#it’s just a sad story about what can happen to us when no one around us BELIEVES us

[prapaiwife]

If the thame po episode 10 made u mad then that's a good thing it's supposed to be infuriating that in this year 2025 this behavior is still happening. I've seen some say this is overdone but it's not this conversation will always be had over and over cause it's not simply reaching some ppl at all which is sad truly. Alot of "fans" intrude into these idols lives and make speculations on speculations about them over every little thing on who they're dating or seeing potentially! Just spreading misinformation even going as far to prove their sexuality is actually this when it's not the other which is another conversation to unpack. Fern is a grown woman working her own job who has this love for Mars running their fanclub and her reaction didn't shock me one bit. The way they handled that scene with her and po had alot of compassion to hear her out to an extent! Cause someone watching this who can relate to her or a her can not be so quick to be argumentative and defensive. And fern isn't even on the extreme side of what we typically see from "fans" it just goes to show it effects everyone which we all know. Also the company or companies are also the ones working behind the scenes of it all and will manipulate and plant stories to derial us. That is very important not everything is the idol the lables move in secret and use the fans even. But to end this william went Iive yesterday on his bday and said this to end the live and i think we all need to hear it even if u already know it, it doesn't hurt.

"i just want to wish everyone lots of happiness. no matter what happens, don’t stress too much. i just want everyone to love me. if you love me, i want you to love the people around me too. i want you to love a lot. i want you to love everyone. whoever i love, i want everyone to love them too. this is a request from a kid who just turned 20"

Trans

[scrumptiousstuffs]

Hey anon here

I know I will be sounding very stupid here and as much as I love being a delulu fan but I know how the bl industry works and as for a fact the entire entertainment Business for that matter, it's about engagement and fan services, I saw almost all the couples of gmmtv put stories about their dates and how they celebrated their valantine with each other but then realistically speaking I know for a fact most of it was fan service coz no way each cp in a company is dating each other so what's your take on this whole thing, also I'm not saying they are faking it or something like if some of them are dating then that's really good but all of them it's hard to believe

Also I'm a firstkhao fan and well as much as I wanted them to post something just to feed my delulu but then they didn't and that's so them and how many chances do you think of them dating two different people is true as I saw on fan speaking about it and I know it was for fun but then why not it's their Life after all and we are just fans who live them together

Hi anon.

So, I’m not going to say I know much about how CPs and the entertainment business work.

However, I think you are right in saying that most official CPs (and even some who are not - like Kapook and Ciize!! 😉) put up some sort of photoshoots or coupl-y type of activities (either going for dinner/sunset dates or making reels of giving each other beautiful bouquet of flower etc.) are doing a level of fanservice - be it for the fans to squeal over, promoting their upcoming series or to attract engagement to better their work prospects.

But I also feel most of these CPs are genuine friends in real-life and for them, doing these sorts of activities are fun for them. After all, you get to hang out with a close friend whom you cherish, even if you have to put up a photo (or 2) +/- video reels on your social media as an “obligatory post.”

What I do feel somehow sad for the CPs are when fans (+ media outlets) keep asking insistently “what are your plans with so and so?” - I’m pretty sure JoongDunk got asked multiple times these questions leading up to Valentine’s Day. And then asked again during their recent work event on 14/02/25 - what their Valentine’s dinner plan is? What gifts did the boys buy each other? How do you guys show each other your love? (Or something to that effect) - cause I saw Dunk (to his credit he was very professional), answering that Joong’s way to show love is by physical affection while he showed his by cooking/baking with Joong always the first one to taste his food.

Maybe I’m in the minority, but my personal opinion - if the CPs want to tell us, they can do so without anyone else badgering them about it through their social media posts at their own time and choosing.

As for FirstKhaotung (they are also my OTP 😂anon!!!)…I admit I was puzzled when the fans are disappointed about the lack of “Valentine updates” from them.

Firstly, both boys wished the fans “Happy Valentine’s Day” on Twitter (even if First was trolling us with a picture of P’Tha in the middle of him and Khaotung 🤣)

Secondly, both boys posted IG updates of them wishing the other Valentine’s Day with song choices that I could only interpret as love confession to each other… 🙂‍↕️🙂‍↕️🙂‍↕️

Thirdly, are we all that surprised the boys don’t put up videos/pictures of them giving each other flowers/chocolates? (Or doing couple photoshoots?) - I get the feeling they are just happily nesting in Khaotung’s brand new house with 3 fur babies around them while playing video games after perhaps brunch/lunch + shopping together (cause let’s be honest, that will be their version of a perfect Valentine’s Day).

So , Iike you anon - I am not surprised by the minimal Valentine posts/photos from them (in fact, I was pleasantly shocked the IG posts from them happened at all - which led me into more delulu land hahah)

As for them actually dating another person 🤷🏽‍♀️…who knows. If/when it happens, I’ll cheer them on. However, all I know is that whoever is dating First/Khaotung, will actually be dating them as a set rather than one person 😂. My head canon is that F/K going on a date with someone, and the bestie who is NOT on that date will just tag along anyway 🤸 …

[ihopesocomic]

It's 2025 and it's been years since the last episode/update: can we as a species please move on from shit like MP? Every time I read about some new defense that MP fans are coming up with just so they can watch it guilt-free, I can only sit and think why? Even if the show was written decently: the creator is transphobic, she slapped multiple people (including a trans VA) with false allegations because her fweelings got hurt and she bailed rather than face criticism. Stop supporting her already.

I think the saddest part of all of this is Tribble doesn't even like her fans. So many creators in and out of the industry keep in contact with their fans because obviously without them, they wouldn't be where they're at. There's an innate gratefulness there. Tribble can't even be bothered to tell her fans that Season 2 is never happening, she's never making a comic, or whatever crumbs everyone is groveling for. I'm sure she'll be back if she needs some money from Makeship or whatever, with continuous months of no news. Is that someone who respects you? Is that someone who's worth your undying fealty?

I know a lot of her remaining fans are young teenagers who would rather watch a cartoon than read, but no one's forcing her to do a cartoon or nothing with her own content. She's already offered to write it as a book (like she also offered to do with COTW) but then she says she's only willing to do it if people subscribe to a Patreon, therefore getting fans' hopes up for no good reason. Whatever her reasons are, she certainly has enough drive to test the waters and see how far she can get by doing the least amount of work possible. Proof is in her community tab for the doubters who insist we're wrong.

Tribble always intended to leave because people were already openly criticizing her and seeing her for the person she truly was for nearly a year before we said or did anything. Because she's a thin-skinned coward and because MP wasn't raking in the opportunities she thought it would (who could've predicted this?). Her fans just don't want to accept this because 1) the mental gymnastics of blaming us for "driving her away" are too great to resist and 2) they don't actually care about what she did and actively play things down as opposed to us saying that her show isn't that great. God forbid.

You'd think that RJ having followed her work for years and us having years' worth of conversations with people who have worked for her on top of everything else out in the open would be sufficient evidence that we're not just making shit up. (Ironically, making up reasons to like/hate something is what these people excel at.)

