#it was supposed to be a brothers subplot

[thickenmyblood]

I'm in love with HIUH!! Your brain is amazing for coming up with this!

When you edit your drafts, do you keep what you cut out? Because I would happily read 100k+ words of whatever you come up with :)

hello!!

sometimes i do keep things that i cut out because I know I'll need them for future chapters or future projects, but most of the time I delete them forever. i know it doesn't look like it because the fic is massive but I have trimmed it so much over the years you wouldn't believe what the og draft looked like. trust me, you wouldn't love those 100k words of scraps!!

[lucyshypemaster]

we genuinely need more platonic male-female relationships like the one brynne and aiden have

[shadowed-dancer]

Villains and Their Fates - A Tragedy Would Have Been Fine By Me

I've seen a lot of people who try to write off frustration with the league's fates by saying "you just wanted them to survive" or "you're just upset your favourite character died". And while that may be true for a few people, I know that it's at least not true for myself (which must mean there are others who feel the same way). So today I'm here to share my thoughts. Despite liking the villains and wanting them to be redeemed, I was also willing to accept a well written ending if they died. I just wanted to ramble a bit about the three main villains (mostly Toga) and how I felt a tragic ending could have been improved.

The only villain I felt should have lived is Dabi, but that's more because of the awkwardness his unconfirmed death caused for Shoto (read this beautifully written analysis for more). If Dabi had to die, he should have died on the battle field OR in the hospital surrounded by family where he gets a few last words in. Leaving his fate unconfirmed leads to the ruined Shoto arc, but is also just weird for a character who has existed for so long. You're telling me that even Overhaul gets a confirmed ending but DABI doesn't?

I've also talked a bit about how Endeavor's survival ruins the subplot, and in 426 he continues by making Touya's final appearance about him (rather than the two brothers) but that's something I've talked about too much. If Endeavor has to be alive and hogging screen time, the least Hori could do is imply Touya will survive rather than die, so at least Enji isn't literally stealing time from his other family members to have some interaction with Touya.

If Touya has to end up in that machine, an ideal ending would have been the doctor saying "it will be a gruelling and near-impossible uphill climb to recovery" and then Shoto can smile and say "he's done it before". Boom. Simple as that. Leave it open, but at least on a positive note so we can assume that the family will have plenty of time to reconcile, as opposed to an unknown (but limited) amount of time that Enji vows to use to talk to him (yeah I know it's supposed to be a sweet gesture but even Touya calls bullshit on it). Let Shoto and Touya eat their soba, damn it!

For Shigaraki, my grievances extend to the writing of the entire final battle between him and Deku. As such, I don't have much to say aside from that because it really is just a product of poor writing. Neither were really allowed to talk before the big moment (hell, the vestiges were narrating Deku's emotions half the time like "he must be upset, this quirk meant so much to him". Why not let him tell us???) and the back-and-forth of Shigaraki being destroyed and then not only to be destroyed again was too much. It felt sloppy and hard to follow, and once you figured it out it just felt dumb. It's as if each chapter needed some massive reveal, but the story had done it so much at this point that it just felt tired and like it was happening "because Hori said so", and that should never be what drives a story.

Speaking of "because Hori said so"...

Oh Toga. Out of all the villains, I actually liked her confrontation the most. (Lies. If Dabi vs Shoto was the end of Dabi's fight, THAT would have been the best. But the Endeavor fight ruins it). Despite having limited screen time, Toga and Uraraka had a surprisingly well-built dynamic. Their few interactions were actually meaningful and created a strong foundation for a fight, and at the very least they had more of a personal connection than Deku and Shigaraki ever did. I think that Toga giving her blood to someone she loves (as opposed to drinking/taking their blood like she had said the whole series) is a beautifully tragic end to her character, but still something that could have fit.

To me, the problem comes with how she died. Let me replay the scene for you: Toga stabs Uraraka in the stomach and Uraraka bleeds too much because she keeps moving around. Toga then realizes she doesn't want Uraraka to die. To save her life, Toga has to do a blood transfusion with herself as a donor and she dies because she has to give ALL her blood.

Now... sure. Ok. Fine. Yeah. Maybe by real-world logic this makes sense. I guess. Whatever. But within the world of MHA, this setup is laughable.

Here's a list of things characters survived (or at least, they survived LONG ENOUGH to get to a hospital rather than dying on the battlefield): Deku shattering his bones with 1 million percent, whatever happened to Best Jeanist when AFO attacked him, Nighteye getting a massive spike through the torso, All Might with "his entrails strewn across the ground", Bakugo becoming Swiss cheese, Grand Torino being punched so hard a crater forms beneath him, Touya being a literal flaming skeleton, Bakugo's heart exploding, Edgeshot becoming a worm. Mirko getting a limb ripped off and then running full speed at Shigaraki. That's just off the top of my head, I know there's probably more.

But you want to tell me that Uraraka getting stabbed and then moving was a fatal wound that required ALL TOGA'S BLOOD? ALL OF IT? The reason Toga's death bothers me is that the setup cheapens the actual moment of sacrifice. It feels preventable, so when she tells us that Uraraka is going to die without her blood, all I could do is roll my eyes because I'm not allowed to use critical thinking skills, I have to just accept what Hori says and take it at face value.

If the author wants you to live as Edgeworm despite saying you were gonna die, you can. But if the author needs a stab wound to be fatal and require ALL of someone's blood? Well tough luck bud, that's just how it goes. Mirko can run and move all she wants after having a limb ripped off, but moving a bit after one stab wound is fatal. Why? Because I say so.

If Uraraka's wound was actually serious then this ending would have been a beautiful tragedy. But as it stands now, the ridiculousness of her wound makes it all feel preventable.

Oh, there's also the fact that Toga switching blood types when she transforms was never established, but I've rambled enough.

That's it. Thanks for reading!

[princeloww]

rivals plot summary (including content warnings)

What to expect from the new DT show, basically. Vague spoiler warning.

Tony Baddingham, DT's character, runs a British television company in the Cotswold area. He is a lord and, as you might guess, extremely rich. He tends to manipulate people and spend their money instead of his, so that when his ventures go wrong, other people are left scrambling to pick up their losses, while he's completely fine.

He has a long-lasting rivalry with the tory minister for sport, Rupert Campbell-Black. Rupert is extremely charming and athletic, and has a new mistress every week. He is divorced and does not see his two children very often. He's an athlete at heart, and adores his horses more than people --- but politics are a lot more stable than that.

The plot follows a very large cast of characters, which can be quite confusing at first. I had to go back and work out who Beattie Johnson was, for example, because I'd completely forgotten who she was and who she was involved with. There are lots of wives and husbands and mistresses and children, so it gets a bit complicated. Most of the characters are somehow linked to Corinium, Lord B (Tony Baddingham)'s TV company.

Tony hooks up with and employs an American director/writer, Cameron Cook. She moves to England to work at Corinium. Her arrival and bad attitude forms tension in the Coriunium workspace, and the tension furthers when Declan O'Hara, an Irish TV presenter and author, arrives at Corinium. He is a leftist (in contrast to the conservatives around him) and often discriminated against for being Irish. At times he is accused of having IRA links, mostly just to make him look bad. He and Tony's personalities clash, leading to a fall out at Corinium. Declan, in a drunken rage, quits his job and falls into a bit of a bad state.

Recovering from the publicity of his departure, Declan groups up with Rupert Campbell-Black and a few others (including Tony's brother, Basil Baddingham) to create a rival television company, Venturer, to challenge Corinium and Tony for the franchise.

There is a lot of romance and a LOT of subplots. Declan's daughter, Taggie O'Hara, is a dyslexic cook who struggles to find work due to her inability to read and write. She develops a crush on Rupert, who is considerably older. If I start talking about how much I despise their relationship, I will never stop. Taggie will probably be quite a main character in the show, I'm guessing. Declan also has a wife, Maud, who is a failed actress and spends all of his money.

Tony's wife, Monica, is very charitable and employs Taggie despite Declan and Tony's rivalry. She is aware that Tony is having an affair with Cameron Cook. An affair which, while Cameron is under his employment, becomes extremely toxic and abusive.

I'm sure the show will be rounded out a bit for modern audiences, but warnings wise (at least in the book), Rivals includes themes of sexual assault (particularly groping), misogyny, domestic abuse and much more. A big majority of the characters are rich and extremely corrupt. Tony, the baddie of the story, has some of the worst moments. There is a scene where he hits and throws a woman until she is bleeding, because she's 'betrayed' him. He also threatens to kill somebody. On a separate occasion, he tells a distraught SA victim not to tell anybody, because the attacker is somebody who he needs on his side, for money. There is also, obviously, given the kind of characters we follow, a lot of classism. Valerie Jones, for example, exists as a punching bag for a middle-class Northern woman who wants to be like the rich Southerners.

