#it was originally going to be two but I cut a scene

[kendrysaneela]

Genuinely. I really need people to stop saying “It’s only canon if they kiss” because 1. That means we will never get a slowburn queer relationship because no one will ever believe it without a kiss 2. That destroys queercoding. Which is a very important part of queer representation. And queercoding is not queerbaiting please learn the difference. 3. Not to mention how much queer representation we’d lose from history if kissing is a necessity for the representation to exist.

And then here’s a more modern example. So on the Kevin Can Fuck Himself there’s these two women Allison and Patty. This show was made by a queer woman. Allison and Patty are both stuck under the control of these abusive men. Patty stuck under the control her little brother who keeps her under his control out of guilt from their childhood. And Allison who’s stuck with her abusive husband mentally and financially. And also possibly even physically though that’s never explicitly stated the threat of that just lies in the air. And the show is basically Allison and Patty working together to escape the abusive men in their lives. And throughout this process they start to fall in love with each other. This is made so incredibly clear by the show. And Patty eventually becomes a canon lesbian. (She never says the word lesbian but they make that clear) Patty is more obviously in love with Allison most likely because she’s a canon lesbian whereas Allison’s sexuality is more still up in the air and she’s sleeping with a different guy. But it’s there you can see it. And we had it confirmed offscreen by the showrunner that Patty was in love with Allison and we know that because Patty said “Maybe can die alone together” and that was confirmed as an “I love you” by the showrunner. They’re leaning their heads together with their eyes closed when this scene happens. Very romantically coded. Then the show got prematurely cancelled halfway through the second season so they had to rush to wrap everything up in the second half of season 2. So Allison and Patty escape the abusive men in their lives much quicker than originally planned and in a different way than originally planned. Also lots of the original storyline between Allison and Patty had to be cut out because of it leading to a loss of development we otherwise would’ve gotten. But in the end they meet up again and they sit on the steps of Allison’s house and Patty says “Let’s die alone together” and Allison repeats “Let’s die alone together” now it’s already been established by the showrunner that this means “I love you” so you can take from that that they are in love with each other and somewhere down the line they will become a real couple. And that they will be together forever. The showrunner said about that scene “They are romantically alone but always together” or something like that. And SO MANY PEOPLE decided that because they didn’t kiss or say I love you that the entire show was a waste and all their romantic scenes were for naught just because they didn’t kiss or say “I love you” at the end and the QUEER showrunner didn’t explicitly say “That scene means they’re in love” and a big reason I saw people give for being angry at that was that “Straight people won’t know they’re queer they can just deny it if it’s not explicit!” And here’s the thing. Not only should we not be defining queer representation by how straight people view it but also straight people will deny canon queer representation even if they DO kiss!

Like for example on the show Doctor Odyssey there’s a canon slowburn mmf throuple. It’s been confirmed by the actors and showrunners that them being a throuple is going to be being explored this season on the show. All three of the characters Max,Avery and Tristan have all slept together once and they’ve all stated they liked it and the next episode they discussed the idea of polyamory and they showed us a polyamorous couple that was together and happy had all the characters discuss what polyamory is how it works and how it’s valid. The female character Avery very much wants them to be a throuple after their threesome and discusses it with the boys using the words “Throuple” and “Polyamorous” onscreen. the boys are still reluctant at the moment but they’ll get there they just need a second to get used to the idea. It’s basically as canon as canon can get before they actually become fully canon. And lemme repeat. Avery is the character who’s the most onboard for them being a throuple this is canon. They make this very explicit. She initiates the threesome and she spends an entire episode trying to convince the boys to be in a throuple with her. Yet yesterday? I saw an article talking about “Who should Avery choose?” Between the two boys. When the whole storyline of theirs is she isn’t going to choose nor does she want to. But yet there was an article STILL not getting it. Even with the words POLYAMOROUS AND THROUPLE being used in an episode MULTIPLE times and them all having slept together AND CANONICALLY ENJOYING IT. (They say so in words onscreen) And yet there the article was still denying it because it wasn’t fully canon yet. That’s what I’m talking about. Even when it is explicit as explicit as explicit can be straight people are going to deny it. So why are we defining our own queer rep by how straight people view it? It’s ours not theirs. They can come along and enjoy it if they choose they’re completely welcome! The more the merrier! But we shouldn’t define rep for us by how theyll view it. Because some straight people will never accept queer rep as real no matter how explicit it is. So their opinion doesn’t matter.

Discussions of what "counts" as "canon" queer representation fall apart the second you start talking about media older than about five years or so. If your only metric for "canon queerness" is a character looking directly into the camera and explaining their identity in specific, modern, US-American-English terminology, you're not going to get a good picture of what queer media looks like. If your barometer for what counts as "canon" requires two characters of the same gender to kiss on-screen, you're not going to get a good picture of what queer media looks like.

Dr. Septimus Pretorius (portrayed by Ernest Thesiger in 1935's Bride of Frankenstein) was never going to look directly into the camera and explain his sexuality in 2024 terms, but he remains an icon in queer media history. You cannot look at that character (blatantly queer-coded in the manner of the time, played by a queer man in a film directed by another queer man) and tell me that he isn't a part of queer media history.

To be honest, even when discussing modern queer media, I would argue that the popular idea of what "counts" as "canon" is very narrow and flawed. I've seen multiple posts in the past few days that say the Nimona movie is "implied" trans representation, and I just...no, y'all, it's not "implied," it's an allegory. The entire damn movie is about transgender struggle, and the original comic is deeply tied into N.D. Stevenson's own queer journey. It isn't subtle. You cannot look at that movie and pretend that it isn't about trans struggle. It's blatant, and to say that Nimona "isn't canonically trans" is a take that misses the story's entire message, and the blatant queerphobia that almost kept the movie from happening. (I wrote a five thousand word essay about the topic.)

Queer themes, queer coding, queer exploration, and queer representation can all exist in a piece of media that doesn't seem to have "canon queer characters" on the surface. Most queer characters are never going to be able to explicitly state their specific identity labels, be it due to censorship or just due to the fact that scenes like that don't fit in some narratives. Some stories aren't conducive to a big "so what's your identity?" scene.

Explicit, undeniable, "this is my identity in no uncertain terms" scenes are very important and radical, and I'm not saying they shouldn't ever exist. I am saying that you can't consider those scenes the only way for queerness in a piece of media to be "canon."

[reccyls]

hi!! sorry to ask, but what are mai’s symptoms in mitsuhide’s sequel?? like how would the tragic end play out? thank you!

Hello! Please don't apologize for asking, I'm happy to answer questions! (If I do know the answer, of course). I'll put the details beneath the cut, I've actually finished the tragic end as well

Mai's symptoms here are that she sometimes fades out of existence. She becomes invisible to others, they can't hear her voice, and she passes through the people she touches. It starts off as just a few seconds, brief enough that other people think it's a trick of the light, or maybe they're too exhausted. But eventually it becomes nearly permanent.

There is a way to check for Mai's presence, however: the ringing of a bell. It was something that belonged to her in the modern day, and she gave it to Mitsuhide to repair. When he gives it back to her, it is now something that belongs to both the past and the future, so the universe can't erase it since it "belongs" to the past. Therefore, Mai always brings the bell with her and rings it to make her presence known.

The original speculation regarding the cause of Mai's symptoms were her actions to save Nobunaga from the Honno-ji incident. However, it's later theorized by Sasuke that it's not Mai saving Nobunaga's life that caused the timeline warps: it's actually her saving Mitsuhide. Not just once (he should have died after Honno-ji as well) but twice (during Yoshiaki's trap). Therefore, the guidebook pages going blank (and eventually Mitsuhide's name specifically also disappearing from the guidebook) are the unvierse trying to correct this by causing Mai to disappear, thus making history go back on the right track.