Some have come to terms that Tribble just used them so she can get paid and bounce, but too many still have a vice grip on this embarrassing slop that only exists because Tribble has Warrior Cats views on Youtube. And since people confuse YT popularity with quality, well, we all know the ending to that sad story. Because of that mentality we get more slop like HH/HB.

The majority of these people have to make something up in their head to "defend" MP's writing, like quite literally all the "explanations" for characters' actions are 100% fabricated and was more effort than Tribble put into her own show, so how exactly do your headcanons cancel out anything that's there in front of your face? And these are the same people who have the temerity to say shows like Big Mouth and Velma are bad but MP and HH/HB are good, when MP and HH/HB are also offensive shoddily written dreck made by privileged individuals who don't care about you until they want more money from you.

And then people want to turn around and say IHS sucks because it's "not realistic" (even though we've never said we're trying to be realistic) or "just like Warrior Cats or TLK". Pick a real reason to not like our comic, I'm begging. If our comic was "just like Warrior Cats", hell they'd probably like it because it would have no gays and enough ableism to last them a quarter of a century, ha. But I'm clearly not interested in pandering to these smooth-brained goons whose highest standard for xenofiction is "no gays", if they can even get as far as opening so much as a Kindle or Audible app.

And I don't feel bad for saying this. Even other once-fans of MP can concur that current day MP stans are some of the most homophobic, transphobic, sexist, ableist, victim-blamey trash we've ever had the misfortune of giving the benefit of the doubt. (It's no wonder why they like the show so much because the characters - like Hover - enable this kind of atrocious behavior.) Quite a few of these testimonies are on our review alone. And I'm over it. The shit that's going on in the world has driven me to be exponentially less tolerant.

We now live in a point in time where being LGBT+ is considered a legit federal offense and we're just done. Some of you can piss and moan all you want when we say "no" and block you when 90% of your complaints about our comic concern it being LGBT+ and the other 10% is made-up or incorrect nonsensical bullshit that isn't worth writing on toilet paper. Why should we listen to you exactly? Why should we take everything out of this comic that - whether you like it or not - provides solace to people just to satisfy your bigotry that you try and hide behind a veil of pretentiousness? Get fucked. lol

And I am beyond tired having to keep explaining this to people who appear to not be used to the idea that maybe the thing they like has a ton of problems that far outweigh anything good about it. But then they go ahead and take it personally, because people are so chronically online, their identity is welded to "entertainment". Bot behavior, truly.

Even the existence of I Hope So is tainted, simply because MP was so indefensibly awful about queer/disabled representation. IHS shouldn't need to exist, but because of people like this it has to. Some people just want to read something that has animals, queer rep, and no ableism. But to some of these people, we may as well have killed their dog in front of them. We have seen people who have all but made it their life's mission to purposely misconstrue the whole comic. They should thank whatever space fairy they pray to that they're a bunch of nobodies whose only value is being a lolcow.

The best thing I can hope for these people is them moving the fuck on to literally anything else. They'd be happier for it, or less miserable at the very least. There has been so many good comics and cartoons to come out over the last 4 years. Maybe if people removed their head from their ass for two seconds, they'd manage to see some of it. - Cat

[not-poignant]

Hi Pia,

I just wanted to say you are an inspiration to me. I'm in my twenties and also struggling with an insane amount of health issues with new ones constantly popping up, which makes me feel like I will never be able to do anything with my life. Except maybe for writing, because I can do that in my bed and I love escaping into fictional worlds.

I don't know much about your life except what you share in the author's notes, but knowing that you're living life out there and writing these amazing stories despite all your health issues gives me hope. Unfortunately I live in the US, so it's easy to fall into a spiral of doom, but maybe I can be like you one day. The choices you make every day to keep pushing forward, keep doing things that make you happy, is what makes me believe that it's possible for me to keep going, too.

Hiya anon,

Health issues suck, don't they? I started my Crappy Pokemon Collection of Chronic Health Issues in my teens but I remember I really started to get concerned in my 20s when it just kept happening. And kept happening. I think there's a sadness/grief and depression and anger that comes with that too, and a fear.

For what it's worth, science comes up with new medications all the time, new discoveries, new breakthroughs. I have started medications that have helped some issues I've had for 25 years, thinking they'd just progressively get worse. And to be fair, some of my issues do progressively get worse, and I do have new chronic illnesses or chronic or stupid health things come up fairly frequently. And as I'm sure you know, maintenance and surveillance and chasing this shit up is its own job and labour that is extremely thankless.

But outside of that, there is a great radical activism in simply being kind to yourself, loving yourself, trying hard not to see yourself as wrong in the world, as still deserving to take up your space, no matter how much that changes over time.

I have loved ones in my life who spend most of their time in their bed (and otherwise in a wheelchair), all in their 40s/50s, all who have rich lives filled with loved ones. That doesn't mean they're not sad sometimes, or not frustrated with an ableist world (especially around how quickly everyone gave up on us), but it does mean when everything feels awful and despair-filled, they have people who love them, they have hobbies and interests (game coding can be done from a bed, art can be, cross-stitch can be, writing can be, and even sometimes chopping fruit and vegetables can be if you have one of those sturdy overbed tables and can trust your hands), they have things that get better and things that get worse, they all think their lives are better now because it does just take time to...learn how to live in a body that does this when you're younger and had different visions for yourself.

I spend a lot of my time in bed. I need to lie down every afternoon for several hours or I'm non-functional in the evenings and that's on my best days. Escaping into fictional worlds is honestly such a blessing, whether it's in writing or movies or TV or anime or manhwa etc.

Sending hugs and solidarity and much love for how things are in the USA right now, especially for ill / disabled folk. There are lot of people fighting the good fight, so please make sure you take the time to rest, even on the good days, when you might be tempted to push past your limits to get everything done.

It took me forever to stop overspending energy on my good days, and I still do it all the the time, lol.

[sizzymissed]

i get so frustrated bc like… the point of Smile 2 (bc i do understand this criticism of the first one) it’s not to just say like…. ‘oh and everyone who’s mentally ill is bad and evil and gross and hurts themselves and ppl around them and its hopeless the end’ like NOO you missed the point.

When you’re depressed or hallucinating or going through something insanely stressful, it can make you lash out, or make you impulsive and sad and scared, or push away the ppl who surround you. And it can make you feel like the world is laughing at you.

And it’s not Skye’s fault, it’s not happening to her because she’s a terrible person! And the movie isn’t trying to say that it is happening to her because she is a terrible person. But the ‘monster’ that lives in her head tries to tell her that, and tries to get her to believe it.

And the sad thing is that to a point, she does everything right! She reaches out, and she asks for help, and she tries to talk to someone about what’s happening. But there’s no one in her corner, and no support system she can rely on, and no one responds until it’s too late. And it’s sad. And it’s scary. And it’s a tragedy.

And that’s the point, I think. Does that make sense?