Tony might be the bad guy, but Rupert, who we're supposed to like, is also awful. He's Jilly Cooper's little golden boy, despite being horrible. I hate him so much but Jilly clearly loves him. He gropes eighteen-year-old girls and objectifies every single woman he speaks to.

Again, I'm sure a lot of this will be toned down, but watch with caution. The story has light moments and lots of romance, comedy and drama --- it just occasionally dips into dark themes. There will probably be lots of dinner parties, as every other scene is a giant social gathering. As much as I have issue with Jilly Cooper, she is absolutely excellent at writing large social scenes with dozens of different subplots combining.

There's also a weird theme of characters describing 14-year-olds (specifically 14-year-olds) in weird predatory ways. It's weird though, because a strange amount of characters do it -- to the degree where I think it's just Jilly Cooper describing them weirdly. She acts as though being a teenage girl is a woman's prime and that she is wasted after that. She has also gone on the record to state that she hates feminists. I'm not a giant fan, frankly.

On a lighter note, if you want to tell who's supposed to be a good guy, just remember that the good guys always quote poetry and like animals.

Despite its many flaws and dark themes, Rivals really is an interesting read. Jilly Cooper says the weirdest, most fucked up things ("she's like a little sister", thinks Rupert, right after staring at the 18-yo's ass) but the story really supports itself. It's interesting, gossipy, raunchy and very well written. Cooper is an expert at big scenes, and works so well with the giant ensemble cast. I disagree with a lot of things she says, but I think the show will be really good. I'm super excited and can't wait to watch it. There's a particular scene with David's character that I'm looking forward to; while in the book it was a bit scary, because we know how Jilly is with teenagers, there's a scene where Tony drives Declan(his enemy)'s daughter home, and is actually very nice to her before realising who she is. I think DT will do this scene a lot better, and it might actually be a bit endearing. Idk, I don't wanna jinx it, but I think it has potential to be a sweet scene, with the charm DT typically brings to these roles.

If anyone has any plot-related questions, or about David's character or anything, please feel free to ask! I'm more than happy to ramble about this book, because I do really like it. I see and dislike its flaws, but personally I am able to look past them and appreciate the story and characters. They're all horrible people, but let's be honest. They're politicians and rich, tory lords in the 1980s. They were always going to be horrible. You can like something that contains problematic characters without necessarily, immediately condoning and agreeing with those things. People online and especially on places like TikTok seem to struggle with this concept, but I'm a firm believer in media literacy and accepting flaws. You can like something that is bad. You can like villains. It's fine.

Declan is my favourite btw. Live laugh love Declan O'Hara

[bitchcakegreen]

I finally watched all four episodes of season 3 part 1 and I have thoughts, as a fan and as a screenwriter/former romance novelist, and professional director. I didn’t have netflix but I got it for this season. I did this kinds of analyzations and such during Game of Thrones. Hopefully people enjoy reading. Full disclosure, I have not read any of the Bridgerton books. (I’m about three chapters into Romancing Mr. Bridgerton)

First off, give me all the Pen and Colin all the time. I’ve been hoping they get together from season 1 and I’m so happy Shondaland didn’t make us wait another season, as the books go in a different order. There’s a lot of subtle nuance to Pen and Colin’s scenes, Colin always seeking out Pen wherever they are, the tent pastry scene followed by Colin clearly eating the same pastry as Pen did. The tent scene was freaking hot. I said what I said. Things of this nature make their love affair so lush. It’s that journey to getting to the carriage scene that’s so thrilling.

I didn’t mind Francesca’s subplot or the Mondrich one but I do agree with many I’ve seen here that the subplots almost took over. There was a lot of emphasis placed on things other than Pen and Colin which annoyed me somewhat. Hopefully when we get to part 2 there will be more intense focus on Polin and the subplots are just rotating around them because right now, with the pacing of these first four episodes, it’s the opposite. Polin feel as if they are somewhat an afterthought.

The Cressida redemption movement I don’t think will last into part 2. I think all this work is to try and make the audience sympathize with her and then when she goes after Pen, Pen as Lady D, and so forth we are supposed to think “OH! But she was being so nice.” Hopefully I’m wrong and they follow through on her storyline because if they don’t…they wasted a lot of time and storyline on her instead of focusing on Polin.

I’m ambivalent about Lord Debling, so meh. Sorry about it.

Anthony and Kate - absolutely unnecessary but I know why they brought them in. One, he is the Viscount so he would be around. Two, they are fan favorite. I get it. I accept it. It was just wasted real estate for me. But to each their own.

I love Mr. Finch and I LOVED he got to be such a beaming brother-in-law for Pen in the green dress. I do wish they hadn’t shown us the dress reveal in the trailer. It would have been such an awestruck moment for us to see it first in the show. Sweeping cape removal and glittering loveliness.

Pen’s sisters and their race to get pregnant. It’s all a setup for Pen to be pregnant first or with the male heir by the end of the season. Cute but really long winded in getting there. There is a now since deleted promo clip of Pen, with Colin standing behind her, where she takes his hand and places it on her stomach. So we’re getting a pregnancy nod somewhere next part. May even be why she faints in whatever scene they show in the trailer for part 2.

Eloise needs to get her head out of her butt. I don’t think she’s angry Pen is LW but more angry that she didn’t figure out Pen was Whistledown sooner. She’s mad that Pen didn’t try to see her during the offseason, yet she tells her at the end of season 2 to get the fuck out of her life. Get it together Eloise. I love Eloise, don’t get me wrong, I adore her. I just want her to stop acting like an ass and TALK to Pen.

There is discourse about the second Colin threesome scene, but there really shouldn’t be. There’s a reason for it. It showcases that Colin is done with the charade he’s been playing all season. He isn’t the bon vivant, dashing rake he’s supposed to be. It’s jarring but it’s a scene with a purpose.

All the Polin scenes are delightful. The balloon scene might be my favorite - the pastry scene I include in this. And of course the first kiss and the carriage scene (which lives in my head on repeat) but I have to say, I wanted more Polin screen time. I think if we spliced all the Polin scenes together we see that out of four hours of film, they have maybe a cumulative 1 hour of screen time. Which isn’t much for a couple that is the lead of the season. Hopefully the ratio will be better in part two.

Merit badges and raises to the Featherington coachmen and to Pen’s maid Rae. They are MVPs and are totally gossiping about Polin. You know that tea was flowing in the servant’s quarters about the carriage ride…

Scenes I hope we get in part 2.

1. Full on sexfest with Pen and Colin, the likes to rival Daphne and Simon.

2. Whistledown reveal to Colin. First I want him angry - that passionate angry we use in romance novels. The kind where the hero is always “I’m so mad at you right now I can’t see straight but I need you writhing with passion underneath me screaming my name RIGHT NOW!” kind of angry. I want ripped corsets and torn skirts. If you know you know.

3. Pen and Eloise make up.

4. Big stupid lavish wedding.

5. More unhinged Queen Charlotte wigs. Because reasons.

Sorry this was such a long post, but I needed to get my thoughts out. Thanks for reading if you made it this far. Now excuse me while I go watch part 1 elevenity million more times.

[toorumlk]

Harry/Ginny

AH HINNY!

oh man, i oscillate between really liking hinny one day and feeling completely indifferent towards them the next.

hinny might be the relationship i like the most for harry, and it's all because because of the family aspect. through marriage w ginny, harry officially became a weasley family member. and, of course he always was one, but he actually is a weasley on paper and i think having that in writing would mean a lot to harry. and my golden trio heart can't not mention that by hinny being married - ron and hermione are literally harry's brother and sister (in-law) now and !!!!! that just makes my heart melt (i know those two were always harry's family but bc of the aforementioned reason, etc. you get it)

so right off the bat, when i try to organize my more positive thoughts on hinny, i'm mostly focused on how the relationship best serves harry, and only harry. and this is where my frustrations with the ship begins: it's so hard to think the other way around because ginny's narrative purpose is just to be harry's ideal love interest, instead of being a fully fleshed character. i really love ginny with all her spunk and feistiness, but she's so underutilized. she had a cute crush on him in the start of the series which was adorable, but her character was inarguably just "ron's younger sister". and after she gets possessed by volde/gets saved from the CoS by harry, she still continues to have a puppy-love crush on harry until OoTP!!! GAAHHHH!!! Apparently joanne said hinny were always meant to be soulmates and i think if these two had a consistent "invisible string" motif throughout the series, it would've been so good (and almost as good as romione's slow burn). So...

here's how i'd fix hinny (lmao):

i wouldve made the ginny a much more prominent character in PoA and beyond.

we get to see hinny actually have heart-to-hearts about the incidents of CoS - for ginny to play such an IMPORTANT role in the titular plotline of the second book, then to just have her blend into the background afterwards just boggles my mind - that was the perfect oppurtunity to make ginny an invaluable character in the cast. she has this huge experience in common with harry - being personally victimized by voldemort - that harry doesn't have w ron or hermione at that point and it would've been so nice to see harry find an equal, a confidant in ginny from then on - like, dont let the readers forget that harry and ginny have this huge thing in common, have it be with us in the back of our heads the whole time!