This was said in confidence to Mai. However, Mitsuhide happened to overhear this. Now, Kicho and Motonari haven't been sitting their idly either. So Mitsuhide figures he'll kill two birds with one stone: he leaves the Oda forces and begins raising a third army on his own, to draw strength away from Kicho and Motonari. He is planning to go into battle against the Oda forces and lose, cementing Nobunaga's continued rule, and also dying to erase himself from the timeline to stop Mai's symptoms.

(Note that earlier in the route, Mai had almost run away silently from the Oda to try and avert this: maybe if she wasn't around to influence Nobunaga or Mitsuhide anymore, the symptoms would stop getting worse and Mitsuhide wouldn't be driven to drastic measures to try and stop them. Masamune is the one who catches her and helps to convince her to stay. Masamune is also the one who confronted Mitsuhide after he declared his intention to leave; he calls the two of them "a matched pair" given that their immediate first thought is to do some sort of self-sacrificial stunt to save the other.)

In the tragic ending, Mai figures out Mitsuhide's second aim during a war council with the others. She absolutely does not want Mitsuhide to do this, and so, she silently leaves the war council and decides to go through with her original plan. She writes a farewell letter for everyone and then vanishes without a trace. The letter is discovered the next day by Ranmaru, who realizes what Mai has done and informs the others.

The tragic ending then skips ahead a few months, to a final confrontation between the Oda, and Mitsuhide's rebel army. Mitsuhide is soundly defeated, and he comes face to face with his old comrades for the first time in a long time. However, all Nobunaga does is to give him a letter: the one that Mai wrote before she disappeared.

Here is where I clearly remember the language used in the text, it was that evocative: after reading the letter, Mitsuhide fell to his knees "as if his soul had left his body"; everything he had done, all for nothing because Mai was gone.

As penance for his betrayal, Nobunaga gives Mitsuhide a mission: find Mai. No one believes that she has truly disappeared forever.

The last scene of the tragic end is another timeskip, this time a year or perhaps more later. Mitsuhide is wandering the country, constantly searching for any trace of Mai. Earlier in the route, there was a discussion about how Mitsuhide's life was a road that led to hell. He muses to himself how hoping against hope is a kind of hell in itself, but one that he willingly walks into, because he must believe that Mai still exists, and that he can find her.

And we end with the sound of a ringing bell, carried by the wind. One more chime, this time fainter. Mitsuhide smiles and asks if she is playing tag with him. But regardless, he gets up, and follows the sound, because he would follow her anywhere, even to the depths of hell.

[scarletdreamers]

Still not over the fact that these are some of the most important and intimate lines from the show, yet everyone ignores them like they don't exist:

In the series itself (the final cut), these lines said by Alana and Hannibal while they are dining with Will are delivered a bit differently. In the final take they go like this:

A: ''They love and kill what they love.''

H: ''Then they eat what they love. It's a paradox.''

A: ''Freddie thinks the two of you are a paradox.''

After having said this, Alana suspiciously eyes both Hannibal and Will. Almost as if she knows there's something between them, but she can't figure out what it is. These lines are so important because they give an outsider point of view of Hannibal and Will's relationship. It shows that, at this point in the story, certain characters knew things they weren't supposed to know.

It also adds to their perception of the dynamic between Will and Hannibal. The dangerous pair they make, the desire to kill and even eat each other shows how unconventional and insane their bond is. How, not only tragic, but thrilling and strong whatever they have is. There's always a sense of underlying desires. Sensual danger that even the other characters can feel. They know something isn't right, and Alana's/Freddies take on their bond as a 'paradox' isn't even that far from the truth. It's actually really interesting to think of the feelings Hannibal and Will have for each other during that time in the story that way.

They really do make a very complicated paradox, knowing that they will betray each other, hurt each other, maybe even want to kill each other, but love each other anyway. That they love each other enough to want to ''eat'' each other ('they eat what they love') as a sense of fulfilment they might never reach. Not as long as they stay alive in a situation in which it's quite impossible for them to be together.

After that, we have the scene where they have dinner with just the two of them and 'prepare' Freddie, including this gorgeous shot:

A simple scene where they cook together. Hannibal hands Will a cooking knife (originally a product to use to prepare food, a deadly weapon given the right reason), which is an indirect throwback to the conversation they had with Alana. They merge love, death and eating in this scene. Hannibal's trust when he hands Will the knife. The blade pointed towards himself indicates betrayal and a violent shared history between them, depicted by the way the knife's tip is pointing at Hannibal's pink-ish red and raw scar. This scene is romantic, because Hannibal literally shows Will that he ''trusts him with his life'' by doing this.

In the dinner scene with Alana she also points out that she thinks they might not be the killers individually, but together. Holding a weapon at the same time for a few seconds too long proves her point. Their sharing of the knife without hurting one another means their working together when it comes to violence and death. It's a sign of Will's corruption. A reflection of his true self in the silver of the blade.

Will and Hannibal are a paradox like a knife is a paradox. It nurtures, is used to prepare food which gives life, and is usually a friend, until it's used against you and suddenly becomes deadly. Their love is a double edged knife, being able to cause harm and grant help at the same time. It makes you wonder, do Hannibal and Will desire to kill each other because of their love, or rather in spite of it?

Anyway, I love Naka-Choko because of the insane tension throughout the whole episode. Had to share why I think that this quote is such a heavy yet romantic giveaway of their mutual feelings and bond, it's a shame it's so incredibly overlooked just like a few other really good lines in the show.

[lauralot89]

So I watched Nosferatu

poor Nicholas Hoult keeps getting tortured by vampires

also

that certainly was a penis

it has been years since I watched the original Nosferatu and I no longer remember what it did with any of its characters or plot so I will not be comparing this to that

so if you're going to do a Dracula/Mina romance (or in this case, Orlok/Ellen) and you're not going to base it around their shared hobby of reading train schedules, this is probably the best way to do it, because this isn't actually a romance. This movie gives Mina/Ellen the psychic sensitivity that Lucy/Anna has in the book, and establishes that Ellen has had mental connection with Orlok since her childhood, and he essentially groomed her. She even calls him out on it in the film. Yeah, there is one moment toward the end of the movie where she comforts him, but she isn't trying to save him or anything and also even in the original novel, Mina was the one who said Dracula deserved the most pity.

Yes, there was the scene where Ellen was saying Orlok loved her more than Thomas/Jonathan but she was clearly possessed

There is no romanticism of Orlok/Dracula here. He's the worst and he doesn't even have the illusion of civility that most adaptations provide.

also I was told by early reviewers that this movie was very horny and I think they must have watched a different cut than I did. I mean, sure, you see (flaccid) vampire dick once and some nudity throughout but the movie has two sex scenes and both are deeply unsexy in that in the first, you don't see anything and also both characters have gone out of their minds, and in the second, it's not even really sex. You can't just show me a dick that's not even in use and tell me that's horny. Come on, people. Raise your standards.

I don't say this to be mean but: I think the original Orlok makeup from the silent film was scarier. I get what they were doing here, I do, and the makeup was immaculate (as were the costumes, the set designs, etc. It's an Eggers film) but I personally find Original Orlok scarier, and this Orlok was most intimidating when he was kept in the shadows.

This movie felt very much like a fairy tale. It even sets up a "three nights" limit at one point sort of like the earlier versions of Cinderella. I find that Dracula adaptations, particularly in film, often put vibes above, say, characterization, and this movie felt pretty vibe-y.

