#it’s a two part reunion

[ssreeder]

SREEDIE

have I seen the update? yes. is it open in a new tab? indeed. have I read it yet? NO bc I’m SPITEFUL that there’s NO ZUKKA REUNION IN THIS GODDAMN CHAPTER

but now that it’s easter I don’t have much more valid procrastination to do so The Reading Of The Chapter is imminent lovely

anyways in other news, my sister demanded I bake an “easter log” ?? which ???? wtf is that ??? I don’t even think SHE knows what it is but she wants one anyway so if you have any ideas of how tf I approach this I’ll save you a slice as a reward for the zukka reunion next chapter :D (bc it’s happening next chapter, right sreedie~)

You can wait!! Keep the tab open & wait for the zukka reunion pt 1. in the next chapter! That way you don’t ummm have to deal with the cliff hanger (things get a little… aggressive)

OK! So… first of all - RUDE I know we’re divorced but we should still invite me to holidays.

& I had to look up ‘Easter log’ & idk why I envisioned a weird meatloaf type thing but nahhh it’s a swirly chocolate cake?? Some people decorate the shit outta it… ummm are you that skilled?? No offense but you’ve never baked me anything so idk your skills leekie

If you do make one I wanna see it pwease. (as proof obviously) ok well see you next chapter or NEXT NEXT chapter haha

[melmedardasworld]

Yes, I will be writing their reunion and posting it before Act III drops.

[the-dragon-hearted]

Part 1

There is a universe, somehow, where everything aligned just perfectly and left four desperate children on Silco's doorstep. A universe where Piltover is just a bit more ruthless: where Vander's connections aren't trustworthy and where his foolish sentimentality wins.

Vander's arrested, in Vi's place. He's so proud of her for trying to do the right thing - but he'll not make a sacrifice out of Felicia's daughter. The violence in the streets has to stop and Piltover won't stop until it has someone to blame for the theft. So the Hound becomes a sacrificial lamb.

But remember, his agreements are flimsier, and the trust between enforcer and undercity is as thin as the razor blade Mylo keeps in his pocket. The gold-trimmed enforcers aren't happy with a Hound dressed in wool - they want the girl. The one Jayce identified. Some pink-haired snot-nosed filthy brat. The thief. The terrorist.

They labeled her a terrorist: Vi. For a near-harmless explosion in a district she would've been beaten in, just for the grime in her hair.

And the Hound won't have that.

For the second time in his life, Vander's knuckles are stained with enforcer blood and the undercity begins to burn. Vi's next to him, eager to fight, but scared. She's just a kid after all. Always eager. Always scared.

Claggor, Mylo, and Powder come running as they limp back to the Last Drop. Powder's too busy crying into Vi's shirt to pay much attention to the screams outside. Reinforcements are just a few minutes away. The rats of the undercity retreat to spare themselves from the brutality beneath an enforcer's heel and the streets grow quieter and quieter. They all know how to slip away when the time demands it, but this is more than sneaking through the sewers and waiting for the storm to pass.

The enforcers, the council, Piltover: they'll keep coming. The blood on Vander and Vi's hands ensures that much. And they don't want him -

He looks to where Vi is hugging Powder back, a: "Sorry Powpow," being breathed. "Didn't mean to scare you -"

He can't let that happen. He can make himself the bigger problem - the biggest threat and that will buy the kids time and give those rich bastards a victory.

But then... it'll just be them.

Claggor's strong, Mylo's sly, Powder's clever, and Vi is brave. They're all tough as nails and they'll make it. At least until this underbelly starts ripping itself around. Vander's a smart man who knows what will happen in his absence, the cannibalistic tendencies of desperate people who need scapegoats.

And Vi's already willing to play the martyr. She proved that much. No, if he leaves he needs to leave them with something. Anything. Something that's as willing to fight for their future as...

That's when he gets the terrible idea. Right around the same time he hears the tell-tale racket of enforcers running down cobblestone. He grabs a bar napkin, and Claggor bars the door. He fumbles messily around for a piece of graphite or a damned pen.

Vi pushes Powder behind her and grabs a half-empty bottle from a table. There's a shatter as she arms herself with razor glass. These kids are well versed at making weapons, they have to be.

