herbert.”

“Herbert?”

“Correct. Herbert.”

You sit down beside his staff, touch the microphone knowing you were the only person ever allowed to do so. You sigh. “I love you, too. And just like you, I don’t know what to do with it.”

“I know exactly what to do with it,” he responds.

“Yeah?”

Alastor nods. “We just…go back to before. Move forward. But together. I would sooner die than see you with another man.”

You lift a warning finger to him. “You’re not helping yourself.”

Alastor huffs. “It is the truth. You value honesty as well as I do.”

Now you scoff. “You deal in subterfuge, not honesty.”

“Not with you, and you know that,” he says, pointing at you. “I am a flawed man, but I’ve given you my very best. Better than I thought I had capacity for. Can you truly say that it was never enough?”

“Of course it was,” you say softly.

Alastor sighs and sits beside you. He thinks to put an arm around you, but manages not to.

“You are so used to getting everything you want,” you say. “You have the power to get whatever you want except me.”

He winces. “Please do not put it that way, darling. Please don’t say…we’ll never find a way. Please.”

Slowly, you reach over and touch his hand. When it curls together with his fingers, he places his other hand firmly on top, squeezing.

“Four hundred.”

He waits for you to explain, but you don’t.

“Four hundred what, dearest?” he asks.

You look at him and smile. “Four hundred lilies.”

Alastor snaps his fingers and four hundred lilies arrange themselves in vases on top of every surface in the room. Smelling them, Herbert whooshed out from underneath the bed and floated all along the flowers, playing with the tiny white bells in a way that Alastor could admit might be considered ‘cute’ by others. He looks back to you.

“Do you want to count them all, darling?” he asks.

“I don’t need to,” you say softly. “I feel like I should tell you something.”

“I do not like that,” Alastor says immediately. “I do not like the sound of that. Is it him?”

“Don’t bring this full circle to the last argument,” you warn. “There is no other man. I just thought…you really came in here and said things that I didn’t think you could. You really laid it all on the line and I feel like you deserve the same from me.”

Alastor nods along slowly. “No other man?”

You shake your head. “No other men. Will you stop? Will you please stop? Will you let me talk now?”

“I suppose,” he says, pulling you closer. He settles so that his head rests against your chest. “I am listening.”

“It’s not exactly easy for me to open up either,” you say before clearing your throat. “There’s a wealth of differences between us but similarities that are significant. We both struggle with making space for other people in our lives and typically won’t.”

“That is true,” he says, fingers running along your shoulder.

You start to play with his hair, the fuck-ass bob you only came to love because it was his preference. You’re tempted to touch one of his ears, but now’s not the time for that.

“Sometimes it’s simply hard to believe that there’s this perfect person that really…loves me,” you say softly, quietly, almost wishing that you hadn’t.

Alastor tightens his hold on you. Neither of you could handle personal vulnerability quite so easily, but yours makes his heart clench. “Do I make you feel…less loved when we argue over other men?”

You sigh. “Alastor, it’s not just an argument about men, it’s you basically calling me a whore—“

“No, I didn’t,” he interjects quickly. “No. I have never called you that or thought it of you. You are my favourite, my treasure, my prize, and I would never think so lowly of you. Never, not in all of eternity until what you call ‘the inevitable heat-death of the universe’. I would argue that heaven and hell are a different universe but that is yet another argument we should never cross again.”

“Agreed,” you say, nodding your head. “Just like the argument about—“

“Horses running on their fingers, I know.” Alastor can’t help the fondness in his smile. No matter how heated the arguments, the passion between the two of you manifests itself in all ways possible.

You smile back at him and decide to take the chance to kiss him again. Just once. Just to show him he was still loved, cherished, longed for. It was only right.

Alastor cups the back of your head to keep you there. Fuck once, now that he’s gotten to kiss you he chooses to interpret it as carte blanche to take as many as he wants. Damn, how he had missed this…

You gently remove his hand and pull away. “I’m not done speaking.”

“Apologies,” he mutters.

You nod and continue. “I want to be the one you love. I want to be the only one you love, just as much as you want to be the only one that I love. You just can’t treat me like a soul that you own.”

Alastor’s eyes widen at that. Had he really…?

He looks you dead in the eye. “If I ever do that again, correct me with a good slap.”

You shake your head. “No. I won’t lay my hands on you with anything but affection and…shall we say, intimacy.”

“Intimacy,” he repeats, and almost moans then and there. It has been…too long.

“I know,” you say. “I know.”

“Will you ever be…comfortable with the idea of it again?” Alastor asks.

“I’ve practically undressed you with my eyes since you came in here.”

He goes to make a move but you rebuff him once more, sitting up in the bed. “The fact remains that I am hurt by you when you start questioning me about the attentions of other men, attentions that I do not notice more often than not, if they exist at all. Especially not from him. I keep telling you, he does not look at me that way, he doesn’t think of me that way.”

He nods several times in thought before sitting up beside you, turning to face you. “I am afraid.”

Your eyes widen. You’ve seen him express all sorts of emotions in front of you before but never, not once, had even alluded to fear.

“W-why?” you ask with a bare whisper.

“I’m not a good man, and you know that. You know what I do almost better than anyone else. You are too good for me, therefore I fear another man will come along, catch your fancy, and leave me with the choice of either killing him and devastating you or simply languishing in my own self-pity. Why are you so far?”

(Obviously he would kill the other man.)

Alastor drags you into his lap and you give no resistance. He holds you tight, intending to never let go, not now when there was a chance.

You lay your head on his shoulder and breathe him in. You’ve missed his scent, too.

“I’m not too good for you,” you mutter against his neck. “And I won’t hear of it. Understood?”

He smiles begrudgingly. “Fine. You will have it as you wish, my dear.”

“So,” you say. “What now?”

“Move forward,” he says again. “Be with me again. Allow me to present you with jewels. I will…continue to put up with that little abomination eating the lilies.”

You gasp and look towards Herbert. You clap your hands together loudly. “Herbert! No! They might be poisonous to you, and besides, they’re mommy’s!”

Alastor can’t help himself but laugh. “Mommy’s, you say?”

“I made him, I’m mommy!”

Maybe…maybe it was possible. You’re not a sinner, after all, and Charlie does exist…

Maybe he can give you fawns, bond you to him for all eternity, heat-death of the universe be damned.

Alastor chuckles, lets that thought slide by (for now). He whisks the lilies away before the little bastard can make himself sick and throws another apple at him. Herbert gasps softly, takes it, and back under the bed he goes.

“See?” Alastor says. “I am suitable.”

You smile at him softly. “Promise?”

“Yes, dear. I do promise. There are many things I can’t. We will continue to argue over pointless things, that’s already in the cards. We will bump heads and piss each other off. I will be jealous, I will certainly be possessive, but I will never express it to you in a way that makes you feel like a harlot. And I will try not to over-analyse every interaction with him. Perhaps I will never express it at all, that would be best, I know…

“And I will fail. And you will, too. We will have our… fuck-ups, as you often call them. However, for all the fuck-ups we ever had before, not a moment passed when I did not know that I loved you. You created space in me, made my lungs full. I cannot be without you now, and I think you…I think that you are the same. I hope you are the same.” He pauses. “Please, darling.”

You kiss him, and in that he understands your acceptance of this. Of him, his words, the explicit and implicit promises. Words were difficult sometimes.

He grabs you tightly and rides the dark to his bedroom, to the bed he made for you.

You break the kiss with an air of incredulity. “You know I hate when you shadow whoosh me!”

“And you know I have exactly one rule about where we are intimate.”

You sigh. “Not above Herbert’s nest.”

“Indeed. Not above Herbert’s nest.”

“And who said anything about being intimate?” you ask, a hint of mischief in your eyes.

He smirks. “There she is.”

“Tell me what you want to do to me,” you say.

He grins, his eyes burning with a dark, sinful desire as he responds huskily, his lips against your ear. “Ah, my love, I want to do everything to you. I want to touch you, taste you, explore every inch of you until nothing exists to either of us except each other. I want to hear you moan and gasp my name, to make you feel things you've never felt before.”

You give him a wicked smile. “We should do that.”

He grows in agreement, his eyes burning with need and desire as he responds in a low, guttural voice. “We absolutely should. We will. I’m going to explore every inch of you, to make you feel things you've only dreamed of. Are you ready for that, my love?

He pulls you so that your back is snug against his chest, not a bit of space between your bodies. His clawed fingertips run from your knee all the way to your hip. He can hear that little gasp you try to hide, can feel that little shiver. The hem of your dress hiked up, his hand moves to cup your mound. He smirks to himself when he feels you rub against it.

“Be a good girl,” he murmurs against your ear, lips brushing against the shell of it. He rubs against your underwear for a few moments, allowing you to rock your hips against his hand, and oh, there it was again. Control. Control over you, the greatest prize of all, and you gave it to him so willingly.

His hand slides his hand inside your silken undergarments easily—ones that he bought for you. It’s gratifying as hell, almost as good as feeling your slick folds against his fingers. He blunts his fingertips and rubs against you.

Alastor’s teeth catch on your neck and he’s more than tempted to bite down, but not just yet. You moan and he relishes it.

“You like that?” he murmurs against your ear. “You love it, don’t you? Being a good girl for me.” Alastor uses his free arm to wrap around your hips to stop you from moving. “Now, be very good.”

You give a soft little whimper when he won’t let you move anymore, knowing you’re at his mercy when he’s in a mood like this. Fingers slide inside of you, his thumb rubbing over your clit.

“Be still, and be quiet,” he instructs, smiling against your ear.

He can sense the struggle almost as soon as he says it. That little tremble in your thighs. The hand that shoots up to cover your mouth.

“Oh, no dear,” Alastor says, pushing it away with his free hand. ”Don’t test me again. No cheating, no tricks. No magic, no power. Only me.”

Listening to you trying to contain all your little sounds is priceless. Alastor knows how to play your body like a Stradivarius. His fingers move lower, deeper.

“Who makes you feel like this?” he asks, sucking a dark mark against your neck.

You’re not sure if it’s a trick or not until his little ministrations pause, causing you to whimper again. “You!”

“Atta girl,” he says affectionately. “You’re so wet for me.”

He chuckles, his breath warm against your skin, his chin rubbing against your neck as he kisses and teases you. "My love, I can feel. You like it, don't you? You like how I can make you fall apart in my hands, helpless to my touch."

He bites your neck softly, his teeth scraping against your skin.

You take a few shaky breaths. “Am I allowed to speak now?”

Alastor pauses, as if deliberating, and the lack of movement in his fingers is excruciating. Your pussy throbs at the loss, clenching around them, and you’re near the point of begging.

“No,” he says momentarily. “No, you are not allowed to speak yet. Good of you to ask, darling, but now is the time for you to listen, not to speak. Now, stand up.”

Confused, you manage to get up from his lap and stand one rubbery legs before him. Your eyes give the inquiry your lips cannot.

Alastor parts his knees wide and pulls you to straddle one of his thighs.

Oh!

Your cheeks warm and your jaw opens slightly. You almost shake your head, but Alastor reaches for your chin and holds it between his fingers. With his other hand, he grabs one of your hips and forces you to start moving, the grind against your wet, clothed pussy causing you to gasp.

“I’ve missed you in more ways than one,” he says, slapping you on the ass to encourage to ride his thigh on your own.

“It was my own fault, I know that,” he continues, and places both hands on your hips to support you as you move. “I was insane with jealousy, yes, and that is also my own fault. I cannot tolerate the mere notion that someone else would get to see you…like this. You are so very beautiful, darling. You are so very, very much mine.”

He could never let anyone else have you. He knew that he never would. Surprisingly, his possessive words seem to make you grind harder against him, your hips working more quickly. Alastor welcomes this with a grin.

“Ah, my dear.” His hands move from your waist to your ass, squeezing, making you moan for him again. “Don’t worry. I’m not going to let you fall. Come for me.”

Still unsure if you’re allowed to make any sound, you bite down on your lip hard, your eyes on his when a little golden rivulet drips from your poor, abused lip.

With a growl, Alastor lunges at you, though you are still in his lap. You fall down to the rug and he’s on top of you, licking up every trace of golden blood. Nothing could ever compare to it, he’d once said, and it turns him feral every single time he sees it or smells it. He kisses you, gently sucking at that tiny wound until it closes way too soon and his fist pounds the floor in anger. He raises his head, looks at you, and you roll your eyes.

“Okay, okay, but in bed,” you say.

Alastor picks you up quickly and tosses you onto it. He takes off his coat and throws it across the room. His bow tie is next, but you hold your hands out.

“Wait!” You say, reaching for him. “The shirt is my job.”

He grunts in his feral state, but he allows it, and soon his shirt is off and on the floor, forgotten.

“Where?” he asks raggedly.

“Where do you want?” you ask with a shrug. “This is your thing, but I’m happy to oblige. A bit. Not enough to make me dizzy.”

Permission granted, Alastor falls on top of you and goes straight for the jugular, literally. Just some sharp teeth and bam. He was drinking golden blood straight out of your neck, and you gave him the extra sensory delight of playing with his ears while he did so. He’s moaning, again and again, and you can feel how hard he is, pressed up against your body.

Eventually you decide he’s had enough and push his head away gently. Alastor kisses you instead, still giving animalistic energy, and rips away every article of clothing that separates you.

You can taste your own blood on his lips.

Somehow in this state Alastor remembers that he told you to come but didn’t let you and he quickly works to remedy that. His fingers enter you again. He knows your body well, he knows how to make you come in moments and you do, your legs shaking uncontrollably. Alastor finally leans back to look at the wreck he’s made of you and he smirks.

He holds one of your thighs against his waist and enters you fast, all at once, and the pace he sets is equally feral. Any time your blood came into the mix he truly could not help himself. His strokes are hard, deep, enough to make your knees wobble.

You hear him take a deep inhale and look up at him.

“My darling, the way you react to me, the way you react…Fit so perfectly, like your cunt was made just for my use.” Alastor bites at your neck again, but he won’t try to draw blood.

You grab one of the pillows and put it underneath your hips. This was an especially careful operation, considering how he was pounding you, but it tilted your hips and allowed for a more delicious angle.

Alastor’s clawed hand grabs your other thigh and squeezes hard. “What do you think, darling? Do you think this pretty little pussy was made for me?”