If I were to make a complaint, it wouldn't even really be about the movie itself. But like, Nosferatu was originally made to be Dracula without paying for the rights to Dracula, wasn't it? You're not bound by the novel (not that most straight-up Dracula adaptations follow the novel all that closely either). You literally have a built-in excuse to do whatever you want, but it seems like what people want to do time and again in vampire movies is a highlights reel of the most famous moments in the book without ever really delving into the characters that made the novel so good.

Again, this is not a criticism of this movie. It's just that what I realized while watching this movie is that I really really want a Dracula adaptation that's a character study. Not even necessarily a character study of Dracula. If someone out there made an adaptation that focused the story on Jonathan or Lucy or Jack or whoever, I would love for that.

God bless Ralph Ineson's voice

Everyone in this film did well, but Nicholas Hoult's performance was probably my favorite. He emotes terror so damn well. And of course Dafoe is always a delight.

Did Original Orlok also favor biting people on the chest or was he a neck guy

[fallstaticexit]

She did not appreciate that. But it was for the plot I- ...

[diaospuppy]

alternate shots of the two worlds ending (x)

[cloudinal]

Day 4 - By Your Side

[jce93]

thry have the perfect sun/moon dynamic but u guys arent ready to hear that js yet 🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫🤫

[padfootastic]

hmmm so it seems like i’ve forgotten how to stitch scenes together bc i’m working on the next chapter for FoD and…all i’ve got are two parts. 1. a golden trio situation and 2. a harry & sirius scene. no filler bits, no bridge dialogue/prose. it’s so weird but a very large part of me is tempted to post it as is. hmmmmmm.

[theheadlessgroom]

@beatingheart-bride

"Oddly enough, no," Dorian admitted, as he helped himself to a cup of tea, giving it a cursory blow to cool it down before he took a sip, saying, "I thought I would be, especially as we come down to the wire, but...I just can't say that I am. Call me an optimist, but...I just have a feeling that there's nothing to worry about."

All throughout these weeks of planning, of playing at being the happy couple with Emily, of scheming behind their families backs, of all the preparations being made, he was waiting for the proverbial shoe to drop, for the nervousness to kick in...and yet, it never did. He felt strangely calm about the proceedings, like something in his bones assured him that everything was going to be alright, and he was inclined to believe that. After all, Nicholas had been removed from the picture entirely, all of New Orleans was eating up everything they'd seen and heard about the young couple, and both their families were none the wiser to the plan. Everything was going off without a hitch, and he was glad for it.

That being said, he didn't miss the way Emily fidgeted with her sleeve, and he knew she wasn't feeling quite as calm as he was. Setting down his cup, he asked her gently, "I...take it you don't feel the same?" Perhaps if they talked it out together, she'd feel a bit better?

[u3pxx]

KISS KISS FALL IN LOVE! 💍💐‼️

my piece for the @aaweddingzine which is now open for leftovers!

extra stuff/commentary under the cut | like what i do? support me on ko-fi ❤️💜

i also ramble a lot more on the behind-the-scenes pdf for this zine that you can also get with your purchase >;^] i also drew some nifty matching icons for the zine! (hint: it's time for divorce)

you know me, i'm incredibly klapollopilled, of course i'm drawing these two suckers for the wedding zine! <3 something about klapollo marriage makes me incredibly emo so i'm very glad for the opportunity to go all out so i can be EXTRA emo about it 😈

if i remember right, i think this idea came to be when i thought about the image of klavier bursting into tears as he lifts up apollo's veil and it all went from there LOL (also so psyched i get to draw him in a barong tagalog <333)

everything got so much more ambitious, though, from that initial idea! i drew like what (i am counting the number of characters in the spread right now as i type) 40-ISH CHARACTERS ALL IN ALL?! (WHAT THE FUCKDFGDHJ) and i even had to cut out some of the characters i originally had in the sketch 😭 (sorry gumshoe, kay, and seb/eustace ....)

i drew this like a year ago and i'm still so proud of this piece! i don't think i can achieve this level of rendering again, it's been so long i forgot how to do it LMAO

(also i can never reopen the file for this thing again bc it makes clip studio want to dieeeee DFSGHDJ so many layers ...)

another thing, i was working on this in tandem with my piece for the mea culpa zine; do you know how funny it is to draw apollo having such a happy moment and then draw him dying 😭 the contrast, the whiplash

that's all i have to ramble about i think, i'm so so so amazed at this zine bc my zinemates truly made some spectacular pieces of art! :"^D if you have the chance, please do check it out! 💗

[emphistic]

MEDDLE ABOUT

SYN. Being co-stars with your ex-boyfriend of three months is basically hell; or at least, that's what you think. AKA: Sukuna wants you back, whether he's acting or not.

TAGS. actor AU, fem!Reader, mean!Sukuna, exes to lovers, forced proximity, sharing a cigarette, smoking, arguing, eventual smut, Sukuna likes to shut you up with his dick, cockwarming, answering the phone during séx, orgasm denial, dacryphilia, porn w/o plot, use of pet names: baby, sweetheart, pretty girl, my dear (mockingly)

WC. 5.4k (please read anyway 😞)

AN. requested by anon (you didn't specify any genre, so i just freestyled 🤷‍♀️), animated dividers by @/cafekitsune; i'm a sucker for actor AUs; available on ao3; MDNI

“I know you wanna kiss me,” you smiled, leaning closer to Sukuna’s face. Your noses were barely apart, and you couldn’t tell where his breath ended, and where yours started. To be honest, this was far more intimate than any other kiss scene you ever had to film.

“Yeah?” Sukuna grinned, getting equally as close. “And what’re you going to do about that, pretty girl?”

“. . .Fucking slap you, that’s what.” 

“CUT!” The director yelled, groaning in exasperation. “C’mon, people. I know it’s been a long day, but put your differences aside for the sake of one movie, will ya? When you receive your paycheck, you’ll regret all of this ‘huffing and puffing’ you two are both doing right now.”

You exhaled, pulling away from Sukuna. It’s not that you couldn’t remember your correct lines, it’s just. . . You couldn’t take it anymore. Being in the same room as him, breathing in the same air as him, starring in the same movie with him. Fuck, you hated this.

You and Sukuna had broken up exactly three months ago despite having what seemed like a pretty healthy relationship. Seemed is the key word.

Of course, you two had your ups and downs, like an ordinary couple, but what differentiated you two from a normal couple was the fact that you guys both juggled busy careers as an actor and actress. Being booked with interviews, PR stunts, and in general, movies, you and Sukuna didn’t have the ability to spend much time together. And, as if that wasn’t enough, there was constantly a multitude of women on his arm during movie premieres. Yeah, you knew those were all for PR, but still, it hurt to see your boyfriend standing with a woman that wasn’t you every day.

At first, you thought you could take it. Being an actress yourself, you had your fair share of rumors and made up scandals. But it came to a point where you couldn’t take it anymore. You and Sukuna broke up, consequently, and fans immediately voiced their opinions and concerns, bombarding Twitter with trending tags, and posting videos on several apps. The internet had been obsessed with you guys as a couple since the first movie you two co-starred in—which was years ago—so their complaints definitely weren’t for naught.

Originally, you thought that your relationship with Sukuna would end on good terms, but boy, oh boy, were you wrong. Sukuna, just mere days after your breakup, was spotted by paparazzi walking around the city with his arm around a girl you definitely did not recognize as one of his current co-stars. And to make matters worse, he had the audacity to hit you up and ask if he could come over to your penthouse right after.

Men, am I right?

