#it would make it so much easier

[dove-da-birb]

Debating on just making my entire wardrobe variations of black with some patterns and textures and the odd brown and jewel tone here and there

[scrimple]

i wish i deserved to matter

[notbecauseofvictories]

I don't know how strictly accurate this is, but one of the things I find shocking about watching historical dramas is how many people there are around all the time---according to Madame de... (1953) a well-off French household in the Belle Epoque maintains a workforce of at least 3, and the glittering opera has staff just to open doors. According to Shogun (2024) you can expect a deep bench just to mind your household, and again, people who exist to open doors.

Could people....not open doors in the past? Were doors tricky, before the standardization of hinges? Because otherwise, the wealthy used to pay a whole bunch of people to do it for them in multiple contexts, and I find myself baffled.

[katsinspats]

I think my copy of the game is broken they've been doing this for 30 minutes

Crop of the Biolizard edit I did bc it makes me laugh:

[lazylittledragon]

do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great

i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually

[kevindavidday]

sometimes my favorite thing to read and write is neil and aaron dynamic. literally the most begrudging care exists between these two. they would do so much for each other but be so fucking annoyed that they have to. bring the other person soup when they're sick with a grimace. solve math problems together while smacking each others head. never a conversation without an insult in it. they will be walking and make sure to shove the other for no fucking reason. amazing.

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[silusvesuius]

baby👶 drawings. these are very dear to me rn.. 2nd pic is my Nelavis with @barvin0k's Varonur 🩵 last one is a baby bosmer and snow elf, hairiest of them all. although the bosmer was meant to be my girl Barletta too lols

[euqinim0dart]

Do you do drawings of people?

Yes! I mostly draw people for client work, but I do enjoy drawing portraits in my personal time.

I never post the people art because my audience (across all platforms) tends to not like the drawings of people, interestingly enough!

[sunsorbit]

some of my favorite mentopolis closed captions

[fluentisonus]

I've said this before but valjean's view of the bishop throughout the book gets me so bad because like. he knew him for what, a day maybe? and it absolutely had a vast & profound & positive impact on him. but then he goes on to spend the whole book comparing himself to his idealized vision of the bishop & finding himself wanting & feeling guilty and miserable about every petty or selfish thought that crosses his mind. but it's so fucked up because like we as the readers know the bishop better! we've read the whole first book and we know he came from a privileged & wealthy background, that he was a rake when he was young, it wasn't til he was in his 40s or 50s to have some sort of change of heart & become a priest (a similar age to valjean when he met him!), that he has moments that seriously shake him, that he has some dubious politics left over, that he still has moments of pettiness he has to work through on the page (his initial approach to the member of the convention, e.g.). and also he's just kind of a weird old guy (affectionate). and like this is not to criticize the bishop, I think he's a genuinely really good guy, just that while the bishop has a realistic view of himself & his past ("he described himself with a smile, an ex-sinner,"), valjean is not getting any of this except maybe like. what would be mentioned in the newspaper when the bishop died. so his whole view of him is of this one shining moment where he changed his life and he feels he doesn't live up to that. which is sad! because the bishop understood him more than he realized & wouldn't have wanted him to feel that way

[inkskinned]

i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.

and that should be fine; but it's never fine.

i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.

for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.

we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.

i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.

restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.

[quick-drawl-mcgrawl]

a goofy sketch

nothing fancy, just reminds me I'm am to be "productive" on my days off. Perhaps I'll come back and do a full version.

It is also alarmingly blatant that I do not know how to draw hands 😞

@eriscary thank you as always for the inspiration to draw with your awesome character, au, and comic. Edit: you know, I keep forgetting we're mutuals on here 💀 I was sitting here like "oh wouldn't it be cool if-" and then I saw. *Melts*

[yuwuta]

HOW DID YOU GET USED TO THE HAUNTING, THE WILLING, THE MISSING, THE WANTING — YUUTA OKKOTSU

content, warnings. more of the knight yuuta universe yippee. i got an ask about telling him he’d make a good prince and flustering him, and that struck something in me, though this interpretation of that ask is probably a bit darker/more serious than envisioned... i will publish the ask w the other version of this scenario too. unfortunately for everybody involved i was a theater kid and i did listen to cell block tango and the first half of hamilton before i had this idea </3 i’m sorry if you can tell

more notes. set in the same universe as this drabble, which are all set in the same universe as a full fic draft i have and would love to finish some day lol. anyway, say hello to the gojo of this au 

You are not ready to be queen. As much as you resent your mother, your father, the elders in the cabinet, the system you were raised in—as much as you wish to be a ruler that creates change and peace in your court and kingdom, you know that you are not ready to hold that position. 