start the hinny romance subplot fr fr in GoF

the potential of ginny being a maybe date for harry to the yule ball, harry feeling jealousy towards neville for getting to dance and spend time w ginny and harry being like "wait a minute! i'm supposed to crush on cho! im jealous of neville??" that wouldve been FUN - again, they couldve been a less insane version of romione hello

having the hinny subplot unravel in tandem with harry's crush and relationship with Cho in ootp

in ootp, you can argue that the story attempts to make a foil between cho and ginny's characters but if that were the case, it could've done a way better job of it

with harry's relationship w cho - harry likes her bc she's cool and pretty but she wants to connect with him through their connection via cedric and his death, which is off the bat a hugely touchy/traumatic topic for both of them and cho couldn't possibly fathom what it's like to be in the presence of voldemort/tom but guess which other character does ehehe...

now we're at hbp and this is where the good stuff starts bc if i'd had it my way, we'd have gotten their friendship in poa and two books of solid romantic build-up up until now

i honestly had a such a fun time with hinny in hbp, ginny in her OWL year being so cool and harry's hugeass crush on her- harry being a hormonal teenager was hilarious to read like its implied that harry is having increasingly inappropriate thoughts about her throughout the novel and theyre just intercut with "BUT RON-" that's some good shit

my one gripe w hbp's hinny is that i wish we actually got to see their dates sneaking around hogwarts, finding the perfect hideaways for makeout sessions, etc etc i know hp wasn't a romance fantasy by any means but imagine how swoony it wouldve been if we got to actually see these sunset dates instead of just being told about them - it wouldve been cathartic to actually see harry actually live the life of a normal teen boy before everything fell apart lol

if we got all these invisible string moments between them throughout the series, harry thinking about ginny and how good it felt to kiss her lips before he walks to his death in DH would've felt so much more earned

from a storytelling perspective, the case with hinny begs the question of if you can have a love interest for the jesus figure of your narrative? can you make a believable, grounded and balanced love story for the chosen one? i honestly think so but then you'd have to put equal amounts of effort and work into creating two nuanced characters and unfortunately we don't see that effort be put in ginny's character and that's why harry's endgame falls short for so many people. earlier, i said that this is the ship i like most for harry, but honestly that isn't saying a lot - i think with an almost saint-like character like harry, its hard to imagine a satisfying love and partnership for this kid. i like tomarry as a ship for when im feeling a bit insane but other than that, my main harry ship is him with a lifetime of peace and healing.

i also want to argue that hinny was never meant to be a primary romance in this story - the main romance/love story in the series is ron and hermione's and i think joanne's romance prowess all went into romione and i'm so thankful for that because i think it makes for better story (also i'm totally biased)

i also cant not mention the freudianess of it all with hinny, right? like god freud would Love hinny bc what do you mean they look identical to jily, what is going on here. that and the fact they had their first kid at 22/23 years old like my god, WHAT ARE YOU TWO DOING you should be at the club!!!!! i do dig the failmarriage vibes they were serving in TCC, also.

[incesthemes]

i watched 8.10 two days ago but i can't stop thinking about it. like breaking the B plot down:

sam meets with amelia for the first time since he left her, and she gives him an ultimatum: you're either in, or you're out. going halfway won't work. sam has to decide whether to return to her after they finish the job (rescuing samandriel)

benny, who previously started his relationship with dean by giving him the same ultimatum (you're either in, or you're out), calls dean in a crisis, struggling with his bloodlust which is by and large framed as an addiction. he asks dean to meet him after they finish the job (rescuing samandriel)

dean and sam discuss this after they finish the job, and dean reiterates the ultimatum: sam has to be either all in, or all out. he can't be a hunter and have relationships outside of them. whatever he decides, it has to be either-or

sam leaves to think it over, and it's revealed that dean was actually talking about himself. he calls benny and says he's out: he chooses sam over benny

sam returns to dean with food, implying that he's chosen dean over amelia, and this is confirmed when amelia shows up at the motel and sam isn't there

it's just insane to me that they paralleled sam breaking up (once and for all) with amelia with dean cutting off contact with benny. the implications of this are insane: benny was dean's "girl" who took sam's place while they were separated. benny and dean were in a relationship similar to the one sam and amelia were in. and sam and dean both "break up" with their previous partners and choose each other.

and then there's the fact that dean and benny both framed their relationship as being familial, as being brothers. and still this was paralleled with the romantic relationship between sam and amelia.

dean having a metaphorically romantic subplot with a guy is one thing. dean having a metaphorically romantic subplot with the guy who's supposed to be a replacement for his brother? sure. okay.

this is just such a deranged subplot to me. who gave the okay on this

[abyssal-lilac]

BRIDGERTON SEASON 3 PART 2 SPOILERS

I personally think that gender bending a character such as Michael into Michaela is a good way of putting in queer plotlines into the show as long as they can figure out how to do it smoothly. While this is the way they've approached it, not everyone is happy while some still are. It's not that Michael is gone, he's just a she now. They'll still show the love story some people want, just maybe not the way they wanted it.

I do however think that they could have done other things to have lgbtq diversity in the show with female leads.

Something to keep in mind is that you can never please everyone.

Personally, I would have loved to see maybe Creloise but not as their end game. Maybe they have feelings for each other but keeping with Cressida's need to be married off they could have her taken away to be married in another city. Leaving Eloise with complex feelings but beginning to understand romance more, the want to be with another person.

Part of her whole story is feeling alone and wanting to marry while she can do she won't be alone. I think it would be an interesting way to also show her beginning to really have an interest in other people romantically and not just settle down for the sake of things. Which is personally one of the things I'm most nervous about.

And I know, someone's queerness shouldn't just be a launching point for a heterosexual plotline but she'd still be a bi icon in the same way and it would keep with the story in the long run.

If anything, to me it would make less sense and not be as exciting if there wasn't build up and a change in character on Eloise's end before her time.

I know she's supposed to come to love him after they marry, but I just don't see how an adaptation where they focus on love matches and not just settling down how it could be satisfying. Not just for viewers but for the characters themselves.

She deserves to start falling in love before settling down and her having something with Cressida is the saddest missed opportunity I've seen.

They could've even taken Violet and had her new story be queer. It would've been an interesting take! Instead of a brother of Lady Danbury, have her meet a beautiful cousin or sister. There are plenty of people who have queer awakenings as they grow older and she wouldn't be dependent on marriage to have children or a home anymore.

I imagine having her beginning to open up and find surprise in having her garden tended to by someone who really knows their way around some violets (if you catch my drift). It could be incredibly sexy and could even be an interesting way to show how maybe people pleasured others back then. Toys wise at least. They could get really creative with it as a subplot.

Especially seeing as it isn't canonically in the novels, she never really moves on or gets remarried. But if they wanted to change things up I can only see things going well for her. It would've been a good way to get diverse and not change up main story plotlines.

[mdzs-fanon-exposed]

MDZS Fanon VS Canon: 2/?

Wen Ning fits Jiang Cheng's list of requirements for a wife

Rating: FANON – NEUTRAL

A lot of ships involving Jiang Cheng will use a list detailing the characteristics of his ideal woman as evidence for one pairing for another, and the character brought to me to evaluate as a suitable match was Wen Ning. Unfortunately, I have to rate this as fanon because Jiang Cheng's wife requirements... aren't canon to the novels.

In terms of the official adaptations, Jiang Cheng's requirements for his perfect wife seem to be Untamed-only canon, as part of the Jiang Cheng/Wen Qing subplot the drama invented. However, the MDZS Fandom Wiki (which, side note, is a horrible source for anything) credits the following list of requirements to a since-deleted Tumblr post:

Naturally beautiful, graceful and obedient, hard-working and thrifty, coming from a respected family, cultivation level not too high, personality not too strong, not too talkative, voice not too loud and must treat Jin Ling nicely. (source)

Using the Wayback Machine, I managed to find the original Tumblr post in question (seen here). According to the user who posted it, this is a translated excerpt from a Weibo post written by MXTX herself, listing 10 supplemental facts about the books – supposedly posted a year before The Untamed was first announced.

I do not have Weibo and cannot verify this claim, but regardless, I do not consider "word of God" to be canon for the purposes of this blog. Whatever MXTX's intentions were when writing this list, Jiang Cheng's requirements are not mentioned anywhere in the actual text, and so I cannot rate this suggestion as anything but fanon. You, the reader, are free to choose whether you think MXTX's supplemental material is canon-accurate.

