#it takes him a while to understand human morality and values

[genderqueerpond]

The first Doctor had two companions die horribly, in a row, in quick succession. This really upset Steven, who was there for all of it. Steven is grieving. Steven is, possibly, blaming him a little bit.

When faced with the prospect of adopting a new companion, he won't. Traveling with him could just get her killed, and Steven will be terribly upset about that. If she dies off his watch, that's not his fault and not his responsibility. Steven can't blame him for that. This is where she belongs, therefore it is best to leave her here, no matter what may happen. He hasn't stolen her. Stealing people away only to get them killed far from home is wrong. See, he's finally learned that! He is not doing it this time. He has such good self restraint! Steven will be proud of him for this. Steven will be pleased that he is being responsible.

But Steven is angry.

It doesn't make sense, he's doing the Right Thing! It's very confusing.

Better take the next girl to come along. Now Steven is happy. Humans are so inconsistent and impossible to understand!

[hauntingrabbits]

Happy Batman day! Went back and finished the last batch of the MLP AU I had sketched way back in May.

Part 1, Part 2

More info under the cut!

Enigma/The Riddler (Edward Nygma)

Intelligence and puzzle-solving are deeply valued among sphinxes, and those who fall short of their standards are often ridiculed and cast out. Among some (prejudiced) Sphinxes, other sapient, non-Sphinx species such as ponies are looked down-upon or seen as fundamentally inferior for not putting as much stock in puzzles and the like as sphinxes do.

Enigma, though considered a prodigy for his remarkable intelligence and skill with puzzles even among his fellow Sphinxes, was ostracized when a pony unfamiliar with Sphinx culture (a younger Sundown traveling Equestria for his training), humiliated Enigma by unraveling a puzzle of his that was meant to be judged as his final submission in a prestigious event, permanently staining his reputation and wounding his massive ego.

After years of quiet ridicule from his peers and his own growing obsession over the event, Enigma eventually snapped and fled to Gotham for revenge. His contempt has since spread far beyond that of the original pony he wished to prove his superiority over, and he now makes all of Gotham the target of his obsessive schemes, constantly trying to prove his superiority and feed his ego by putting ponies through his elaborate puzzles and riddle-based traps. He sees Batpony’s skill and determination in foiling him as both an inherent challenge to and a slight against his own abilities, reminding him far too much of that original pony from so long ago. 

Other notes:

-Apparently sphinxes in MLP have pony heads instead of human heads which makes sense I guess but it threw me through such a loop man.

-Whilst traversing the wiki I ended up with the same problem I had with chimeras in the first post where only one ever shows up in the series and there's no other info on them. So I made stuff up again.

- I imagine Sphinxes live a very long time, so the event Enigma was embarrassed at would probably take a long time to roll around again and he'd be forced to stew with his anger and wounded ego for far too long. I'm not sure what the puzzle was exactly or how Sundown dismantled it, but I imagine he did something extremely simple that a Sphinx would never have thought of (a la that software engineering joke), making it feel far more unfair and humiliating than if he'd solved in the intended way.

-His naturally crooked tail settles into the shape of a question mark, and the pattern on his arm is meant to look like a stylized question mark wrapping around his forearm (the "dot" is the white of his paw).

2. Miss Friday (Miss Tuesday)

Enigma’s teenaged assistant, Miss Friday seems to be the only pony the sphinx enjoys (or perhaps simply tolerates) the company of. Beyond her having met Enigma in Tartarus during their simultaneous imprisonments, the exact origins of her relationship to and exceptional status with her boss are a bit of a riddle in of themselves. Regardless, the two seem to have something of a mutual understanding, and Miss Friday’s mental prowess and dubious moral code are more than a match for Enigma’s own.

Other Notes:

-Yes this is a "The horse's name was Friday" joke. I'm sorry it was just too good to pass up.

-Miss Tuesday already sounded like a MLP name, but the horse named Friday thing was just too perfect for somebody who works under a guy who's whole thing is riddles. Also I relistened to the BTAA episode where she's introduced while coloring her and I noticed they reference His Girl Friday several times, so fun coincidence?

-The candy-striped leg patterns are based on her canon costume's striped pants & are meant to mirror the Riddler's wrapped leg pattern. The dark patterns on her face are supposed to be reminiscent of eye bags.

3. Mania (Bat-Mite)

Bat-Pony’s self-proclaimed biggest fan, Mania is a Draconequus embodying the spirit of obsession. Normally he watches the hero from his own dimension, but at times he tries to insert himself into the narrative or help Sundown fight, both to varying degrees of success. Though he genuinely adores Bat-Pony, Mania is usually more of a hindrance than a help, and can even be directly antagonistic at times when his obsession goes too far. 

Other notes:

-Similar issue to Chimeras and Sphinxes, only two Draconequuses (Draconequui?) show up in the series, one being Discord (embodying chaos), the other being a comics-only villain known as Cosmos (embodying malice), but honestly what little we're given worked super well for the character anyway. Discord seems to come from his own unique plane of existence/dimension and Cosmos has similarly strange origins; both have penchants for causing mischief with incredible reality-warping powers; and both embody non-physical concepts. Bat-Mite being a reality warping 5th dimensional creature obsessed with Batman was surprisingly easy to adapt.

-He has the head of a pony, a ferret-like body, two front rat paws, mite antennae, an insectoid wing, a bat wing, a pigeon foot, a chevrotain (mouse deer) foot, and a monkey tail. I tried to have him mostly made up of animals that were very small, seen as mischievous, and/or seen as pests.

4. Poison Ivy (Pamela Isley)

Said to be more plant than pony, Poison Ivy is the self-proclaimed princess of the Green. Though once a regular Earth pony, she began to spiral after receiving her cutie mark and fully coming into her powerful natural attunement to plant life. Fleeing into the nearby forests on the outskirts of Gotham, she wasn’t seen again until many years later when Gotham’s city refurbishment and expansion efforts began to encroach on the forests borders, where she reemerged with strange new powerful magic and retaliated violently.

Though she isn’t recognized politically or physically as an alicorn, plants grow from the flesh of her body in the pattern of a horn and wings characteristic of those born into or bestowed with royalty, and the strange natural magic that accompanies them seems to almost rival that of a true alicorn’s.

Other notes:

-I dont really have anything to add to this one I just thought a false alicorn would be a cool concept.

-the whole alicorn royalty thing is very strange to think about isnt it? I feel like the ruling class having such insane amounts of physical and magical power probably has much more pressing ramifications than ever was, would, or should be addressed in a kids show but they are fun to think about.

-Her actual name is Poison Ivy, yes. It sounded like a pony name. I don't know what that says about her parents.

-The leaf wings are folded down in the graphic but I think they are flighted, or at the very least useful for gliding and expressing emotions.

5. Saltbrine (Oswald Cobblepot)

Short, stout, and flightless, Saltbrine’s moniker of “The Penguin” has its origins in the taunts of his peers from his youth. Though the title has persisted into the current day, it’s often spoken with far more fear and trepidation throughout the alleys and backstreets of Gotham than ridicule. Saltbrine owns two of Gothams most well-known businesses, one being the luxurious, high-class Iceberg Lounge…and the other being the organized crime syndicate the former acts as a front for.

Other notes:

-Again don't have much to add to this one. One of my favorite designs though, I love the giant beak face.

-The bird half is actually based on a puffin, because a penguin felt too on the nose for Oswald and too strange for a hippogriff (I couldn't get the wings or face to look right at all either). I feel like the title being an insult works a little better if he's not literally half-penguin.

-he's the same color my club penguin avatar used to be (RIP)

[starcurtain]

Some Evidence in Favor of Jade

One thing I've constantly seen in Jade hate posts is the idea that she's trapping good and innocent people like Aventurine and Topaz and chaining them down to the IPC.

But I actually think it's this act--choosing Aventurine and Topaz to be her proteges--that tells us a lot about whether Jade is a fundamentally bad person or not.

First, it's key to understand that Jade is in a significant position of power within the Stonehearts. When Diamond chooses not to appear, it's often Jade who goes in his place and acts as his voice. When it comes to making administrative decisions on who will get to join the Stonehearts, Jade had a direct hand in supporting Topaz's ascension (by accepting recommendations) and an even more direct role in Aventurine's ascension, choosing and testing him for the job herself.

So Jade is a character with enough power to have a strong say in who gets to become a leader in the IPC. She possesses enough authority and trust from Diamond to catapult a wanted murderer like Kakavasha straight up 45 ranks in the Star Rail universe's single most powerful corporate entity. She helps to decide who rules.

And who has she picked with that power?

Aventurine and Topaz are both good people. Although they'll do whatever is needed to advance the IPC's aims, they're both essentially kind-hearted and unwilling to put others at unnecessary risk. They both deeply value friendship and exhibit many of the other positive traits one associates with heroes--loyalty, generosity, gentleness, and honesty. Topaz takes a hit to her own reputation and rank to protect Belobog. Aventurine, infamous for high-stakes gambles, specifically spells out that he absolutely refuses to cheat his way to victory.

In an organization that is otherwise known for the literal colonization and extermination of civilizations--in an organization that puts wealth and material value above anything but their own god--in an organization with people like Obsidian who literally want to turn things into a bloodbath--Jade's top picks are both quintessentially good characters.

She is extracting value from them. She is profiting from their work for the IPC.

But Jade had the power to promote complete monsters into the Stonehearts. She could have picked heartless, profit-driven villains who would have forwarded the IPC's goals at the expense of the human element entirely. She could have promoted more evil into an already evil organization. But she did not. Jade chose to support two disadvantaged young people who had clawed their way up from the bottom while still maintaining their principles. At least two of the Ten Stonehearts are people the Trailblazer can associate with without extreme moral guilt, thanks in part to Jade.

The people that Jade chooses to throw her support behind mean something. Topaz and Aventurine's presence in the Stonehearts indicates that Jade is capable of not only recognizing goodness--but has actively chosen to elevate (at least relatively) moral people into positions of authority. This act, choosing to promote and support inherently decent human beings, speaks greatly to Jade's sense of who deserves power--and, from there, to her own sense of justice.

Just something worth thinking about, I feel.

[billyshakesp]

One for his Lyctors

Something that will never cease to amaze me is how well TazMuir writes the Lyctors. So I'm making it your problem ;). CW: Spoilers for Gideon the Ninth and Harrow the Ninth.

Let's start off by stating the obvious: the Lyctors are old. Whenever I mention "the Lyctors" in this post, I'm referring to Jod's original crew of eight Lyctors, and, more specifically, Augustine the First, Mercymorn the First, Gideon the First, and Cytherea the First. Those four are the ones we have met at the time of writing this. And they are old. They are each ten thousand years old. However, ten thousand is a number which may not mean much to you since you (presumably) have not even reached the age of two hundred. To quickly contextualise how colossal a number ten thousand years is, just remember that written history only extends as far back as five thousand years. In not so many words, my bbygirls are not actually very baby, and are, in fact, fucking ancient.

We, as humans, do not have any living reference for a ten-thousand-year-old being, aside from an occasional tree or a sponge, or perhaps a condiment bottle so deep in the back of your fridge that it would warrant a paleontological dig, but I digress. So how does Muir write her Lyctors so effectively?

Vicious dehumanisation

One of the most striking things about the Lyctors is the dehumanisation they have suffered over the past myriad. The first thing I noticed while diving into this subject (and by diving into, I mean I took a long shower one day and pissed off my family) is that the Lyctors do not have last names, and their first names function more as titles. Furthermore, the Lyctors are referred to as the hands, fingers, and gestures of the Emperor. In short, the readers and the characters of the Locked Tomb, including the Lyctors themselves, don't see the Lyctors as individuals anymore. Rather, their sole purpose in life has been reduced to just a soldier of the Emperor. Muir really shows the effects of the Lyctors' age; they are ancient, to the point where they have lost their own humanity and the only reason for their existence that they still hold onto is to serve the Emperor.

2. Their morals

Are extremely fucked up. Like, I cannot emphasise enough how fucked up the Lyctors are as people. Their morals are twisted in a way which can only come about from ten thousand years, rotting in deep space. For example, G1deon probably makes like 56 attempts on Harrow's life, and he doesn't give a second thought about it. When the other Lyctors find him, they don't really condemn his actions the way a human would expect another human to condemn attempted murder. To the Lyctors, life and death are both abstract concepts: life has lost all its meaning to the Lyctors, and thus, they do not see value in others' lives, especially the life of another Lyctor. Especially the life of a "Half-Lyctor." Additionally, Cytherea's plot to destroy the Nine Houses, while technically noble in its intent, is just insanely messed up. Yet, it makes sense in the context of her being a Lyctor, and, furthermore, someone who has suffered abuse for the last ten thousand years. She wants to bring justice to Jod, and for her, a small genocide is completely insubstantial. These people do not value nor understand life the way a human would, because they are unbelievably old.