You nod several times, finding it harder and harder to catch your breath, but he’s without mercy this time. “Jesus…”

“Not an acceptable response, dearest,” he says with a little groan of exertion. He squeezes your thigh again. “Now, I believe I asked you a question. There’s only one correct answer, so give it to me.”

The sheets twist beneath your hands. There’s a decision to be made. Be forthwith and tell him yes or tease him until he’s out of his right mind.

“Damn it, darling,” he says impatiently.

You smirk. Let the teasing begin. “I don’t know.”

“What?” Alastor’s claws on your thigh almost drew more golden blood.

“You asked if my pussy was made just for you,” you say, your words coming out through pants because of his force.

His antlers grew larger, longer. His glare was menacing. His voice was dark.

“Then I suppose I must show you.”

The bed began to shake, and his tone shifted.

“Ah, my sweet darling, what I want to do to you right now is beyond description. I want to feel your softness, your warmth, your very essence against me, writhing under my touch. I want to take you, claim you, make you mine completely, with no doubting.”

“And how will you do that?” you ask playfully.

His hands grip you tighter, pulling you completely against him. He leans in, his lips trailing along your neck, his voice a low, dark growl in your ear.

“How will I do that, my sweet darling? I'm going to make you feel so good, make you scream from the pleasure of it. I'm going to kiss you, and touch you, and taste you, until you're so lost in pleasure you don't remember your own name or where you are.”

Your breath comes more and more harshly. “Did you soundproof the room?”

He gives you a look of pure incredulity. “Of course the room is soundproof! These precious little moans and gasps, they’re all mine, understand? Only I get to hear them, they belong to me!”

“Yes, yes!” You gulp for air.

“You do things to me, darling,” he says, “things that drive me absolutely wild. Your touch, your scent, your responsiveness, it all makes me ache and desperate for you. And you know it, don’t you?”

“I do my best.” You wink up at him. “Out of curiosity…what do I smell like?”

Alastor growls. “Ah, darling, you smell simply divine. I can't get enough of your soft, sweet scent. You smell like honey, like flowers, like the fresh air of a sunny day. It's intoxicating and completely addictive. I can't get enough of it, and I can't get enough of you. There will never be enough.”

“Keep me,” you whisper.

“Oh, darling,” he says. “Let there be no doubt in that. Yes, you're all mine. Mine to touch, mine to kiss, mine to have. I'm going to make sure you never forget that, darling. You're mine. Do you understand that?”

His hand comes up to gently squeeze at your throat, a warning.

You swallow, knowing he could feel every movement, and nod. “Yes, Alastor! Yes!”

His grip on your throat softens somewhat. “You just love to be under my control, don’t you?”

“I love being at your mercy,” you say with a moan.

“Is that so?” There’s a grin on his face that presses against his voice, dark and velvet. “And why is that? Tell me.”

Your eyes flutter closed. “Because I’m the only one safe at your mercy.”

“You’re right about that,” he says, pushing your thigh higher against your chest. “Look at you. Hair all mussed, lip swollen, bruises on your throat. And I did all of it. Tell me, darling. Tell me.”

“You did it. You did all of this to me, you’re the only one I want…”

That was what he truly wanted to hear, you knew. His jealousy is a problem and in all likelihood will continue to manifest itself, but at the root of it he just wanted to be the only one you had an appetite for. He fucks you harder and harder until you start screaming for him.

“Yes, yes,” he says, rubbing at your clit now. “Go on, make all of those beautiful, lascivious noises for me…”

You huff and gasp for breath. “Alastor, please, please let me come!”

He chuckles. “Yes, darling. That is the goal.”

When it hits you, you gasp first. Your hips grind against his, moving through it, along it, until it’s just too much—

But Alastor doesn’t stop. He holds you down, fucks you harder, draws it out for as long as he can. He smirks down at you as you shake for what he is doing to you—for you. His thumb circles your clit one last time before he’s finally merciful.

“So tight for me, darling,” he says, sucking the words between his teeth. It’s almost more than he can take, and he knows that it’s coming fast. He just…he needs something first.

He speaks in a gentler tone now, watching the bulge in your stomach move as he fucks you. “Darling…"

You’re still gasping for breath. “Yeah, honey? What is it?”

“Promise me that I’m…enough.”

“Enough?” You laugh, a raspy sound. “You’re too fucking much.”

Alastor lets out a gravelly moan, its intensity changing the pitch. You could almost swear that you can feel his cum inside you, all white and hot. When he finally stops moving, he leans against your thigh, chasing his breath.

“Bravo,” you say, putting your arms around him when he lays down beside you.

"I thought perhaps I had pleased you," he says, shuddering when you rub the base of his ears.

You laugh softly, breath finally caught. "Reconciled?"

Alastor nods. "Indeed. We are reconciled. If...you'll have me, anyway."

"I think that I will," you say, and from the corner of your eye, you see something on the wall and sit straight up, pointing. "That son of a bitch shadow of yours is stealing my feathers again!"

The smiling spectre flaunts his new feather and cuddles closer to your shadow. Maybe they were reconciled, as well.

[cordycepsfem]

Putting. Periods. Like. This. Doesn't. Make. Your. Sentence. Better. It just makes you a dick to blind people who use screen readers. But carry on, teen hero giving a speech in one of those Divergent movies or whatever.

If the oppression caused by gender is despicable, why do you have a gender identity? Why even continue to participate in the system at all?

What are you "identifying" with?

I didn't misread "trans women are women." It's literally y'all's rallying cry. Can trans women ever be female? Can I, a female person, "identify" as a trans woman? No? Hmm, then it seems like it's something only male people can do.

No, I'm not "cis." I don't use any terms to describe myself that relate to gender (a concept first popularized by a pedophilic, incest-supporting scientist, John Money). As stated previously, I don't believe in gender. Please respect my beliefs.

"Woman" is not "from gender." You need to do some research before you try to go this hard, because this is sad. Woman, up until recently, has been understood to refer to adult female humans.

I'm allowed to state things on public posts on the internet. Stating "trans women are male" isn't hatred nor is it an opinion, it's literal fact. You agreed with me by saying that "someone who was born as a boy" can stand with "her sisters." You barged onto my posts with your big emotional appeals, making it your business. You can feel free to stop any time you'd like.

I do support trans rights. I don't believe in the Christian god, but I'm not going to stop Christians from meeting, having churches, and remaining free from oppression. Similarly, I don't believe in gender, but I support trans people remaining free from oppression, building community, and solving problems that are important to them. Where I stop supporting is where any of it, religion or gender, crosses the line to remove any of my rights or the community I belong to... or when trans people demand that feminism do the bulk of the work for them.

Also, if "trans" is the word that describes you best, you need a personality and some hobbies. That's so fucking sad.

"Trans women are actually women for real, not in a metaphorical sense, not in a "anyone can be anything" sense, but genuinely actually make more taxonomic sense to classify in the category of women than any other group" is a position you'll find is pretty radical even in queer spaces

[angelltheninth]

Daily Dose of Vitamin D

Pairing: Zayne x Fem!Reader

Tags: nsfw, smut, experimenting, cum swallowing, blowjob, flirting, praise, cum shot

Word count: 0.5k

Ko-Fi | Rules | Fandoms and Characters

A/N: I'm on my period, that means I'm in feral mode. Fuck...

As one of the best doctors around you took Zayne's word as gospel when it came to your health. He would never steer you wrong, he deeply loves and cares about you like the caring and smart boyfriend that he is. Right? Yes. But... this... you knew this wasn't the way to get vitamin D. Yet Zayne insisted that it was a new method that he came up with and wanted to do a little experiment to see if it really worked.

It was a stupid excuse. "Zayne, for such a smart man, you sure do come up with the silliest of lies."

"And yet you're opening your mouth." Why, yes you were because you were looking for an excuse. His big tip pushed your lips open, guiding the throbbing length into your mouth, down your wanting throat. "You'll have your fill. I'll make sure of it."

You choked out a "Yes," around his cock an tilted your head back so he could push his balls against your chin, completely trap you between his legs. With nowhere to move your head you were at his disposal, his to use. Zayne's eyes softened for a moment when he looked at you, your pupils blown out and lips so tightly sealed around him.

They made the perfect slippery ring, so soft.

He moved back then slowly back in, relishing in your dawn out groan. Your hands pressed into his hips, tapping your fingers and letting him know he doesn't have to take it slow.

"A perfect test subject. So willing get a throat full of my cum. Aren't you lucky to be my girl? My good girl." Zayne rose on his knees then roughly back down, making your eyes water at the rough intrusion. He moved up and down, almost riding your face, your moans barely choked out, mixing with wet gurgling sounds and the sounds of his balls smacking against your chin.

You couldn't let him do all the work. You were never one to be lazy for him. As his cock pushed in and out you circled your tongue around the tip, making it twitch, his cock getting hotter, salty cum dripping from the tip.

Zayne pressed his hands on the wall, his biceps flexing, relaxing, his hair falling over his face as his cold expression began to crack into that of pleasure. Seeing his pulling his lip between his teeth and saying your name in that low tone made you suck him even harder, and you made damn sure he both heard and felt it.

What you felt moments later was his warm, gooey cum flooding your taste buds, being fucked deep down your throat. Thick webs of it connected his cock and your lips, his cock still twitching and shooting little drops across your mouth, cheeks and breasts.

"I feel even more tired. Your experiment failed." You commented with a cheeky smile as you kissed his cock. Zayne slicked his hair back, easy with the sweat on his forehead, which made him look more handsome then he already was. "Do over?"

"In a few minutes." Not even he could get hard again instantly. "Let me write this down first. We need to have notes to compare." Of course, this was an experiment after all.

[sematarygirls]

      BOYFRIEND!RAFE x DEPRESSED!READER

WARNINGS .ᐟ depression, rafe gives reader a bath, but it's not sexual, fluff, the teeniest bit of angst if you squint at the beginning

NOTES .ᐟ this isn't my best work, but i'm writing it more for comfort than anything else, and i wanted to post it just in case anyone out there is also struggling and could use it <3

Something was up, and Rafe could tell. You were usually so clingy, wanting to spend every moment with him, and he was not complaining by any means. He loved having his girl at his side, showing her off at every occasion, but it had been almost two weeks since he last saw you, which was so very out of the ordinary.

You would answer his texts at first, always coming up with some excuse for why you couldn't see him. First, you were sick. He offered to come over and take care of you, but you'd insisted that you didn't want him to catch whatever you had, so he eventually acquiesced and settled on checking in on you periodically.

But then, your responses slowly became more and more infrequent. Rafe was at a loss. Had he done something to upset you? Why were you being so cold and distant? He couldn't think of any fights you two had recently. Everything seemed perfect until you started pulling away out of the blue.

He texted you to tell you he was coming over, but you hadn't seen it by the time he showed up at your house, all but pounding on the door. He was a little angry, very annoyed, and more than a bit jealous. Were you with some other guy in there? Is that why you hadn't been answering him.

Those feelings immediately dissipated, however, when the door slowly creaked open and you peeked out. Your hair was tangled and greasy, haphazardly thrown up and out of the way. You had dark circles under your eyes and a small frown on your face, your brows pinching when you saw him.

His expression softened as he softly murmured your name. You stepped back, allowing him inside, and he shut the door behind him, his eyes never leaving your disheveled form. "Baby, what's wrong?" He asked gently, approaching you like he would a skiddish animal.

"You shouldn't have come," you said quietly, your gaze downcast. You were embarrassed that he was seeing you like this. The whole reason you'd been avoiding him was so he wouldn't see this part of you—the part that struggled to get out of bed whenever a major depressive episode hit.

He ignored your words, stepping closer and tilting your chin up, so he could look at you. "Talk to me, sweetheart," he coaxed softly. "Is this why you've been dodging my calls and texts?"

You nodded slowly, feeling guilty. You hadn't meant to ignore him, but texting people had become a chore as of late. You couldn't bring yourself to do it, to have to explain why you were acting so off. You just wanted to shut out the world and wallow in your misery.

He sighed, his thumbs coming up to caress your cheeks gently. He hated seeing you like this. He wanted to fix it. He wanted to take away all your sorrow and make you happy again. "Why didn't you tell me, baby?"

"I just- I didn't want you to see me like this," you said softly. "I look like shit. It's gross and pathetic..."

"Hey, don't say that shit about yourself, alright?" he said firmly. "You're beautiful, always, and you're not pathetic. You're going through a hard time and that's okay. I'm here for you, baby."

You looked up at him, your eyes glistening with unshed tears at his words. He was so gentle, so understanding and patient. He was perfect, and you were... you.

He leaned down, pressing a soft kiss to your forehead. "I'm gonna run you a warm bath, okay? Gonna wash your hair and get you all cleaned up."

"You don't have to do that," you said quietly. You didn't want to be a burden, for him to feel like he had to take care of you just because you were dating.

"I know that, but I want to, alright? Just-Just let me take care of you, yeah?" He stared at you expectantly, waiting until you gave him a reluctant nod before he took your hand and pulled you toward the bathroom. "Sit," he ordered, pointing to the lowered toilet seat.

You complied, sitting and watching him as he turned the water on, testing the temperature with his hand and adjusting it until it was just the way he knew you liked it before he flipped the drain stopper. He poured in some of your favorite scented bubble bath, waiting for the water to fill the tub.

He turned back to you, kneeling down to take your hands in his. "Okay baby, let's get you undressed and in the tub, yeah? I'll wash your hair for you."

You chewed your lip nervously, looking at him with uncertainty. You were hardly in any shape to be perceived by anyone, let alone your perfect boyfriend. You couldnt remember the last time you shaved your body or did any personal grooming for that matter. You'd just been so physically and mentally drained as of late.

He cupped your cheek, gently using his thumb to pull your lower lip from your teeth. He hated when you did that, always saying you were ruining your pretty lips. "You're always gorgeous to me," he reassured you. "I don't care what you look like. Right now, I just wanna take care of my girl, alright?"

You hesitated but nodded. "Okay," you said softly. You knew he was just trying to help, and you also knew you desperately needed your hair washed before it reached the point of no return. You'd hated how bad you'd let it get, but you couldn't bring yourself to even attempt the attention and effort that detangling and washing would entail.