As for Wen Ning himself: Canonically, Jiang Cheng "could never tolerate" him (Seven Seas Ch. 19, p. 251), and so unfortunately this ship cannot officially sail. Even if Wen Ning does fit every entry on this list, Jiang Cheng would not consider him a prospective match. I do not consider the list canon, and so any attempts to figure out if Wen Ning fits the letter of the list (if not the spirit) can not be anything but subjective.

But, well, this post is about the list itself, not Jiang Cheng's feelings about it. So while I'm here, I might as well have some fun with it.... Feel free to use the notes to debate whether or not you think Wen Ning is secretly right for Jiang Cheng's dubiously-canon standards.

Naturally beautiful: Wen Ning is ADORABLE and I LOVE HIM. You can't look at him and NOT call him cute; even Wei Wuxian thinks his "side profile [is] delicate and refined" (Seven Seas Ch. 12, p. 141). Would Jiang Cheng think this? Um,

Graceful and obedient: He's pretty meek and he's described as a yes-man (Seven Seas Ch. 16, p. 22), and he does what Wei Wuxian says a lot (under magical flute coercion or otherwise), but he can be pretty stubborn when he wants to be. I wouldn't call him falling off a roof "graceful," but I suppose that was after he was zombified.

Hard-working and thrifty: Yes – I can't imagine he got all those Wen subordinates by being completely lazy. And if anything he's kind of the pack horse for the Burial Mounds crew lol.

Coming from a respected family: Technically? Yes. The Wens have historically been a powerful and influential family, and Wen Ning is the younger brother of someone of "a rank on par with Wen Chao" (Seven Seas Ch. 12, p. 148). Functionally? Uhhhh

Cultivation level not too high: This one is debatable, but probably a yes. We don't receive much information about Wen Ning's cultivation level, since his fighting prowess isn't really plot-relevant until he dies, but he is described as "unremarkable" in comparison to Wen Qing. Just like, in general, I guess. (Seven Seas Ch. 12, p. 149)

Personality not too strong: See #2. I would say yes with some caveats. Especially (and ironically) when Jiang Cheng is involved.

Not too talkative/voice not too loud: Also a match! Wen Ning stutters a lot and doesn't really raise his voice unless he's angry, so he's pretty quiet. Remember that time he and wangxian were on that boat and Wei Wuxian straight up didn't notice him for like five minutes? Poor guy. Can you believe this happened to him twice.

Must treat Jin Ling nicely: Do we count murdering his dad? Because if we don't, then Wen Ning treats Jin Ling very nicely. He even saves his life multiple times!

In conclusion: ?????????

[itneverendshere]

I know they probably had to change the story for this season abruptly but there was so much they could have done better. The death just felt like nothing, felt like it was some random side character dying. The core group gave nothing no emotions whatsoever. That character deserved a better send off than a few measly tears. He's supposed to be a best friend, a brother, and lover to these characters but it was so bland.

The whole Rafe and Sofia story got me like wtf too. He couldn't even call her his gf but he's proposing to her a few episodes later? There is zero development to that couple but we're supposed to believe they're in love. Rafe's story this season should have been about the aftermath of ward's death and relationship with his sisters. I'm probably one of the few hoping next season they leave the breakup intact, no riara, let him help the pogues, but more importantly build the bond between him and Sarah. That cameron/Rafe storyline is compelling by itself he doesn't need to be in a romantic relationship to be interesting. I find the relationship between him and Sofia boring, i don't really feel the chemistry and I agree with some of the other Fiona's acting isn't matching the scenes but it could be said for most of the cast excluding Drew. Like when she was about to confess it was lacking something, it was like she was just reading the words off a page.

spoilers under the cut.

i mentioned this before about jj's death/burrial scenes, it should have been a huge, character-defining moment for the whole group, but it felt like it was swept under the rug?? not even a close up shot either??

the characters didn't seemed as affected as they should (and yeah everyone grieves differently, but there were 5 of them and they all looked the same imo), which was so strange for someone meant to be a best friend, brother, and a lover to them. it made his death feel like just another random plot point (except we kinda know why it happened). jj deserved depth and complexity in that moment—especially from the people closest to him. we needed more than a few stray tears and some half-assed speech about revenge.

john's b narrating was kinda the only thing i really liked.

the rafe and sofia arc... hmm how did they go from that to him proposing? no real buildup, no gradual deepening—it felt like they skipped steps, assuming we’d just buy into it. i get that rafe's not a main character yet, and there's only so much we can see of his personal relationships but c'monnnnn. they could've given us a little more. his storyline would have been way more compelling (to moi) if it was even more focused on reconnecting with sarah and getting whezzie back. we don’t need a romantic subplot to make him interesting tbh.

[yardsards]

Forever mourning that we would’ve had a scene in the finale where the protagonists apparently reach a resolution with Odalia on some level??? It got cut so Camila could take her place and hell yeah more for Camila, never gonna apologize for that. But man it’d have been nice to have both. The Odalia-Collector storyline set up in CotH was evidently going somewhere there but in the end the finale was already extended ten minutes past the usual mark.

Also yes plsss on the twins! Emira my dearrrrr you were molded into the new Odalia into the next showman matriarch while your sister was meant to become the next Alador the next moneymaker!!! What are your thoughts what if we had a storyline about you being your own person!!! I have to acknowledge that there’s always someone who’s going to have to take the fall for another character to shine at this point in the story but man.

i'm actually mostly happy with how things ended with odalia. i really like that amity never forgives her and continues to go no-contact with her. far too often, media does a "but they're your PARENT, it would be wrong to cut them out of your life" message, and having that be the dominant cultural narrative can be really harmful to victims of parental abuse. so it was VERY refreshing to see a story that said "this character going no contact with her abusive parent was the right choice"

that said, i think there could have been a way to give odalia's storyline more of a resolution without tossing that down message down the drain.

see, you know how i've complained before about how making odalia a full-on villain really undercut her storyline as just an abusive mother. how it accidentally kiiinda had the implication of like "the abuse on its own wasn't enough to cut her off. she had to be willing to kill literally her entire race in order to earn that." which i don't think was intentional.

i think it would have been cool if the resolution to her arc was like. she's no longer a full on villain. she helps our protagonists and makes up for her involvement in the big plot. she's technically on our side now... but that still doesn't make up for the abuse, and amity still is better off without her in her life.

i'm imagining a scene of like, after odalia helps the gang with the collector in some way, she talks to amity. says something like "i will admit that you were right, for once. helping with the day of unity was a poor business decision on my part." and maybe even a "these months with the collector have shown me you weren't such a bad daughter" perhaps followed by a pompous "so i will forgive your little outburst at the factory and accept you as a member of my family again" (despite, y'know, being the one who got cut off)

so amity goes off on her. says it wasn't about the day of unity. or, at least, wasn't JUST about the day of unity. that it was about the years of being treated like a puppet rather than a person (cue some kind of clever shot of the collector's puppets). she says that he friends have shown her what real love is supposed to look like, and her time with camila has shown her how mothers are supposed to treat children, and that none of odalia's actions have matched that. so she says that no, she will not be allowing odalia to be her family anymore.

and odalia doesn't understand, just keeps arguing that she only did these things because she wanted what was best for her family. and so amity leaves.

-

AND YESSS THE TWINS. like. i get it. the show had a lot going on and not a lot of time, of course the protagonist's girlfriend's siblings aren't gonna get that much time dedicated to them. but man. i love me a fucked up family and i want to know more about those two so bad. emira especially. like her twin brother (who, up to that point, had exactly as much relevance as her) got his own episode subplot and she got nothing! and like she interests me for all the reasons you said AND like. she seems to be odalia's favorite (perhaps tied with edric, perhaps even above him) but she seems even more cynical about BOTH of their parents than amity does. AND LIKE she's got eldest daughter syndrome despite being a TWIN! she seems to feel responsibility for looking after her brother who is the exact same age as her! i need to know what's the deal with that dynamic! god the fic ideas and headcanons i have about her that i never got around to writing/finishing

[azalawa-scroggs]

On why I think the "Prosecutor Miles Edgeworth Chooses Death" note was meant literally

I've had this in my drafts for a while after seeing a poll that elicited a little discussion on the topic. I know this is the fandom's majority take on the subject so I'll probably be preaching to the choir, but there (rightly) is discussion about it nonetheless so I felt like giving my arguments.

I'll put it under a read-more just in case people missed the warning in the tags. Considering the topic, naturally, here's a warning for discussion of suicide. Please take care of yourself!

The thing is that Justice For All is very, very ambiguous on that. It does what Ace Attorney is really good at doing - brushing a serious topic then waffling on it until it really doesn't say anything about it, giving itself the benefit of doubt but never making a statement. Both Phoenix and Franziska's dialogue strongly hint that they have a certainty that Edgeworth is still alive, and they're proven right. The narrative doesn't try really hard to sell us the idea that Edgeworth died - Edgeworth is even on the game's box art. I've watched a few JFA walkthroughs hunting for people's reaction to all the Edgeworth talk and his apparent death, and nobody really seems to buy it - either going through great confusion or immediately going like "oh he can't be dead there's no way - he's so coming back."

