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#it was hard to write this in dialogue
goldenamaranthe-blog · 9 months
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You May Now Catch the Bride
Soft music fills the crisp, autumn air outside of the Xiao Long - Rose (now added Branwen) residence in Patch. The trees are bursting with color as two families sit on opposite sides of an outdoor aisle of golden leaves leading to a Menagerian style altar. On the left, Taiyang, Qrow, Raven, and Team ORNJ are sitting misty eyed. On the right, Kali, Ghira, Ilia, and Team SSSN are whooping and hollering (except Kali and Ghira, who are crying messes)
Blake and Yang stand at the altar with a small archway of vines intertwined over them. Blake is wearing a traditional Menagerian wedding dress. Weiss stands behind her in a blue and white bridesmaid dress and fanning her face to keep the tears at bay. Yang is wearing black slacks, yellow dress shirt, and black vest. Ruby is standing behind her in a black and red combat skirt, tights, heeled boots, red blouse, and black vest.
Velvet is taking photos of the wedding at the perfect vantage points with a little help from one of Whitley's drones. Behind the alter, Ozpin (freed from his curse and allowed to have his own body back with one final life) stands with a book in hand.
Ozpin: Blake Belladonna, in the tapestry of your lives, do you promise to be Yang’s constant thread, weaving a story of love, resilience, and unwavering companionship. Today, tomorrow, and always?
Blake: (holding Yang’s hands and looking into misting lilac as she places a ring on Yang’s finger) I promise.
Ozpin: Yang Xiao Long, do you promise to be Blake’s steadfast support, her partner in both stillness and motion, and take each step forward towards a future filled with love, laughter, and endless warmth?
Yang: (clears her throat so it doesn't crack as she holds Blake’s hands, her prosthetic thumb rubbing over the ring on Blake’s finger) I promise.
Ozpin: Then I now pronounce you wife and wife. (Claps the book closed and stares pointedly at Yang) You may now catch the bride.
Yang: (blinks in confusion) Wait. What?
Blake: (mischief glints in her eye as she pecks Yang on the cheek and sprints down the aisle with a trail of laughter in her wake)
Yang: (shakes off the initial shock before giving chase with a bark of laughter) Hey! Get back here!
The guests all cheer and shout as Yang closes in on Blake. The two run around the "venue" playfully. Blake does a few flips and jumps over tables and chairs while Yang cuts her off. Finally, Blake slows down just enough to spin around on her heel and be caught by Yang. The two topple into the largest pile of leaves and kiss as gold, orange, and red leaves slowly settle around them.
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tangledinink · 2 months
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welcome back to our program! and welcome to arc two.
✩ the gemini ✩ [ start ] [ prev ] [ next ]
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psychotic-nonsense · 2 months
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In October of 1967, Steve Harrington is born in Hawkins, Indiana.
He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.
In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.
She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.
In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.
They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.
In November of 1986, Richard and Samantha Harrington disown Steve.
They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.
In November of 1986, the Party's adults adopt Steve.
He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.
In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.
Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.
From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.
Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.
But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.
In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.
It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.
While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."
Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.
Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.
From then on, Veronica Harrington's life changes indefinitely.
Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.
Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.
In May of 1998, Veronica Harrington discovers the truth about her brother.
She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.
After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.
She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.
With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.
And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.
In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.
In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.
She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.
At the start of June, 1998, Veronica runs away.
She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.
She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.
At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."
The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."
Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.
She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.
"Anything I can get you today?" Max asks when Veronica's seated.
Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.
It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.
She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.
"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."
Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.
"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."
Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-
"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."
"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.
"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."
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pancakemolybdenum · 8 months
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@josuyasuweek-2024 day 3: hospital / holidays / fake dating
emergency hair treatment
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seiwas · 1 year
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₊˚⊹。 11:49 p.m. | gojo satoru
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wc: 421 summary: gojo is larger than life, but you make him feel small. contains: none really, can be read as gn!  a/n: he’s a big baby :’(
comments, tags, and reblogs are greatly appreciated ♡
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There’s something in the way you hold Gojo that makes him feel so incredibly small.
