#it was one of the only seasons that I didn't have spoilers

[yolli-es]

Please, I'm really sorry

Tags: NO spoilers for season 2, sadness, rude treatment, mentions of death

I doubt this is in character, so treat it as a silly sketch. Writing text is harder than headcanons..

MY ENGLISH IS BAD AND THERE MAY BE MEANING ERRORS

You adore Jinx; you love and tolerate her. Your acquaintance was unexpected, and your subsequent friendship was spontaneous. You were choking with tears after losing your mother when she found you. This girl saved you so easily, as if it were so easy. Jinx never told you about the past, but when the voices in her head became too loud, you didn't need an explanation. You saw how bad she becomes and what consequences it can bring. Afterwards, you promise yourself to always be there so that you can prevent the irreparable. This was not always successful.

After Silko died, things got really bad. Jinx tried to continue his work, to be strong and collected. But this is Jinx. Your Jinx. And she never was and never will be like this. Maybe that's why she's been so rude to you, taking it out on you because she's under so much stress. Sooner or later it will all end, and she will be able to look at you again without irritation.

You forgive Jinx for everything: the harsh words, the insults, the hits. Because she always apologizes after. And you don't care that it's not sincere at all. You love her; she is the only thing you have.

The day started out quite normally. You and Jinx were sitting in Silko's office, which is still called that way to this day, on the initiative of Jinx herself. It was all quite nice: she decided to share with you many thoughts about the future, which happened quite rarely. But then Sevika came in. And with her came terrible news. Shimmer production had been disrupted again. The enforcers blew up the plant, dealing with the guards there without any particular problems. And she just walked out after saying that. Just one look from Jinx made it clear how bad she was feeling right now,

"It's not your fault, and..." — you're interrupted by a rude "shut up." Jinx, who had been sitting on the table quite relaxed, now clutched her head, her eyes closed, and her breathing quickened. Just a few moments ago she was vulnerable, and now she's rude to you again. "You don't understand me at all," Jinx said in a breaking voice, hiding her face in her knees. It was painful to hear. We have been through a lot together. But she's worse off, and you step over yourself again: "I love you, Jinx. What do you want me to do?". You tell her this so often, so sincerely and naively. Her reaction to your words is always different; you can never guess, and now she again hits you: "I want you to stop being so useless and just help me." Jinx whispered, still struggling with her emotions. She hadn't let herself get angry, panicked, or sad that easily since Silko died. No tears. She kept herself under control. And is that what she thought all along? It's your fault; you're just doing a shitty job. Obviously, sitting here with her is not what she wanted. It looks so painful for you. The girl you love is suffering so much; why don't you just make it easier? That day you stayed, having endured many insults and a couple of blows.

Usually you stayed by Jinx's side, always supporting her and helping her with many tasks. For example, maintaining her authority in the city, keeping an eye out for possible rats nearby, and always saving your love from nervous breakdowns. But now you're by Sevika's side, at a shimmer production plant. You didn't tell Jinx anything; you didn't even think she would ask and worry. You need to act more decisively, as she wanted it. The task was simple: wait until the enforcers come here and destroy them. You were never a good fighter, just a decent shot. Your skills were enough to protect yourself on the streets of Zaun, but they were nothing against well-trained law enforcement officers. That's why you stayed on the sidelines, watching from above and covering Sevika.

You realized how much you screwed up with this shit when you found yourself in the middle of a shootout. Things didn't go according to plan when Sevika was shot, and now you had to save her. Letting the woman lean on you, you ran upstairs. The sounds of gunshots, explosions, and screams confirmed your fears: this plant is finished. Neither the shimmer nor the people were saved. Adrenaline was pumping through you, and you didn't notice anything except the cherished goal.