However. However. It's just impossible to ignore all the subtext that points at the note being real.

The game textually sets up Adrian Andrews as a foil to Franziska. In the parallel Edgeworth draws, Celeste is supposed to represent Manfred - a mentor she admired and whose guidance she lost. But it was a deliberate choice from the writers to have Celeste die by suicide. In the same game that spent a whole game-wide subplot on slowly revealing Edgeworth's apparent death by the exact same means. Edgeworth is the one who gives Phoenix the information about Adrian and Celeste's backstory. And Franziska revealed to us she wasn't seeking revenge for her father, but for her "little brother" - in the parallel between her and Adrian Andrews' stories, it's easy to see Celeste paralleling Edgeworth, not Manfred.

And in fact Adrian is also a clear parallel to Edgeworth himself. He, too, lost the guidance of his mentor and was left questioning everything. In the infamous scene where he interrogates her in the first phase of the trial, he even puts his own words in her mouth.

If you're going to say you would "choose death", that is of no concern to me.

If you consider Rise from the Ashes, Edgeworth's dialogue leaves even less room for doubt regarding his mental state. Compilation:

Edgeworth: Hmph. Some people need very little excuse to think ill of others. It's a fact of life. Impossible to stop. Some of them even go so far as to present me with toys like this… They think it's funny. (Referring to the award he was just given)

Edgeworth: Why, I ask you? Why!? All along, I've done only what I believe is right. I have nothing to be ashamed of! But still... Phoenix: (Wow, I've never seen him this out of sorts...)

Edgeworth: Hmph. I've had to live the past two years with rumors flying around. What's another allegation to me? Ema: Cheer up, Mr. Edgeworth! I'm rooting for you! Phoenix: (That's Edgeworth for you... Always trying to hide his real feelings.)

Edgeworth: There's no excuse for what I've done. Two years ago, I used false evidence to obtain a guilty verdict. That's what it all breaks down to, and nothing I do can erase that fact.

Edgeworth: I'm tired, Mr. Wright. I feel as if… something inside me has died. [...] I know the path I've walked. You don't need to tell me. And the path I've walked... hasn't been a just one. I can't forgive myself for what I've done... and no one else should forgive me either. Phoenix: (Uh oh. I think he's serious!)

Edgeworth: ... It's too late for me. No matter what anyone may say, I realized today that I can't change my own mistakes! Not only that, but I don't even trust myself anymore. Chief Gant was right...

And of course:

Edgeworth: If you'll excuse me… there are still some loose ends that need wrapping up. Take care, Chief Prosecutor. Phoenix: Edgeworth! What will you do now? Edgeworth: ... Phoenix: Well, whatever you do, just remember. What happened in this trial can either make or break you as a prosecutor. In the end, it's up to you. Edgeworth: I know... It seems I owe you my thanks too, Wright. But what I face now... is my problem. Phoenix: Edgeworth... I'll be waiting for you in court. Edgeworth:... Farewell.

I've pulled all my quotes from the wiki, which I believe takes the DS version, but the retranslation of the port makes things even more blatant. Instead of "either make or break you as a prosecutor," the line was retranslated as "You can let what happened kill the prosecutor in you, or you can let it help you grow."

I don't know how much more literal you can get.

Of course, none of this dialogue strictly refers to anything but a professional crisis for Edgeworth. But it is a true crisis, one he takes very deeply and personally - it is his entire moral system that is crumbling down. And the phrasing of some of those lines is downright chilling. "I can't forgive myself, and nobody should do it either" "I feel like something inside me has died" "It's too late for me" or even those ominous "loose ends"... Whatever his final conclusion, he is not doing well. That's one thing RftA makes abundantly clear.

But then why are Phoenix and Franziska so angry, you'll ask me? Grief, of course. Why is Franziska adamant he still lives? Grief, of course - specifically denial. Why does Gumshoe know Edgeworth still lives? Several options. Edgeworth contacted him knowing he'd need someone to help him come back once he decided to come back, or Gumshoe is the one that prevented his note from turning literal, or Edgeworth contacted him at some other point for another reason - it could have happened at any point in his little mental health gap year.

It just makes much more sense to me than the alternative. Why leave a note saying he "chooses death" so unambiguously only to rely on a play on words? He was shown writing a perfectly good resignation letter right before that - the note was meant to be one step further from resignation. And why leave his loved ones in the dark, mourning him, for one entire year if he just deliberately left for soul-searching purposes? The man is obtuse when it comes to feelings, and honestly I could see him pulling this, but... not in conjunction with everything else.

And his arc just makes it make so much sense as well. Depression is often a comorbidity of PTSD, which Edgeworth has, as close to canonically as possible without it being spelled out. He is in an extremely fragile place psychologically - two months earlier his trial dragged him across the coals emotionally, his traumatic past revisited and revealed in an extremely public way. His quest for "perfection" was shattered not just through the losses he suffered at Phoenix's hand but through the sudden, deep and complete betrayal of the man who taught it to him. He only had one moral high ground left - the fact that he never knowingly forged evidence - only for that to be ripped away from him too. Of course he could be nothing less than unstable.

So anyway I don't have any fancy conclusion but yeah I can't imagine "Prosecutor Miles Edgeworth Chooses Death" wasn't meant literally. Even though I'm pretty sure that wasn't the authorial intent, I think it must have been somewhere in the works anyway, otherwise there wouldn't be so many hints to it.

[maripr]

Ozcarnation merge musings from my twitter

I wrote these months ago and finally sharing them on tumblr.

Why I differentiate between Ozma and Ozpin, a 🧵

I disagree with the general interpretation of where the merge subplot is actually heading in canon: most people think it will actualize, I think it will be reversed, either stopping the merge for good or reversing it after it comes very briefly into reality.

Oscar's arc, paralleling Ruby (mainly, but other characters share the trait as well) has been about him trying to find his own place and his own story, but the shadow of supposed ego death is always looming on him and terrifying him.

Everytime he takes a step forward, he's reminded again of the expected fate for him, something that some characters actively want (like Ironwood).

Examples:

volume 6, after being treated as a stand-in for Ozpin, currently MIA, Oscar takes his own decision to forgive the team and be prepared for battle alongside them. While reconciling with tem, with his new combat gear, he still can't help but be haunted of "how much time he has left".

Volume 7 places him in a conundrum the entire volume: he's developing as a fighter, growing up as an adolescent and forging stronger relationship with his newfound friends. Jaune clearly comes to see him as a little brother and there's something interesting going on with Ruby that may or may not result in a romantic relationship down the line. The team actually worries about his opinion on stuff as well, and Ruby clearly values him as Oscar Pine. Meanwhile, the very person who's helping in his growth is James Ironwood, who cannot shut up about wishing Ozpin was there everytime they meet, and telling Oscar he will basically cease to exist to his face with a big shiny smile. It's unclear at this point if James knows or not about how terrified Oscar is of the merge, as the boy never voices this fear. I think he just wants not to think of it. So even at the end, where James finally says "fuck it, Oscar or Ozpin, i don't need either" and shoots him, Oscar starts coming onto his power, in a scene that's both powerful and bittersweet, paralleling Penny.

Both of them, for their qualities, were chosen by a magical destiny, one capable of beautiful and powerful magic, that they don't want, never wanted and will struggle with with the next volume. Penny's arc is a direct parallel and commentary to Oscar and the way it ends might comment on Oscar's arc. Not in death but that Penny could finally show everyone she was her own person who could choose for herself.

Coming back to volume 8, Oscar has his worst time yet, finally voices his fear of merging with Oz, and comes back from it scarred but stronger, having helped Ozpin trust himself and others and gaining a new ally in Emerald.

But, see where I'm getting at? This is no resolution.

Oscar has briefly shown his fear but at the end of the volume, much like Ruby has done for several seasons, swallows the literal torture he endured for half of it and the fear of imminent ego death due to reawakened magic, and chooses to focus on the positives.

Boy, if he had fallen into the ever after maybe he would have healed too. Or maybe we would have no plot at all bc Oscar and Ruby would have noticed each other's pain, which would have been nice as well, but sometimes therapy has to be brutal.

And also Oscar can't conclude his arc in the ever after because his own is complimentary to Ruby's but also a contrast to it. Ruby wants to emulate her mother and ideal of what a hero is and must learn that she is enough as she is already. Oscar does NOT want to emulate or be his father figure, whose og incarnation was basically THE ideal hero of fairytales. He wants to be enough but doesn't know who he is yet, since everyone keeps telling him to his face that Oscar Pine isn't enough.

SO anyway. If both Penny (a commentary on Oscar) and Ruby (a direct parallel)'s arcs end with them realizing their own individuality, I 100% believe Oscar's arc will end like this as well.

And when i say end i mean end is just a new beginning.