He stays tucked under your chin, like a child, your palm lying flat on the top of his head. White wisps of hair poke at the corners of your nose, but all you feel is the soft puffs of air tickling your neck. 
Gojo has always been affectionate—clingy even; he’s loud and obnoxious, always the first to touch but never the one to feel. He takes up space, the very thing he holds power over, and squeezes it to fit in this small bed, right by you. 
Nights this quiet rarely come by anymore. If you aren’t sweeping the streets for curses, he is; if neither of you are, then curses come to find you—in your dreams, in the slight twitching of Gojo’s fingertips resting on your hip. 
On nights like this, you cradle him to you, leg slung over the expanse of his body, tugging him closer. He’s a lot bigger than you are, stronger too—long limbs and lean muscle. But you hold him like he is someone to protect, gentle and fragile—as if his single touch hasn’t killed, as if his eyes haven’t seen destruction caused by his very hands. 
When you hold Gojo in this rare, quiet night, he feels so incredibly small. And for someone so big, someone who is larger than life—all 6 feet over, all seeing, bearing all the burdens of the world, he thinks: feeling small isn’t so bad. Feeling small is okay. It’s quiet. Peaceful. Only because it’s you. 
He wraps an arm around your waist, squeezing, the other finding purchase on your thigh slung over his hip. His face nuzzles deeper into your neck, lips brushing against your skin in a blur of kisses. Your legs soon become a tangled mess when he adds his to the mix. 
The grandeur attached to Gojo’s name is a birthright he can’t escape from. It’s the responsibility of being the strongest. But in moments like this, he doesn’t feel like Gojo at all. He feels like Satoru, only wanting the simple things, like still nights tangled up in your bed, close enough to disintegrate the space he’s so proudly surrounded himself with his entire life.
Now, he feels like Satoru, made small by your hands, but so content with the simple things—like your tiny bed and the moonlight peeking through your curtains, like the thrum of your heartbeat and the fact that he can exist in this space, with you. 
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dumplingsjinson · 1 year
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List of “how about we get comfy and cozy with each other, in more ways than one?” prompts
(Warning: This list is pretty much an overshare in the form of a prompt list, because it is very much based on my personal experiences. A lot of TMI happens. 
If that makes you uncomfortable, please don’t read the list. If you’re okay with it, proceed on at your own discretion. 
Don’t say I didn’t warn you because… It’s a lot.) 
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1. “I hope I’m not being too needy.” “Well, I like it when you’re needy. I like it when you’re like this.” (THE FUCKING AUDACITY OF THIS MAN WLEIFLEKWNKLEWFN) 
2. Character B groping Character A’s ass while they’re making out.
3. Character A moaning and whimpering into Character B’s ear while rubbing themselves against Character B’s thigh, desperate for release.
4. “I… I want you to touch me,” Character A admits, while staring up at the ceiling, cheeks reddening in an increasing show of embarrassment.
5. “Tell me to stop if it becomes too much, okay?” 
6. Character B dry humping Character A; hips thrusting into theirs, picking up with the pace when Character A whimpers in their ear and pulls Character B even closer in response because they don’t want any sort of space left between them; not even a sliver. 
7. Character B getting all sweaty and heated while they’re dry humping Character A.
8. Character B taking off their shirt to get more comfortable with Character A, and Character A subtly admiring their physique. (WHEN HE DID THAT?? THE DISRESPECT??? This guy’s gonna ruin me, I know it sjjsjs)
9. “Don’t be too loud,” Character B murmurs softly, planting a tender kiss on Character A’s face while sliding their thigh against Character A’s crotch, taking in the way Character A lets out a strangled sigh at that. (SIRRRR?? THEN DON’T FUCKING DO THIS TO ME?? WTF LWKENFWEK. Mind you, his fam came home after we were alone for an hour or two, so-)
10. Character A and Character B continuously checking in on each other every now and again to make sure they’re comfortable with the way things are going. 
11. Character B planting soft kisses all over Character A’s face and their neck, reassuring and sweet while things get very, very heated. 
