#it will have. too much greek references.

[marmolao]

IM GOING TO DO A ZEUS TEAM ASK BLOG if i fail i will let everybody know by posting sad kittens

[prolibytherium]

There's a LOT of things people do wrong when constructing fantasy beliefs in pantheons of gods, but one of the more specific is having only one god related to fertility and it kind of being just a horny sex thing.

Like you'll have one in the entire bunch whose sphere is listed as fertility and it's basically like Yeah this is the sex one. She's always depicted naked (but not TOO naked because censorship and/or the writer's own skittishness). She's going to have the exact body type epitomized in contemporary western beauty standards and there's usually no chance in hell that she's gonna be fat (unless MAYBE they're referencing 'venus' figurines). Her thing is fertility, which means having sex and making babies. Might be a goddess of beauty or love or marriage too, because these are kinda sex things, but that's probably it. And yeah that sort of thing is virtually nonexistent in real life.

Like the concept of fertility is so fundamentally important to the function of most societies in human history in ways that it is just Not in industrialized imperial core countries. Most people are getting food from stores, and not having to worry about harvesting crops or breeding livestock or foraging for food or having enough animals to hunt, so fertility only really comes up as a concern if you're trying to have kids (and there is certainly societal pressure to have children, but your wellbeing and survival is rarely going to Depend on it). And I think writing only from that perspective and not even trying to learn about WHY fertility is so conceptually important is why you see this trend.

There's no absolute universal statement about how people believe in gods but it's broadly accurate that systems with many deities will Usually have more than one deity associated with fertility, and these associations will certainly include human reproduction but also the fertility of livestock/hunted animals, plants, the land itself.

Some fertility deities may also be heavily associated with seasonal changes or environmental factors that agriculture or foraging is dependent on (spring/summer/fall, seasonal rains, seasonal flooding, rain itself, sunlight, good soil, rivers, wetlands, etc). Some certainly might be related to love, marriage, sex, and beauty, but that's VERY RARELY going to be the sole way the concept of fertility is embodied. And they'll often will have other associations not directly about fertility, or related to fertility in culturally specific ways.

[hauntingblue]

CAUSE THIS IS THRILLER (bark), THRILLER (bark) NIGHT

Usopp's outfit is so funny for reals

He got the whole squad laughing

Luffy enablers at it again.... (Robin.... I know.....)

The humor panels so far have been so good!!! God this arc is so funny

HE SAID IT‼️‼️

They look like birds 😭😭

It's just too good... luffy taking cerberus and zombies what can't he do

It's just banger after banger what can I say

Franky feeling for other people because of his guilt complex and sanji lying through his teeth and pulling out the women excuse to seem unaffected... yeah

Look at them.... look how they ate

Omg joyboy reference?? (No)

Sanji is rubbing off on usopp.... also chopper noticing that is sogeking's weapon akdhaksjak

ANOTHER SLAY!!!!!

Their priorities: I'm not strong enough, there isn't enough food, and nami isn't here

Franky going from wanting to kill brook for his jokes to making a joke like his after he hears his backstory... exactly (Robin was already enabling him before the backstory even fdagjsfha)

Sanji is altering his body and actually being on fire to communicate to us how fucking mad he is..... I need more of him going insane I do I do

My god what is he doing ALDJALAJALA

AHSAHAHQHAH THEY ARE THE SAME!!! naaah sanji wouldn't force a woman to be his wife

You cant see me but I am nodding my head in agreement over and over

You don't understand he altered his body to communicate to us how mad he is. He inploded himself and then reconstituted again. Those germa 66 genes are insane

You tell em usopp!!!! The first of many girls you've scared into defeat!!! Akdjqknql

Zoro zombie regressed to not trusting robin akdjaks he's still in there

ROBI-CHO SUPLEX??? HELL YEAAAAAH

There is zosa- [GUNSHOT GUNSHOT GUNSHOT GUNSHOT]

Super frapper gong.... he is doing combo shots with frobin... omg.... parents....

Everything is so fun I'm having such a good time reading.... and then zosan angst like damn I am being fed well here

[gareleia]

THE KNITTING SAGA BUT HERMES IS A DUMMY

update: my co-writer friend FINALLY got a tumblr account, so I can tag them now!!

previously: part 1 part 2 part 3

next: part 5

m'kay, so, we've talked about Athena & Telemachus' issues. now let's touch on Hermes, because a Diva™ like him deserves his own post. and also because this had been sitting in my notes for so long i've genuinely forgotten about it (i'd say that it's what translating a musical does to you, but honestly my attention span is just shit)

now, as much as I love Soft Boi!Hermes, I even more so love prankster Hermes who doesn't really recognize personal boundaries or the meaning of 'too far'. he's the guy who'll commit to the bit so far, he'll commit mass murder with a Tee-Hee and genuinely wonder what has got everyone so upset.

kid!Telemachus, holding a cup of poison: grandpa, are you sure it's a good idea? I'm scared… Hermes, laughing his ass off in the corner: of course I'm sure, champ! it'll be hilarious! good ol' game of Ithacean Roulette! now dump it into the wine, let's see who we'll get this time!

at the same time, he's not selfish. he's very keen on doing things for the people he likes, and he cares enough to know when someone is distressed. he, as a god, is just so removed from traditional human morality that casual acts of cruelty are perfectly acceptable to him, while, for example, breaking an oath is a horrible sin.

think blue and orange morality stuff.

telemachus, outraged: …murdered his own family, can you imagine? hermes, equally outraged: I know, right? he gave a blood oath and broke it! disgusting! telemachus: why is that your only concern?!

but don't worry, helping to raise Telemachus and hanging around the same people consistently makes a real boy outta him gives him enough time and insight into humanity to start understand mortals better, and, as consequence, adopt some of their values.

especially the concept of spousal loyalty. Hermes is a patron god of thieves, and at the time taking someone's wife was viewed as an act of theft (because women were property, yeeesh). which is why to him Penelope's situation was less of a tragedy and more of a "well, my dumbass great-grandson Odysseus should've seen it coming. snooze you lose! ¯_(ツ)_/¯"

that is, until he gets to know her better. and suddenly she's not a prize to be won or a challenge to conquer. she's a smart, capable person that commands respect from anyone who's got a shred of self-awareness. she's got gentle hands, and a radiant smile, and a spine of steel. Penelope looked Hermes dead in the eyes and told him serenely to keep being a good influence on her son, she does not deserve to be reduced to a token and given away to the highest bidder.

hermes, initially: well, penelope's a rich, gorgeous, basically single queen. I'd steal her too, if she was my type. hermes, 10 years later: she's the smartest, ballsiest human woman I've ever met and if she only wants her Ugly Ass Groom then she'll fucking stay single until he comes back.

