#it unfortunately makes sense now

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[kittycity]

NOT an artist I really admire reposting fanart they made in like 2017 of one of my BIGGEST ick ships of all time!!!! Right before I was gonna go to bed!! OH MY GOD!!

[stealingpotatoes]

hands you all this cal to announce i’ve FINALLY finished fallen order (by which i mean i finally picked it up again after those couple hours i played a few months ago and then finished the whole game in 2 days lol)

[korrasamibottles]

If I said I was hard at work in the Fic Mine chiseling out one word at a time and placing it in my cart ever so gently. Would you believe me

[rafeandonlyrafe]

kinktober: guns

words: 2.5k

warnings: 18+ only!, smut, gun kink, p in v sex, unprotected bc dont be fcking dumb!, hand kink as well kind of, f receiving oral and handjob, blowjob, being fucked by the gun (silencer), mild degradation but also praise, mentions of drug dealing, somehow still soft rafe idk yall im unable to write rafe being anything but a softie

taglist: @drewstarkeysbae @thelomlisrafecameron @f4ll-for-you @dilvcv @slut4drudy @drewsbabygirll @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @jjmaybankisbae @seeingstarks

your eyes widen at the glint of black metal in the low lighting, watching the way rafe works the rag over the piece. you control your gasp when you realize what it is that you’re holding, but you can’t help but take a step back in shock. 

you stumble, not realizing how close you were to the hallway table that decorates your home. rafe looks up at the noise, his eyes meeting yours. you can’t tell what emotion crosses his face. he simply sets the handgun down on the coffee table, still partially disassembled.

“rafe-” you begin, but you don’t have the words to finish as he stands up, stalking over to you, his usually comforting figure suddenly imposing when shrouded in the darkness of night.

“baby.” rafe says softly, taking your face in his large hands. “what are you doing awake?” “i-i heard you come in, and i waited for you to come lay down and when you didn’t i came to check on you.” your voice is barely above a whisper, but in the silence of your house, rafe hears you clear as day. he stands still, and you take the moment to apologize, “i’m sorry.”

rafe lets out a deep breath, his face reading the guilt of your apology. “it’s okay.” he presses his lips to your forehead, wrapping his arms around your shoulders as he holds you to him. it takes you a beat, but you wrap your arms around his waist in a tight embrace.

“come here.” rafe says after a moment, sliding his hand down your back and leading you into the living room instead of hiding in the hallway. you take cautious steps, eyes on the disassembled gun on the table. 

“sit down.” rafe keeps his voice gentle, but it’s a command, not a request. you sit down on the couch, and rafe slides next to you. he gives you a moment to look at the pieces of metal on the table. 

you know why rafe has a gun. he tries to keep that part of his life silent, but you know he helps run the drug scene on the islands of the outer banks. you’ve never been exposed to the violent nature of what he does but you’ve helped him count money and sort packages. he protects you when it comes to the actual sale, you haven’t even met one of his clients, at least not that you know of.

“it’s okay rafe, i knew you had a gun.” you say. you’ve seen him discreetly tuck it into his waistband when you’ve been out, and did not fail to notice the way he keeps it on his bedside table when he thinks it’s too dark for you to see at night.

“but you haven’t really seen it before baby.” rafe picks up what looks to be the frame of the gun, and he turns it over, showing you all the different sides before placing it on your lap. he gives a nod of your head and you pick it up, surprised that the disassembled part is still so heavy.

“should i- should i learn how to…?” you ask, not having the heart to tell him that you want to, because if anything happens to rafe, you want to be able to protect him as well, even though he doesn’t need it.

“if you want to, i’ll teach you.” rafe presses a kiss to your cheek, taking the metal back out of your hand. he begins to explain the different pieces of the gun and what they do as he reassembles it. your eyes track the movements of his hands, his slender fingers moving each part into place. you bite your lip and press your thighs together, and it doesn’t go unnoticed by rafe.

“are you turned on, princess?” he asks, no judgment in his voice, rather fascination from how you, his sweet girlfriend, can be so turned on by his gun as he sets it back down on the table.

“no!” you squeal, which just gives you away even more. “pants off.” rafe commands, and you know better than to go against him. you stand up off the couch for a millisecond to shove your pants down to your ankles then sit back down, keeping your thighs locked closed together.

“that is not what i meant, and you know it.” rafe commands, placing his hands on your waist and twisting you so you’re facing him. “if you’re not going to be good, i’m just going to have to do this myself.” he guides you backwards so you’re laying your head against the arm of the couch. he takes one ankle and slides it off the edge of the cushion while moving the other one to rest against the back of the couch, spreading you open wide.