12. “You’re going to make me not want to leave the bed if you keep doing this,” Character A warns in a low moan, as Character B continues to kiss their neck, their body pressing against Character A’s. Character B only chuckles in response, nipping at their skin playfully. 
13. Legs tangling together so they can get closer to each other. 
14. Character B fondling Character A, enjoying the noises they’re eliciting from Character A; enjoying the way they’re making Character A unravel at the seams, coming undone by their touch so easily. 
15. Character A hiding their face into Character B’s shirt because they can’t keep the noises at bay, and hoping to God they’re not being too loud. 
16. Character A and Character B’s hands roaming each other’s bodies, almost like they can’t get enough of each other (and they can’t. They can’t get enough of each other is the fucking problem here).
17. Character A desperately humping Character B’s thigh, chasing their high, shameless noises scraping at the back of their throat. 
18. Character B’s fingers speeding up in response to the sweet sounds falling out of Character A’s mouth. 
19. Character B letting their hands wander all over Character A’s body; slipping under their shirt, their pants, their undergarments, and Character A enjoying having their hands all over them like this even though they’re too shy to admit to that with words. 
20. “Do you want me to straddle you?” 
21. “How am I supposed to think about anything else while fucking myself now?” Character A questions in a rushed gasp as Character B continues to rub their thigh against their crotch.
22. “You’re so adorable,” Character B murmurs as they continue to thrust their hips into Character A’s. “How is me doing this adorable to you?” Character A questions, moaning a little at a particularly hard thrust of Character B’s hips against theirs. 
23. Character B leaving hickeys on Character A’s neck, on spots that make them pretty damn visible to the public.
24. “So… How do you like it on top?” “It’s uh… It’s an interesting experience.”
25. Character B’s body responding to the noises Character A’s making because of what they’re doing with them; to them.
26. Character B’s hand slipping past Character A’s pants to grope their bare ass while they’re dry humping each other.
27. Character B hitching Character A onto their thigh, pressing their thigh firmly against Character A’s crotch to tease them. 
28. Character B caging Character A between their arms while kissing them, and Character A’s arms wrapping around Character B’s neck to pull them closer, fingers carding through their hair; hands sliding down their neck; their shoulders; their arms; slipping under their tank top, palms resting against their bare skin; palms gliding along their spine and their back. 
29. Character B asking for consent whenever they want to do something a little out of the blue, and stopping when Character A isn’t comfortable with it. (BOUNDARY RESPECTING KING, PEOPLE NEED TO BE LIKE HIM!!) 
30. “Sorry if I went too far,” Character B says, and Character A shakes their head. “No, you didn’t go too far. You didn’t go far at all; you didn’t go far enough,” Character A says, flushing at the brazen admission coming out of their own mouth.
31. Character B trailing kisses down Character A’s chest/breasts. 
32. Character B pulling up Character A’s undergarment/shirt and taking Character A’s breast/nipple into their mouth, with Character A arching into them with pleasure at the unexpected gesture, a soft, encouraging gasp leaving them.
33. Character B slipping their hand under Character A’s shirt/undergarments to fondle with their nipples/breasts. 
34. Just Character A being a needy little fuck and needing Character B to be all over them because they’re so fucking addicted to the taste of them and the way their body rocks against theirs. 
35. Character A letting out little obscenities while they’re fooling around, which only fuels Character B further. 
36. “Well, now I’m really wet/hard.” “I see no problem with that.” 
37. Character A rocking back against Character B while they’re spooning and Character B shallowly thrusting against them in response. 
38. Character A biting their bottom lip to try and keep quiet (and failing pretty miserably).
39. “Yeah, you like that?” Character B softly murmurs into Character A’s ear as Character A lets out an involuntary sigh, arching up into Character B in response. 
40. “Well… I do fantasise being restrained by handcuffs.” “We can try that in the future if you’d like.” (WELL FUCK ME I GUESS LWKENFEWLKNF) 
41. Character A moaning into Character B’s mouth while they’re making out, which spurs Character B on, with the way they pull Character A even closer and kisses them harder; with much more fervour than before. 