unfortunately for everyone else, Hermes cannot step in to protect her, because Zeus and Poseidon are both pissed off at Odysseus already, and if either of them notices Hermes (and/or Athena) interfering with mortals on Ithaca, they might take it as an invitation to follow suit, and then it'll be Troy Story 2: Electric Boogaloo.

so he stays his hand, and hangs around Telemachus discreetly, mostly posing as a human. for a god of liars, he's surprisingly bad at blending in for long periods of time. Hermes thinks he's an awesome conspirator. meanwhile little Telemachus didn't even realise it was a secret.

the only people who don't know that [insert alias] is a god in disguise are the suitors, who are notoriously either too stupid, too overconfident or too busy drinking to connect the dots. the exception is Antinous who pretends to be oblivious and makes sure the gods don't see him as a threat to their beloved little pup (otherwise he'd have killed the prince long ago).

the suitors, however, unanimously agree that they hate this weird annoying stranger, and try to get rid of him in increasingly elaborate ways, from poison to stabbing to wild animals to dropping pots on his head.

spoiler alert: it doesn't work.

hermes, next day: *comes back every morning like nothing had happened, whistling cheerily* suitors: WHY WON'T YOU DIE?!

eventually Antinous convinces them to give up so they don't piss off Hermes.

years pass, Telemachus grows. Athena teaches him strategy and arts of war. Aeolus gradually comes out of the hiding and becomes the resident lovable comic relief side character. and Hermes? he teaches the kid all the good stuff.

and it's not just lying, okay? (though it's a significant part of it) music, diplomacy, geography, street smarts, some history. he's a worldly god, had observed and been a part of countless cultures. above all else, he knows people. he may not really understand them, but he knows how to get what he wants from them, how to find common ground and how to spin things to get along with practically anyone.

and girls. Hermes helps Telemachus with girls.

because he's the cool uncle figure that Telemachus admires, the kid trusts him enough to ask the god for advice when he starts growing older and gets his first crush in his early teens.

and, on one hand, Hermes is ecstatic. on the other one…

telemachus, blushing and stuttering: there's a girl I met, she's so pretty, and cool, and, and, and how do I talk to her, do I just come up and say hi, but what if sh- hermes: … hermes: *blue screen of death* hermes: MY BABY-

it's the first time he truly starts to grasp how short the kid's life will be. because in the blink of an eye he turned from a newborn to an adolescent, and soon enough he'll have his own family, and Odysseus was already a king himself at this age, and Hermes is not ready this can't be it he can't just grow old and die

so anyway, he pushes the thought aside and pretends it never came up at all (because that always works, and bottling shit up never blows up in anyone's face, right, Athena?)

he gives lots of advice, from useless macho stuff to golden nuggets like "be yourself" and "show her respect". and, of course, he cheers from the sidelines, hiding 'inconspicuously'.

and it goes surprisingly well. the girl appears to find Telemachus' awkward attempts at flirting sweet and charming, and the boy is on the cloud nine.

but Hermes isn't. because, unlike the prince, his judgment isn't clouded by a puppy crush and he can see that the girl is actually a lying bitch, who's playing Telemachus like a fiddle, hoping to become the next queen of Ithaca. and he won't stand for it.

except Telemachus, for some reason, doesn't seen thrilled when Hermes tells him to dump the girl?? he flat out refuses to believe that, because love is blind and so are sheltered insecure teenage boys.

so Hermes, in his infinite wisdom, decides to prove to his naive little charge once and for all that the girl is just using him and doesn't actually love him. now, what's the first example of true selfless love from a woman that comes to mind to the god who had spent the last few years hanging out with the royal family of Ithaca? right, Penelope. and the one thing that characterises Penelope is her unconditional loyalty, even into the face of countless threats and temptations.

hermes, to himself: so, if I show the kid that the bitch will leave him as soon as she finds a better prospect, he will definitely admit I was right all along! and dump her! it's a perfect, easy, foolproof plan! I am so smart! what could possibly go wrong!

another spoiler alert: everything goes wrong.

the girl does happily jump into his arms as soon as he hints that he's a god/demi-god/just a cooler prince or something. she does it right in front of Telemachus, in fact, so there's no way he'd be able to deny the obvious.

on the bright side, Hermes immediately outs her as a lying bitch and publicly shames her, embarrassing her family and ruining her prospects of marriage and causing her to suffer for the rest of her life ('disproportionate revenge'? what's that?).

on the down side, for some unfathomable reason, Telemachus doesn't seem very grateful??? what???????

hermes: and so, AS ALWAYS, I was right. telemachus: hermes: but please, hold your applause! telemachus: hermes: I did it all for you, out of the goodness of my heart! telemachus: hermes: and please, don't apologize! you were wrong, I get it! no need to- telemachus: *bitch slaps his smug face and runs away, hurt and betrayed* hermes: *shocked pikachu face*

thing is, Hermes doesn't understand what he did wrong. in his mind he did a rather good deed: showed the liar's true colors, and spared the kid a lot of heartache down the line. he doesn't understand the feelings of betrayal from having someone he trusts explicitly outing him as a naive fool in front of everyone he ever dreamed of earning respect from. doesn't get the pain of having been cast aside by someone he liked in favor of a god, with whom he could never compete. can't imagine living in the shadow of someone he had never even known and being constantly reminded of all the ways he's lacking.

telemachus: I'm not a stupid child, hermes. I could've handled it. hermes: but you didn't listen to me, maybe you'd have never seen it on your own- telemachus: and maybe I would've. maybe I would've had the opportunity to find out myself, and maybe I would've learned from it, but you never gave me that choice, did you?! did you think i'm that dumb?! hermes: oh, come on, kid, you're not dumb- telemachus: THEN WHY DO YOU TREAT ME LIKE I AM?! WHY DON'T YOU EVER TRUST ME?!

aaaaand there's the core issue. Telemachus had spent his whole life being babied at best and looked down upon at worst. constantly compared to Odysseus and his more vicious peers, always shielded from making tough decisions and proving himself. he feels like he will never amount to anything, because no one ever lets him really try. as soon as it looks like he's going to make a mistake, someone (usually Athena, Aeolus or Hermes) swoops in and 'fixes' everything for him, just like they used to do when he was an accident-prone toddler. which he isn't anymore.

and Hermes doesn't understand that. to him, ten years is basically nothing. the kid can't have changed that much in ten years. because if he did, then he'll change a lot in the next ten years, and the next, and very soon he won't change anymore, because ten years are nothing and so are human livespans.

ten years are nothing, because to admit otherwise would force Hermes to face the fact that Telemachus, no matter how precious, is just as mortal as any other human. which amounts to basically losing him already. and Hermes can't.

he held that boy as an infant. he fed him, helped to teach him walk and talk and make silly faces. he can't lose this child to time, the one thing even gods can't really protect humans from.