With careful movements, Rafe helped ease your shirt over your head, revealing your bare skin to his gaze. His expression was non judgemental, his touch reverent as he helped you out of your clothes. "You're doing so good, baby," he murmured, his words soothing the nerves that were bubbling in your stomach. "In you go," he said, once you were finally out of your dirty clothes.

You stepped into the warm bath, the hot water and calming smell helping you relax a fraction. You pulled your knees to your chest with a soft sigh. You were so sensitive and vulnerable in that moment, and Rafe's kindness made your chest tighten and your eyes mist.

He smiled softly at you, the picture of a loyal, caring boyfriend. He would do anything for you. "There you go, sweetheart. Gonna feel so much better after a nice long bath." He knelt beside the tub, running his hand over your hunched back soothingly for a few moments.

He let you get adjusted and relaxed before reaching for your hair tie, gently pulling it out and revealing your tangled hair. You closed your eyes, waiting for some remark about how you need to take better care of yourself or how your hair was a mess, but it never came. "Alright baby, let's get this pretty hair washed for you," was all he said, his tone soft and comforting. "Can you lean back for me?"

You nodded, unfurling yourself from your curled up position and leaning back, letting your hair soak up the water. "There you go," he murmured, making sure your hair was thoroughly wetted before helping you sit back up straight. He reached for the conditioner, coating your hair in an ungodly amount and running it through the strands as best he could to help soften your hair and make it easier to detangle before grabbing a wide tooth comb. "This might hurt a little, baby. I'm sorry, but you'll feel so much better when we're all done."

He worked meticulously, starting at the ends and slowly, carefully working out each knot and tangle, murmuring soft apologies whenever he hit a bad one that tugged at your scalp. He had experience with this kind of thing, having helped Wheezie with her hair a lot when she was a kid. He was so gentle and patient, making sure he didn't pull too hard.

It made you grateful because if you were doing this yourself, you already knew you would've gotten frustrated and started practically ripping your hair out as you roughly yanked the comb through your hair until you were in tears.

The fact that he regarded you with a tenderness and compassion you didn't even award yourself made your heart swell with love, but it also made guilt tug at you. This was the man that you'd been ignoring—this man that was so attentive and loved you so much.

"You're doing so good, baby. I know it hurts, but you're being so brave for me. I'm so proud of you," he said gently, continuing to work through your hair. He didn't show any signs that he was getting frustrated or annoyed, he just continued to hold himself with pure adoration and care for you.

His sweet words made tears well up in your eyes. You didn't understand how you could ever deserve someone like him, someone who loved you completely and unconditionally. His words of assurance were something you'd desperately needed to hear after weeks of listening to your own brain demean and demoralize you.

"There we go, sweetheart. All done. You did so well," he praised you gently as he finally finished up, running the comb through the last of the tangles. He helped you lean back, rinsing the conditioner. He made sure to get all the excess product out before helping you sit back up, reaching for the shampoo bottle.

He squirted a generous amount onto his palm, lathering it in his hands and applying it into your scalp. He washed it out and applied more until it started to froth up, signaling that your hair was finally getting clean.

"I'm sorry," you said quietly as he worked the shampoo into your hair, his fingers massaging your scalp in slow, soothing circles. You felt guilty for a lot of things, for ignoring him, for making him spend his time on you like this, for being this way in the first place. Your brain had convinced you that you were a burden on everyone around you, and you hated the thought of Rafe having to put up with you when he could have any other normal girl.

His hands stilled in your hair, and he tiled your head so you were looking at him. His expression was serious, deadly so, and for a moment, you thought he was mad at you. "Don't. Don't you ever apologize, okay? You've got absolutely nothing to be sorry for. You understand me?"

You nodded, his words and actions meaning more to you than he could ever know. He always knew what to say, what to do to make you feel better. He made you feel important and loved, and you needed that, especially right now. "Thank you."

His gaze softened, a gentle smile spreading across his handsome features. "You don't need to thank me, baby. Caring for you is the easiest thing in the world. I just wish you could see yourself through my eyes—so beautiful, inside and out."

After throughly massaging your scalp, he washed out the shampoo, applying a final layer of conditioner to ensure your hair stayed soft and retained moisture. "Do you wanna wash your body, or do you want me to?" He asked gently. He wanted to make sure you were as comfortable as possible, and if you would be too embarrassed with him touching you like that, he respected it.

"I can- um- I can do it," you said quietly. He had already done so much for you already, and as much as you loved being doted on and cared for, it didn't erase the nerves and insecurity that were swirling through your mind.

"Okay, sweetheart. Take your time. I'm right here if you need anything at all," he reassured you. You washed up and rinsed the conditioner out of your hair, the water uncomfortably cold by the time you were done since detangling had taken forever.

Rafe was ready with a towel by the time you were finished. "Come on, baby, let's get you out. You're probably freezing," he said, helping you up and wrapping the towel around you, rubbing the material against your skin to help warm you up before grabbing a separate towel to help you dry off your hair.

You let him take care of you, drying you off before steering you to your bedroom to get dressed. He knew your drawer set up by heart, having helped you put your clean clothes away more than once. "You really don't have to do all that," you mumbled, watching him carefully choose some comfortable, clean clothes for you.

"I already told you that I want to," he said firmly, plucking out your favorite pajamas. "Now, we're gonna get you dressed and settle in on the couch because we gotta get you out of this bed. It's not good for you to stay in it all day," he told you, helping you into your clean clothes. You felt a little silly being assisted getting dressed and undressed, but you were so appreciative that he cared enough about you to help you like this.

"Sorry for the... mess," you said, wincing as you glanced around at your dirty room. It looked like a disaster area, and you only just now seemed to clock how bad it was.

"I already told you to quit apologizing," he gently scolded you. "We can clean it up later, together, but right now, we're going to go watch some TV and get some food in you, okay?"

You nodded, mustering a small smile. "I love you, Rafe," you said, wrapping your arms around his waist and burying your face in his chest.

"I love you too, baby, so so much," he murmured. His strong arms wrapped around you, pulling you closer to him as he rested his chin on the top of your head. You inhaled his scent, a smell that was distinctly his and always seemed to calm and relax you, his tight grip on you serving to ground you in that moment, reminding you that there are people who cherish you even in your darkest days.

tags .ᐟ   @starkeysprincess / @cometmultiverse / @iheartjjmaybnk / @all4l0vee / @kissesfrmriri / @xoxohoneymoongirl / @bradshawed / @fallbhind / @rafeslittleangel / @bakugouswaif

[cupidsdolll]

pairings: best friend!Harry x fem!reader

summary: Y/N's having a bad day and who better to help than her best friend

word count: 2.2k

authors note: hi hello!! here’s something that’s been sitting in my drafts for a whileeeee while i work on chapter three! :) hope you enjoy!!

TW: for a mention of self harm but the only thing she does is pinch her arms over and over again, please read with caution or don’t read if it triggers you or make you uncomfortable. i love you❤️

----

Y/N’s always been such a happy person, always there for all her friends, always having a smile on her face and making sure her friends are okay. She’s always been that one friend that no matter what time it is, she’ll always be there to lend a listening ear and provide the needed solace. 

She’s always been that friend that’ll give the ones she cares about the last of her anything, always willing to give the last of her money to help a friend in need, willing to give the clothes off her back if it was necessary. She’s just a giver by nature. She’s always been the friend to go to whenever you need advice, always taking care of her friends, giving them whatever’s needed. 

Because she’s grown to be able to mask her emotions, it’s hard to tell whenever she’s not able to fully give as much, whenever she starts feeling down and gets in her head. No one notices as she starts becoming quieter, smaller, less. 

She very rarely has bad days, her sunshine personality weeding its way through the dark clouds and allowing her to smile and laugh her way through the day. It’s easy to forget why her day was bad when she’s around friends, but it’s especially easy when she’s around him. Her best friend, her right hand man, her everything in a sense. 

Her and Harry had become friends when she stumbled into him and spilled her tea all over his cream flared pants and she over-apologized until he laughed it off and rubbed her head gently. After that, they became inseparable, always attached at the hip. They were close, close enough to where whenever they were out by themselves they were constantly asked how long they’ve been together, they were constantly mistaken for a long term couple. At the question, they’d both blush softly and deny the question by laughing and shaking their heads as they smile and say they’re just friends. 

They’ve always been just friends and neither have entertained the thought of becoming more, not seeing the point of appeasing everyone else as long as they were happy. He’s always noticing her, takes in the small details and keeps them all in a special folder in his brain and his heart. 

He notices how she’ll sway lightly in her seat whenever she’s happy, he notices how her nose scrunches whenever she genuinely laughs, he notices how she never leaves without a hug and ‘I love you’, how she puts her hand over a sharp corner when her friend bends down to get something, how she makes sure to never split the pole and to always give a little snack to any cat or dog she sees on the street. 

He also notices when she starts distancing herself in conversation, how her lip will quiver and her eyebrows furrow the tiniest bit when she’s upset but can’t sneak away, he notices that when she starts playing with her rings that means she’s in her head or she’s uncomfortable, he notices how her glossy eyes will lose the light in them whenever she’s having a bad day. He notices things that she doesn’t even notice in herself and he prides himself in knowing her so well. 

She’s his complete other half, his soulmate, he can’t imagine his life without her and refuses to even think about that. He can just feel whenever her energy shifts ever so slightly and he’s always been there to help her. 

But he knows that when she has the bad days she prefers to deal with it alone, she’ll start excusing herself from the friend group when she’s asked to hang out. Her most used excuse is she’s on her period and her cramps are just killing her, and he knows that’s when it’s bad, when her pain is at its worst and she can’t bother to attempt to mask. 

Her body aches, she can feel the pain rooting itself deep in her bones, she’s tense as her muscles scream at her. Her bloodshot eyes sting painfully as fat and heavy tears stream down her pink cheeks, her lips chapped no matter how many times she licks them. She can feel her head pounding and throbbing from how long she’s been crying, her throat sore and tight as she hiccups. 

Her arms are beginning to form a slight hue of red and she can feel bruises beginning to form as she pinches them quickly, trying to distract her mind from the intense feelings of her own emotions flooding through. The muscles in her stomach are tense and uncomfortable at the amount of heavy sobs and pants that flow through her body and out of her plump lips. 

She can’t remember what triggered all of this, her brain too fuzzy to even remember if she grabbed her list to ground her. As she cries and screams into the empty space, she can feel her lungs expand as she breathes, she can feel the light touch of her loose tank top brush lightly against her skin, she can feel the loose strands of hair brushing against the back of her neck. 

She feels as if she can’t breathe, it feels like her bedroom is caving in on her, the small room only seeming to grow smaller and smaller as her breath gets stronger and shaky. Her hand scrambles around her messy bed, searching for the list containing ways for her to calm down and a shaky sob racks through her body when she realizes she can’t find it. 

She closes her eyes tightly as she brings her knees to her chest and wraps her arms around them, burying her face into her legs she can’t help as she shakes her head. She doesn’t know how long this has been going on, how long she’s trapped herself in her room, but she hopes it’ll be over soon. 

She grabs her phone from her beside table and with shaky hands she unlocks it and clicks on her messages app. She quickly taps on the conversation she’s looking for and attempts to write out a message. 

——

Sweet Girl: H, can u come over please

She doesn’t have to wait long for a response from him as her phone dings a couple seconds later.

Haz: Of course sweet girl. Do you need/want me to bring anything for you? Some food maybe?

Sweet: Girl: if u want, just want you rn

Haz: Ok bug. I’m gonna get us some food and then I’ll be over. See you soon x

Sweet Girl: kay, thanks H. love u

Haz: I love you sweet girl, just try to breathe for me, I won’t be too long and I’ll use my key so you don’t have to get up. 

——-

As she tries to focus on her breathing, attempting to take slow and deep breaths, she wipes her face to clear away the tears on her cheeks. She sniffles and wraps her arms around her torso gently as she lies in her bed, the soft material and warmth from her cover enveloping her and makes her smile softly. 

She’s only able to enjoy a couple moments of peace before another painful sobs rack through her body. She sobs into her pillow, the pain searing through her body as the tears stain her cheeks.

She hates this, she hates not knowing why she’s so upset, she hates everything to do with her bad days. She wishes she was able to ask for the help she needs but she’s so much of a people pleaser, she can’t bear the thought of not being there for her friends when they need her. 

A soft knock at her bedroom door jolts her gently from her thoughts. She quickly tries to wipe her face from any tears and snot streaks before telling the person to come on. Her door squeaks softly as it opens and his face appears in the small space. 

As he walks into her small bedroom, he smiles sadly at her in which she returns the favor. Her eyes light up just a bit when she spots the brown takeout bag with her favorite Mexican restaurant logo printed onto the cheap plastic. He leans down and kisses her forehead before sitting down on her bed gently and placing the bag next to him. 

“Hi” she whispers and he smiles 

“Hi, feelin’ any better?” He says and she nods 

“Not really, thank you for uh coming over” she says as she leans her head on his shoulder.

He hums softly as he wraps one arm around her shoulder and squeezes once. 

“Y’know m’always gonna come. You don’t have to thank me. Wanna talk about it?” He asks gently and she shakes her head lightly.

“Not much to talk about, dunno why it happens. I just get really sad out of nowhere.” She closes her eyes gently as she relaxes into his hold. 

He nods in response and they sit in silence for a couple minutes before he reaches over to the bag and holds it out to her. 

“Here, you should eat it before it gets cold.” She smiles in response as he nudges her hand with the bag. She thanks him quietly as she grabs the bag from him, smiling bashfully she begins to open the bag and the styrofoam box inside. 

As she eats in silence, she’s not able to eat as much as she normally would. She takes a couple decent sized bites before she begins to move the food around. 

“M’gonna put this in the fridge, I’ll be back.” He says quietly as he makes a way to grab the box, she sighs softly before looking at him. 

“Sorry..” he shakes his head in return.

“Don’t be sorry lovie. M’proud of you for eating as much as you did.” He says before walking out and setting the box in the fridge before walking back to her room. 

As he comes back into her room, he hums a soft song as he makes his way to her bed and wraps his arms around her, squeezing tightly. He kisses the top of her head before whispering into her ear. 

“M’so sorry you’re feelin’ like this lovie. But you’re not alone okay? You have so many people who care for you and love you.” He can hear her sniffle softly and be squeezes her once. 