“are you still going to deny being turned on?” he asks, eyes on your underwear sticking to your pussy, wet patch clearly visible.

you smartly decide to stay quiet, and rafe gives a little hum of approval at your choice to no longer continue to deny, knowing the amounts of pleasure he can bring you as he pushes his thumb over where he knows your clit is, not wasting any time as he rubs it over the material.

you let out a moan, back arching off the couch as he touches you. all tiredness you previously felt from suddenly waking up in the middle of the night is going.

rafe smiles down at you, seeing his girl so easily and quickly thrown into pleasure just with one of his fingers. he moves faster, watching the wet patch grow even bigger. he drags his thumb down, pressing against the spot until his thumb presses slightly into your hole, the fabric of your underwear still acting as a barrier.

“n-no, let me take them off, please.” you beg, but it doesn’t dissuade from doing exactly what you expected, gripping your underwear with both hands and literally tearing them straight down the center like the material was tissue paper. 

you grumble something about liking that pair, and rafe calms you by pressing a kiss to your knee that’s hooked over the side of the couch. “i’ll buy you another pair.”

he kisses down your thigh, occasionally nipping at your skin until he reaches your cunt, taking a deep inhale of your scent before sticking his tongue out, lapping at your slickness as he gathers it all onto his tongue.

you try your best to keep your hips still, thighs already burning slightly from being spread so wide. you moan rafes name as his tongue slides up away from your hole and over your clit, flicking repeatedly over the sensitive bud before pulling back far too early.

you watch as rafe picks the gun up off the table, making your eyes go wide.

“my sweet princess, turned on by my gun.” he turns it over in his hand, and you don’t fail to notice that he’s left several parts on the table, probably whatever interior mechanism that makes it actually fire so his toying with it remains safe.

“who would have known that the innocent good girl i first starting dating would turn into such a slut?” he grabs the silencer off the table, slotting it onto the end of the gun. your eyes watch in fascination at his movements.

“my own personal whore. you’d let me do anything to you, wouldn’t you?” rafe questions, running the tip of the silencer against your thigh, slowly dragging it closer to your center.

“you’d even let me fuck you with my gun.” his words make you gasp, coupled by the smooth metal of the silencer coming into contact with your dripping folds. it’s so cold that you can’t help the shiver that runs through your body.

rafe continues to move the silencer against you, partly to tease, partly to get it covered in your juices. “you’re gonna let me, right princess?”

rafe looks to you as you silently nod, worried if you open your mouth you’ll start to beg, beg for him to put the gun inside of you. rafe presses it against your hole, and your eyes widen at how big it feels, like two of his fingers are trying to enter you, but you’re slick enough that when you take a breath to relax, he’s able to push in, breaking the ring of your hole.

“fuck!” you whine, rafe not giving you any time to get used to the sensation as he continues pushing it inside of you, until the entire silencer is buried in your pussy, the barrel of the gun far too large to fit inside.

“just breathe.” rafe mumbles softly, wanting to continue but not wanting to hurt you. you follow his instructions, sliding your eyes closed as you get used to the foreign object.

when rafe can tell your body has calmed down, he pulls the gun out slightly, watching the way your wetness sticks to the metal before pushing it back inside of your body.

you lift your hips slightly to give some reprieve to your thigh muscles, as well as give rafe a better angle as he moves quicker, starting to thrust the gun against you.

his thumb comes back to your clit, now able to touch your bare skin and the pad of his finger feels burning hot compared to the coldness spreading from within you. rafe presses his thumb against you, keeping the intensity constant instead of rubbing. 

“there you go.” rafe smirks, “my good fucking slut.” 

his praise makes you glow, especially as your high starts to build from the way the silencer is pressing inside of you. the dirtiness of the action just pushes you even farther.

“gonna-” you warn, when suddenly rafes thumb is off your clit, the silencer halting all movement, lodged deep inside of you. 

“you ask permission to cum, slut.” rafe tells you, deciding to push you even harder.

“please, let me cum.” you beg, hands fisting the material of the couch.

“no.” rafe simply says, moving the gun again. “no, because my girl isn’t going to cum for some piece of metal. you’re going to wait until i’m done having my fun and then cum on my cock, understood?” “y-yes.” you nod, flopping your head against the couch as it repeatedly presses inside of you, your clit pulsating at the need to release everything you have inside.