You reached a safe place and fell. The rest was like a dream. Sevika sat next to you, trying to close the open wound. She tied it with a rag, shouting something about the presence of shimmer nearby. The wound seems to be on your legs, chest, and head. It was painful and cold. Severe weakness. How the hell did enforcers get you? You couldn't think, let alone remember. This woman was shaking you, trying to make you think, but you had already given up. You had lost, and you had screwed up so badly, Jinx would never forgive you. Sevika shouted something, and you didn't really listen; you just couldn't. And then your gaze focused on a blue spot... Jinx? You wanted to look at her one last time. She may be disappointed in you, angry, or simply empty towards you, but all this will not matter as long as she is here. Your eyes closed for just a moment.

" ...orr..."—You can't see, only distantly hear. Such a nice sound; you've heard it before. The noise makes you open your eyes again. A flash of light disorientated you. Straining your eyes, you managed to make out a silhouette in front of you. It was Jinx, and... she was crying. She was in complete disarray, desperately holding your face. She bit her lips every time she wanted to swallow the lump in her throat and continue talking. She was talking to you. What was she saying? Your damn body is so weak. "Hold on, just breathe. Please, I'm really sorry. I love you, I love you, I love you...",-She repeated it over and over while you felt the shimmer being injected into your body. You wanted to calm her down, to say "I love you" back. And all you did was watch silently. Your eyelids were so heavy, and your body suddenly seemed too weightless. You were being yelled at, shaken, and pricked with a shimmer stabbed over and over. And you were too weak to respond to it, closing your eyes one last time.

Jinx sincerely apologizes this time. It's a pity that your mind was too weak to realize this.

it was short, unclear and stupid 🥴 Wrote this in a hurry while I'm taking a break from studying and writing other things.

[lady-phasma]

I felt compelled to cite my sources for Armand and Lestat being an item off and on over the years. I’ve been in this fandom too long to get involved in ship wars or to really have an OTP for these crazy-ass vampires. I happen to love Armand and Lestat from the books and think that Assad and Sam make it work so well on screen. I hope we get loads more of them for season 3.

Anne wrote all of her characters as deeply flawed, we can all agree on that, but the nearly fanfiction level of “let’s see what happens when two of my most flawed characters get together” writing she did in TVA is brilliant. Book spoilers below.

Here's a link to a post I made about Lestat's perspective of Armand from TVL. (I have included one quote from TVL below because it's too precious to exclude.)

Lestat spends almost a full page describing how he sees Armand at a ball at the Palais Royal:

Yet never had Nicolas, mortal or immortal, been so alluring. Never had Gabrielle held me so in thrall. Dear God, this is love. This is desire. And all my past amours have been but the shadow of this. - The Vampire Lestat, p. 275

They literally feel the same about each other: instant attraction, love, desire, and so on. And it is powerful.

So powerful that hundreds of years later (in one of my favorite passages from any of her books) Armand is the only person allowed to approach an unconscious Lestat. Not only approach him, but allowed to lay down next to him and cuddle, caress, and console Lestat, to cry onto him.

I looked down on Lestat, who was unchanged, his hair fallen as before, a little over his left eye. His right arm was out, and his fingers curling upwards, and there came from him not the slightest movement, not even a breath from his lungs or a sigh from his pores. I knelt down beside him again. I reached out, and without flinching or hesitating, I brushed his hair back from his face. I could feel the shock in the room. I heard the sighs, the gasps from the others. But Lestat himself didn't stir. Slowly, I brushed his hair more tenderly, and I saw to my own mute shock one of my tears fall right onto his face. It was red yet watery and transparent and it appeared to vanish as it moved down the curve of his cheekbone and into the natural hollow below. I slipped down closer, turning on my side, facing him, my hand still on his hair. I stretched my legs out behind me, and alongside of him, and I lay there, letting my face rest right on his outstretched arm. Again there came the shocked gasps and sighs, and I tried to keep my heart absolutely pure of pride and pure of anything but love. It was not differentiated or defined, this love, but only love, the love I could feel perhaps for one I killed or one I succored, or one whom I passed in the street, or for one whom I knew and valued as much as him. - The Vampire Armand, pp. 368-369 (emphasis is mine)

But the contrasting absolute annoyance Armand has for Lestat is hilarious! He loves him but can barely stand him sometimes (that isn't unusual for Lestat's admirers).