They'll only get better at it if he finishes this note. He's signing their lives away to a different demon. There's no guarantee they'll live long enough to give him the note. It's a terrible idea -

"I'll never betray Zaun's children"

Powder's climbing behind the bar with him, clinging to his leg. Mylo climbs over the other side, fiddling with a collection of rusty steak knives. Claggor's grabbed a chair and broke it, two wooden beams in either hand.

Suffocating in the streets is better than dying on a bridge.

"Take this," he gives it to Vi before slipping on his knuckles. "Find Silco. Ask around, and he'll find you."

"What?" it's a challenge from her. She's ready to fight to keep what she has.

She doesn't realize that every fight comes with a loss. And eventually, it's going to take everything from her. Once you bloody those knuckles you never stop - not really.

But not today. Today it'll only take him, and hopefully, she'll remember what they talked about. She'll remember that despite this shitshow - he's proud of her for finding a peaceful solution. He's proud of her for putting down those fists.

But there was no way in hell he was going to let her go.

"Take care of each other," he orders slipping on his other gauntlet. Mylo and Powder stare at him with wide eyes. Claggor's lip is trembling.

"Remember. Remember, to look out for each other!" he orders.

"No!" Powder seems to understand now as Vander pulls the bracings away from the door. She scrambles over the bar with a muffled wail. Mylo stops her right as Vander throws the door open.

"Vander!" Vi screams, but the hound is loose.

He's in the streets and he's set about making these fools remember why they follow the light. Why they fear the undercity so badly they chase its children to sate their fury. Dark things live in the undercity. Zaun's children are raised in air so heavy it turns their lungs to iron. Her streets sharpen their teeth and build calluses over their knuckles until the only thing they feel is the warm crimson in their wake.

Vander had hoped he'd never do this - be this. But jaws shatter under his fist faster than glasses fill with his whiskey. He's good at this. Always has been. The kids slip away - he knows that much.

Everything else is a bit of a blur. He glimpses Ekko, once, on the rooftops. The boy heads after the other four and Vander is thankful for that. Benzo didn't survive the first wave... he doesn't have much chance to reflect on that because there's another enforcer in his grip and a new scream in the air.

He buys the kids plenty of time. Too much time.

Enough time for all of Zaun to hear the news: the Hound's fighting back! Five enforcers are dead! Six! Ten! Enough time for Vi and Mylo to find their informants.

Silco isn't exactly a subtle name. He's well hidden, that's true, but a familiar blond limped his way over to one of the abandoned warehouses after Vi kicked the shit out of him. Word on the street is that he's in with someone named Silco. Doesn't mean much to the informant or to Vi.

It's enough. They slip into one of Zaun's many industrial districts just as Vander finally falls.

Piltover's attack dogs got him - they would eventually, he knew that much. A wild hound is fierce but numbers always win. Part of him's happy to die on familiar cobblestones. Better than the cool stone of prison - better than anything Piltover had in mind for him. This way, the kids would know what happened to him. They wouldn't do anything stupid.

Well... they'd probably still do some stupid things. He coughed out a laugh, blood hacking out of his lungs as it all began to fade. Good. They deserved to be a bit stupid. They were kids...

Just kids.

Hopefully, Silco remembers that...

Silco? Oh, Silco remembers. He'd been making a plan revolving around that. Kids are foolish. Kids are loyal. Children are painfully easy to manipulate and kill. Children are easy to make disappear.

Killing Vander and his children was quite literally on his upcoming schedule. It was going to be a glorious sort of revenge, making Vander watch it happen - helpless to stop it as he drowned in his own pacifism. It was going to be inhumane. The final nail in Silco's old coffin.

So pardon him for taking a moment to stare at the victims delivered to his doorstep. Half of him wants to laugh. The other half feels like he's been shoved back into that damn river.

The children only stare back, wide-eyed and curious. Scared too... haunted in some wonderfully poetic way.

"Can I help you?" Silco demands cooly after his disbelief has been satiated.

The pink one steps forward, naturally. She's Vander's little favorite, his poster child: basically a replica. Taking charge is probably laced in her veins.