3. The ways they break

Every one of the original Lyctors we see has a point in which they break, and when they break, we see a glimpse of the humanity peeking through. I could do character analysis on all of the Lyctors, but that would take a really long time. In short, we, the reader, get to see shreds of the people the Lyctors once were, and yet this only demonstrates just how shattered they are under the inexorable weight of time (yes, I use inexorable excessively now that I've read these books). Muir feeds us these pieces of the Lyctors' former selves to show just how buried that former self is.

In short, Muir does such a good job writing her Lyctors. They really are some of the most beautifully tragic characters I've ever read. I'm really just compiling some of the elements which I think Muir used to achieve the effect of "this character is bloody ancient." Feel free to add anything you feel that I missed (and I'm sure I missed a lot of stuff), and thanks for reading!

[signanothername]

if it's not too much, can i ask how you headcanon the murder time trio? since they're not exactly "canon" to any of the stories from their respective original artists, it's interesting to see how different people interpret them :)) tbh, i do feel like, from nightmare's pov, having more personal henchmen seems... risky in a way, as that means exposing killer to other outside influences that he can't fully control. like, what if killer starts to have ideas (organizing a henchmen union for example lol) - new people are interesting, something new for sure? does nightmare have to provide for these new henchmen now too?? so many factors to consider! unless these henchmen are more part-time than full-time lol.

i also think that, individually, the murder time trio might not get along with each other at all. they are (or were?) all sanses, but they have developed different moralities that canonically can clash with each other. the only way i think they can work well together is if they don't know each other's backstories. they function well with a wet blanket of mysteries, and i headcanon that's how nightmare is able to control them. he has all the cards, and he can play their emotions well, either to make them get along with each other, or to sow distrust among each other as well.

ANON I LOVE HOW YOU THINK

To me personally, i take my interpretation by looking at each of the Trio individually with their stories and then try and string together how they’d act around each other

Killer just honestly wouldn’t care about the others’ stories or past or anything like that, so when it comes to Murder or Horror, Killer he has no problem with them and would get along with them pretty well

Aside him being an absolute bitch to them at times, Killer wouldn’t hold much hostility towards them, and any harsh or offensive comments he makes towards them would only be because he felt like it, Killer has no reason for doing what he does, he just does it cause he can

However, Killer is definitely the type to value his privacy, and any questions or comments that might disrespect said privacy, would definitely escalate to Killer fighting whoever pressed him about matters they don’t understand or have the right to know, he simply doesn’t like to be pushed around, and he’s one with a lot of secrets, and he wouldn’t let Horror or Murder get their nonexistent noses into his business, like know how people always portray Nightmare to always be like “my room is off limits”?? Take that and actually apply it to Killer, Killer’s room, belongings (especially his weapons), and thoughts/personal life are all off limits

Ironically, Killer doesn’t hold that same respect of privacy when it comes to the other two, he’d definitely and especially not respect their personal spaces and would probably be super touchy with them, Murder and Horror hate to be touched but Killer does it anyway (Murder and Horror don’t realize Killer does that not just to be annoying but because he’s reassuring himself that they’re real, that they are indeed in front of him and not just another figment of his fucked up mind, not that he’d ever tell them that tho)

Murder on the other hand, definitely hates being on Nightmare’s team, he has no interest in serving Nightmare, he only cares about his own AU, so i can see him be the quiet loner who just doesn’t engage much with Killer or Horror

However, I can still see Murder feeling ok with Horror, but definitely not liking Killer in the slightest, cause while Murder is deluded to think that he killed everyone in his AU cause he “had to” to get his LV higher to be able to Kill the human and supposedly save everyone from resets, to him, Killer only had done the same thing but only for fun, that Killer is no better than the human, so I can see Murder treading carefully around Killer and just overall being cautious around him, especially with the amount of Determination Killer holds, it’s much greater than his and that fact downright disgusts him, cause how many times has Killer killed those in his AU to have his very soul deformed like that, not that Murder would be outwardly hostile towards Killer, but mucv like Killer, simply passive aggressive

I feel like Murder is the one that would always pry into Killer’s “off limits” area, he’s not curious or interested, he just simply hates Killer for being a monster with many faces (Can Murder even call him a monster when his soul doesn’t represent that of a monster?)

But i feel like Murder would be in for a surprise as he talks with his Papyrus only for Killer to say something along the lines of “it seems I’m not the only one who sees my Papyrus”

I can actually see Papyrus be the only point in which Murder and Killer actually agree about something

I feel like Horror is on the same boat as Murder but to a much smaller scale, so he’s fine with Murder but would break Killer’s skull if he could, he’s still a lot less hostile towards Killer than Murder tho, he’d just engage with Killer as he’d engage with everyone else, but Killer definitely gets on his nerves with his very nonchalant yet passive aggressive attitude

I would lie if I said I don’t think Horror would feel a bit disgusted by both Killer and Murder for murdering their Papyruses, cause how could they? Papyrus is the only one they were tasked to take care of and they just Kill him off? And I can see Horror actually commenting on it, only to get a comment back from Killer about how he’s not any better than them, how he literally fed his Papyrus human meat, Horror is baffled by how on earth did Killer even manage to know that, only for Killer to be his usual secretive self and simply states that he has “his ways”

I can still see Horror forming a good friendship with Murder tho, and even forming some sorta alliance where him and Murder go “you scratch my back, i scratch yours”, very beneficial when you’re working under Nightmare

Killer is unfortunately on his own tho, especially with the fact Nightmare seems to have his eye on him 24/7, Horror and Murder try and stay away as to not end up catching Nightmare’s interest too, they don’t know why Killer seems to catch Nightmare’s fancy, but they’re glad they haven’t met the same fate and they’re not about to change that by getting closer to Killer, not only that, but I feel like Horror and Murder would definitely see Killer as the “pet” to Nightmare, his favorite “toy”, and with how Killer’s the closest to Nightmare, what’s to stop Killer from spelling their secrets or thoughts for Nightmare’s ears to hear??

It makes Killer a bit if an outcast, but Killer doesn’t really care

Not only that, I feel like Killer would definitely creep Horror and Murder out by his vast knowledge in the Metaverse and Players, and while Killer doesn’t make such creepy comments about how none of them have any true free will often, they still get to the other two to an extent

I can still see the Trio becoming friends still, but not in the same sense that is the star sanses are friends, more like the Trio are the kinda friends to try and kill each other as a form of showing affection, they’re always really mean to each other, and are definitely a bit distant, but they’re also in the same shitty circumstances under the same shitty roof under the same shitty boss, and none of them would admit it, but all of them find a bit of solace in each other’s company, cause it always means they’re not alone whenever Nightmare breaks their bones, even if the two who survived Nightmare’s wrath would only make fun of the poor bitch who faced it head on

I can also see them finding common grounds in surprising places

Horror is actually surprised to know that Killer doesn’t eat, that Killer has a problem with food just like he does

Murder is actually extremely surprised Killer seems to hate the human (at least to an extent) like he does

Killer is a bit relieved to know he isn’t the only one to killed everyone in his AU, that he isn’t the only one to gained Determination cause of it (even if he’s more severely affected by it)

The three are all relieved (not that any of them would admit it) they’re not the only one with fucked up mental health

As for Nightmare, I feel like he’d definitely have some sorta plan before he actually hires anybody, Killer isn’t hard to contain, just keep him at stage 2 and crush any hope he may have of any fantasy of him finding a better life for himself and he’d stay in line

Horror? Just threaten him with killing his brother, problem solved, he wouldn’t dare get out of line

Murder is the one i feel would be hardest for Nightmare to control, in fact, i fully believe Murder is always trying to run away to find his way back home, and so i feel like Nightmare would put Killer on babysitting duty, Killer is tasked with always watching Murder and making sure he stays in line, and while Nightmare never explicitly states it, Murder is fully aware that Killer’s watching him

It complicates things for Murder and i can imagine him actually succeeding in getting away a few times, only for Killer to find him and bring him back kicking to Nightmare’s feet

I actually like to think Nightmare’s lenient to an extent when it comes to the Murder Trio visiting their homes as long as they get back immediately once they finish whatever business they wanted taken care of, and it doesn’t get in the way of their missions, hell he’d even let them go for days at a time (Murder, however, is always dragged back by Killer, and it makes Nightmare think of how much of an ungrateful bastard Murder is)

Here’s the twist tho, Nightmare doesn’t allow them to go home out of the goodness of his heart, Nightmare simply allows it as a bit of a fancy manipulation tactic in which it would make it seem like he isn’t “too bad” (he’s so damn bad) and it would just give Horror and Murder less of a reason to plan any sort of treason against him (Killer’s too unfeeling in stage 2 to care enough to form an alliance) not that Nightmare’s worried about it, he’s more than capable to put them in their places had they dared, he simply doesn’t want to deal with such hassle when it can be easily prevented (i mean he really isn’t in the mood to find another Horror and Murder)

That however, doesn’t make any of the Trio any less expendable to Nightmare, especially Horror and Murder, Nightmare tries to always keep the same Killer around cause he just isn’t in the mood to condition whatever new Killer he gets to play by his rules again, but he definitely had a few different Killers over the years

Murder as well, he definitely was replaced with another Murder so many times (he’s the one who gets replaced the most)

I like to think Horror is the only one who never got replaced by another version of himself, cause Horror always tries his damn hardest to stay in line and keep on Nightmare’s good side, and whenever he goes on missions he’s always so very careful about how much damage he takes as to not be deemed useless by Nightmare, all motivated by his love and fear of leaving his brother behind by himself had Nightmare decided to kill him

It’s always surreal for Horror to see the Murder he formed a good friendship with to be killed off by Nightmare like he never mattered, only for Horror to be introduced to another Murder in the next morning like the presence of the previous Murder meant nothing at all, and it’s even more surreal for him to introduce himself to a new Killer or a new Murder like he never met them before, all back to square one

Killer might’ve served Nightmare the longest cause he was the first to be recruited, but Horror had always been the one to actually last the longest

[skull-fvcker]

Morality

❥ Yandere! Arcane Viktor x Gender Neutral! Reader

A/N: cross-posted from my ao3. Old fanfiction from 2021, written way before season two. Thought I might as well post it here—the final episode broke me, by the way.

Summary: Years worth of obsession and fantasy obfuscated his once comprehensible brain. But it felt as if this was a crucial transition. Viktor is convinced he is a good man, but his actions are speaking otherwise against his morality.

Warnings: 7204 words, MDNI, obsessive behaviour, kidnapping, viktor is delusional, yandere viktor by the way, dubious consent(he coerces you), unhealthy and one-sided relationship, gender-neutral pronouns used for reader, no usage of y/n, gentle sex, set in season 1

In all honesty, Viktor did not know how it started or when it got out of hand. It started as a simple fascination and he had treated it as such. Nothing was wrong with that, he was a man of science after all. It was in his nature to feel drawn to things that he did not quite understand. Many years have passed since that day. Before his strange obsession came into his life. Honestly, now that he was alone to think about it, had it ever come into his life at all? Or, by some force of nature, he had forced it into his own life? The ever-changing flow of time halted the very moment Viktor had initially realised that he had more than a problem on his hands.

Viktor thought of himself as a man with morals. He was not the best person, yes, there are plenty of others that shone brighter than he did, but he found his value in his work and ethics. That being said, nothing about him was right. His work had been clogged for year's now; the chaotic office space merely setting as a permanent indication that he had slipped too far this time. Above all else, he had guaranteed himself that his work came foremost, give or take a few instances in which it did not. This case was different, however. A disturbing accomplishment that, when asked initially, he wrote off his findings as evidence, or even lack thereof. Whether or not he was believed, was foreign to even him.

Directly adjacent to his cluttered working place—being neat had long passed his troubled brain, hadn't it?— lie his crutch, sat in such a way that it may fall at any minute. Viktor paid it no mind, at least not at first, but looking over his notes and the observations that he had written down, an idea popped up within what was left of a comprehensive state of mind. Of course, how could he have been so oblivious to forget such a thing, it was written clear as day in these scattered notes. His nimble, cold fingers grasped at the end of his crutch and he tugged it over and dug it into the floor while it enabled him to stand.

Viktor's book laid sloppily in his hand, page open in clear view. "Yes," he breathed, "I suppose this will do." He closed the withered book and shoved it between his left arm and clothed side. Periodically, an opportunity was difficult to come by. He had to do the best with what he had been given, though an itch in his brain told him that: why settle for fine, when you can go beyond?

The aforementioned person that he mentioned, the obsession - the two had never even met before, Hell, Viktor was certain it never even knew of his existence. It was ostensibly a normal upper city citizen with no strange qualities, nothing special about its behaviours nor its personality. It was normal. But it made him feel bizarre inside. He could effortlessly correlate it to that of an over-easy egg slowly cooking within a skillet until the yoke bursts for seemingly no reason and tarnishes the taste of the egg entirely. Just like that, it was ruining him. Granted, neither of them seemed to be eggs, but he believed the metaphor to fit rather well. Humanity always seemed to be so fickle, so easily swayed and broken. Just like an egg.

No matter the weakened disposition he had, nor the lingering scent of death he had become accustomed to, nothing prepared Viktor for the way his certain obsession made him feel. He was intelligent enough to not let these be known, oh, how he would hate the way that Jayce would assume the worst of his sentiments. Would he? Jayce had changed rather strikingly since the first day the two had met. Nevertheless, Viktor never seemed to be the man for love, much less protection of those around him.