Lestat, not a bad friend to have, and one for whom I would lay down my immortal life, one for whose love and companionship I have ofttimes begged, one whom I find maddening and fascinating and intolerably annoying, one without whom I cannot exist. The Vampire Armand, p. 276

But it's the way he describes things that happen to him that maddens me, the way that he connects one incident to another as though all these random and grisly occurrences were in fact links in some significant chain. They are not. They are capers. And he knows it. But he must make a gutter theatrical out of stubbing his toe. The James Bond of the Vampires, the Sam Spade of his own pages. - The Vampire Armand, p. 288 (emphasis mine)

Though Armand's head on Lestat's arm might be the most beautiful image of the two of them from any of the books, this line gives me chills every time:

"Lestat, my Lestat - for he was never theirs, was he? - my Lestat was crazed and railing as the result of his awful saga […]" - The Vampire Armand, p. 320 (emphasis mine)

Yes, your Lestat.

[lizajane2]

I was scrolling through TikTok and watched a short edit of a fictional couple saying goodbye. He's begging her to stay—let me repeat that— HE'S the one begging her to stay!

Which led me to watching the first season of Midnight at the Pera Palace. Why had I never heard of it before? I adore that it's set during the 20s; I've always loved that era. But anyway, I've got to vent about the main couple, so this is gonna contain spoilers for those who haven't watched it.

The way Halit looked at Esra from across the room in the first episode, I was gone. I was a complete goner. That look was perfection. It wasn't just awe, it was "I know you. I've known you forever, and I want you, only you." SOMEONE LOOK AT ME LIKE THAT!!

He is madly, passionately, and obsessively in love with her. And it drives me nuts. These two have altered my brain chemistry.

And I know he just killed another man, but the way Halit is holding her, his grip on her hand is even tight like he's desperate to keep her there.

The absolute yearning that is coming from him is so gut-wrenching in the best way possible.

And he said this, when he first met Esra in 1917:

Halit had me kicking my feet, giggling, and squealing like a little girl. Had me falling in love, too, damn. "You were made for me, weren't you?" WHAT?! That is insane behavior, good sir, and yet I melted like butter. And excuse me, but you don't need to look at her like that.

Prime example number 2:

They look at each other like they've been in love for years. And he doesn't even know her name! She never even told him. THEY MAKE ME SICK!!

But this, THIS RIGHT HERE:

For fuck's sake, kill me now!! How he grabs Esra to pull her close, leaving no space between them, is absolutely divine!! And then it gets so much better with his speech:

"I've been waiting for so long to see you again. I can't wait any more. Whoever you are, I don't care. Because the thing is we... we are meant to be with each other. You know it, too. I can see it in your eyes. I need you. And I'll do whatever I can to have you. And I can see that you need me, too. Destiny has brought us together."

I NEED THAT INJECTED INTO MY VEINS, TATTOOED ON MY SKIN!!

The soft caress of her cheek, how he tilts her chin up when he says "I need you. And I'll do whatever I can to have you." See, no, that's not... he's driving me absolutely wild!!

Halit: "But I'm in love with you."

Esra: "But I'm not in love with you."

She's stronger than me, cause girl why the fuck are you lying?!

And it's also insane behavior that Halit followed Esra through time when all he had to hang on to were fleeting moments. He even had a child on the way, but that didn't stop him. Nothing felt right without her. LUCKY FUCKING HER!!

His hand placement here:

IT MAKES ME WEAK IN THE FUCKING KNEES!!

"Don't leave me, then." "No. No. If you leave, my life will not be worth living, my love."

Who chooses to go back to their own time over him?!