“Not your fault Haz. I know I’m not alone but I don’t wanna burden anyone.” She says and he shakes his head.

“You’re never gonna be a burden. We want you to be happy, be okay, we want you to not have to suffer alone. All of us worry about you, it’s okay to ask for help, angel. We’re not gonna judge you.” Her quiet tears slowly become louder as he speaks, she shakes her head and he rubs her back.

“It’s okay not to be okay. It’s okay to cry. It’s okay to be in pain. It’s okay to ask for help. It’s okay to accept the love you give out, angel. You give and give and give to everyone else, and I know you don’t give yourself the love and energy you deserve.. let us love you how you love us, let us help you. Let us care for you. We’re not gonna judge you sweet girl.” He says and she grabs his t-shirt tightly before sobbing into his chest. 

She can feel the tears streaming down her cheeks and wetting his shirt as she cries into him. She can’t find it to be embarrassed at how loud she’s being and how she looks, not with his hand rubbing small circles on her back and how his words have sparked a sense of warmth in her stomach. She can feel it fluttering throughout her body while he whispers all these soft and sweet words in her ear. 

She can’t remember how long she’s been crying, and she goes to move away from him and he stops her. 

“Y’okay now? You don’t have to move if you’re not ready yet.” She nods before scooting closer to him, their thighs mashed together and her head resting on his shoulder as he rubs her shoulders softly. 

They stay like that, sitting in the comfortable silence for a while before she yawns softly and catches his attention. 

“Y’tired?” He asks and she nods 

“Sorry you spent your day with a crying mess.” She says with a sad chuckle.

“You’re my best friend Y/N. I’d gladly spend however long with you no matter if you’re sad or happy. As long as you’re okay, I’m happy. Want me to stay with you tonight?” He asks and she shakes her head. 

“Uh uh, go have fun with your other friends. I think I’m okay now. Thank you for everything H.” She says as she squeezes him softly before moving to the head of her bed and getting under the covers. 

“Text or call me if y’need anything angel. I mean it.” He says and goes to tuck her in, resulting is a soft giggle to breeze past her lips.

“Okay, dad. I love you.” She says a smile playing on her lips as he leans forward and kisses her forehead.

“I love you sweet girl. Sleep well and have sweet dreams.”

[lemonisntreal]

TONE DEAF :: Rosita and Norman <3

The first in a [hopefully] series of redesign + headcanon posts where I give you my take on a character for my AU

I'm grouping the two together because a] a lot of fluff headcanons I have, they share [because they're literally husband and wife]. And b] if I made an individual post for every single character, I... would go insane. So yeah. A bunch of characters are gonna get clumped together.

[FULL MASTERPOST HERE [yet to be made <3]]

HEADCANONS // BACKSTORY ⬇️

Me and the bad bitch I pulled by being autistic [also autistic]

Both of them are the same age, mid to late thirties.

In terms of general intelligence: Rosita has gifted IQ, while Norman is at genius level.

I know. I know Norman seems kinda dim in the movies. But guys [LMAO]. "I know it looks like there's nothing happening behind those eyes, but...... he can make entire computers!"

He's so smart yet so stupid. He's that kind of character. Like he can do all of this super impressive shit, and is super talented and can do math like BOOM done, but he's also kinda a "deer-in-the-headlights" when it comes to life [I LOVE HIM 👹]

Both of them worked hard and have their college degrees almost completely paid off at this point because of the scholarships they earned.

Rosita has a degree in engineering, Norman's a computer scientist.

They're both in STEM, it's just that Rosita likes to handle more of the mechanical aspects of things while Norman's better with the technical stuff, which I think is cute af.

Yin and Yang <3

This dynamic is just how they are too. How they act. Like for example, Rosita can be very to-the-point-

She's very much a problem solver and will get right to it once she understands what she's doing. Like yeah, she often takes a very methodical approach to it [see the scene where she's got all the papers laid out to try and learn to dance- very new territory for her], but once she learns, she gos all in. And EATS.

Norman's gotta have a plan before doing anything, meanwhile. He has a morning routine that can't be interrupted or else his whole day and mood will be thrown off. He reads through a recipe twice before even starting. That kind of stuff.

He's a lot more hesitant to even try.

A lot of people find Norman boring. But Rosita is enraptured by every word he says, she LOVES his long spiels about hyper-specific [and often mundane] things.

AAAA--

Norman is also a closeted DORK. He ran a tabletop games club in highschool with a couple other of his geeky ass friends [he's still into D&D to this day and has introduced Rosita to the game too]

[she's fun to play with, but super competitive. This goes for ANY game, actually, not just D&D. She'll kinda accidentally turn everything into a "contest" due to her inability to not do her very best] [it's mostly inspirational, not annoying, if that makes sense?]

I also wanna say Norman was in a weird amount of drama that he didn't want to be in at this time. Like all of his friends had falling-outs, and he was just always caught in the middle of it.

He's afraid of confrontation [UNLESS IT'S FOR HIS WIFE] [HE STANDS UP FOR HER RAHHHH] [this is gonna happen when I get to rewriting Sing 2, he's NOT just gonna take Crystal calling his WIFE "mommy pig"]

They're sooo "excuse me, he asked for no pickles"

Norman and Rosita technically met in high school, in Junior year when Norman first moved to Calatonia.

WHICH, he and his family did this because this was a point in time where laws having to do with the rights of animals were VERY flimsy, and Calatonia was one of the first and only safe places at the time-- for Pigs especially, actually.

The 3 Little Pigs is deadass CANON TO SING. So Pigs were/are actually a marginalized species in this universe.

[[during the warring period that I have yet to really talk about, they were often victims of the anarchy and poaching, so stigmas and insults around them still exist to this day]]

[[[[see Jimmy Crystal]]]]

So anyway, they "met" in high school- Norman totally crushed on Rosita from afar whenever he'd catch her in volleyball matches-

Rosita had a major tomboy phase throughout high school, slowly falling out of it during college [still only saves dresses and skirts for special occasions really]

[[Fun fact, Rosita is also sapiosexual [attracted to intelligence] [Roxanne Ritchi ahh] ]]

[[Norman is bi]]

They actually got introduced to eachother and had a proper arc when they went to the same college [which might've been a college in Redshore actually? But I'm not 100% sure on that headcanon. It would line up since Rosita's "wanted to perform in Redshore since she was a little kid" and Redshore is obviously a massive city with a lot of notoriety. Idk though- and it's not really that important to the story anyways]

Norman and Rosita had plans together- they were gonna make it big and live freely. Things were looking up with the lawmakers, who were finally repealing a bunch of nasty stuff that was put in place during the war times. And the two had hope that their dreams could actually be accomplished.

Rosita, who was originally gonna play it safe and become an engineer, was now thinking about attempting to become a performer [which Norman has supported since the beginning, he LOVES her singing, and often tells her that she's "better than some of the people I've heard on TV!"]

But. Life got in the way...

Present day, Norman works in Redshore at Crystal Enterprises. He's the head of some sort of organizational team- not really working on what he loves at this point.

And this is because of their children, who were a very sudden appearance in their lives [which is why we see so much struggle in the chaos at the beginning of the movie in this AU]

Rosita stopped everything, and Norman grabbed the first high-ish paying job he could, spending all his spare time on clocking in overtime hours.

The kids are all adopted, and there's only 6 now: Oldest Caspar [13], twin boys Mickey and Moe [11], middle child Kelly [9], little bro Freddy[8], and Zoey the sweet baby sister [6].

They became foster parents after the death of Rosita's sister [this hc is kinda subject to change, but this is the story rn. I'll specify on this later ☝️]

So Rosita's kinda put her life on hold for these babies. She's such a great mom to them, and they love her and Norman so much

But some of the older kids [Caspar specifically] are kinda in a rough phase since they feel like she resents them [which she doesn't], or that she isn't their "real mom" [which she IS]

This is like an E plot in the story, but definitely's gonna get at least a little bit of focus.

Rosita and Norman's marriage is falling apart just a little bit due to burnout, but it'll get better <3 [I can't do anything tragic to these two they're too sweet]

Norman snuggles up to Rosita in his sleep. Rosita starfishes LMAO

They wake up entangled. This is normal.

"Pig piles" are also a thing- there have been several nights where all six children "had nightmares" and so the family of 8 all slept in the same bed.

Norman has the best bond with the two girls out of all the children. They immediately latched onto him to be their level-headed dad.

Rosita can carry two kids at once easily, and often "relocates" them like this :>

She's probably the strongest out of everyone in the troupe if you don't count the potential Meena has. She solos.

She's constantly taking notes on everyone and everything around her. At the theater, you'll catch her tidying stuff up she spots out of the corner of her vision while you're having a conversation with her [she's still listening]. She knows everyones favorite foods, and allergies, and their preferences in things, etc. She's the most attentive and considerate out of all of them [the mom]

She may have a touch of OCD.

She gives the best hugs.

Rosita is also a FANTASTIC cook [not even a headcanon, I'm pretty sure the entire fandom agrees on this one] and often bakes stuff for her sweet-toothed children [and husband]

This is actually how she initially connected with Caspar, who refused to eat or speak at first when they were all placed with Rosita.

Cinnamon rolls.

Kelly will only eat the frosting off the top, and has ruined an entire pan before by doing this.

Rosita actually isn't the biggest fan of chocolate, small detail.

Idk why she just strikes me as not being an enjoyer.

Loves vanilla though. People are furious when she answers "vanilla" with zero hesitation to the chocolate vs vanilla question.

Norman is kinda a hopeless romantic, or at least really enjoys the aesthetic of it [in a sweet and not shallow way ofc], and goes all out every Valentine's Day: balloons, flowers, the works. He's learned that Rosita prefers strawberries over a box of chocolates, however. Has a tradition of getting a fruit basket for her <3

They also have a tradition from all the way back in college, where they go out to eat at specifically the in-universe equivalent of Olive Garden [which was the fanciest thing they could afford at the time] and eat a shared giant plate of spaghetti.

Norman loves coffee. Insists he likes it black but actually prefers a good 50:50 ratio of creamer and coffee.

Norman is also ☝️ lactose intolerant LMAO

[[or would be, if traditional milk was widely accessible/a thing. I say "lactose intolerant" but what I really mean is he's allergic to most milk substitutes- like nuts and soy [gives him tummy ache, not anaphylaxis] ]]

God, parenthesis are carrying me so hard rn.

Stopping here because I'm tired, but I could go ON about these two omg-

Normita forever rahhhh <3

[blankspacesys]

🍄- Started as a "Feeling Blank but I have a multiverse in my head so I'll call myself Blankspace online" and devolved into a nickname of Blankets, which we adopted as our actual system name

🐙- "*Sigghs dramatically* I miss my boyfriend 💔 I can merely hope he notices me thinking about him :cryup:" -Ghost in our discord , 10/02/2024 at 2:12am

🎉- Our favorite holidays are the smaller ones spent with people we love

🌙- Yes! We have a Spectral Subsystem that consists of Ghost, the host of the subsystem, and a TON of others, some never fronting, and some that can front with Ghost as seperate

☕️- Switching can vary greatly. We could take days, or an instant, to have a switch. The ones that take days are the worst kind

💫- Most of us engage with art and writing, and DnD! Some are better than others

💾- Our current headcount is estimated 25+

👻- Yes, some of us speak in different tones and voices compared to others! Lotus has a lighter pitch, emotion driven voice. Wit has a very flat and blunt manner of speaking. Al has an accent

🎨- We all do in one way or another! We were raised by an artist

🥀- Splitting only happens under extended periods of stress, so only every couple of months I would guess

🦖- We have a fairly even split between brainmades and introjected fictives, with some nuances

🎵- Too many to count! We all have our own playlists and one mega playlist if we're feeling brave

❓️- We have tons of emotional amnesia, but full blackout amnesia hasnt been noticed at all, so could assume there isn't any. We are OSDD

🎮- Many of us have different things we enjoy online, some use different social medias and apps, some play certain games that others don't, but we usually can enjoy each other's hobbies (usually.)

🪐- Big, unclear how big it really is. The most we usually see nowadays is a block void frontroom that we all are just kinda existing in, but there are ways past the void that lead to the different maps. The dream map is the most confusing one, but the Blankverse map is based around what we create

🍐- Plenty! We have a ghost, a fallen god, a catperson, a foxperson, a actual fox, a divine/angelic entity, The Spiral, a fish man, and a creature dude. Must I go on?

🔋- Universally, music is our recharge. Certain songs or lists just have a replenishing effect

🌧- Art and distractions. Making things, cleaning, finding other focuses

🔦- I don't really remember how it happened. Just that over the years, things kept adding up despite our denial. I know it was a bad start to this year

🌟- We have neither things atm, but Wit and Cade are the best at doing work or dealing with people, and Divine is best at selfcare tasks to keep them going

🌊- Cade, Wit, Ghost, Divine, Lotus, and recently Otis

🎁- Probably! We usually make our gifts for each other, but sometime a host will by a stuffie for someone smaller

☘️- Most are sourced from OCs that grew more than they were supposed to, or from favorite medias

💬- We smoke weed for our chronic pain/fatigue, which leads to,, interesting innerworld connections

system ask meme

🍄 - how did you get your system name?

👾 - funniest out of context system quote?

🎉 - favorite system holiday?

🌙 - do you have subsystems?

☕ - what is switching like for you?

💫 - are there any hobbies you all have?

💾 - what's your headcount?

👻 - do your alters/headmates have different voices or speech patterns?

🎨 - does anyone in your system like art?

🥀 - how easily does the system split?

🦖 - is your system fictive-heavy? factive-heavy? neutral?

🎵 - what songs remind you of your alters/headmates?

❓ - how much amnesia do you experience?

🎮 - what do your alters/headmates do in their free time?

🪐 - what is headspace like for you?

🍐 - are there any non-human alters/headmates?

🪫 - what do you all do to recharge?

🌧️ - how does the system cope with stress?

🔦 - how did you discover your system?

🌟 - do any alters help out with school/work?

🌊 - who are your frequent fronters?

🎁 - have you ever bought your alters/headmates things?

☘️ - what are your introjects/fictives usually sourced from?

💬 - free space!! tell me about something!