She hands him a napkin.

"He told us to come here," she breathes, and it almost sounds like a prayer.

Silco cannot focus on anything but the napkin.

"Well... not here," the wily boy in the back disagrees slowly as he gives a scathing glance to a dead mouse in the corner. "He told us to find you."

Silco watches them carefully and then unfolds the napkin. If this is a trap it's ridiculous and definitely not Vander's idea. Perhaps these children are simply suicidal - or stupid.

He reads it.

Pauses. Reads it again.

He glances to that pink one again: Violet. Felicia's daughter. The other one is to her right, clinging to the elder's bruised knuckles. Powder... right?

Mylo. And Claggor.

Vander's children.

Vander's children!

He reads it one more time.

"It is kind of messy," Claggor's sheepish tone contradicts his appearance sharply. "He was in a rush -"

"I can read it," Silco snarls. He whirls around and plunges further into the bowels of the warehouse.

The children follow, blindly. Because they were told to. They follow the devil into his den because Vander told them to.

Why Silco let them, he'll never be able to explain. Never. Why he didn't finish was Vander started: destroy all remnants of their old life, including those damned children - he'll never say.

He can't. Because Vander sent him his children and a note. It changes nothing.

Except it changes everything.

[lochallthedoors]

Video clips: Liam at Cardiff, Lock the Box, Oasis at iTunes, Liam at Rockfield

[backpackingspace]

Of course post-canon odysseus and penelope love each other (they are a little bit insane about the other. Neither is allowed to leave the others side for months after odysseus gets back. They cycle between sobbing on one and another and aggressively making out. ) but it's true that they have both changed. It's been twenty hard years after all. So

Odypen courting each other again just for the fun of it. Odypen deciding to act like teenagers again and make elaborate plans pretending to sneak into the others room.

Odysseus sending penelopes 90 year old dad a letter challenging him to a race for penelopes hand in marriage. (This does not go over well but penelope though it was hilarious)

Odysseus begging Athena to help him win penelopes heart/hand again. (Athena: What no why you're already married I don't understand you ) (she helps anyways)

Penelope weaving all of odysseus's clothes. Penelope hauling out every tapestry she made of telemachus's childhood (she made one for every year. To gift odysseus on his birthday when he returned.)

Odypen leaving telemachus incharge while they go off on dates (to harssass, cause problems, and badger other people into giving them things). It should be fine Athena has been sticking close to the house lately. And it's only for an afternoon anyways (at first. Headcanon that penelope came with odysseus when he had to go plant the oar and call it a windmill quest.)

[inkprovised]

Reunion

Part Two

Complete chapter

Reunion Part Two End.

___________________________

Summary

Coronation (complete)

Reunion Part One (complete)

Reunion Part Three page one

[slamrink]

Nothing to see here just steph stealing glances of klay like he’s afraid he’s going to get caught 😃😃 (via namxsj on twitter )

[shorthaltsjester]

sometimes people will say “going dark” and then what they’re actually talking about is just people no longer presenting a carefully constructed version of their emotions and experiences.

like. emotional turmoil is not the same as darkness. laudna in this Fictional Universe that has tangibly different stakes wrt to death and killing than our own, is at best like . morally neutral for what she just did like. man has been secretly trying to kill you, and then just tried to do so again, killing him back is a fair choice. and even if i was someone who is excited by delilah’s inability to escape from the narrative, this shit isn’t about delilah. laudna made a choice. if delilah is back or whatever it’s a choice that laudna made because something in that grants her more control than her existing conditions did. this isn’t some Delilah Takes Over, it’s Laudna Expressly Makes The Choice To Call Forth Something within Herself to remedy the lack of control that’s been thrust upon her. if y’all want to Continue to limit Laudna’s agency (as the cr fandom is so, so want to do when a female character makes a choice that isn’t Good according to some weird system of virtue ethics) go ahead.