Before moving to my final argument, let me also briefly comment on how Jaune and Weiss' arcs are similar but different to Oscar and Ruby's. It's interesting because, by main character status, Jaune as the leader of team JNPR, is a lancer and a foil to RWBY and Ruby inside of team RWBY's dynamic, Weiss, as Ruby's partner, is the lancer and foil to Ruby and inside new JNPR/ORNJ, Oscar, as Jaune's new partner, is his lancer and foil.

And both Jaune and Weiss deal with identity but more in a role they want to play as expected to what their family might want, initially, and later as the knights they idealized in fairytales. This is way too long for this post, but again, fascinating. And also Whiteknight slays.

So, my final thesis:

Oscar's arc will end with him affirming his own individuality over the merge.

So why can't Ozpin also do the same?

The god of light's intention in bestowing Ozma with this method of reincarnation was the positive idea of him never being alone.

And this works, more or less, in different lifetimes. Even in the very first, the farmer who we initially assumed was completely eradicated, still voiced his opinion and reminded Ozma of the good path.

In later lives, the spirit and the host lived more comfortably, having estabilished an equal partnership.

But... They still end up as one person? They're literally so like-minded that their enormous guilt complex makes one believe he's responsible for everything the others did?

I feel like this is what the story is trying to say, much like what many characters say of Oscar, and it's framed as a bad thing.

And incorrect. Oscar is always "punished" for what his predecessors did because he will be Ozma eventually.

The voice still going by the name of Ozpin feels responsible for everything that happened since Ozma was brought back to life and literally agrees with his own torturer that yep, he deserves all the punishment and pain for it.

Every incarnation eventually reaches a point where they start to identify with their predecessors in such a way that contradicts what the god of light's intention was (then again, we have been shown time and time again that the god of light is not very good at his job).

Instead of a partnership where each soul helps the other moving forward and never los hope, we have a continuous cycle of guilt and self-abuse accumulating. Oscar is gnawing at it the entire time. Who's to say Ozpin, as the professor, also didn't?

And Oscar is going to break the cycle.

As he does that, I want Ozpin to also realize his own individuality.

This is why I want an happy ending for all the incarnates, not just Ozma. Merged they may be for now, in the physical realm, why should only Ozma move on to a peaceful afterlife? All the people who ended up clogs in the ever ticking clock and had no say in it were all people with their own lives, their own friends and families, their own name. And they deserve peace too.

[shadowed-dancer]

Horikoshi recently revealed that Endeavor was supposed to die during the PLF war and that honestly validates something I've been feeling but couldn't quite articulate: "Horikoshi doesn't know who the central Todoroki is" (or he does, but he changed it halfway through to the worse option)

Endeavor dying would have been AMAZING if Shoto were the central character in the Todoroki subplot. The main reason this is so is that Endeavor would be out of the way. Shoto would have full reigns on how he wants to handle Touya (the "final villain" of the Todoroki subplot), and the rest of the family can play a role in this as a supporting cast.

However, Shoto is NOT the central character in the Todoroki subplot. Or, at least, he used to be, but he's not anymore. He's not allowed to have a final fight with Touya because Touya needs to still confront Endeavor. Regardless of how that fight ends, whether it's Shoto saving his brother or knocking him out, Shoto isn't allowed to end the conflict until Touya and Endeavor interact.

At the start of the series, it was really obvious that Shoto was the central figure (and was our pov character) for his family drama. During the sports festival, HE'S the one who shared the backstory. The flashbacks are framed around what HE saw. HE is the one taking a step forward to fix his family, and it starts with reconciling with his mom. At this point, Endeavor is what I'll call "the instigator". He is the cause for the family drama, and though we may not know Touya at this point, Endeavor has already released the future final boss of the subplot into the world.

In the Pro Hero arc, Endeavor becomes his own central figure as a pov character into the world of pros. He then overlaps with the Todoroki subplot by wanting to atone and remove himself from the role of the instigator. The thing is, he can't. What was done cannot be undone, and the most he can do at this point is try to make things better for his family moving forward. At this point, he and Shoto can coexist as central figures because the final boss has not yet been introduced.

The second Touya confirmed his identity, either Endeavor or Shoto had to stop being the central figure. Having Touya need to fight two heroes before being able to come to any end just feels sloppy, and since Shoto was given the first fight, it makes him seem like the less important figure. Even Touya doesn't care! He spends a good chunk of the fight talking about how he'd rather fight Endeavor. This makes Endeavor into the central figure as he is now the one to end the fight. HE'S the one the final boss has been waiting for, not Shoto.

The thing is, this started as Shoto's story, so it would have made sense for it to end as Shoto's story as well. Even if it meant killing Endeavor to force Shoto to be the ONLY central figure (probably to Touya's dismay) it would have allowed Shoto the space he needed to lead the ending he deserved, rather than be pushed to a side character.

TL;DR Endeavor surviving forced Shoto into the role of a supporting character in a plot line that started as SHOTO'S plot line.

[fleabagsjoy]

Ok so i just binge-watched Oniisama E (Dear Brother) and i have.... thoughts. And feelings.

(SPOILERS AHEAD!)

Not super eloquent ones, I don't have any type of degree or formal education on writing or media analysis, i'm just word vomiting what i think and feel without any sources or facts to back it up so i hope that's okay. And i feel like i should preface with the fact that i didn't actually watch the last four episodes because i dreaded having to sit through Kaoru and Mariko ending up with men idgaf about, and instead read a summary of those last four episodes on Wikipedia.

With that being said, i absolutely loved this anime, i had already watched Revolutionary Girl Utena and everyone who enjoyed that one was talking about this anime so i figured I'd give it a try too and i don't regret it at all. The characters, the setting, the ANIMATION, the main plot and subplots (some of which i enjoyed more than others), i enjoyed it all.

I don't want to point out the obvious about the ending, we all know. But i was prepared, went in with the mindset of completely ignoring eps 36-39, specially the "Real Love is Heterosexual Love" speech that it pulls in the last couple episodes, so i'm not that upset by it. I will say that putting "you will only know what true love is when you find a man for yourself" is some twisted, sexist and lesbophobic stuff to put in an anime where Nanako, Rei and Mariko canonically fall in love with girls and whoever came up with that will not be seeing the pearly gates of heaven. And if that wasn't enough, they had to make the girls end up with men because uuhhh i guess they have to! But anyways, i still read the summary of what happened in those last four episodes.

I read a review from 3 years ago by medivhtirisfal that mentioned this and i'm so glad i'm not the only one but this really reminds me of a series of books that i used to collect when i was younger about an all girls boarding school and all types of adventures and mischief they got up to (the St. Clare's series) and i guess part of me always craved more of that. Oniisama E scratched that itch i suppose, i'll always crave all female casts and to see interactions and relationships that form between them, all types of relationships really: sisterhood, platonic, romantic, sexual, healthy, toxic, simple, complex... women stories matter! And i love when they're the center and backbone of the plot.

Now back to the actual anime. I haven't read the manga yet, don't think i will for a while even though i do like the mangakas artstyle from the few panels i've seen. But like i mentioned, Oniisama E reminds me of those books i used to collect, it's a string of events that happen during the first school year at an all-girls academy of our main character Misonoo Nanako.

It was very satisfying to see Nanako be a bit more submissive when everything and everyone was new to her vs. becoming more confident in her decisions and standing up for herself and others she cares about later on. She was always very caring for others, but i do feel like she let herself be shoved around in the first few episodes so seeing her stand up for Rei against Fukiko and quit the Sorority because of her loyalty not just to Mariko, but to herself and her values, made her one of my favorite characters. Also who can't relate to falling in love with Rei... Asaka Rei was undoubtedly one of the reasons that got me to watch the anime.

I gotta prepare myself before i write a paragraph for her because wow... too much to unpack. I can't elaborate better than some other Asaka Rei understanders about the intricacies of witnessing her own mother take her life in front of her daughter, after telling her to protect and take care of Fumiko, and how that pressure of committing to her mother's final wish lead to Rei's confusion of feelings for her own sister, devoting her everything to her, even her life. I suspect never dealing with the loss of her mother properly is what lead to Rei's severe depression and inability to understand all types love and bonds that she could have with other people, seeing Fukiko as her beginning and end from that moment.

Needless to say that, as much as i wanted her to realize this and free herself from this torment so she could deal with her trauma properly, she had to do it by herself so she could gain some sense of self and build an identity outside of someone she worshiped for so long and SPECIALLY before getting into a relationship with anyone (r.i.p. nanakorei). She's the most tragic character in this story to me, all of this started at a very young age and she had no way to get out of it and when she got close to that, the plot decided to say NOPE. NO CHANCES OF A HAPPY ENDING FOR YOU. Bottom line is: she desperately needed therapy. Veeery early on.