Penelope finds Hermes sitting on her balcony with the most human expression on his face she'd ever seem him wear. he's lost, and confused, and full of regrets, and kind of terrified. in that aspect, he reminds her painfully of her husband.

hermes, mumble: he's growing older penelope, sighing: I know hermes: he's not a baby anymore penelope: believe me, I know hermes: but... what do I do now??? penelope: you let it happen. not much else you can do.

she talks him through it.

hermes, rambling: but I will lose him. I'll lose him if he grows old and dies. this is why I don't get attached to mortals, you die too soon. he can't die now. penelope: he's not going to die now. he'll become the king first, he will find a good wife and have children and grandchildren. he will become great, greater that I and his father could ever dream of. and he'll be happy. don't you want to see that? hermes: I do, but- I don't want him to grow up! penelope: then you finally know the biggest joy and the deepest pain of parenthood.

it doesn't fix his fear. doesn't fix his pain, either. but it does help fix his attitude.

because she's right. Telemachus is growing old, and he can't shelter and protect the boy forever. soon he'll become a man, then an elder. and there's nothing Hermes can do about it, short of dragging the prince to Olympus and begging Zeus to grant him immortality, which will never work.

Hermes and Telemachus make up, of course. the latter knows, deep down, that the former is just trying to take care of him. they make up and forget the fight - at least, the boy does.

Hermes will always remember.

and he will count every day, every wrinkle, every grey hair.

the joy and pain of parenthood indeed.

[ravencromwell]

The poem evokes human greatness and human vulnerability. People are “godlike” in their courage and skill, but even the greatest mortals fall and clutch the dust between their bloody fingers. The beautiful word minunthadios , “short-lived,” is used of both Achilles and Hector, and applies to all of us. We die too soon, and there is no adequate recompense for the terrible, inevitable loss of life. Yet through poetry, the words, actions, and feelings of some long-ago brief lives may be remembered even three thousand years later.

--Emily Wilson's introduction to the Iliad

[im-still-a-robot]

Sailor Merope!!!

[unproduciblesmackdown]

interestingly the only mention i can find of a monastery loquarium is (rendered "loquorium") in "the california padres and their mission" by charles francis saunders and joseph smeaton chase, a book in the public domain:

The Mission relics at Santa Inés are many and interesting. Besides those used in the present-day church services, and the beautiful old vestments that are in the sacristy, there is a considerable collection arranged for interested visitors in an interior room of the convento — a room formerly used as the loquorium, where daily, after dinner and after supper, the friars were at liberty to come to rest for an hour from their laboring and praying, and relax in human chat.

the next paragraph also mentions this room now housing relics "patiently got together from all sorts of places," including "from the earth of the surrounding fields as the plough turns it up"

[langernameohnebedeutung]

*Then the Spirit led Jesus up into the wilderness so that the devil might tempt him. After Jesus had fasted for 40 days and forty nights, he was starving.

Matthew 4:1-2

aka: Blaine + 😈

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

[professorcalculusstanaccount]

Tintin Tarot - A Fool's Journey, Part One. A collaboration with @josephscoat who knows a lot about tarot and other spiritual and cultural topics. They're a very talented writer too, so go check them out!

They first pointed out how perfectly the Fool tarot card mapped onto Tintin himself, and it led to me illustrating the Major Arcana as Tintin characters. I'm surprised Moulinsart hasn't released an official Tintin tarot deck yet, though knowing them if they did they'd probably just reuse existing art...

I wanted this set to reference the Rider-Waite tarot deck, as it's iconic! I tried to keep as much symbolism from this deck as possible, while incorperating a lot of appropriate Tintin references. It was important to us that none of these felt like a stretch, so we tried our best to find the best fit for each card, including the card's reverse meaning!

The Fool - New beginnings, taking risks, embarking on a new adventure, independence and blind faith. He even has a little white dog. Of course Tintin is the Fool! The yellow tights indicate he moves forward with self confidence, even if forwards means off a ledge. He carries a white flower, symbolising purity.

The Magician - Manifestation, creation, resourcefulness and inspired action. Calculus's inventions behind him are a nod to each element - the shark submarine represents water, the moon rocket represents fire, the sound weapon represents air and the white roses he creates for Castafiore represent earth! On the table we have Didi's sword, a bottle of Loch Lommond whiskey, a pentacle and King Ottokar's sceptre. This card is my favourite!

The High Priestess - Mystery, intuition and the subconcious mind. Madame Yamilah was the obvious pick, being canonically psychic! I incorperated the curtains from the theatre she performs at, as well as the columns Haddock knocks over, now in black and white to represent light and dark.

The Empress - Motherhood, protection, femininity. There aren't many parents in the Tintin universe, probably by design. Mrs Wang came to mind. I used phoenix motifs in her headress as in Chinese culture they are symbols of femininity, and are distinct from the fiery immortal birds from Greek mythology.

The Emperor - Fatherhood, authority, structure, control. Mr Wang runs a crime fighting organisation and is Didi and Chang's stern father. Dragon motifs represent masculinity, and I referenced ancient Chinese armour as a symbol of protection.

The Hierophant - Tradition, conformity. The Prince of the Sun sticks closely to ancient laws and traditions, but like the card's reverse, is open to new approaches, such as when he takes in Zorrino. I gave him some elements of the priest's clothing to symbolise the Prince's role as a religious leader.

The Lovers - Partnerships, duality and unity! Despite being identical, the Thomsons aren't related. They in fact come from different countries - one is from France and the other is from Switzerland. Me and my friend confirmed this fact at the Herge museum in Belgium! The card's reverse meaning, disharmony and loss of balance, is also very much in line with the Thomsons. I included the internet famous Gay Lions in the background!

The Chariot - Direction. Control. Willpower. These are the perfect descriptors for Arturo Benedetto Giovanni Giuseppe Pietro Arcangelo Alfredo Cartoffoli, the Italian driver that helps out Tintin and Haddock in the Calculus Affair. He may have only appeared for a few pages, and I may be the only person to get this reference, but he is a perfect fit. He drives.

Strength - Compassion, bravery, endurance. Not only has Chang demonstrated these qualities in Tintin in Tibet, he's had to endure a lot of hardship throughout his life, being orphaned, swept up in a flood and watching his home get torn apart by imperial forces. He still comes out the other side patient and compassionate, being one of the few people to recognise a form of humanity in the Yeti, and possibly being the one to change Tintin's entire political journey! Chang is draped with juniper berries.

The Hermit - Laszlo Carreidas is a lonely and isolated millionnaire who goes through a huge personality change. Being drugged with a truth serum makes him more honest and open. His base personality before his development fits with the card's reverse - isolation and a loss of direction.