42. Character B touching, teasing and feeling Character A up. (DID Y’ALL GET THAT WAYV REFERENCE OR WHAT—)
43. Character B caressing the side Character A’s thigh while they’re kissing.
44. “And you’re telling me this is what cuddling is?” “Mhm.” “Bullshit.”
45. Character A fucking themselves on Character B’s fingers, whimpering in a way they’d be embarrassed about if they weren’t so in the moment. 
46. Character A trying so fucking hard to control the soft little whimpers leaving them when Character B rubs against them with their fingers. 
47. “I’m all over the place and it’s all your fault,” Character A whines while Character B chuckles. “Mmm, it’s not all on me, you know,” Character B says, tone teasing. 
48. “It’s just me and you now,” Character B murmurs softly, planting a kiss on Character A’s lips, slowly rocking their hips against Character A. (onrwlfgnrekljng FUCK!! OFF!! ALKFHEWLKNF) 
49. Character B closing the blinds for privacy reasons. (He was struggling to close the blinds and I was giggling and teasing him about that lmfaofenlkfn)
50. Character B slipping their thigh between Character’s A’s legs with the intention of messing with them.
51. Character A grinding against Character B’s thigh and Character B responding by pressing their thigh firmer against Character A. 
52. The soft pleas and whimpers slipping out of Character A’s mouth as Character B quickens the thrusts of their fingers. 
53. “How are you feeling?” Character B would ask every now and then to make sure Character A’s comfortable and okay with what they’re doing, and the pace they’re going at. (This is ALWAYS so fucking sexy! Do this with your partner) 
54. Character B unbuttoning/unzipping Character A’s pants, in a tauntingly slow manner; slips their hand past the waist band of Character A’s pants whilst Character A squirms around a little, their heartbeat quickening in anticipation of what’s to come. (Uh, no pun intended???)
55. Taking a break in between each of their little sessions and cuddling with each other, and using those moments to check in on each other.
56. Character B stopping themselves from going further whenever they sense Character A getting a bit overwhelmed with everything that’s happening and making sure that they’re okay. (He just… He’s so caring and it’s so fucking sweet AHHHH) 
57. Character B’s ragged, laboured breathing in Character A’s ear as they fuck themselves against Character A, and Character A squeezing their biceps in encouragement; the soft pants from Character B and the whimpers and moans from Character A intermingling in the air.
58. Character A burying their face in Character B’s chest out of pure embarrassment after doing all of that, and Character B chuckling at them while cuddling them close to their chest, planting several kisses on their face. 
59. Character A’s clothing smelling like Character B’s because of how much they were all over each other, all day and night. 
60. Character A leaving Character B’s room with the messiest hair by the end of the night.
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ggumjjun · 4 months
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# jisung + marking
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# nsfw + mdni. jisung’s a love biter. and just mille trying to avoid dialogue.
it’s the way jisung’s a love biter, kisses on your lips slowly traveling down to your neck, long, slender fingers tipping up your chin to expose your soft, pretty neck. one hand on your waist, holding you tightly to his lap, the other gentle and careful to hold your face, a wet trail of kisses on your skin.
and there’s no words to be said, as his teeth graze your neck briefly, gently nipping your skin directly above your rapid heartbeat, a low, deep hum at the quiet sounds he elicits from your throat. a nip, then a lesser gentle suck, bruising your skin in a splotchy, darkening bloom of a hickey.
jisung’s soft hair brushing against your jaw as he kisses each fresh bite he leaves, slowly and gentle as if hickeys are a mark of a love note, a quiet, subtle claim to your body as his. splotchy, loving bruises trailing down your skin, his gaze glancing up as if in a loving trance up to your eyes through his long lashes, fingers letting go of your chin to slowly unbutton the shirt of his you’re wearing. and as he slips each button undone, a fresh hickey finds its way to replace a fading one, down to the pretty swells of your chest. your fingers gently tugging on his hair as jisung groans softly at the sensation, tugging his shirt off your shoulders carefully, just enough to expose more skin, leaning down to bite another mark, bruises flowering on your soft breasts, his grip on your waist tightening, as if he never wants to let go.
