I'm a big fan of the way that Gabriel Urbina often includes details within the Wolf 359 scripts that can't be directly translated into audio, for example: the "tears silently streaming down [Minkowski's] face" in Ep31 Securité; Eiffel being "wrapped up in a blanket" when telling Lovelace about his traumatic experience of feeling like he was turning into Minkowski in Ep32 Controlled Demolition; the way "Hera and Eiffel stand together, his arm around her shoulder" when confronting Pryce in the finale; the idea that Eiffel "salutes" Minkowski after his speech to her before the memory wipe... These details make reading the scripts an even more rewarding experience.
But I do think there's an interesting question here about to what extent these details are canon. After all, when changes have been made in the dialogue between the script and the final recording, I only consider the dialogue that actually ended up in the episode to be canon, although the version in the script might still provide interesting insights. But with details in the scripts that are inherently not audible - and therefore never intended to be literally included in the episode itself - should we consider them to be canon, or bonus content, or Word of God, or simply a tool used in the recording process?
I know that it is possible to have an entirely full experience of the show without ever reading a single bit of the scripts. The scripts are placed in the 'Extras' area of the show website.
Obviously the primary purpose of the non-auditory script details is to inform the actors in their performances, and perhaps provide some considerations for sound design. When I read the scripts, I can often feel how the non-auditory script directions are reflected in the feel of the voice acting.
But once I've noticed these script directions, I also can't help having them feed into my experience of the scene when listening, in a way that enriches the experience beyond purely the audio, and informs my understanding of these moments. The script directions tell us more about what the writer was envisioning for a scene.
I love sharing the script directions that feel significant to me, and when I do so, I feel like I'm sharing something more significant than a behind-the-scenes tidbit. I feel like I'm sharing further knowledge of what happened in that scene. The script directions feel like a true part of the show to me, more so than the comments the writers and actors have made in Q&As. To me, these non-auditory bits of the scripts feel like canon, but a slightly lesser form of canon than the episodes themselves. But I don't know if I can fully justify this view. I'd be interested to hear other people's thoughts.
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*WANDERSONG SPOILERS*
Okay excuse me while I scream for a bit
Man oh MAN there is so much to unpack here;
I'm currently in the Crater in Mohabumi (I think it's called) in the kingdom of Chaandesh, and this is one of the most simultaneously interesting and heartbreaking moments of the game I think, not least after seeing and hearing about the war between Chaandesh and Rulle from both sides and how this war is affecting the people of Chaandesh, who it seems have actually been needlessly vilified by Rulle to the point where Hala ended up running away and getting herself KILLED because she wanted the war to stop and no-one would listen to her-
Okay so- Miriam and the Bard talking and dancing in the Crater about themselves and how Miriam's been on a semi-existential, soul-searching journey of her own while the Bard's been on his own quest, and how she admitted that she actually admires the Bard's positivity in spite of not being the hero and his happiness and sureness with himself, but the Bard admitted to her that he himself actually tries hard to be positive despite feeling immense sadness in himself over not being the hero (as evidenced with his depressive spell in the aftermath of his discovery of the truth and mission to shut down the toy factory in Chismest Town) and that how the so-called hero herself is still running around killing Overseers and how nothing he does or will do will matter in the long run, but nevertheless he still pushes on and keeps trying...
And how Miriam admitted to him that she admires that about him, against the weight of the uncertainty she feels within herself...
This is...I'm losing my freaking mind over here and my heart hurts and I've got the game running in the background as I'm typing this and I'm in both my thoughts and my feels as the Crater theme plays in my headphones...
The Crater theme is an actual banger by the way, great to have a mini existential mulling to.
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(More thoughts and drafting! Some weird formatting I know but it was all one block in my notes)
Emma is doing just fine. Average. It’s really not so bad.
She’s just been dealing with a lot of change. And with too many things not changing.
Which is… an odd thing to struggle with.
Because she likes change. Daunting challenges. The unpredictable. Doing new things every day and never being scared of them. And she likes independence.
She had thought so, at least.
After the show, she had been hit in the face with just how… isolated she was. She had only had two friends before the first season, but she had left them behind. Her mother wasn’t doing the best, and she didn’t have any nearby family.
She found herself laying in her bed in the middle of the day most of the time, scrolling through her contacts and old conversations.
Or scrolling through her comments on TikTok.
A few weeks ago, she had tried some stunt involving a motorcycle and an inflatable pool. She probably wouldn’t have messed it up if her hands weren’t trembling.
(She had forgot to check the breaks, and wasn’t sure if they were working.)
(They were.)
The blood dripping down her face and the gash in her lip didn’t sting as much as it did watching the video.
She looked ridiculous, and she probably always did. It was better when she had someone else to do it with. Maybe she was losing her touch.
She didn’t post the video.
She turned back to dancing instead, which did feel less embarassing, despite the constant mocking feedback. Sure, the jokes were “funny”, but she didn’t care about any of it. She didn’t feel the rush, she wasn’t planning every day, and she wasn’t known or loved for anything.
Except for what she lost.
And, the show, to an extent.
-Ugh, she misses the show. She shouldn’t, but as stupid as it sounds, she really did. She missed doing crazy things and talking to people. Having a chance of winning. Beating everyone. Being cheered on. It wasn’t always great, but at least it was something. She misses doing something.
And she really misses Bowie. She missed Bowie, but she knows better than anyone that she can’t go back to that. They just- have better things to do now. He probably does.
He’s got Raj- which is great! And she’s happy for him! She’s happy for everyone. For Wayne, however he’s doing, for Julia, despite everything.
And Caleb. For having Priya.
Emma is jealous that Bowie gets to have someone.
Emma is jealous that everyone else gets to have someone.
Emma is jealous that, unlike everyone else, winning the show probably wouldn’t have made her any happier.
She isn’t sure what would.
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It’s 7:30 in the morning and I’m exhausted but I don’t know if I’ll be able to fall asleep again any time soon….
It’s like I was *just* starting to heal from having my heart and trust shattered 3 years ago, and now it’s happening all again, only this time I don’t have the church to go to for comfort/prayer/encouragement. And instead of a friendship I had for 2-3 years, it’s a church I’ve been going to for TWENTY TWO YEARS
I feel like I’m living in the twilight zone, this can’t actually be happening, right?
(I’m not okay, I keep crying and I just want to wake up from this nightmare)
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