I have to follow up with Ichinomiya Fukiko, a really toxic and abusive teenage girl with too much power over the other girls at school, she lives in a bubble built for incredibly rich people (as do many of the other characters), leader of the Sorority (an academy "elite club"). One of the best things about shoujo ai like this is that all female characters are so fleshed out and have so much to give to the viewers and Fukiko is no exception. I will say that i fail to see a character that has so much (negative) impact on most of the other main characters as she was very often abusing/taking advantage of/humiliating others.

It's definitely because of her upbringing but she always bottled up her feelings to keep up a façade of composure, with Nanako's constant defiance, after confronting her feelings for Henmi and her relationship with Rei, as well as after the abolition of the Sorority, we gradually got to see different sides of her. She's... complicated. Not an evil mastermind or anything, her attempts of sabotage seemed very desperate adn half-hearted, but she could still be very cruel and take advantage even of people she claimed to love. Still, Fukiko was one of the main driving forces of the story and i can always appreciate a character like that.

Of course that leads me to Orihara Kaoru! She is probably one of the most consistent characters in the anime, loyal, determined and resolute, very sure of where she stands, oh my god... i'd crush on her so hard too if i was one of the girls at the academy. I loved the relationship she had with Rei, the soulmateism was off the charts, they had an incredibly intimate bond that no one could replicate and, besides Nanako, i felt for her the most when Rei passed away. I'm pretty sure her having to face the past between her and Henmi was also a big part of her character but again, i really don't wanna witness how that ends so i'm not gonna elaborate too much on what happens in the last four episodes, which is unfortunate because i'm sure a lot of her own development as a character happens in those but whatever...

I didn't expect this when i started Oniisama e but Shinobu Mariko is my favorite character!! It took a while for her to grow on me but i love her a lot. Mariko is mostly known for the misandrist lines (which... real) and i appreciate that she never really changed that (until #those episodes but i won't consider them strictly canon for my sake), but she had such a great story arc with facing her loneliness and facing the problems she had with her parents. I'm no psychologist but BPD is heavily implied and from what i've seen by other fans with BPD, a lot of symptoms were shown throughout the anime, which i appreciate since Mariko wasn't villainized and was instead shown as someone with her own issues with boundaries and relationships at first but that she could manage and balance in a healthier way later on... it's not something you can easily see in anime, specially not from this time. I was really happy when Mariko, Nanako and Tomoko became a great friend trio who could rely on each other halfway through, another testament to her character development.

Tomoko was one of my favs as well! A lot of other characters were very interesting and had important moments in main characters arc like Misaki and Henmi. It's been a while since i've seen an older shoujo but the animation and editing was fascinating to me, very gorgeous, over the top sometimes but we need that! What happened to that! Anyways it's very beautiful, i appreciate it. The intro song will stick with me too and the damn Academy bell... Very melodramatic, but very fun, it's a hit for me!

I'm still grieving Rei so i can't really face anything that happened in eps 33-35. We're past making the lesbians suffer, NANAKO AND REI DESERVED THEIR DATE ON THE BEACH!!

I fear i will be upset by that for the time being but hey, that's what fanfiction is for.

[karatekels]

WARNING: SPOILERS WILL BE COMING! 🚨

So, as we all know, part 1 of season 6 is dropping tonight! It's looking like midnight my time, and because I am a large baby, that is past my bedtime.

I'm going to be binging the episodes early tomorrow morning, and posting my ranting rambling thoughts here - maybe I'll just use this post? - the way I did for the first five episodes of my rewatch.

I will hide them under a cut, and I don't plan on posting anything about the new season outside of this post for a week or so.

Basically, if you want to avoid spoilers: read with caution!

Episode 1: Peacetime in the Valley

…God I really love how they do music on this show.

Okay this peace better die real fucking quick because I’m annoyed.

CHOZEN IN A SHORT ROBE, NOW WE’RE TALKING.

Looking at this newspaper clipping, I wonder if we’re supposed to care about little details or if they just didn’t really care and it’s completely random. If it’s NOT random, I have thoughts:

Why is the photographer who took Terry’s mugshot only named by their initials. Anyone know a B.T.?

…okay, looking at the column on the left, this had better be a joke. CLOWN MURDER?!

And then the article itself is cobbled together. Unless this is just a fake newspaper as a plant, then this is pretty week bud.

Coincidentally, if you or any other showrunner would like to hire me to write fake newspaper articles for your show or movie so that people like me don’t tear you apart online, I am available!

Okay so Tory and Robby are clearly still together, and the only thing that isn’t complete peace is Kenny and Anthony only looking at each other from a distance?

DANIEL’S SMUG SMILE AS THE COBRA KAI LOGO GETS THROWN AWAY GO FUCK YOURSELF SIR.

Amanda YES, bring up Terry getting the charges dropped!

Kreese vs. US Marshals eh?

Stop talking about my man without showing him, Daniel.

Oh good, already tension between Daniel and Johnny’s views on things.

OH JOHNNY LOOKS GENUINELY DEVASTATED THAT THEY DEMOLISHED THE ABANDONED WAREHOUSE.

…wow we really are just forgiving Benedict Penis Breath for some reason, huh?

IT DID NOT TAKE AWHILE FOR YOU TWO TO TALK AGAIN, ROBBY. YOU LITERALLY JUST HAD A FIGHT AND THAT SEEMED TO FIX EVERYTHING??

…Johnny wants to use fire on the children? I can think of a couple that can be guinea pigs *cough*KYLER*cough*

Ohhhhhh… Daniel picking Chozen over Johnny isn’t gonna end well. What if instead we got rid of Daniel and Johnny and Chozen hung out.

– insert Sekai Taikai exposition here –

And the new name of the dojo iiiiiiiiiiiiiiiis… I MEAN, WE’VE ALL BEEN CALLING IT MIYAGI-FANG FOREVER.

Of course Daniel is angry (I mean it is a stupid picture of Mr. Miyagi but still)

…Chozen going against Johnny here really doesn’t check out. But I am here for a Chozen vs. Johnny fight.

The worst double-date in history! WHO CARES IF SHE DOESN’T WANT TO LEARN MIYAGI-DO??

Robby, don’t you dare speak ill of the precious Kenny/Silver mentorship dynamic you JERK.

Daniel (and Chozen) being so dismissive of Johnny’s feelings makes me sad

Oh DIP OMINOUS TEXT MESSAGE GOOD THING YOU BOUGHT THAT AXE.

Tory looks so sad and I hate it. Eat your waffle cone, Miguel.

Robby why in the hell would interrupting the game make Kenny want to listen to you? Also lmao look who’s taller now Kenny grew like 2 feet.

HI SHAWN. …Being ominous in an arcade is great.

Daniel preaching balance when he’s simultaneously…Daniel is infuriating.

…Chozen alcoholism subplot? ANDNO KUMIKO?! BUT I SHIP IT SO HARD!

Oh Johnny really brought the axe huh?

OH MY GOD STINGRAY I’M DYING.

Shawn your child brother is starting high school please do not take him to a strip club.

ROBBY WHY WOULD YOU APPROACH WHILE THEY HAVE BATS.

WE DON’T WANT TO FIGHT, he says while joining the fight!

…am I Stingray? “Because it’s awesome” – I WILL BELIEVE IN COBRA KAI FOREVER.

And he appreciates that Amanda is a smokeshow.

Don’t you dare disrespect ponytail dude, Shawn Payne.

Did the prison system actually help Shawn? SHOCKING.

Daniel being the bigger person? Only took HOW MANY DECADES?!

…so we’re calling it Miyagi-Do? Even though it’s not just Miyagi-Do? THIS IS DUMB.

We don’t get to see how Kreese got to Korea? REALLY?!

Episode 2: The Prize

NICK! YAY TERRY BACKSTORY! (Also Barrett yay but I mean… TERRY)

Kreese defending her is so cute OH MY GOD SHE’S IN THE AIR CHILL OUT GRAMPS.

Oh good, sewage in the cooking pots.

Not a real talk about money on this show! Oh, we’re cutting away?

…Why did we linger on that one student when Kim said “Silver is gone now”? Am I just looking for hope where there isn’t any?

I’m sorry, how old is this man going to be now? HE LOOKED 80 IN THE LATE 60S.

Does Amanda just dress like that everyday? Daniel is a lucky man.

I would watch an entire YouTube series in the vein of Trixie & Katya’s “I Like to Watch” that’s just Chozen watching reality shows.

“Your incompetence is why I must stay alive” is a brutal fucking line.

Kyler and his gaggle of 45 year old college freshmen. Or just Brucks.

…please think Chozen and Johnny are a gay couple, Mr. Realtor. Okay no, but Johnny blowing this up pretty spectacularly is pretty great.

Why do I feel like this is going to culminate in Kreese stabbing Immortal Kim because he’s “worthy of taking control”?

OR THE SNAKE COULD BITE HIM UMMMM.

As someone who has been in university in some capacity for like a decade, this… was not my experience. Though watching Kyler get shit on is kind of fun.