[girlivealwaysbean]

i was praised and loved for being the most low maintenance kid in a family with three kids and now i try to make myself as small and insignificant as possible and yet

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[jinwoosbabyboo]

Self-Aware!Sylus x Down-bad!Player

Sylus becoming aware he is a character in a game and now he’s aware of you as well. A modern day Romeo & Juliet story here …. A tragic love story pt. 2 here A/N: Don’t fight me [Requested by: Anon]

Self-Aware!Sylus who realizes he’s in a game when he can sense your energy on the other side of a phantom wall. He can hear you squealing when he calls you honey and you're radiating happiness when you send him random emojis.

Self-Aware!Sylus who finally sees you when he happens to be looking around during a photoshoot and sees your shocked face when he makes eye contact. He smirks and turns back to the in-game version of you. “Why are you out there?” You dropped your phone and stared at it in shock. Did Sylus just ….. talk to you? You muttered a low ‘Hello?’ but got no response. You brushed it off as you just being tired and on the game too long.

Self-Aware!Sylus who manages to create a keyboard in your chat so he can actually text you. You were so confused when you opened it and it allowed you to type without just pressing a prompt. You gave it a spin with a quick ‘Hey Sylus’ something simple. Of course the message was read immediately and he replied with a ‘Hello [your name]’ you stared at the screen in shock not knowing if this was a new update or if you were just going crazy.

Self-Aware!Sylus who chuckles when he sees you pouting because you didn’t get his card so when you close the app and lay down he gifts you the card himself. You opened the app and the first thing Sylus says to you is “I don’t like seeing you sad, check your memories I left a gift for you”. When you open your memories you see that you not only got his most recent card but all of his five star memories. “What's happening here?” “You’re smile is so captivating I just had to see it again”

Self-Aware!Sylus who opens the app randomly throughout the day so he can see you “I haven’t seen you all day what are you doing?” causing you to snatch your phone off the table because he always seems to catch you when you’re at work or around a group of people. “Sylus I'm at work I'll call you when I get off” he crosses his arms and seems to be pouting? “I don’t like how much you have to work I don’t see you as often” “Well not all of us are billionaires some of us work for said billionaires to make a living” “I wish I could take care of you….” “You and me both”

Self-Aware!Sylus who teases you when he wins a game of kitty cards or who uses his evol to get every stuffed animal for you when you get frustrated. “You sure do wear your heart on your sleeves sweetie”

Self-Aware!Sylus who stares directly at you when you’re doing a photoshoot with your in-game MC “Sylus focus on her so I can get the picture” “I want to focus on you though” “She is me” “…..she’s not”

Self-Aware!Sylus who tells you not to fall in love because he’s not real, but he falls head over heels in love with you anyway. From the late night conversations of you explaining your world to him and just talking about everything and nothing at the same time. He can’t help it one night when you’re up late on the phone as always he just has to ask “Do you love me?” you’re shocked by his question, but swiftly answer with a shy “Yea I do”

Sylus: I thought we agreed not to fall in love Y/N: I was already in love you just noticed late Sylus: I believe I fell harder You giggled as something somber settled in your chest. Y/N: We’ll never truly be together you know? Sylus: I know and yet I continue to long for you …. I wish I could kiss you Y/N: I wish you could too…..

Self-Aware!Zayne Self-Aware!Xavier Self-Aware!Rafayel Self-Aware!Caleb

[starsenha]

YAPPER / S.J

Pairing ◊ fem!reader x bf!jake

Genre ◊ fluff, established relationship

Warnings ◊ mention of low social battery, jake overthinks a lot in this, introverted!reader x extroverted!jake

Word count ◊ 1k

Summary ◊ you and jake just started living together, and he had to get used to having an introvertes s/o.

a/n: this is so cute i'll die

The apartment was quiet, a comfortable contrast to the usual hum of Jake’s chatter. You’d been living together for just a few weeks now, but it already felt like home. Jake's energy filled the space—warm, playful, constant—much like a puppy that couldn’t contain its excitement. His endless chatter was something you loved about him, the way he could talk for hours about anything, whether it was the latest indie band he discovered or his theories about the origins of the universe.

But today was different.

You sat at the kitchen table, your laptop in front of you, but your fingers hovered over the keys, unmoving. The day had drained you. You had been running on empty, your social battery flickering like a dying candle. It wasn’t anything that happened in particular. Just… people. The noise. The constant interactions. You craved silence in a way that felt almost physical, like you needed to wrap yourself in it to recharge.

Jake must have noticed.

He hadn’t been his usual self all day. His usual stream of conversation had trickled down to cautious comments, half-started stories that faded into silence when you didn’t respond the way you normally would. He gave you space, which was rare for him, but something you appreciated. You knew how much it took for him to quiet himself.

But as the hours passed, the air in the apartment grew heavier. You could feel it between you, like something unsaid, something tense. And you knew what it was. Jake was overthinking. You’d seen it before—he could mask it for a while, but eventually, it showed. The nervous fidgeting, the glances he thought you didn’t notice, the way he tapped his foot against the leg of the couch, an unconscious habit when he was deep in his thoughts.

You sighed, staring at your screen, knowing you should say something, anything, but the words felt stuck. You just needed a little more quiet. A little more time to recharge. But the silence was dragging on, and you knew Jake wouldn’t be able to take it much longer.

Eventually, as the sky outside began to darken and the city lights flickered on, you heard soft footsteps behind you. His approach was hesitant, unlike his usual bounding energy, and it made your chest tighten with guilt. You didn’t turn around, not right away, but you felt him hovering behind you.

“Hey, babe,” he said softly. His voice was gentle, tentative, as if he was afraid to disturb whatever fragile peace you had wrapped around yourself. “Can I, uh… Can I talk to you for a sec?”

You turned in your chair to look at him, and there he was—Jake, with his tousled brown hair that always seemed to be a little wild no matter how many times he ran his fingers through it, and those big, expressive eyes that were always so full of life. Except now, they looked… sad. His brows were knit together in concern, and there was this slight tremble in his bottom lip, like he was trying to keep it together.

“What’s up?” you asked, your voice coming out quieter than you intended.

“I just… I don’t know. Did I… did I do something wrong?” His voice wavered, and your heart clenched. “Like, I don’t know, you’ve been really quiet today, and I was thinking maybe I… I upset you somehow?” He took a step closer, his hand reaching out, hovering over your shoulder like he wasn’t sure if he should touch you. “If I did, I’m really sorry.”

You blinked, caught off guard. He was standing there with that look on his face—the one he always gave you when he thought he messed up, the one that made him look like a kicked puppy. His eyes were wide, his expression so heartbreakingly sincere.

“Jake,” you started, but he interrupted.

“No, seriously, if I said something or if I did something without thinking, I didn’t mean to. I’ve been trying to figure it out all day, but I can’t—” His voice cracked a little, and he looked away, biting his lip. “I just hate it when you’re upset, and I don’t know what I did.”