[tavolgisvist]

Paul about the breakup of The Beatles in The Lyrics, 2021

The four of us just knew how to fall in with each other and play, and that was our real strength. That made it all the more sorrowful to think that our breaking up was almost inevitable. So there’s a wistful aspect to ‘Get Back’. The idea that you should get back to your roots, that The Beatles should get back to how we were in Liverpool. And the roots are embodied in the style of the song, which is straight-up rock and roll. Because that was definitely what I thought we should do when we broke up – that we should ‘get back to where we once belonged’ and become a little band again. We should just play and do the occasional little gig. The others laughed at that – quite understandably – because by then it was not really a practical solution. John had just met Yoko, and he clearly needed to escape to a new place, whereas I was saying we should escape to an old place. Reviving the old Beatles just wasn’t on the cards. It was too late to be recommending that we not forget who we were and where we once were from. If my dream at the time really was to get back to where we once belonged, John’s dream was to go beyond where we once belonged, to go somewhere we didn’t yet belong. I’ve already mentioned how in September 1969 we were in a meeting and talking about future plans, and John said, ‘Well, I’m not doing it. I’m leaving. Bye.’ In the ensuing moments, he was giggling and saying how this felt really thrilling, like telling someone you’re going to divorce them and then laughing. At the time, obviously, that was wildly hurtful. Talk about a knockout blow. You’re lying on the canvas, and he’s giggling and telling you how good it feels to have just knocked you out. It took a while, but I suppose I eventually got with the programme. This was my best mate from my youth, the collaborator with whom I’d done some of the best work of the twentieth century (he said, modestly). If he fell in love with this woman, what did that have to do with me? Not only did I have to let him do it, but I had to admire him for doing it. That was the position I eventually reached. There was nothing else I could do but be cool with it.

(Paul McCartney about Get Back (1969), The Lyrics, 2021)

That was coupled with the business problems at Apple Records, which really were horrible. The business meetings were just soul-destroying. We’d sit around in an office, and it was a place you just didn’t want to be, with people you didn’t want to be with. There’s a great picture that Linda took of Allen Klein, in which he’s got a hammer like Maxwell’s silver hammer. It’s very symbolic. And that’s why we have the little nod and a wink in the middle section to ‘You Never Give Me Your Money’, in the lines ‘I never give you my pillow / I only send you my invitations’. That whole period weighed on me to such an extent that I even began to think it was all tied in with the idea of original sin. Even though my mum had christened me as a Catholic, we weren’t brought up Catholic, so I didn’t buy into the concept of original sin on a day-to-day basis. It’s really very depressing to think that you were born a loser.

(Paul McCartney about Carry That Weight (1969), The Lyrics, 2021)

The Beatles stuff all got too heavy, and 'heavy' at that time had a very particular meaning for me. It meant more than oppressive. It meant having to go into meetings and sit in the boardroom with all the other Beatles and with the accountants and with this guy Allen Klein. He was a New York spiv who had come over to London and talked to The Rolling Stones and persuaded them he was the man for them. Prior to that, he had persuaded Sam Cooke he was the man for him. I smelled a rat but the other chaps didn’t, so we had a fight over it and I got voted down. I was trying to be Mr Rational and Mr Sensible, and it all went haywire. It was early 1969, and The Beatles were already beginning to break up. John had said he was leaving, and Allen Klein told us not to tell anyone, as he was in the middle of doing deals with Capitol Records. So, for a few months we had to keep mum. We were living a lie, knowing that John had left the group. Allen Klein and Dick James, who sold our publishing in Northern Songs without giving us a chance to buy the company, were both hanging around in the background of this song. All the people who had screwed us or were still trying to screw us. It’s fascinating how directly we acknowledged this in the song. We’d cottoned on to them, and they must have cottoned on to the fact that we’d cottoned on. We couldn’t have been more direct about it. ...

Contracts were written on funny paper. Lying behind the song is the idea of the contract as a relationship between two people. The negotiations are at once business negotiations and romantic negotiations; I’m thinking of the lines ‘And in the middle of negotiations / You break down’. The breakdown in negotiations is also a kind of nervous breakdown. The problem was that, by this stage, everything was up for negotiation, and miscommunication was the order of the day. We weren’t really writing together anymore. Each person was bringing in little bits of this and little bits of that. And we all knew that phase of our lives, of being The Beatles, was coming to an end. We were working towards an album, knowing it was probably going to be our final fling. Though Let It Be was released later, Abbey Road was indeed the last album we recorded in the studio. There was an upside, however. I’d got married to Linda, and our relationship offered some respite from the dreary infighting and the financial stuff. The lines ‘One sweet dream / Pick up the bags and get in the limousine’ were a reference to how Linda and I were still able to disappear for a weekend in the country. That saved me.

(Paul McCartney about You Never Give Me Your Money (1969), The Lyrics, 2021)

This was just after The Beatles broke up, and I was trying to establish myself as a solo artist with a new repertoire. If it was going to work like the Beatles repertoire had worked, I had to have a hit. One in two songs had to be a hit. So, this was a conscious effort to write a hit, and Phil was very helpful. We knew that if we had a hit, it would cement our relationship and we would keep working together, which we did with the RAM album. It would prove that we were both good – he as a producer and I as a singer songwriter. Releasing my first solo song after the breakup felt like a big moment. Thrilling, though tinged with sadness. It also felt like I had something to prove, and that kind of challenge is always exciting. The song went to number two in the UK singles chart and number five in the US Billboard Hot 100, so it did pretty well. Of course, this was still a time when there was a bit of tension between John and me, and this sometimes filtered into our songwriting. John made fun of this song in one of his own, ‘How Do You Sleep?’The only thing you done was yesterday And since you’ve gone you’re just another day One of his little piss takes.

(Paul McCartney about Another Day (1969/1971), The Lyrics, 2021)

This song was written a year or so after The Beatles breakup, at a time when John was firing missiles at me with his songs, and one or two of them were quite cruel. I don’t know what he hoped to gain, other than punching me in the face. The whole thing really annoyed me. I decided to turn my missiles on him too, but I’m not really that kind of a writer, so it was quite veiled. It was the 1970s equivalent of what we might today call a ‘diss track’. Songs like this, where you’re calling someone out on their behaviour, are quite commonplace now, but back then it was a fairly new ‘genre’. The idea of too many people ‘preaching practices’ was definitely aimed at John telling everyone what they ought to do – telling me, for instance, that I ought to go into business with Allen Klein. I just got fed up with being told what to do, so I wrote this song. ‘You took your lucky break and broke it in two’ was me saying basically, ‘You’ve made this break, so good luck with it.’ But it was pretty mild. I didn’t really come out with any savagery, and it’s actually a fairly upbeat song; it doesn’t really sound that vitriolic. If you didn’t know the story, I don’t know that you’d be able to guess at the anger behind its writing. It was all a bit weird and a bit nasty, and I was basically saying, ‘Let’s be sensible. We had a lot going for us in The Beatles, and what actually split us up is the business stuff, and that’s pretty pathetic really, so let’s try and be peaceful. Let’s maybe give peace a chance.’ The first verse and the chorus have pretty much all the anger I could muster, and when I did the vocal on the second line, ‘Too many reaching for a piece of cake’, I remember singing it as ‘Piss off cake’, which you can hear if you really listen to it. Again, I was getting back at John, but my heart wasn’t really in it. This is me saying, ‘Too many people are sharing the party line. Too many people are grabbing for a slice of the cake, a piece of the pie.’ The ‘sleep in late’ thing – whether that was accurate, whether John and Yoko actually slept in late or not, I’m not sure (although John often was a late riser when I would drive out to Weybridge so that we could write together). They were all references to people thinking that their own truth was the only truth, which was certainly what was coming from John. The thing is, so much of what they held to be truth was crap. War is over? Well no, it isn’t. But I get what you’re saying: war is over if you want it to be. So, if enough people want war to be over, it’ll be over. I’m not sure that’s entirely true, but it’s a great sentiment; it’s a nice thing to think and to say.

I’d been able to accept Yoko in the studio, sitting on a blanket in front of my amp. I’d worked hard to come to terms with that. But then when we broke up and everyone was now flailing around, John turned nasty. I don’t really understand why. Maybe because we grew up in Liverpool, where it was always good to get in the first punch of a fight. The whole story in a nutshell is that we were having a meeting in 1969, and John showed up and said he’d met this guy Allen Klein, who had promised Yoko an exhibition in Syracuse, and then matter-of-factly John told us he was leaving the band. That’s basically how it happened. It was three to one because the other two went with John, so it was looking like Allen Klein was going to own our entire Beatles empire. I was not too keen on that idea. John actually had Allen Klein and Yoko in the room, suggesting lyrics during writing sessions. In his song ‘How Do You Sleep?’ the line ‘The only thing you done was yesterday’ was apparently Allen Klein’s suggestion, and John said, ‘Hey, great. Put that in.’ I can see the laughs they had doing it, and I had to work very hard not to take it too seriously, but at the back of my mind I was thinking, ‘Wait a minute, All I ever did was “Yesterday”? I suppose that’s a funny pun, but all I ever did was “Yesterday”, “Let It Be”, “The Long and Winding Road”, “Eleanor Rigby”, “Lady Madonna”, . . . – fuck you, John.’ I had to fight them for my bit of The Beatles and, in fact, for their bit of The Beatles, which many years later they realised and almost thanked me for. Nowadays people get it, but at the time I think the others felt they were the ones who were victims, who were being hurt by my actions. Allen Klein already had a history with The Rolling Stones. I just thought, ‘Oy oy oy, no, this guy’s got such a bad reputation.’ And good old John says, ‘Oh, if he’s that badly talked about, he can’t be all bad.’ John had this kind of distorted thinking, which was amusing sometimes. But not when someone was going to take everything that John and George and Ringo and I owned and had worked really hard to get.

So, I stood up as the sensible one and said, ‘This is not good.’ Klein wanted twenty per cent, and I said, ‘Tell him he can have ten, if you have to go with him.’ ‘Oh no, no, no,’ they came back. ‘No, he wants twenty.’ It seemed to me they were just fucking out of it and making no attempt to do anything sensible. A lot of hurt went down during that period in the early 1970s – them feeling hurt, me feeling hurt – but John being John, he was the one who would write a hurtful song. That was his bag.

(Paul McCartney about Too Many People (1971), The Lyrics, 2021)

Towards the end of 1969, John had quite gleefully told us it was over. There were a few of us in the Apple boardroom at the time. I think George was away visiting family, but Ringo and I were at the meeting, and John was saying no to every suggestion. I thought we should go back to playing smaller gigs again, but the answer came back: ‘No’. Eventually John said, ‘Oh, I’ve been wanting to tell you this, but I’m leaving The Beatles.’ We were all shocked. Relations had been strained, but we sat there saying, ‘What? Why? Why? Why?’ It was like a divorce, and he had just had a divorce from Cynthia the year before. I can remember him saying, ‘Oh, this is quite exciting.’ That was very John, and I had admired this kind of contrarian behaviour about him since we were kids, when I first met him.

He really was a bit loony, in the nicest possible way. But whilst all of us could see what he meant, it was not quite so exciting for those left on the other side.

(Paul McCartney about Dear Friend (1971), The Lyrics, 2021)

This is one of my favourite songs. It's a ballad with a brass section, but it’s always felt Victorian in style to me. It’s very heartfelt. ‘A love so warm and beautiful / Stands when time itself is falling’. I like that idea, instead of just saying, ‘It will go on forever.’ I got a good feeling writing this song, and listening to it now, I still do. ‘Love, faith and hope are beautiful’. The brass solo is lovely for me because it harks back to the brass bands that were so common when I was a kid; there would often be brass bands in the park or in the streets. My dad played trumpet, as I never fail to mention, and he had his own little band – Jim Mac’s Jazz Band. The first instrument he bought me was a trumpet, and he taught me the scale of C which, when you go on the piano, becomes B-flat. It’s all very complicated. That’s why we didn’t even bother learning music. I realised that I wanted to swap the trumpet for a guitar, so I asked his permission, and he said, ‘Yes, okay.’ ‘Warm and Beautiful’ was written well after the demise of The Beatles, and at this time we knew sadness. I knew about delving into your mind to look for help and looking for some sort of solace in a song. I liked the idea of writing a song in a universal way that dispels the sadness. You write about the wonderful things you know in the world, and you try to write so that it will sing well and be well received by people dealing with grief something that inevitably surrounds all of us at one time or another. On a more personal level, the main inspiration for the song was Linda…

(Paul McCartney about Warm and Beautiful (1976), The Lyrics, 2021)

After The Beatles thing became so depressing, Linda and I decided we’d get out of London and start living full-time on our small holding in Scotland. It was quite a difficult period because of the band’s breakup but it allowed me to see another side of myself. First and foremost, we did everything for ourselves, and at this point it was Linda, Heather, Mary – who was still a baby – and me. If we needed something to eat, we’d go into town in the little Land Rover, come back up, and cook it. We didn’t have anyone helping us, except for one guy, the shepherd, because it was a little sheep farm. It was an experience that allowed me to be a man. <…> I’d grown up in Liverpool and gone on the road with The Beatles around the world and then around again, and now here I was on a farm in the middle of nowhere, and it was sensational. <…> This was the kind of thing I’d never done, ever, in my life, and it was amazingly liberating. I got to do all the things I think a lot of young people still dream about today – the famous ‘gap year’. I sense a lot of people want that freedom, escaping the rat race…

(Paul McCartney about When Winter Comes (1992), The Lyrics, 2021)

After the breakup of The Beatles, I wouldoften just sit around a lot. Sometimes I sat in the kitchen while the kids were playing. Maybe they were drawing. Maybe they were doing bits and pieces of homework. In this case, I came across the chords and I just felt optimistic, and I liked the idea of a song saying that help is coming and there’s a bright light on the horizon. I’ve got absolutely no evidence for this, but I like to believe it. It helps to lift my spirits, to move me forward, and hopefully it might help other people move forward too.