a small blush on his cheeks, seeing the way he’s left so many marks, both fresh and healing. jisung can’t help it. the right words always fail him, shyness overtaking the way he wishes to tell you something. so in the intimate, romantic moments like these, he’ll leave his claim to tell you his love, through the marks marring your skin. and in the same way he’ll smile quietly and nudge your concealer away from his bites, a shy smile on his lips when he catches a glimpse of a love bite on your skin when the wind ruffles your clothes, so quiet but prominently saying you’re his.
jisung’s a love biter, his big hands holding your thighs spread open, soft groan emanating from his throat at the sight of your pretty, plush thighs covered in fading marks of his, biting his plush lower lip before leaning in, placing kisses over the remaining bruises. it’s jisung’s way of teasing, to leave trailing bites up to your core, each nip a touch harder than before, until his lips press against your clit, warm tongue licking up your slit, a hint of a smile when your fingers thread through his hair and quiet whimpers fall from your lips, he’s pleased.
and lying on his chest while his softening cock warms your pussy, a sticky mess he’s left of cum dripping down the love bites on your thighs, his fingers tracing the hickeys on your chest like constellation stars, humming softly to a song because he can’t sleep after sex until you have.
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lucabyte · 7 months
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I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.
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Textless version where they're just hanging out. It's fine!
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urfriendlywriter · 6 months
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i wrote a line in my work, that just hits.
"i stopped looking back at all the memories, pictures, and videos. It's painful to see the life that i lived and loved, knowing I'm still searching for pieces of myself that i lost as I grew up."
and that was my cue to stop writing n sit n sob
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moldspicy · 10 months
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~☕🌸
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orobty · 2 years
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Let them be sofftttt
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choccy-milky · 11 months
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NSFW comic ive been wanting to do for a while of seb getting…influenced…by the dark relic👀👀no idea how long its gonna be or how long itll take, so have a wip for now 🙃
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my313 · 6 months
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smutty yeonjun historical au ur insane… pride and prejudice bridgerton duke yeonjun courting n marrying n slutting out little innocent virgin lady of the court reader
ahshdwadehsgbfha im going insane
cw corruption kink, possessiveness, use of sir, oral sex (m & f rec.), implied fingering, inaccurate period fashion lol sry (did ppl wear underwear back then??? i swear bridgerton mentioned sumn abt that /srs)
yeonjun's had his eyes set on you since the season started, crowned as this year's diamond – he knew he couldn't have anyone else. you were the perfect little doll, every fibre of his being wanting to touch your skin and teach you what it means to be husband and wife.
i just know that he has a raging corruption kink 😭 knowing nobody has ever had you and it'll only be him from here on out really fuels his possessiveness. he'd be kind of toxic and pay off or literally get rid of all your other suitors lined up outside your door <:
he'd be soso turned on the first time you'd try to initiate something w him, jjun would be so into guiding you at every step. you're finally out of the stuffy layers, the tension rising each time he tugs at the ribbons of your corset, unraveling you like a gift. he has to hold himself back when you obediently fall to your knees, between his legs and head resting on his thigh. he's so soft and gentle when taking your face and caressing your cheek, cooing at your cute attempts of licking the tip of his cock. later on, after many praises, he practically uses your hair as a tool to guide your mouth, pushing you deeper. yeonjun's favourite sight is probably the first time you looked up at him with watery eyes, breathless and seeking validation, "have i satisfied you, sir?"
yeonjun would definitely return the favour. you'd be confused at first when it's his turn to be below you, making you lay back on his bed with your chemise lifted up. he pushes your legs apart even wider, kisses tickling your inner thigh until you feel his wet tongue over your underwear. you're squealing and trying to reel back, "w-wait.. that is.. you cannot put your mouth–" but yeonjun doesn't pay heed to your cries, only urging him to tuck your underwear to the side and finally feel your bare cunt on him. his eyes go from closing shut out of pure delight, letting out the most sinful moans like he had been starved the night prior, to peering up at your face to see your adorable reactions. he doesn't stop even when you're essentially ripping the hair off his scalp, only satisfied when you're reduced to a sobbing mess, nearing your orgasm. he drinks in the way your eyes blank out and your grip on him tightens. "w-what is this feeling..? mmf–"
he pulls back with the most cocky grin on his face, so satisfied with the fact that he's the first to make you cum; to be the one to etch this pleasure into your body. his face is covered in slick, plump lips even bigger and glistening with your cum. yeonjun leans in to kiss you, letting you taste yourself on his lips. the same cheeky smile tugs at his lips when he pulls you into his lap, prying your legs apart again with his fingers ghosting over your sensitive cunt.