You two may or may not have slept together as exes a few times after your inevitable argument about him and that new girl, but rest assured, you did eventually break things off permanently. Well, you thought you did. As if by fate, you and Sukuna were casted as co-stars in an up-and-coming romance movie that had your fans just dying in anticipation of finally being able to see their favorite (broken up) couple together on screen again.

To be frank, you were originally going to pass up the role as the female lead—seeing as your luck had landed you as co-stars with Sukuna—but your manager apparently really, really wanted you to work on the film, saying things like Think of how elated your fans will be and It’s an adaptation from a book that made millions and Just imagine all of the PR and promoting you could do. It took a while of convincing—and coercing—to get you to finally agree to the role since, after all, PR was the main reason for your and Sukuna’s breakup. But, honestly, you would be lying if you said there weren’t any feelings left for your ex-boyfriend, Sukuna.

“I think we should all take a breather,” Sukuna began, jeering, “before someone gets all hot and bothered by just being on the same set as me. Wouldn’t you agree?” Sukuna turned to you, an expression on his face that just made you want to punch him in the nose.

“‘Hot and bothered’, seriously? Don’t make me laugh.” You rolled your eyes, crossing your arms over your chest.

Sukuna tilted his head to the side, grinning. “Do you think I’m joking? I could feel the way your heart was racing earlier, when we had to shoot that hugging in the rain scene. Just admit it, this isn’t acting for you.”

He was definitely self-projecting, you scowled just by the thought of it.

“Oh, don’t give me that look, sweetheart. We all know how you really feel,” Sukuna teased, leaning down to your eye-level. His breath fanned your reddening ear as he whispered, “You want me so bad it makes you look fucking stupid.”

And when he pulled away, Sukuna added one last remark, “I know it’s been a long three months for you. Say, how’s that blondie treating you, hm? I bet his dick is as small as his future in acting.”

“Ryomen, just stop.” You shook your head. “It’s not like that with him, and you know that. Just leave me alone.”

You shoved at his chest as you walked off set, your assistants following you promptly with water bottles and towels.

In all honesty, you remembered it like it happened yesterday. Before you and Sukuna became boyfriend and girlfriend, your first meeting was in a movie that you both starred in as the female and male lead. It was a romance movie, of course, that was about a couple meeting on an island while both on individual vacations. You two spent most of your days on set in swimsuits and bikinis, consuming fake alcoholic beverages, and, consequently, sleeping together—after the tension just grew unbearable.

On and off camera, Sukuna had been growing an attraction towards you. I mean, who could blame him? You two had to be near each other while being basically half-naked. And, if your pretty face wasn’t enough to beguile Sukuna, your ass definitely was. From the moment he shook hands with you at your first meeting as co-stars, he knew he had to have you—acting or not.

That movie was the start of the skyrocketing of both your and Sukuna’s career in acting. Fans quickly noted how much chemistry the two of you had together, and how well you two could act out emotions and intimate scenes. What the audience didn’t know, though, was that you and Sukuna had started seeing each other a few weeks after shooting together.

Sukuna had invited over the whole cast and team for drinks after a successful movie premiere, and you two ended up talking and conversing in his kitchen whilst a little under the influence. You two hit it off, and learned that being an aspiring actor wasn’t the only thing you two had in common. One glass turned into two, and two turned into stumbling into Sukuna’s bedroom after everyone had responsibly ordered a cab home.

Waking up the morning after, and deciding it wasn’t just going to be a one night stand, you and Sukuna thus began your new relationship. At first, you two avoided being spotted in public together, but it came to a point where your relationship just couldn’t be hidden anymore and you both decided to go public. The internet responded almost immediately with cheers, enthusiasm, and occasionally, expressions showing how un-surprised they were. I mean, you two had been shipped together almost constantly; making it official was almost expected. 

Years passed, the honeymoon stage was over, your careers were more demanding and busy than they had ever been, and, well, you know the rest.

—

“Fancy seeing you here.” 

A grimace immediately made its way onto your face at the sound of Sukuna’s voice calling out to you from behind. 

“Hilarious,” you deadpanned, turning to face Sukuna as he sat down beside you and slung an arm around the back of the couch, “I was hoping the next time I saw you would be at your funeral.”

“A little harsh, don’t you think?” chided Sukuna, as he brought out a cigarette and lit it.

You crossed your arms over your chest, leaning back against the couch. “What do you want?”

“Isn’t it obvious?” Sukuna leaned his face closer to yours, his eyes running down your face and naturally drifting to your lips.

“Unless you’re being your usual asshole-self, and here to annoy me in my dressing room, I’m afraid not.”

After you stormed off set, the director decided it was best to just call it a day and continue filming tomorrow. You went outside for a bit to get some fresh air, before deciding to return to your dressing room and get unready. Stripping down and putting on nothing but your robe, you had sat yourself down on the couch and picked up a magazine, planning on spending a few minutes relaxing before making your way home. Sukuna barging in, despite being off the clock, was something you definitely weren’t expecting. He wasn’t supposed to be here, and if someone found out. . .

“You’ll be in a lot of trouble if my makeup artist comes in here and sees you,” you commented. “Go smoke somewhere else.”

At this, Sukuna’s eyes flickered up to your own, and he removed the cigarette from his lips before blowing out the smoke right in front of your face. Your nose scrunched up, as if on instinct, and Sukuna booped your nose with a shit-eating grin on his face.

“I swear,” you began, snatching the cigarette out of Sukuna’s hands, “if I don’t kill you, I hope these will.” Now was your turn to put the cigarette between your lips. You inhaled, and took a deep breath. But, only moments after, the cigarette was out of your hands and abruptly stubbed on a nearby ashtray.

Sukuna looked at you with an intent look on his face. “As much as I find that hot, I’d rather I be the one damaging my lungs. Not you.”

“Looking out for little old me? How cute,” you smiled, your tone sarcastic. “I see you’re not over us, yet, hm? Did that new girl change your mind?”

You leaned closer to Sukuna, your shoulders brushing ever so slightly.

As soon as you mentioned that other chick, Sukuna rolled his eyes. “Oh, please. It was nothing, we didn’t even hold hands. C’mon, all we did was sit next to each other at a party, and now you’re on my ass about her?”

You shrugged, picking up the magazine you had previously discarded and flipping through the pages with faux interest. “Oh, really? Didn’t look that way to me. You two sure seemed buddy-buddy.”

“Like hell we did. Fuck, do you want me to bring up that twig you were with last week? Kid’s got no meat on his arms. Can’t even call him a man. Is that seriously how low you’re willing to go, babe?” Sukuna scoffed at your lack of attention to him. “Shit’s even worse than a downgrade.”

“You can think that all you want. But I definitely disagree.” You struggled to stifle a giggle.

Sukuna, furrowing his brows, narrowed his eyes at you. “The fuck do you mean by that? Don’t tell me you’ve seen his dick.”

“I dunno, have I?” You turned to Sukuna, meeting his gaze with an equal amount of irritation.

“Must’ve been pretty small, though, if you can’t even remember it,” Sukuna pressed, leaning closer to you, your noses touching, before pulling away. “Whatever, this is boring. Say, how about we get back to where we left off, and practice that kissing scene, hm? I think it’s a great idea.”

“Ryomen, let’s not. You know we’re done. Been done. We’re through.”

“You don’t really mean that.”

“Oh, is it not obvious? I think it was pretty obvious when you had the nerve to get with a new girl just days after we broke up. And then you have the balls to call me right after the paparazzi catches you two. Really, Sukuna? I don’t mind the idea of us ending on neutral terms, but . . . 48 hours? Two days after we broke up, and you’re already fucking some girl? Way to go, Sukuna.”