(Paul McCartney about Great Day (1972/1997), The Lyrics, 2021)

Wings, which we began in 1971, was in many ways an experiment to see whether there was life after The Beatles, to see whether that success could be followed. It was the result of asking myself, ‘Am I going to stop now?’ The Beatles were so wonderful and all-encompassing, so successful. Now, should I stop and look for something else to do? But I thought, ‘No. I like music too much, so whatever the something else is, it will be music.’ <…> But it wouldn’t be The Wings, like The Beatles. Just Wings. My problem after The Beatles was, who’s going to be as good as them? I thought, ‘We can’t be as good as The Beatles, but we can be something else.’ I knew that if I were to go ahead with this project I’d have to tough it out, but I had reserves of courage from being part of The Beatles when pennies were thrown at us at the village hall in Stroud, when we were still starting out. <…> Starting off a new band is always a lot of fun, but it’s a lot of hard work too; you have to establish yourself. Following The Beatles was one of the most difficult things for me, just trying to live up to those expectations. It was even more difficult for her [Linda]. I started to write songs for Wings from 1971 onwards, when we got started, and I tried to keep them away from The Beatles’ style. There were avenues I could go down that I wouldn’t have gone down with The Beatles, like bringing in the influence of reggae, which Linda and I got into in Jamaica. I fancied doing something crazy, and Wings allowed me a little bit more freedom. So, this is a love song in which Cupid’s arrow is referenced, but it’s a malevolent arrow. It’s possible I’d seen an illustration of Cupid and thought, ‘Cupid fires a bow, but I’ll switch it. It won’t be love; it will be the opposite.’ The character in the song has been wounded. He’s been cheated on. And it could’ve been a great relationship, could’ve been fantastic. As things stand, you couldn’t ‘have found a more down hero’, because there was nobody more down than me at that moment. So, get it together and bring your love. I have always had a soft spot for this song. There’s a nice horn riff in it, and it’s funky. Sometimes you write to get a sort of feeling rather than a perfectly ‘correct’ lyric. Sometimes the lyric can be secondary to the feeling. This one has as much, or more, to do with the feel of the song, the groove.

(Paul McCartney about Arrow Through Me (1979), The Lyrics, 2021)

John described ‘Coming Up’ somewhere as ‘a good piece of work’. He’d been lying around not doing much, and it sort of shocked him out of inertia. So it was nice to hear that it had struck a chord with him. At first, after the breakup of The Beatles, we had no contact, but there were various things we needed to talk about. Our relationship was a bit fraught sometimes because we were discussing business, and we would sometimes insult each other on the phone. But gradually we got past that, and if I was in New York I would ring up and say, ‘Do you fancy a cup of tea?’

(Paul McCartney about Coming Up (1979), The Lyrics, 2021)

It’s very possible that I’d been feeling down in London. I was back in the solace of family and Liverpool, and what with the Beatles troubles down south, I was likely thinking, ‘Wouldn’t it be nice to get home and have that comfortable feeling again?’ So, there may have been some of that in the background. I wouldn’t rule it out. When I wrote the song, I hadn’t been back home to Liverpool for a long time. But now I was at my dad’s house, which wasn’t quite home because it was a house I’d bought him when I got some money – a five-bedroomed mock Tudor place in Heswall near the River Dee. But it was still Liverpool, and it was ‘homeward’. So I added, ‘Once there was a way to get back homeward / Once there was a way to get back home’. The song turned out to be quite soulful, and I think that’s what attracted me to those lyrics in the first place – that notion of consoling a baby or reading kids a bedtime story. ‘Sleep, pretty darling, do not cry / And I will sing a lullaby’. Those are lines – or something with a similar sentiment – that most parents probably say to their children to soothe them when they’re growing up.

(Paul McCartney about Golden Slumbers (1969), The Lyrics, 2021)

It became a refuge of sorts, and it was nice to get away from London and everything – both the good and bad – that comes with the city. I would drive a Massey Ferguson 315 tractor and mow the hay, and I loved that because I’d been a nature fiend as a kid, and this freedom just gave me time to think – ‘Down to Junior's Farm where I want to lay low’. It was such a relief to get out of those business meetings with people in suits, who were so serious all the time, and to go off to Scotland and be able just to sit around in a T-shirt and corduroys. I was very much in that mindset when I wrote this song. The basic message is, let’s get out of here. You might say it’s my post-Beatles getting-out-of-town song.

(Paul McCartney about Junior's Farm (1974), The Lyrics, 2021)

The context in which the song was written was one of stress. It was a difficult time because we were heading towards the breakup of The Beatles. It was a period of change partly because John and Yoko had got together, and that had an effect on the dynamics of the group. Yoko was literally in the middle of the recording session, and that was challenging. But it was also something we had to deal with. Unless there was a really serious problem – unless one of us said, ‘I can’t sing with her there’ – we just had to let it be. We weren’t very confrontational, so we just bottled it up and got on with it. We were northern lads, and that was part of our culture. Grin and bear it. One interesting thing about ‘Let It Be’ that I was reminded of only recently is that, while I was studying English literature at the Liverpool Institute High School for Boys with my favourite teacher, Alan Durband, I read Hamlet. In those days you had to learn speeches by heart because you had to be able to carry them into the exam and quote them. There are a couple of lines from late in the play: O, I could tell you But let it be. – Horatio, I am dead I suspect those lines had subconsciously planted themselves in my memory. When I was writing ‘Let It Be’, I’d been doing too much of everything, was run ragged, and this was all taking its toll. The band, me we were all going through times of trouble, as the song goes, and there didn’t seem to be any way out of the mess. <…> Around the time we recorded ‘Let It Be’, I’d been pushing the band to go back out and play some club dates – to get back to basics and just bond again as a band, end the decade like we’d begun it, just playing for the love of it. We didn’t get to do that as The Beatles, but that idea did inform the direction of the Let It Be album. We didn’t want any studio trickery. It was supposed to be an honest, no-overdubbing album. It didn’t exactly end up that way, but that had been the plan.

(Paul McCartney about Let It Be (1969), The Lyrics, 2021)

This song is also an analogy for when something goes wrong out of the blue, as I was beginning to find happening around this time in our business dealings. Recording sessions were always good because no matter what our personal troubles were, no matter what was happening on the business front, the minute we sat down to make a song we were in good shape. Right until the end there was always a great joy in working together in the studio. So there we were, recording a song like ‘Maxwell’s Silver Hammer’ and knowing we would never have the opportunity to perform it. That possibility was over. It had been knocked on the head like one of Maxwell’s victims. Bang bang.

(Paul McCartney about Maxwell's Silver Hammer (1969), The Lyrics, 2021)

In much the way that Linda wanted to flee from New York society– the constrictions of Park Avenue and Scarsdale – I wanted to flee from what The Beatles had become. I was hoping to escape, she was hoping to escape. So we had this feeling that we had each pulled the other ‘out of time’. Though the song was written immediately after The Beatles’ breakup, it was somehow included under the Lennon-McCartney rubric, where it doesn’t belong. It was one of my first solo songs, but because of the deal, it got caught in the publishing net. That was very annoying. <…> …the central idea being that there’s so often a split between the inner and outer. <…> The elements of fear and loneliness are very much to the fore. ‘Maybe I’m afraid of the way I love you’ is itself a troubling idea. While it’s true that Linda is the person I’m addressing, it’s also true that I’m dealing in fiction. Starting with myself, the characters who appear in my songs are imagined. <…> In any event, this song isn’t the conventional way of presenting a relationship, or of some of the contradictions that can arise from being in love. <…> It shows the fragility of love.

(Paul McCartney about Maybe I’m Amazed (1970), The Lyrics, 2021)

John went to the exhibition, and I think that was when he and Yoko met, towards the end of 1966. He climbed up a ladder to see what she’d written on the ceiling, and got close enough to it to read it, and it said, ‘Yes.’ So he thought, ‘That’s a sign; this is it,’ and they fell madly in love. Once they were an item, there was the whole Beatles recording thing, where she would be there too. I think this started at the beginning of the ‘White Album’ sessions – so, around the end of spring in 1968. And at first we all – all of us except John – found it pretty intrusive, but we went along with it and worked around her. And eventually I came to the realisation that, look, if John loves her, we’ve just got to let it be, and we’ve got to support this relationship. That was basically my feeling. Then, a year or two later, The Beatles broke up, and it was a bad period, a real low point, where everyone was taking potshots at everyone. And I felt that John and Yoko were particularly good in the potshot department, saying things in interviews, or comments that would make their way to you. They would say not always very pleasant things, and looking back on it, I sort of think, ‘Why? You’re annoyed, so say something unpleasant?’ Over time, the situation eased off and my relationship with John got better, and I used to see him in New York or speak to him on the phone.

(Paul McCartney about Golden Earth Girl (1993), The Lyrics, 2021)

I’m not sure I thought of it at the time, even though this was well after The Beatles disbanded, but I can’t help connecting the oppressiveness associated with that phrase to the oppressiveness that coincided with the end of The Beatles. Not that The Beatles are over exactly. It’s not like we were some little band that never had another record; even though half of us have died, the phenomenon continues stronger than ever. Everything I do seems to be painted with ‘Beatle’…

(Paul McCartney about Put It There (1988), The Lyrics, 2021)

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[bosbas]

Chapter 1: I said, "dancin' is a dangerous game"

series masterlist previous part || next part

pairing: anthony bridgerton x fem!reader WC: 2.5k words

Warnings: period-typical gender roles, lowkey why do i ship daphne and y/n....

Summary: At her wit's end after Anthony's multiple attempts to scare away her suitors, Daphne employs her best friend's help to keep her brother distracted while she tries to find a husband. It's a foolproof plan, except it ends up working a little too well. (or, a Bridgerton version of The Taming of the Shrew/10 things I hate about you)

May 13, 1812 - You were in Hyde Park less than ten minutes before you saw Daphne Bridgerton's figure out of the corner of your eye. Delighted that she'd joined you earlier than expected, you waved her over.

"Hello, Daph," you greeted cheerfully, scooting over so your best friend could sit beside you on the bench. "I didn't think I'd see you for a few hours, given how many gentlemen asked you to dance last night. Did none of them call?"

Daphne groaned, a scowl set deep on her face, as she took a piece of bread from your basket and broke it into chunks to feed the ducks.

"Don't remind me. Most of them called, actually," she responded. "If only Anthony had let me have three seconds with them I might have been able to discern whether or not I was actually interested. He barged into the sunroom and promptly kicked everyone out. There was not a single suitor left in the room by the time he'd finished!"

You snorted. "Ah, so the overbearing eldest brother is once again to blame."

"Isn't he always?" she responded, too annoyed to match the lightness in your tone.

You just smiled to yourself and fed the ducks silently, knowing Daphne well enough to hide your smile from her, given that she was more than likely fuming at Anthony's constant meddling. You knew he meant well, but he was known to go a bit overboard at times. Well, most times. Especially when it came to Daphne's courtships.

"Anthony's the biggest rake in Mayfair, anyway. I don't know exactly what moral high ground he thinks he's standing on but it's certainly not as sturdy as he assumes," continued Daphne, still upset over that morning's happenings.

"Is it really that bad, Daph?" you said in an attempt to console her. "At least you're not getting hordes of unpleasant men at your doorstep every day. And you know the kinds of men that frequent the ton aren't always the kind you'd want to spend your afternoons with."

"I'm not getting any men at my doorstep! That's the problem!" exclaimed Daphne, exasperated. "I know you might not share the same desires as me, but I would eventually like to get married and have a family."

"I want to find a husband, too," you insisted, your tone bordering on defensive. "I just don't particularly feel bothered to look for one during my first season."

Daphne sobered immediately, coming out of her annoyance toward her brother as she could sense you were upset. "I didn't mean it like that, I swear," she insisted, placing a hand on your shoulder and looking into your eyes. "It was just-"

"I understand," you smiled at her, placing your hand over hers. "I just don't have the same urgency as you do, on account of my father having absolutely no stake in my marital status. No stake in anything about me at all, actually."

It would be a sad sentiment if you weren't used to it. You were an only child, and your mother had died after getting ill when you were only five years old. Your father, of course, was quite busy with the land he managed, and thus most of your upbringing had just been you and your governess. And the Bridgertons, of course.

You had met Daphne when she was eight and you were seven, and the two of you had gotten along splendidly since then. Since you had no real family of your own, bar your absent father, you spent copious amounts of time at the Bridgerton residence at Daphne's insistence. You now found yourself to be a semi-permanent fixture in their house, feeling just as home there as you did at your father's home.

This proximity to the Bridgertons had made you intimately familiar with Anthony's overprotective demeanor. Ever since you and Daphne were young, Anthony had gone out of his way to make sure that his siblings were cared for. Sometimes that included you, too. But unfortunately, he could take it too far sometimes.

"Did you like anyone last night, at least? Your dress was quite magnificent and I know I'm not the only one who noticed," you winked at Daphne.

She hummed thoughtfully. "I don't entirely know. I don't think one dance is enough to know whether I truly like someone," she responded, slumping down on the bench.

"Especially not when Anthony cuts the dance short halfway through," you laughed, recalling the eldest Bridgerton's attempts to thwart Daphne's search for a husband.

But your comment did nothing to lighten the mood. Instead, it seemed to make your friend even more irritated.

"It's my second year out in society! I still don't have a husband. Not even close to it, apparently," continued Daphne, aggressively tossing bits of bread into the pond.

"Well, you have to marry eventually. Anthony can't keep you away from every man for the rest of your life!" you argued.

But this did little to quell Daphne's annoyance. "He's certainly trying," she muttered.

"We can ship him off to the West Indies for the season," you joked. "Surely he won't be able to interrupt your suitors from halfway across the globe."

Suddenly, Daphne raised her eyebrows, looking at you with a devious smile.

"I was only joking! We can't actually ship him away," you laughed. "Besides, how would the ladies of the ton ever survive without the most desirable bachelor who is always just out of reach?"

Daphne snorted, amused at your dig at Anthony. "No, no, we don't have to ship him away," she said. "But you are correct in saying that I need time away from him to fully explore potential matches."

You hummed in agreement, imagining how much easier life would be for Daphne if her older brother simply... let her be. "Is he going on a hunting trip soon?" you said hopefully.

Your best friend shook her head, still smiling at you like she was plotting something.

"What is it?" you pressed, laughing at her expression.

"Can I ask you a favor?" she said, an expectant look in her eyes.

“Yes, I’ll kill Anthony for you. I’ve only been waiting for you to ask,” you joked.

“No,” Daphne laughed. “I’m serious.”