Me:

[makshu]

I got a spoiler for the season I'm watching and I'm really sad-

[aerithisms]

i think my problem with this dw season arc accusing the audience of fanbrain for theorising about ruby is that it both feels deceitful and isn't actually that compelling from a character perspective. the season goes out of its way to build up supernatural mystery around ruby and even invokes susan more heavily than ever before in a way that is deliberately trying to get the audience to make those connections. and then it turns around and says you stupid idiot why would you ever try to connect these dots i have deliberately tried to get you to connect.

building up a mystery only for the character to be ordinary is an impossible girl arc redux only this time accusing the viewer of failing to see the humanity of the companion, whereas the impossible girl arc was turning that accusation on the doctor. 7b didn't really blame the audience for viewing clara as a puzzle and in fact several times spells out the fact that clara is perfectly ordinary before the big reveal to give the audience a chance to catch on. as 7b goes on, instead of laying the mystery on thicker, the audience just gets more and more affirmations that clara is a normal human being (rings of akhaten, journey to the centre of the tardis, hide). i found this approach compelling because it was rooted in character, focusing on the doctor's disconnection from humanity/the gendered dynamic of a man treating a woman as his manic pixie mystery to pull him out of grief. s14's meta approach of accusing the viewer feels both unfair, given it has deliberately led the viewer towards theorising, and personally less compelling to me because it wasn't tied into character in any way.

the thing about rey's parentage in tlj is that the reason rian johnson chose to go for that reveal was that it was the only answer that was interesting. none of the theories - rey is a skywalker, rey is a kenobi, and even the eventually canonical rey is a palpatine - were interesting or satisfying because they brought nothing compelling to the table for the story being told. the only satisfaction to be gained from those answers was a fanbrained "omg rey is important because she's related to that guy from the other movie." on top of that, rey desperately wants her parents to have been important, to give her life and her abandonment some kind of significance. so them being ordinary provided the most compelling trajectory for her character because it was the thing she least wanted to hear. it forced her to do the most introspection and growth, as well as tying into the film's themes about the capacity of ordinary people to be special. it wasn't just a choice made to "gotcha" the viewer, it was rooted in character.

i don't think ruby's mother being ordinary accomplishes the same thing. by invoking susan, s14 is engaging with the most egregious example of the doctor's streak of abandonment, which has potential to be very compelling in relation to ruby (and now also the doctor's) own abandonment issues. theories that ruby might be susan, or be somehow related to susan, or somehow related to the doctor, weren't just fanbrained "omg she's related to that guy i know from the classic series." they were theories genuinely rooted in character and the potential to explore both the doctor and ruby's issues with abandonment. and this is something the show willingly led fans towards by invoking susan so much in the first place. so for the show to turn around and act like they were shallow out of nowhere ideas when they were not shallow and were based on potential character conflicts the show itself deliberately invoked, feels misguided.

as well as that, ruby's mother being ordinary does not require that same growth from ruby as it did for rey because it is exactly what ruby wanted to hear. she never wanted her mother to be important, she just wanted to know who her mother was and have a connection with her. so finding out she was a normal woman who still loves her and wants to be a part of her life is everything she's ever wanted. it doesn't introduce interesting conflict for her the way rey's parents being ordinary did for her, because they were written as different characters with different hangups over their abandonment.

tl;dr i don't necessarily dislike ruby's mother being ordinary as an idea but compared to the things it was inspired by - 7b and star wars - it is not nearly as compelling in terms of how it relates to the characters or themes. and the meta angle, while conceptually interesting, doesn't quite work for me because it feels a little manipulative of the audience.

[ispridestillasin]

So I decided to watch a bit of Bridgerton with my mother, which I'm not really interested in (I don't really like period pieces unless it's a fanfic for a ship I like) but it's a show she enjoys so I sometimes catch her watching it and join her, and literally the only takeaway from the stuff I've seen with her is that Colin, Lord Debling, and Penelope should have all been poly

[ayrennaranaaldmeri]

working on a gifset and can i just say phia saban the ACTRESS THAT YOU ARE:

the sharp fucking turn when he's like wubuwbwu its a lieeee, the withering looks she gave him. it was excellent.

[sage-nebula]

Martha didn't get a Tennant Doctor because she didn't want a Tennant Doctor. Martha was the only one of RTD's companions who left the Doctor of her own volition, and only ever called him back on her own terms, when she had need of him.