“Don’t get ahead of yourself there, baby. We didn’t even kiss, did you see any pictures of us kissing? No. And, besides, it’s called provocation. Honestly, you should be praising me, because it worked in the end, didn’t it? I came ‘crawling back’ like one of your little bitch boys, and what happened? Oh, I remember; you let me right the fuck in to your apartment.”

As much as you hated to admit it, you couldn’t deny Sukuna. He was right. And, just the mere thought of what you two did after he hit you up brought heat to your cheeks.

The very same night after pictures of Sukuna and that new girl started circulating around the internet, Sukuna decided to text you:

hey pretty girl,

you up?

You were drying yourself off with a towel when you received two notifications on your phone, and when you saw the contact name, you frowned and turned off your phone without giving a response. Minutes after, there was a ring on your doorbell, and when you checked the camera, lo and behold, stood none other than the last pink-haired man you wanted to see that evening.

When you opened the door, wearing nothing other than a towel around your still dripping body, Sukuna couldn’t help but shamelessly check you out, deciding then and there that this definitely wasn’t going to be the end of your relationship. Of course, an argument ensued soon after, because that’s what life was like dating a dick like Sukuna. Luckily for you, however, Sukuna’s bulge in his pants was bigger than his ego, and so it made up for all of the playful bullying and teasing remarks that he frequently gave.

Sukuna—because he wasn’t born yesterday—knew his looks and charms fairly well, and often used them as a weapon or bargaining chip. That’s why, after you spent a minute or two berating and yelling at Sukuna near your front door, it only took the man one look into your eyes and one sultry comment to have you both stumbling into the . . . bedroom? No, you two had been apart for two days too long, and just decided to utilize your expensive kitchen counters for purposes completely unrelated to cooking.

The next morning, you two woke up—after getting just half an hour of sleep—and didn’t untangle from each other’s limbs until your manager called you nearly a hundred times, and forced you to get up and attend some interview or something. That, however, was not your last night with Sukuna. You two met up—intentionally or not—within the same week, whether it be at interviews or just random outings, and meddled with the other until one of you would fold (usually Sukuna) and consequently do something you would end up not fully regretting the next morning.

This affair continued until you finally came to your senses and blocked Sukuna out from your life in all ways possible. But, due to his bank account, Sukuna did end up purchasing multiple different phones just to be able to contact you. You may or may not have given in a few times, but in the end, you did end up leaving Sukuna for good.

“Reminiscing, are you? It’s okay, I’ve been doing that every night since you left the penthouse,” Sukuna laughed, noticing the way you went silent. You hated the way he referred to his place as The penthouse, and not, simply, his penthouse because, to be frank, for the years you both spent as a couple, you practically lived together despite having individual residences.

“What the hell, Sukuna. Just—Why are you even—?”

Sukuna cut you off, rolling his eyes. “I find it pretty hard to believe that not a single part of you misses me. Don’t lie; lying is a sin, y���know.”

“Sukuna—Excuse me? Don’t give me that shit. ‘Lying is a sin’ my ass. You must have to ask for God’s forgiveness pretty often, then. I can’t believe you want to call me a sinner, I mean, just—just look at you! You’re no saint, either, and you know that damn well.”

Sukuna raised his hands in defense, humoring you. “Woah, looks like I’ve been caught,” he laughed, before getting a little more serious. “But, don’t try to avoid the fact that you’re not innocent. Okay, we broke up due to not being able to make time for each other, and because of how much women I had to be around. Yeah, I get that. But it’s not like I was the only one taking up PR stunts. You did the same, too, didn’t you? So don’t try and paint me out to be the bad guy, when, at the end of the day, we did the same fucking thing.”

Irritated, you pinched the space between your brows. “I barely have any energy to say something to your stupid face right now. We broke up because of that, but also because of how much of a fucking dick you were and are. I knew you weren’t a total angel when we got together but—”

“Look. Do you want a nice guy?”

“. . .”

“Don’t feel pressured to answer, baby. We all know how you really feel.”

“Go. to. Hell. Sukuna. Seriously. This? Again? Do you even know how much of an ass you are? I should deserve an award for putting up with your shit for so long, God—”

“Yeahh, just keep talking,” said Sukuna in a teasing manner, as he leaned back against the couch, spreading his legs apart. You had never wanted to sit somewhere so bad.

“Are you fucking kidding me—mmph!”

You would’ve continued yelling and cursing Sukuna out for being such a dick had he not roughly pressed his lips against yours, immediately shutting you up. Because you still had some self-respect left, you fought back, throwing weak punches at his chest; but when Sukuna caught your wrists in his hands, you knew it was game over. Your muffled complaints soon turned to whimpers and sighs, as you shut your eyes and let your body do the talking.

Minute after minute, you gradually turned to putty in Sukuna’s hands. Fuck, as much as you hated to admit it, you had truly missed this. The feeling of his large, coarse hands roaming your body, tracing your curves, the feeling of his soft, but unruly hair under your fingertips, but most importantly, the feeling of his lips on yours.

At this point, you couldn’t even remember why the two of you broke up.

“Sukuna,” you murmured, pulling away for a moment to breathe. “We’re not together anymore. We shouldn’t—”

“Shouldn’t?” repeated Sukuna, eager to get back to where you left off. “Are you in a relationship with someone else? Am I in a relationship with someone else? No, and no. So enlighten me, my dear, why should we stop?”

“. . .” It was like he was challenging you, except, this time, it was a battle you could afford to lose. You wanted Sukuna, you really did. But admitting it was the hard part. You chewed on your bottom lip, contemplating every outcome, as Sukuna continued to stare at you with so much desire you could practically feel it.

“Are you hesitating because,” Sukuna paused, “—because you fucked someone else while I was gone?”

You sighed, swallowing the lump in your throat; you had never been more conflicted in your life. Placing your hands on Sukuna’s shoulders, you pushed back until Sukuna was sitting on the couch, and you were sitting on top of him—seated on his lap. As if on instinct, his hands made their way from your hips to the curve of your ass.

Sukuna gripped the globes of fat and muscle with a purpose, and let out an exaggerated groan at the missed feeling of you practically sitting on his dick. You were wearing nothing but a dainty, silky robe, and you clearly didn’t cross it over your chest too well, as Sukuna could see almost everything he had been missing out on during the past few months.

“Don’t even think about lying to me. I can feel you throbbing on my thigh, y’know.”

“. . .And?” You raised a brow; whispering in Sukuna’s ear, “What about it?”

Biting your lip, you let your hands wander up and down Sukuna’s neck, the spot you knew he liked you touching. When you broke things off with Sukuna, you didn’t know you could miss being able to trace his tattoos as bad as you did.

“Oh?” asked Sukuna. But when his fingers wandered up your robe, there was a sudden change in Sukuna’s demeanor, and he sucked in a breath.

“Adorable,” you laughed. “Cat got your tongue?”

“Shit, baby,” Sukuna groaned, “I bet you were expecting me to come and visit your little dressing room, huh. Even planned ahead and gave me a little surprise. Cheeky thing.”

Just seconds earlier, Sukuna’s fingers had been teasingly ghosting where you wanted him most, but when he noticed the lack of underwear you had on, he nearly lost it. You clearly weren’t making it easy for Sukuna to stay composed, he was sure of that much. Despite all of his belittling and teasing remarks, he definitely wasn’t as unaffected as he let himself seem to be.

“We’ve just been apart for so, so long.” You looked into Sukuna’s eyes, a faux pout on your lips as you looped your arms around his neck and pressed your tits up against his chest. “Can you blame me?”