Your heart broke a little right then. He was always so in tune with your emotions, so careful with them. You reached out, gently grabbing his hand and pulling him closer. “Jake, you didn’t do anything wrong. I promise.”

He looked at you, his brows still furrowed, not entirely convinced. “Then… why? I mean, you’ve barely said anything all day. You’ve been… distant.”

You sighed, squeezing his hand. “It’s not you. It’s just… I’m drained. My social battery is completely dead, and I didn’t know how to say that without making you feel like I was upset or something. But it’s not you, okay? I just… needed some quiet.”

He blinked a few times, his expression softening, but there was still that little crease between his eyebrows. “Oh. Oh.” His shoulders relaxed a bit, and he looked down at your hands intertwined. “You could’ve told me that.”

“I know. I should have,” you said, guilt creeping in. “I didn’t mean to make you feel bad.”

He shook his head, finally smiling a little. “No, it’s okay. I just… you know how I get.” He laughed softly, though it was a little self-deprecating. “I overthink everything. I just didn’t want to make things worse by being my usual… talky self.”

You chuckled, giving his hand a squeeze. “I love your talky self. I really do. I just… today was a lot, you know?”

“I get it,” he said softly, his thumb brushing over your knuckles. “Next time, just… tell me. You don’t have to worry about me. If you need space, I can give you space. I’ll just… go babble to the plants or something.”

That made you laugh, and the tension in the room seemed to dissolve. “Babble to the plants, huh?”

“Yeah,” he grinned, a little more of his usual energy returning. “They don’t seem to mind. Plus, they grow better when I talk to them, so win-win.”

You smiled, feeling lighter than you had all day. “I’ll keep that in mind.”

Jake leaned in, pressing a soft kiss to your forehead. “Just promise me you’ll tell me next time, okay? I’d rather know you’re just tired than sit around thinking I did something terrible.”

“I promise,” you whispered, leaning into his touch.

He smiled, pulling you into a warm embrace, and in that moment, you were reminded of why you loved him so much—his warmth, his patience, his understanding. Even when you were at your most exhausted, he knew how to bring you back.

"Good," he said softly, holding you close. "I love you, you know that?"

"I know," you murmured, resting your head against his chest. "I love you too."

And just like that, everything felt right again.

[bellanothadidloa]

I've been receiving a lot of inquiries since sharing my success story, and while I'm not planning to start a blog, I do want to address some common questions here.

Did I manifest everything from the void?

Yes, everything I listed was indeed manifested when I entered the void, as outlined in my story. I've had some successes with various experiments before, but none reached the level of my most recent attempt.

What was the most crucial factor in achieving the final breakthrough?

I wish there was a straightforward answer, but it probably boils down to the realization that no matter how much I complained or cried, I was determined not to give up. I would read success stories and find myself in tears because they mirrored the life I aspired to have. I wanted to shift realities, be wealthy, happy, and beautiful—it might sound vain, but that's what I desired. I longed to feel free, unbound by any world, and to pursue my own path. Who wouldn't want that? At some point, I asked myself, would I still be trying to shift at 30, while struggling with dietary issues caused by gut praxis disorder? If the answer was yes, what did that mean? It meant I wasn't going to give up. So, I kept trying different things, knowing that eventually, something would work. Inner work is essential, but I believe it's inevitable. The longest journey I've seen took seven years. Do I want that for myself? Absolutely not, but what if it happens? The very acceptance of that possibility means you're not giving up, so what does it matter?

What method did you use?

As I've mentioned, I've tried every method. The final one that worked was the morphic field. I don't really care whether it was the morphic fields or something else that clicked within me. As I mentioned earlier, I realized I was sad, but I knew I wasn't going to give up, so I let myself be sad. Who cares? Let me be angry; I'm still not giving up. So, why fight those feelings? I cared and was disappointed and scared, but I just decided to trust in the fields because, in the end, it didn't matter whether they worked or not. I wasn't giving up.

How do you feel now that you've achieved your dream life?

I've managed to transform my life and self-concept, and along with being incredibly happy, I feel a mix of sadness for everything I endured and pride for how I pushed myself before succeeding. Initially, I thought it would be hypocritical to say I love myself after I changed everything about myself, looks and life, but I realized this is my life, and I'm still the same person, just with desires that now align with my reality. Why would I want to be unhappy in a life that makes no sense to be sad in? I don't believe anyone deserves or doesn't deserve anything. Do what you want, pursue inner work if you wish, or just manifest your desires. Personally, I didn't feel the need to do the inner work after manifesting my dream life, but I know some people do, and that's beautiful too. Life is just beautiful.

How to mend your relationship with the void?

The only advice I can offer from my experience is to acknowledge that you're not giving up on it. It reminds me of toxic relationships where despite infidelity, they say, "I know where home is." Unlike those misguided people, the void genuinely serves its purpose and supports you. It already knows its home is with you, whether you realize it or not, and that's all that matters.

How did you exit the void state ?

Exiting the void was a simple experience for me. I simply took a deep, calming breath and set a clear intention to leave. The sensation that followed was like tunnel vision, where everything around me seemed to narrow and focus. This was followed by a profound sense of detachment from any sense of self, almost like becoming weightless or losing a sense of individual identity. When I finally opened my eyes, I found myself in a completely new room, confirming that I had successfully transitioned out of the void and back to reality with everything on my life

Did everything you wanted come true?

Oh, absolutely—and then some! I ended up getting things I didn't even know I wanted. The way I look now is even better than my Pinterest boards ever dreamed of. Like, I had this idea for how I wanted my room to look, trying to mash together different vibes and aesthetics, and it turned out way better than I could have pictured. I was stuck between wanting a curvy figure and that sleek Bella Hadid look, but somehow I got the best of both worlds, which is exactly what I was hoping for.

I wasn’t even thinking about changing my eye color, but it happened, and I absolutely love it. I thought I'd revise old friends, but instead, I found new, amazing people who fit into my life perfectly. Now that I’ve got a better sense of self, I see this is exactly what I really wanted deep down. Everything just fell into place so perfectly, and it feels like I've finally got a handle on what I truly wanted all along.

Can you manifest things for other people?

Well, yeah, but it’s kind of like it's really just about yourself in a way. I mean, there have been times when I managed to manifest things for my brother, but oddly enough, I struggled to do the same for myself. It's weird, right? I don't fully understand how manifestation works in every detail. I just kind of go with the flow and assume it works the way I want it to. If I can pull off all these manifestations, then why not just trust that I can manifest whatever I want, however I want it? That's the mindset I've adopted, and it seems to work for me.

What's it like being a master shifter?

It's like waking up and remembering who you truly are, and almost laughing at all the suffering you experienced. When you think about it, you might have lowkey created that suffering yourself, which is kind of sadistic, but instead of holding onto any negative emotions about the journey, I just appreciate my life more. It’s a mix of joy and bliss. I still remember my old life, sure, but somehow, this new reality feels just right. It's like destiny exists, and I’ve finally found mine.