likewise with orym. little guy is not “going dark” because he has finally made direct action about his emotional turmoil in dealing with a situation which has similarly left him without control and has also placed him in a position where his stalwart conviction towards protecting and honouring those he loves and has lost alike is constantly met with other people he cares for going well.. what if they had a point/we are killing other peoples loved ones/etc. which like . yeah that might be frustrating and in fact might lead him to go, actually, i can’t afford to try and maintain some abject morality where I carry a locket that will literally only provide guilt. orym is completely committed to his beliefs, the locket and what it represents has never been a limit to what he will do, only a reminder of the consequences of what he might cause in those actions. but they Are at war and orym has a billion things on his plate. he can put down the locket. especially when bor’dor is the explicit manifestation of that locket’s symbolism. the subtext rapidly became the text and orym doesn’t need a reminder. it’s there in the fact that team issylra is walking away with two friends, not three.

these are character who have at every turn denied their own emotions in various forms while still being acutely aware of what they deny, whether that awareness was/is fully realized or not. many of laudna’s early convos with ashton show us that there is some awareness to the lighthearted spooky goth girl and how that persona fades when she thinks too much about what has led her and maintained that reality. likewise the entirety of orym’s story thus far is defined by his grief in a very literal sense, it Has extended from that grief to also the commitment he had to the purpose of figuring out the assassination attempt on keyleth but as we have seen, that purpose has fallen apart. paired with the quasi-reopening of his grief that was getting to see will again only to have to turn away, i don’t think there’s a lack of awareness in orym of how much he hurts. but between his actions and 4SD, that hurt tends to get buried under guilt or Responsibility.

and now, finally, both of them have admitted to that Not in the safety of small introspection or one-on-one conversations but with actions that they cannot shy away from or deny. laudna killed bor’dor and orym encouraged her to. and it Is a complex situation but truly I don’t really think it’s a “going dark” one. because they’re not giving into some overhanging Darkness of Morality™, they’re admitting that they are hurt and have long been hurting.

or, y’know, tldr for those who continue to deny laudna and orym agency or fully villainise them for whatever weird reasons . you could listen to laudna and ashton’s conversation that pretty much lays it out explicitly. laudna claims she’s weak for having chosen to kill bor’dor. ashton denies that and affirms instead that, no, she’s hurt.

[goldenamaranthe-blog]

Mission: The Return Home

Yang: (enters the house in the middle of the night after being gone for three weeks, her clothes are chewed up and dirty, dark circles are set deep under her eyes - she lets out a weary sigh as she scours the dark house) I've got to look into retiring.

-A dull, yellow glow illuminates the entryway from a lamp being flicked on in the common room-

Blake: Yang?! (throws her arms around Yang's shoulders) Thank goodness! You're home!

Yang: (winces as she embraces Blake) Yup! I promised I'd be back in one piece, didn't I?

Blake: (leans back) Yang, you said you'd be back in a week. What happened. (looks Yang over) Gods, you look terrible...

Yang: Awww, thanks, babe. You look amazing as usual.

Blake: (sighs) I'm just glad you're home safe and sound, even if you are a little dinged up. Is there anything I can do to help you get comfortable? The kids will be elated to see you, so you're definitely going to need some relaxation.

Yang: (kisses Blake's forehead) Honestly, I really just want a cup of coffee and a shower.

Blake: (raises an eyebrow) Coffee? This late at night? Sunshine, you need sleep.

Yang: I saw the lights in the kids' rooms flick on when I pulled up. I'm going to be ambushed the second I go upstairs.

Blake: (smiles softly and pecks Yang on the side of the mouth) Go shower in the downstairs bedroom. I'll get a pot of coffee going for you.

Yang: (melts) You're the best. What did I do to deserve you?

Blake: You dealt with me being flakey for years. Now (pat's Yang's butt teasingly) go shower. You stink.

Yang: (jolts and covers her backside) Yipe! Okay! Okay! I'm going!

Blake: (waits until she hears the shower running before she rushes into the kitchen with her scroll in hand and dials a number) Come on. Come on. Come on. Pick up.

Weiss: (groggily answers her scroll) Hello?

Blake: Weiss, I need your help.

Weiss: (suddenly very awake) What's wrong? Are the kids okay? Did something happen to Yang???

Blake: Kids are fine, and Yang just got home.

Weiss: (relaxes and plops back into bed) Then what's the emergency?