Wheel of Fortune - Alcazar and Tapioca's conflict is an endless cycle of war for political control. The Wheel of Fortune represents cycles and inevitable fate. Reversed, it represents a lack of control - both Alcazar and Tapioca cycle between having absolute power and no power at all. I dressed Tapioca as Anubis as a nod to the original card!

Justice - I picked Miarka to represent Justice as she and her community are wrongfully accused of crime due to being profiled. Instead of a sword she weilds the golden pair of scissors she is accused of stealing, and the gemstone representing a third eye is the Castafiore emerald. The owl, a symbol of wisdom, and the magpie from the Castafiore Emerald sit beside her.

[vampireistic]

failed replaced!MC AU

ཐི synopsis: diavolo has sent down a brand new human exchange student! one that, unfortunately, seems to be very keen on stealing all the limelight for themselves…with such pathetic results it’s almost endearing.

ཐི feat. demon bros

ཐི warnings: mentions of blood/injury, second person

ཐི a/n: yanked this idea from @squeakyducky ! ٩( ᐛ )و named the human exchange student “notus” after the greek god of the south wind because in the comic the MC is called “zephyr” after the god of the west wind (not directly in opposition of one another in mythology but i thought it would be fitting). + also this is kinda long…(;_;)

You weren’t upset about having a new human exchange student, no-one really was, but just the gut feeling that Diavolo was going to throw you in as their guide was really starting to irk you (having to deal with several argumentative debate-lords thirsty for your attention doesn’t give you much energy to deal with newbies).

Who knew though? Maybe this was exactly what you needed; a break from all the fantasy in the world for a touch of realism. A touch of home.

However, soon as that portal twinkled to reveal a rather attractive human figure bursting with confidence, your latent arcane abilities smelled trouble. But then again, you were rarely right about first glance opinions on people, maybe this was just another instance?

Ok, well, when you tried going up to introduce yourself you were met with a glare so maybe you weren’t so wrong after all. Benefit of the doubt, you repeat to yourself. You remember being particularly snappy to people within your first arrival - it’s natural instinct! I mean the brother’s also threatened to eat you on the first day here, perhaps they’re just naturally standoffish.

“This is Notus, our newest human exchange student! Please be sure to give them a warm welcome.” Diavolo’s voice boomed across the council hall, eyes gleaming with excitement. Like the first time, the brothers introduce themselves one by one, each a little more on edge than the last - maybe they felt that weird energy too?

Whatever, you pushed those thoughts aside for the time being and took on the role as the newest babysitter for a human that seemed to have a much unnecessary distance while walking next to you.

──────────────────────

It started off fine:

Occasional misplacement of your items; an untied shoelace that makes you trip (with Mammon getting a heart attack as he pulls you up by your wrist); messing up an elixir you were sure that you measured correctly; and opening your bag to find your homework gone.

Childish antics that you tried your best to push blame onto either your own forgetfulness or a misplaced prank that was meant to mess with Lucifer. But somehow, it got so much worse - and that little demonic human decided to finally take fault of their pranks by flaunting it off with pride.

“Oh, MC?” Notus caught your attention with a double tap on your shoulder. “Did you enjoy the nature reserve?” Mammon tilted his head to the side, confusion scrunching his face as he looked over at you.

“It was really lame, Thirteen would’ve done better.” Of course you were not referring to an actual excursion, no, you mean the wild animals that had magically found themselves a snuggly home in your bed as well as the plethora of Devildom-specific deadly mushrooms and herbs that replaced your old plant pots.

“Hah? What are you two yappin’ about?” Mammon huffed, clearly annoyed that he wasn’t part of this big secret that you two seemed to share. Notus smugly cuddled up to him, arms wrapping around his bicep a little too tight. “Oh it’s nothing! Just a little…gift, I got MC as a thank you for being such a great guide!”

“Oi! How come I never got anythin’ from ya when I had to babysit?” His brows furrow as he clearly attempts to, rather nicely, shrug off the unwanted attention. This is the first time you’ve seen Mammon look so visibly uncomfortable - clearly oblivious to such a fact, Notus continued snuggling themselves closer, trailing their fingers up and down Mammon’s arm.

Of course, you ended up telling all of this Lucifer, to which he implemented a special spell on your lock so no sneaky human that’s barely acquainted with magic could unlock, with the reassurance that if these “pranks” and unwanted behaviours escalate, it would be taken to Lord Diavolo directly.

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Mammon was an obvious first victim for this weird power trip of a game - he’s as kind as a lamb and just the teeniest bit dumb (lovingly so, you reassure him) - but somehow the antics got more assertive and the targets much more hazardous. Satan. Honestly at this point, all you could feel was pity as you sat in the living room, nose buried in a book that Solomon had instructed you to study.

Notus had lived alongside you for a little over two weeks now, and while those small pranks continued, this is the first time you’ve seen them take on an “opponent” that would be way too much to chew. Sliding onto the couch with a careless saunter, Notus cozied themselves up into a cushion right near Satan’s arm, their breath basically ghosting over his neck. His face twitched.

“What?” Satan scowled, a face you haven’t seen in a while crunching his usually stoic expression to a frown.

“Sataan, can you please help me study? I’m struggling in Seductive Speechcraft and need a bit of…” their hand awkwardly inches closer to his hair, “guidance.”

“Go find a book or ask your lecturer.” He aids somewhat clamly, before that mask slips off momentarily to threaten them: “Don’t bother me, you’ll regret it.”

Well, that ended quicker than you expected. Guess even the ever so bold exchange student cowers at the icy glare from the Avatar of Wrath? You can’t help but giggle from where you sat, to which Notus immediately looks up for, facing twisted in an ugly scowl.

──────────────────────

After the failure that didn’t even really begin that was the day before, Notus went for someone much more gullible and easy to please. The favourite orange-haired glutton. Offering him a massive, drool-worthy sponge cake from the human world that they swear, “MC asked me to deliver!” He wasted no time in scarfing down the citric frosting soon as that familiar melodic sound of your name hit his ears.

Beelzebub isn’t known to be someone who’s reluctant to not eat things - unless it’s Mammon’s or Solomon’s sacrilegious cooking - but in this case he wished he could control himself when it came to things that look and smelt promising. Because soon as that icing coated his tongue, his belly grumbled with a heinous rage. Not one born from hunger, no, but rather nausea. Thankfully, Beel’s a big dude who can handle pretty much anything, so it’s not like whatever poison or foul-tasting potion that was slipped between the buttercream did him any damage (apart from ruining his mood), but nonetheless, he felt horrible and got a lengthy scolding from Belphie to boot.