It shows now more than ever, with your parents being escorted to a neighboring kingdom for a meeting, and you in charge of the harvest ball. There is china to be chosen, silverware to be polished, candlesticks to be blessed, gowns to be sewn, a menu to be curated, a ballroom to be prepared—and you are sorely behind on all of your duties. 

A lackluster princess does not make for a promising queen. And distractions do not help you become anything of yourself. 

“I do not have time to discuss the lilies Sir Gojo. I am aware they are drooping and that they are your favorite, but I do not control the weather,” you sigh, handing back a scroll to a maid before turning to your head knight.

“That sounded very queenly, my little lady! You’ve been practicing,” he towers above you, with a growing smile and little care for your position. He bends forward to press the tip of his gloved pointer finger to your nose, “I too mourn the lilies, but I am afraid I agree: we have much more pressing matters to discuss. Come along, shall we?” 

You’ve learned to be wary of Sir Gojo’s words over the years. He often leads with a false timbre, or makes otherwise simple conversation into a riddle for his own amusement. Even as you’ve learned when to ignore his games, you’ve also grown appreciative of his light demeanor, and his insistence on speaking to you directly, rather than shielding you away. 

You take his arm, looping yours through his, and allow him to lead you down the courtyard steps and into the grand garden. You put your trust in him, allowing your feet to follow the path he sets, and letting your mind wander. You wonder whether you should set the gold or bronze-trimmed plates for the ball, if the curtains should remain closed or open, if the embossed or embellished silverware would leave a better impression on your guests. 

“Princess?” your knight calls for you. You focus your attention back to him, apologizing for your lapse in attention. 

You expect a smile, perhaps another press to your nose and a light scolding, but Gojo’s expression is much more neutral. “Sir?”

“I said that Lord Hajime is dead. His court will send a representative to the harvest ball, but how would you like to proceed?” 

“Dead?” your breath hitches momentarily, “Was he unwell?” 

“I do not know. The letter gave no detail. I believe the court sent an apology for not being able to deliver a suitor as promised. The family wishes to keep this private until after the harvest.” 

When you look up to him, you see no mischief in his expression. He’s serious, and you feel lightheaded, warm, and icy all at once. “I see,” you say, and pull away from Gojo’s arm, “Excuse me. I—I need a moment to myself.”

“You are sick? So suddenly?” Gojo asks, turning with your body so that his back is never to you.

“No—I… I… I need to be alone,” you confess, wrapping your arms around themselves, curling into your own body. Gojo stands firm, a short nod in understanding. He raises his hand to make a signal; an order for the knights on the periphery who can see but not hear. 

You smile, small, grateful for him. “Please, arrange our finest favors, and ask Ieiri for her favorite elixir.” 

Gojo’s smile reflects yours, albeit stained with more sympathy. “Of course.” 

“And tell the maids that I shall postpone the table placements until tomorrow morning. Should you find yourself with time to spare, let me know if you prefer the bronze to gold trim.” 

Gojo nods, taking a half-step to stand in front of you. In times like these, you feel like the little princess under his watch and care from when you were younger. His presence is frightening, overwhelming, and yet, more comforting and welcoming than your own parents. 

Carefully, he leans down to whisper, “Yuuta and his fleet have not yet returned, he will not be in the knight’s chambers. I will send him to you when he arrives.” You blink in sudden awe, and Gojo smiles, reaches for your hand and raises it to his lips to press a chaste kiss, “Do not regret too long, princess.” 

You hear him before you see him. It’s a bad habit for a knight, you think; you can always hear or feel where Yuuta is, even if you can’t see him. You think he ought to be more stealthy, more secretive, quieter; but then again, you don’t. He reserves plenty of stealth for his motives, stores plenty of secrets in his mind, keeps his words quiet or has a way of keeping other people’s quiet. 

The throne room is cold. It’s your least favorite room in the castle, but tonight, you hope it inspires you.

You don’t sit on your throne, you don’t sit on your mother’s or your father’s; you don’t sit at all. You stand, at the top of the stairs, staring at the seats and the tapestry and the paintings of your forefathers that decorate the backdrop. Behind you, at the base of the stairs, Yuuta kneels. You don’t need to see him to know; you can feel it on your palms with your hands behind your back; you can see it in the eyes of your grandfather’s portrait, you can hear it in the way his knee hits the carpet. 

“You may stand.” 

“I shouldn’t, my lady,” Yuuta replies, “Not here.” 

“You do many things you shouldn’t,” you sigh, steady, “Stand, Yuuta.” 

You hear the metal of his armor rustle against itself. You can feel when he stands; it feels like he’s right behind you, even though you know he’s ten steps below you. 

You inhale, slowly; exhale, slowly. Clench your hands behind your back, and then relax your shoulders the way you’ve seen your grandfather do. Then, you speak. “Lord Hajime is dead.” 