This concludes everything for me, and I’ve decided I won't be continuing my blog any longer. I've shared a lot of helpful insights in the past, but I won't be actively posting from now on. Thank you all for the love and support. I’ve reached a point where I no longer have a reason to continue here, and soon, you won't either. Goodbye and take care!

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[nobodyfamousposts]

Scarlet Lady Top 10 Favorite Characters: Number 10

For @zoe-oneesama

Number 9 Here

Okay, I realized as I was writing these that there is way way WAY too much to each of these and why to be able to put them all into one post, so I'm breaking them down into individual essays focusing on each one to keep them palatable.

So without further ado....

Number 10: EVERYONE

Yeah, I know it may be cheating but at this point it was the only choice I could make.

I came to regret making this list, specifically because I couldn’t seem to make up my mind as far as who all would be on it. I reread the entire series. I kept switching people in and out as I was reminded of characters or scenes I loved. And I came to a realization that there is no character in the whole of this series I didn’t enjoy to some extent that they didn't deserve some love in this list and I kind of wish I could have added all of them just to give them all some spotlight.

Yes, it is partly because everyone is vastly improved compared to Canon. But as I reread the series, it came to mind that if Canon didn’t exist and I didn’t have the comparison between the characters, I still very much would have loved this series and everyone in it.

Cause and Effect Exist

It's important to have a setting in which the characters and their actions make sense for the world they live in. When the setting is supposed to be modern day earth, we need the people to be able to show that they are capable of surviving in it on a day to day basis without being so massively incompetent that they would do something like accidentally ingesting poison. Or forgetting how to breathe.

I would think it would be obvious, but sometimes Canon makes me wonder. Which is never a good look for a show that is supposed to have some level of seriousness and involve superheroes.

Here’s the thing Canon can’t seem to get: when a majority of the things that go wrong in a plot are because of everyone having to be stupid to make the plot work, you have a problem with the writing. Changing the material in a story so that younger people can enjoy it does NOT mean dumbing down the characters and throwing in arbitrary lessons with no real reason to them. Even if the show itself is geared towards kids, you can’t treat the audience like they’re stupid.

In Scarlet Lady, the people aren’t stupid.

Silly, yes. Wrong, often. Overdramatic, definitely. But while they may make stupid choices sometimes, they aren’t so dumb that anyone should have concerns about their ability to function at a higher level than an overcaffinated 2 year old.

They’re fooled initially the way many of us would be with a biased story that hits the news first. Oblivious to the problems in a situation that they logically wouldn’t have much direct insight into. Prone to making mistakes and incorrect judgement the way that anyone would. That's normal. That's expected.

But they’re not so incapable as to forget things that happen right in front of them between one day and the next. Or even between one scene and the next.

Things carry over. We see cause and effect. We see consequences—bad and good. And those consequences extend not only for the episode or season but for the entire series.

Aurore KNOWs Alec cheated her before and maintains a tight control over him and prevents more of his antics.

Adrien and Alya maintain a cold attitude towards Lila for some time after her reveal as a liar. And it even remains a point against her as used by Chloe as herself and as Scar to discount what she says.

The boys of the class remember Adrien’s “love letter to Marigold” and try to win him her merch because they’re bros like that. 

Adrien himself remembers the instances of his dad being a massive prick and instead of being surprised and “sad boi uwuwu” each time it happens like it’s supposed to be a surprise that the massive prick would choose to be a prick, he very clearly moves through the stages of grief to the point of a sort of acceptance that involves planning around and even for him.

Gabriel’s horrible parenting and general lack of concern for Adrien or his wellbeing as he ends up a casualty of various akuma attacks was played off for laughs when such incidents occurred. Then they were brutally called out against him in the Finale as a way to counter his claims of doing everything for Adrien’s sake. And the big reveal of the Birthday Scarf…utilized in the last way anyone would have wanted.

And Chloe is perhaps the biggest example as her antics ARE NOT forgotten or ignored by anyone. The classmates still interact with Chloe and are relatively nice to her, but they don’t just forget that she’s treated them horribly. They don’t act surprised when she does anything horrible. Nor does anyone just laugh it off or excuse it as “just who she is”. We see follow up to her behavior—the class fully expecting her to cause trouble and actively try to plan around it. People calling her out on past behaviors. And even bigger consequences as time goes on. Such as Adrien breaking off the friendship. And a blink and you miss it fridge logic moment in Ikari Gozen when you realize that when they said she was banned from all future Gabriel-involved competitions, they meant it.

The fact that by the time the big reveal happened that Chloe was Scarlet Lady, no one was shocked.

Story-wise, this is showing the passage of time and the effect the events of the story are having. It’s showing that there is lasting impact and that what happens to the characters matters.

Meta-wise, this is Zoe rewarding us for paying attention.

Continuity exists in Scarlet Lady. Time exists. The people exist. When anyone does anything, you get the sense that they aren’t operating in a vacuum. The things they do matter. There are consequences. There is an impact. And if there is an impact in the story, there will be an impact on the audience.

Which leads to…

Character Depth/Character Growth

Usually in TV shows of this nature, if there ARE character arcs for the side characters, they only occur over the course of a single episode devoted to focusing on them before moving on elsewhere. 

Canon didn’t give us that much at all in favor of having every episode that should focus on other characters learning and growing instead forcing Marinette to be wrong in some way and learn an arbitrary lesson that often would have better served for someone else.

In Scarlet Lady, the arcs we get are impressive for all that they’re relatively unobtrusive. They aren’t big. They aren’t world-ending. And the thing is, most change in life isn’t. It can just FEEL that way.

Like the way it felt for Kim when he first found out Ondine liked him and then had his confession to her screwed up.

And the way it felt for Kagami when she lost that first match against Adrien.

Then there’s the way it felt for Chloe when she was dismissed by her mother, had her popularity go downhill, and ended up losing her Miraculous.

…or the way it felt for Adrien when he discovered his dad was Hawk Moth.

The reactions we witness are in a great part due to actions outside of the characters’ control, but are ultimately a result of the experiences they have had and the ways they have changed as a result.

The question becomes: are the characters that we meet at the beginning pretty much identical to how they are at the end? Is the world?

The answer in Scarlet Lady is no.

Whether because the characters themselves change or our perception of them does, we can see that they have all undergone some sort of events that create a difference between the start and end points.

Not all of them HAVE to undergo some big emotional arc. Not all of them NEED to. But the characters still mostly go through some sort of growth by the end that I feel make them stronger and healthier people.

You’ve got the big life-altering changes like Lila and Sabrina.

You’ve got the little changes like Nino and Ivan.

You’ve even got the most minuscule, beginning stages of change in Chloe.

You’ve got growth that creates such perfect setup with Mylene when she starts off scared and traumatized by how things went with Stoneheart then is the one who confronts him in the end. And the parallel between the finale and the beginning when she returns him to normal by kissing him just like they did in that first episode to change him back then, too! (Just….GOD, I CANNOT GET OVER THIS!)