“please.” you sob, feeling tears slide down your cheeks, unable to hold back your impending orgasm much longer.

rafe pulls the gun out of your, making your cry out, missing the sensation instantly. “no, no, rafe please.” you beg.

“shush!” he says, delivering a slap to your inner thigh. “if you were patient at all you’d realize i’m going to fuck you now.” you sit up, blinking your eyes open in the low lighting as rafe tugs his shirt over his head. you take the moment to unbutton your pajama top as you watch him stand, unbuttoning and sliding off his jeans and underwear at the same time.

your mouth waters at the sight of his cock, unable to control yourself as you sit up, giving your legs a reprieve from the stretch as you take him into your mouth, sucking the head of rafes cock as your eyes roll back in your head, tasting the saltiness of his precum against your tongue.

“can’t resist, can you?” rafe laughs, knowing how much of an oral fixation you have.

you hum around his cock, bobbing your head but not taking him anywhere near fully into your mouth, enjoying playing with the head of his cock with your tongue.

you kitten lick at his tip repetitively, waiting for rafe to inevitably pull you off to fuck you. he lets you have your fun for a bit longer before tapping the back of your head. 

you pull off with a satisfied smile, laying back and resuming the same position on the couch, spreading your cunt wide to show him that you’ve gotten even wetter from sucking him off.

“my pretty slut.” rafe smiles, kneeling on the couch between your legs. he grabs a throw pillow that was discarded onto the floor at some point, shoving it under your hips to raise your cunt up to the perfect angle to fuck.

rafe rubs his cock against you before jutting his hips forward, sinking fully into you in one fluid motion. you let out a curse, boobs bouncing as he immediately starts up a rhythm.

your cunt clenches tightly around him, rafes moans coming to match your own as he moves within you, feeling your tight walls, remembering that his gun was just where his cock currently is. 

he picks the gun up off the table, still gleaming with your slick. he sticks his tongue out, licking up the side. “you taste so good.” he moans, keeping his free hand on your hip to hold you in place as he thrusts.

“want to taste yourself?” he asks, but doesn’t even give you a moment to respond before pressing the silencer against your tongue, mouth already open from moaning.

you wrap your lips around the metal, indeed tasting yourself on it. you suck at the gun, keeping your eyes on rafe as you do.

rafe moans, feeling his cock swell inside of you. he would keep fucking you all night, but he can’t hold himself back any longer as he moves faster, plunging as deep inside of you as he possibly can.

“fuck, please let me cum!” you cry out, reaching a hand down to rub at your clit, your fingers not feeling as good as rafes, but doing the job.

“wait for me.” is all rafe can gasp out, watching you immediately take the gun back into your mouth after asking.

rafe lasts a few more hard thrusts before he’s releasing inside of you, and you follow quickly, rubbing yourself to completion as you feel your cunt flooding with cum.

rafe continues to gently thrust throughout your orgasms, both coming down together as he sets the gun back on the table. he collapses forward, his naked body pressing against your bare one.

“god, you really are the most perfect slut.” rafe mumbles, pressing kisses to your shoulder as he slowly pulls out, knowing his cum is going to leak all over the decorative pillow you’re sat on, liking the idea of ruining another piece of furniture from his insatiable need for you.

“love you.” you whisper, tilting your head to the side to give his hair a kiss.

rafe leans up, pressing his lips against yours in a fierce kiss, saying the words for him.

“why don’t you go upstairs and wait for me, sweetheart?” he asks, sitting up and giving you a hand to help you sit as well, your body burning as the exhaustion sets back in. “i’ll be up in a minute, i have to clean my gun again because someone got it all dirty.”

[crimson-nail]

i have been cooking an over-complicated roleswap au for. a VERY long time

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[lhazaar]

hey. i'm turning my chair around and sitting in it backwards now because i want to speak specifically to people with ocd. this is a targeted post and is not meant to apply to the userbase of this website at large or to serve as a policy decision.

hi. do you know what scrupulosity means? it is a strong, intense, often painful concern about morality or religion. it's very common for religious people with ocd, actually—the fear that you've sinned, that you will sin, that your thoughts themselves are sinful. you're afraid of being an evil person. every thought and feeling you have is scrutinized to exhaustion in case it's proof that you're evil. this also happens for non-religious people with ocd, it's just that ours will look different; it's often a preoccupation with social justice issues. you care a lot about being a good person, right! most people do. you want to be a good person, you want to be kind to others and to dismantle oppressive systems where you can. i'm making some assumptions here, but they're based on my specific audience base.