"i'm still quite starved, darling. shall we go on? i will have to prepare you for our wedding day, no?"
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normal-about-the-dca · 5 months
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sun, knowing EXACTLY what he's doing but playing oblivious because he likes to see you fluster: oh my, friend. you're really red! are you sick? huh? huh??? rest a while! we can cuddle and watch videos on your phone until you feel better ^^
moon, no idea what he's doing but pretending he does, immediately after pretending to throw y/n from the balcony: ohh you want me so bad!!! you wanna kiss me silly sloppy style, huh? hehehehe! you wanna get smooched sssso so bad- wait no why are you angry (<-genuinely thinks scaring them is flirting)
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sygneth · 8 months
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Echoes of Elysium | Chapter 1 | Page 17
Page 16 Page 16.5 Page 18 Info & index - ComicFury
The plot thickens.
(Oh my god, I did it. I am having an extremely tough time lately (as half a year lately), and even pursuing my hobbies is hard, so I am glad for every page of this comic that I draw. I am not going to force myself to do more than I am capable of, but I hope it will eventually get more regular but I can't even try to predict when may this happen. Hopefully soon. Lots of love to everyone who reads, comments, and makes me keep going one way or another &lt;3)
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joeldjarinmylove · 3 months
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my favorite thing ever is if sam and dean somehow get through their entire lives without crossing the line into sexual acts, until they move into the bunker.
like maybe sometime from s11-s14, they've been toxic codependent freaks since childhood but they haven't kissed, fucked, or done much else beyond a slightly-longer-than-normal hug after a near death experience.
but one night they're in the dean cave watching reruns of some show from when they were kids, both slightly tipsier than they'd like to be.
sam of course being the lightweight of the two, gets touchier and cuddlier in the darkness of the room, just the two of them, and all is right with the world.
sam doesn't know what comes over him, but he looks at dean, the light from the tv illuminating his face, and leans in. surprisingly (or not so much), dean follows suit.
their lips press together, ever so lightly, just a graze at first because both of them are still hesitant. but after a second or two, dean takes the leap and fully leans in, reaching up to rest one of his hands at the nape of sam's neck and the other on his hip. sam grips onto deans flannel, fearful that he'll pull away.
it's as if the final puzzle piece is falling into place. dean feels at peace for the first time in over a decade, and sam is overwhelmed with emotion, his eyes welling up as he reluctantly pulls himself away.
"dean," sam chokes out.
"sammy..." dean pulls sam even closer, pressing him up against his front, and brings his right hand up from his neck to push some of sam's bangs out of his eyes.
"i-i'm so sorry, dean-i didn't-"
"sam, sammy, shhh. it's okay, i know. you don't h've to say anything, i know." sam's eyes are shining with unshed tears, and dean notices he's ever-so-slightly shaking, so he pulls him in for a second sweet press of their lips, this one only barely longer than a peck.
"it's just you and me, sammy. we don't have to talk about it."
sam closes his eyes and leans his forehead against dean's, bringing both of his hands from dean's chest to cup his cheeks, "are you sure, de?"
"why didn't we do this sooner?" dean asks as he leans in once again. sammy is dean's everything, the one person that he would choose over everyone and everything. their lives are already fucked up, so why not one more thing to add to the winchester resume?
it's the most natural thing in the world; they already own every other part of each other, so sharing a kiss or two here and there is rightfully the next step.
but of course, it doesn't stop at kissing. sam and dean curl up next to each other on the couch for the rest of the night, and they haven't slept in separate beds since.
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