You’ve got them reaching out and making friends and relating to people they hadn’t before.

And by the end of it all, we get characters who feel like people rather than props.

They don’t all have to change. They don’t necessarily need to go through an entire emotional arc and back again. They just need to be part of the world they’re in.

Nino doesn’t just pop into existence when Adrien or Alya need someone to interact with. Kagami isn’t just a non-horrible or non-evil love rival for Adrien or a stepping stool for him to “practice“ at being in a relationship before it’s time for him to try the “real thing” with his endgame pairing. Luka isn’t just a decent guy who is the only actual form of support for the female lead and yet only lacking that precious “male lead” title or all around just not “Adrien enough” to fill the role.

Adrien isn’t just a “sad boy” meant to be a main love interest, Villain’s Morality Pet, and the one everyone idolizes and chases after just cuz he’s the male lead and that’s how you show he’s desirable I guess. Marinette isn’t the atlas keeping the story alive because no one else is apparently capable of learning lessons and changing, or even just the bare basics of functioning as individuals. Chloe isn’t just there to be horrible for no reason and get away with it so she can continue to be horrible until the writers suddenly need her to be sympathetic.

And the rest of the classmates aren’t just some Greek chorus there to fill the background.

We see them interact. We see them making jokes or jabs. We see them even…*gasp* having different opinions!

And on something as major and life-controlling as feelings about the “Hero of the City” no less! Why, that’s the sort of thing that would break up friendships and determine who you can sit next to at the cafeteria! The horror! The scandal!

And…oh hey. This puts the characters in different groups. It links them with characters other their Canonically designated pairings and groups. This lets them disagree on things and not need to vilify any of them. This creates implications that add depth to the story and to the people in it.

The characters can disagree without being enemies. They can be wrong without having to be evil. They can make mistakes without having to be stupid. And they can change and grow—both for better and worse.

And we see both and in different ways. SO many different ways.

Adrien goes from excited and impulsive to buckling under the forced responsibility and weight of a partner who hinders more than she helps.

Lila goes from selfishly bad and self-serving to selfish but friendly with better direction of her talents in a less self-serving way.

And Chloe just goes from selfish and bad to selfish and worse..

I mean, it says something that the combination of Lila’s growth and Chloe’s fall from grace resulted in Hawk Moth being unable to use Lila as a tool for his Heroes Day plot like he originally intended.

The key is that whether they necessarily grow or become better people, these characters are still IMPACTED by the events around them and AFFECTED as a natural result of the world they live in. 

You can’t help but feel for them in some way as a result. It’s part of why I love them.

The other part of why I love them is a bit more epic though…

Crowning Moments of Awesome

If there’s one thing I love, it’s seeing characters be awesome. I love it when characters get to be awesome. I would love to see more of it. Especially when the ones involved are characters you wouldn’t normally expect or get to see have a chance to shine.

And it’s when you see these characters be awesome that you really get the sense that yes, this character would work as a hero.

Seeing Max help against Robustus. Seeing Kim help against Odine. Alix stepping in during Pharaoh, calling out her brother’s fan fiction, and helping the heroes escape the security system at the Lourve. Alya stepping in during Copycat to clue Chat in to what’s going on and later keeping Anansi distracted to keep her away from Chat while he’s trapped. Rose kicking Nightmare!Chat in the face to defend Marinette even when she’s dealing with her own nightmares in Sandboy. Luka leading groups twice to stepping in and helping the heroes deal with akumas. Nathaniel standing up for Marinette and Sabrina when they’re accused in Rogercop and then helping the heroes in Reverser. Seeing the entire class step up to try and protect Marinette in Befana. Seeing all the friends working together to compete in the Friendship Contest in order to protect Adrien from a less serious but still potentially terrifying outcome.

These little moments of support make such a big different and really make it make sense that the heroes would trust these people with magical jewelry to help them in battle.

And the little moments of characters being petty or strong or smart or turning the tables or just showing off what they’re capable of. Even without superpowers.

Adrien getting petty revenge for Nino and finding a tactic to counter Gabriel in the future.

The Police Force in Rogercop just saying “Nope” to obeying an obvious akuma. 

Zoe manipulating akumas twice to help the heroes. Her two Reasons You Suck Speeches to her mom and Bustier.

Every instance of payback that Tikki gets against Chloe.

Everyone in the Finale. Just…EVERYONE in the Finale. The characters who manage to avoid akumatization by either spotting the flaws in the illusion or refusing to give in to fear and even protecting others. Nora smacking any akuma that enters the home. Claudie pulling off Power Mom and ordering Max to stop attacking the city then helping to calm him down. Prince Ali and Juleka freeing Rose by kissing her! Chris, Ella, Etta, and Manon saving Mylene! Mylene saving Ivan with a kiss in a direct callback to how they first got together in Stoneheart! (Yes, I am still stuck on that!) Ondine saving Kim! Lila and Sabrina saving Alix! Luka facing Riposte alone and unarmed and then Kitty Section saving Kagami! ALL of the Heroes making a final comeback to help take down Hawk Moth for good! Just—AAAAAH!

How could Miraculous have peaked with this in Season 2 when this is Grand Finale material? Because there are few things more awesome than getting to see ALL the characters the heroes met and befriended and helped throughout the course of the story stepping up at the final battle to help take the Big Bad down!

Like…can we just take a moment to appreciate how everyone gets a chance to stand out in some way? Not all of them necessarily good, exactly (looking at you Andre). But still stand out and be memorable. Even characters who didn’t originally get much focus. Especially characters who were originally functioning as cardboard cutouts to fill a scene.

Anyone remember Aurore? How for the FIRST akuma in the pilot of the series and one who is quite frankly the most interesting and noteworthy, we don’t really get to see her again except in the background.

In Scarlet Lady, we got to actually look in to the contest and how she lost as well as the aftermath. She wasn’t some arrogant showoff who deserved to lose to the “sweet down to earth rival”, she was a girl who legitimately tried her best and had valid reason to be upset. Seeing her get revenge on Alec for cheating and humiliating her on live TV was well worth it.

Or how about the Photographer? Just there to take photos of Adrien in the park for a photo shoot or be the school photographer, but otherwise has no personality and is only remembered for his weird “spaghetti” line.

In Scarlet Lady, his role is two-fold. He acts as a sort of supporter for Adrien in his crush. Taking really good pictures of him being happy with the girl he likes. Taking more class photos at the behest of this girl for the sake of a friend who missed out on the class picture. And then there’s his OTHER role as a sort of antagonist to Chloe. He becomes one of the only ones in the early seasons willing and capable of dismissing her tantrums.

They’re both given more character. They get moments to stand out and BE awesome. So is everyone.

EVERYONE. From the classmates and big named characters we see regularly to the side characters who only appear once or twice. They all get some good scenes and focus that give them their own identities. All of them are memorable. None of them can really be ignored or forgotten. And part of what made making this list so difficult was that I found myself getting attached to pretty much everyone as I came across each of them that I couldn’t quite make up my mind.