so, there's this thing that happens online, especially on tumblr and twitter—not because bluh bluh platforms bad, but because of the ways in which information is propagated on here. people used to tag for these posts sporadically but don't do so as much anymore. you know posts that exhort you, the reader, specifically, to take action? they tell you not to look away, not to bury your head in the sand. they tell you to give and to agitate and to donate time, money, resources.

those posts used to make me intensely, deeply anxious. i don't mean mild agitation, i mean life-ruining, day-occupying panic that seizes your entire body, and thoughts that don't leave your brain. guilt that paralzyes you because you, personally, cannot go kill the politicians responsible. you don't have enough money to do more than donate a few dollars, and sometimes you don't even have that. but because of where you live, because of the fact that you have internet access and you're literate enough to read these posts, you know that you have a level of privilege that most people never will. you're aware of that privilege because you're reasonably in-tune with social justice movements and you've probably spent some time dissecting your own privilege to examine your biases. (that's not a bad thing; i'm not here to condemn that. stay with me, if you can.)

there's a thing that can happen if you've lived with ocd like this for a long time where you become kind of incapable of telling what's addressed to you personally and what isn't. everything feels like a personal exhortation. you have trouble saying no, or knowing when you're overextended, because other people have it worse. how dare you enjoy relative comfort when people are being bombed or drowning in a climate change -induced flood or being crushed to death in a crowd panic. how dare you not be aware of it at all times, always, constantly. how dare you look away. don't look away.

i want to tell you about something i went through, if that's okay. a lot of people who follow me will already know this, but i haven't talked about this aspect of it very much publicly. in 2020, while visiting my partner in southern oregon, we had to evacuate from wildfires twice in under 24 hours. that was a really, really bad fire season, caused and perpetuated by a combination of global climate change and colonialization practices that destroyed traditional indigenous fire management strategies across the west coast of north america. fires stretched from bc to california. we wound up fleeing south, and then had to flee back north again, hemmed in on three sides. i flew back home to bc shortly afterwards, and i have this vivid, awful memory of seeing my home mountain range, the cascades, choked out with smoke from the window of an airplane. the woman in front of me sobbed the entire time until we touched down.

i remember thinking at that time that it was insane the entire world wasn't stopping. what i was experiencing was apocalyptic in scale—the fire we ran from the first time was part of a complex that chewed up entire towns. it wasn't the first fire season, nor the worst for the continent, nor the world. but all i could think in the moment was why aren't we doing anything, this is going to be all of us in a decade, why are people looking away.

if i had gone online and posted that, it would not have been morally wrong of me. there's no ascribing morality to a reaction like that. i mean, if i'd gone to someone who suffered in the years prior in australia or california and told them that ours was So Much Worse, that would have made me an asshole, but i didn't do that. i made some upset facebook posts targeted at the trump voters in my family, but i had no way to express at the time the sort of clawing panic of WHY AREN'T PEOPLE DOING ANYTHING??

the answer to that, which you probably know, is: what would they have done? we were sheltered by friends we evacuated with, but what power did a mutual in new york or wales or singapore have to affect a wildfire in oregon?

so, come back to the present day with me again, if you will. i said above that posts worded like this used to make me really, really anxious. in the span of time after the fire, i developed ptsd, and my ocd ruined my life. i took an extra year to graduate after i'd finished all my coursework because i could not send in the forms required. i was too busy spending 10-16 hours a day rearranging furniture in my room, or lying in bed, full-body tense, until it felt like my teeth would crack from the pressure. i'm medicated now. i'm grateful for it. i have more tolerance for these posts because i've been there. i know the op isn't doing anything wrong, because they're not wrong. why isn't the world stopping to look at a natural disaster, or a genocide? the world should not be like this.

you are not the world. you are someone with a brain that will torture you to death given the chance. you know how learning to reckon with your privileges, whatever they may be, requires you to not try and escape them? you need to be able to hold in your head that yes, you benefit from something that isn't fair; yes, other people should have that benefit, and that they don't is unjust. but you need to, for example, not try and weasel your way out of being white because you're uncomfortable with the guilt that it produces. you need to not go online and say well not ALL americans because you can't sit with the idea of being complicit in american imperialism. if you have ocd, you need to apply that to your own brain, too. you need to apply it to every post that you see. you need to know that people are not speaking directly to you, they are crying out in pain and fear. they are not doing anything wrong. they are scared and hurting.