“Go on then,” you nodded.

“Could you ask him to dance at tomorrow’s ball?”

“Me? Ask him? Are you out of your mind?” you sputtered. You had never danced with Anthony at a ball, and you couldn't fathom the first time you did so being after you were the one to ask him.

“Y/N, please. I can’t just rely on forlorn glances across the ballroom to secure suitors. I need to actually speak with them, and I won’t be able to if Anthony keeps... hovering.”

Granted, hovering was a very generous word for what Anthony was really doing. But still, you looked at her, uncertainty in your eyes. You weren’t particularly keen on asking Anthony to dance, knowing he was famously opposed to marriage at this point in his life. Yes, you had grown up around him, but that didn’t mean he was interested in you at all, and you didn’t want to face that rejection if you could avoid it.

“Don’t give me that look! I promise it’ll work,” cried Daphne, desperate. “Just tell him you feel like dancing but don’t want to give another man the wrong impression since it’s only your first season and you’re still biding your time. Most of which is true.”

She made a good point. You didn’t want the hordes of men that seemed to flock to Daphne just yet. And would one dance really hurt that much?

---

The music in the ballroom pleasantly surrounded you as you stood next to Violet. Daphne had left to dance with Lord Wilson, a bachelor of very distinguished background who seemed to be hanging onto every word your best friend said.

Just as you turned to Violet to comment on how well-suited the pair looked, Anthony stormed over to where you were standing.

"It's unbelievable that she's even giving him the time of day," he said lowly, looking wholly unimpressed by the dance happening a few feet in front of him.

You could feel Anthony growing tense beside you as the seconds ticked by, and you bit the inside of your cheek to keep from laughing. Three seconds of his sister speaking with a man and he was ready to explode already? He was worse than you thought.

You saw Daphne lean back as she laughed at something the gentleman said, and you knew you had to act fast before Anthony intervened.

“Oh, the music is wonderful tonight! Anthony, would you care for a dance?”

He tore his gaze away from his sister and looked at you, perplexed.

“Are you asking me to dance?”

“I believe I am, Anthony,” you said.

He scoffed, not quite believing you. “That is not very proper of you, Lady L/N.”

“And you are a great authority on propriety, I presume?" you said, a playful edge to your voice. "Given your… adventures as a rake, surely you have a better idea of what is proper than I do.”

Anthony choked at your bold choice of words, not used to people calling him out so publicly. “Y/N! Why do you want to dance with me then, if I'm such a rake?”

You rolled your eyes. “I just enjoy the music and want to dance. And I don’t want to give any other men the wrong impression,” you recited exactly what Daphne had told you to say.

He nodded reluctantly and took your hand. “Very well. One dance, then. I don’t want anyone getting the wrong impression of me either.”

This was the last time you ever did anything for Daphne. God, how difficult could one man be?

But all of your annoyance faded away once he placed his hand on your hip and spun you around. This was rather nice, you found yourself thinking. You hadn't properly danced at a ball yet, and you couldn't help but think that you'd missed out on a rather enjoyable activity.

The dance was going along quite smoothly, and you and Anthony seemed to be melting together, no longer two individuals but instead moving more like one entity. You were especially enjoying whenever his grip shifted slightly and his hand ran across the small of your back. To be truthful, you were simply having fun.

That is until you felt Anthony shifting you across the dance floor so you could get nearer to Daphne and the gentleman she was dancing with. Feeling Anthony's shoulders tense underneath your gingerly placed hands, you looked up at him.

Looking into his eyes, you raised your eyebrows. "She's fine, you know. You don't have to watch over her every second of every ball."

Anthony rolled his eyes, dismissing your comment. "Of course I do. She's my sister! I have to take care of her. I would never forgive myself if anything happened to her or if she ended up betrothed to a dolt."

"Anthony," you softened your tone. "It's quite alright. It's not all up to you. You've got an entire family to keep her safe. And me, of course."

You could feel his muscles relax under your hands. "Thank you," he breathed out. "I know all of that to be true. I just worry about her. And about you! But luckily there aren't many suitors of yours to scare off."

"Oh," you said, your voice squeakier than you intended. "Thank you?" you questioned. You weren't quite sure how to take his comment.

"No!" he rushed out, immediately realizing what his words sounded like. "I didn't mean it like that. Daphne had just mentioned that you're not as interested in finding someone right now since it's your first season. And I hadn't really seen you dance with anyone at one of these balls before. And-"

"It's no trouble, Anthony," you smiled, giggling at how flustered he'd gotten. "I appreciate the concern nonetheless."

He shook his head, still not believing that he'd been so rude toward you. As much as you were a familiar face around his home, he couldn't quite tease you the way he did Daphne or any of his other sisters, and he was dreadfully embarrassed that he had made you upset, even if just for a moment.

"If you ever want to dance again, just come to me, understood?" he said, his voice turning serious. "I don't need another one of you to worry about."

You could barely contain your laughter as the music came to an end. "Yes, Anthony," you said dutifully, smiling at how silly he was being.

Looking over at Daphne, you were pleased to see that everything had gone to plan and she'd had the chance to talk to Lord Wilson the entire time you'd been with her brother. It was a relief that she'd finally gotten a normal courting experience.

Before Anthony could reach her and wrench her away from her suitor, Daphne rushed over to you, grabbing your arm excitedly.

"Shall we take a turn about the ballroom?" she suggested, leaving you no room to protest as she led you away from her mother and brother.

You laughed at her excitement, glad that your best friend was finally enjoying herself.

"Thank you so much, Y/N, truly," she gushed, squeezing your arm affectionately. "That was absolutely incredible. It's the longest time I've been able to spend with a potential match without Anthony hanging over my shoulder."

"I'm happy to do it," you said amusedly. "He was that lovely, then?"

"Oh, absolutely not," she shook her head. "Lord Wilson was dreadfully boring. But at least now I know! And I don't have to pine over him or wonder what he would be like. I know for certain I'm not interested, and I can focus on finding my true love match."

"That's wonderful, Daph," you laughed. You truly held so much affection for her. It was endearing to see her so excited over spending time with a man she didn't even like.

Suddenly, Daphne slowed her pace. Turning you around, she held both of your hands and took a deep breath. "Yes, it was. Which is why I must ask you to dance with Anthony tomorrow night as well."

"What do you mean? Ask him to dance again? I thought this was only for tonight," you sounded unconvinced. Asking her brother to dance one time had already been enough of a hassle, but having to pretend to need him to dance with you once more was looking like an insurmountable challenge.

"Please, Y/N," she begged. "It's the only way I'll find a husband that isn't someone like Nigel Berbrooke," she added, whispering the last part.

It was true, Anthony seemed to have impossibly high standards that only the most unpleasant bachelor in Mayfair seemed to be able to meet. If you could do anything to protect Daphne from that unpleasant fate, you would do it.

"I suppose I could try tomorrow night. Though I can't promise he'll want to dance with me again. Anthony seemed quite reluctant tonight," you conceded.

"Nonsense," said Daphne, rolling her eyes. "Anthony loves you dearly, I can't imagine he'd ever turn you down."

"Whatever you say," you responded, unconvinced but unwilling to dampen your best friend's chipper mood. Besides, you had a wonderful time with Anthony tonight. How could another dance possibly go wrong?

—

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[followthebluebell]

Hi! I was wondering if you could give me some advice on medicating my cat. She's definitely on the spicy end of the behavior spectrum, and is unfortunately also intelligent. Specifically, we are unable to get deworming medication in any format other than pill in our region, and while it can be smashed up, she would rather go on hunger strike for 15 hours (true story) than touch even the most expensive wet food or yummiest Churu if it has any trace of pill. Previously, with the preventative doses, I would force down about half of it, get my arms shredded despite my best burrito-blanket efforts, and call it a day. But we adopted a kitten... who came to us with worms. The shelter the kitten is from isn´t helpful, and neither is our vet. I´m at my wits' end here. I need to get her to take this medication and I can´t keep getting my arm turned into ground beef either.

ooof, my sympathies. x_x;; I've had similar situations with the semi-ferals at work. Since they have free-access to a catio most of the year, they can get worms every now and then and... yeah. It's not fun for anyone involved! Especially me! Especially THEM, because they don't understand why I periodically go insane and try to get them to take a nasty tasting pill! They have no idea why this is happening!

Regrettably, this is where force has to be applied. I've got a very, VERY thick pair of falconers' gloves that basically go up my entire forearm. They aren't cat proof--- I have been bitten through them, which is VERY impressive--- but they cut out a lot of the damage.

But let's also talk about other methods of flavoring the pill. You've tried food, but have you tried tuna juice? Or canned chicken juice? It may be slightly more successful and it traumatizes cats WAY less.

[amorgansgal]

Actually for the time period, an education with Greek and Roman mythology makes perfect sense. From the Rennaisance to the Victorian era both Ancient Rome and Ancient Greece were seen as the pinnacles of art and culture, the literature - particularly works like Ovid - would have absolutely been used within a classroom environment for students because that was seen as the best of the best.

And it would've been used even in schools with merchant class/middle class students attending as a way of culturally and mentally improving those students. I suspect it's quite likely that either Hosea or Dutch (maybe even both, but I'm putting my money on Hosea being more likely) to have gone to school - because you are right in the fact that the education is too good for someone to learn basic reading and writing, but it's definitely the mark of someone having more formal education. But it does make perfect sense he would've have used Ancient Greek myths and legends as part of Arthur's education.

I constantly think about Arthur's quote, "I can barely speak English." because the same man is saying things like, "I must moderate my approach to wine." "Despite my best efforts to the contrary..." or "I have to insist." At times he can be poetic (threatening or not) in the way he says things too. For example, "Maybe when your mother's finished mourning your father, I'll keep her in black on your behalf." Or one of my favorites, "Lack of something to feel important about is almost the greatest tragedy a man can have."

Or how about when he finds that crashed airship along Little Creek River? He mentions Icarus, a Greek myth about a man who flew too close to the sun and the wax melted, causing Icarus to plunge into the sea and drown. At that time not everyone is learning and reading classical literature, you literally have to go out of your way and read that shit in a book. Sure Dutch and Hosea taught him to read, but what outlaw is teaching a teenager about Greek Mythology?

Arthur is smarter than he gives himself credit for. He's by no means stupid. He's self-aware and far more emotionally intelligent than he comes off as.

And it makes it a bit more tragic when you think of the potential Arthur might’ve had outside of being an outlaw.

[medstudentblues]

11.21.24

can it be really 1 week left before december? time just keeps passing by. i live day to day, measured by how well i’m doing clinically, how well i did life things - did i workout this week? did i eat well? did i journal? did i study? if not i tell myself it’s okay. my job and schedule are inhumane. it’s a miracle i’m doing so well. it’s a miracle my peers think i’m great - but i’m feeling so exhausted. i have to always tell myself to slow down, to relax, to just breathe.

so how have i been lately?

after my OB rotation which was tiring in itself, i did my LO (coordinator - liason officer) job and it was crazy in its own. i tried my best to make it most fun, but we were exhausted. i really enjoyed neurology though despite its toxicity. i love localizing the lesion in the brain, i love the thinking. we had a case of ischemic stroke and was there within the golden period of giving altaplase (something to lyse to clot) and from being almost dead-like, not moving, i saw her the next day alive, walking, just having finished her bath. and it felt good, you know? a miracle. with just a medication, a sister, a mother, a grandma, was alive and kicking, ready to face another decade or so of her life. neuro was surely something, but it was exhausting. we were overbooked. we were spent.

and now here we are in our psychiatry rotation. where the schedule is so much better and the workload is very light. it’s the emotional aspect that it’s heavy but we are managing. lately we had been getting ER calls, college students, some with suicide attempts. some from abusive backgrounds. it’s just. it never ends. but we have to move on. this is our only time to breathe before yet another grueling major rotation in Internal Medicine. we have to make do. so i spend my days studying, working out, and spending time with my beau and dog.

life is okay so far. i hope i survive.

[iloveyoutodeathbutimdrowning]

Noah Sebastian (Part 2)

🥀: Angst

🪻: Fluff

🌹: Smut

🌺: Suggestive but no smut

Oneshots

@measuredingold :

‘heaven sent’ (absolutely god tier fic) 🌹🪻

‘coeur d’alene’ (part 2 to heaven sent^) 🥀🪻🌺

‘i was free in the fall’ 🥀🪻

best friend! noah part 1 🌺 part 2 🌹

@somebodyels3 :

‘cleanse me with pleasure’ (another absolutely god tier work) 🌹

@iwasntstable :

'never just friends' (yet another god tier piece of writing) 🌹🥀

‘stay til’ morning’ (part 2 to never just friends ^) 🥀🪻

‘happy birthday’ 🪻

‘when i miss you’ 🪻

‘tired?’ 🪻

'is it true?' 🥀🪻

@thefallennightmare :

‘What It Cost’ 🥀🌹🪻

'Bad Decisions’ 🌹

@veronicaphoenix :

‘to hold you, to heal’ 🥀🪻

‘under the stars’ 🪻

‘until the stars stop shining’ 🪻

'wrapped in winter embers' 🌹

@yarasdead :

‘CYBERSEX’ 🌹

first time with best friend! noah part 1 🌹 part 2 🌹

@concretecultist :

‘Kingdom Come’ 🌹

‘Pomegranates & Pleasure’ 🌹

'Sacrilege' 🌹

@darksigns-exe :

‘dors encore jusqu'au jour où tout ira bien’ (sleep on until the day when all is well) 🥀🪻

‘the manic rhapsody’ 🪻

‘devour me’ 🌹🥀

@poppy-in-the-woods :

'Braids' 🌹

@rprise :

'moonlight' 🪻🌺

'night drive' 🪻

@thewrstinme :

'Immortalised in stone' 🪻🌹

'You always do that, don't you?' 🌹🪻

‘You want to act like a brat? Then I’ll treat you like one’ 🌹

@kaliforniahigh :

haters to lovers (doesn't have a title) 🥀🌹

@valiantroeagleangel :

'Beg for it' 🌹

@into-the-grey :

'Until You're Resting' 🥀🪻

@magnificentstrawberryomen :

'warm and alive' 🌹

@concreteangel92 :