Rose didn't leave the Doctor willingly. Rose was trapped in an alternate universe because it was either that or be stuck in a void with Daleks and Cybermen for the rest of time. And when she returned (primarily to warn the Doctor about the oncoming darkness caused by Davros but also because she wanted to be with him), she left with the Metacrisis Tenth Doctor and their own TARDIS because that was the only way to give her a satisfying ending from the viewpoint of the audience. (And even then, there are some fans who will tell you that nothing short of her being with the Time Lord Doctor in the prime reality is satisfying, but that just couldn't happen for reasons outside the narrative story.)

Donna didn't leave the Doctor willingly. Donna absorbed all of the intelligence of a Time Lord into her human brain, and this was going to kill her. She had to have her memory erased and be kept away from anything alien for presumably forever or else the knowledge would return and literally kill her. Donna begged the Doctor not to wipe her memory anyway, because she would rather have died than give up that life. Just like Rose, Donna had planned on staying with the Doctor for the rest of her life.

This was not the case for Martha. Setting aside the fact that Martha was treated like garbage for the duration of her season from a writing standpoint, by the end of season three Martha has realized two things: 1.) that she is goddamn brilliant and never deserved to feel like she was second best, and 2.) that she doesn't want the Doctor anymore. Unlike Rose, Donna, and Captain Jack, Martha leaves the TARDIS of her own free will, to pursue her own life and career outside the Doctor. Even Sarah-Jane says in "School Reunion" that she waited for the Doctor to come back for her; she didn't want to leave, not permanently! But Martha did. She chose to step away. The only other companion to have done this during RTD's run is Mickey, so I guess Martha wasn't the only one; still, she's the only one of the primary companions, the three women, to want to leave. She made that choice herself.

Now, does that mean everything about Martha's ending was perfect? No. As much as the "Smith and Jones" wordplay of her ending with Mickey is amusing (get it, like her first episode), it makes no sense when you consider that she was engaged when she returned in season four, and yet we never hear of that fiance again. I mean, I guess it's fine since it's not like we ever saw him? But what happened there? Why was no thought given to Martha's story there? What was she doing with Mickey in an active war zone? Why no mention of her in these three specials even though, last we heard of her, she was working with UNIT in a really important position? I like Mel well enough, but why couldn't Martha have been there instead? Especially since Martha and Donna had a preexisting friendship, and would have been delighted to see each other again?

With that said though, she doesn't need a Tennant Doctor. She didn't want a Tennant Doctor. Frankly, Tennant's Doctor doesn't deserve her with the way he acted ("Rose would know" right to her face, like -- dude, I get it, you're grieving, but that's fucking rude and Rose would NOT approve you using her memory to make another woman feel bad about herself). Martha's character arc was about recognizing her own brilliance and her own worth; standing on her own two feet as a PROPER doctor, Doctor Martha Jones, walking the earth and saving the world without a TARDIS or Torchwood or a Time Lord brain. Just her own fucking determination and brilliance.

Rose and Donna got Tennant Doctors because that was the way to make their final send-offs satisfying. Rose and a Tennant Doctor got to be in love and happy together in a parallel world, which is fitting considering that they were in love and never wanted to leave each other. Donna and a Tennant Doctor get to be besties and happy together in this reality, so that RTD has a convenient excuse to pull Tennant back into a story if he ever wants to again (since it'd be hard to explain why Tentoo came over, versus having Fourteen right there) . . . but also because, like Rose, Donna never wanted to leave the Doctor, she wanted to be with him forever.

But Martha didn't want that. Martha left on her own accord. She left with a smile on her face and her cell phone on the TARDIS console, so that when she said "here boy!" the Doctor would listen. She left on her terms, with him at her call, only there when she has use for him.

And honestly? Good for her.

[sassyfever]

Now that the new mini arc is finally starting Imma make a couple predictions. Angelina is now a bizarre doll and ✨coincidentally✨at the hotel. Grelle is also there. For drama's sake you know how it goes.