Moreover, he was sure that with such dehumanising language and behaviour, nobody would hear his side of the matter. After all, calling the object of your affection an "it," and "thing," definitely does not look good for your compassion. Still, it gave him a reason to humanise his behaviour—if his obsession is not seen as equal, then what's the issue, exactly? To be blunt, it served no purpose other than to make him feel better since not a soul knew of this but him.

Sure, it did not occur to him that he would have strayed this far, but sometimes you have to do what you can to keep someone safe. He was in no state to protect someone on his own, he knew this far too well, he could never protect anyone with this sickly, frail body of his. That is why kidnapping was an absolute must. Reminiscing of the past did no good but to open up older wounds that set themselves up for failure, but the first day they had formally met was an exhilarating experience.

When they had seen him, there was a quizzical expression plastered on their face, and they even confused him for a council member of all things—never attentive, he presumed—but upon realising who he was, Viktor found himself met with immediate scepticism. Viktor could not fault them, it was something he knew all too well, though, maybe he should have saved his anguish for another day. The way their warmer hand held onto his own when he reached out to shake it. Their hand was soft, softer than his at least, and much less calloused. Smaller. Yet, their fingers did not hold the appearance of his own; on the contrary, they looked healthy. Healthier than him.

Of course, with someone who seemed to not have any imperfection, how was Viktor not supposed to fall for them, much less become intrigued with their very existence at that point? Humans were so fickle, he knew very well with how his body had grown to become sicker, but they seemed so robust, so self-sufficient. It was just like any other person, nothing too special but it stood out to him and that was what mattered.

It hurt him, really it did, to see them gawk at him with betrayal, to seem so frightened of someone who wasn't even strong, to begin with, but love came with sacrifice and even if he couldn't help everyone, then he would try to help them the best that he could.

Viktor revolted and fought against his rationality, he really did, he tried his absolute best to make sense of both his actions and what he had done. Within the months, he had thoroughly convinced himself that it was for the greater good, for the safety of his obsession; to keep them isolated from others. It was not the healthiest choice, he would acknowledge at the time, but now he may argue that it was the only thing he could have done upon meeting them formally. He just could not let them go.

Months had passed since that day, but it was fun to reminisce sometimes. Besides, it was even better that, when he had the time, they were someone in which he could spoil with every day. Yes, Viktor took things slow and always was sure to leave them be, yet give them company, but watching them stare at him with a look that he could hardly even decipher anymore, left him breathless. And he didn't even know why.

That very thing forced him into the very dilemma that he is in now. Standing in front of a locked door with a flawlessly crafted key lying in his tremoring hand. It was from excitement, he knew it was. It was like this was his own secret sanctuary where he hid his most precious desire and treasure, his perfect obsession that wept behind locked doors. It was the same every day, no matter how long he would stare.

The door opened with a slight rasp, the only other noise being a stifled sob and the sound of scuffing against the floor, then the buoyancy of bedsprings. His stiff body staggered against the sturdy cane, his hunched over body barely allowing the light to pool in around the walls of the door frame. Every day seemed no closer to his objective. He didn't even know how he had done this. Years worth of obsession and fantasy obfuscated his once comprehensible brain. But it felt as if this was a crucial transition.

Viktor is convinced he is a good man, but his actions are speaking otherwise against his morality.

"Good morning, dear. Have you slept well?" The sounds of chains screamed in his ears when he spoke. All these years and his lover still has not gotten used to their living state. "Ehh... I have already assured you. Good behaviour is rewarded, please understand that this is an absolute must to keep you safe." They were terrified. Of him. Isolation was a punishment and he could never help but feel dreadful about them being punished for things out of their control.

"When can I go home?" was the concern they always pleaded with whenever they saw him. Viktor tried to not let it get under his skin, really he did, but the knowledge that they did not want to be with him weighed heavy on his mind. He loved them, they had to recognize. Their eyes were so passive; it reminded him of when he had first seen the mutation, Rio, when he was a young boy. Curiosity, distress; panic. They just did not understand this yet.

Perhaps all the days that he merely sat there and stared at them with a desolate expression thoroughly destroyed the way they would perceive him, or how he would blatantly ignore their tantrums and screaming, tapping his fingers along the edge of his crutch like a patient father waiting for their child to calm down. Of course, Viktor never mistreated them. The most he did was further isolate them, which explained the absolutely pitiful state that they were in right now.

Reluctance to accept the changing future will result in the fear of what's to come. He understands it's different from what they were used to. But one must adapt to their surroundings and become accustomed. Viktor has already sacrificed so much for them; when was it their turn to return the favour? The ever-changing future is something he will never know for certain.

Viktor sighed, watching them press their body against the nook of the room where their bed had been so delicately placed. The bedsheets had been sent into a state of disrepair, and certain pillows seemed more shapely than the rest. From clutching them too tightly, he inferred. It was adorable.

"This is your home," It was no wonder that they attempted to squeeze themselves farther against the wall when he staggered closer. "I don't have any food this time, I'm afraid," he stood right at the side of their mattress, directly in front of trembling form, his eyes fixated on the plate that sat adjacent to the bed, at least a few days old now. "Though, I'm glad that you, ehm, were able to finish your last meal. Good job." A sigh escaped him after the carefully placed praise fell from his lips and, upon staring hastily at them, he recalled the fear blending within their wide eyes. "However," he found himself fumbling over his words, "I know that you've been a little, eh... downcast, as of late so I have decided that I am going to offer you something that I'm sure you would love," he paused, almost reluctant to reach forward and stroke the hair behind their ear. Hesitant to touch them lovingly.

This situation was a troublesome one, of course, it would be, but he was not a fool in the matter. He read up on numerous articles simply so he can keep things safe for them — falling for one's captor, he had thought about it, yet the turmoil often sets in when he realises that they hadn't developed such a thing just yet. Had he not been too kind? Perhaps, it was the chains around their body? Particular disorders of the mind were so hard to force into existence; was that such a terrible thing to wish for? They looked as if they served more as a pet than anything else, honestly. But that's love, this is just his love. Viktor was well aware that a plethora of things regarding both he and his health weren't precisely right, particularly in concerns to other people. Honestly, staring at them in such a miserable state made him feel almost remorseful.

They must feel so trapped, not to mention secluded, after all, he was never able to spend as much time with them as he would have preferred. He wondered, did they feel imprisoned in their own body, too? Probably not in the way that he did, but it was a suspicion that lingered in his mind. He set his hand on the side of their face unexpectedly, and they jolted back. Granted, he was certain that his hand was freezing. But, Hell, it appeared as if they had almost whimpered at his touch. Still, he had never done anything to harm them, he's only keeping them safe. The images of the mutation Rio sitting in a tank of fluids that he knew all too well now, the thought of it being kept alive despite its pleas not to. Such lengths are just an experiment to preserve life. He understood, now. Not in the way that he should have, but he did.

Maybe that was how they felt. Like a trapped animal, frightened and alone. But they have him, they may not want him, but he is there.

Viktor's knees buckled as they pressed against the edge of the mattress, gently hoisting one after the other to get closer to the horrified individual hiding from his affection, which was already something which he never exhibited frequently.

"I want you to understand," he ran his thumb along their cheek with feathery soft touches, "I know you still don't understand why I'm doing this, or why you're here but rest assured that it's all out of genuine love." When you're going to change the world, don't ask for permission. "Alone. You're lonely and you're scared. I know how you feel. But you're special," their eyes met Viktor's for but an instant and it sent shock waves down his spine. Don't ask permission. "You're special to me, and that is what truly matters at this moment." They were about to cry. Correction, they were sobbing. And it was all his fault. Emotional turmoil mixed with the trauma enforced within them made this happen - because of Viktor.

And despite it all, Viktor could not help but feel proud of his accomplishments.

"Please," their name rolled off of his tongue like a loose screw in his brain, though more akin to a prayer. "Look at me when I'm talking to you, please." Their disobedience irritated him and sent his nostrils flaring, but he didn't allow that to show outwardly. They were already so skittish, why would he threaten them further? "Mm, I will reiterate it as many times as you desire: good behaviour is rewarded. If... If you're good—for me—then, and only then, will I allow you to go outside." His words set off a fire in their brain, he could tell how their breathing unexpectedly halted and they went completely tight-lipped. Was that all it took for them to settle down? An effortlessly broken promise?

Right, they were at their wit's end, weren't they? Their emotions override their rationality. The sunlight would be good for their health, after all. Quite frankly, the thought was unsettling, Viktor didn't want them out of his sight, but if it would make them satisfied then he could make configurations for such a thing. Though, he would have to be cautious to not allow anyone to see them. What if they tried to... escape, in a sense? It was dangerous, he would have to think about it thoroughly.

"Do you mean it?" They said, suddenly. Their head was raised aloft and their wide eyes stared directly at him. "If I'm good... I'll be able to go outside? It's—" A sharp inhale. "It's been months," they were optimistic. Why was it so unbearable to see them so miserable?

For all but a juncture, Viktor felt himself at a loss for words. There was no telling whether or not he would be able to keep that promise, but he could try. They just need to learn to embrace change and adapt, maybe they will forget about it in due time. "I mean it," he said without thought, "you have my word." Did they, truly? You should not make promises that you are incapable of keeping, but just this once, the way their expression lit up and how the tears fell from their eyes, made Viktor feel as if he had done something right this entire time. Without a single word, his hand slowly lowered from their warm cheek, his gangly fingers running alongside the edges of the collar that adorned their flawless neck.

In pursuit of great, we failed to do good.

How would Viktor feel if someone had done this to him? It was a rhetorical question; nobody cared for him enough to go to such drastic lengths to proclaim their love. Therefore, this couldn't have been an unfair thing for him to do. "We must adapt to change," he spoke softly as his fingers danced around their trembling jaw. "You must adapt to change." His voice dropped an octave, gaze falling back onto their face. He had adapted to this change flawlessly fine, it was them that had to figure out how to. They were ultimate perfection in his eyes—there was just one, little issue...

"What are you doing?" Their voice quivered. Viktor's hand slipped down to their collarbones, pinching against the soft fleshy prison.

"Ahm, eh, I am... feeling you, merely. Nothing more," their breath hitched at his actions. "Unless you want me to do more?" An unexpected whimper came from them, in which he did not know if it was good or not, but knowing them, it emanated from apprehension. "I love you, you know that. I would never force you to do something. Think of it as a friendly suggestion," Viktor's blunt fingernails found themselves becoming caught on the neckline of their shirt. "So, will you let me?" There was a pause between them. Most importantly, the air seemed to grow still. Tension so thick that you could slice it in half with a knife.

They shifted but didn't give Viktor a clear yes or no. In all honesty, they seemed to be dismissing him altogether. He could feel their body heat begin to amplify, a telltale indication of both their embarrassment and if he dares say desire. A relatively foolish notion, he was well aware, however, that did not mean anything in his mind, not in the current time. The future could come later, and his life may pass him by. But the future does not exist, does it? Not until you make it so. If he didn't take satisfaction in the opportunity that he had right now, then it may never come up again.

Nevertheless, he took the chance and leaned forward, inch by inch until his face had pressed into what was seen within the crook of their neck. Their skin was soft, warm; pulsating. "I am obsessed with you," both of his hands set themselves upon their shoulders, thumbs clutching against the blade of their clavicles. "I am, truly. My devotion, my love, my obsession for you—that will be the only thing that will never change no matter the year to come. You may push me away all that you desire, but I will come back to you. I love you." His chapped lips pressed in between their jawline and neck, a chaste kiss that he allowed to linger on their skin. They didn't even bother pushing him away. They had the strength to, yet abstained.

We failed to do good.

"Understand my efforts," his voice was barely above a whisper, "you must have seen them. Make sense of my love for you." His grip on their shoulders tightened, but he knew it would never be enough to harm them. It wasn't as if he wanted to injure them in the first place, either. However, it was short-lived, and Viktor's hands fell from their shoulders to their bound wrists, and straight down to their tremoring hands. "I have always wanted to do more with you—to be what most would consider a "couple" yet you keep pushing me away." During his rambling, Viktor heard them mumble something under their breath. "Could you repeat that?"

"I said I'm sorry," they whispered. For the first time, it seemed that they were apologising to him so sincerely, maybe with actual suspicions that something may transpire if they were to not apologise. It was startling, but a chance to hear their voice was satisfactory for Viktor. There was a lingering breath that he could feel tickle the back of his neck, coupled together with their heaving chest. They were scared.

We have to make it right.

Viktor felt his heart hammer against his rib cage, a knot forming in his throat bitterly. This clammy feeling in his chest was unneeded. "Well," he spoke with a sharp exhale, "do you know what would make me forgive you?" As if he hadn't already forgiven them, to begin with. Upon feeling them nod slowly, Viktor pulled away from them and hurried his hands from their own, to their neck. His touches were faint, but loving. Held a certain edge to them, hinted at with a distinct emotion. "I'm very sure you're aware of what I'm getting at," his breathing picked up, just as theirs did, and for a few instants, it seemed that theirs was in sync with his own. To his surprise, they shifted and nodded in agreement, but did not vocalise it.