they do not benefit from you taking on all the guilt of that fear and pain. i am not saying this to absolve you of the guilt. i am saying that you need to be able to exist with that level of guilt without allowing it to paralyze and destroy you. if you can't do that right now, i'm not here to cast judgement on you. blacklist phrases. i had "wildfire" blacklisted for a long time. i'm sure i missed aid posts because of it. the alternative was me being nonfunctional. for a long time, i had donation posts blacklisted across the board, because the way my ocd worked meant that i was neurologically incapable of knowing where my own limits were, and i would give money i did not have. if you need to do that, this is me giving you permission. doing this does not make you evil. it does not make you morally bankrupt. it makes you someone whose brain is trying to fucking kill them, and the world needs you to not let that happen.

this is not a post about how you're exempt from caring about the world if you're mentally ill, it's about how you cannot apply that care to anything useful if you're having massive panic spirals every other day about the guilt that you feel. your guilt should not rule your life. if it does, i say this kindly, but you very likely need medication. i'm sorry if you don't have access to that right now. you cannot think your way out of ocd. you cannot think your way into stopping neural activity. you cannot guilt your way into being a good person; you have to be able to exist with the guilt and not let it rule you in order to do that. nobody benefits from your brain trying to martyr you in the name of solving the world's suffering.

you need to be able to function, free of crushing and paralyzing guilt, before you can help anyone. you are not an effective ally like this just because your brain tells you that it's necessary.

[spacedlexi]

I’ve been thinking abt this recently, relating to Violet’s arc when you don’t save her, and wanted to see thoughts as you posted about her relationship with Minerva.

I don’t think it’s crazy for me to headcanon that in 403 when the bomb explodes, Minerva actually abandons Violet prior to it occurring (maybe being drawn by AJ’s gunshot depending on your choice??), because it makes absolutely no sense for them to go “stop the bomb” and then only one of them is burnt to shit. An explosion from such a close distance would’ve logically left both of them at least mildly burnt.

It makes more sense for Minerva to be totally fine in the kidnapped Louis route, but in the Violet route, I can’t help but feel like Violet saying “Where’s Minnie?” with such frustration when she shows up on the beach is due to something occurring.

But knowing Skybound and Telltale, they probably just forgot how explosions work.

LMAO 💀 at that last sentence BUT YES i do at least agree that something had to have happened between them during the explosion but its been hard to figure out exactly what that couldve been 🤔

but jokes aside lets try to give the writers some credit. if vi was so horribly scarred WHY wasnt minnie harmed as well if they were supposedly together? i think its a fair question to ask. especially since in 404 minnie and vi are completely separated with minnie already on the beach and vi struggling to get to shore by herself (burned and blinded 😭). and her "WHERE IS SHE??" does sound pretty furious (and atp she regrets what she did on the boat and tries to apologize to clem a minute later so why would her anger be directed at clem and louis?). we know minnie sacrificed sophie to save herself so why would it be so hard to believe she did the same to vi in the explosion? or did vi possibly try to protect her? or both?? minnie lets vi take the brunt of the hit for her and then leaves her?? i cant imagine minnie giving up on trying to stop the bomb either since shes delta now and definitely wouldnt want the boat to explode. and youd think minnie would be leading the way since kidnapped vi was in a cell the whole time. vi says they headed to the boiler room together to try to stop it but then it seems like everything just kinda went black 💣💥

but if minnie didnt abandon vi before the explosion, why wasnt minnie near vi in the water post-explosion? minnie had to have left vi alone and vulnerable at some point in all of this and we know how vi feels about being abandoned... minnie is more focused on trying to save the remaining delta and doesnt seem to have even tried looking for vi if they Were separated by the blast (and if they were together when the bomb went off (which vi says they were) minnie wouldve known vi was caught in the blast, but it doesnt seem like she cares)

violet being violet i do think shes still also worried about minnie on some level because her whole thing is being the "protector" of the group and her feelings towards minnie are (as she later admits) Very messed up atm (shes always just wanted to save her). where saved violet recognizes minnie has chosen the delta in 403, i think here on the beach is where kidnapped vi is forced to accept it, and she realizes who it is she can Truly rely on instead

[riacte]

so hey guys i finished dungeon meshi yesterday and i'm still thinking about it

[faizhang]

hi oomfs! it's been a while.