Everyone in this fic has done something to make me happy and warrant my approval. Even the characters I normally wouldn’t like at all had their moments to shine and elicit an “okay, that was cool” from me.

Thus I grant this spot to everyone. To all the characters I don’t get the chance to mention. To all the ones I like albeit somewhat less than others. To all the ones I know are horrible but can’t help but like regardless. To all the ones I fought with myself for THREE MONTHS over which one would get this spot.

I love all of them.

[luckykiwiii101]

😭😭😭 I ENTERED THE VOID STATE AND IT'S LITERALLY CHANGED MY WHOLE VOCAL CORDS!!! Like, WHOA. 😱 You guys don't even understand. Before all of this, I was a mess. Lemme tell you the full tea.

So like, I used to cry at night, scrolling through Tumblr, seeing everyone else manifesting their dream lives while I was stuck in the same old cycle. 😩 You KNOW the feeling! I even DELETED my Tumblr at one point because I was SO sick of seeing everyone else actually living their dreams, but then I would redownload it like the next day because I couldn't resist!! And then...the whole studying-for-exams thing? LOL don't even get me started. Like, I'd be like "I'll just enter the void state before my exams and manifest straight A's or whatever" (spoiler alert: I didn't.) I'm never really failed any subjects. At least not badly😬

I was starting to get frustrated, right? So then, one day, I was like OKAY, FINE. TIME TO ACTUALLY DO SOMETHING. And that's when I started SATS (State Akin To Sleep). It sounded crazy at first, but honestly, I was down to try anything! (Even while coping with my MADD. Yes I'm one of them. No I'm never getting rid of it.) So I started visualizing my dream life, and LET ME TELL YOU, I GOT SO DETAILED. I was in Velaris with Rhysand (I'm an ACOTAR fan), feeling his WINGS!!! I was literally touching them and just imagining how amazing it would feel to be surrounded by magic and beauty. And I wasn't even thinking about entering the void or anything. I was just feeling the vibezzz. Like, I know that it felt real, and that's what mattered.

Fast forward to a month and 3 weeks of doing SATS (Yes, I skipped some days, but WHO CARES? 😤). And guess what happened? I woke up today, and BOOM! I was in the void! Like, I didn’t even need to know how it happened, it just DID. I just said "Anything i say comes true exactly the way I want it." I said it over and over and over. Until I decided it was enough. Then I thought of leaving, and I was back in my room. Thank goodness I didn't think of leaving when I first entered, because this was literally like a lifetime opportunity I couldn't screw it up.

I actually had to safeguard myself, by saying "I am not impulsive". And the urge to say nonsense just disappeared ✨ That was the first thing I said when I woke up. So I wouldn't say any crazy shit. And so I was sitting there, ready to just start manifesting everything I ever wanted. I even started writing my script. maybe that was just an adrenaline rush.

But here’s the thing...GUYS, NOW THAT I’M HERE....in my room with this "ability"...I’m actually kinda missing my old self. Not the sad, desperate me, but the me who was SUPER EXCITED about just wandering around Velaris at night and dreaming of all this happening. Like, I actually miss that excitement. Looking through Pinterest and seeing the interior of a mansion, and be like "I'll be there soon", seeing pics of tasty food on instagram and saying "I'll eat that soon" I know it sounds crazy, but when you finally get everything you thought you wanted, it’s like...IDK...a little too perfect? 😬

Like, I know this sounds wild— and weird, but it’s TRUE. It's true for me right now. I'm gonna be blunt. The success story is not as exciting when you’re like actually living it, you know? Or maybe it's just me. Like, I’m just over here typing this at 4 AM, feeling kinda melancholic. And kinda (scared). Yes, I wanna enjoy my desires, but... I don't know. I don't want to get too curious and stray from Velaris trying to find out the secret behind ALL of this. For goodness sake, this is crazy!!! My voice is a genie!. It's already bugging me now. I know, I KNOW, this is probably not what you expected from a success story, but I’m being REAL.

I’ve written like 3 pages of my script so far, and I’m just gonna finish it tomorrow. No rush. Because honestly? Rhysand’s not going anywhere. 😉

And YOU can do this too. I know some of you might feel like “Oh, it’s impossible, I keep failing!” but like, just take a second and realize YOU'RE ALREADY GETTING CLOSER THAN YOU THINK. I was stuck too, and look where I am now. Don't look at the part where— I'm kinda ungrateful. But the part where I'm finally gonna meet Rhysand. YOU’RE SO CLOSE. It’s all coming together, trust me! 💖✨

But yeah, it’s 4 AM, I’m gonna go back to bed now, lol. Don’t let the void stress you out, okay? Take it easy. You’ve got this. ✨✌🏼

Also, love you kiwiii💖💖💖💖

SUCCESS STORY

XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL

First of all, I’m so happy for you and proud of you. You really put your foot down and gave yourself what you wanted.

I can understand what you mean when you say the success story isn’t exciting when you’re actually living it. But when it’s right in-front of you, it doesn’t feel like this out of reach thing you’ve put on a pedestal anymore. It’s just yours. And it feels normal.

But for some people, I think a big part of that came from the dopamine rush people would feel when they’d tell themselves that they’ll have it one day. And when they have it in the 3D, they just feel peaceful with it because there’s nothing to “chase” anymore.

I agree with most of what you said apart from “you’re so close”. With the law of assumption there is no process. You ARE the void. Anyway enjoy having your desires. I’m really happy for you!!😭 Love you too beautiful ♥️

[cripplecharacters]

Does Your Scarred Character Have to Hate Themself?

[large text: Does Your Scarred Character Have to Hate Themself?]

(TLDR: No.)

A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?

*- rhetorical question. I promise I know the answer, but I'm not sure if writers do.

It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.

“But trauma!”

[large text: “But trauma!”]

Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences.

“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.

“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?

Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.

And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this. "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis and somehow no other symptoms", not all facial differences are "traumatic scar with somehow no nerve damage".

The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.

Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama. Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?

Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.

To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.

Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.

Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.

Reading comprehension quiz time: Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?

The Masterpiece

[large text: The Masterpiece]

From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.

“My Face is a Masterpiece”

Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing.

But why do I bring this up?

Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust. 

Why can’t writers keep up? Why are you still stuck decades behind?

Is this the only reason I bring it up?

The Call to Celebration

[large text: The Call to Celebration]

FEI, the org behind organizing it, asks a very simple question (emphasis mine):

“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries.  You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”

Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.

The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.

For once, celebrate us. Happy Face Equality Week!

mod Sasza

[etheries1015]

Fem!MC X platonic Twst - missing the "girly" things.

General warnings: Fem reader, very Self-indulgent. If you don't relate, please keep scrolling along <3 not very proofread. No pronouns are used, but the concept of "girliness" and "girlhood" is very strong.