Anxiously, Viktor proceeded to slowly creep his body forward, even closer to them than he was before. He felt his heart thumping against his rib cage, the wind being knocked from his lungs as he shakily exhaled. Viktor was not the type of man for sex, he never had the time to do it; but when it came to his little obsession, why not indulge? Their consent was dubious at best, but at this point, any hint of acceptance was promising enough for him. He struggled to rationalise his thinking but instead was only met with a cluttered mess within his brain. Viktor couldn't concentrate on anything other than them at this moment. It was just the two of them, and that was all that truly carried weight to him.

His kisses against their skin were light, virtually non-existent, but the genuine love that he harboured for them persisted despite their shuddering breathing; despite their apprehension. Viktor's lips pressed against their tender jawline until he finally met the edges of their lips. His hands were twitching, cupping the sides of their face with his thumbs caressing the skin underneath their eyes. This would be their first kiss together. Would they reciprocate it? He sure hopes that they would in some way, they don't seem to have any reasoning as to why they wouldn't. He pulled back momentarily to stare at them, only to notice that they weren't looking at him at all. That would be okay.

"You're mine," he breathed as he pressed his lips against their own once again. Viktor felt as if his chapped, thin lips were being engulfed by theirs—though, theirs were equally as chapped as he were. He made a mental note to up their water intake. The kiss did not quite feel the way that he visualized it to feel—he thought it would have felt more romantic in a sense. Moreover, he would have believed that they wouldn't be chained to the wall in such an intimate instant. But, good behaviour is rewarded. This was temporary, they knew that, as did he. Just as the kiss was about to end, he felt them lean into it and press their lips into his own. That, above everything else, made him feel like the blessedest man in all of Piltover. Of Zaun, anywhere.

"I love you more than anything," confessed Viktor as he pulled away from their lips. "I'm glad that you're mine." And he meant it.

Their breath hitched just as it constantly did when he touched them. Maybe it was the fact that his hands were gradually examining their body, tilting across every crevice, from where their midsection concave whenever they'd instinctively suck it in out of humiliation, to the quiver of the skin around their navel when his fingers ran along the sensitive region. Viktor's hands were underneath their shirt, his wiry fingers eagerly squeezing the skin. They squeaked at first, his hands were frigid after all but eventually unwound though not peeking at him. Viktor wished that they would look at him like a person rather than an oddity.

The hem of their trousers huddled against their hips, hiding away the most intimate part of their body that only Viktor was allowed to see. For a moment, he looked into their eyes for the right to go ahead, but upon being avoided, Viktor merely yanked them down with enthusiasm pulsing through his veins. His thumbs pressed between their navel and hipbones, in an almost comforting gesture. But it wasn't as if they cared in the long run, however, he could hear their hitching breath. Through dirty-minded thoughts, Viktor's right hand loomed above their sex while his other clasped against their hipbone for support. He was actually doing this—something that he had just as much as dreamed of for years.

"Please," their whiny voice startled his thoughts. "Just... be gentle with me," they didn't seem to be in the mood to fight him at all. That's good. Viktor was sure he had neither the strength nor the energy to deal with it.

His thumb pressed against the sensitive nub below, threatening a gasp from them. "I'll never hurt you," he rubbed their hip in synchronisation with his sensual touches against their sex. "I promise, I will do what I can to make you feel pleasured." His breathing picked up as arousal trickled down his spine like that of the emotions that he loathed. "I want... to see the inside of you. All of you," he spoke aloud, a hint of longing in his tone which he had shoved back this entire time. He wanted them to comprehend his love to its full potential.

Viktor's face pressed against the crook of their neck once again, shifting his hips as he closed his eyes. They were making noises, now, their chained wrists clicking against the harsh metals as they lifted their hands to dig into his back. Secretly, he had hoped that they would call his name. He knew that they knew it. They've spoken it countless times before. Granted, it was always in a fit of rage or hysteria which followed, "I hate you," and, "You ruined my life." But they knew his name at the very least.

Moreover, they were unravelling at the seams. They liked this just as much as Viktor did. They loved him, they had to. Lust and love were on a thin line, so closely drawn together yet had such distinct differences. Could the same be said about obsession? Maybe so, but that did not mean much by this point.

"I love you," he breathed into their neck, his warm breath no doubt sending shivers down his spine or so he hoped. "You feel so soft, so pretty..." His fingers toyed with their sex, jerking in sporadic movements which caused their hips to buck against him, further spurring him on. "Do you like it when I touch you like this? Like I—" his breath hitched when their hands clenched the fabric of his vest, "Like I own you?" For once, they actually agreed with him.

"Y-yes," they let out a pitiful, rueful whine more akin to someone who was used to this sort of thing. But that was inane. They belonged to him. "It feels—It feels really good, I..." Their hips were rolling now, eagerly trying to accept his love rather than pushing it away like they always had been. They were accepting change. They were adapting. "Jus—just like that, please, Viktor—"

And at that moment, time seemed to halt.

They said his name, not out of pure spite or anger, not from him doing something they did not like, but in pleasure. The pleasure that he was inflicting on them. "You're doing such a good job, So good for me," it came out as more of a wheeze than praise, though there was a hint of worship hidden within it. "Are you going to come soon? I want you to come undone because of me. I love you," his lips returned their place at their neck, his crooked teeth nibbling onto their soft skin, further forcing out a reaction from them. Just from their responses and noises alone, Viktor felt as if he was going to come any second now instead, and he hadn't even touched himself. All he could feel was his dick beginning to strain against his dress pants.

It was getting so hot and stuffy, surely he should take off his vest and dress shirt soon. The things that they did to him were things that he didn't even expect. The love he harboured, the desire he held—they were his weak spot. This precious creature. Viktor felt his breathing pick up as he pulled his teeth away from their neck, their delicate skin caught between his incisors.

Once more, slowly, his fingers gently danced around their sex, forcing himself to concentrate and try to block out the absolutely lovely noises that they were emitting. The noises, be as they may, were provided to him involuntarily, he attempting to reject the wail of pleasure that came from them. The squelchy sound of their fluid pooling around his fingers met his ears, giving a sick taste of satisfaction. His left hand clenched their skin a little too tightly for even his standards, the wiry fingers of his right hand working against him, deliberately circulating apart and snapping concurrently, a shudder running down his spine at the howl they made along with the response their body offered. Devoiding much of a thought, Viktor pulled his left hand away from their hipbone, dragging the appendage straight to the front of his dress pants, fumbling with both the zipper and hem in an attempt to pull it away from his groin.

"Oh," he heaved as he pulled away, ignoring the whimper that came from his lover in front of him. They wanted this. They needed this. Needed him. "Would you mind if I tried..." The words died in his mouth as soon as they came out, his left hand hovering above his concealed groin. Surely, they would say yes? They seemed a bit dazed, though perhaps it was his fault for not allowing them the relief that they were so close to acquiring. "I want to... feel you. I may not last very long," he fished his dick out of his boxers, feeling his face heat up to the point where he was sure it was red. "Do you want to?"

They made eye contact with him this time. The humanity, the want, the greed and the fear shone in their eyes brightly, but nothing could cover the telltale signs of love and lust. Viktor already knew the answer, they didn't even have to answer him, he already knew what it was going to be by their reaction alone. This was the key to their heart.

Now, at first, Viktor would not lie when he said that it made him feel a bit shy, or nervous—the thought of them seeing such an intimate part of his body, one of which he knows can be heavily judged based on size, was nervewracking to him. But the lack of disgust in their eyes—or maybe it was hidden between a thick cloud of lust—made him believe otherwise. They liked what they saw, and hopefully, nothing would change the way that they saw him. Their approval is what he strives for. However, that does not exactly matter with how far things have gotten. How many times has he repeated that phrase in his head?

The silence was deafening, but it was enough for Viktor to shuffle forward and shift his weight onto his somewhat good leg, swallowing the rising lump in his throat as he used his free hand to pull down their trousers. After this, he would be sure to give things a thorough wash. "Can you come closer?" He asked as he pulled his hand away. Please come closer.

He hadn't expected them to listen to him, nor to actually push themselves off the wall just to get closer to him, but, at the same time, he was not complaining. "Good job," he praised, his hands returning to place on their hips. Their skin felt so warm, but Viktor could still feel the reluctance radiating off of their perfect form. Now, this was just a question of whether or not he should go through with It. If he should finish claiming them.

The rattling chains served as a constant reminder for them to not fall out of line, and Viktor was sure that they did not want to do such a thing, especially not so close to salvation at this point. Steadily, Viktor felt their thighs wrap around his hips, and though the pressure and their weight being shifted onto him were agonising, he tried to force his way through it. The way that he could feel the tip of his dick press against them—that was like pure ecstasy. He never thought the day would come when they would grind into his lap so sensually, and act as if they had never tormented him for years to come.

"God," there was a slight plea laced within his velvet tone, "I need to be inside of you. Please," as much as Viktor loved them, he could never trust them to be the one providing. Not with how their behaviour had exhibited... less than desirable traits. "Will you allow me? We could finally become one in a sense. I just want to feel your insides around me, I want to feel your body heat against me." Whether or not they found pleasure in Viktor's begging, they offered him a response anyway:

"Shut up," was what they said. "Go ahead."

And with that, Viktor found himself slowly pushing their body down into the mattress, further ruining the bedspread and sheets that weren't even properly fixed in the first place. They still seemed reluctant, as their tone even harboured a certain edge to it, but hell, Viktor could not fault them. He feels nervous, too, of course, he does. Pulling down their trousers fully to their calves, he felt a knot grow within his throat. The thought of someone else doing this to them caused bile and jealousy to rise within his empty stomach, curling and screaming in the back of his mind, yet he pushed it aside in favour of much kinder thoughts.

A part of him wished to be able to twist and manipulate this circumstance, but he knew he didn't want to do such a thing - Viktor wanted nothing more than for them to just become wholly his and only his until death would take hold of them both. And even then, that would not split them apart nor dwindle his love for them. "I'm going to..." There was a brief pause, embarrassment etched across his face, "Er, make love to you," he spoke aloud, though it was more as if he was convincing himself that he was going to, rather than informing them.

There was little to no resistance when Viktor pressed himself inside, but it was such a foreign feeling that he could not help but whimper at the sensation. They were warm on the inside, and not the mention that their body would occasionally clench around his dick. His golden eyes gaped at their face, eyeing the expressions that they would make, all the way until the hilt of his dick finally pressed against their pelvic area. This was embarrassing.

Shamelessly, Viktor pulled back his hips, only to snap them forward with a moan. He tried his best to keep quiet, however, with the way that they started breathing heavily with their knees pressed up against the sides of his thighs, he couldn't help but feel overwhelmed. They were perfect, they felt perfect - on the inside, the outside, no matter. He hunched his body over their own, using the strength in his arms—what was left of it, anyway—to keep himself up. Viktor had no clue how long he would last, nor how his body would allow him to continue. But with how it felt, he hoped it would be long enough.

"You—you're... You're big," they suddenly confessed, a slight whimper escaping with the moan that left them. Fuck, they sounded so adorable like that. "Don't... Stop, please—"

A shiver ran down Viktor's spine at the blatant praise that fell from their lips shamelessly, it seemed so heinous, almost as if they were trying to get him going. "Ah..." Keep talking. "You, ah—you think so?" He panted as his hips snapped forward once, then twice. Was he drooling? Shit, he was drooling. "You feel so good on the in—the inside. So warm, so inviting. I would never... want to stop," a particularly loud moan escaped him, which seemed to be a hybrid of both a moan and wheeze. His lover didn't seem to notice nor care, however.

Why would they ever want to leave when they have such luxury in their life? Here they were, underneath Viktor with their eyes clenched tightly, hands balled up in fists as strings of moans escaped their bitten lips. They looked gorgeous like that. It even made Viktor feel powerful to know that he was able to make them feel such a way. Nearly impossible, he thought, if they weren't tied up and reluctant to accept him, they might have tried something devious and that would have ruined every single thing that Viktor had planned. Still, they're accepting his love.

His rhythm wasn't exactly straight nor following any set beat. Viktor felt as if his movements were sloppy and skewed, choppy thrusts and shuddering muscles that he was surprised had lasted this long. He could feel himself growing close, but he couldn't allow himself to unless they had, first. They mattered more than anything else.

"D... Darling," he nearly cried out, "I love you so much—" One of their hands threw itself behind Viktor's head, tangling their fingers within his messy locks of dark hair, gently tugging him forward. A shock ran down his spine at the gesture.

"I know," they breathed, "I know you do." Were they feeding into his delusion and leaving him to feel as if they felt the same, or did they genuinely love him at this moment? The way their eyes slowly peeked open was complete bliss for him, the irises that stared directly into his own with blown-out pupils—love.