OH NO DUTCH REFERENCE. HE’S STILL IN PRISON THOUGH THAT’S GOOD.

Deus ex Johnny-fan ftw!

NOT HALLUCINATION NICK MARINI!

…Okay, so we are just gonna double down on the homoeroticism with men being each other’s weaknesses? I mean I’m here for it.

Frats have always seemed so stupid to me, with hazing and shit. Even for morons like Kyler. Never thought I’d see the day where I’m rooting for Kyler but I guess here we are. DESTROY THE DOUCHEBAGS. (Though how is anyone getting into college with this ASSAULT)

American tourist loses mind in cave, talks to snake. Film at 11.

Kyler acknowledging he’s a moron? I’m here for it. NO NOT ANOTHER FRAT COME ON.

LMAO Johnny insisting he has a job – AND IT WORKS HE JUST STARTS SELLING CARS.

Amanda is right though, what’s in the briefcase, Johnny?

Kim Da-Eun is gonna JUMP Kreese’s bones istg

Episode 3: Sleeper

Chozen freeloading is hilarious

“Chicks dig me” as a response to possibly having a daughter is crazy.

WHAT’S IN THE BOX?!

…the cobra is still in your dealership, Daniel?

“I’m a girl dad” – Johnny Lawrence, 2024 (or whatever year this is supposed to be I can’t remember)

…okay this episode is called Sleeper and we’re seeing that same student we did in the last episode when they said “Silver is gone now” DID TERRY HAVE A BASTARD CHILD AND NOT KNOW ABOUT IT?!

You tell ‘em, Devon.

Lol “LEE, CALL YOUR DAD, YOU’RE HANDLING THIS PROBLEM AT YOUR HOUSE.”

Please don’t be a stupid retcon of Miyagi’s character please don’t be a stupid retcon of Miyagi’s character please don’t be a stupid retcon of Miyagi’s character please don’t be a stupid retcon of Miyagi’s character please don’t be a stupid retcon of Miyagi’s character

Got a lot of mystery boxes in this episode, huh?

…”we can have a girls’ night,” says the 50-something year old man to the 3 teenaged girls he isn’t related to. I do love his relationship with Devon though. It’s a shame she’s going to die in a freak karate accident so that Johnny can name his daughter after her.

THE HORRORS LOCKED AWAY IN A HIDDEN COMPARTMENT ARE THAT HE WAS A BOXER?!

…oh and he beat the shit out of people.

AND HE CHANGED HIS NAME?! OKAY SHIT’S GETTING INTERESTING.

Lmao the Ouija board fakeout

Yeah good Daniel, leave your dolled-up wife in the shady gym.

OH MY GOD JOHNNY PLEASE STOP WHAT YOU’RE DOING.

Kreese is really just trying to make a bunch of killing machines (or at least one, anyway), huh?

The Big 3 weren’t lying when they said they were going all out this season with the fights.

Also is Kreese just fine with the snake bite? He’s fine?

Oh noooo, Mr. Miyagi wasn’t a perfect human I’m SHOCKED.

Johnny is SO happy they’re fighting I love it – OH NO BOOOOOOOOOO PEACE. Go get matching tattoos or something you dorks.

Oh no Daniel, is your perfect worldview crumbling? Was surrogate daddy not as perfect as you thought?

YES, CHOZEN. WHAT DID HAPPEN IN CANCUN?

Nooo Chozen don’t leave even if it is for Kumiko I’LL MISS YOU.

Yes, let’s end the episode on “girls are easy”

Oh no wait, more Daniel mourning the loss of his innocence

Were the rumours right? We’re going to Spain? LET’S GOOOOOOO – wait how are they going to afford everyone going?

And we’re down to six – Miguel, Robby, Hawk, Sam, Tory… Kenny/Demetri/Devon?

Episode 4: Underdogs

Hawk thinks patriotism will earn him a spot? God I hate that mohawk.

“Each and every one of you has a shot, even though many of you are either our children, close enough to be our children, or are our clear favourites”

SHUT UP DEVON IF ANTHONY GETS PICKED I’M GOING TO KILL SOMEONE.

Johnny assuming he’s as good as a partner at the dealership is KILLING me

THANK YOU FOR TELLING HIM NO ABOUT ANTHONY, JOHNNY.

Why is Daniel so against them… actually earning their spots?

Hi Mike!

Lol flashback – but why not show Terry?

YES DEVON MY QUEEN.

AWWW, Penis Breath is so happy with his new name.

SERIOUSLY? ANTHONY?

If Anthony makes it I’m killing myself.

Devon speaking up for all neglected minor characters everywhere.

What in the actual fuck is going on. Go away Yasmine you suck. OKAY BUT NOT AT THE EXPENSE OF DEMETRI’S HAPPINESS. …maybe her dumping him would’ve been better she is the WORST.

Binary Bros. will be the couple with the drama this season.

This capture the flag game seems fun but Mike can’t look at everyone at once…

I mean your son IS going to bleed and get the shit kicked out of him, Daniel. Wake up. No? Gonna keep feeding him your bs? Cool.

Barnes has quite the craftsmanship.

JOHNNY VS MIKE LET’S GOOOOOOOO… but away from the saw please.

HEY HE SAID THE THING.

…we’re really just gonna call each other bad boys with a straight face?

Okay Devon, enough with the negative self-talk. You’re sounding like me.

NOOOOOO Binary Bros. are fighting!

Kenny is kind of cocky af and I hope he doesn’t get it.

Smart move would’ve been to go up top and see if you can spot the flag…

OH WE TOOK KENNY OUT WITH A CHEAP TRICK…that’s not funny.

Oh SHIT Demetri is being an asshat. Why is NO ONE asking bout Hawk?

MAN now Devon has to feel bad because someone else chea– OH MY GOD IT WAS HER.

Episode 5: Best of the Best

Why does Tory’s mom healing feel so ominous why does Tory’s mom healing feel so ominous why does Tory’s mom healing feel so ominous why does Tory’s mom healing feel so ominous

Oh look Kreese has come for a visit.

And yet another blonde champion has turned against Kreese.

OH MY GOD, DEMETRI SHUT UP.

Robby you lovestruck little fool it’s adorable.

I really love Terry (duh) but Johnny is 100% my favourite Sensei.

HEY LEAVE THAT CANADIAN DUMMY ALONE, EH?

What about your worst impulses, Danny Boy?  S H U T    U P   and appreciate your hot wife for once, Jesus!

…Carmen is going to go into labour in this episode isn’t she.

AND there it is! Nope wait, false alarm. Everybody go hug Miguel.

NO NO NO DON’T BE DEAD NO NO NO

GOD FUCKING DAMNIT

HER FIST WAS CLENCHED – WAS IT KREESE?

Why does Sam and Miguel’s relationship seem so focused on beating Robby and Tory? While Robby and Tory seem actually into each other?

Daniel you suck, you hypocritical, self-righteous twat.

This is some mighty fine acting, Miss Peyton List. Best crier on the show since Xolo!

JOHNNY YOU HAVE A BABY ON THE WAY CAN YOU NOT YANK THE STEERING WHEEL.

…he’s right though. SHUT UP DANIEL.

Okay but Johnny this is really stupid you’ve sold cars for four minutes.

LMAO “YOU’RE FINALLY LEAVING HIM” GOD AMANDA LISTEN TO JOHNNY HE’S RIGHT.

Johnny gonna embrace boxing with the students? Daniel can’t really say anything about it not being about Mr. Miyagi then.

She kept… the bottlecap… I AM NOT OKAY.

You did not try, Daniel. Shut the fuck up. I’m mad at you. Go away. Get your head outta your ass.

You don’t get to know everything about anyone, Daniel. Especially when you’ve got your head so far in the sand you can’t even come to grips with who YOU are.

Amanda go find Tory. GO FIND TORY, AMANDA.

Okay there’s Tory. USE THAT MOTIVATION, ROBBY.

Can Robby get a decent haircut for once please? He’s a cute kid, his head deserves better.

Good for you, Robby. (Also why do I feel like he’s going to change his last name to Lawrence once the baby is born and then they’ll all just be one big happy sappy family)

I’m sure that Tory seeing both of Sam’s living and supportive parents there won’t screw her up at all.

Oh that’s gonna be Tory’s therapist or something for Amanda isn’t it UH OH.

YEAH YOU NEED TO STOP THE FIGHT.

OH SHIT. Not Danny striking first.

FUCKING GOOD ENOUGH WITH THIS KUMBAYA SHIT.

…Kenny’s gonna be mad about that – oh wait he’s not there and I’m sure it’s going well for him.

Not the bloodstained headband.

…Hawk really kept the dumb mohawk for the tournament huh?

Tory and Kenny gonna be fighting for Korea with Kreese?

(Why is Kreese there? This is televised? The police??)

LET’S FUCKING GO TORY.