[r-u-s-a-l-k-a]

gay/bi mike wheeler discourse is so hilarious from my pov. I'm here sitting on my bench watching you all going at each other's troaths virtually, eating popcorn and knowing that Mike is straight, that the Duffer Brothers are lazy and they wrote Will to be in love with Mike because they wanted to take the safer route : sad gay kid pining over his straight best friend. They didn't add a new character for Will in season four because it wasn't suitable for Will and Mike storyline. If Argyle wouldn't have existed and in his place there would have been the new Will's love interest, what the fuck would Mike have done for eight episodes ? Will's storyline would have been different, he couldn't be Mike's counselor. Will and Mike's storylines in season four are attached not because there is this big plot twist around the corner and by*ler will be endgame, it's because of cheap, lazy writing. They didn't know what to do with both of them. So it's really funny reading this whole online discourse "Mike is clearly gay" "Mike is perfect bi representation" when i am here with a bitter taste in my mouth thinking that in good hands, in hands that really cared about queer identity and queer representation Will Byers would have been treated differently.

[killjoy-prince]

Happy Sonic Prime Season 2 Day!!

[gnomeantics]

absolute worst thing is watching a show with loads and loads of seasons and you're having thoughts about it but you can't go into the tag for fear of being hit by 1000x Spoiler Beam

[reachermori]

I continue to break my tumblr hiatus for this show because I'm so annoyed with this stupidity and feel the need to put my thoughts into words.

Apologies for the rant. It's a little all over the place, but I tried to put it in a coherent order. It mostly focuses on hating James and on how I think Ted and Jamie's relationship and arcs were wasted, especially in relation to one another.

If the ending scene is indeed Ted's dream, I think it's even worse in regards to Jamie and Beard. Essentially Ted's "happy" versions of them have them close to their abusers, who have done nothing to deserve it.

The idea that Ted's happy ending for Jamie is him reconnecting with his father, who seems proud of him, is pure projection. That's what Ted wants for himself, but he's also inserting his own good relationship with his father. (Which, if we were getting more episodes I might be okay with as it would be interesting to explore.)

The first two seasons really built up Jamie and Ted to have a good relationship, or at least be important to one another, and I still think they could have had a really powerful impact on one another.

While Jamie has grown a lot and that had a lot to do with Ted's influence, I think he could have had that talk with Ted instead of Roy about how having a positive male influence is important to his continued growth. Ted however, could have learned through Jamie and his struggles with his father's toxicity that it's okay to let go.

I have always been happy with the idea of the show ending with Ted returning to Kansas, because I thought it was important for Ted to learn that it's okay to leave and move on. Ted's biggest internal conflict is his inability to quit things, and I really wanted him to accept that quitting isn't inherently bad. Maybe even have an arc with Henry in a toxic situation that he's sticking with because he knows his dad never quits anything to reinforce to Ted how problematic that mindset is, and decide that it's okay to quit Richmond to be with Henry where he clearly wants to be. (Also I disagree with the idea that Ted has nothing in Kansas besides Henry. I doubt Ted Lasso of all people has no one. He built a community in Richmond in only three years. He'd been in Kansas the entirety of his life up until then, there's no way he has no one. Also, even if he didn't, his relationship with his son is more important and I don't fault him for prioritizing that)

This is where I think Jamie could have helped Ted's arc. They could have had parallel journeys in deciding their father's actions do not have to define them, and I think Jamie could have reached this point first and be the one to impart wisdom on Ted for once. You could even keep the "forgiveness" talk Ted gave to Jamie, and then have Jamie come back after the game and say something that conveys "fuck forgiveness, he doesn't deserve that. But I do need to let go of the pain or I'll just hold myself back from growing. Because I'm done letting him have any influence on who I am."

Instead of getting anything with any nuance or something different than every other abuse plot in any show ever, we just had the ghost of Ted all season. He was barely in this season! Especially with relation to the players. We only had one scene of Ted and Jamie talking as people (instead of talking about football strategies or Zava when the coaches just assumed Jamie was jealous instead of concerned about the team dynamics) and connecting, and it was for Ted to tell Jamie about the importance of forgiveness.