He felt his sloppy movements speeding up, all while his body became sore from the extended movements, and all while this happened he felt the drool collect on the edge of his lips, dripping down his chin to their shirt, wetting the wrinkled fabrics. It didn't matter how ruined it would get, Viktor made a mental note to give them an even better shirt. Nevertheless, a knot coiled itself within his gut, curling around his navel and shooting a cramp up his spine in an almost pleasurable manner.

His bottom lip caught itself in between his incisors, muffling a forthcoming moan. "Are you—" a choked moan. "Are you clos—close? Please—" There was borderline whimpering in tone and he could not help but feel embarrassed for it, but the trembling person below made him feel a little better about his childish worries. They nodded without speaking, staring at him through thick eyelashes. They were gorgeous.

Viktor smiled, and it met his eyes. "So am I."

It was blissful, for him, at least—everything seemed perfect and in order as Viktor's right hand clasped around the side of their waist, squeezing the soft, malleable flesh: pliant. His breathing picked up, as did theirs, but he was determined to stretch this out for as long as he allowed himself to. As he closed his eyes tightly, Viktor felt his thumb dig into the dip between their stomach and hip bone, causing a red indentation on the soft skin. Through his pleasure, he could hear the loud sound of their moans below, as well as the sound of skin slapping against the skin; the squelch of genetic fluids mixed. Viktor's eyebrows furrowed together at the sound, his head falling against their chest, forehead pressed directly above their heart. Their clavicle, he presumed. They felt so good, he didn't want to stop, but he was so close.

"Viktor—" they cried out, suddenly, "I'm g—going—" there was a loud, rueful cry, followed by a high-pitched whimper. He could feel them clench around his dick, and then they had come. This sent him over the edge. Viktor lifted his head weakly and pressed his lips against their own, his saliva smearing all over their mouth and cheeks. He moaned into their mouth, pressing his hips forward one more time as his hand clenched their skin, surely hard enough to leave a bruise. He emptied inside of them, the muscles in his thighs twitching and convulsing, his dick soon going limp thereafter.

For a moment, Viktor caught his breath, chest heaving with laboured breaths. Tears pricked his vision when he opened his eyes, and the slobber dripped from his lips. His legs felt as if they were stuck in mud, but how did they feel? As he lifted himself, Viktor stared down at the person below him, completely covered in the afterglow. I came inside, that was an accident, he thought, but they looked so cute like that.

Much like before, Viktor felt a knot form in the middle of his throat, Adam's apple bobbing with each calculated swallow and breath.

Viktor felt breathless, but he felt as if that was to be expected. He stared down below at the barely visible person he had claimed just a few moments prior; his vision betraying him. He rests his forehead against theirs, a promise of devotion. "What can I do to make you love me?"

"Let me go," they whispered in a soft croon.

"You know I cannot afford to do that. You're mine."

[literaila]

*mischievous laugh* mueheheh

hypothetically, what if reader dies? 😈 what will poor megumi and tsumiki do now? what would gojo do too? 🥸

um… hello??? what is wrong with—

okay, so let’s start off with the simplest reaction. megumi is out for vengeance.

it’s clear that he’s got a bit of a… sadistic nature to him (undefined by whatever morals normal people have, yeah whatever). but why is he strong if not to protect the world from evil things? why does he have power if he’s not supposed to use it?

so, you being a jujutsu sorcerer, it’s likely that you died fighting a curse. if that’s the case, megumi is hunting that curse down and eliminating it in an instant. and then he keeps going. he’s going to kill every curse he can find, because you shouldn’t have died.

if anyone doesn’t deserve to die, it’s you.

and while megumi can hear your words in his head, telling him to protect others, to take care of people, to stay with his family… if you’re gone, what does it matter?

megumi will live in his anger. he doesn’t need depression or acceptance. what he needs is you, and if he can’t have you anymore…

and then there’s tsumiki. she wouldn’t feel angry, like megumi, but lost.

it’s obvious that she believes there’s a sort of destiny within the world. she thinks that all bad things happen so that the good things, the truly good things, can come next. she believes that you have to feel pain to feel pleasure. she trusts this idea.

before you die, tsumiki isn’t afraid of anything.

but after you die, she loses her purpose. her ideals, her faith in the world.

she goes from the trusting little girl who would believe satoru if he told her that he was really a robot with a human heart inside of him, from the girl who took everything at face value, believed that all people should protect each other, help each other—

she goes from your little girl to something entirely different.

what’s the point of this? she wonders. if her mom had to die to bring her to you and satoru, she understands. if she and megumi had to take care of themselves for a year—living in some apartment that didn’t have running water—just to find a real family, then it was worth it.

but what’s worth it if you’re dead? what’s the point to losing another mom, another person that tsumiki was supposed to help take care of?

she can’t do anything, though. she’s always been the most powerless of her family members. and after you die, she’s not your little girl anymore.

she’s just lost.

and, of course, satoru.

i think he shares the same grief that both megumi and tsumiki feel—anger, denial—but he’s older than them. he loves you differently than they ever could.

there was a time when satoru had pushed you away just to get back to that place where he was nothing but strong. where his feelings had no bearing in his power, where emotions didn’t matter as long as he was the honored one.

but, really, if it takes you dying to get back to that place—then satoru never wants to be strong again.

when suguru died, satoru was committed to carrying out his plans. to protecting sorcerers from a world forged against them. he wanted to train a generation of sorcerers who didn’t have to worry about dying with regrets, who could take care of themselves along with all of the non-sorcerers in the world.

to eradicate cursed energy, in whatever capacity.

but when you die, satoru loses all that purpose. why should he care about the world when he no longer has to protect you from it?

why should he care at all?

so, just like after riko died, satoru is back to being nothing but a vessel for power. he doesn’t care who he kills, what he kills, as long as it has some meaning, some pointless purpose that doesn’t matter to him.

but, it only takes one memory of you to snap him out of it. he can almost feel you clawing at his chest, your voice begging him to take care of them.

so, eventually, satoru finds his way home. he’s got two other people to protect.

and he’ll be damned if anything happens to them.

[laceylavender]

Gale and Katniss are proof that you can grow up in the same circumstances and still learn to see the world in a different way.

Growing up in famine, abuse, violence, poverty and under control of a corrupt government gave them similar circumstances to grow up in: being the oldest sibling, their fathers dying in the mine, becoming the providers of the house at an early age, losing almost everything to said government. While Katniss developed a sense of empathy for everyone affected by this government (whether they were more privileged than her, or not), Gale developed a sense of hatred and thirst for vengeance because the people that weren’t his people had privileges that no one should have, while his family and his friends were being starved, or killed.

That’s why from an early age (pre-teen to full blown teenage years) he had always been thinking with the mindset of a hunter, only he wasn’t only hunting in the forest for prey and food, he was hunting in the real world and he was hunting his enemies, perpetrators and by-standers who did nothing to stop them, they all fit in the same category for him: the enemy. He grew up thinking of ways in which he could kill them if he could, that’s why earlier in the books he tells Katniss he would kill the Capitol citizens if he could, they were nothing to him.

When Gale sees the Capitol bomb and fire his district and kill his people, then gets evacuated to district 13 and has the opportunity to do something, to be of value and design strategies that can help kill said enemy, he does it. No second thought.

The thing is, both Katniss and Gale were right in certain aspects, especially in those they couldn’t agree on, and for me is easy to see from the perspective of both.

In war it should be common rule to offer the possibility of surrender first, but when your enemy doesn’t surrender and you see your own army lose more and more members, you attack - most of the time these are “last resort” attacks that end in lots of human life lost, but when you still give them a last chance to surrender like they did with the train in 2, it still shows a little glimpse of hope and empathy, that not everything has to be lost to war, and this is the part Gale didn’t understand, because if he paid too much thought to it, the lines would get blurred in his head, it was easier to see in black and white.

Personally, I’m in a grey zone when it comes to both of their thinking, and that’s why as a world with increasing and escalating issues we’ve created mechanisms like humanitarian law, war law, international human rights, etc, etc, we need to draw the lines, this is the playbook Katniss was referring to. What’s too much in war? A bullet to the head? Burying people in a mountain just for the sake of killing them? Where’s the line? Hijacking and manipulating people, stripping them of their consciousness and identity? Sending children into an arena to murder each other? Human trafficking? Sex trafficking? You see where I’m going? This is not about Gale, it’s about war.

Look at history, look around you. What do you see? What do you make of it? And please, use critical thinking. Is it acceptable to kill group B if they’ve killed people from group A? Do people from group B deserve a second chance, although their victims didn’t? Your opinion and reasoning depends a lot on the morals you have, and your own experience with war and abuse, which, if you’ve been lucky enough not to have a first hand experience with it, you should also take it into consideration before saying something. Just think, consider, see beyond yourself, see from different points of you, keep the definition of good and evil close to your hand and take note where they start to get blurry. What do you see?

[lenaellsi]

it's honestly a bit odd to me that so many people have jumped on the 'aziraphale will be pulling all the strings and playing politics in heaven' train. like I think it's true that the metatron is underestimating aziraphale's intelligence and ability to disrupt the second coming even while separated from crowley, but I also think the idea that aziraphale is going up to heaven with a clear idea of how he's just been lied to, an understanding of how much danger he's in, and a plan to stop it is a huge reach.

frankly, aziraphale is very vulnerable to manipulation. I'm thinking now of neil’s post with the diary entry from before the edinburgh minisode where he was duped by two humans, the whole thing with the nazis in 1941, and his sponsorship of shadwell's various obviously fake agents (sergeant milkbottle, etc.). he's not nearly as savvy as fanon tends to portray him. he takes people at face value, especially people he thinks of as Good. (that's not a dunk, btw--I find these things endearing, and a sign of aziraphale's innate wish to see the best in people. I just think that sometimes the BAMF protective aziraphale of fanon overshadows the slightly more naive aziraphale of canon. and honestly, I also think TV aziraphale is just a bit softer than book aziraphale, though he is capable of stepping up when it counts.)

and he's a bad liar! I know it's a meme in the fandom that aziraphale lies all the time, but he doesn't like it, and he's bad at it. he gets nervous and comes up with terrible excuses and the only reason he ever gets away with it is because the people he's lying to are idiots (gabriel), have their own agendas (god, the other archangels), or trust him to be honest (crowley).

aziraphale's real strength is his ability to take sudden, completely unexpected action. that's one of the things that crowley admires most about him. "he's unpredictable," is what he says to nina, and it's true! aziraphale's greatest moments of rebellion have always come from spur of the moment decisions, not intricate plans. (if anything, crowley is the planner--the arrangement and the thwarting of the apocalypse, their two longest cons, were both his idea.)

aziraphale gives the sword away because when he is forced to make a decision under pressure, he tends to land on the side of rebellious kindness. shielding crowley from the rain in eden, lying to gabriel to protect job's family, defying the quartermaster and returning to earth via possession during the apocalypse, blowing up his halo--he does these things because he's following that same impulse. when aziraphale has time to over think, he frets and fusses and is paralyzed by indecision. (or worse, he falls back on what heaven has taught him.)

TL;DR: I don't think aziraphale has any sort of grand plan other than a generalized "make things better," and I certainly don't think he is planning to betray heaven. he might try to come up with a plan once he figures out how bad things are going to get, but my bet is that what will actually disrupt the second coming is an absolutely bonkers off the wall decision that no one, crowley included, could ever predict. and I think it’ll happen, as it usually does with aziraphale, just after he accepts a difficult truth that fundamentally shifts his worldview—in this case, his final rejection of the idea of “good” and “bad” people, and of the entire morality system of heaven and hell.

[shotoyami]

Can I request Scott summers x reader ( gender doesn't matter ) where Scott is reminiscing about his life with the reader. Scott and reader are bestfriends and have always been together as X-Men, they have never left eachother. As he is reminiscing he's like shoot I think I'm in love with my bestfriend.

Bro, what if we like…kissed right now? Wouldn’t that be, idk, crazy?

prenotes: first off: I’M IN LOVE WITH THIS, SOFT SCOTT OMGGGG!!!!

that aside, my absolute obsession for this man aside,

this request literally made my heart melt, imagining how silly and cliche it is to realize you’re in love with your best friend; literally one of my favorite troupes, hands down.

Thank you so much for the request, anon<3

pairing: Scott Summers + gender neutral reader

warnings: none, yet again!

genre: fluff, absolute filthy fluff– like, seriously, enough to make even the strongest man crumble and slam his fist to the ground

notes: as mentioned above, one of my favorite troupes. it’s everywhere in media, but you can’t help but squeal and kick your feet when you see it happening. I am but a simple human being, in love with the cutest, most sweetest concepts known to man. that aside, I hope everyone enjoys this one as much as I enjoyed writing!!!

word count: 700

Scott’s always deemed himself as awkward. Yeah, sure, it’s a pretty huge flaw of his, but everyone is awkward about something at some point. 

That being admitted, Scott fully understands that friends aren’t awkward with each other (at least, not from any experience of his). In fact, he finds himself quite content in his friendships, especially one with his best friend, (y/n). A silly little mutant, one that instantly clicked with him. It was refreshing to have someone that didn’t immediately smartass him. They’d always been so respectful of him and valued his say-so– it really didn’t come as a huge surprise to anyone that the two were fast friends.