felt the urge to log in here again because i was hit by a sudden bout of nostalgia (in the middle of a quarter life crisis because i am growing old but i still feel so young blablabla all that good stuff)

fyi, i'm now 24... time sure flies. i think the last time i was consistently active here was halfway through high school when i was 15-16. now i have a degree in public health and i'm already halfway through med school. that's insane.

wondering how many of you from back then are still here. how has everyone been? i hope you're all doing good :)

[softerhaze]

idk if it was the venus retrograde or what, but july 2023 was quite literally the worst month i've ever experienced in my life like.....every single day? awful? worse than the last? it's more likely than u think

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[bizlybebo]

anyways i had time to think about dakota cole on the flight and i was specifically thinking about system headcanons cause of the posts i reblogged earlier and now im thinking about plural dakota cole. youre a kid whos gone through hell and back and Then you live with somebody who loves you so much and tries so earnestly but simply Cannot bear the weight of your grief (being your dead parents’ only child; alaska was grieving her sibling too) and your sheer energy. so you learn to compartmentalize yourself and your personality and suppress who you are because you’re your aunts little boy and your parents’ kid. but you’re also an energetic loud attention seeking kid in class who will do anything ambitious or daring to be noticed by others. and you’re the quiet little boy who wanders the streets of new haven aimlessly avoiding going back to the apartment and crouching down to pet stray cats and murmuring to them. and you’re also the kid who kicks his shoes off in a dead silent apartment and checks your aunt’s pulse and wipes the drool from the corner of her mouth and closes the bottle of whatever vice she chose tonight and settles her to bed and staggers through a dirty apartment to your one safe haven: your room. and you escape it all by dreaming of being a superhero who can save people and starting by saving your aunt and moving away from all of this junk and neglect and pain and maybe if you were a hero you could’ve saved your parents too. and you can’t form into a full person when you’re just clawing at trying to survive and still be positive and hide what you’re going through cause there are other people hurting and you can save them. always the weight of the world with you dakota. i’m just saying that with all of this i can see where a split seriously could’ve happened. and then there’s all that stuff witj katori and the procedure and mato and then dakota joining pd. and how he mentions time passing weirdly for him and his gaps in his memory (and obvious suppression of memories + emotions) and how he can’t remember when he goes “feral” and also his entire thing of adopting a new identity (dakota damascus vs dakota cole). like these aren’t necessarily criteria for being a system at all and these are all possible “Normal” aspects of being a singlet character too but just looking at it through this lens is so. man. yknow

[qcomicsy]

Old Deadpool comics are so fun because it's like having this weird close friend group where people kind of all know each other but don't really know each other. Or even like each other that much.

Like Wade has a kind-of-who-knows-at-this-point "Best" friend tech guy who kind of tolerates him and he tolerates that used to be Peter's college classmate. He almost took a gig from Osborn but actually was Bullseye fucking with him in revenge while dressed up in a Clint old suit. He got on a mission with Black Widow. He got beef with Avengers clones to a point the avengers themselves got to be involved. They don't like him he doesn't like them so they both agree to be civil to do the damn mission so everyone can go their own way. He's having a middle age crisis where he kind of wants to quit being a mercenary but he doesn't know yet who the fuck else he could be and all the reasons pointing up to be a hero are wrong and distorted in his own egoistic views.

A hit monkey want to fuckin kill him. The hit monkey doesn't know he's immortal. The hit-monkey never saw him personally but somehow set him up to get his jaw sucker punched by Spider-Man. Which results in the worst team ever for both of them. I sweat to god except from fucking Old man Logan, I've never seen Wade so stressed in working with someone. And while this whole shit storm works, Wade keeps bullshitting about Peter's life being so fucking easy and loved by the public and Peter has to stay there and listen to it. They bump into each other on the subway out of costume and Peter hates him on sight.

Wade doesn't want to be there and the first opportunity to bail on Spider-Man he takes it and Spider-Man on the other hand learns that Deadpool is immortal and kind of gets "Okay what if we let you get shot" and Wade is so offended he starts calling him names.

Wade goes to bother X-Men, X-men tells him to fuck off. Wade considers blowing up X-Men for full two panels. X-Men sends Domino who's kind of one of Wade's friend to fuck with Deadpool, we're convinced by two pages he beat the shit out of her, just to show up on the next pages that he actually made her fall over a bunch of pancakes.

It's so messy, it's so fucking funny because it's not "oh it's this BIG THING" and this "BIG TEAM UP" it's like they're on the same city, they have similar jobs of course they're going to bump on each other.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*