Sorry but abuse isn't something you should just forgive, especially since James isn't making amends. He's getting sober, and we don't know if it was his choice, it could have been court mandated for all we know. Also I said this in my previous post, but addiction doesn't just make you abusive, and it especially doesn't make you facilitate your child being sexually assaulted. So I don't see any world where just getting clean makes James worthy of forgiveness. More importantly is that Ted and Jamie don't know that James is even in rehab when they have this conversation!

It's bad enough that we had to deal with the cliche "forgive him for you" perspective, but now we know it either leads to reconciliation, or at least Ted hopes/thinks it should. I'm not sure which is worse, but Ted thinking they should reconcile when he lacks a lot of knowledge about the depth of abuse Jamie endured is just insane.

I really wonder if Ted knowing about Amsterdam would have changed how he handled everything, since that is - in my opinion - the worst thing we know James has done to Jamie canonically. (Or if he knew about him trying to murder Beard...) Though knowing this show and how this season was written, if there was any discussion about this they would mess it up even more. Like I can just imagine a tangent about how many sex workers are disadvantaged, and how they may not have had a choice either, and diminishing Jamie's trauma AGAIN!

However it shouldn't matter what he knows, it's not like Ted is ignorant to the abuse, he's witnessed it twice. The first time he just walked away, something else I wish the show addressed at any point. Ted only saw what James was willing to do in public, and doesn't seem to have ever considered it being worse in private or when Jamie was younger. Bringing up the first Man City match would have been a good way for Jamie and Ted to fully open up to one another and relate to each other regarding their trauma and how they've let it hold them back.

For a show that emphasizes the relationship between father and sons, they really decided to abandon all the father figure relationships they had, especially Ted with Jamie & Nate.

I actually think it works with Nate, since it's clear Nate and his father's biggest problem was that they just could never be on the same wavelength, and while they can't fix the past, they can now create the bond they always should have had. His father actually acknowledged his wrong doings and apologized, and that level of accountability is missing from James' "redemption". Also Nate's father had a good relationship with his wife and daughter, so it makes it more obvious that his and Nate's issues are due to a disconnect and not out of malice. James never had a single good character trait until they decided to redeem him out of nowhere in the last two episodes. If we at least had Jamie say something like "my dad was great before drinking" it would have at least made the rehab stuff seem a little more like redemption. But we only have Jamie and his mother talking about how James has always been like this, and will never change.

Just changing a few things to make Ted and Jamie's relationship pay off in this season for both of them, would have done a world of good.

Anyways this has been a little all over so I'll leave it here, but suffice to say, I disliked the finale...

[ssaalexblake]

Actually no I'm not done. Raffi's family being told the truth wanting to see her because of it is openly confusing because it implies that the things discovered in S1, those things that Raffi was called crazy for believing, the things she was Correct about, apparently? Are not common knowledge?

Because that scene with her ex rubbed me The Wrong Way for so many reasons but also for the fact that his arguments against her were seemingly factually wrong. He's annoyed by her 'conspiracy theories' that... Were proven publicly to be actually true?

And it Had to have been public because otherwise synths wouldn't have been re-legalised?

But they found out she had some medals for it all and now they're all reconciling? This doesn't work.

[aerithisms]

i think the most damning thing i can say about this season is i don't really care that much about ruby leaving. partially this is because i know she will be back, granted, but this is still the end of her tenure as the main companion and i feel none of the gravitas that carries when the companion has been a truly successful character and significant part of the show

[dreamboundedstar]

( I Get Psy-chic Out of You. Season 4, Episode 16)

Louise: On a happier note, which name do you like more: Sea Bagel, Pride of Detroit, Mudbutt or Gelding the Lily? Linda: (groaning) Lily. Go with the Lily one. What is this for? Louise: Oh. We're renaming Tina. Linda: Oh! I'm glad I didn't choose Mudbutt. (Show Mama from the Grave. Season 13, Episode 9) We just found out Bob's mom's name was Lily! Mr. Bouchard you sly dog!