He doesn’t blame you, you might’ve just messed up somewhere and that’s ok! Beel sets the rest of the cake aside with a little warning label that it made him feel ill and if it did him, it could probably kill anyone else, before scurrying off to find an actual bite to eat. Guilt did gnaw at him for a while because, normally, he’s easily able to eat anything you make since you make it with so much love! But Beel can also recognise foul play when he sees it and also comfortably assess that the icing used wasn’t mixed in the way you do it.

──────────────────────

These little instances stopped for a while, which made you foolishly believe that perhaps they learnt their lesson and decided to turn in for the better. Notus manages to surprise you once again - instead of targeting the brothers, the attention comes back to you. The original plan was; conjure up a curse on your pillow that forces you to have perpetual nightmares, which henceforth makes you irritable and hopefully slip up in front of the brothers, preferably make you so grouchy that you say something irredeemable.

What factor Notus failed to account for is the fact the brothers also LOVE your room, and a person who specifically loves stealing shit from you is Belphegor, who so unfortunately kidnapped that one pillow ridden with a curse while stumbling into your room with a drowsy head.

The House of Lamentation isn’t known for being quiet, so the bickering downstairs over breakfast overwhelmed the space per usual, but soon as those thumps of heavy footsteps echoed down the flight of stairs connected to the twin’s room - the house went eerily silent. An overly irritated Belphie ghosts into the room with darker eyebags than normal, his face hauntingly pale with a vein popping from his forehead, body limply dragging itself.

Notus felt the hairs on the back of their neck stand up as Belphie saunters behind them, looming over like an owl would a mouse before growling: “Do you always ruin the things you touch, or is this a hobby?” Belphie may be the youngest and therefore the weakest, but when it comes to anything dream and curse related, he will know exactly who’s behind it. And if you hadn’t taught him the slightest bit of mercy, he was sure Notus’ skin would serve Asmodeus as a nice handbag.

──────────────────────

Speaking of the jewel Asmodeus, Notus’ technique was much more…social sabotage based. Spreading a vile rumor around RAD that you made a disparaging comment about Asmodeus’ character was a sure fire way to get some sort of hate train going. Rumours spread fast around RAD, especially when concerning one of the Devildom’s most infamous partygoers, after all - and the drama was sure to escalate when the oddly beloved MC was involved. Notus devilishly giggled to themselves, before knocking on Asmodeus’ room, hands clasped together in faux prayer.

The door swings open to reveal Asmo adorned with silver jewellery that coiled together like moonlight kissed webs, earrings curling into shiny heart shaped crystals that he seemed to still be putting in. With a raise of a brow he smiled politely: “Yes, hon?”

“I saw the awful things MC said about you! I’m so sorry…you must be going through so much pain,” Notus sniffles, that drama class they took back in Year 9 really paying off for once. “If it’s any consolation I think you’re amazing…I mean even all your jewellery know looks like it was practically designed with your image in mind, it’s so glorious!”

Guess they took Satan’s advice after all.

Asmo is kind. Somewhat - ish…But not when it comes to people that use cheap tricks against his beloveds. Sure, the flattery was great, but appreciation is always better when it’s genuine and sincere, specifically your praise was something his vain heart sought afer. “Aw dear,” Asmodeus cooed, hands cupping Notus’ face gently, an act that makes them smile a little unnervingly. “If you knew me at all you’d know I designed these, quite recently in fact.”

Shit.

Notus felt their face heat up in embarrassment, hands suddenly clammy with sweat. Unsurprisingly, it doesn’t feel so great to be caught in a scorpion’s tail. “Sweetie,” he laughs, patting Notus’s shoulder with mock sympathy. “You could never turn me against MC. They’re real, and you’re just…trying too hard, aren’t you?”

The grip on Notus’ face suddenly tightens, that orange hue in Asmodeus’ eyes tinting a more saturated shade. “Feel free to say whatever you wish about me, but utter another word about my MC, and I’ll drain your marrow and leave your bones bare of sinews.”

A not so nice reminder that bloodlust is still a form of lust.

That backfired spectacularly. Instead of you getting bombarded with hate and being shred apart in anything you posted, it was the newest exchange student that was the prime highlight of what desperation and pathetic self-esteem looked like. Comments ranged from anything like:

“Lord…this is just embarrassing for them lol”

“thanks for the tutorial on social suicide <3”

“an attempt was made…but it should’ve been with a rope.”

Much to you and the brother’s greatest dismay, the forum that was freely spouting random comments about the situation was gradually shut down under Diavolo’s leadership. He did find it the teeniest bit funny though…

──────────────────────

In naming pathetic self-esteem, a particular water dweller comes to mind: Leviathan. He was going to be a tricky one to lure (said in a hopeful manner as if the others weren’t total failures). Not particularly because he’s the third oldest, making his raw power single-handedly capable of wiping Notus away from existence. No, it was the depressing fact that he’s a recluse that seethes to himself whenever you giggle at a joke someone other than him has made.

Although, they did manage to misuse his social awkwardness to their advantage - by acting shy and nervous as they sweetly ask if they can also join the gaming session with you and him. Levi chose a multiplayer dungeon crawler, the kind where cooperation is key — and where you certainly have excelled before. Notus, however, had other plans.

Small, inconsequential mistakes didn’t bother Levi too much…you and him were good enough for the time being, but by level, these “mistakes” of theirs just spiralled uncontrollably. Taking up important loot meant for you, and even using rare healing potions on themselves at the wrong time, leaving your character on the brink of death.

“Oh no!” Notus gasped, hand to their mouth. “I didn’t mean to—uh, sorry, Levi! I guess I’m just not used to such a complicated game.” They glanced slyly at you, a smug grin creeping onto their face.

Levi frowned, his tail twitching with irritation. “It’s not that complicated,” he muttered. “You just...have to listen.” You don’t even remember when he switched into his demon form, but you can somewhat presume it was around the second the first whine gasped from their lips.

Despite their blunders, Notus managed to turn the situation into a chance for attention, constantly praising Levi in exaggerated tones. “Wow, Levi, you’re so good at this game! I mean, you basically carried us, right?” They laughed, shooting another smug glance your way. “MC must feel so lucky to have someone like you showing them the ropes.”


Levi blinked, looking between Notus and you. His face flushed, but not in the usual embarrassed way—it was frustration. “What are you even talking about?” he snapped. “MC doesn’t need me to ‘carry’ them. They’re actually good at this!”

Notus tried to backtrack, laughing nervously. “Oh, sure, sure! I didn’t mean it like that, I just—”

“Just stop.” Levi's voice was uncharacteristically firm. His eyes darted to you, softening. “MC doesn’t need someone like you pointing out their skills. They’ve already proven themselves. Unlike, uh, certain people who don’t even know how to play.”

The match ended shortly after, with Levi muttering about how “toxic noobs ruin games.” He didn’t invite Notus back for another session.