The boys have noticed their prefect act a bit different lately...a cloud of loneliness hovered over your head. As the only girl of Night Raven College, it was incredibly easy to feel left out and miss the things you were once interested in back in your world. You held a strong façade of prestige and uncaringness, but what happens when that mask begins to crack? How will the boys of NRC put your woes at rest? ...with a wonderful slumber party, of course!

First coming to Twisted Wonderland, not many could tell you were well-versed (Or at the very least, incredibly interested) in clothing, face Care, and jewelry. Although your personality screamed more or less "Gremlin" at times, and were a "well-known and respected honor student" all the same- you had a rather "girly" side to yourself.

However, you had limited options on having a non-existent budget, but a few of the students took notice of the longing in your eyes whenever you passed by something you desired to have back in your life. The cute earrings, the pretty dresses and skirts, the headbands...a mix of classy and modern, things of that nature.

The first time you were able to get your hands on a half way decent outfit that suited your tastes and you wore it out, others stared in shock. You were still the cheery and "weird" gremlin prefect that had crude humor and silly dance moves, yet something about seeing you in such...frills and 'flamboyance' was not what they were expecting. It suited you, though.

You soon found yourself being handed such outfits. Vil had taken it upon himself to gift you expensive brand outfits that he saw your eye when walking around town, Malleus gifting you a few outfits from Briar Valley that he felt would suit your tastes, Kalim gifting you the cutest earrings he had ever seen (little fruit charms, bows, all sorts of colors and unique charms). Even Riddle introduced you to tea cups that fit your aesthetic to decorate your kitchen with!

Though, the more they saw this side of you, an influx of confessions also came in toe. You were revered as the only female in school (who also managed to stay at the top of the score board, despite your magicless disposition). This came with the struggle of being pursued, more so after they could see just how cute you could dress yourself up.

Despite all these new changes, you felt a tinge of... sadness. You were happy that they were all willing to accept you with open arms and indulge in your desires such as gifting you the cutest of plushies, clothes, jewelry, decor... that didn't stop you from missing fun slumber parties, girl talk with friends, giggling about your love lives, sharing clothes and doing each others makeup and painting nails. You confided all of this to the number one group you could have possibly spoke to about these issues of yours.

the pop music club.

A knock came upon the door at odd hours of the night, upon opening it in your nightgown, you revealed quite a sight. Cater, Kalim, and Lilia along with a few other choice students were all in gorgeous nightgowns, their hair done up, holding blankets and pillows with hands full of bags of what you could tell were snacks, makeup, nail polish, and other slumber party commodities. With a bright smile on your face and a giddy giggle, you let them in gushing about their cute appearances. You all lay out the blankets and pillows in front of the TV in the lounge (kindly gifted to you by Idia) and pulled out the snacks and lay them out for everyone to grab at in their leisure.

"We aren't girls," Lilia pointed out, "But at the very least we can enjoy the things you mentioned before! Oh how I love a good love story, shall we share our love lives?"

"We can do that while we put on these face masks! Look, this one is a panda!" Kalim exclaimed, holding up a large bag of face masks and other types of...random things he thought would suit the party. (He pulled out one of those toe dividers for nail polish, he had no clue what it was but Jamil told him he would need it for later.)

"Oh, I brought you this super cute and frilly nightgown (y/n), Trey said one of his sisters didn't wear it anymore and he thought it would look good on you. Go! Try it on, Then we can take a BUNCH of magicam photos. Don't we look like pretty dolls?!" Cater gushed, handing you the night gown. You took it with grace and skipped away to your room, giddy and unable to hold back your excitement.

It wasn't long for more guests to arrive in frilly pajamas and cutesy hair accessories. A string of familiar faces entered, and you soon found yourself braiding the hair of Leona, Vil, Idia, Malleus, Silver...You were shocked to see even Epel made an appearance simply to make you happy.

"I learned how to braid a little bit," Silver smiled gently at you, "And a few other hairstyles. I would be happy to try them on you," He said. You looked at Silvers' perfectly French braided hair and makeup that made him look nothing less than an angel, you nodding in immediate trust. You soon had hair that was done so elegantly, adorned with flowers and gems.

"Let's be clear, I ain't a girl!...but.." Epel blushed, "I-if it'll make you happy...i'll let ya braid my hair. Just this once!"

Floyd and Jade even came along with their faces caked with makeup and the most flamboyant nightgowns you have ever seen, laughing away at their silliness.

"Look Floyd," Jade pointed at your makeup which was lightly placed on by his hand, "I told you these colors perfectly suits (y/n)'s skin." Floyd boo'd and insisted to take off the colors Jade had chosen, holding out the most...vibrant and interesting color palate to exist. You only laughed and backed away, shaking your head and begging floyd to leave your precious face alone.

They truly indulged in everything you had missed out on, even if they weren't your "girlfriends," they were so adamantly ready to try, simply to see you smile once more.

It was a night of snacks, makeup, nail painting, chick flicks, karaoke, gossiping, and frilly fun. You truly underestimated just how much the boys took a liking to you and wished to ease your worries and make you feel a little more at home, and you couldn't have asked for better friends than them.

[tsukii0002]

Imagine that Mc, who makes fun of the brothers for being so dramatic when they don't see each other for a while, thinks that they are not like that when it comes to being away from them for a while. So for a reason like exam time, delivering a major project at work or whatever reason, Mc has to spend some time in the human world with hardly any contact with their demons. (If you like the temporality with respect to the original story this would happen after Mc can travel freely from one world to another, after season 4 of OM, when they gets used to being with their demons every day, even if it's only for 5 minutes).

One day

Mc: It is incredible that there can be so much silence and so much tranquility, ha, ha in the end this is going to be good for me.

Two days

Mc: Well, at this pace of work I'll finish ahead of schedule… not bad, but it's a little strange that nobody “bothers” you.

One week

Mc: *eating* I've made too much food… Beel is not here… well, I don't have to cook again for five days.

Two weeks

Mc: *sitting in the living room* How quiet…. what will they be doing?, I hope they didn't get into too much trouble….

One month

Mc: …

Mc: Damn, it's not normal to feel so sad if it's only been a month…*sighing* well I'm just as dramatic… I miss them…

Returning to the Devildom

Mc: *hugging the first demon they see*

Satan: Mc?

Mc: I missed you…

Satan: *blushing as he hugs them* Us too.

Mammon, Asmo and Levi appear running down the corridor and embrace Mc.

Mammon: You're back!!!!

Asmo: Oh, honey, I've missed you so, so much!!!

Levi: Don't go away again for so long ever, ever!!

Mc: *about to cry without understanding why* It's your fault!!! I can't live peacefully anymore if I don't have you around!!!!

Mammon: *moved* Mc!!!!

Mc: I hate you.

Asmo: We love you too, hon!!!

.

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I managed to fix my phone without losing my data!! 🎉 , so for a week I have been feeling a little bit like this, missing the guys, they are really part of my daily routine together with studying, work or doing chores, even if it's just 5 minutes to do the daily tasks. Anyway, all this to say that I'm back🩷.

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