Blake: Yang wants coffee and I offered to make her a pot.

Weiss: ......And?

Blake: (embarrassed) ........And I don't know how to make coffee....

Weiss: You've been married for five years, Blake!

Blake: I know! I suck! (picks up the coffee maker and turns it over like it's an unknown artifact from a jungle ruin) Just walk me through the process of using this thing!

[mansnooziesmoosmutzel]

“They said you were dead,” Gurney repeated.

“And it seemed the best protection to let them think so,” Paul said.

Gurney realized that was all the apology he’d ever get for having been abandoned to his own resources, left to believe his young Duke … his friend, was dead. He wondered then if there were anything left here of the boy he had known and trained in the Ways of fighting men.

Paul took a step closer to Gurney, found that he had tears in his eyes. “Gurney ….”

It seemed to happen of itself, and they were embracing, pounding each other on the back, feeling the reassurance of solid flesh.

“You young pup! You young pup!” Gurney kept saying.

And Paul: “Gurney, man! Gurney, man!”

[dazais-guardian-angel]

Okay but forreal, now more than ever I desperately NEED Aya to eventually wreck Fyodor's shit somehow. I already wanted her to get her revenge before, but I didn't think Fyodor would even remember or know who she was, and would massively underestimate her for that reason (just like Jouno knew that Fukuchi would underestimate her). But now the story has instead created this twisted, fucked-up dynamic between them, where Fyodor not only knows her, but is protective of her for reasons that are not his own: he has taken the pure, noble, kind, fatherly love motivating Bram to protect Aya and warped it into something horrific, vowing to protect her body only while not caring how much her heart and mind has been scarred, and claiming to be doing it for her own salvation, when he cannot possibly understand the selfless feelings Bram had that made him want to protect her and care for her — feelings that he does not have. He may genuinely have some sort of affection for children (the way he treated Karma, "blessings for the children", this), but it is twisted and hollow and is quite possibly only him unconsciously acting out the motions due to behavior instilled in him from the feelings of all the people he's subsumed in the past.

All this is to say that, now the narrative has specifically pitted Aya and Fyodor together as direct enemies: she not only had reason already to hate him because he killed Bram, but because he's also taken Bram's love for her and defiled it, dishonored it and him and all that he was; meanwhile, Fyodor has given himself an arch nemesis that he no doubt takes great pleasure in seeing how much she hates him/how much despair he's brought her, but paradoxically at the same time feels a compulsion to "protect" her that draws himself to her and that he can't ignore. Aya has to defeat him somehow (not permanently, mind you; Dazai will undoubtedly be his final end), and the setup for Bram being able to fight back enough to stop Fyodor from the inside with her help is all right there, too. Their love for each other is still enduring, stronger than ever, Fyodor is proof of that right now, and they will be able to defeat him together, at least enough that Bram can be freed and come back to Aya. Dazai told Fyodor that he would lose because he doesn't understand and underestimates the power of friendship bonds and love, and there is no better a time for that to happen than here, when he is literally using someone's strong love for and connection with someone (acting as that person and claiming to know how they feel and to be the same as them) in a way that he cannot understand, which will be his undoing.

[stop-breaking-my-heart-dragonage]

I'm sorry, but why don't we talk about Witch Hunt more? Seriously, I think it might be my favorite DAO DLC. Don't get me wrong, I enjoy the hell out of Awakening. Leliana's Song is good. The Golems of Amgarrak is... eh, bad. I didn't really like that one. The Warden's Keep, The Stone Prisoner, and Return to Ostagar are all amazing and I love them.

But Witch Hunt??? Y'all. I can't. I'm too emotional right now.

I have at least one dynamic from each game that I'm obsessed with. For DAO, it's the dynamic between romanced!Alistair, Tabris, and Morrigan. I've talked before about the dark ritual and stuff in this post, so let's just say that my Tabris, Rose, very much has unfinished business and a score to settle with Morrigan.

Tabris and Morrigan grew so close throughout the entire journey of DAO, y'know? Close enough that Morrigan claimed she thought of her as a sister, and Tabris felt the same way... and then in one single moment, it's just shattered.