──────────────────────

Lucifer’s patience had worn thinner than a threadbare string. The complaints from his brothers about Notus's antics had escalated from minor annoyances to full-blown disruptions of their routines. Asmodeus couldn’t walk down the hallway without Notus latching on to him, Leviathan’s game nights had been interrupted by bizarre "accidental" server crashes, and even Belphegor muttered in frustration about charms slipping into his blankets to make him "dream of Notus."

Through it all, you have endured the worst of it — every petty prank, sabotage attempt, and unwelcome spell aimed at undermining your place in the Devildom. You’ve handled it with your usual grace, brushing off bruised egos and minor inconveniences with an easy smile. But this time, Notus had gone too far.

Self efficacy is quite the funny theory - the more you believe in yourself, the more likely you are to succeed. The more successes you have, the better your confidence. So how come even without that, Notus seemed to be as determined as ever to ruin your mood?

The prank seemed harmless at first—a minor tripwire spell meant to tangle your legs and leave you stumbling in embarrassment. But Notus, in their reckless desperation to make you look bad, underestimated the strength of the curse. When the trap activated, you didn’t just trip - you were violently flung forward, crashing into a jagged edge of a chair (there’s too many of them in the House of Lamentation as you just got to personally establish).

The sound of breaking wood reverberated through the house. You hit the floor hard, crimson spilling from a deep gash on your arm where wood had pierced skin. Placing your fingertips on the gush of blood pooling around the scratches, your hands webbed with red iron.

Lucifer arrived almost immediately, his presence a storm brewing in the hall. His brothers, frozen in stunned silence, stood back as he knelt to examine you. His gloved hands trembled faintly as he carefully removed the shards and inspected the various wounds that differentiated in size and depth.

Notus tried to deflect, stammering about how it was just a joke gone wrong, their confidence cracking under Lucifer’s piercing glare. “I-I didn’t mean for it to—MC is just so dramatic, they—”

“Silence.”

Lucifer’s single word was sharper than a blade, and the room fell into an oppressive silence. His wings, usually tucked away, unfurled slightly — a stark warning of the fury he struggled to contain. He rose to his full height, towering over Notus, his face a mask of cold fury.

“You’ve been a disruption from the moment you arrived, but this? This is beyond forgiveness.”

──────────────────────

Notus didn’t learn their lesson, of course. Their jealousy burned too brightly to let them stop. But this time, you’ve sincerely had had enough, and with Thirteen’s help, you concocted a poetic dose of karmic justice mingled with a touch of the classics.

Diavolo was long informed of the incident involving you previously, and further filled in on all the previous attempts of ruining both your reputation and relationship with your family. A little meeting in the RAD council room was in due order - one which all of the affected were invited for a silly show.

Lucifer stood impatiently next to a stone-faced Diavolo. You would find it slightly threatening if you didn’t know what was going to happen in just a few moments. Thirteen sat next to you, swinging back and forth on a chair as she grinned at you with every wavering gaze at one another.

And like moth to a flame, blazing with both frustration and smugness, Notus strolled on in. Well, I say stroll - I mean struggle with opening the door before they accidentally put too much pressure on the handle, leading to the doors gushing open with a far swing, and the buckets utop the bar to drop down like catharsis.

A greedy sorcerer from sorcerer’s society that just so happened to notice you when you came in one day with a few of the brother’s and Solomon the Wise himself - Notus couldn’t bare the idea that a little thing like you could swoop in and charm them so easily.

Now covered in a disgusting, webbed display of pig’s blood and some sticky consistency of water mixed with honey, Notus simply stands there, allowing defeat to settle in while the crescendo of giggles cuts deep into their pride.

“Alright alright, I’ve got enough of a laugh out of this,” you clap your hands, whispering an incantation that forces a gush of water to rain down upon them, washing away the weird concoction that coated their skin.

“Aw what, that’s no fun lol.” Leviathan pouts in the background.

“Whaaat!! What a bore…” Mammon grumbled to himself, looking away from the sopping wet dog once his eyes accidentally caught theirs.

“MC…” Notus sniffled pitifully, looking up at you through tear-stained lashes.

“Yes yes, I know,” you sigh, hands on your hips as you try your best to articulate your reasoning for this baseless morality. “This isn’t forgiveness or anything, the stuff you’ve done warrants actual apologies but hey, I’ve had a few of the demons in here attempt to kill me before,” Belphegor coincidentally looks away, “a few jabs at my reputation with failing results was honestly a little funny.”

Notus’ eyes glimmer with shiny stars and fat blobs of tears as they murmured a very simple:

“Fmnf…I love you.”

“…”

“Huh?”

[sincerely-sofie]

Many thanks for the tag @asimplearchivist! The post was getting a bit long, so I cleared the reblogs.

coffee or tea (hot chocolate for me!) | early bird or night owl | chocolate or vanilla | spring or fall | silver or gold (brass) | pop or alternative (I just like what I like, haha!) | freckles or dimples | snakes or sharks | mountains or fields | thunder or lightning | egyptian mythology or greek mythology | ivory or scarlet | flute or lyre | opal or diamond | butterflies or honeybees I macarons or eclairs l typewritten or handwritten | secret garden or secret library | rooftop or balcony (I'm scared of heights lol) | spicy or mild | opera or ballet | london or paris (Homebody) | vincent van gogh or claude monet | denim or leather | potions or spells | ocean or desert | mermaids or sirens I masquerade ball or cocktail party

some tags of my own: @oblonger, @aria-the-derg, @battyaalllday, @onlyhereforghosttrick, @billycorn, and @stingraywipe along with all you shy guys who would love to join in!

Thanks for the tag @steven-grants-world (we won't go into how giddy I get when I'm tagged in something!)

This or that…

coffee or tea (neither!) | early bird or night owl | chocolate or vanilla | spring or fall | silver or gold | pop or alternative | freckles or dimples | snakes or sharks | mountains or fields | thunder or lightning | egyptian mythology or greek mythology | ivory or scarlet | flute or lyre | opal or diamond | butterflies or honeybees I macarons or eclairs l typewritten or handwritten | secret garden or secret library | rooftop or balcony | spicy or mild | opera or ballet | london or paris | vincent van gogh or claude monet | denim or leather | potions or spells | ocean or desert | mermaids or sirens I masquerade ball or cocktail party

no pressure tags: @marieziffer, @jewelsrulz, @diplomaticprincess, @wrenwithapen, @witch-oftheflowers, @lunar-ghoulie, @coneygoil, and anyone else who wants to because I hate forgetting people! Do it!