“Fuck, girl,” Sukuna kissed his teeth. “You’re dripping wet. All for me?”

“Who the fuck else?”

Sukuna’s fingers danced around your entrance, collecting your slick as you pressed your thighs together, trapping his hand between your legs (not like he was complaining, though; that was probably the closest to Heaven Sukuna would ever get in his lifetime). “Mmm, that’s what I like to hear.”

It wasn’t a surprise when you pressed your lips against Sukuna’s, bringing him in for another zealous kiss. In an effort to get impossibly closer, your body curved into his, like you were puzzle pieces molded and created just for each other. You two moved in sync, as if you had both rehearsed this before; but, in truth, you two had just made out too many times to count, so kissing Sukuna was basically like breathing air. You needed it to survive, and, it was light work. What more could you say?

The tension and lust between you two grew, and your dressing room soon filled with the sound of sensual desire, moans and quiet gasps, and the creaking of the framework of your unfortunate couch, which had the misfortune of being beneath the two of you.

From the moment you had begun straddling his lap, you had pretended not to notice the growing erection below you; but, by now, it was pretty hard to ignore the bulge pressing against your ass. It was like, during the months you two spent apart, Sukuna’s dick was growing even larger than before. You didn’t remember it being so big. And, just the sight of it was enough to make you lick your lips in fear? Anticipation? . . .Definitely a mix of both.

As Sukuna made a show of removing his belt and pants, he grinned at the evident look of unfamiliarity on your face. “Scared?”

“Of course not,” you quipped, trying to put up a front, but your body betrayed you, displaying otherwise.

“Naturally,” Sukuna mocked, “that’s why I can practically feel your arousal, right?”

You bit your lip, “Shut up.”

Sukuna laughed, pushing the ends of your robe up to rest on your hips, and sliding his hands to your ass, squeezing each cheek with an equal amount of force. Damn, thought Sukuna, he had missed his favorite girls.

“Just because we haven’t done this in a while doesn’t mean you have to be afraid of it. C’mon,” Sukuna slowly repositioned and lowered your hips and spread your legs apart, easing his dick through your cunt, “there’s nothing to be shy about. I know you’ve been missing this.”

It was true, you and Sukuna hadn’t fucked in three whole months, and your body was definitely starting to forget how he felt. The feeling of your walls stretching to accommodate Sukuna’s length and size burned pleasurably, and you bit your lip to stifle a moan, which, in turn, just came out as a whimper instead.

Bracing yourself, you planted both palms on Sukuna’s broad shoulders as your lashes fluttered and your eyes shut tight. “So—nngh—So big, Sukuna. God.”

“Bet you’re real glad you decided to accept this role, after all, huh.”

Your eyes snapped open, and you glared at Sukuna. “Will you just shut—oh!”

Just as you were about to yell at Sukuna, he decided it was the absolute perfect time to give a rough thrust; and you could’ve sworn you felt him in your womb. Throughout all the years you two had been together, you rarely had the opportunity to actually sit on his dick, and, now that you had the chance, you realized how full you felt in this position compared to how you two usually fucked. Sukuna knew you liked it rough, but this . . . was like nothing you had experienced before.

Sukuna—laughing—leaned down just enough to whisper in your ear, “You were saying?”

“Fuck,” you gritted your teeth. “Just move, Sukuna, goddamnit. What’s the holdup? Don’t tell me the late twenties are catching up to your libido.”

“Ha! in your dreams. I was just thinking of a new way we could have fun. Let’s see, just how long can you go without moving, hm?”

You gulped. “W-What? Why would you—?”

“Because it’s exciting, and spices up things. Don’t you think so?”

“. . .”

As the minutes idly passed by, you grew hot and bothered, and exasperated. You couldn’t believe Sukuna was making you do this. Nearly ninety days you two spent apart, and now that you had gotten back together, he had the audacity to leave you high and dry? In a final attempt at getting any satisfaction, you moved to roll your hips, desperate to create any amount of friction to free you from this everlasting state between Heaven and Hell; but two rough hands abruptly caught you in motion, and swiftly held you down.

“Ah, ah, ah,” tutted Sukuna, in a mocking tone. “Did I say you could move?”

Clearly frustrated, you let out a whine; but as your hands move to give punches against Sukuna’s chest, he catches your wrists in his hands with ease, an evil smile on his face, like a predator that had successfully cornered their prey and was just seconds away from latching their teeth in.

The belt was already pretty loose, so when one of the sleeves on your robe slipped down your shoulder, revealing your bare chest, no one was that surprised.

“Oh?” Sukuna began. “What have we here?” His scarlet eyes roamed up and down your figure, as his grip on your wrists turned almost deathly.

“You . . . bastard,” you—suddenly feeling a bit shy—tried to tug your wrists out of his grasps, in order to cover yourself up, but your attempts were futile. “Let go of me—hnngh, shit.”

Your back arched, body curving closer to Sukuna’s as his lips abruptly wrapped around one of your already hard nipples, catching you off guard. You had never felt so overwhelmed; the feeling of Sukuna sucking on a tit while his dick was buried inside of you—unmoving—was nearly enough to make you cum, despite the lack of movement that Sukuna allowed.

Bringing you out of your dazed state was the sudden ringing of your phone on the table beside the ashtray. Your eyes widened in surprise, as you softly pushed Sukuna off of you. “Just—Just ignore it. It’s not important.”

“Right. But where’s the fun in that, huh?”

“You don’t mean. . .”

“You know what I mean. Answer it, on speaker,” Sukuna pressed. His tone told you he wasn’t going to repeat himself.

With shaky fingers, you reached for the phone, answered the caller, and put it on speaker. “H-Hello? Katayama?”

Katayama was the name of one of your co-stars. Or, in other words, the blonde dude, which Sukuna kept mentioning earlier.

“Hey, you! It’s pretty late right now, perfect time for us to go out and get some drinks, y’know? I’m a bit bored, as of lately.”

You were about to respond with an apologetic declination to his offer, but Sukuna cut you off as he roughly lifted up your hips and abruptly slammed them back down, causing you to choke back a moan, and cover it up with a faux series of coughs. “I’m, ah, a little . . . busy,” you whimpered, wincing at the tight grip on your hips—which was sure to leave a bruise in the morning, “right now.”

“Are you sick?”

“Uhm, no—I mean, yes!” You let out another fake cough just to seal the deal. “Yup, just a little under the weather.”

You bit your lip, trying to suppress a string of moans and curses as Sukuna continued slamming your hips up and down onto his.

“Well, if you’re ever in need of an extra warm blanket, don’t be afraid to—”

“Hahh.” A breathy moan slipped past your lips, and you could practically see the surprised look that was probably on Katayama’s face right now.

“—call . . . me. Uhm, are you sure you’re sick? You sound like you’re in the middle of . . . something. Is everything okay—?”

“Yup! Yeah, everything is totally okay,” you forced out, with an enthusiastic tone. Gripping Sukuna’s shoulder with your free hand for leverage, you shut your eyes tight as you quickly ended the call. “I’m a little occupied at the moment, I’ll call you ba—I’m gonna go. Bye!”

As swiftly as you hung up the call, you threw your phone across the couch, and let out all of the noises you had been previously bottling up.

“I’m so c-close.” You mewled, now even more desperate than you were before.

“If you dare cum,” Sukuna began, his voice low, “I’ll stop.”

“Sukuna!” You whined, scratching at his back and leaving little crescent shaped marks from your nails on his tricep. “I need to—ahnn!”