There were signs that Tabris ignored, like the way Morrigan dismissed all the circle mages and claimed they should be left to their fates since they "allow themselves to be caged like cattle." Or how she disapproved every time Tabris wanted to help those down on their luck. Or, worst of all, when Morrigan disapproved when Tabris chose to kill the Tevinter slaver instead of making a deal with him to use the lives of the remaining elves to grant her more power... one of those caged elves being Tabris' father.

But she gave Morrigan the benefit of the doubt; she's sheltered and only had Flemeth as an influence and teacher, of course she's unempathetic and selfish, but there is good in Morrigan's heart. She can learn to be more empathetic and to care for others.

At least, Tabris believed that until Morrigan confessed that she's known about the ultimate sacrifice and the dark ritual from the beginning, that Flemeth sent her with the wardens with a purpose that Morrigan intends to follow through with. It's devastating and it broke Tabris' heart.

She just learned that a warden has to die to stop the blight, and that warden could be her or Alistair. Not only are they romantically involved, but they've been through all of this shit together, they're the only ones who fully understand what being a grey warden is like. They carry the burden on their shoulders, and they're probably going to lose each other to the archdemon.

And Morrigan waits until she's at her most vulnerable to ask that of her.

Again, I've gone into more detail about that before, but at this point Rose is done with people deceiving her. She's done with Morrigan... except she's not. It's the betrayal and knowing Morrigan got what she wanted that causes Rose to go searching for her.

To Morrigan's credit, she does give some answers. She claims she didn't thing the archdemon would show itself so soon, and she did what she had to because she didn't wish to see Tabris hurt or die. I believe her, and to an extent, Tabris believes her... but Morrigan still doesn't get WHY it's a betrayal.

Morrigan's right: She will never understand Tabris, and Tabris will never understand her. She can insist it's not a betrayal all she wants, but it absolutely is, and Tabris has never allowed anyone who crossed her to just walk away... except for Morrigan.

Until now.

Hearing that Morrigan manipulated her way into the trust of this Dalish clan so she could steal their book and run is just further evidence in Tabris' eye that she hasn't changed. Maybe it was always foolish to believe she could.

So... she stabbed Morrigan.

She didn't do it to kill her; Morrigan is the daughter of Flemeth and a powerful mage with healing magic, a mere stab isn't going to kill her.

No, it's about what the stab represents: "I am done with you."

And how the scene plays out? It's so dramatic and good, just the way everything slows down, the music, how they make eye contact as the stabbing happens just....

I know it sounds really bad, and this is the part where I remind everyone that I ADORE Morrigan, but the stabbing ending is so satisfying from a story-telling standpoint for my playthrough.

It's so tragic and it hurts and I hate it.... but I love it, y'know?

I love Witch Hunt, like I haven't even talked about Ariane and Finn, or how the circle just has all these books on Dalish artifacts and translations of elvhen, or how other eluvians can be found with a shard from the broken one in the dalish origin.... like you're telling me that Merrill had a piece of the puzzle? If she had the knowledge, she could've found a working eluvian to study?? I'm going to gnaw my own leg off--

Listen, I could gush about this all day.

But now that I've completely finished DAO, it's time to replay DA2.

[pureseasalt]

(holding the mic with trembling hands) iwtv s2e8 was peak tv season ender actually

[bigassbowlingballhead]

Love love love how much he loves her

[baskeigh-ball]

I am ✨️conflicted about a thing✨️ so I'm letting you guys decide

Should I start the Mad Dogs Reunion comic I've been planning (aka how Raph met his brothers)? Or should I finish up the Father-Son Bonding Time comic before I start a new one

[ghosty-schnibibit]

on the one hand i knew from the get go that realistically they were going to have to cut things from both the suffering game and lunar interludes IV and V if they were going to attempt to fit all three into one graphic novel, especially since reunion tour was a two parter

but, with all of that in mind, i did not think those cuts would include pivotal character developing moments for multiple main and side characters, so many fan favorite lines that at some point i gave up keeping track, key pieces of foreshadowing and themes that come into play during the finale, and literally every side character introduced in the original arc are you fucking kidding me