[sativaonsaturn]

moon sign lingo

how do the moons communicate their emotions? (also keep in mind this is affected by sun, mercury and mars as well)

aries moon: as you’d expect, direct and honest; true representation of mars’ energy. you’ll never have to guess how aries is feeling. i always tell ppl to reference the Greek god Ares, god of war. aries in this placement creates an impatient and excited energy, so whatever they’re feeling kinda needs to be acted on immediately. they’re not very big on time and place, but sometimes this can be to their advantage. this energy makes them great leaders and willingness to work things out as they are happening is a huge plus.

taurus moon: not very loud but blunt with their opinions. taurus wants you to know how they feel and that they’re unwavering in whatever that is. of course tend to be quite stubborn and have a fixed view of emotions as a whole. they are very sure about how the feel on any given topic. when it comes to discussing how they’re feeling, taurus has already decided their standpoint and nothing you say will change that. taurus brings a stable energy to moon and therefore they tend not to experience much of a flux in emotions unless afflicted or have a mercury w/ opposing energy (ex: scorpio or sagittarius mercury).

gemini moon: quite a logical placement (mercury), but is more patient with themselves than aquarius. don’t get me wrong, gemini still desperately wants to get through the emotions and onto the fun! if it’s something light, you won’t even have to ask what’s bothering them 😂 however, often when their emotions are too heavy, they might say that they’re numb or avoid answering a “how are you?” & when they do finally talk, the feelings tend come out raw and uncut all at once. regarding others’ feelings, gemini tends to go around the mushy parts and get straight to making you feel better, as they’re great friends.

cancer moon: very connected to their emotions. have a tendency to be moody and express their emotions quite freely. they definitely wear their hearts on their sleeves but also protective of their hearts. it’s really not hard to guess how they’re feeling even if they don’t say it. when cancer is upset, their body language and tone tell everything; even their mannerisms change w/ their feelings. ofc very affectionate and understanding ppl, one of the best moon signs to confide in.

libra moon: often in a very subtle way at first. libras like to keep balance as we know, so if they feel their emotions may rock the boat, they’re not likely to say much at all. they will sometimes overlook their own strong emotions if they deem them “unnecessary” or it’s simply the “wrong time”. may be people pleasers as well. tend to use laughter/ humor to cope and might seem like they’re not taking things seriously. sometimes we don’t hear how libra feels until they boil over, much like libra mars.

virgo moon: critical and intellectual beings. they understand the world and the people around them by putting things in boxes. virgo needs logic in order to make sense of things (mercury) and it only makes sense that they would do this with emotions. so when they express how they're feeling, it's quite direct and matter of fact. like other earth moons, they prefer to intellectualize their feelings before expressing them. hate to say this (cause everyone says it), but it's important that virgo ease up a bit and validate their own quirks/ feelings and in turn, they will also not be too critical of others. they really want to lead others to "the light" in a sense and that's okay! they just need to find the right balance between pure logic and raw emotion.

leo moon: leo’s emotions tend to pour out of them; you will always know how they feel. these moons can be particularly sensitive and protective of their egos. as much as i adore leo suns, leo in this placement have such a hard time developing emotionally. as leo is the 5th house (of pleasure) and therefore tend to be quite child-like in their approach with emotions as a whole. and undeveloped leo moons can make those around them feel like they’re walking on eggshells. i’d say that leo suns want to be loved, leo moons need it. if developed you may find an enthusiastic leader, but checks and balances are essential as they’re inclined to emotional decision making.

scorpio moon: super tactical and observant. these people are a vault that only they have the key to. scorpio is so profound when they sort through the emotions of themselves and others. however, it’s not often that you’ll hear everything that they’re feeling. scorpio waits til what they think is just the right moment and not a second before. the only placement that may change this is the mars; scorpio mars and moon may make someone only reveal their strong emotions during moments of anger. scorpio moons also read the room quite well so if you’re feeling down, they already know.

sagittarius moon: i actually did a separate post for this one because it’s such an interesting placement. sag is a flame that you simply cannot put out 😭 they feel everything in such extremes and they wake up on ready every day. they cry loudly from their hearts, scream from their bellies and laugh like they might never laugh again. there is never a question about how sag feels because they can’t wait to tell you. if they are inconvenienced or offended, you’ll hear about it until it’s fixed. they are of course very empathetic as well, they wanna make everyone feel good. my little brother has this placement and if i look even a little sad he won’t leave me alone until i smile.

capricorn moon: as saturn would have it, they’re like steel when it comes to emotions. saturn often brings hardships to learn lessons before achieving greatness. so many cap moons experience things that make them tougher, often making it hard for them to create space for their emotions. when they do express their feelings, it may come out in a way that seems robotic, if at all. capricorn struggles to be there for themselves, let alone allow others to. capricorn needs to first release the fear they hold surrounding their own emotions before expressing them.

aquarius moon: another very logical approach to emotions, especially their own. prefer not to discuss how they’re feeling (if at all) until they have gotten to the bottom of things. they’re the type to intellectualize their feelings, sometimes to a fault. if you happen to catch one in their process, you may hear a lot of “why do i feel like this?” also, if you ask aquarius how they’re feeling before they’re done processing, they are likely to tell you they’re fine or that they’re not feeling anything at all. very empathetic people though! just not in the same way as water signs; if they feel you deserve what you’re going through they will not feel bad 😂 they might even tell you that you deserve it!

pisces moon: truly representative of neptune's energy. pisces in general prefers to avoid uncomfortable situations and in this case: feelings. we often teeter between ignoring emotions as a whole and being engulfed by them. so when we do express our feelings, it's either very cryptic or a sort of word vomit. undeveloped pisces moons will often either put the emotions of others before their own or behave as if only their emotions matter/ exist. we also tend to be empaths in every sense of the word. personally, when my loved ones hurt I can literally feel it. also tend to have prophetic dreams and even know what someone will say before they say it. but keep in mind, this is only if pisces is evolved! otherwise pisces may be aimless and lost, not trusting in themselves and disconnected from virtually everything.

sativaonsaturn 🍃🪐

[oddyseye]

Let’s talk about translations of the Odyssey for a second, because, honestly, I’m over here sobbing over how ridiculous some of these choices are.

Every time I pick up a new translation, I hope it’ll finally capture the true grit and messiness of Odysseus, but nope, every one of them polishes him up too much, turning him into either a tragic hero or a charming rogue. Where’s the Odysseus who lies as easily as he breathes, who manipulates his way through every encounter, and who leaves a trail of ruin wherever he goes? I want the man whose brilliance is as sharp as his selfishness, whose cleverness cuts both ways — not just a hero, but a survivor who’s as flawed as he is formidable.

Anyway, I’m gonna break down the biggest mistranslations that really make me want to pull my hair out and remind everyone how different the original Greek actually is. Prepare yourselves.