It’s refreshing to have a best friend like (y/n), someone he can speak unfiltered to. For example, when he and Jean broke up (gosh, he’s cringing so hard at the memory– her admitting she’s leaving him for Logan of all people), (y/n) was the first to check up on him, and even did their best to keep his morale high.

Now, don’t get him wrong, Scott is no sort of rule breaker, not by a long shot, but who can say no to (y/n)’s pouting face when they asked him to sneak out one night and just…take a break from the mansion, from other mutants, for one night to just be at peace.

And he appreciated it a lot. It definitely helped. But, being around (y/n) in general is always so much fun, it’s almost upsetting when he has to retreat to his dorm for the night– well, unless they had an impromptu sleepover, set with a pillow fort and everything. 

To have someone understand him so well, someone he genuinely enjoys being around and listening to, from going on missions together, to just listening to them rant about whoever had annoyed them the most that day, even to just laying next to each other (not touching, of course, Scott prides himself on being extremely respectful of boundaries, thank you very much).

That all being said, Scott just couldn’t shake a growing feeling recently, one that made him stop and think about how he feels his best around his best friend. It’s like he’s been seeking their presence more and more recently– but he wouldn’t consider himself clingy? It’s all confusing, and a lot to digest, so he’s just pushed it aside.

But now, sitting in his dorm, lost in thought while still attentively nodding as (y/n) rambles about their latest annoyance (Gambit’s daily card trick that involved blowing up the fridge), Scott can’t help it as it hits him. The realization hits him hard– like a train carrying 5000 tons of freight had ran right into him. ‘Holy shit, I’m in love with my best friend.’ Scott stares blankly for a second. It all made so much sense now, the lingering touch they shared when passing an item to one another, the longing gaze that followed (y/n) any time they’d leave the general area.

“(y/n) I have something to tell you!” Scott blurts out, leaving the other person confused, though they tilt their head, urging him to continue since apparently it was important enough to interrupt them. “I think I like you- like, a lot, but I don’t want to jinx or ruin what we have, I value our friendship so much and-”

“Damn, that’s gay Scott.” ‘What? Is that really all they have to say?!’ Scott frowns a bit after hearing that response, it was unserious and clashing with him as if they think he’s joking or– “Alright, I’m chill with gay. Gimme a smooch, Scotty.” Though a bit caught off guard by the random nickname, Scott finds himself unable to argue, scooting closer to them and– hesitantly, looking for further consent– reaches to cup a hand against their cheek. He leans in and– god, it’s everything he’s ever wanted and more, so soft and full of feelings, a silent admission from their side of reciprocation. He finds himself chasing after the feeling of the kiss when they separate, which only causes (y/n) to giggle. “Gosh, desperate are we?”

“Only for you…”

[tjlnn22]

An Analyis of the Ending of "The Killing Joke"

This scene is one I've wanted to get my thoughts written out on for a while and one of the most interesting in all of DC comics from how important it is to understanding both the characters of Batman and the Joker.

So, this scene is the finale of the oneshot comic "The Killing Joke" By Alan Moore, and is directly preceeded by Batman once again foiling the Joker's evil plan, beating him both verbally and physically before then kicking him to the ground to seemingly knock him out.

For what then follows, I will post the full comic pages so you can absorb the scene first.

Ah, the infamous cutaway that leaves the ending so open to interpretation. But what exactly does all of this mean? Well, I'll give my interpretation:

The scene starts in the same way as many other fights between Batman and Joker have concluded. Joker gets defeated, Batman saves the day, the clown prince of crime will get chucked back into Arkham until he inevitably breaks out once again, and then they'll do the whole thing over. "You know, I think you and I are destined to do this forever", that's how their story always goes. However, this time things are different.

This time, Batman doesn't beat Joker senseless, even though cosnidering what Joker spent that evening doing to his friends and family, he would richly deserve a good beating by anyone's estimation. Joker expects that of Batman as well, and he accepts the beating and re-imprisonment that he's sure is coming his way, because that's how it's always been. And yet instead, this time Batman chooses to talk with him. He tells Joker the facts of the situation, that despite everything, he actually doesn't WANT to hurt him, and knows that if they keep going down their current path, one of them will eventually kill the other. Batman knows it, and he knows that Joker knows it too, and he doesn't want that to be the case, because above everything else Batman values preserving human life as a goal equal to and often greater than stopping crime. He doesn't want to kill Joker, it would go against everything he stands for, but he knows with every encounter they share that possibiltiy grows more and more likely.

In a similar fashion, the Joker doesn't actually want to kill Batman either. Despite how he may play the part of wanting otherwise, the entire story of the comic up until this point has been about Joker trying to prove a point to Batman. That deep down, everyone can become him, that all it takes is one bad day to turn even the most moral man alive into the Joker. whether this is because Joker genuinely believes this, or it is meant to simply justify and excuse who he himself became from his own tragedy, is never really confirmed, though it is most likely a bit of both.

Either way, we see that Joker is not happy at all by Batman attempting to talk to him instead of beating him. In fact, he's practically sulking. Now, is this due to the fact that his big plan just failed, sure, at least partly. However, there is something else going on as well. All of Joker's plans fail sooner or later, this is no exception. It's something he expects despite coming up with a new one every week. This time though, he genuinely looks depressed, and this is in part due to Batman breaking the magic of their routine. By speaking to him like anyone else, by reaching out to Joker, Batman is attempting to fundamentally change their relationship forever. Batman wants it to end, he doesn't want to keep fighting Joker until it kills one of them, he wants Joker to stop. But Joker doesn't want to stop, he doesn't want Batman to die or stop chasing him because the relationship he has with Batman is all he has left. He has no real friends, no goals outside of plans to mess with Batman more, he has nothing outside of his role as Batman's arch enemy, and he knows it.

And yet, despite all that, when Batman genuinely reaches out to him, appeals to the fact that their lives were both heavily affected by past tragedies and offers Joker help to try and move past that, to be better, even after all the atrocities he's committed, despite all that... Joker actually seems to consider his offer. We can see this by his hesitation, and the fact that he doesn't just laugh it off right away or make fun of Batman as he would any other time.

This time, Joker seems to consider the offer, and turns dead serious in a moment that is probably the most normal display of genuine human emotion we get from him, and he tells Batman that he's sorry. Joker genuinely apologizes for not being able to take Batman up on his offer, looking like he's about to cry as he declares that it's far too late for him to take any offer Batman could give him.

The question is, why? Why is this time so different, why does Joker seem to actually consider Batman's offer and reject it in such a human manner? Well, I truly believe the answer is clearly seen in the joke that the conversation with Batman reminds him of. I will go through it line by line and give my interpretation.

"See, there were these two guys locked in a lunatic asylum" I think this obviously is referring to Batman and Joker. They are the characters of this joke/story, the conversation between them reminded Joker of this joke (or he just came up with it on the spot to suit their situation, but regardless) and they are also the only two characters in the panel where that line is said. In this case, the 'asylum' in question would be their rivalry, their roles as Batman and Joker and everything that comes along with that. Makes sense, none of the things either of them do in those roles are things that normal, sane people do, and both of them were traumatized in their lives by horrible events and spiraled into becoming the Batman and Joker because of it.

"And one night, one night they decide they don't like living in an asylum anymore, they decide they're going to escape." This is a clear metaphor for ending their roles as Batman and Joker, perhaps just for that particular rivalry or all together. Escaping the asylum means returning to the normal, happy lives they had before their trauma. Batman has already stated he wants to end his fighting with Joker, however the fact that both men in the story wish to leave the asylum together implies that Joker also secretly wants that too, which is very interesting as we go on.

"So like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moonlight, stretching to freedom." Given that Joker is looking at the moon shining over Gotham as he says this, I think it's clear that the 'freedom' here is living a normal human life the same way all the civilians of Gotham try to every day. It's about having a chance to be better, to do better and make something of your life everyday beyond the endless cycle that he and Batman are trapped in with each other. As long as that cycle exists, they can never truly be free, even though the Joker can break out of Arkham whenever he wants and do practically whatever he wants until Batman stops him. Their rivalry prevents either of them from ever being free.

"Now the first guy, he jumps right across with no problem. But his friend, his friend daredn't make the leap. Y'see, y'see he's afraid of falling." This is where we see Joker differentiate himself and Batman in the story, and how their situations in life currently exist. Batman is the first guy who is able to escape the asylum and return to the city fairly easily, whenever he desires. This is because that, unlike Joker, Batman has his life as Bruce Wayne to live and fall back onto. He has many friends and a large family both adopted and biological who rely on him and give him something good and happy to live for. He can leave the asylum because he sees the light on the other side, he has hope and knowledge that things will turn out alright if he does. But Joker does not. Joker doesn't have another life to live, no family and no friends to fall back on and lift him up. All his life consists of is the asylum and Batman, the other man right along with him. He knows nothing else, and so it seems impossible for him to ever jump across to the other side and join Batman in freedom.

However, it goes beyond that. Joker isn't scared to leave the asylum because it's all he knows, in fact he's just as eager to leave it with Batman. What he is afraid of though, is FALLING as he jumps across. What does falling mean in this case? Well since escaping the asylum would mean ditching the roles of Batman and Joker and returning to a normal life, falling would be failing to do just that, failing so hard that it sends him plummeting right back down, either to death or to being left alone and away from the safety of the asylum and more importantly the companionship of Batman. if he falls but Batman doesn't, he'll be left lost and alone, pointless and forgotten, and that's what Joker fears by leaving the asylum.

"So then the first guy has an idea. He says 'Hey! I have my flashlight with me! I'll shine it across the gap between the buildings. You can walk across the beam and join me!" This part of the metaphor I believe is meant to represent Batman's offer of help to the Joker, the therapy/rehabilitation that's intended to help him get better. In this case though, the help is being represented by something that has little actual effect. You can't walk across a beam of light to cross over to another building, in the joke it's only meant to stop the second guy's fear of falling. It isn't actually a real bridge to freedom, just an illusion of one that Joker thinks Batman is giving him.

However, than we get to the punchline.

"B-but the second guy shakes his head. He suh-says, he says, 'wh-what do you think I am? Crazy? You'd turn it off when I was halfway across!"

And here we get the real reason why Joker can't take Batman's offer, why he can't join him in freedom outside of the asylum. It isn't because he doesn't think the help Batman is offering him would work. The beam of light not being a real bridge to walk across isn't the problem in his eyes. The problem, is that believes that if he tried to walk across it, Batman would shut it off and let him fall. Because what Joker is truly scared of, isn't that the help Batman's offering him wouldn't work, he's scared that the help might actually have a chance at working, that he may have a way to get out of the asylum for good, but that Batman will give up on him before he reaches the other side.

He's afraid that the only person in the world who genuinely cares about him and wants to help him, will end up giving up on him and forgetting him if he tries to get better. We can see that in the way Joker delivers the punchline, turned around to stare directly into Batman's face with a disturbed, crushing smile of realization on his face while the symbol of freedom that is Gotham, bathed in the light of the moon sits directly behind him, just out of reach. He's accusing/telling Batman of why he's afraid, that he could never trust him enough to actually try and rehabilitate him, and he's laughing because he knows there's no way out of this.

And Batman, once the joke finally hits him, realizes the exact same thing. He knows then that Joker will never actually be able to be helped, there is nothing he can do for him because Joker will never trust him enough to let himself be helped. There is no way out of this for them now that Batman's final appeal to peace has been turned down by a man to broken to realize it was his way to a better life, a free life.

And so, knowing now how their story will end, Batman does the one thing that Joker always wanted from him, and breaks his role as Batman for just a moment. He shares in a final laugh with Joker as he puts his hands on his shoulders, up by Joker's neck, and the two laugh and laugh together until the scene cuts away and their laughter cuts off equally as quick.

Now, did Batman kill Joker here? The single question everyone tends to ask when they read this scene. Now, canonically we know that, no, Batman does not kill him, Joker returns again and again after this, but in this case I do fully believe that the creator of this comic, Alan Moore (the same man who wrote Watchmen), did likely intend for that to be the ending. The fact that the scene opens with Batman acknowledging that their relationship will end in death, and that the only way out of that is for Joker to accept his proposal I think seals the intent of the ending pretty well. Joker Can't accept his proposal, because the trust between them that would be necessary for that is something that could never truly be built up as they exist in their roles as Batman and Joker. They both know this, and so Batman ends their relationship and breaks his one rule by freeing Joker the only way left it is possible to free him, in death.

So, as much as I personally think that having Batman kill at all is a fundamental no no that you just can't do with his character because it goes against everything he stands for, I think this as an intended ending by Alan Moore to the relationship of Batman and Joker works very well. It is one of many endings in across many comics. Is it my favourite? No, though I would put it in my top three. however, I do think that this is the meaning that Moore was trying to convey in this scene, and I truly believe he does a beautiful job at conveying it!

[atlasthegreatest]

The Wonder and Guardian of Themyscira / Wonder Woman x Brother!Male reader

Some headcanons about Diana and you- the reader- as her brother.