You turn, slowly, and wait until your cape has finished its turn, has settled behind you again before you speak again; a tactic your grandmother was fond of. “Lord Hajime is dead,” you repeat, “He is dead, and I asked you not to kill him.” 

Yuuta looks up to you. Neck craned, hands neatly behind his back, his helmet on the carpeted floor to his left. He does not look small. 

You take a step downwards. “I said this is not how I wanted matters to be resolved.” Another step down, a pause, then repeat, “I said that I do not wish to resort to violence.” Another step down, a pause, “To resort to murder.” Another step down, hurried, “I stood under my balcony,” another step, “and I told you not to murder Lord Hajime. I told you not to kill him,” another step; a pause, hysterical, “And yet Lord Hajime is dead. He is dead because—”

“I did not kill him.”

You pause your descent, four steps above Yuuta. You are only half a head taller than him like this. At this distance you can see the gray of his irises, wide and speckled with brown, without a shred of remorse pooling within them. It makes you sneer. 

“You expect me to believe that it is a coincidence that a fortnight after I catch you on your way to murder Lord Hajime, that he dies?” you question, rhetorical, “I am naive, but I am not a fool, Yuuta.” 

“You are no fool, my princess, and Lord Hajime was no saint,” Yuuta shakes his head, “He was a tyrant. He took three wives prior and treated them all as whores. He alone was responsible for the destruction of the crops in the north. He had only himself to blame.” Yuuta pauses, and you see something melt behind steely eyes. “It was a murder, yes, but not a crime.”

Yuuta’s lips wobble slightly, but the rest of him remains upright. It always goes like this: first his head, then his heart, then his body following—in everything he does. You blink, slowly, and take another step down; eye-level with Yuuta at this height. 

“You did not kill him,” you repeat, leveled with revelation, “You just gave the order.” 

Yuuta’s eyelids fall slowly, then his head follows in a shallow nod. He keeps his neck bent, keeps his head hung in front of you. You sigh. 

“Who was it this time,” you ask. He does not raise his head; you do not wait for him to speak, you dip your head so that your lips are level with his ears. “Megumi? Surely he would have hated the way Lord Hajime treated his livestock. Maybe Yuuji—he has been impatient to prove himself since recovering from his last injury. Or perhaps Toge, he would’ve done it swiftly in his sleep, without a sound.”

Yuuta keeps his gaze on the floor, keeps his words quiet. “Nobara.” 

“Dame Nobara, who strives to replace you as my first blade?” you question, “What, as some kind of test of loyalty to you?” 

Yuuta raises his head, eyes stern, brows drawn. “No, princess. To you.” 

You freeze. Your anger flares, and then subsides to only weak embers as you understand Yuuta’s motives, and Sir Gojo’s final words to you. You’re careful when you reach forward to brush your knuckle against Yuuta’s cold cheek, only the kiss of a touch between your finger and his face; even, still, he shudders, and you watch him melt from head to toe; from his eyebrows to his eyes to his lips to his shoulders to his knees. 

“You are disobedient, and indignant, and ruthless,” you list, voice soft, touch softer as you allow your fingers to graze the top of his ears, adoring the flush that follows, “And kind, and careful, and charming.”

You watch the color stain Yuuta’s cheeks and his ears, you revel in the pout on his lips, and the effort of his breathing. You only wish he were this easy to tame all the time. 

Still, he precious to you, so you are careful when you raise your opposite hand to his face, taking advantage of the difference in your status and stature to tilt his head upwards, lean down and press your words against his cheek, “You would make for a lovely prince,” you tell him, “The people would love you. Our enemies would fear you. The soldiers would respect you.” The kisses between your sentences are featherweight, trailed from the high point of his cheekbone to the corner of his lips.

You can feel him quiver when you pull back, moving a palm back to his cheek to pinch his skin between your thumb and forefinger, “If only you knew how to listen.” 

Yuuta winces, but he does not pull away. He parts his lips to steady his breath, and then to speak, strained, “Please, princess. Have mercy.” 

And for the first time in a fortnight you smile, watching splotched skin stain your knight’s cheeks when you soften your hold on him. You pull Yuuta’s head up further, lean yours down for a careful kiss; short, chaste, the kind you know he hates the most. 

“Oh, Yuuta,” you coo, grazing your thumb against his face, endeared by his wide eyes and quiet whimpers, “This is mercy.”

[egophiliac]

me: okay, I did the 350k points thing ONCE for pink Last Note Hayate, I'm never ever in a million years going to do it aga --

dkmn: blue digimon Fralio :)

me: oh DAMNIT

(I did eventually get the card too, even though trying to pull him felt basically like...)

[shimmershy]

Buttercups and Golden Flowers