Let’s start with the absolute disaster that is Telemachus and Peisistratus’ bond. Homer used the word ὁμοφροσύνη to describe their relationship, a term that’s about fucking soulmates, alright? But what do these translators do? They water it down to “just good friends” or “nice companions.” It’s about a relationship where minds and hearts are aligned — telepathic level shit, not just a handshake between two dudes. Yet these translators just gloss over the whole thing, so you get this milquetoast version of their relationship when it’s actually so much more.

Homer says: "ὁμοφροσύνησιν ἐνὶ καρδίᾳ ἐνθα καὶ ἄλλων οὐδὲν ἐπέλθομεν" ("In like-mindedness of heart, where no other man could compare.") So, Telemachus sees Peisistratus as someone he’s totally aligned with, in a way that’s almost romantic in its depth. ὁμοφροσύνη is usually used for romantic couples most often.

Then, we’ve got Odysseus and Calypso, which — oh my god, don’t even get me started on this absolute trainwreck of a translation. The term ἀνάγκῃ is used when Homer talks about Odysseus’ “relationship” with Calypso, but translators somehow miss the force behind the word. It doesn’t just mean “necessity” like they’d have you think. It means force, violence, and distress. When Odysseus is on Calypso’s island, stuck there with her, it’s not this peaceful love story where Odysseus is some willing lover. It’s a prison. There’s no choice, and no one’s riding off into the sunset together. But translations just gloss over this desperation and make it sound so much more peaceful and comfortable than it ever was. It’s forced captivity, and the use of ἀνάγκῃ screams that: “ἔνθα μὲν ἀμφ᾽ ἀνάγκῃ, τῇ δὲ θεὰ ἐρῶσά μιν ἔσχε.” (“There he stayed out of necessity, for the goddess, in her love, held him there.”).

Homer uses the same word when Odysseus describes his time with Circe: “ἀλλ᾽ ἔμεν᾽ ἐν σπέσσι λαῶν ἀνάγκῃ.” (“But I stayed in her halls by necessity.”). Again, ἀνάγκῃ shows that Odysseus's relationship with Circe is dictated by forces beyond his control. His connection to her isn’t out of love or desire, but out of a divine obligation, a situation where choice is completely stripped away. It’s not love; it’s divine manipulation. So much for romantic freedom!

And let’s not forget how Homer actually portrays the suitors and their reaction to Antinous’ violence. After Antinous, in his full rage, decides to throw a chair at disguised Odysseus, other suitors chime in, disapproving of his actions. They say things like “ἀργὸς εἶναι,” which roughly translates to “you’re acting cowardly,” and “ἀτασθαλία,” meaning “reckless.” They’re still on the same side, sure, but they can’t quite get behind the utter savagery of his actions, and it’s maddening how this detail is often glossed over in some translations. They make it sound like they were all in on the violence, but in the original text, these suitors are not all cut from the same brutal cloth, no matter how much some translators want to make them seem like one big mob.

Homer uses the word οἰκέτες to refer to the people in Odysseus' house. "οἰκέτες" means slaves, people who are literally owned by the household. But oh, what happens in the translations? We get “maids” and “servants,” as if these slaves were just there because they wanted to be, doing chores like it was a normal job. But no, they’re not “maids,” and they sure as hell aren't "servants" in the modern sense. These people have no freedom — they belong to Odysseus. The translation of οἰκέτες as "maids" completely erases the brutality of the system that Homer is talking about.

Interestingly, Telemachus, who is often portrayed as rude or immature, calls these individuals “servants” or "maids" in a more respectful manner. This is the same guy who can barely get his act together most of the time, but here he is, calling the οἰκέτες — slaves, remember — not just slaves but “ἄνδρες ἰκέτες,” which translates to "men-servants" or “butlers.” Like, hello, Telemachus! For once, he’s actually treating them like people instead of just the property that they are in Homer’s original telling. Respectful? Who knew?

And lastly, let’s talk about Penelope. Odysseus, when he finally speaks to her, he says: "ἀλλὰ μὴ ἐπεὶ καὶ σὺ μὲν ἔμπεδος ἐν οἴκῳ, ἔτλησαν δ’ ἐμαὶ ἄλγεα." ("But you, steadfast in your home, endured my sorrows."). Odysseus sees Penelope as the rock, the one who has suffered patiently in his absence. Unlike the goddesses, she’s his equal in suffering, not a forced relationship due to divine will. He longs for her, and her presence stands in stark contrast to the chaotic, imposed relationships he’s had with Circe and Calypso. Penelope is the constant, the one Odysseus has chosen — no divine manipulation, just pure, enduring love.

Anyway, all of this goes to show that translations can twist what Homer was actually trying to say — especially when it comes to the relationships in the story. It’s frustrating to see these critical, subtle moments get flattened into bland, palatable phrases. Maybe if they spent less time trying to make everything sound "noble" and more time actually getting at the grit of what Homer wrote, we wouldn’t have to deal with these watered-down, emotionless versions of The Odyssey that everyone is so obsessed with.

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[iwanderthroughthesenights]

Something that stood out to me a lot from this album is the intentional de-personalization of extremely personal feelings and stories. She seems to have decided for this project that in order to be free to be completely honest in her art (which tbf she always has been but never as much as this album), she needs to visualize herself, and thus her stories, as a third party, an external entity on which she's conducting a post-mortem examination. Her 2016 self and the hate train she suffered after Snakegate is reimagined as Cassandra, a character from Greek mythology who had visions in her dreams but no one believed her and instead she was punished. Her anxiety of holding her lover's career back is instead described as The Albatross, this girl who everyone has been warned to stay away from bc she causes problems and is a liability. Her sweet, innocent childhood self is depicted as a robin, a feisty little bird full of life, dreams, and potential who has yet no clue of the cruelty of the world.

Consequently, the characters in her life are, too, bestowed upon fictional characters from stories that have been told before and/or are familiar in some way to the listener (aIMee the girl from this allegorical high school which is actually Kim Kardashian, Peter the boy who never grew up and stayed forever in Neverland who actually is her long-term ex partner, both her and her lover's separate romantic involvements imagined as Chloe or Sam or Sophia or Marcus, her real life therapist referred to as The Professor etc). By using the representation of well-known characters from widely popular stories and myths with names and all, she creates an even deeper line of emotional connection with the listener. Then, the 4th wall is delightfully broken in Clara Bow, where she refers to Clara Bow and Stevie Nicks as the inherent precedents to Taylor Swift. But what's even more brilliant about this is that in this way, she is making Taylor Swift into a character in and of itself. She is actually attempting to externalize Taylor Swift from Taylor the real-life woman. By narrating her stories through tangible entities presented as completely external to herself, she is inhibited by the safety of this fictional/allegorical lense through which she's allowing her stories to be consumed, and as a result, she has unlimited freedom to be more personal than she has ever been in her art before.