Word count: 2652

A/n: This was requested by an anon. Sorry for the long wait, and enjoy!

As Diana's brother, Y/n would have grown up in Themyscira, raised under the same Amazonian traditions and values. Although the island is typically home only to women, perhaps the gods themselves have blessed your birth, making you an exception. He was trained alongside Diana, mastering combat, strategy, and diplomacy. This shared experience would give him a bond of understanding rooted in his unique education, but would also introduce some competitive rivalry between siblings, especially in training.

Being the brother of the greatest warrior in the world can be a source of pride and frustration. Diana, with her natural gifts and divine heritage, may have always been the superior fighter, but Y/n still strives to prove himself. He respects her a lot, but there is an underlying desire to get out of her shadow and create his legacy. However, the rivalry would always be tempered by mutual admiration and love, with Diana offering encouragement instead of discarding his efforts.

While Diana is often in the world as Wonder Woman, Y/n stays in Themyscira more often, acting as guardian of the island. His role would be to preserve the traditions of the Amazons and ensure the security of Themyscira against external threats. He takes his duty seriously, understanding that it is his way of contributing to the greater good, even if it is not in the center of attention like Diana's heroism.

Diana is often seen as an infallible symbol of hope and strength, but her brother, Y/n sees her moments of doubt. Y/n is one of the few she trusts when she is not sure about her decisions, particularly when it comes to moral dilemmas or her relationships with the gods. He offers her advice, sometimes playing the devil's lawyer, but always to support her growth as a person and heroine.

If Y/n shares divine blood, he would have his powers - probably different from Diana's, but complementary. Maybe he has a connection with another god, such as Hermes for speed or Ares for combat feats, which adds another layer to their relationship. The two can sometimes conflict about their different approaches to conflict, especially if Y/n’s powers are more aggressive. However, these powers make them a formidable team when working together.

Despite Y/n’s immense power, he still has a protective instinct when it comes to his sister. This can manifest in small ways, such as offering advice when he thinks she is trying too hard, or in larger and more dramatic ways, such as entering the battle alongside her when the stakes are high. Diana, of course, finds this captivating, but unnecessary, remembering that she can handle herself - although she appreciates your support.

Although much of their dynamic is serious and driven by duty, there would be many provocations of siblings and humor. Diana can jokingly remind him of the times she surpassed him in training, and Y/n would counter by teasing her about her sometimes excessively serious attitude. These moments of lightness would humanize them both, showing that even the most powerful beings have room for play between siblings.

One thing that Y/n and Diana would deeply share is their love for humanity. They both see the potential in people and feel the duty to protect the world from damage. However, Y/n may have slightly different approaches. While Diana defends peace and diplomacy, Y/n can have a more pragmatic or even combative approach, creating some interesting debates between the two of you.

In Themyscira, even if Y/n is not the heir to the crown like Diana, he naturally fits into a role similar to the "second in command" among the Amazons. Whether leading the battle when Diana is away or acting as Queen Hippolyte's advisor, Y/n is trusted with high responsibilities. Diana often jokes that he would be a great monarch, although Y/n ignores this, being content to support her. This creates a relationship dynamic in which they both recognize each other's strengths and complement each other as leaders.

Both Y/n and Diana have Queen Hippolyta in the highest regard, but while Diana is emotionally closer to her, Y/n has a slightly more formal relationship with his mother. Y/n has always been the child's duty, perhaps more than Diana's, which can cause some tension. Diana can provoke him by being a "mom's favorite", but, in fact, he often works harder to win her approval, knowing that he is living in the shadow of the greatness of Diana and Hippolyta.

While Diana embodies the ideal of truth, Y/n has his code of honor, shaped by different influences. Maybe Y/n values loyalty above all else or sees strength in pragmatism instead of idealism. This difference can cause debates between him and his sister when facing moral decisions, especially when Diana leans towards diplomacy and Y/n advocates direct action. However, these disagreements never weaken their bond - they strengthen them because they both learn from each other's perspective.

As one of the few men raised in Themyscira, Y/n would have a unique relationship with the other Amazons. Although they are initially skeptical of his presence, he has earned their respect through his combat prowess and unwavering loyalty to their cause. Y/n may even be considered an honorary Amazon, although some of the most traditional warriors may joke about his "foreigner" status. Diana appreciates the camaraderie Y/n developed with his Amazonian sisters and is proud of the way he adapted to their culture.

Although Diana is deeply connected to the human world, seeing it as a second home, Y/n may be more ambivalent or even skeptical about it. Having spent more time in Themyscira, he values the purity and strength of their homeland. When Y/n accompanies Diana to the outside world, he feels like a stranger, often questioning his faith in humanity. This creates interesting conversations, since Diana's optimism clashes with his cautious or more hardened vision of humanity's failures. Over time, however, Y/n begins to see the beauty of the outside world through his eyes, softening his posture.

Despite the weight of their duties, there are times when Y/n and Diana return to their playful and mischievous childhood selves. Maybe it's a joke war that started thousands of years ago and continues to this day, or friendly competitions during training matches where they cheat to get the advantage. These moments of lightness are essential to balance the immense responsibilities that the two carried. Diana is often the instigator, remembering that even warriors and demigods need to let go and have fun from time to time.

— Diana as an “older sister” —

Even if Y/n is older in some way (by birth or training), Diana often takes on the role of "older sister" due to her natural wisdom and maturity. She may be the only one to give him advice on how to deal with emotions or navigate complex situations, despite being technically younger. Y/n appreciates her guidance, although sometimes he reminds her jokingly that he is the oldest. Still, Y/n has always admired her confidence and balance, and in moments of doubt, it is to her whom he turns to comfort himself.

Like any sibling, Y/n and Diana occasionally fight. Maybe it's about different strategies in a mission, or something more personal. When discussions happen, they can be intense due to their strong personalities, but they always end with reconciliation. Diana is quick to forgive and seek understanding, and Y/n has learned to follow her example. There is never any long-standing bitterness between the two of you because, deep down, you both know that your bond is unbreakable.

Diana, being more in tune with emotions and diplomacy, would be a protector of Y/n's mental and emotional well-being. She would be the only one to comfort him after difficult decisions or battles, knowing how the burdens can weigh on him. Similarly, Y/n would have an almost fierce protection when it comes to Diana's emotional state. Knowing the immense pressure she faces as a heroine and demigod, he would ensure that she had space to express doubts or vulnerability without judgment.

— What would they do if the other is threatened? —

If someone - be it a god, villain, or even another hero - threatened or disrespected Diana, Yn would be quick to intervene and defend her. He wouldn't tolerate anyone belittling or underestimating her, regardless of who they are. Diana would do the same for him, intervening to ensure that no one would challenge or harm her brother without facing consequences. Both would feel a deep responsibility to protect each other from external damage, physical or not.

Sometimes, this protection was shown in subtle and more silent ways. Diana can encourage Y/n to take breaks when she sees him overwhelmed or burdened by responsibility, encouraging him to rest when otherwise he would not. In return, Y/n would take on extra tasks when he saw her getting overwhelmed or when she needed space to recover from a difficult mission, silently protecting her from exhaustion.

There would be a tacit agreement that if one is in real danger, the other will drop everything to save them. In battle, their protection is instinctive. If Diana is knocked down or Y/n is caught in trouble, they would not hesitate to abandon their current fight to help the other. This level of altruism would be a trademark of their relationship, showing how deeply they prioritize each other's safety.

Their protection would not only be directed out; they would also protect each other from making harmful choices. If one of them becomes very reckless or overwhelmed by anger, the other would intervene to offer perspective. Diana can prevent her brother from making morally compromising decisions out of frustration, while Y/n can remind her that she doesn't have to bear the weight of the world alone. They act as checks from each other, protecting not only their physical well-being but also their emotional and moral integrity.

— What was their childhood like?—

Growing up in Themyscira, surrounded by Amazons, Dian, and Y/n would have been curious and adventurous children. Although they respected their Amazonian teachings, they could not help but do mischief, sneaking out to explore hidden corners of the island, climb sacred monuments, or borrow enchanted weapons to have fun.

As children, they would be constantly training, turning training into playful competitions. This rivalry would be fun, and even if Diana often won (given her divine gifts), Y/n would always try harder, determined to accompany her.

They would have caused occasional problems, perhaps by invading forbidden areas such as the Amazon arsenal or sneaking into diplomatic meetings to listen to important discussions. Although the Amazons may have reprimanded them, deep down, they appreciated the spirit and bravery of the siblings, knowing that one day this would make them great warriors.

Even as children, they were protectors of each other. Diana could have intervened to defend Y/n if the older Amazons doubted his place on the island, while he would have been quick to protect her from any problem they were in, especially when they were reprimanded for breaking the rules.

As they grew older, their training would have been intense and shared. While they would have trained under different masters, they’d constantly compare skills, pushing each other to become stronger and better. This competition forged a deep bond, as each knew the other was their equal in spirit, if not always in skill.

They would have grown up with a sense of shared responsibility for Themyscira's future. While Diana would be the only one destined to become Wonder Woman, Y/n would have been prepared for his important role, whether as a guardian of Themyscira. They would share ideas, train together, and plan the future of the island.

From an early age, they would have trusted each other, especially when they began to understand the unique pressures of being children of the gods. Y/n may have struggled to feel like a stranger, being one of the few men on the island, and she always offered guarantees. In the same way, he would be the one Diana turned to when she felt the weight of her destiny getting heavier.

As adults, Diana and Y/n would be an unstoppable duo in battle. Their shared education in Themyscira, combined with their respective powers, would make them natural allies. They would struggle with an almost telepathic understanding of each other's movements, with a fierce determination to protect each other at all costs.

Where Diana is sometimes the voice of peace and diplomacy, Y/n may lean towards more pragmatic or aggressive approaches. This balance would sometimes create tension, but they would always find a middle ground. He respects her wisdom, while she values his frankness.

As adults, they are emotional anchors of each other. No matter how much time has passed or how far their paths have diverged, they will always return to each other in exchange for support. Whether dealing with divine interference, the complexities of immortality, or simply the cost of their responsibilities, they would always be there to elevate each other.

— What is their relationship like with Hippolyta and the Amazons?—

Both siblings would have a deep respect and love for their mother, Queen Hippolyta. However, Diana may be closer to her emotionally, while Y/n would have a more formal relationship, constantly trying to live by her expectations. As children, they could often have conspired together to impress her or seek her approval, which could be another source of their competitive nature.

Although Diana has always been seen as the chosen one, Yn would still have earned the respect of the Amazons. He may have to work hard to prove himself since Themyscira is traditionally an exclusively female society, but his loyalty to the island and its people would be undeniable. As an adult, he would be considered one of Themyscira's most trusted warriors, even if his sister is the most revered figure on the island.

While Diana represents the public face of Themyscira as Wonder Woman, Yn may prefer to work in the shadows, ensuring the island's security against inexcusable threats. He could act as Themyscira's guardian while she is away, using his position to protect his home from external and internal dangers.

- Bonus-

As adults, they may have periods when they travel the world together, exploring different cultures, fighting side by side and learning from the outside world. Their bond would be strengthened as they experience both the beauty and the dangers of the world, forging a legacy not only as siblings of the Amazon but as heroes who are together.

Having grown up on Themyscira, Y/n might not be fully familiar with the outside world, especially with mortals who wield significant power. He’d be curious but cautious, knowing that if Diana respects them enough to make an introduction, they must be important. However, being protective of his sister, he would initially be a bit wary of anyone outside their world.

As someone raised among Amazons, who value strength, wisdom, and honor, he’d quietly observe both Batman and Superman before fully engaging. His warrior’s instincts would kick in, sizing them up to see if they were worthy of his sister’s trust and alliance.

— Meeting Superman —

Upon meeting Superman, he would be impressed by the sheer power radiating from him. Diana’s brother might feel a connection to Superman because of their shared experience of being powerful beings, both with ties to a larger-than-life heritage (Kryptonian vs. Amazonian/Godly). He’d respect Superman’s sense of justice and might even feel a kinship with him, given that both of them likely feel the weight of their powers and responsibilities.

It wouldn’t be surprising if Y/n subtly tested Superman’s strength—perhaps during a sparring session or by initiating a friendly challenge. Not out of malice, but because he’d want to see firsthand what makes Superman such a strong ally for his sister. He’d quickly come to respect Kal-El, realizing that despite his immense power, Superman remains humble and kind.

Once he gets to know Superman better, he’d appreciate his moral compass and his commitment to doing good. This would make him feel more comfortable with Diana having such a powerful ally, as it aligns with the values of the Amazons.

— Meeting Batman —

Batman, on the other hand, would raise more skepticism. A man without superpowers, Y/n might not immediately understand why someone like him is so important to his sister. He’d question how a mortal with no divine or godlike powers could be a worthy companion to a demigod like Diana.

However, once Batman speaks, he’d quickly pick up on the intelligence, strategy, and sheer willpower behind the Dark Knight. He might not be able to understand Batman’s methods immediately, but he would come to respect the man’s relentless drive and tactical mind.

