#it’s also more eye catching

[lucabyte]

monologue

[solardrake]

Delivering mail to the furthest corners of the server ✉✈

[m3ateat]

you know how on book covers there are sometimes these reviews, which are utterly boring and flavorless

“quite extraordinary “ “thoroughly beguiling”

??you little fucking prudes

THIS, on the other hand

THIS is the energy we need !!!

[nipuni]

Once again I bring you some Eriks 😊

[candyje11yfish]

wip💖

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[nite-puff]

this was what their dr:s interaction was originally gonna be. trust me. i’m mr. danganronpa

(no cuz seriously. how are you gonna have them interact and then forget that hiroko canonically has a bit of a thing for takaaki?) (i say this like the dr:s writers even knew who the other captives were)

[iizuumi]

Side effects of wearing your Kaiju suit too often ,,,, Part 2

[ingravinoveritas]

Feeling very normal about David making prolonged eye contact with Michael in the audience during curtain call at the opening night of Macbeth last night...

[kizzer55555]

DP x DC: My Brother’s Ghost

So there are a bunch of fics where Danny and Damian are twins and Danny eventually has to go to Gotham or Damian/another bat interacts with Danny as ghost king. But I do you one better. Danny faked his death because of failing a mission/he actually died and his mother brought him back. (Or maybe he revived on his own after constant Lazarus exposure over time and knew he couldn’t go back). Anyways, Danny knew that he needed to go to Bruce Wayne in Gotham if he ever needed anything but only as a last resort as they would expect him to go there. So he’s been monitoring Bruce from afar and immediately knew when Damian joined the bats. He clocked him as the new Robin and started following his hero career more closely. He was content to watch his family from afar. Even after the accident. Then something happens where Robin was said to go missing and when no news showed up after a few days, Danny got worried so figured it couldn’t hurt to do a quick trip to Gotham.

He dresses in all black and a hood made using an old ninja Halloween costume. Not nearly as much protection as his old league uniform but with his ghost powers he doesn’t really need protection. Just anonymity. He goes to Gotham in phantom form, making sure all his white hair is carefully tucked in the black hood so only his green eyes remain. He uses his old assassin training and finds Robin drugged and captured in an old warehouse by the court of owls. Robin clearly isn’t thinking straight but Danny puts him in a simple choke hold to knock him unconscious anyways. Better safe than sorry. He quickly frees the boy and drops him off in an area he knows the other bats are searching. After watching to make sure Damian is safe and a bat finds him, he leaves.

Damian could barely remember his capture but he thought he saw a figure in black with glowing green eyes. He could have sworn the future was trying to kill him but…he woke up looking at another bat (or maybe even the manor). Did his family save him?

Meanwhile, Danny can’t stop thinking about Damian. Despite his assassin training, he was drugged and hurt. Danny thought his brother could handle himself. He thought he would be safe. But what if this happened again? What if the colony of bats wasn’t enough? So Danny couldn’t help the occasional visit to Gotham to make sure his twin was ok. Most of the time he didn’t do anything, just watched. Sometimes, though, there would be an instance where Damian got out of a dangerous situation and no one knew how. A building collapsed, Damian appeared unharmed outside. A goon was about to get a lucky shot? Somehow the bullet missed or the goon got taken out when no other bats were nearby. Fear gas? Damian faintly remembers warm hands hugging him as he struggled. And while he thought it was weird he heard his brother’s comforting voice when it should be a nightmare, he chalked it up to the fear gas anyways since there was no other explanation.

Yet every time there is a particularly dangerous encounter, he swears he sees the figure in black. Damian sees the figure more and more yet none of his family do. They swore to keep an eye out anyways in case. You never know. Sometimes the figure becomes more clear and Damian has tried to chase them but always loses them quickly. One time the chase lasted at least five minutes and Damian managed to corner the figure in an alleyway only for them to pass through the wall.

The bats suspect that this could either be meta abilities or magic. The funny thing is, there were no traces. No one sees the figure except Damian. No one hears them, and there is nothing to indicate their presence, not even footprints. It’s like they were never there and no matter how hard they try, there is no footage of the figure. Sometimes cameras glitch out and sometimes they only show Robin, sometimes neither or they seem to loop on themselves. So the bats are leaning towards Magic.

They call Constantine to give Damian a thorough check and he declares that Damian shows signs of interacting with a ghost. And that stumps everyone. A ghost? If it was a friendly specter like Deadman then he would help everyone, not just Damian. If it was hostile, it would never help Damian. So why is this ghost only focusing on the youngest bat and why? Is there even someone that would come back from the afterlife to help the demon brat, let alone have the will strong enough to manifest a ghost that can affect the living? Damian was a former assassin after all and he’s hardly the friendliest bat. So who would help him that has already died?

Throughout this, Damian is silent. Because there is one person he knows to have died that might do this. One person skilled enough to avoid the other bats and evade Damian during a chase. One person Damian would acknowledge as having a will stronger than his own. But something was wrong…because he was sure that that person didn’t have green eyes.

So the next time the figure shows himself Damian attacks. Not just a chase but an outright challenge. Hand to hand combat. And as Damian punches and kicks, the figure expertly parries each attack. And as the fight goes on, Damian watches. And he knows those moves. Those dodges. Those blocks. He can read this figure’s fighting stance like the back of his hand because he grew up with it.

And Damian knows without a shadow of a doubt as the figure disappears into he ground, that despite the changed eye color, the tan skin, the increased height, his brother’s ghost has come back to watch over him.

And for the first time in many years, Damian cries. That’s how the bats find him.

[youngpettyqueen]

I know the decision to have Julian's parents have him augmented was made on the fly but imo its pretty obvious from early on that Julian has Family Issues because he avoids talking about his family like the plague and I think they should've incorporated this into the Julian and Sisko dynamic right from early on because I think it would've made for some really compelling stories and moments and could've set up a REALLY interesting Julian and Jake dynamic which they kinda started to do but never fully went for

[adhdandcomics]

do you even KNOW how hard it is to find cool wizards on google that aren’t ai these days. we are so fucked

[nocek]

also the version without speech bubbles has already been posted on the boop! day ;)

[canisalbus]

machete looks like he'd be your grandma's really awkward, shaky, crusty white dog that has exactly three teeth if you met him in person. either that or the embodiment of a cave painting. perhaps the hunt of the unicorn on a good day. either way, truly a splendid creature. vasco is very lucky

.

[spotaus]

Eyy, King Reaper and his beloved Mage Geno designs <3

[hplonesomeart]

I don’t know what to caption this so uh…behold another miscellaneous Puzzle doodle made earlier in the week :))