Squeezing your eyes shut, you held onto Sukuna’s shoulders for dear life as he quickened his pace. Lifting your hips up with ease, and slamming them back down with equal force. Fucked out of your mind was not enough to describe your current state, as your eyes rolled back into your head, and your lipstick was smudged across your mouth.

Sukuna leaned down to whisper into your ear, never stopping his movements. “Bet the little blondie didn’t fuck you like this, huh?”

It was obvious that Sukuna wasn’t an insecure guy; I mean, he had no reason to be. He had nice muscles, a good body, overall, sharp features, tempting eyes, and tattoos for days. But, you had to admit, the spark of jealousy was definitely a good look on Sukuna, one that you wouldn’t mind seeing every once in a while, if it meant seeing him like . . . this.

“. . .S-Sukuna, we never—we never even fucked in the first place.”

“Oh, yeah? How long you been without cock, then, huh? Must be why you’ve been acting like such a bitch. I almost feel bad; all this time, my baby’s just been depraved.”

“. . .F-fuck you,” you shivered, body practically shaking with need.

“No need to state the obvious, sweetheart. Fuck, even your tears taste sweet,” Sukuna groaned, licking a stripe up your cheek. “It’s as if you were literally made for me to devour.”

“Please, please let me cum! I’m so—hnngh—close.”

“Yeah, no. C’mon, I know my girl can last just a little longer, can’t you?” Sukuna grinned, biting his lip as he admired your dazed state. He hadn’t been able to touch you in three months, ninety days, 504 hours. If anyone was going to get their fill, it was him.

—

“Oh!” Your stylist exclaimed, after walking into your dressing room and noticing you lying asleep on the couch. “You’re already here. And, Sukuna’s here, too. Wait. . . SUKUNA’S HERE, TOO!?”

[choochooboss]

Submas Sketchdump Vol. 4 July 2022 Part 2!!

I knew that particular month beat my all time record for productivity multifold but I had forgotten SO MANY PIECES from the original collection!! I think I finally got them all?? More stuff under the cut!!

BREAKMAS!! WIP of the first piece I posted of them, here's the link to the final version! I tried coloring this first but the black & white had ultimately more impact so I went with that!

TRAINS!! I like this base color version too! Link to the final version!

The top sketch is a direct reference to Cluedo! A spinoff game, "Missingo", starring certain familiar characters trying to figure out what happened to Ingo/trying to prove their innocence in the case! Also WIP sketches for these two Breakmas comic pages!

As you may know I adore butlermas! For the classy and stylish look which appeals to me in general, and coincidentally I had played PLA & got hit by submas train only one week before butler Ingo's banner rolled out! The pure bliss of finally meeting both twins in a game I felt was incomparable!! This moment in the Curious Tea Party event was really entertaining to me! We got to see submas get serious and stand up against this selfish collector thief! Two towering train twinks with commanding voices looming over the unfortunate guy was enough to make him change his mind ahah! They truly are the protectors

1-hour submas challenge prompt "Descend"! This is the actual one hour result before I continued rendering this!

Mmmmm not my first attempt at drawing them hug and definitely not my best OR last. I want to make that moment something very special when I finally go all out on it!!

Comic cover vibing~

The scrapped last page for this silly comic! Sorry the dialogue is all over the place on the first piece, might be hard to read! I wasn't happy with how I presented Elesa, I wasn't familiar enough with her character back then so I thought of her carrying a toy taser to threat her friend even as a joke was too much and I couldn't come up with anything else for it. This held me back from posting the other three pages for another 5 months! In the last panel

I prefer to not mess up the twins too much but my brain is still very curious and conjures some peculiar stuff like this sometimes.. I think I may have broken his arms there looking at the anatomy, ooops! I hope you don't mind the photo quality or the two weird guys in the corner, they escaped containment!

Idea of warden Ingo, being projected to modern era by his Alakazam, walking through crowd on a train platform & Emmet standing inside a passing train. Their eyes meet for just a few seconds...

Pokemas Ingo practise!

Another WIP of a piece I posted! I started this piece like this but then later I decided to flip the whole thing.

YET another WIP of something I already posted! No idea why I went and mixed up his suits but I like this sketch! They rarely end up looking this clean haha

Sketch version of the self-defense practise piece! I love getting creative with action stuff! I barely ever think of how difficult they are to draw, I just get so excited and fixated on visualising the scenes in my mind I just keep at it, pull out refs and pose in front of mirrors until it looks good to me! I want to draw more action scenes but besides being challenging to draw my brain comes up with more silly and cute ideas than cool ones unfortunately ahah

One more WIP, here's the link to the final results!! I really like how genuine their expressions look here even if the faces are a little off. I recall spending a long time figuring out this perspective. I thought it would be fun to you to see how all these pieces started and... looking at the sketch above and the stuff before that, you can compare some range of my style!

RANDOM SUBMAS MISSILES GO

OHHH looks like some nasty passengers got the best of them!! If I recall correctly there was no fight because they managed to paralyse the two before they could act. Fully awake yet completely helpless... how convenient unfortunate. Thank you so much for checking these out!! Not every sketch is that exciting but I'm always happy to hear your thoughts on these!

Previous posts: Sketch dump Vol. 1: April-June 2022 Sketch dump Vol. 2: July 2022 Sketch dump Vol. 3: August 2022

[aerithmybbgmypookiemywife]

Genshin SAGAU where they hide in the Fortress Of Meropide in order to live a normal life. (2)

now that you got caught, he promised to keep your secret but... also shout out to @/udretlnea for a scene idea not proof read pt1

You stood there, frozen in shock that your identity was easily found out by him. "I-I..." you stuttered, not knowing what to say, "You must have a reason to stay in the shadows..." he added, inching even closer. Wriothesley's piercing stare made you uncomfortable as you just looked down.

"I-I just want to live a normal life..." you replied. It took a moment for him to respond, "You don't belong here, your Grace. To stay in this facility for years to come, I don't think that's living a normal life." He replied. Your eyes widened as you looked up at him, "Please, no need to call me by that title." you told him.

"...You're finally looking at me." he mumbled as he stared at you. He couldn't believe it... It's you... The Creator. "You can't be here, you deserve to be out there. Exploring the world, your Grace..." he added. "No... I just... I just want to live a normal life so please just- just forget this ever happened-" you were cut off by him. "I'll take care of everything if that's what you wish, Your Grace... With your criminal record, I don't think people would bat an eye around you." he reassured you. You were quiet for a moment, thinking of a response...

"Your Grace?" the two of you turned around to see one of the Guards, "Um..." the guard looked at Wriothesley. You cleared your throat and looked away. Wriothesley let out a small laugh while the guard just looked confused but brushed it off. Before he walked up to the guard, he leaned in close to you, "Come to my office at 9." he whispered in your ear and soon left.

Creator! Reader whose sentence was cut short because of... well... his doing. Before you left the Fortress of Meropide, he gave you a bag of mora and a small hut on the mountains where Fontainians don't really go to. He reassured you that you would be given an allowance every week to which you were thankful of.

You just wished he was the last person to know of your identity...

Creator! Reader who does live a peaceful life outside the city of Fontaine, you do go there from time to time for groceries but you do it quick in order to not attract anyones attention. Basically living as a shadow.

You decided to go to the city today because of a merchant from Liyue is selling rice and other goods that you missed in your original life. You bought the things you needed as quick as possible, while walking to the exit, you notice three familiar people...

Oh shit! Lyney, Lynette, and Freminet!

You froze for a moment, you turned around but Freminet had already noticed you. You were about to run but- oh shoot a child infront of you!