There might be some initial tension between them, as Y/n would likely prefer straightforward, honorable combat over the shadows and mystery that Batman represents. But over time, he would realize that Batman’s dedication to justice and his ability to outthink enemies are just as valuable as physical strength. The respect between them would grow slowly but deeply.

Over time, Y/n would grow to trust both Superman and Batman. He’d respect Superman’s goodness and strength and come to appreciate Batman’s cunning and strategic mind. They’d likely become strong allies, especially when defending Earth from larger threats. Even if their methods differ, the mutual respect between the trio would only deepen.

Eventually,Y/n would see himself as part of this elite group, loyal to the trio’s cause and protective of them all. Despite his initial skepticism, he’d developed a close bond with both men, realizing they were not just allies but people who cared about his sister as much as he did.

[monkey-d-ezekiel]

Gear Reverse Theory (kinda)

okay hear me out. no the 3 week break is not messing with my mind. but WHAT IF Gear Reverse is an actual thing. we've seen Luffy in Gear 5 multiple times by now, right? and one of the consistent responses that Luffy has had to people acknowledging him as Sun God Nika has been essentially "Huh? I'm just Monkey D. Luffy!". Like he does not care for this Sun God business in the slightest.

The point is, Luffy has never wanted to be any sort of hero or God, and he doesn't take kindly to his new gear (Gear 5) basically being called a reincarnation of someone else, specifically someone who was worshipped as a God of Liberation. He always clarifies that he's just Monkey D. Luffy and doesn't really understand this Sun God business.

But we've also seen it be stated that Zoan devil fruits have a 'will of their own' and in the case of Luffy's mythical zoan, the will of the fruit is that of Sun God 'Nika'. We've seen Luffy undergo a fairly noticeable shift in personality numerous times while fighting in Gear 5. While his major fights pre-awakening used to be tense struggles with him adopting a more serious demeanor, his recent fights have been more characterized by humor and goofiness. This seems to be a direct effect of the will of Sun God Nika or Joyboy coming to the forefront. In a way you could say that Luffy's will and personality is sort of playing second fiddle in Gear 5.

We all know that Luffy is a headstrong and in a sense, selfish guy. He values his beliefs, personality and aspirations over the morality of a hero, as we've seen several times in the series. He was averse to Jimbei trying to frame him as a hero in FMI, and the same held true for one of his first interactions with Vegapunk, in which he seemed disenchanted at the thought of being some sort of hero. Oda seems to be indicating more than once that Luffy is yet to realize that his awakening has made him a reincarnation of a God.

So what exactly will Luffy do once he fully understands what his fruit and its awakening entail? He's going to be unhappy about it. Luffy does not want to be a hero, and especially not when it comes with the added cost of having your will taken over by a mythical deity. and this is where Gear Reverse comes in. Luffy is going to be the first human to go beyond his awakening. Gear Reverse is going to be Luffy asserting his will over the fruit and making use of all its powers post awakening while also making sure his will is the dominant one, and not that of the fruit. I'm not sure how exactly Gear Reverse would look, but I think it would be cool if it was Luffy simply in his base form and nothing more, while still being able to fight in the ridiculous manner he does, turning the environment to rubber and such.

I think one of the biggest indicators which point towards Luffy slowly gaining control over his devil fruit, rather than his devil fruit having control over him, is this panel from chapter 1108. It is in equal parts menacing and goofy, combining both those elements to create a terrifying atmosphere, and a bit of a departure from the overly humorous style of fighting that Gear 5 has been so far.

Anyways yeah, there's probably a buncha holes in this theory, but I found the concept of an internal clash of wills within Luffy, between him and his devil fruit, to be pretty interesting and in character for Luffy, while also being a fresh and innovative direction for the series to take with Gear 5 rather than it just being a chosen one story.

[stewy]

i saw your tags about cameron being more similar to house than wilson and if you have any notes or explanations on that i'd love to hear them! cameron is such an interesting character and i feel like she's really not analyzed enough

she isn't! idk if it's because people simply forget the earlier seasons as they progress with the show, but they forget cameron is an actual character who is written as consistently as any other character in the show save for house himself. not liking her is one thing but to dismiss her as if she isn't one of the most important people in house's life when her love literally got him out of that building is. lol

cam and wilson have a lot of similarities: they’re self-sacrificing to a detrimental extent, they value social niceties and acts of kindness, caring and empathetic, multiple marriages, in love with a sewer rat, etc. but they sort of stop there. cameron is a strongly moral character; wilson’s morals are flexible to the point of being barely there. cameron won’t sacrifice her values for the sake of making anyone feel better; all that wilson cares about is making other people feel better, preferably to his own detriment. cameron is much more sensitive and emotionally driven than wilson imo, you can see her actively struggle to put her feelings in the backseat in pretty much every situation, while that seems to come as second nature to wilson (though cameron gets better at that through experience). but she is also much more stable and true to herself than wilson, who struggles with letting his true feelings show with anyone other than house (simply because he knows his friend won’t give a shit). you see house call cameron “pathetically sincere” and that’s something you’d never hear him say about wilson considering his pathology is that he loves Everybody, with no discrimination. i think their specialties also speak to their own personalities: wilson is an oncologist, all of his patients already have cancer and most likely will die from it; his job is to treat them but it’s also to make them feel better about their imminent fate. cameron is an immunologist, taking care of someone’s autoimmune system with the sole focus of getting them stronger. this is also their approach to house himself btw

house and cameron are two sides of the same coin. a lot of people would disagree with me & hugh laurie in saying that house is a strongly moral character, but he is. the difference between himself & cameron is that he doesn't care what people do with their lives. if someone wants to kill themselves after he's done treating them, that's their problem. even when she despised the patient, she couldn't dare to see them live in pain (informed consent) or to play god and kill them herself (the tyrant). they're both extremely sensitive, stubborn and closed off. isolating themselves to the point of making their significant others (stacy and chase) feel lonely in the relationship. they both often look insane to everyone else, but have an innate understanding of each other. cameron opened herself up to house in a way she could never do with chase because she saw him, and she was the only person he truly emotionally connected with other than wilson. she was bothered by his impersonality and he was bothered by her sensitivity, because she wore with pride something he thought made him (and other humans) lesser. they tried to bring characters like masters & adams (even park?) to act as foil to house but it didn't work because they lacked what cameron and house had: a relationship.

[mobfan893]

HORRIFYING: LIKE IT OR NOT SHOU SUZUKIS TERRIBLE BUZZ CUT HAS REAL SYMBOLIC VALUE

so i see people making fun of his new hair which is understandable to an extent because it does look a little jarring since it’s so new but it’s a little bit more than him trying to look like his dad or fucking up with scissors so let’s talk about it

i want to start with just hair and symbolism in mob psycho and what we’ve seen of it so far

terus hair gets its own entire arc basically but it mirrors his growth as a character, put simply: shaving=reason/opportunity to change, tall wig=overcompensation/dedication to large change, cut wig=humble change/humility as chosen by others, final hair=change/humility as decided by himself

serizawa’s haircut is symbolic of new beginnings, and it’s reigen that cuts it which can be seen as reigen freeing him from his past and allowing him to take steps into a new chapter in his life which is pretty cool, the same can be said for how it’s consistently mob that’s shaving Teru’s hair lol

less significantly is kamuro and ritsu getting hair changes after the big cleanup arc ends, while not exactly a haircut it’s still a way to show the changes in their mental health and is a way to say that they’re taking care of themselves more afterwards

which takes us to shou’s haircut, which still needs prefacing because his first hair has its own meaning

unfortunate and tragic but shou having this ridiculous vibrant sharp main character look is a window into how he sees himself during this time, he’s trying to stick out because he has an understanding that he is very important, I vaguely recall ONE saying in a tweet that his design is made with the intention to resemble that of a battle shonen protagonist.

in a way his appearance mirrors his feeling of responsibility to take the role of this cliche selfless protagonist chasing after a happy ending, and we know he has this style by choice because the fanbook tells us that by no means is it his natural hair

so understandably when he realizes that he’s actually free of this responsibility and doesn’t have to force himself to fill the shoes of a sacrifice and can choose to make decisions for himself and his own happiness, he cuts all his hair off.

and not only does it pull him away from this manufactured anime protagonist fantasy (which he’s arguably been using to make things look less scary by ignoring the humanity in his situation) it is also representative of free will and personal autonomy, which is so important because until then shou was doing most (not all) things because he felt he had to, not because he wanted to!!

tldr mobpsy loves symbolism and his haircut is a very literal way to show us he’s finally able to make decisions for the sake of himself because it’s what he wants and because it’s what makes him happy, not because he feels some moral or greater obligation to.. you make fun of him but that haircut was his choice and that’s all that matters :cry: :cry:

[lyss-sketchbox]

(To start, I've been enjoying reading your and folks' various perspectives on Natlan, it's interesting to see different breakdowns/thoughts)

I do have a theory on the flippancy though, and I may very well be horribly wrong, but I suspect it's intentional. The whole nation is being taught, more or less, that this war they're fighting is a game. It's fine if you die, we'll bring you back. It's fine if you fight the Abyss, we do it all the time. And yet. We see that folks' Ancient Names can be lost and not recovered, that you can't fully recover from Abyssal corrosion, and that hey, actually, Kachina is a terrified kid when we see that projection of her. It may even be part of why the nation is struggling so much with creating their Contending Fire. I also think Mavuika plays into this narrative.

Primarily, I think (or maybe just hope) her overconfidence is going to be her hubris. Traveller expresses concern about the time she has to gather the warriors and she's non-plussed, "eh, I trust the Wyob". She's got A Plan and it's going to work, according to her. But I dunno about that ma'am. She also says weirdly definitive statements that I don't think are fully accurate like "humans can't know their fate" and "the only thing that unites the Fatui are collecting the gnoses" that lead me to believe she puts full stock in her conclusions as soon as she feels she has an answer and doesn't exactly question any further.

Honestly? It would be nice if they set up this whole thing of the nation being so casual and Traveler buying into it only to tear it, crashing down, around everyone. How long can the nation avoid taking things seriously before everything comes to a head? (Perhaps why Capitano isn't interested in brute-forcing things overall? Or maybe I'm giving him too much credit, lol)

What an interesting take, genuinely

So Mavuika

It would definitely play the part of being a pyro archon and how pyro vision holders are often extremely confident and high spirited. It would make sense if the pyro archon embodies that kind of value.

This also lines up with what the previous anon said about how she wanted to be reincarnated because its HER plan and she wanted to see it through even if it means offing herself early.

(I dont remember the ending dialogue was i did it all at like 4 am so yeah please fight me on my takes)

She also seems very quick to make MASSIVE decisions like using a good chunk of her power to keep the Contending Flame alive right then and there even with the concerns of some people. Then she was just as quick to burn all the mementos gathered for centuries when the group sent to find Kachina didnt make it.

I feel like maybe she couldve waited before keeping the Contending Flame alive. And while the Contending Flame IS more importang than a single girl, based on the time we spent in the Night Kingdom. It doesnt... feel all that long. She couldve waited. Use her power to save us. Rest for a while then fan the Contending Flame. Saving us from the Night Kingdom didnt feel like a permanent loss of power while keeping the Contending Flame alive does.

To be honest, she IS human, WAS human before archonhood. Shes been human TWICE now due to her reincarnation. I can understand humans wanting to prove to higher powers and beings such as fate that they CAN hold power over themselves. But being human, being NATLANIAN means she has worshipped to Wayob as well at some point. Hence putting her faith more into them and their ancient names.

The Plot of Natlan

I will admit here that i am biased and there is only 2 acts so far. For all i know theyre still setting up the chekovs guns and they may pop oh so beautifully in late acts and i am too harsh on the set up acts.

But i can understand if the people of natlan has been trained their entire life to numb themselves of the true horrors of war. Because they live constantly in it, if they are in constant fear, it is not good for morales or the ancient name holders either.

And if they were written to be so chill so that hoyoverse can pull the rug under us even harder then well good on them because i will be COMPLETELY honest.

I cannot see them pulling this without making it cliche or shallow.

Because we all already know SOMETHING is gonna go wrong. The abyss will reach natlan. The contending flame will die. The 6 heroes will reawaken and help Mavuika fight off the abyss for good. We know it will happen. The only issue is how to get there and how to not make it cliche as fuck.

Because for one they pulled the anime training montage for Kachina where we get told she is actually really good, she has been training so hard with Mualani but we literally dont get to see or feel it. But oop she defeated mualani.

They pulled the power of friendship when Mualani talked back to lector in the night kingdom.

They already spoiled how Ororon was the traitor because HE WAS STANDING NEXT TO CAPITANO IN THE TRAILER.

It feels way too messy for me, way too unserious and uncoordinated both in game and advertisement materials. I almost feel like capitano, 1st of the fatui harbinger, probably shouldnt have been responsible for natlan because dude can out espionage them (or maybe natlan and capitano are both as equally uncoordinated who knows).

Well for NOW i think they have a generic base plot. I would be very willing to declare how wrong i was about natlan if act 3-5 managed to fucking mindblow me. But yeah as you can see i am not hopeful that hyv have half the brain you have about the plot.