'The Angel Of The Night' 🥀🌹

period sex 🌹

@malice-ov-mercy :

stepbrother noah and toys (doesn't have a title) 🌹

@deathblacksmoke :

'love is a gentle thing' 🪻

‘sink into your sunlight’ 🥀🪻🌹

@silent-stories :

'2.30 AM CHAMOMILE TEA' 🥀🪻

‘The Sound Of You’ 🪻

@tikosblogg :

‘A Helping Hand’ Part 1 🌹 Part 2 🥀🌹

@foreverlittlesoshi :

‘the center of my day’ 🪻

@silentglassbreak :

'Anything More Than Human' 🌹

'Skin' 🌹

@sykesandskittles :

'ZERO' 🌹

@omensandwonders :

'i can't be saved' 🌹

@idwt-money :

'Sleepless Nights' 🌹

noah x reader x folio :

@concretecultist :

threesome (doesn't have a title) 🌹

@sorrowsofsilence :

'Threefold Desires' 🌹

noah x reader x davis :

@artificialbreezy

threesome (doesn't have a title) 🌹

@livingdeceasedgirl :

'The Hills' 🌹

Series

@thefallennightmare :

‘One Night’ (god tier shit right here)🌹🥀🪻

‘Miracle’ 🥀🪻🌹

‘Just Pretend’ (more absolutely god tier shit) 🥀🪻🥀

@veronicaphoenix :

‘The Inevitability Of Love At First Sight’ (god tier as well) 🥀🪻🌹

@silent-stories :

‘To Build A Family’ 🪻🥀

Brother’s best friend! Noah 🪻🥀

[manitole]

Emmrich x Rook = Ideas for Fanfic

 (This is going to be a REALLY long post)

Context: I’m an awkward millennial that doesn’t know Tumblr very well. I apologize in advance if this post is weird and not perfect, I’m still learning. My activities on this platform are mostly resharing awesome post on my page. Since the last few weeks, I must admit that the communities here around my tags are incredible, positive, academic and just kind of healing my heart. For this reason, I feel comfortable trying to be a little more invested. Introduction to the main theme: I’m really happy to see that I’m far from being the only one to be obsessed and hyperfocused on Emmrich Volkarin, especially his romance with Rook. His personality is different from my typical fictional crushes: this fact had opened new possibilities about scenarios in my imagination. The main theme: I love to write, but I have a thesis to finish. Plus, I’ve already started two fanfictions and I’m not close to be done with those two stories. Since I’m lacking time, experience in fanfiction, knowledge in the DA universe and expertise in the English language (I’m a native French speaker), I must conclude that writing a fanfic Emmrich X Rook would not be the best idea right now. I would LOVE to share some of my ideas if it can inspire some people out there:

A – Too much rigidity versus chaotic (Mortal): I would LOVE to see a fanfic which addresses the mountain struggles of Rook and Emmrich living together after the story of the game. This man has been alone for a long time. We don’t know if he already lived with someone else during a long period of time. Emmrich likes to have his books ‘’pristine’’. I’m also guessing he has a strict routine regarding mealtime. I see Rook being kind of chaotic, as letting their underwear lying around where they needed to remove them (around a bed, coffin, or on the dinning table after some sexy time… why not). I could also see Rook inviting old friends for a late dinner, at the last minute, while Emmrich is already in his night gown, ready to sleep. Anyway, I would LOVE to see character’s development around those struggles: Emmrich learning to be a little more flexible while Rook is learning to be a little less disorganized.

B – Feeling bored after saving the world (Mortal): Could be related with point A or not. I know that everyone has different opinions, but so far, I preferred Rook to also be a Mourn Watcher. It seems natural to think that after the end of the game, Emmrich, Rook and Manfred are going back to Neverra. I could see Emmrich going back to teaching. I could see both possibilities where he is satisfied with this (with Rook and Manfred in his life) VERSUS feeling bored after travelling so often for saving the world. I’m not sure what Rook would want to do with their life after the war. Could they even be able to stay at one place? I could see them needed to travel and leave Neverra for sometimes for fighting or geopolitical stuff. I could also see Rook being done with that kind of life and wanting a normal happy and almost boring routine. Let’s talk about marriage. We all know that Emmrich always thought he would get married someday. Would he be ready to marry Rook? If yes, does it mean that he has outcome the age gap problem (?). I don’t know about Rook since the character vary from person to person. They could want to wait for marriage. I see this possibility more in the Mortal route since I have NO idea how Lichdom works and if a Lich can marry someone…

Now. I must explain before going on with my next idea. I’m not a fan of any pronatalist outcome. I don’t think a couple should have children to be happy or have some news goals. I also love stories and fanfic that show childfree happy people. Having children is not and should not be seen as a normal progression of life. It’s a choice and it should be a free and informed joint decision. Childfree couples are NOT less interesting than parents. But I also can see the difference between real life and fiction, especially in a fantastic universe like DA. I think some fanfic that adds children into the story can be a good thing, especially if those are kind of REALISTIC (happy rainbow sunshine without any struggles at all) and talk about more than only the positive of parenthood. Now, we could argue about Manfred. For me, as a couple, Emmrich and Rook are already parental figures to Manfred. While it’s not a typical experience, there is still something there. Manfred doesn’t need to eat (nor to sleep?) but he can still burn some books by accident, requiring some ‘’parenting’’ from Emmrich or Rook.

C – Parenting: I could see the couple adopting a kid while the opportunity is there. I also think that Manfred would be an awesome big brother. Now, let’s talk about a Rook that could be pregnant (trigger for some people, so please go to point D if you don’t want to read about this idea or about parenting and or reproduction).

1 – Pregnancy (Mortal): I’ve been thinking A LOT about the last scene between Rook and Emmrich when they have sex in a coffin. I’m an artist geek but also a nerd scientific with a nursing degree. Both don’t always match well together. I don’t know a lot about contraception in fantastic universe, especially DA. I can’t stop myself thinking: did Emmrich and or Rook THOUGHT about this? One part of me think that Emmrich would not be the type of person to forget about any risk regarding that subject. It would seem easy for him to cast a charm for preventing a pregnancy? I don’t know. But on the other hand, the end of the world is happening, and him or Rook could not survive to the last battle. The party banter between Harding and Emmrich show that the necromancer can forget some things important when he is with Rook or just by being in a new relationship. So perhaps Emmrich didn't think about it. I could see Rook having sex without having that in mind at all, kind of like a YOLO attitude. They love Emmrich and they are like '' let’s have awesome lovemaking before perhaps dying or whatever''.

Nooooow. Let’s talk about that accidental pregnancy if we could agree that because of those circumstances, no one thought about contraception, because you know… ‘’ End of the world ‘’. Plus, while an accidental pregnancy could be the end of the world for some person, it could not be as horrible for others, like Emmrich and or Rook. So, the team beat Elgar’nan, Solas linked himself to the fade and all. The world is safe for now. It’s the time of celebration. Even after some rest, Rook doesn’t feel really good. They are kind of tired all the time but again, it’s normal since they have been on high adrenaline during the last few months (?). It could explain things. Them and Emmrich could think it is related to the fade or perhaps a curse. Eventually, I’m pretty sure Emmrich would realize the situation before Rook. He was able to spot that stiff wrist. He could see subtle difference regarding Rook. I could totally see his shocked face while understanding the situation. As for Rook, I could see them not thinking about that possibility because perhaps they weren’t having regular periods in the first place because of the hard activities while trying to save the world. Now, let’s ad point A and perhaps point B to this scenario. The couple is trying to live together in a new routine while also learning they are expecting a baby. I waaaaaant to read about that 52-53 years old necromancer realizing his partner is pregnant with his child. Everything is going too fast, and Harding could make snaky remarks on this. I want to read how Emmrich feel about this: He always wanted a family, and he already has Manfred and Rook, but having a child could be something positive to him for different reasons (legacy and pronatalist blabla). But because of his age, it could also be an experience kind of sad, realizing that he could not see his kid grow as much as he would love to. The reaction of Rook about all of this could be really different since again, Rook vary for each player. I would love to see some struggles (perhaps with a big fight?) with a pregnant Rook who still wants to fight and live their ''normal'' life and an overprotective Emmrich (with only good intentions) kind of overwhelming. I could also see Emmrich taking his retirement from teaching sooner than expected, since he wants to spend as much time as possible with his children. I also think he could be the main parent, as the most ‘’maternal’’, kind of overprotective, again.

I see Emmrich having a girl. I’m not sure why, but it flows better in my imagination. It would make a lot of sense if this girl had the name of a flower or a plant, and her middle name could be Emmrich's mother. With Rook and Emmrich as parents, this little girl would become a badass woman with high self-esteem, taking bullshit from no one. She would LOVE her big brother, and Manfred would also LOVE her. I like to think he will learn faster while being a brother figure. I really see the young girl saying to everyone she has a big brother called Manfred without ever explaining that he is actually a spirit in the body of a skeleton. I could see everyone kind of shocked while meeting Manfred for the first time without that context.

Plus: Vorgoth must be one of the godparents, please. And the family should eventually adopt a pig.

Bonus: a time jump where Emmrich is dying, more than satisfied with his life, and all of his family is around him. I don't mind crying.

2 – Lich route (kind of a silly idea): This idea is kind of a joke. I don’t know how Lichdom works, but I’m pretty sure that once you are a Lich, you are sterile? Now… An accidental pregnancy could happen if Emmrich and Rook had sex BEFORE Emmrich became a Lich. I think it would be really hard on him to outlive not only Rook but also his children and perhaps his grandchildren. I could only see this as possible and not heartbreaking if Rook and Emmrich have a kid who is also a mage and would eventually also become a Lich. I could totally see an awkward family tradition that goes on generation after generation where each child gifted with magic MUST become a Lich before they are 60 years old or something. Imagine: you are like 25-year-old mage and Lichdom don’t appeal to you at all, nor does necromancy. Your sibling doesn't have magic so all the expectations are ON you (and that sibling is, of course, jealous of you).  One of your parents is getting close to becoming a Lich, and the ceremony is approaching. You have a grandparent and a lot of great-grandparents who are also Liches, and the festivity dinners are always awkward. Your family is like famously known in Nevarra but from the inside, you just feel weird. Eventually, you take your courage to break this tradition, coming out to your parents, and they tell you: “You are too young to decide this yet. Your great-grandmother thought the same thing at your age. You will change your mind.” To prove your point, you decide to join the Grey Wardens (or any action making it impossible for you to become a Lich), and half of your family is MAD and saying, “Omg, your great-great-great-great-grandfather is SO disappointed in you.” Done. I just find this possibility really funny.

D – Age gap: I would also like lots of scenes where Rook reacts the opposite of expected regarding the age gap between Emmrich and them (this post as an example). I could see Emmrich being a little annoyed sometimes when people talk to him about this subject, but I would love a Rook who doesn’t seem to understand the problem and just reacts possessively, as if the people talking about it are just jealous. That would also reassure Emmrich (I think).

E – Cute little scenes: I want to read about Emmrich and Rook snuggling on the couch in front of a fire, while Emmrich reads aloud a book about some academic stuff. I also would love a scene where Emmrich gives a powerful massage to Rook (since he knows anatomy so well…).

This is it. Thank you very much for reading. Now that all of this is out of my system, I can go back in peace to my boring thesis. If you already know some fanfics with one of those subjects, please tell me. I’m trying to check on AO3 often, but I don’t always have the time.

[confusedlamp]

This is good advice, but I wish to share the very strange way that I mutually ended my first relationship when I was 19. We planned it. Literally.

Context: We had been dating about 3 years, two of which had been long distance with video chat on a nightly basis, so we were very close and spent a ton of time talking. It was also his first relationship.

Around November, we both came to the conclusion that we were not compatible in the long term as far as life goals went, plus we acknowledged we were young and should probably get the experience of dating other people. However, we very rarely fought - we debated a ton, but we usually were able to calmly talk out any actual problems. So we acknowledged we would not break up after a fight. The logical thing would be to break up right then. But, we enjoyed dating each other. It was fun! So we decided to put it off. But, we also knew that we didn't want to put it off forever: we needed to pick a time.

Right before the holidays didn't seem like a good idea. Plus, having a "new years kiss" is nice. Then, valentines day is fairly early in the year, and it would suck to be recently single during that. We did want to break up in person, so we pulled up our respective school schedules to see if our spring breaks overlapped, so we'd both be in town. They did! Okay, but we didn't want to not hang out during spring break, so we shouldn't break up until the end. But we also wanted have at least a day after before we had to go back to school.

We chose the second to last day of break, which would be in mid-March, which would be in 5 months.

Spring break came, we hung out. Did a bunch of the stuff we liked- board games, movies, sex, hikes, etc. The second to last day came, we hung out some more. Then, at around midnight, we unchecked the boxes on Facebook that said we were dating and I drove him home.

We did go a brief pre-agreed two week period of not talking, to let us adjust to not dating. And it was very awkward when we first started to interact afterwards. But it did work out and he remains one of my best friends a decade later.

I can't say I recommend this for anyone else. But I also don't regret breaking up this way? I very much enjoyed those last 5 months of us dating.

Anyways, that is how I had a break up, mutually planned 5 months in advance.

"The right time for a breakup is pretty much when you know you want or need to break up. There's never going to be a perfect time when you can be sure no one will feel hurt, or when the other person won't be angry or disappointed with you. If you're waiting for a perfect time, you're going to be waiting forever.

That said, be kind with your timing. Holidays or birthdays are awful times to break up with someone. Same goes for around big exams or competitions, or when a person is in the midst of a serious crisis outside the relationship, like a problem with their own health, a death in the family or another major crisis. Sometimes that timing is unavoidable, but when possible, a better tactic if you're feeling the breakup mojo coming on during those times is to ask for some space, or to focus on the friendship part of your relationship during those times, and then do a breakup after the holiday, stressful time or crisis has passed or calmed down.

Splitting up is something to ideally do in person, face to face. Texting or voice mail are great for reminding someone to pick up the milk or sending a cute note, but as ways to split up with someone, they're best to avoid if you can, since they usually feel pretty rough on the other end. If you're in a long-distance relationship where a face-to-face meeting is impossible for a long time, or could only happen at great cost to both people, choose to split with something like a long phone call or a tool like Skype where you can talk face-to-face virtually."

From Should I Stay or Should I Go? by Heather Corinna