You abruptly stop, resulting in you dropping to the ground. You could hear loud footsteps running up to you. "Umm... are you alright...?" you heard a quiet voice call out for you who turned out to be Freminet who held out his hand. Lyney and Lynette were picking up your groceries. You stared at him for a moment before grabbing his hand. He helped you stand up as you hissed in pain.

You looked at your hands to see the palm of your hands were grazed, and you notice the bits of... Golden blood showing... You could feel your heart drop to the floor. "Here are your groceries! You should be careful next time." Lyney spoke out as he handed you your groceries to which you were quick to snatch from him.

He didn't even get to say a word before you bowed and came off running. Lyney watched as you run away, "Huh... must be in a hurry." he mumbled. "They kind of look suspicious..." Lynette whispered to which Lyney just brushed off. While Lyney and Lynette were talking, Freminet stood there, frozen as he stared at his hand that held yours.

Bits of... Golden liquid were on his palm... Did this mean-

"Freminet! Come on, Lynette is bugging us to go already, there's a bake sale going on." Lyney called out his name, to which he flinched. "Oh... Um... I'll be right there!" he replied.

He glanced at the palm of his hand again, 'If they are the Creator... then... why are they hiding...?' he thought.

ill write a part 3 soon, ill wrap this whole story in part 3 :))

Tags: @uchihaeirin (did I do it right like the tagging?? ajdhlkej im new sorry lmaoo)

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[felassan]

David Gaider on Kieran, under a cut for length:

"CHARACTERS - DAY TWO: Kieran (Technically this is an addendum to yesterday, but I make the rules here so nyah!) Heading into DAI, I had a bite-sized problem on my hands. I knew Morrigan would feature. I also knew we were importing previous choices. So now I had to contend with: the Old God Baby. Here's the thing about honouring previous game choices, from a design perspective: it's a sucker's game. What many fans picture, when you mention it, is divergent *plot* -- the story changes path based on those major choices. How exciting! But you will never be able to deliver divergent plot. You can deliver flavour differences (usually in the form of divergent dialogue), character swaps (character X appears instead of Y), and extra content (such as a side quest) -- but plot branching, particularly the critical path? It's a question of resources, and there's never enough to go around. "Here Lies the Abyss" in DAI was about as good as it gets, and even that was a far cry from how I originally pictured it (hello last-minute insert of Stroud when a DAO Warden import got cut). The Old God Baby was one of the main choices from DAO -- Morrigan has a baby? With the Archdemon's soul?! Most DAO players who flagged that choice surely expected *monumental* consequences. World-shaking consequences! And we talked about it. We did. There were, like, three different designs of the DAI ending where OGB Kieran could cause complete divergence: new path, cutscenes, the whole nine yards. But it wasn't going to happen. It was a decision from *two games ago* that only a small minority (hello telemetry) would even choose. To the rest, they probably neither knew about it nor cared... so how many resources could you invest? To do what? Set up an even bigger divergence for the NEXT game? The other writers acknowledged my anxiety with a grim nod every time it came up, but they had no solutions. Finally, I realized there WAS a solution, and that was changing how I thought about the choice: don't make it about Kieran. The players don't know him, never have. Make it about Morrigan. Thus began a feverish three days where I wrote probably the most complicated scene of my career: Morrigan's reckoning with Flemeth in DAI and the fallout after. Three different versions (OGB Kieran, non-OGB Kieran, and no Kieran), each with branching for other choices (like the Well of Sorrows). I did it all at once. There was no other way to wrap my head around the complexity of it. It was also a tough sell to the team, considering the amount of cinematics work, but they agreed we had to do *something*. And still it felt... underwhelming, insofar as divergence goes. But it was also good. I remember when I first spoke with Claudia, about how this was Morrigan's story. This was about how motherhood had changed her, how she'd grown up. Claudia got a bit teary-eyed. It was a journey she was familiar with, she said. Her first son, Odin, had been born in 2005 not long after DAO came out. And, man, she killed with that performance! Kate, too, but I'll get to her later. Claudia dug down, and that scene where Morrigan tells Flemeth she'll never be the mother Flemeth was to her? That came from someplace very raw. It was devastating to witness in the booth. There were tears all around. Not long after, Claudia called and asked if maybe - just maybe - Odin could play Kieran? He was a bit young (not yet 5, then), but it felt... right? We agreed. Claudia was in the booth, gently coaching him through his lines, and I think that was the first moment I felt I'd done the right thing."

[source thread]

User: "Do you find it an odd choice that Kieran hasn’t been mentioned at all in Veilguard?" David Gaider: "If there’s less reactivity in DATV, I’m unsurprised. Continuing choice from up to 3 games earlier is… unsupportable. Yet DA established the expectation they would so… damned if you do, damned if you don’t?" [source]

User: "EA is one of the biggest game companies ever. I don't think more complex diverging plots are impossible." David Gaider: "Well, if only more writing was all it took. Sadly, it's also cinematics. Art time for all those reappearing characters you probably want to look *just* right. And let's not forget we have to test all those permutations! So I don't disagree with you in spirit, but I don't think it's the answer here." [source]

User: "is there a possibility of future kieran appearances in a book or something similar outside of the games?" David Gaider: "I'd have no way of knowing that." [source]

User: "I’m actually shocked so little people chose the dark ritual. That was basically the main reason Flemeth sent Morrigan with the wardens, no?" David Gaider: "The impression you get of what "most" players do - in almost any game, not just DA - is very different if you're online a lot. Consider here that it's not just the % of DAO players who chose the Dark Ritual, it's the % of DAI players WHO PLAYED DAO and cared to import that choice 5 years later." [source]

User: "Is there anything you wish you had done differently, in hindsight?" David Gaider: "Probably just to not ever do importing choices between games in the first place." [source]

User: "Kieran only existed in my DAI state b/c Morrigan as a mother really appealed to me. I wasn't expecting to be devastated by those scenes 😭 I guess when we complain about lack of consequences from prev choices in DAV we must also ask how MUCH are we willing to pay for those branches to exist?" David Gaider: "That's indeed it. Content directed towards reactivity would have to come from somewhere else. So essentially a shorter game overall for the sake of those hardcore fans who'd import - who would, I imagine, REALLY enjoy that... but it's a tough cost/benefit analysis to make." [source]

User: "mr gaider im gonna keep it real with you if i had to choose between my hof and hawke i would've simply passed away" David Gaider: "Right? That was the ENTIRE idea! I was very excited, and for a while it seemed possible." [source]

User: "This has been a very interesting read but I have to ask why they decided to use Stroud instead of the HoF" David Gaider: "1) Complexity of providing means for a player to build a Warden (which they did in DATV for the Inquisitor). Also spoiled the surprise. 2) We’d have needed to give the Warden a voice. Add these to the cost and it was deemed not worth it." [source]

User: "Genuine question, not a critique - but what made the OGB decision one that couldn't be handwaved as canon no matter what was or wasn't chosen? Leliana and Flemeth being around no matter what come to mind. Was OGB simultaneously too major and too minor of a decision?" David Gaider: "Flemeth and Leliana being alive were easily explainable, and we knew we were doing it even back then. Circumventing the Dark Ritual… that would be too cheap. We did talk about it, but it just felt too dishonest. Too high a price for what we’d get in return." [source]

David Gaider: "If I’d known the Well of Sorrows would only see reactivity in the confrontation with Flemeth, I’d probably have made a much bigger deal of it." [source]

David Gaider: "We could maybe have gotten past the need to "reconstruct" the Warden, much like the Inquisitor was reconstructed in DATV (so I understand), but the need to give the Warden a voice was the final nail. Too potentially disappointing for the very people who'd be excited about it, aside from the cost." [source]